Search "men+i+trust" 6547 Items

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2023 | EU | Original (Improved Sequence)

Bob Log III

Live! Surprise!

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2020 | US | Original (Merge)

Bob Mould

Blue Hearts

14,44 €* 16,99 € -15%

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Everland)

Boban Petrovic

Zur

31,99 €*

LP | 1969 | EU | Reissue (Direction)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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First time repressed after the original release in 1981. Prices of original copies in good condition going up to 500 euros. Boban Petrović is a legend of Belgrade's sophisticated disco funk scene from the late 70s and early 80s. The ŽUR album is one of the the holy grails of disco music releases on a global level. Original copies in good condition rise up to 500 euro on the market. ŽUR represents the essence of underground club life in Belgrade from the late 70s, when the album was created. The quality of this trust is confirmed by the fact that Boban Petrovic's music is still actively listened to today, not just anywhere, but at the finest club events. High end production and extremely authentic arrangements outside the mold of classic disco music, and lyrics that literally convey the vibe of his already jet-set lifestyle in Belgrade at the time. Shortly after his musical career, Boban Petrovic became a businessman of the conscious class, and along the way he also wrote two books describing the time when the album ZUR was created. The album was carefully remastered by grammy nominated sound engineer Jessica Thomson.

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Bobby Darin

Commitment

You're The Reason I'm Living / Now You're Gone

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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- Limi...

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Bobby Darin

7" | 1962 | US | Original (Capitol)

3,99 €*

Release: 1962 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Bobby Joe Long's Friendship Party

Aoh!

LP | 2022 | EU | Original (Aldebaran)

34,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bobby Weir And Wolf Bros: Live In Colorado Black Vinyl Edition

Bobby Weir & Wolf Bros

LP | 2022 | US | Original (Third Man)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bobby Weir & Wolf Bros: Live In Colorado, Vol.2

Bobby Weir & Wolf Bros

2LP | 2022 | EU | Original (Third Man)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2016 | EU | Original (Wah Wah)

Bodast

Spectral Nether Street

Our Brand Could Be Yr Life Silver Vinyl Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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Steve Howe's recording career began as early as 1964 under the production of Joe Meek when he was the lead guitarist of the savage R&B outfit The Syndicats. He then joined The In Crowd, who soon became Tomorrow, legendary pioneers of UK psychedelia who along with Pink Floyd and Soft Machine changed the face of pop music forever. When Tomorrow's singer Keith West's first solo single became a huge success (it was a part of the "lost" Teenage Opera project by Mark Wirtz) all band members went their separate ways. Drummer Twink joined The Pretty Things and then formed The Pink Fairies, bassist Junior Wood -along with Twink- tried luck in Aquarian Age and Steve Howe accompanied West on tour before finally giving birth to Bodast in 1968.

Bodast was formed by Steve Howe (Guitar), Dave Curtiss (bass, vocals) and Bobby Clark (drums). The name was creatied by taking the first two letters of their names (BObby, DAve, STeve). Curtiss and Clark where veterans of the early UK scene, having been members of Screaming Lord Sutch's Savages or Vince Taylor's Playboys, and they had also worked in France backing Françoise Hardy.They were soon joined by Clive Skinner (vocals) and Bruce Thomas (bass), and also acted for a while as Canto.

While back in the era no recordings of Bodast saw the light of day, the fact is that they did record a whole LP under the production of Keith West. Ten incredible songs that are the missing link between Tomorrow and Yes, a stunning progressive opus which still has it's share of psychedelia, and which should have been a classic since day one but, sadly, the album was filed and left unreleased, and Bodast finally disbanded. Howe got some offers to join other established groups. He took the one from Yes, with whom he soon entered the studio to record The Yes Album, to which he added parts of the lost Bodast compositions (the most evident being Nether Street, an important part of it ended up in Starship Troopers). And the rest, as they say, is history.

The Bodast LP finally saw the light of day in 1981, when Cherry Red issued 8 of the recorded songs as The Bodast Tapes. The original tapes had been newly remixed by Steve Howe himself. It was, again, issued in the 1990s by C5, same remix, with the addition of two extra tracks. That version was also available on CD. In 2000 RPM released a new CD version, this time rescuing the original 1968 mixes, and with the addition of four tracks by Canto (essentially the same band, who changed the name for a while).

Now, for the first time ever on vinyl the original 1968 mixes, which are rawer than those early eighties ones done by Steve Howe, are issued by Wah Wah Records Supersonic Sounds, on a limited edition of only 500 copies, housed in a nice three backflaps sleeve like they did them in the UK in the sixties!

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Bodega

LP | 2024 | UK | Original (Chrysalis)

Carnivore Kiwi Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators Bodega, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past. "Our Brand Could Be YR Life" is Bodega's first album release through Chrysalis Records. "It's something we've been wanting to do for years," guitarist and vocalist Ben Hozie explains of Our Brand Could Be YR Life - a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago. The 15 tracks on "Our Brand Could Be YR Life" explore indie-rock subgenres, self-critique and everything in between. "I think it's our best- sounding record to date," says Hozie, "It's got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture."

LP includes 20 page `zine designed by the band with lyrics and exclusive album content!

