Search "re:st" 2897 Items

LP | 2019 | EU | Original (Vee-Tone)

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Re-issue of the Blood’s legendary debut LP which reached No 5 in the Indie Charts when originally released in 1983.
The Blood were one of the first to merge punk with metal.

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The Blackjacks

Elvis Presley Posters

13,19 €* 21,99 € -40%

Directions To See A Ghost Metallic Silver Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Vee-Tone Records are delighted to release ‘Elvis Presley Posters’ the debut album from The Blackjacks, one of the most exciting new talents on the ‘roots’ music scene today. If you’ve caught these young lads live, then you’ll know exactly why they’re causing such a stir.

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

52,69 €* 61,99 € -15%

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

57,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Jump Rope Gazers Lemon / Lime Vinyl Edition

The Beths

LP | 2023 | UK | Reissue (Carpark)

25,99 €*

Expert In A Dying Field Yellow Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music. Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. "If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.” With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings. “It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

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The Beths

LP | 2022 | US | Original (Carpark)

27,89 €* 30,99 € -10%

The Beta Band Deluxe Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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On The Beths’ new album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?

The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun -- to hear, to play -- in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope.

Most of Expert was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) -- and sometimes in the building's cavernous stairwell at 1am -- toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real time, until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, Expert finally became the record they were hearing in their heads.

Expert is an extension of the same skuzzy palette the band has built across their catalog, pop hooks embedded in incisive indie rock. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

The rest is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum: “Your Side” is a forlorn and sincere love song, emotive; while “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “When You Know You Know” skews a bit groovier, pure pop and a natural addition to the band’s live set. “Knees Deep” was written last minute, but yields one of the best guitar lines on Expert. There’s a certain chaos across the 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain.

Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish - instead, through The Beths’ music, our shortcomings are met with acceptance. And Expert In A Dying Field is the most tactile that tenderness has been.

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The Beta Band

3LP | 2018 | EU | Original (Because Music)

21,99 €*

2LP+CD | 2018 | EU | Original (Because Music)

Release: 2018 / EU – Original

Genre: Rock & Indie

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This is a Deluxe 3LP+2CD edition with double black vinyl album in gatefold sleeve with printed inner-sleeves and CD included, plus a single black bonus EP vinyl in single sleeve with 3mm spine, printed inner-sleeve and CD included. Both vinyl sleeves are held together with an obi stripe. Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. After acquiring the Beta Band’s catalogue last year, Because Music will reissue their releases, starting on September 14th with a deluxe vinyl edition gathering in a slipcase the EPs ‘Champion Versions’, ‘The Patty Patty Sound’ and ‘Los Amigos Del Beta Bandidos’ with remastered tracks and Colored Vinyls, to celebrate the 20th anniversary of the 1998 compilation. Because Music will release at the same time a double CD Best-Of compiling all their best hits and a live show recorded at the Shepherd’s Bush Empire (London) in 2004.

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The Beta Band

17,99 €*

12" | 2007 | US | Reissue (Jagjaguwar)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. Released in 1999, the album “The Beta Band” followed the critically acclaimed compilation “The Three E.P.’s” (1998). With high anticipation for The Beta Band, the band originally planned to record the album in four separate continents, but financial constraints slimmed the recording locations down; however, the album was still recorded in a variety of locations and pulling inspiration from sources as diverse as Jamaican reggae, Disney’s movie “The Black Hole” and Bonnie Tyler’s “Total Eclipse of the Heart".

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The Besnard Lakes

Casino Nanaimo

16,99 €*

7" | 2023 | EU | Original (Munster)

Release: 2007 / US – Reissue

Genre: Rock & Indie

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In early 2007, THE BESNARD LAKES released a full-length album on JAGJAGUWAR that quickly made it onto numerous and budding best-albums-of-the-year short-lists by a whole range of music-listening pedigree. Now these inspired Montrealers continue what they've started, re-stoking the flames and releasing two additional tracks. Side A is "Casino Nanaimo", a place where repetitive sound and lights engulf addicted gamblers all vying for space on the eternal wheel of fortune. And then there is side B, "Devastation (alternate version)", the unedited and original straight-to-two-track nine-minute version, recorded live-off-the-floor at Breakglass Studios.

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The Beggers

Metamorfose EP

15,99 €*

Sunshine Dub Me Black Friday Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Amazing garage punk cult band featured on the "Brazilian Nuggets" Vol 1 and Vol 2 compilations. Recorded in 1968, this EP is almost impossible to find and has never been sold on Discogs. It comes with a 12-page booklet with liner notes, photos and memorabilia. This release is a collaboration between Discos Nada, Fatiado and Munster Records. The Beggers were formed in the industrial ABC Paulista region, the birthplace of the Brazilian punk rock scene. But many years before that, The Beggers were already a kind of proto-punk act, as can be heard on the first track of this 7" record, 'Estes Homens Farrapos', a rather unusual social commentary song in those flower power days. Considered a protest song, it ended up being censored. However, the most psychedelic and experimental track is 'We're Going, to Aid You', a song about a fictional alien invasion. The creepy effects created by the group in the studio can be compared to those by the greatest international bands of the time. The Beggers only had three original compositions and a fourth one was missing to complete the EP. This was how 'We're Going, to Aid You' was eventually created as an experiment in the studio, just to complete the record. With "Metamorfose" banned from the shops, the members of The Beggers were running out of money, and without any gigs they had no other choice but to break up the band shortly after the release of their mighty EP. Bento Araujo (author of the book series Lindo Sonho Delirante) An amazing example of genuine teenage garage rock from 60s Brazil reissued for the first time, as result of a collaboration between Discos Nada, Fatiado and Munster Records.

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The Bees

12" | 2023 | UK | Original (Pias Recordings Catalogue)

Release: 2023 / UK – Original

Genre: Rock & Indie, Reggae & Dancehall

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Sgt.Pepper's Lonely Hearts Club Band Limited Super Deluxe CD Box

The Beatles

Box | 2017 | EU (Universal)

141,99 €*

Release: 2017 / EU

Genre: Rock & Indie

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Let It Be Limited 50th Anniversary Box Edition

The Beatles

Box | 1970 | UK | Reissue (Apple)

151,99 €*

I Told You Before: Unreleased Get Back Sessions

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions
Blu-ray contains Dolby Atmos mix, 5.1 surround mix, plus high-res stereo mix of the original album

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The Beatles

LP | EU (Israeli Fan Club)

20,99 €*

The Baker Gurvitz Army Record Store Day 2023 Yellow & Orange Vinyl Edition

Release: EU

Genre: Rock & Indie, Pop

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For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

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The Baker Gurvitz Army

LP | 1995 | US | Reissue (Culture Factory)

Gettin' All The Attention

Release: 1995 / US – Reissue

Genre: Rock & Indie

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4 - 1st Studio Album, Top 25 US Billboard Chart, Includes their signature song “Mad Jack". This was the English Prog-Rock group most successful album. This deluxe package will include an OBI strip, gatefold album jacket, printed inner sleeve, original record labels and specialty color vinyl. Lava Lamp effect cleear Yellow/Orange Color Vinyl

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The Attention!

LP | 2012 | Reissue (Screaming Apple)

18,99 €*

7" | 2020 | US | Original (Total Punk)

Release: 2012 / Reissue

Genre: Rock & Indie

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Two years after the release of their highly acclaimed self-titled debut-album the ATTENTION! from Vienna, Austria return with a BANG! delivering their brandnew longplayer 'Gettin' all ...' to those who are desperately waiting for more insane dance action and give the bleached out face of classic r'n'b a bright new robe. Those guys celebrate the mod-aesthetics of the swingin sixties in perfection. Stylish from head to toe they deliver a frantic mixture of traditional blues, soul, beat and r'n'b to all the smart dancers worldwide and re-create a sound which hasn't been heard since those glory days of acts like Bo Diddley, the ANIMALS, the YARDBIRDS, THEM and the SPENCER DAVIS GROUP. Did you ever shake your tailfeather to the sound of Rock'n-Roll!? Well, here's your chance - THE ATTENTION! - five lads, armed with their love for Rhythm&Blues, fuse their infectious beats, catchy riffs and haunting melodies into an explosive, one-of-a-kind mix, that makes you wanna shout and shimmy! These five hipsters learned their lessons in bluesy licks, soulful shouts and pumping rhythms frighteningly well. So watch out for the heatwave that is called THE ATTENTION! rolling over your town. Make sure to put on your finest pair of dancing shoes and celebrate! Just a handful of bands like THE JAYBIRDS, THE WHAT...FOR! and THE MOVING SOUNDS were able to capture the spirit of the distinctive r'n'b sound as precise as THE ATTENTION! YOU WILL SHOUT AND SHIMMY!!!

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The Archaeas

Rock N Roll

14,99 €*

LP | 2022 | US | Original (Slovenly)

Release: 2020 / US – Original

Genre: Rock & Indie

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"We're winding things down over here at the Total Punk stamp factory. Only two more singles to go and then its big slabs from there on out. I'm beyond happy that THE ARCHAEAS are in this final class. Hailing from Louisville, KY The Archaeas have quitely been amassing their legion of followers with an absolutely jaw dropping live show. I've put out a lot of singles in these last eight years, and this is one that will sit at the front of the pack. Recorded by fellow Total Punk GINO BAMBINO, these two songs come just about as close as you can to capturing them live. Raw, loud, and filled with hooks. The Archaeas write the kind of songs you only have to hear once before you know them. This is their first vinyl release but I have no doubt we'll be hearing from them for a long time. The other two songs they recorded with these two are just as good and if I weren't getting out of the singles game I'd be begging to put them out as well. Hopefully I can convince them to make the transition over the big records with me. Lean, mean, and 100% TOTAL PUNK."