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Body Count

LP | 2020 | EU | Reissue (Noisy Plastics)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Carnivore Pink Vinyl Edition

Body Count

LP | 2020 | EU | Reissue (Noisy Plastics)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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Bitter Reflections Black Vinyl Edition

Body Of Light

LP | 2023 | US | Original (Dais)

Bitter Reflections Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The latest by Arizona desert brotherhood Alex and Andrew Jarson aka Body Of Light further hones their smoldering strain of tempestuous synth-pop into a transformative suite of anthems, reveries, and reckonings: Bitter Reflection. Written in the wake of 2019's neo-EBM classic, Time To Kill, they sifted inspiration from hidden moments within their own arcana - childhood tapes, home movies, abandoned demos - asking themselves the question: "How can we make this grow?" Sampled snippets of voice, noise, synth, and field recordings flicker in the periphery of these 11 tracks, murmuring like nostalgias half-forgotten, or displaced memories. It's music pulled between twin flames of truth and desire, romanticization and reality, catharsis and control, born of a bond sealed by years, dreams, and blood. Working with Telefon Tel Aviv co-founder Josh Eustis in Los Angeles, the brothers incorporated an expanded array of live instrumentation - piano, bass, saxophone, acoustic guitar - in addition to vintage Akai samplers, Moogs, and archaic hardware, giving the album an eclectic, unpredictable palette. Opener "Get It Right" showcases their impressive refinement: sleekly cold drum machinery builds to a swooning chorus of synths and piano, then suddenly slips into a dream sequence bridge of strummed guitar and echo-shrouded vocals, before surging back to the main melody. Throughout, the songs shift gears and moods in evocative ways, as if bending to fleeting thoughts or lengthening shadows. Simmering synth lament "Strike The Match" captures the Jarsons' unique technique of co-crafted lyrics, accruing meaning as the world turns; though written long before, the track ended up being recorded the day Russia invaded Ukraine ("I fall asleep to the candlelight / things will be different but not tonight / it wouldn't be like you to strike the match / over and over, I can't understand"). A trio of intriguing instrumentals deepen the album's scope, echoing the duo's early experimental era as part of the influential Ascetic House collective. "Fortia," "Hyena," and "Deepcolorlights" drift in a prismatic gauze of whispered synths and oblique minutia, in the spirit of Boards of Canada at their most hushed and haunted. Elsewhere the record spins through a gallery of the band's ongoing fascinations: Depeche Modeesque declarations of dread and excess ("This Conversation"), brooding dance floor epiphanies ("Out Of Season"), smooth Thomas Dolby city skyline melancholias ("Never Ever"), lovesick looking glass ballads laced with Art Of Noise orchestral stabs ("On This Day"). A new age demands new waves, and Body Of Light belongs at the forefront of a resurgent generation fusing modern methods with the sounds of futures past. Singer Alex Jarson sees their muse clearly, at the axis of anguished transition, temporal collapse, and, just possibly, the brink of hope: "Time is dysphoric. The dream breaks down. Everyone's beginning to panic, but in the end something will come from it."

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Body Of Light

LP | 2023 | CZ | Original (Dais)

Boeckner! Orange Vinyl Edition

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Boeckner

LP | 2024 | EU | Original (Sub Pop)

29,99 €*

LP | 2006 | EU | Reissue (Ernest Jenning)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner's hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying-more memorable, more generative, more abundant-than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner! No matter where his genre exploration has taken him, there's something about growing up in punk and DIY spaces that puts collaboration in Boeckner's blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It's a jet-powered chase through a tech-noir cityscape-fueled by a dream and that special someone in the passenger seat. That urgency and passion have always been a trademark of Boeckner's, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he's not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he'd found the perfect counterpart for his solo debut. "I'd been a fan of his forever, especially the Sunn0))) records he produced," Boeckner says. "Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don't normally weave into what I'm releasing-like occult synth, pseudo-metal, krautrock, and heavy psych influences." That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it's charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain's ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record's atmosphere. That tense futurism was influenced by Boeckner's time staying in Dunn's Circular Ruin studio, a dusky, electronic aura burned into every track. By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

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Boise Cover Band

Unoriginal Artists

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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First Time On Vinyl!
Reissue of one-off 2003 project by Doug Martsch (Built to Spill), featuring Ned Evett, Ian Waters, and John Mullin
Includes covers of David Bowie, Captain Beefheart, The Pretenders and more

Boise Cover Band’s "Unoriginal Artists" is basically a Built to Spill album, the vision of its founding member Doug Martsch.

In 2002 while Built to Spill was on hiatus, Doug was inviting various local musician friends to his home studio for improvised jam sessions. Eventually he settled on guitarist John Mullin, long time BTS Soundman Ian Waters on drums and his former Treepeople bandmate Scott Schmaljohn on guitar. Doug played bass. After a while they lost interest in improvising and decided to learn a few covers.

When Scott no longer had time for the project he was replaced by boise guitar player Ned Evett. While Doug, John , and Ian were ok musicians Ned was a world class virtuoso, winner of the 2003 North American Guitar compitition and inventor of the glass-necked fretless guitar which he plays on the album.

No one seems to remember exactly how long the band existed, maybe a couple months. There were no ambitions, it was all just for fun. They played the Pretenders song “Back On The Chaingang” but without first listening to the original, relying only on memory. There was talk of maybe playing a show or two but the band ended up never performing live. When everyone’s lives got too busy for the band they made this record and called it quits.

It was recorded on Doug’s 16 track 1/2 tape machine in the same room where the band had always rehearsed, a garage behind his house that his three-year-old son had named the Man House because it had been built for humans, not for lions or elephants. Long time Built to Spill producer Phil Ek engineered the live tracking sessions and then Doug finished the record alone, adding more guitars, some keyboards, lead vocals, and the backing vocal parts that the other band members had been singing during rehearsals. He mixed it alone and Up Records executive Pete Ritchy designed the K-Tel style cover and released a few hundred CD’s on his unofficial side label Jo-Ri. Built to Spill sold them on tour and that was that.

And then seventeen years later Doug asked his friends at EJRC if they could make it available again because it is probably his favorite record he ever made.

Loving Pauper (Dobby Dobson)
Ashes To Ashes (David Bowie)
I Love You More (Lee Williams and the Cymbals)
Strange (The Delusions)
Chain Gain (The Pretenders)
I'm Glad (Captain Beefheart and His Magic Band)
Ta Magia Sto Pegadi (Georgios Trakis)

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Bomb The Music Industry

Scrambles

LP | US (Asian Man)

Release: US

Genre: Rock & Indie

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I Had The Blues But I Shook Them Loose

Bombay Bicycle Club

CD | 2009 | UK | Original (Mmm...Records)

3,99 €*

12" | 2009 | US | Reissue (Jagjaguwar)

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Bon Iver

Blood Bank EP

Release: 2009 / US – Reissue

Genre: Rock & Indie

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LP | 2019 | US | Original (Jagjaguwar)

Bon Iver

I,I

40,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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I Made A Place Black Vinyl Edition

LP | 2019 | UK | Original (Domino)

Release: 2019 / UK – Original

Genre: Rock & Indie

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LP | 1999 | EU | Reissue (Domino)

I see a darkness

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Sings Greatest Palace Music

2LP | 2004 | UK | Reissue (Domino)

31,99 €*

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Will Oldham returns, and yes he's still Bonnie 'Prince' Billy. But this time he's singing from the greatest songbook of 'em all: the Palace songbook. Which he wrote.

Confused? You should and shouldn't be.

This is Bonnie 'Prince' Billy!

Will Oldham has made some of the world's greatest, most compelling, beautiful, rugged, raw, soulful, witty, and sorrowful records of all time, and, like R. Kelly, he just keeps 'em coming. If Ease Down The Road was Will's 'Chocolate Factory' (or was it the other way round?), then 'Greatest Palace Music' is his 'The R in R n B': an unstoppable hits package, full to the brim with lush luxuries for your aural pleasure. Recorded with a healthy mixture of old friends and new partners - Nashville session players, and familiar (and familial) faces Ned and Paul Oldham, amongst others.

Bonnie 'Prince' Billy re-recording his fans favourite Palace Songs is a natural extension of the smoother goings on of "After I Made Love To You" (Ease Down the Road), and the countrified duets of last year's dark masterpiece, 'Master and Everyone'. Fans may be aghast when they first hear these re-renderings, but give this record room to breathe, and you'll discover the sheer majesty of Will Oldham in glorious Technicolor. This is not Will Oldham improved; this is Will Oldham anew. We expect our expectations to be confounded when we're in the presence of the greats, and so here we are not disappointed by the Prince, even if we are somewhat thrown.

LP version features lovely etching on Side 4.

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The Purple Bird Black Vinyl Edition

LP | 2025 | UK | Original (Domino)

25,99 €*

Release: 2025 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-31

The Purple Bird Purple Vinyl Edition

LP | 2025 | UK | Original (Domino)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2025-01-31

LP | 2022 | EU | Original (37d03d)

Bonny Light Horseman

Rolling Golden Holy

Let It Burn Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bonny Light Horseman's self-titled debut was a folk masterclass, reimagining centuries-old standards with effortless grace and wonder. Those Grammy-nominated, listtopping recordings not only suggested renewed possibilities for aging songbooks but also marked the arrival of a trio fully capable of reorienting the wider folk landscape. Still, if it felt at all like the work of some short-lived supergroup or a one-off diversion (it never was), Rolling Golden Holy rebuffs the notion with preternatural beauty and charm, and imagination. These songs, all originals, follow the paths of the traditional tunes the band cherishes to new frontiers, the sounds and situations of history given the gravity and shape of now. This is a band working at the edge of modern folk. After the release of their debut, Anaïs Mitchell, Josh Kaufman, and Eric D. Johnson began discussing their next steps, loosely planning on writing and recording stints. Those sessions were delayed for all the unpredictable but nowfamiliar reasons until the Spring of 2021, when the trio reconvened with their families in tow in upstate New York. Their chemistry remained intact. Johnson's wife Annie had listened to him work with dozens of collaborators over the decades, but, listening in from one room over, she noted he'd never seemed so at ease and productive as he was with Kaufman and Mitchell in Woodstock. They were perfecting "California," a timely and incorruptible classic about moving on in search of something else, something more. These sessions were a series of "yes, and" encounters, each one encouraging the others to take an idea and run with it further to the new safety net they've built together, for one another. These songs continually suggest and embody an unspoken continuum between traditional and modern folk. Mitchell finds self-sustaining adoration in steamy backseats, nighttime visions, and seasonal storms during "Summer Dream," crisscrossing generational symbols to tie past, present, and future into a Gordian knot of devotion. Johnson reaches back to 19th-century wartime on "Someone to Weep for Me" to empathize with someone else descended from "a long line of nobodies," just trying to live long enough to feel like he's mattered to anyone at all, a notion that knows neither age nor border. Johnson and Mitchell trade lines on "Exile," their luminous response to another of humanity's eternal conundrums_how to revel in relationships that we know will one day leave us lonely. Love and loss, death and fear: the songs may be different, but the emotional sources remain. The band thrives in rendering fresh wisdom and insight from old models, whether scraps of ancient songs or the spark of entwined voices. Theirs is a space created for sharing, learning, singing, and playing as one. Rolling Golden Holy is the band's testament to partnership and trust at a moment when we crave such connections so much. They fully appreciate what they have found in one another. On Rolling Golden Holy, we get to live inside that magic, too.