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The Anomalys

Glitch

Release: 2022 / US – Original

Genre: Rock & Indie

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As the delicate strings wistfully arpeggiate throughout the blissful introduc… get the fuck outta here, man. This is Slovenly territory, and this is THE Anomalys… NOW AND Forever! Crushing boldly into this total wreck of a future and not giving a rat’s ass for politeness, Glitch marks the first full-length from our Dutch decapitators with the current and deadly lineup of skinsman Rémi Lucas, Looch Vibrato (from Magnetix) on guitar number two lending his legendary fuzz and distortion, and our towering disaster of a leader, Bone on guitar and throat. It's no secret that this trio is one of the most ferocious live bands on planet Earth, and Glitch, with its remarkable new superphonic recording technique, captures the chaotic rockabilly-cum-garage punk pummel and twang like never before. Picking up right where they left off with 2019’s Trooper EP, The Anomalys resurrect and regurgitate that 7-inch’s title cut on this new LP, obliterating the OG and rendering it obsolete (nah, you need ‘em both). “One of these days and it won’t be long, you’re gonna dance to a different song!” A sincere threat from Bone right there on “Bleed for Me,” but “different songs” ain’t necessarily what these beasts be about. We come to The Anomalys for one thing and one thing only: Relentless, ass shaking rock’n’roll. 'Cause that's the way we digs it, beer breath and all.

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Strength 1985-1986 Remastered

2LP | 2019 | Original (21St Century)

20,99 €*

Release: 2019 / Original

Genre: Rock & Indie

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2LP | 2021 | UK | Original (21St Century)

History Repeating

Release: 2021 / UK – Original

Genre: Rock & Indie

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Forwards White Vinyl Edition

LP | 2023 | UK | Original (21St Century)

30,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Forwards Green Vinyl Edition

LP | 2023 | UK | Original (21St Century)

30,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Pyramid - 45 RPM Audiophile Edition

The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

46,99 €*

Live From Gorilla Record Store Day 2024 Solid White Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-12-13

2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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The 1975

2LP | 2013 | Original (UMC)

39,19 €* 48,99 € -20%

LP | 2020 | EU | Original (Count Your Lucky Stars)

Release: 2013 / Original

Genre: Rock & Indie

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Quantity: 7500
Release type: 'RSD First' Release

1st February 2023 The 1975 played their debut album The 1975 in full for the first time since its 2013 release. The album debuted at number one on the UK charts in September 2013, is certified platinum (us) and 2 x platinum (uk), and set the path toward a solid run of international chart-topping, awards, and sell-out arena tours across their subsequent releases. For the 10th anniversary in 2023, the band recorded the gig making this available on digital and CD. Rsd2024 sees the album released on vinyl for the first time pressed on white vinyl with brand new artwork.

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Thank You I'm Sorry

I'm Glad We're Friends

Been Here And Gone Gold Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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"Olive in Gold" Vinyl, limited to 300 copies!Nerves are one hell of a tool. Short bursts of anxiety and fear often lead to songwriting that doubles down on winking through catharsis. It's in the spaces between sudden inspiration and deliberate wit where Minneapolis' Thank You, I'm Sorry resides. Their debut LP, The Malta House, charted a course towards self-acceptance while surrendering to the pull of a music career and a constantly buzzing heart. The charm of that release comes from its set-up: it's an acoustic record that draws on the confessions of guitarist and frontperson Colleen Dow to generate visceral electricity. Thank You, I'm Sorry is already here with their follow-up, I'm Glad We're Friends. You're welcome.I'm Glad We're Friends plusses up selections from The Malta House and offers plenty of new surprises. Bassist Bethunni Schreiner and drummer Sage Livergood upgrade "Ten Dollar Latte" with a rhythm section that elevates a simple crush into a pop-punk meditation on healthy boundaries. The new additions here point to a bright future, both internally and externally. "Follow Unfollow" draws a line between infectious grooves and spaced-out isolation, even with a reference to how tight-knit and relaxed the recording sessions were. (Close collaborator Abe Anderson was behind the boards.) "Between Hell and Hair School" fights then embraces its own gravity, combining strings and guitar crunch to appeal against glazed-over indifference. As the second release from this outfit in under a year, I'm Glad We're Friends is as invigorating and confident as making a new connection. Perhaps Thank You, I'm Sorry will connect with you.

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Thalia Zedek

LP | 2021 | US | Original (Thrill Jockey)

In Theory Depression White Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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In celebration of the 20th anniversary of the release legendary singer/ guitarist Thalia Zedek's Been Here and Gone, Thrill Jockey is proud to present the album unlike it has ever been heard before: on vinyl, re-mastered by Sarah Register. Thalia Zedek has been one of the most enduring rock musicians of the past four decades. From her auspicious beginnings in bands Uzi, Live Skull, and Dangerous Birds to her wider recognition in Come, Zedek established herself as a singular voice accruing accolades from critics and contemporaries including J. Mascis, Kurt Cobain, and Bob Mould. Been Here and Gone, her debut solo release originally released on Matador in 2001 on CD, marked a turning point in Zedek's music. As Come was coming to a close, Zedek began exploring writing and performing as a solo artist, eventually backed by violist David Curry, pianist Mel Lederman (both of which went on to perform with Zedek for two decades), as well as former Come bandmates Chris Brokaw and Daniel Coughlin. The idiosyncrasies of her voice were laid bare for the first time, revealing an even greater depth to her unique songwriting. The more spacious and rich arrangements sprawl and whisper with powerful vulnerability. "There was definitely something magical about the making of Been Here and Gone," says Zedek. "I'm not sure if it was because it was made at a studio called Higher Power in a recently desanctified church in Stuyvesant, NY, or if it was because it was the end of a century, not to mention a millennium, the end of a decade of being in Come, the longest running band I'd had up to that point, and the end of 5 years of unhappy breakups and tumultuous relationships in my personal life." The eleven tracks that comprise Been Here and Gone embody that tension of uncertainty with a hopeful edge of renewal. Zedek's indelible resilience lifts even the somberest laments into triumphs. Even on the album's three cover tunes, including a haunting rendition of Leonard Cohen's "Dance Me to the End of Love," Zedek's voice and guitar color every note with raw emotion, making each passing gesture personal. Been Here and Gone channels the thunder and roar of Zedek's past into a fragile magnificence.

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Thala

LP | 2023 | UK | Original (Fire)

In Theory Depression Transparent White Splatter Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Rising artist Thala finds strength in her vulnerability on new EP In Theory Depression. After forging a path in hazy, lo-fi indie, this forthcoming release is home to her sharpest, boldest songwriting yet, rendering these deeply personal explorations of self in vivid, '90s influenced indie-rock, and looming, psych-inspired walls-of-sound. Recalling the tangled indie-rock of Holly Humberstone, Soccer Mommy, and Phoebe Bridgers, and underpinned by spiky, surging guitars, the songs unearth tenderness, even as they rage. In Theory Depression marks the artist's most introspective writing yet, but as much as the lyrics excavate from hidden depths, they're often paired with widescreen, cinematic-sounding melodies. It brings to mind both the dazzling soundscapes of Mazzy Star, the witty bite of Liz Phair, and the subtle punk influences of Juliana Hatfield, who also spins the genre's more relentless strains into snarling and bittersweet alternative pop. Thala has just wrapped up a joint UK tour, alongside showcases at Austin's Sxsw and with Brighton's Great Escape festival also on the horizon. Having already won the backing of BBC Radio 1's Jack Saunders, Wonderland Magazine and Clash, Thala's ascent is only set to continue

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Thala

LP | 2023 | UK | Original (Fire)

And Those Who Were Seen Dancing Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

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Tess Parks

LP | 2022 | UK | Original (Fuzz Club)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Following years of international touring and a lengthy list of critically-acclaimed collaborations with Brian Jonestown Massacre's Anton Newcombe in recent years (most recently the duo's self-titled 2018 LP), the new album will be Parks' first full-length solo offering since her debut, 'Blood Hot', was released back in 2013 on Alan McGee's 359 Music label. "In my mind, this album is like hopscotch", Parks says: "These songs were pieced together over time in London, Toronto and Los Angeles with friends and family between August 2019 and March 2021. So many other versions of these songs exist. The recording and final completion of this album took over two years and wow - the lesson I have learned the most is that words are spells. If I didn't know it before, I know it now for sure. I only want to put good out into the universe." A growing disillusionment with the state of the world paired with an injury that stopped Parks from being able to play guitar and piano for months meant the album was nearly shelved. "I really felt discouraged to complete this album", she recalls: "I stopped listening to music for honestly about a year altogether and turned to painting instead. I really had to convince myself again that it's important to just share whatever good we can - having faith in ourselves to know that our lights can shine on and on through other people and for other people. The thought of anyone not sharing their art or being shy of anything they create seems like a real tragedy to me. Even if it's not perfect, you're capturing a moment." Recorded over a two year period but with songs, lyrics and ideas dating back over a decade in some form, 'And Those Who Were Seen Dancing' is an album full of such moments, people and places. Col LP is on 180g ultra-clear vinyl, standard sleeve.