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Bonsai Kitten

LP | 2024 | EU | Original (Sunny Bastards)

21,99 €*

Let It Burn Special Collector's Tricolor Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Let It Burn" is a firework of a rock album with which BONSAI KITTEN are coming back loud in 2024. Do they want to burn everything down now? Not everything, but certainly the bridges to everything...

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Bonsai Kitten

LP | 2024 | EU | Original (Sunny Bastards)

33,99 €*

Let It Burn Tiger-Splash Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Let It Burn" is a firework of a rock album with which BONSAI KITTEN are coming back loud in 2024. Do they want to burn everything down now? Not everything, but certainly the bridges to everything y...

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Bonsai Kitten

LP | 2024 | EU | Original (Sunny Bastards)

When I Found The Trap Door

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bonzie

LP | 2024 | Original (Beevine Records Llc)

38,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Boo Hewerdine And Darden Smith

All I Want (Is Everything)

12" | 1989 | UK | Original (Chrysalis)

4,99 €*

Release: 1989 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2010 | EU | Reissue (Third Man)

Absolutego

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Amplifier Worship 25th Anniversary Edition

2LP | 2024 | WW | Original (Third Man)

30,99 €*

Release: 2024 / WW – Original

Genre: Rock & Indie

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Heavy Rocks Black Vinyl Edition

2LP | 2023 | EU | Original (Third Man)

35,09 €* 38,99 € -10%

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | US | Original (Third Man)

LΦVE & EVΦL

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Covers as new with faintly worn corners.
Includes original inserts.

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Live At Third Man Records

LP | 2017 | US | Original (Third Man)

Release: 2017 / US – Original

Genre: Rock & Indie

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There's no better way to celebrate the 10-year anniversary of your best record than playing it in full, twenty-nine nights in a row. Hailing from Tokyo, beloved psych-doom shredders Boris performed their critically acclaimed album PINK in full, live in the Blue Room at Third Man Records. They recorded it direct to 8 track, 2'' tape, providing an incredibly high fidelity document of an unforgettable night. Local weekly The Nashville Scene reviewed this show as ''at least in that moment... by far the greatest show Third Man Records has hosted to date.''
It's hard to disagree. Atsuo, Takeshi and Wata filled the room with foreboding smoke, dark red light reflecting off of the blue walls and, to this date, was our loudest performance yet. This is almost certainly the only time that we've handed out and required earplugs for every single audience member upon entry. And now you can keep the celebration of PINK going with the choicest tracks of the night - get this record!

Tracklist:
1A. Blackout
2A. Pink
3A. Woman on the Screen

1B. Just Abandoned My-Self
2B. Farewell

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2LP | 2019 | EU | Original (Third Man)

Love & Evol

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Third Man)

Love & Evol

29,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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The next chapter in Japanese rock legends Boris' story has arrived; their new double LP LφVE & EVφL is set for release on October 4th via Third Man Records. This double LP exists as two independent works, encapsulating conflicting connotations that interweave and become intricately entangled with one another, gradually eroding before becoming utterly singular. Continuing to tinker and toil with their sound since the 2017 release of DEAR, Boris have pivoted onward a more organic, non-grid literary style that LφVE & EVφL showcases. The album's first single, ''Love,'' is one of the most musically diverse in their career and showcases a snippet of what is to come on LφVE & EVφL.

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LP | 2021 | US | Original (Third Man)

25,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Sacred Bones)

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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In an effort to sublimate the negative energy surrounding everyone in 2020, legendary Japanese post-rock band Boris focused all of their energy creatively and turned out the most extreme album of their long and widely celebrated career, NO. The band self-released the album, desiring to get it out as quickly as possible but intentionally called the final track on the album "Interlude" with anticipation of a follow-up. The follow-up comes with W the band's debut album for their new label Sacred Bones Records. The record opens with the same melody as "Interlude" in a piece titled "I want to go to the side where you can touch..." and in contrast to the extreme sounds found on NO, this new album whispers into the listener's ear with a trembling hazy sound meant to awaken sensation. On all of W Wata carries the lead vocal duties. In general the styles on the album range from noise to new age, as is typical with one of our generation's most dynamic and adventurous bands, but there is thread of melodic deliberation through each song that successfully accomplishes the band's goal of eliciting deep sensation. Be it through epic sludgey riffs, angelic vocal reverberations or the seduction of their off-kilter percussion, Boris will have you fully under their spell. NO and W weave together to form NOW, a duo of releases that respond to one another. In following their hardest album with this sensuous thundering masterpiece they are creating a continuous circle of harshness and healing, one that seems more relevant now than ever and shows the band operating at an apex of their musical career.