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LP | 1980 | US | Reissue (Paradise Of Bachelors)

Smokin The Dummy

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece Lubbock (on everything), the feral follow-up Smokin the Dummy is less conceptually focused but more sonically and stylistically unified than its predecessor_it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, Dummy documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, and Terry's letter to H.C. Westermann about the songs; and a high-res download code. The kind of singular American artist who expresses the fundamental weirdness of his country. - The Wire It has always been a fool's errand to frame Allen in terms of other artists_there was nobody like him before he showed up, and the subsequent forty years have been equally light on plausible peers. - Uncut

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LP | 1980 | US | Reissue (Paradise Of Bachelors)

Smokin The Dummy

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

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LP | 1983 | US | Reissue (Paradise Of Bachelors)

Bloodlines

Release: 1983 / US – Reissue

Genre: Rock & Indie

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On his manifold fourth album, acclaimed songwriter and visual artist Terry Allen contemplates kinship_the ways sex and violence stitch and sever the ties of family, faith, and society_with skewering satire and affection alike. Bloodlines compiles thematically related but disparate recordings from miscellaneous sources both theatrical and historical: two songs written for plays; two full-band reprises of selections from Juarez; the irreverent hellfire-hitchhiker-on-highway ballad "Gimme a Ride to Heaven Boy" (featuring Joe Ely); and the poignant eponymous ode to the arteries of ancestry and landscape (the debut recording of eight-year-old Natalie Maines, later covered by Lucinda Williams). This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate artwork and photos by Allen and friends; an insert with lyrics and original notes; and a high-res download code. "No veteran country songwriter sounds more attuned to the national mood. His songs still feel like little guidebooks for staring down a harsh universe." - The Washington Post "A reigning deity of a certain kind of country music since the mid-70s." - The New York Times

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LP | 1983 | US | Reissue (Paradise Of Bachelors)

Bloodlines

Hordes Of Zombies Blue Vinyl Edtion

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

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Terrorizer

LP | 2012 | EU | Reissue (Svart)

Keiner Hilft Euch Orange Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Re-release of the third full-length album by the American grindcore legends!

True to the American interpretation of Grindcore Terrorizer amalgamate the most forceful elements of Death and Thrash into a true juggernaut of Metal. Since their famed debut “World Downfall” (1989), this beast has been driven by the relentless and precise pounding of Pete Sandoval (Morbid Angel), who delivers yet another jaw-dropping barrage. Fans will be delighted to see Morbid Angel frontman David Vincent once more returning to play bass on this album. They will also be glad to hear that excellent singer Wolf aka Anthony Rezhawk (Resistant Culture), who already refined the highly acclaimed second album “Darker Days Ahead” (2006) is again adding his resonant and fierce growls as well. The new line-up is completed by Katina Culture (Resistant Culture), who is replacing the sadly late Jesse Pintado (August 28th, 2006) on guitar.

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Terrorgruppe

LP | 2021 | EU | Original (Glitterhouse)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Morr Music)

Tenniscoats

Tan-Tan Therapy

7" | 2002 | US | Reissue (K)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Just over a decade ago, Japanese indie-pop duo Tenniscoats recorded »Papa's Ear« (2012) and »Tan-Tan Therapy« (2007), two albums made with musical and production help from Swedish post-rock/folk trio Tape. Originally released on Häpna, they are beautiful documents of the exploratory music made by a close-knit collective of musicians, fully at ease with each other, playing songs written by Tenniscoats and arranging them in gentle and generous ways. Released during a prolific phase of collaboration for Tenniscoats – during the late ‘00s and early ‘10s, they would also collaborate with Jad Fair, The Pastels, Secai and Pastacas – they have, however, never been available on vinyl. In collaboration with Alien Transistor, Morr Music is now reissuing these albums with bonus material.

Filled with graceful pop songs, autumnal folk tunes, and gentle yet risk-taking improvisations, »Tan-Tan Therapy« was the first Tenniscoats album to be released in Europe, after a run of albums on Japanese labels, and the excellent »Live Wanderus« (2005) on Australian imprint Chapter Music. It was also the first recorded evidence of their collaboration with the three members of Tape and that group’s extended musical family. It opens with one of Tenniscoats’ signature songs, the pop fantasia of »Baibaba Bimba«, with Tenniscoats singer Saya repeating a light-headed incantation over joyous brass. The essence of Tenniscoats is contained in »Baibaba Bimba«: uplifting melody and playful musicianship, tinged with distant echoes of winsome melancholy.

From there, »Tan-Tan Therapy« explores many hues of lustrous blue. »Oetu to kanki no Namoriuta (Given Song of Sob and Joy)« is an aquatic arbour, the musicians’ gentle performances growing together like vines and seaweed as Saya’s voice swims through the waterway. »Umbarepa!« is full of play and pleasure, sparkling with glockenspiel as snare drum tattoos push the song ever-forward. »Abi and Travel« floats past, a lovely instrumental built from shifting layers of synthesizer and pianet; »Good B.«, an extra track originally only available on the Japanese edition of »Tan-Tan Therapy«, is added to this reissue, and follows a similar thread, its humming pump and Hammond organs swirling under beautiful vocals from Saya and guest performer Kazumi Nikaido.

Throughout, you can sense the deep empathy the members of Tenniscoats and Tape have for one another. It’s a conversational, tender and, at times, fragile music that can only be created out of mutual trust and kindness, with each of the players contributing to the community of sound they’re building. There’s an element here, too, of feeling out the possibilities of what this creative meeting can achieve, something reflected in the loose-limbs sprawl of »Marui Hifo (Everyone)«, which echoes the seaside drift of Bristol post-rock group Crescent, and the following »One Swan Swim«, a dreamsong redolent of the sleepy sensorium of Robert Wyatt’s »Rock Bottom«.

The freedom and liberty at the heart of Tenniscoats is something Tape and their friends have picked up on, beautifully so, and run with during the entirety of »Tan-Tan Therapy«. This is music with its wings outstretched, wanting to take to the air, ready to fly.

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Tender Trap

Face To '73|Fin

10,99 €*

Temple Of The Dog 25th Anniversary Edition

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Following on the demise of MARINE RESEARCH, Amelia Fletcher has risen again in the guise of the TENDER TRAP. Accompained by her MARINE RESEARCH band-mates Rob Pursey and DJ Downfall, Amelia has coalesced her voice and impeccable taste into a fourth experiment in unforgettable, streamlined pop music. "Face Of 73" is an indication of what to expect from fothcoming TENDER TRAP album. The B side "Fin" will not be included on the album. It is a special re-mix by DJ Downfall.

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Temple Of The Dog

2LP | 2016 | EU | Original (A&M)

38,99 €*

LP | 1998 | US | Reissue (Templecombe)

Release: 2016 / EU – Original

Genre: Rock & Indie

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This is the 25th anniversary edition. Temple Of The Dog was a collaboration between members of Soundgarden (Cornell & Cameron) and Mother Love Bone (Gossard & Ament), initiated as a tribute to Mother Love Bone's vocalist Andrew Wood who died of a heroin overdose in March, 1990 - two weeks before the release of Mother Love Bone's debut album, "Apple". The group's one and only album also featured the first recorded appearance of Eddie Vedder, who contributes backing vocals on several tracks. Vedder had recently moved from San Diego to Seattle, and became friends with the band members during the recording of the record. Soon after the Temple Of The Dog sessions, Gossard, Ament, McCready & Vedder went on to form Pearl Jam. The self-titled Temple Of The Dog album was originally released in April, 1991 to very little acclaim and low sales. It was reissued later that year following the success of Soundgarden's "Badmotorfinger" and Pearl Jam's "Ten", and was marketed at that time as a sort of "grunge supergroup" project. The album got fully re-mastered and expanded to 2 180 gram LPs for a premium sound experience. The D-side is completely etched with a special artwork. The cover contains a 12-inch lenticular cover.

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Templars

Omne Datum Optimum

Services Black Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

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From their self-released 1993 demo tape through to the present day, the Templars have repeatedly established and re-established the high water mark for American OI! for three decades running, and 1998’s Omne Datum Optimum is a landmark record in the band’s genre-defining discography. Originally released in 1998 on Anti-Heros frontman Mark NOAH’s GMM Records, the Templars somewhat controversially eschewed their signature home recording set up in favor of a professional studio on Omne Datum Optimum. Co-produced by Noah and Jeff Bakos at Bakos Amp Works in Atlanta, GA, the album’s cleaner sound proved divisive among fans at the time of its release. Luckily, time has proven the band’s intuition correct, with the record gaining a well-deserved cult status over the years. Despite the higher audio fidelity, there are no dulled edges and no pulled punches here—the Templars’ signature Street Rock n' Roll sound is fully intact and as potent as ever. As tuneful as it is hard, Omne Datum Optimum is bursting with the intricate bass melodies, soaring leads, Working Class swagger, and thoughtful songwriting that set the Templars apart from their peers. The current renewed interest in Oi! music makes a proper reissue of this 25-year-old classic a no-brainer, and the unexpected but welcome cultural cachet of the form means that it’s more likely than ever to get its proper due. With the benefit of hindsight, it’s apparent that Omne Datum Optimum is not only a great record, but arguably both one of the Templars’ best, and a defining work of the genre. Sporting reworked cover art and our tried and true attention to detail, TKO is proud to bring Omne Datum Optimum to vinyl for the first time since its initial 1998 release.

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Tempers

LP | 2020 | EU | Original (Dais)

Up And Away Loser Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Repressed In Quantity For The First Time In Years.Includes The Hit Single "Strange Harvest".Tempers, Comprised Of Jasmine Golestaneh And Eddie Cooper, Have Carved Out Their Own Niche Within Dark Indie, Electronica And Synth-Pop Circles. Their Sound Is About Exploring Tonal And Emotional Tension As Much As It Is About Actual Tracks Or Singular Moments. Adrenalizing Yet Hypnotic Landscapes Layer Mechanical And Sensual Impulses, As Crystalline Vocals Weave Fever Dreams Of Yearning And Alienation. Informed By Both Golestaneh's Involvement In Musical Performance And Visual Art And Cooper's Electronic Production Resume, As Well As Their Time In The States And Abroad, They Operate As A Multi-Disciplined Entity In The Spirit And Ethos Of Factory Records. Tempers Describe Their Creative Process As A Telepathic Kinship They've Developed Since They Started Making Music Together: "We Have These Sort Of Unspoken Criteria When We're Writing Music. We Never Really Need To Explain What That Is But We Both Know When It's Missing Or When We've Hit It." After A String Of Critically Acclaimed Singles Beginning In 2013 With "Eyes Wide Wider" B/W "Hell Hotline," The Duo Released Their Debut Lp "Services" (2015) On Cult Imprint Aufnahme + Wiedergabe Resulting In The Underground Club Hit "Strange Harvest", Extensive International Touring And Sold-Out Shows. The Album's Vinyl Edition Soon Became A Sought After Collectors Item. Their 2017 Ep "Fundamental Fantasy" Was Released As A Result Of The Vinyl Factory's Volcano Extravaganza Artist Residency On The Aeolian Island Of Stromboli. Following Their Unique Creative Compass, In 2018 They Indirectly Moved From The Dance Floor To Galleries, Releasing "Junkspace" A Conceptual Collaboration With Famed Architect Rem Koolhaas. The Record Is Available In The World's Most Select Cultural Hotspots, From The New Museum In New York To Walther Konig Museum Stores Throughout Europe, A Testament To Tempers' Love For Experimental Output And Unorthodox Presentation. In 2019 Tempers Signed With D...

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Σtella

LP | 2022 | EU | Original (Sub Pop)

Still Jealous Record Store Day 2022 Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Stella makes her Sub Pop debut with the mesmerizing Up and Away, an old-school pop paean to the pangs and raptures of love. From the Greek folk-inflected get-go, we're swept up in Stella's world - and it's quite the captivating place to be. The singer-songwriter joined forces with artist and producer Tom Calvert (aka Redinho), and it was a match made in Athens; the results are heavenly. Tom caught one of Stella's gigs on a visit to the city. He reached out, they started hanging out, and the pair soon clicked creatively. Both mention chemistry when asked about their collaboration and it's clear, from what we hear, they had it in spades. The meld is seamless. Stella's songs have always riffed on American and Greek mid-century pop but Up and Away doubles down on the vintage aesthetic. Tom says he styled the record "as if it was a rare gem from the '60s found in a box of records in Athens," and Stella notes she was ready for a more "deeply Greek touch - it felt comfortable and right, smoothly fusing with the pop." The bouzouki appears on a full five tracks played by Christos Skondras who, she says, "was brilliant at improvising," while Sofia Labropoulou on the kanun "brought an insane amount of dreaminess to the last two songs. Having these amazing musicians play for Up and Away - I couldn't be more grateful." While not exclusively a confessional artist, Stella is always intimate - when she sings, it's personal. She writes "about things I feel passion for. Stories about me, about others, about all that's there in love and war." Stella was "in a very emotional state at the time, which came through in the lyrics and vocals." And it's true, her honeyed voice - layered in those unmistakable harmonies of hers - thrillingly runs the gamut from tender to terse, by turns bracing and smitten, aching and forlorn. But it's the lyrics that feel key. Across her output, Stella has proven herself a strong storyteller, and Up and Away is no exception (the guise of the medieval bard she assumes on the cover is telling). Past releases have been studded with gem-like vignettes - a diverse array of stories set tightly together to form non-linear narratives unified by emotion. Her latest feels singular in that it seems to trace a longer-form tale across songs, with each track escalating the record's erotic arc. By the end of the album, Up and Away's core concerns are clear: the conflicting and conflicted emotions inherent in love, that live on in ways we can't always understand or control. Love is like this record: when it's over, you still feel it for time to come.

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Tegan & Sara

12" | 2022 | EU | Original (Warner)

30,99 €*

Still Love Blue / White Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 3100 copies.

Tegan and Sara revisit the indie-pop duo's 2004 breakout album, So Jealous, on a new version of the record titled, Still Jealous. It features the original's 14 tracks, all of which have been re-recorded acoustically, with the twin sisters singing each other's songs. The reimagined album will be available on 12" opaque red vinyl and limited to 6,000 copies.

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Teenage Wrist

LP | 2023 | EU | Original (Epitaph Europe)

LP | 2014 | US | Original (Merge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Over the past eight years Teenage Wrist have continually evolved their sound, a process that"s peaking with their third full-length, STILL LOVE.Reaching new heights in both scope and execution, the album sees the duo-Marshall Gallagher (vocalist, guitarist, bassist) and Anthony Salazar(drums, vocalist, percussion)-producing the album themselves to handcraft their most expansive collection of songs to date from the groundup. ? e result is a self-realized collection of songs that saw the band borrowing vintage gear, bringing in friends in the form of members from 311vocalist/turntablist Doug "SA" Martinez and Softcult and incorporating tasteful pop sensibilities to craft a collection of songs that rede? nes theband"s sound while staying true to their guitar-driven roots.From the atmospheric, fuzzed out opener "Sunshine" (which Gallagher says is "the coolest ri? he"s ever written") to the midtempo rocker "DarkSky"" (the latter of which features the aforementioned cameo from 311 vocalist/turntablist Doug "SA" Martinez), the album will undoubtedlyplease fans who favor distorted guitars and crunchy chords. However, that"s only one aspect of the album and Teenage Wrist aren"t ashamed toadmit that there"s a strong pop sensibility on the album that shows how much they"ve grown as songwriters since 2021"s Earth is a Black Hole.From the brain-invading ballad "Something Good" to the downbeat electronic vibe of "Diorama," the album is teeming with unexpected momentsthat are reminiscent of Radiohead"s ? air for experimentation.? e powerful bond between these two collaborators lies at the core of Teenage Wrist"s music and, more than any other factor, that"s evident onevery moment of STILL LOVE. "? ere was a certain feeling that music gave me as a kid and this is honestly the ? rst time on any record I feel likewe kind of came close to achieving that," Gallagher says of the end result. "We just shot from the gut on this record and tried not to overanalyzethings... and I think the record sp...

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Teenage Fanclub

Shadows

LP | 2014 | US | Original (Merge)

Release: 2014 / US – Original

Genre: Rock & Indie

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1st time pressed to vinyl. Originally released in 2010, this picks up on the introspective, world-weary quality of Man-Made but also delivers a bit of the classic bright pop the band is known for.

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Teenage Fanclub

Man-Made

Your Hands My Pockts / Basket Sky Blue Vinyl Edition

Release: 2014 / US – Original

Genre: Rock & Indie

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1st time pressed to vinyl. Originally released in 2005, this is a classic Fanclub record in tone & arrangement, & handsomely demonstrates the "less is more" maxim -- it is both airier & more light of touch than it's immediate predecessors.

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Team Dresch

7" | 2022 | US | Original (Jealous Butcher)

11,99 €*

LP | 2020 | EU | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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OMGay, Team Dresch is releasing an actual NEW Song! It's been 19 years since the band has released new material - 25 years since the making of Personal Best, when this particular configuration of players (Jody Bleyle, Donna Dresch, Kaia Wilson and Marcéo Martinez) recorded together. Your Hands My Pockets: Donna Dresch, in her typical Team Captain spirit, busts out riffs that are rife with her awesome signature grunge/punk/melodic catchiness, Jody and Kaia trade off on vocal duties like they're in some frantic singing relay race, and Marcéo slams the toms around like he learned to drum from both Mel Brown and bam-bam (please note, Marcéo actually took drum lessons from Mel Brown in the 80"s). While 'Your Hands' is an undeniable pop/punk song, it is also brimming with bristle and depth, conjuring feelings of longing, angst, desire. When Jody sings 'Oh I wanna want to be wrapped around, to wrap around' there is NO ONE who can't relate to this feeling of reaching out to one another for connection, touch, and love. Team Dresch Keeps IT Real (gay) with their harmonious musical chemistry, queercore spirit, and attention to detail in their musicianship - the alchemy of these humans is clearly still alive and dancing, you know it baby. Produced and Recorded by Larry Crane at Jackpot! Recording Studio, March 2019 Mixed by John Goodmanson

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Tashi Dorji

Stateless

Release: 2020 / EU – Original

Genre: Rock & Indie

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The Lost 1971 Studio Session Golden Vinyl Edition

LP | 2022 | EU | Original (Svart)

28,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tasavallan Presidentti's 1st incarnation with vocalist Frank Robson performed their last studio session at YLE Broadcasting Company in Helsinki, 1971. This session was, however, completely buried by time and forgotten, until Svart Records accidentally stumbled upon an archival copy.

This studio session recording from the autumn of 1971, found from the archives of the Finnish Broadcasting Company, is a sensational discovery in many ways. It is a studio live session which the band recorded just before parting ways with vocalist Frank Robson, which may be the reason why the tape was left unused.

Otto Donner, one of the three founders of Love Records, the band's current label, had become the head of the Finnish Broadcasting Company's entertainment unit, which produced this studio session. Perhaps he was planning to release it on Love Records?

The release features extensive liner notes by writer Petri Kuljuntausta, who provides background details which hint to the fact that had the band not decide to find a new vocalist a few months later, this tape could indeed have been the Tasavallan Presidentti album number three.

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The Lost 1971 Studio Session Black Vinyl Edition

LP | 2022 | EU | Original (Svart)

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Live At Ruisrock 1971 Transparent Purple Vinyl Edition

2LP | 2024 | EU | Original (Svart)

35,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Svart Records proudly present Tasavallan Presidentti live at the Ruisrock festival in 1971!