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LP | 2022 | US | Original (Sacred Bones)

W Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Sacred Bones)

W Blue Vinyl Edition

2LP | 2020 | EU | Original (Relapse)

Release: 2022 / US – Original

Genre: Rock & Indie

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Boris with Merzbow

2r0i2p0

30,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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We Are The Romans Black Vinyl Edition

Botch

2LP | 1999 | US | Reissue (Sargent House)

40,99 €*

We Are The Romans Colored Vinyl Edition

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Influencial cult classic reissued plus new Botch song! Legendary Tacoma, Washington mathcore/hardcore/metal band Botch's second and final full-length album We Are the Romans was originally released in 1999, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band's seminal album is set to be re-issued and will include Botch's first new song in over 20 years, "One Twenty Two". There was never any intention for the band to release anything else, but when guitarist David Knudson went to write his debut solo LP, it made sense. He explains: "During Covid, I was writing my debut solo LP, and mentally, I was sick of everything in quarantine. Lots of frustration had set in at home, and I figured the best way to deal with it was to write something heavy. I had no intention of writing anything for Botch, but when I was thinking of a singer to collaborate with, I thought, "Hey, I know the best hardcore singer ever to do it," so I hit up Dave V. He was super excited and so it just kind of snowballed from there. There was never any intent or conversation about getting back together or writing. It just happened so naturally and was a great release for all of us to make it happen without any of the traditional pressure an "active" band faces." Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the release of their final EP, An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. We Are the Romans went on to become one of the most influential albums ever for the genre garnering posthumous acclaim across the board.

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Botch

2LP | 1999 | CZ | Reissue (Sargent House)

41,99 €*

LP | 1977 | JP | Original (Invitation)

Release: 1999 / CZ – Reissue

Genre: Rock & Indie

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Bow Wow

Signal Fire

14,99 €*

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

See Jungle! See Jungle! Go Join Your Gang Yeah! City All Over, Go Ape Crazy

LP | 1981 | US | Original (RCA Victor)

17,99 €*

Release: 1981 / US – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Record is close to NM!

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See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy!

LP | 2022 | EU | Reissue (Music On Vinyl)

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited Edition, Numbered 453/2000, Green & Yellow Marbled Vinyl.

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See Jungle! See Jungle! Green & Yellow Marbled Vinyl Edition

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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When The Going Gets Tough, The Tough Get Going

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Everywhere I Go Is Silence

Box And The Twins

LP | 2016 | FR | Original (Manic Depression)

80,99 €*

I Got No Place Remembers Me

Release: 2016 / FR – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear vinyl seems unplayed. With inserts and stickers. Limited edition. Cover is close to NM.

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Brad Armstrong

LP | 2019 | US | Original (Cornelius Chapel)

12,64 €* 22,99 € -45%

Release: 2019 / US – Original

Genre: Rock & Indie

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Brad Marino

Basement Beat

CD | 2022 | US (Rum Bar)

14,99 €*

Brad Marino & Natalie Sweet

Release: 2022 / US

Genre: Rock & Indie

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With the downtime of the past 2 years I've been writing a lot. As sort of a little songwriting challenge every once in a while I’d write some Ramonescore tunes. It's almost a concept album in that sense. Most of these songs were written in 2020/2021 but a couple are some of my first attempts at songwriting circa 2004! I was originally going to release this under an alias but decided to just make it a Brad Marino album on the advice of some people whose opinion I trust. It's different than "Looking for Trouble" and "Extra Credit" but It's all rock and roll to me... NO Upstrokes Were Used IN THE Making OF This Record

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7" | 2024 | US | Original (Rum Bar)

13,99 €*

LP | 2023 | EU | Original (Sunday Best)

Release: 2024 / US – Original

Genre: Rock & Indie

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I discovered Natalie Sweet from Lord Rutledge at Faster & Louder. He had my 1st LP “Extra Credit” #3 on his 2019 Best of. Right behind...Natalie Sweet and Pale Lips. I loved Natalie’s 1st LP and when she posted online about wanting to collaborate with different people I jumped at the chance. I’ve always wanted to collaborate with someone outside the usual crew and it was a great chance to do so. Natalie sent me her idea for “Second Time” just her singing the song on her phone and I thought even in it’s primitive state that it had a great hook and she had something there. We collaborated on that one with me adding some lyrics and a bridge. At this time I had recently started writing “Over My Head” and presented it to Natalie who did a great job coming up with a female point of view in the song and adding lyrics that really helped the song tell a story and pushed it forward. I’m very excited about this release- it was a blast creating these songs with Natalie and bringing them to life with two old buddys Craig Sala on drums and Kris Rodgers on keys! The two tracks were expertley mixed by Mike Kennerty ( All American Rejects, Screeching Weasel) and mastered by Justin Perkins. Big thanks to Jamie at Reta Records for putting this release together and to my longtime friend and label boss Malibu Lou for bringing Rum Bar Records on board for this great release! -- Brad Marino, Rochester NH