Tasavallan Presidentti’s annual performances at Ruisrock in Turku, Finland during the festival’s early years were proof of the band’s rapid ascent from a local band to an internationally renowned group of top musicians. “Pressa” left a lasting mark on many a festivalgoer, and the most optimistic ones were hoping to get these performances on a live album, if recordings existed. They do exist, and what remains on tape of the first ever Ruisrock performance was released on Changing Times and Movements (Svart Records), and the show at Ruisrock 1971 is now coming out on this album.

Arriving in Turku 1971 “Pressa” had completely shed their skin and revamped their set list from the previous year. The group had evolved into something entirely new musically. The festival had a more progressive lineup this year, and Pressa got the chance to prove themselves as part of a well respected international lineup. Some of Ruisrock’s international talent in 1971 included The Jeff Beck Group, The Kinks, Fairport Convention, Canned Heat, Juicy Lucy, Hardin & York, Pete Brown & Piblokto!, Pink Fairies, Stefan Grossman, Niemen Enigmatic, Culpeper's Orchard, Fläsket Brinner and Fruit.

Another proof of the rapid renewal of Pressa’s set list is how they would perform songs under different names, until the final name was chosen when releasing the song on an album. Jukka Tolonen’s composition The Bargain is included twice on this live album. The earlier version is from Ruisrock 1971 and the latter from the Finlandia house in December the same year.

The Bargain was first performed as Better Move On with lyrics by Frank Robson. In the autumn of 1971 the piece was re-christened as Falling Deeper, and this unreleased studio version was discovered and released on The Lost 1971 Studio Session (Svart Records). This was the name the song got for a few months, and was registered with Teosto, the Finnish music copyright association with this title. For whatever reason the song was performed using its older name at the Finlandia house in December 1971. Then, when Eero Raittinen sang the song when Lambertland was recorded, Mats Huldén provided new lyrics and the song got its final name The Bargain. Ramblin’, a familiar tune from Tolonen’s solo career, was at first performed as Feel My Way Through with vocals by Robson. This early version is featured on this live album.

There’s been a lot of talk among fans about a certain cover tune by Tasavallan Presidentti and its discovery and release are long overdue. Well, here it is, King Kong by Frank Zappa, performed by Tasavallan Presidentti at Ruisrock 1971!

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Live At Ruisrock 1971 Black Vinyl Edition

2LP | 2024 | EU | Original (Svart)

32,99 €*

LP | 2023 | US | Original (Company)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tanukichan

Gizmo

The Big Mess Multi Color Swirl Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

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Tanlines

LP | 2023 | US | Original (Merge)

Himbeergeist Zum Frühstück Re-Mastered 2024

Release: 2023 / US – Original

Genre: Rock & Indie

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Eric Emm and Jesse Cohen of Tanlines are indie-rock lifers turned reasonable, happy middle-aged fathers of two, figuring out their place in a chaotic culture and industry that can no longer command their full attention. They are emblematic of a particular time and place that doesn't really exist anymore, yet here they are existing, and thriving, in 2023. The Big Mess came together when Emm and his family moved from Brooklyn to rural Connecticut, while Cohen launched a marketing career and a successful podcast and stayed in the city. Emm continued writing songs_hundreds of them _ through all the weirdness of the past few years, but he wasn't exactly sure who he was writing them for. "I spent years figuring out in my mind, `What is my musical life going to look like?'" he says. "I just kept writing." Cohen gave Emm his blessing to continue Tanlines, even if his own contributions would be limited due to his own non-musical obligations. "I'm like, `Whatever you can do to keep this thing going, do it,'" Cohen says. And with that, Tanlines was reborn. By January 2022 Emm felt he had a body of work that made sense as a Tanlines album. Cohen spent ten days with Emm at his Connecticut studio, along with unofficial third Tanline Patrick Ford. This was tied together with a sleek final mix from Peter Katis (The National, Interpol) at his famed Tarquin Studios, resulting in a clear vision of what Emm's musical life was going to look like: The Big Mess. The first sounds on The Big Mess are the title track's coiled guitars and thumping drums, building into the kind of outsize, choral rock anthem artists like Tanlines were almost a reaction to. It is warm and nostalgic, and Cohen likens a lot of the prevailing mood to "a sepia filter on a digital photo." He continues, "we were pretty intentional about making this the first song on the album, underlining the way that this is a new phase of the band." Cohen says. The moody, scintillating "Burns Effect" serves as one of the biggest pushes forward for the Tanlines sound, and for Emm as a lyricist. He says that the song is "deep and dark and dangerous, but in a fun way. It's one of the more personal tracks on the album where this ungrounded part of my personality surfaces, but with an over-the-top machismo, almost an ironic character." Other tracks like "New Reality" and closer "The Age of Innocence" are also demonstrably guitar-forward in ways that wouldn't seem obvious for Tanlines (despite Emm's pedigree in austere avant-garde math-rock outfits Storm & Stress and Don Caballero), but Emm is less sure The Big Mess is a total departure. "I'm trying to make these absolutely simple things," he says. "I think of these songs as Rothko paintings: They're big and they're bold and they're seemingly straightforward, but they have a lot of depth and they engage with you and make you feel something."

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Tankwart

LP | 2024 | EU | Original (Reaper Entertainment Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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R.I.B. Red / White / Black Splatter Vinyl Edition

2LP | 2014 | EU | Reissue (Roar!)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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One Foot In The Grave Black / Red / White Edition

LP | 2017 | EU | Reissue (Roar!)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Kings Of Beer Re-Mastered 2024

LP | 2024 | EU | Original (Reaper Entertainment Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Disco Destroyer Re-Mastered 2024

LP | 2024 | EU | Original (Reaper Entertainment Europe)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A Girl Called Cerveza White / Black / Red Vinyl Edition

2LP | 2012 | EU | Reissue (Roar!)

45,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Cleopatra)

Tank

Re-Ignition

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | EU | Original (Deadline)

Tank

Re-Ignition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Cispirius Transparent Orange Vinyl Edition

Tangle Edge

2LP | 2021 | EU | Original (Space Rock)

39,99 €*

Stand By Your Man Vinyl Me, Please Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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This new double-album by legendary Norwegian progressive rock outfit Tangle Edge, titled ‘Cispirius’, contains studio recordings from the last half of the 1990s. Some of it has never been released before, while some has been re-mixed and is released here for the very first time on vinyl ! The key track is the full length 58min journey entitled ‘Beyond The Hills Of Inhibition’, which first appeared on the ‘Entangled Scorpio Entrance’ live album 1992. Some might argue that the gem of all gems here, is the seventeen minute long studio version of ”Cañcalam”, one of the band`s most well received stage-numbers throughout the 90s, a recording from the band`s uncompleted 1999-album

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Tammy Wynette

LP | 1969 | US | Reissue (Vinyl Me, Please)

Henry St. Bone Colored Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
“Knowing Tammy Wynette’s troubled history, and with 50-plus years of social change since the recording and release of Stand By Your Man, it’s difficult to hear the album and not want to scream: Tammy, get out of there; you’re so much better than him! But that’s not to say that the album, which ascended to No. 2 on Billboard’s Country Albums chart and earned a Country Music Association Album of the Year nomination in 1969, isn’t worth listening to. Wynette’s mournful voice, described by her longtime producer Billy Sherrill as ‘husky and soulful and tearful and dynamic,’ was made for songs like these; frankly, so were her real-life experiences. ‘She lived it, you know. She lived every tear every-body ever heard her sing,’ Sherrill once said of Wynette, and he assembled talented musicians to match her delivery in lush, Nashville Sound-era style.”

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Tallest Man On Earth

LP | 2023 | EU | Original (Anti)

Henry St. Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Kristian Matsson has never remained in one place for very long. Having spent much of the last decade touring around the world as The Tallest Man on Earth, Matsson has captivated audiences using, as The New York Times describes, “every inch of his long guitar cord to roam the stage: darting around, crouching, stretching, hip-twitching, perching briefly and jittering away…Mr. Matsson is a guitar-slinger rooted in folk, and his songs are troubadour ballads at heart.” Now, Matsson returns as The Tallest Man on Earth with Henry St., his sixth studio album following 2012’s There’s No Leaving Now, full of “vivid imagery, clever turns-of-phrase, and devastating, world-weary observations” (Under The Radar) and 2015’s Dark Bird Is A Home, his “most personal record… surreal and dreamlike” (Pitchfork). Henry St. notably marks the first time he recorded an album in a band setting. “My entire career I’ve been a DIY person––mostly fueled by the feeling that I didn’t know what I was doing, so I’d just do everything myself.” But now, longing for the energy that’s only released when creating together with others, Matsson invited his friends to come and play. Nick Sanborn (of Sylvan Esso) produced Henry St., which includes contributions from Ryan Gustafson (of The Dead Tongues) on guitar, lap steel and ukulele, TJ Maiani on drums, CJ Camerieri (of Bon Iver) on trumpet and French horn, Phil Cook on piano and organ, Rob Moose (of Bon Iver, yMusic) on strings and Adam Schatz on saxophone.

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Tallest Man On Earth

LP | 2023 | EU | Original (Anti)

Internalize / Sky Is Falling

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tall Birds

7" | 2006 | US | Reissue (Sub Pop)

10,99 €*

LP | 2022 | EU | Original (Nonesuch)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Here we have the debut release from Seattle's Tall Birds! Tall Birds = _ of The Catheters (Brian, Leo and Davey) + new bass player Jiancarlo Cateriano. Drawing from a wider palette of influences (citing VU, Love, The Stooges, Monoshock, Wipers, Royal Trux.) and building on the more melodic elements of their former band, Tall Birds made instant fans out of us and we're excited to hear more from 'em.

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Taj Mahal & Ry Cooder

Get On Board

LP | 2024 | JP | Original (Zouenkeikaku)

Release: 2022 / EU – Original

Genre: Rock & Indie

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“They were so solid. They meant what they said, they did what they did… here’s two guys, a guitar player and a harmonica player, and they could make it sound like a whole orchestra.” – Taj Mahal

“It was perfect. What else can you say?” – Ry Cooder

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE, on Nonesuch Records.

With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo – joined by Joachim Cooder on drums and bass – the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.

Explaining where Terry and McGhee took him musically, Cooder says, “Down the road, away from Santa Monica. Where everything was good. ‘I have got to get out of here,’ was all I could think. What do you do, fourteen, eighteen years old? I was trapped. But that first record, Get on Board, the 10” on Folkways, was so wonderful, I could understand the guitar playing.”

Taj Mahal adds, “I started hearing them when I was about nineteen, and I wanted to go to these coffee houses, ‘cause I heard that these old guys were playing. I knew that there was a river out there somewhere that I could get into, and once I got in it, I’d be all right. They brought the whole package for me.”

Taj Mahal and Ry Cooder originally joined forces in 1965, forming The Rising Sons when Cooder was just seventeen. The band was signed to Columbia Records but an album was not released and the group disbanded a year later. The 1960s recording sessions, widely bootlegged, were finally issued officially in 1992. GET ON BOARD is Taj Mahal and Ry Cooder’s first recording together since then.

Harmonica player Sonny Terry and guitarist Brownie McGhee, both originally from the southeastern United States, had active solo careers as well as collaborating with some of the most celebrated musicians of their time. But they were best known for their forty-five-year partnership, which began in 1939 and included mesmerising live performances around the world and numerous acclaimed recordings.

Their Piedmont blues style became popular during the folk music revival of the 1940s and ’50s, centered in New York City’s flourishing club scene for jazz, boogie-woogie, blues and folk music. Terry and McGhee traveled in the same circles as Woody Guthrie, Pete Seeger, Leadbelly, and Josh White, among others in a rich mix of writers, actors and musicians. As a new generation emerging in the 1960’s drew inspiration from folk and blues, Terry and McGhee toured the world as the foremost exponents of the acoustic music of the Piedmont. They were named National Heritage Fellows in 1982 in recognition of their distinctive musical contributions and accomplishments.

“You got the south on steroids, when you got the music of the south, the culture of the south, the beauty of the south, through Brownie and Sonny,” Taj Mahal says. He describes McGhee as a “solid rhythm player. To really play behind the harp like that. He would set stuff up. He wasn’t making many notes. Sonny had all the notes, running around. But Brownie, he laid it down.” Cooder adds: “This thing of squeezing the thumb and first finger and a little bit of the second finger, which I still do. I’d forgotten where it came from. That’s what Brownie did. I saw him do that and said, ‘I think I can do that.’”

Taj Mahal calls Terry “a wizard harmonica player”. Cooder says, “Sonny had incredible rhythm for one thing. Making sounds with his voice and the harmonica so you couldn’t tell quite which was which. He was good at that.”

“We’ve been doing this a while,” Cooder says. “Perhaps we’ve earned the right to bring it back. Taj Mahal concludes. “We’re now the guys that we aspired toward when we were starting out. Here we are now… old timers. What a great opportunity, to really come full circle.”

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Taika

On Chitou Jichi

LP | 2023 | EU | Original (Jolly Roger)

Release: 2024 / JP – Original

Genre: Rock & Indie

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The two-piece rock band Taika’s (帯化) 3rd album ‘On Chitou Jichi’ (御池塘自治), originally released in 2023, is now available on vinyl. The album’s folkloric vocals and krautrock-inspired repetition swirl together with environmental sounds, creating an immersive atmosphere. The interplay between the post-Fourth World Revival soundscapes and the raw, earthy physicality rooted deep within the music blurs the line between the nostalgic and the novel, each reflecting echoes of the other.

In this album, Taika explores the residual sense of "foreignness" within the now-commonplace rock band format in Japan, re-examining it and injecting new possibilities for "translation" and reinterpretation into those gaps.

This release includes a large poster-style lyric sheet. Additionally, it comes with a download code for the digital version of ‘On Chitou Jichi,’ as well as a code for a destructive remix of Taika’s track “Kouraku Biyori” by the up-and-coming dub techno artist Yo, who is signed to Taika’s independent label, Zōen Keikaku.

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Tad Morose

St Demonius

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2012 | US | Reissue (Hardly Art)

Tacocat

Take Me To Your Dealer

10,99 €*

Distort Berlin 2 White Marbled Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

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On the surface, TacocaT may seem to be all about tacos, cats, fluorescent highlighters, reverb, great hear, gum, and tambourines, but that's just to throw you. That's frosting. Through clever social and political commentary via pop culture references and a relentless emphasis on positivity, this grrrl-fronted palindrome transcends pop-punk pigeonholing while never forgetting their primary mission: FUN. Limited one-time pressing on black vinyl. "TacocaT's jokes and uncanny party-starting ability mean you have to try in order to hate them. And 'trying' isn't going to get you anywhere with this band." - The Seattle Times"They're the best band in the world." --Katy Goodman (La Sera, Vivian Girls)

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Szrama / Subverse

LP | 2019 | EU | Original (Rawmantic Disasters)

16,99 €*

LP | 2019 | EU | Original (Rawmantic Disasters)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Szrama / Subverse

Distort Berlin 2

13,99 €*

Synanthesia Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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1st press

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Synanthesia

LP | 1969 | EU | Reissue (Guerssen)

Swingin' Utters / Nothington

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Prog-psych / acid-folk lost classic from 1969 by this short lived London trio. Now lovingly reissued on vinyl with fantastic remastered sound and including insert with rare photos / memorabilia and detailed liner notes by Steve Krakow aka Plastic Crimewave. Named after a Cannonball Adderley track, Synanthesia formed thanks to a Melody Maker ad placed in 1968 by guitarist/vibes/vocalist Dennis Homes, answered by Jim Fraser (who played sax, oboe and flute) and Leslie Cook (an Incredible String Band fan on bongos, violin and mandolin). With their particular blend of folk, jazz and psychedelia, the trio played all the key underground venues and clubs, sometimes alongside top acts like Floyd, King Crimson or Fairport Convention. Their sole album was recorded at Sounds Technique studio in Chelsea (which was where Pink Floyd were recording their albums at the time) and subsequently released by RCA. The cover featured the trio climbed onto a tree at the same park where the Beatles filmed their “Strawberry Field” promo film. Despite the good reviews and the support of DJs like John Peel, the album was considered too far out and psychedelic and eventually flopped, only to be re-discovered several decades later by acid-folk fans and collectors.

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Bird Party

7" | 2018 | US | Original (Red Scare Industries)

8,39 €* 11,99 € -30%

Isolation Boulevard Transparent Orange Vinyl Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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The final release from Nothington and they’re lucky to pair up with fellow San
Francisco punks, Swingin’ Utters. Two SF legends! And speaking of badass
combos, on the Utters track we have a rowdy duet with Johnny Peebucks
and Jack Dalrymple. Meanwhile, on the Nothington side, we have a
bittersweet farewell that features Chris and Jay trading vocals one last time.
Oh, but don’t get too emo about this sad sendoff ‘cuz both sides of this 7”
are loud and fast. It’s Haight AND Ashbury. It’s Montana AND Rice. It’s
chowder AND the sourdough bread bowl!

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Sweet

LP | 2021 | EU | Reissue (Metalville)

32,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

LP | 2023 | US | Original (Asian Man)

Sweet Gloom

Reverie

20,99 €*

7" | 2004 | EU | Original (Crucificados Pelo Sistema)

Release: 2023 / US – Original

Genre: Rock & Indie

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Debut full length from Los Angeles based trio Sweet Gloom. Birthed from the ashes of defunct band Get Married, lead vocalist Jaake Margo recruited friends from the band Tiny Stills to create this new project. Reminds me of Danzig/Sinatra fronting a pop punk band. I call it Crooner Core or Sinatra Core! 1st press: 500 on pink swirl

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Swarrrm

Picture Disc

6,99 €*

7" | 2003 | EU | Original (Crucificados Pelo Sistema)

Release: 2004 / EU – Original

Genre: Rock & Indie

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Swarrrm / Narcosis

6,99 €*

7" | 2006 | EU | Original (Crucificados Pelo Sistema)

Release: 2003 / EU – Original

Genre: Rock & Indie

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Swarrrm / Crowpath

6,99 €*

LP | 2021 | US | Original (Happy Happpy Birthday To Me)

Release: 2006 / EU – Original

Genre: Rock & Indie

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Swansea Sound

Live At The Rum Puncheon

24,64 €* 28,99 € -15%

LP | 2021 | EU | Original (Skep Wax)

Release: 2021 / US – Original

Genre: Rock & Indie

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What do you do when the world shuts down? If you’re veterans of the indie pop scene, you form a band… accidentally! HUW Williams (the Pooh Sticks) and former collaborator Amelia Fletcher (heavenly, Catenary Wires) are proud to present Swansea Sound. “At the start of lockdown, we were all quite bored and all had time on our hands,” says Swansea Sound guitarist ROB Pursey (Heavenly, Catenary Wires). “I had written a song that was too fast and punky for me and Amelia’s other band, The Catenary Wires, and I thought Huw might like it. He did, so he sang the vocal part on a cupboard in his house in Wales, sent the vocals back, and we mixed it. That song, “Angry Girl,” is on the album. With it, we realized we could record without meeting up—Huw’s cupboard sounds good—and “Corporate Indie Band” came next. We released the two as a limited edition cassette single. To our surprise, it got played on the radio quite a lot. We realized then that we’d accidentally started a new band,” laughs Pursey. To that end, we’re pleased to present you with Swansea Sound’s debut album, Live At The Rum Puncheon. Fans of the duo’s previous collaboration may well remember the band’s humorous, sardonic, lyrics that often offered commentary of the contemporaneous indie-pop scene. Thankfully, nothing’s changed; Live At The Rum Puncheon is chockablock with the same witty and biting lyrical content fans fell in love with many moons ago.