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Brad Stank

In The Midst Of You

Wall Of Skulls Limited Clear Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Liverpool’s acclaimed sensual existentialist Brad stank today announces the release of his resolutely romantic new album In The Midst of You on January 26th via his new label Sunday Best Recordings. He launches the album alongside the quintessentially Brad ‘Natty Wine’ and its accompanying video. The new single ‘Natty Wine’ neatly encapsulates the many charms that emerge throughout the album. With Brad backed by soulful female vocal harmonies, the song’s jazzy psychedelia possesses a touch of twanging Americana, its warm and vibrant live instrumentation making for a song as relaxed as a Sunday afternoon in the sun. It’s also notable for featuring Brad’s favourite percussive instrument deep in the mix: a wooden frog. He adds, “This is a tongue-in-cheek song I wrote after being gifted a bottle of natural wine by a friend. I’m a working class boy who would much rather drink shitty lager at a party, like Stella or Holsten Pils. I’ve got no right to be writing a song about natty wine but I was feeling bougie. It’s a love song in disguise, I liked the imagery of lyrics like, ‘Your sweet loving just keeps dripping from the vine.’” In The Midst of You finds Brad in late night lothario mode, his previous seductive style now taking a more resolutely romantic and perhaps surprisingly spiritual direction. The phrase “in the midst of you” comes from the Bible, Zephaniah 3:17, “the full quote is something along the lines of “God is in the midst of you” - basically meaning that you have to look inward for peace or enlightenment, etc. the album is about that in parts and also, as always, I tried to put a romantic twist on it so that the “in the midst of you” is about being in love with somebody. It’s kind of a juxtaposition but I’ve always enjoyed taking spiritual messages and giving them a double meaning, explains Brad. “Hopefully it’s a positive message of prostrating yourself to somebody, or to spirituality or something - but giving yourself fully to something , being in the midst…”

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Brainstorm

LP | 2021 | EU | Original (Afm)

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bougainvillea Suite Mustard Colored Vinyl Edition

Brant Bjork

LP | 2022 | EU | Original (Heavy Psych Sounds)

31,99 €*

Bougainvillea Suite Yellow-Black-Blue Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Once again Brant Bjork is back with a wonderful new album “Bougainvillea Suite” !! He’s never missed a shot in the last 20 years. His discography is connected by an imaginary line which crosses different sounds and melodies, but always with the same attitude. In the background you can imagine the Mojave desert where everything started many years ago, but his last record sounds fresh as his debut Jalamanta! Brant says about this album: “This is a bitter sweet record for me. So much change in my life. Some stuff more positive than others. But it’s always a blessing to be able to make a record and get the music out and to the fans. This is the last record to be recorded in my Joshua Tree studio. I’m saying good bye to an era and looking down the road toward new beginnings”

“Bougainvillea Suite” is composed by 8 songs. Produced by Yosef Sanborn and Brant Bjork. Recorded at The Rad Cabin, Joshua Tree, CA. Engineered and mixed by Yosef Sanborn.

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Brant Bjork

LP | 2022 | EU | Original (Heavy Psych Sounds)

39,99 €*

Saved By Magic Again Orange Vinyl Edtion

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brant Bjork

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Black Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Remastered Reissue of Brant Bjork's legendary album in brand new colored vinyl and artwork. “I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Saved By Magic Again Golden Nugget Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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“I had just got off the road and went right into the studio out in the desert at Rancho de La Luna. I was living in the house just behind at the time making sessions super convenient. I was set to record with my band the Bros in a couple weeks but I decided to go into the Rancho early and get some sounds. Tony and I ended up recording a bunch of songs that I was writing on the fly. A week later the Bros showed up and we recorded another batch of songs with the band playing live in the front room. After we wrapped I combined both my solo session and the Bros session and released in as one record called Saved By Magic on my label Duna records. That was 2005. Now I’m rereleasing this record on HPS and I’ve decided to separate the two sessions into their original bodies of work. My solo session and the Bros session. I mostly did this because I feel the Bros deserve to have something of their own as they were a magical band. I also just thought it would be cool. I call both records Saved By Magic Again.” New album cover by Maarten Donders. Remastered by John McBain !!

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Brant Bjork & The Bros

LP | 2005 | EU | Reissue (Heavy Psych Sounds)

Pottymouth Indie Exclusive Lemon Yellow Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Bratmobile

LP | 1993 | US | Reissue (Kill Rock Stars)

Pottymouth Pink Vinyl Edition

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Along with Bikini Kill, Bratmobile spearheaded the riot grrrl revolution of the early 1990s, battling the long-standing dominance of men within the punk rock community to help empower a new generation of female musicians and fans. Comprised of singer Allison Wolfe, guitarist Erin Smith, and drummer Molly Neuman, Bratmobile made their debut at 1991’s International Pop Underground convention; after a handful of singles—with members spread out between California, Washington, and Maryland, recording was a logistical nightmare—the trio finally released Pottymouth in 1993. – By Jason Ankeny, Allmusic.com

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Bratmobile

LP | 1993 | US | Reissue (Kill Rock Stars)

Impressions On Reading Aldous Huxley

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

LP | 1972 | JP | Original (Elektra)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Bread

Baby I'm-A Want You

LP | 2022 | EU | Original (Schnitzel)

Release: 1972 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Brendan Benson

Low Key

Eye Of The Hunter / Live At The I.C.A.