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Swansea Sound

Live At The Rum Puncheon

26,99 €* 29,99 € -10%

Blackgrass: From West Virginia To 125th St

Release: 2021 / EU – Original

Genre: Rock & Indie

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Lp Is Limited To 1000 Copies, Black Vinyl. Swansea Sound Started In The Middle Of Lockdown. They Realised That Fast, Loud, Joyous, Angry Indiepop Punk Was The Answer To Being Stuck Indoors. Who Needs Introspection? Hue Williams Is Reunited With Pooh Sticks Partner Amelia Fletcher (Ex- Talulah Gosh, Heavenly). Rob Pursey (Also Ex-Heavenly) And Ian Button (Wreckless Eric's Live Collaborator) Provide The Noise. Swansea Sound Are The Fast, Acerbic And Joyous Past, Present And Future Of Indie. Four Of The Tracks Were Released As Singles, All Of Them Now Impossible To Obtain. 'Corporate Indie Band' Was A Limited Edition Cassette, 'I Sold My Soul On Ebay' Was A One-Off Lathe Cut That Got Auctioned On Ebay (With A £400 Winning Bid), 'Indies Of The World' Was A 7" Inch Single That Briefly Hit The Uk Physical Charts, But Immediately Sold Out And Plummeted Back Out Again. And Then There Was 'Swansea Sound': A Requiem For A Lost Radio Station; An Anti-Corporate Lament - Another Limited Edition Cassette Single. First Track Rock N Roll Void Gives A Three Minute Revision Session, Just In Case You've Forgotten About The Ramones, The Kinks, The Buzzcocks And The Brief Explosion Of Indie Noise Pollution Of 1986. Some Of The Songs Are Reflexive - 'Swansea Sound' And 'The Pooh Sticks'. (Who Else Was Going To Write A Tribute To The Pooh Sticks?) Others Are Searching For Hope In The Digital Desert - 'Let It Happen', 'I'm Ok When You're Around', 'Pasadena', 'Angry Girl'. 'Je Ne Sais Quoi' Is Pure Pop Throwaway Fun. The Others Songs Are Dead Catchy Too, They Just Happen To Express A Sickness And A Contempt For The State Of Things. 'Corporate Indie Band' Is About A Group Who Have Mortgaged Their Creativity To A Major Label And Sold Their Identities To An Online Marketing Team Of Public Schoolboys. Freedom Of Speech Takes A Look At Three Contemporary 'Alternative' Music Stars And Considers How They've Responded To Blm, The Pandemic And The Rise Of Right-Wing Populism. 'Like Self-Serving Arse...

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Swamp Dogg

LP | 2024 | EU | Original (Oh Boy - Thirty Tigers)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Doom Jazz Galaxy Colored Vinyl Edition

Swami Lateplate

2LP | 2021 | EU | Original (Subsound)

46,99 €*

Doom Jazz Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Using doom — a slow, foreboding style of heavy metal — as a template, Swami Lateplate crafts a set of songs that creeps along powerfully. The themes are simple, generally carried by subdued bass lines and ornamented by the piano like salt on a glacier. What jumps out most is Previte's drumming. Every cymbal vibration and snare snap leaps to the foreground and, with rare exception, decays before the next strike, as much a testament to Previte's assured playing as Saft's engineering. The sound throughout is bright and super present. Each moment is its own event, each note frozen in amber. Regardless of the rock modeling, the disc is likely to satisfy Saft and Previte's audiences; it could appeal to fans of the fringes of metal as well. Originally released in 2021, 'Doom Jazz' is being re-issued by Subsound Records in ultra LTD edition double galaxy LP, LTD edition double white LP, double black LP, CD digipack. It was entirely produced by Bobby Previte and Jamie Saft, recorded and mixed by Jamie Saft at Frank Booth, Brooklyn, NY and mastered by Scott Hull at Scott Hull Mastering, NY. The artwork was designed by Hadi Nasiri.

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Swami Lateplate

2LP | 2021 | EU | Original (Subsound)

37,99 €*

12" | 2022 | UK | Original (Pirates Press)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Suzi Moon

Animal

22,99 €*

LP | 2021 | EU | Original (Svart)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Suzi Moon’s effortless channeling of classic ‘77 punk rock spirit with a modern twist continues to evolve and grow. This second twelve inch with Pirates Press Records picks up where her debut left off - blowing us away with more incredible songs that will continue her upward trajectory as one of the most engaging women involved in punk right now! The response to her first release was fantastic, though not surprising - with the first press selling out before street date and the likes of Iggy Pop singing her praises on the BBC! The touring opportunities have been flooding in, despite the covid restraints, and the show reviews have been phenomenal. We’re all poised to see her fanbase grow immensely over the next year, and this release will be one of the biggest things propelling her forward. When asked how she remained so focused and productive during 2021 Moon said "I am definitely a workaholic and since “Call The Shots” was literally my first and only guaranteed shot at getting my solo music out into the world, I didn’t want to waste one second. Between designing artwork, writing & recording songs, photoshoots, press interviews and all of the administrative stuff that goes on day to day, there was not much time for me to even stop and process the reality of my record coming out! My record with my face on it! Something I have dreamed of my entire life. This huge opportunity kept me motivated and focused, and I am super grateful to my label Pirates Press Records for believing in me and giving me a platform to do this crazy shit. I’m ready to do it again!” So, we’re doing it again! And later this summer we’ll be releasing her full length, Dumb & In Luv. We can’t wait to see where 2022 takes us!

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Suurkaupungin Haitat

15,39 €* 21,99 € -30%

The Witness Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Savonian occult rock behemoth Jess and The Ancient Ones have emerged with a new album! Their brand of heavy guitar and organ-led swagger has progressed from the twin guitar metal blast of yesteryear to Jess and The Ancient Ones’ very own take on soulful late sixties garage psychedelia. Titled Vertigo, the new record is set for release on Svart Records on May 21st this year with a foreboding sound of lysergic doom.

What began on the previous record, ‘The Horse & Other Weird Tales’ is taken further and deeper, towards a conclusion on Vertigo. Songwriter and guitarist Thomas Corpse comments, “To me this album sounds like a dark horse – a brother to the previous album. There’s a strange ominous feeling that hovers upon the entire album, maybe it’s the feeling of nostalgia that’s arising from the lyrics.”

Wrapped in a crude tornado-adorned old school sleeve, the album’s eight tracks bubble in a boiling cauldron of vintage pop culture influence and occult-tinged paranoia. Ranging from the softly fiery opening track ‘Burning of The Velvet Fires’ to the almost heavy metal -ish nihilistic banger ‘Born To Kill’, Vertigo is a spiraling journey of heavy Finnish psych rock at its finest.

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Suuns

LP | 2021 | US | Original (Joyful Noise)

Sutekh Hexen & Funerary Call

Release: 2021 / US – Original

Genre: Rock & Indie

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As a band who has been around for thirteen years and toured all corners of the world, there comes a point when the veil of mystique must be fully lifted. Up until now, experimental rockers Suuns have revelled in mystery like a silhouette disappearing into the mist, releasing albums that rest comfortably in ambiguity, detachment and innuendo. But lately, the band appears to be more comfortable coming clean with their own inner workings. That newfound sense of ease is undeniable on Suuns' fifth full-length album The Witness - their first for Joyful Noise Recordings. Self-recorded and self-produced over the majority of 2020 - a year of strife, solitude and reflection -The Witness finds the band holding a magnifying glass over their own default state of playing and performing. It's a swift departure from previous album Felt, which harvested haphazard ideas in their embryonic, demoed versions, as if letting loose a glorious fireworks display into the heavens. The Witness, meanwhile, pours Suuns' music into a more intricate mold, compelling the band to embrace the vibrancy of their live performances and urging vocalist Ben Shemie to approach his lyricism with unabashed directness. "There's something interesting about the idea of a collective witness, being a witness to the time we're living in now," Shemie reflects. "And the connectedness of what we all have in common. But also, literally: bearing witness to all sorts of things and how that desensitises you. There's a recurring line that comes back on the record: `I know that you've seen it too.' It kind of comes down to being true to yourself and acknowledging what is and isn't real." Perhaps unintentionally, Suuns have always been a strangely intimate band, and with The Witness, they themselves became aware of the extent of this. Though the world is becoming a more distorted, confusing place, The Witness extends a sonic lifeline to latch onto, one bolstered by years of friendship, chemistry and trust.

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P:R:I:S:M

2LP | 2023 | US | Original (Sentient Ruin Laboratories)

Delve Into The Mysteries Of Transcendence

Release: 2023 / US – Original

Genre: Rock & Indie

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We're proud to announce renewal of our near-ten year relationship with raw black power ambient ritualists Sutekh Hexen in announcing the band's colossal new 2xLP P:R:I:S:M, a full collaboration with Canadian nightmare-weaving enigma Funerary Call (aka field recording and experimental soundscaping artist Harlow MacFarlane), to be released this summer in collaboration with our good dearest frequent co-conspirators from Europe Cyclic Law. With P:R:I:S:M, magisterial sonic-alchemists Sutekh Hexen and Funerary Call join forces to deliver a fully collaborative album of eight highly experimental tracks. Throughout this octonary journey, concepts and unseen source energies are refined into spectrums of deeper consciousness. The resulting narrative guides the listener through a vastness of (dis)charging energies, rebirth through dissolution, and harrowing harmonic passages in tremendous spaces. Inner-workings suspend transformations in time. Pushing their respective boundaries, Sutekh Hexen and Funerary Call initiate the listener with the crystalline, static miasma of the album’s opener 'Meridian Øº', only to enshroud them in the manifesting psychosis of 'Infernal Folly'. The churning mysticism of 'Perilous Shade' offers temporal sanctuary, and 'Toward the Eastern Gate' calls forth tectonic-prophecies as the album's centerpiece, tipping the scale into 'Fractal: Void'—a blistering disarmament in a storm of guitars, scathing electronics, and the disembodied calls we all anticipate and fear. 'Æscend Obsidia' tests the preceding tension and overwhelms in shimmering radiance before declaring release in 'Pangæa Ultima² (Dread)'. Closing with 'Shores of Purgatory', thresholds are breached anew with hectic guitar feedback, spectral synthesis and meditative melodic embellishments. Where the mirror blinds, the P:R:I:S:M offers vision—refractions of new perspectives, dissolving the shadow-self.