Release: 2022 / EU – Original

Genre: Rock & Indie

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Not every two-year period measures out the same, noted Brendan Benson, the 51-year old Grammy-nominated singer-songwriter and co-founder of The Raconteurs. Benson had just finished his well-received seventh album, "Dear Life" in 2019 when his world came to a stop. "I was rehearsing for South-By-Southwest and gearing up for a tour and had a band ready and then, of course, the world shut down," he said in a recent interview. The lockdown then began to reroute lives, societies and ambitions worldwide. "Everything changed," Benson said. "I went to work on some songs so I'd have new material when things opened up." Over months with minimal interactions, those songs coalesced and took on lives of their own, he said. Two years of semi-isolation, of fading relationships, of the natural inward turn that comes with less human contact unexpectedly pushed Benson's song-writing into new places. Instead of being an afterthought, Benson's solitude evolved into, "Low Key" the eighth album by the idiosyncratic songwriter who has enjoyed both world-wide popularity with the Raconteurs and a devoted cult following for his numerous solo projects. Low Key, the Nashville-based artist said, was his chance to explore how lives and relationships changed during the lengthy isolation from the normal interactions of everyday life. Benson might not have written songs such as "People Grow Apart" and "Whole Lotta Nothing" prior to 2019, he said. "The lockdown afforded people the opportunity to cut ties - or maybe it caused people to do that," he said. "Whatever the case may be, a lot of people fell out." "But then relationships ending is one of my favourite topics for song writing," he said with a laugh. This isn't to say that the 8-track effort recorded in Benson's own Readymade Studio in Nashville is a grim look at the state of human condition. Just the opposite. The catchy, upbeat lead track "Ain't No Good," pokes fun at destructive self-absorption while the guitar-heavy "Whatever's On My Mind" skewers Benson's own hyperkinetic, stream-of-consciousness thinking. And then there's the most unlikely track of all: A cover of Gerry Rafferty's smooth 1978 hit, "Right Down the Line." The cover was suggested by a friend. "She's always been saying I should do that song. I don't normally pay attention when people say that stuff. But then I happened to hear it one day and I said, 'Dang. This is good.' " Low Key concludes with "Something A Little Like Home," a song that surprised Benson because it turned to the loneliness of being on the road and what people will do - one-night-stands, bad behaviour -- simply to stave off the solitude of their environment. But that said, Benson added that he is excited to tour again, not just in support of Low Key but Dear Life as well. Low Key, he said, works as a coda for "Dear Life," almost a sequel. And because Dear Life never had its own tour moment in front of a live audience, he'd like to build some shows around supporting both. Or as Greg Calbi, the album's mastering engineer at Sterling Sound put it: "Brendan combines the classic 80's style song-writing in the Squeeze, Crowded House vein with some incredible contemporary sonic magic, the kind of album which entices the listener to get tickets to a live show immediately." The fact is, it's been a long, rough two years for everyone, Benson said. He knows that this wait for normal times, whatever that is, might be a long one. But he's hardly new at this. Benson has been in the industry for decades and has produced his own eight solo records as well as many others. The lockdown that left him mostly with himself, professionally speaking. Confined to his Nashville studio, Benson played every instrument on Low Key and handled all of the initial production. Michael Ilbert then mixed the album at Hansa Mixroom, Berlin, Greg Calbi and Steve Fallone mastered it at New Jersey's Sterling Sound. The end result was exactly what Benson had been searching for - even if he didn't know it at the time. Those years spent honing his craft as a songwriter, producer and touring musician, turned what could have been a liability of isolation into something far deeper, a body of work he described as the best of his career.

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Brendan Perry

LP+LP+All Media | 2023 | EU | Reissue (4AD)

39,99 €*

Eye Of The Hunter / Live At The Ica Reissue

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Transparent Blue and green vinyl.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Records are close to VG+

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Brendan Perry

LP | 2023 | EU | Original (4AD)

44,99 €*

Brennen Leigh Featuring Asleep At The Wheel

Release: 2023 / EU – Original

Genre: Rock & Indie

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Out of print since release in 1999, Dead Can Dance"s Brendan Perry"s debut solo album "Eye of the Hunter" is being reissued this summer and has been expanded to now also include his 1993 live show as part of 4AD"s infamous 13 Year Itch week of concerts at London"s ICA, a live show that has to date only been available as a very rare promotional cassette.Having mutually disbanded Dead Can Dance so he and Lisa Gerrard could focus on their own material (a hiatus that would last seven years between live shows and sixteen between albums), Brendan"s debut built on his renown as a solo performer, having often played just he and an acoustic guitar during his band"s otherworldly live shows. Indeed, Dead Can Dance"s first official live album, 1994"s Toward The Within, captures just this with three Brendan solo tracks helping to set the scene for what came next.Backed by the band of Liam Bradley (drums), Glen Garrett (bass guitar) and Martin Quinn (pedal steel), Brendan performs the guitar, a 12-string guitar, mandolin and keys to achieve a rich, gothic sound while the album"s incredible production elevates his vocals to Scott Walker and Tim Buckley levels of delivery; two clear influences, the latter"s "I Must Have Been Blind Here" is thoughtfully covered here.A record that has been out of print on vinyl since its release in 1999, people have been asking for it to be repressed for long enough. Having been remastered at Abbey Road, fans will be delighted to hear that not only is Eye of the Hunter finally being reissued but that it"s also being expanded to include Live at the I.C.A.. A true collectible, this extra album has previously only been available on a rare as hen"s teeth promotional cassette, recorded during the 4AD label"s infamous 13 Year Itchresidency at the storied London venue in 1993. Chris Bigg"s fantastic art remains front and centre, upgraded to a gatefold sleeve for the LP with the transparent teal Colored Vinyl matching the album"s palette.