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Suspiral

LP | 2021 | US | Original (Sentient Ruin Laboratories)

Supreme La Rock & Skeme Richards

Release: 2021 / US – Original

Genre: Rock & Indie

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Finally Available Again In Its Ultimate And Most Destructive Form, Suspiral's Immense Debut Album "Delve Into The Mysteries Of Transcendence" Gets Remastered, Re-Designed, And Re-Packaged For Sentient Ruin, A Revisitation Aimed At Celebrating And Rediscovering One Of Underground Black Metal's Most Unique, Underrated And Feral Releases. Influenced By Some Of The Most Savage Extreme Metal Progenitors Like Beherit, Necrovore, Morbid Angel And Sadistik Execution, And Fueled By Overwhelming Consumptions Of Psychedelics, "Delve Into The Mysteries Of Transcendence" (Acronym Of Dmt), Is An Abhorrent Trip Deep Inside The Psyche's Most Deconstructed And Annihilated States, Where A Psychoactive And Aberrant Strain Of Raging Black Metal Serves As The Primal Hallucinogen To Obliterate Consciousness And Dissolve Reality In A Violent And And Feral Ritual Of Total Aural Disassociation. Originally Released In 2016 On Vinyl By Now Defunct Spanish Label Equinox Discos, And On Cd By I Voidhanger Records, With This New Sentient Ruin Reissue, This Unforgivably Underrated Experimental Black Metal Masterpiece Sees Its First Ever Release On Cassette Format, While Entirely New And Restored Digital And Vinyl Products Are Offered With Re-Mixed And Remastered Audio And A Brand New Graphic Layout That Consecrate And Enhance The Immensity Of One Of Extreme Metal's Most Overlooked, Obscure And Devastating Hidden Gems.

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Masters Series: Four Red Vinyl Edition

7" | 2022 | US | Original (Preservation Project)

18,04 €* 18,99 € -5%

Evil Powers Of Rock And Roll

Release: 2022 / US – Original

Genre: Rock & Indie

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For this limited edition Masters Series release, we enlisted the help of two of the world's heaviest collectors and djs, and champions of the Preservation Project from day one, Supreme la Rock on Side-A, and Skeme Richards on the B-Side.

Both gentlemen tackled reworking and re-editing funky previously unreleased psych songs. Both songs, "Sad Country Boy" on Side A and "Your Mind" on Side B, are by unknown groups and both feature drum breaks intros - perfect for you to cut up, so you're gonna need two copies. We won't be mad at you if you feed the breaks and chop them up either. This one is for the heads.

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Supersuckers

LP | 2020 | EU | Original (Reptilian)

St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Back in print after 9 years! Limited 500 pressing comes in white vinyl and download card included! Band will tour playing this LP in full in March!The Supersuckers had a string of great cow punk albums to their credit and had managed to keep their line up intact by 1999's 'The Evil Powers Of Rock 'N' Roll'. Their original drummer Dancing Eagle (Dan Seigle) lived in Austin and during this period I saw them about 8 or 9 times between '95 and '00 and they never disappointed. Bassist vocalist Eddie Spaghetti and co-lead guitarists Dan "Thunder" Bolton and Ron "Rontrose" Heathman, had the recipe for raucous rock n roll and spitfire live shows at their disposal. Album opener and title track, 'The Evil Powers Of Rock 'N' Roll' even fades out with a few seconds of Ozzy's 'Believer' riff, and that my friend in my book, is cool. 'Cool Manchu' is a stab at accessibility with a hummable vocal and catchy riff, but we all know having dueling lead guitar all up in your face leads it in another direction. When was the last time the shit flavor of the month pop crap had killer leads on it? Exactly. 'I Want The Drugs' is exactly what real punk is, save the melodic punk for the Target commercials. Featuring call and response gang chorus of "I want the drugs" "drugs, drugs, I want the drugs!" This song, while hardly poetic, amps up the guitar and makes it count. Love this song, pure punk genius featuring scorching lead guitar and humor, which is essential for a song like this. 'Santa Rita High', a mid tempo rocker with the trademark twin Gibson Les Paul gold top leads and 'Dead Meat' the boxing themed punker make way for the ultimate slacker love song, 'Stuff And Nonsense', a very believable story of a twenty-something relationship break up is refreshing in that it isn't sad, it just is, which you never realize until you're older and wiser. 'Dirt Roads, Dead Ends And Dust' is distorted, revved up blues. 'Fisticuffs' is a tale of drunken brawling and being in a band, I know, the layman has no idea what the hell is goi...

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Supergrass

10" | 2023 | Reissue (Echo)

22,99 €*

LP | 2016 | EU | Original (1st. Time)

Release: 2023 / Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

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Superfly

Quadron

22,99 €*

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 2001 | EU | Reissue (Merge)

Superchunk

Here's To Shutting Up

LP | 2023 | US | Original (Ubiquity)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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Black Vinyl In Jacket W/ Vellum Overwrap + Bonus Cd "Bestial Warning" (Acoustic Demos For "Here's To Shutting Up").To Write The Songs For Here's To Shutting Up, We Gathered In Jim's Garage (He Lived Way Out In The Woods) A Couple Times A Week For What Seemed Like Months. We Started From Actual Scratch With No Demos Or Concepts, Just Playing Instrumental Music With Our Usual Gear Plus A Casio. Sometimes One Of Us Would Play The Keys Instead Of Our Normal Instrument, Or Jon Would Hop On Guitar And We'd Use The Casio Drum Machine For The Beat. We Ended Up With A Lot Of Ideas And Plenty Of Good Names For Them_"Frank's Bath," "There's Something About Marvin," And"Bestial Warning" To Name A Few. We Recorded Practice Onto Minidisc Or Cassette, And I Would Ride Around Listening To These Demos And Thinking Of Words. The Subject Matter, In Retrospect, Has A Lot To Do With Touring And Travel ("Out On The Wing," "What Do You Look Forward To?"), Coming Home ("Rainy Streets," "Act Surprised"), The 2000 Election ("Florida's On Fire"), And Late-Stage Capitalism ("Late-Century Dream," "The Animal Has Left Its Shell"). Once We Wrangled The Songs Into Recognizable And Playable Shapes, We Re-Created Them In Acoustic Form And Recorded These "Demos" At My House So We Wouldn't Forget How They Went And So We Could Learn How To Play Them. Some Have The Whole Band, Some Are Me Learning Jim's And Laura's Parts From The Practice Tapes And Playing Them On Acoustic Guitar.We Recorded The Album In The Cabbagetown Neighborhood Of Atlanta At Zero Return, The Studio Built By Brian And Rob (Aka Birdstuff And Coco The Electronic Monkey Wizard) Of Man Or Astro-Man? Brian Paulson Came With Us To Produce It. The Studio Itself Was Amazing. We Also Slept There In A Dorm-Like Setting And Stayed Up Too Late. We Had Some Great Guest Players On The Record Including The First Appearance Of A Pedal Steel On A Superchunk Album, Played By John Neff Of Athens Band Japancakes. Local Chris Lopez (The Rock*A*Teens) Came Over To Sing Backup Vocals...

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Super Yamba Band

Last Leap

LP | 2023 | UK | Original (Glass Mile)

Release: 2023 / US – Original

Genre: Rock & Indie

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With an adventurous and daring take on instrumental afrobeat, Super Yamba Band’s Last Leap EP takes listeners back to 2014, the band’s formative year. “We had just moved to Brooklyn—Walter, Sean, Evan, and I,” said Daniel Yount, the band’s founder and drummer, “and our only plan for ‘making it’ was to just play as much music together as possible.”

Finally released from the Yamba archives, the Last Leap EP is a sonic timestamp of the band’s creative energy during those very special first days in New York City. “We were excited, inspired—and probably a little overwhelmed. We wanted to record a few of our tunes so that we could have something for the clubs to listen to as we were trying to book gigs,” Yount explained. “From there, we immediately fell into playing shows at Harlem’s African music clubs—places like Silvana and Shrine—as well as DIY dance parties in Brooklyn.” The result of all of this, Yount said, was “a sound that we intentionally designed to keep people dancing for as long as possible.”

From the early days of the Last Leap sessions, Super Yamba Band never relented. Today the group has gained notoriety in the global afrobeat and afrofunk scenes largely through its extensive touring and Ubiquity Records releases with singer, composer, and guitarist, Leon Ligan-Majek, aka Kaleta, a veteran of the genre. “Our project with Kaleta gained traction so fast, we basically put these masters on the shelves and forgot about them,” Yount explained. “Years later we went back to listen—with fresh ears—and it was reinvigorating. We’re going to keep exploring these sounds and pushing the limits of what an instrumental, afrobeat-centric band can be, even as we continue to double-down on our work with Kaleta.”

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Supakarma