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Obsessed With The West

LP | 2022 | US | Original (Signature Sound)

7" | 1966 | EU | Reissue (Wah Wah)

Release: 2022 / US – Original

Genre: Rock & Indie

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I've been obsessed with western swing since I was a kid, and it's always been an influence, but my records in the past have ranged from bluegrass to hard country to folk, So I've never fully explored it.' So says genre-busting Fargo-born, Austin- incubated, Nashville resident Brennen Leigh, whose new collaboration with the kings of modern-day western swing, Asleep at the Wheel, Obsessed With The West (out on May 6, 2022), is a showcase not just for the Bob Wills fans, but for anyone who's ever curled up with Loretta Lynn, Hank Sr., Cindy Walker, Billie Holiday, or Willie Nelson. On twelve all original songs, Leigh's supple winking voice and multi-instrument fluency, her interplay with Ray Benson, and the undeniable chops of the Wheel serve up a treat on Leigh's seventh album. With cameos from Emily Gimble and Katie Shore, and all the players getting their moments in the sun, Leigh - a two-time winner of the Texas Music Awards Best Female Vocalist award - demonstrates on the terrific jump 40's rhythm and blues, 'Comin' in Hot' and the lonesome cowboy musing of 'Riding Off Onto Sunset Boulevard' why Rodney Crowell and Lee Ann Womack have recorded her songs. Obsessed With The West is a celebration of music for music's sake in 2022, not just an exercise in looking back on times gone by.

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Brenner's Folk

Daurat Oest +3

12,99 €*

2LP | 2024 | US | Original (Mick Music)

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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Brett Dennen

If It Takes Forever

43,99 €*

LP | 2021 | US | Original (Sub Pop)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since debuting in 2004 with a self-titled album, Brett Dennen has established himself as the kind of singer-songwriter who finds inspiration by digging into the nooks and crannies of the human condition-exploring pain, joy, sadness, and all points in between. Along the way, Dennen has had multiple top 10 hits on AAA radio, with the keening title track of See the World, landing at No. 4 in 2021. Brett's touring plans have seen him alongside artists like John Mayer, Jason Mraz and G Love and Special Sauce, as well as landing multiple song placements in the hit TV show Parenthood. With "If It Takes Forever" (Mick Music), the California native's eighth solo album and first full-length since 2021's See the World, is no exception. The warm, immersive collection boasts deeply felt sentiments, underpinned by rich acoustic guitars and Dennen's earnest vocals, in the vein of dusky Americana ("Golden State of Mind"), harmonica-driven blues (the Tom Petty-esque "Careful What You Wish For"), rootsy indie ("Don't Go Talking"), and meditative folk-rock (highlight "Time To Wake Up"). If It Takes Forever emerged from a tough 2023 for Dennen, as he was dealing with the death of his dad. "He was such a strong figure in my life that I depended on so much as both a dad and a best friend," he said. "And I knew immediately in order for me to deal with his death, the best thing I could do was to make an album about it." Alongside the release of If It Takes Forever, Dennen plans to hit the road once again, but he possesses additional perspective on-and gratitude for-the solace provided by art and music. "To really boil it down, this is life," he says. "Life is full of things that get complicated and make you busy, and are really hard to deal with. But if you write songs about it, and put it into art, then it makes it a lot more relevant and meaningful and worthy of celebration."

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Bria

Cuntry Covers Vol. 1

12" | 1986 | EU | Reissue (Thank You)

Release: 2021 / US – Original

Genre: Rock & Indie

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Initial Lp Pressing On Opaque Breeze Blue Vinyl. New Project By Longtime Members Of Indie-Country Superstar Orville Peck's Band, And Polaris Prize-Listed Band Frigs.Fresh, Reverent Yet Subversive Renditions Of Classic Songs By Dave Van Ronk (By Way Of Karen Dalton's Arrangement), Waylon Jennings, John Cale, Lucinda Williams, The Walker Brothers, And Mistress Mary. "Bria Is An Intimate And Incisive Labour Of Love From Multi-Instrumentalists Bria Salmena And Duncan Hay Jennings. Catapulted By A Deep Sense Of Dread And Confusion In The Depths Of 2020, Salmena Decided To Forgo Writing Her Own Music. "I Wanted To Listen For What Might Reflect My Life Back To Me," She Says, "Six Tracks That Could Be My Mirror." The Result Is A Pointillistic Knockout Of An Ep That Weaves A Landscape Both Luscious And A Little Rogue; Showing Us Exactly What Good Songs Can Do.Bria's Internal Turbulence Seemed To Mirror Last Year's External Instability. When Jennings And Back-Up Singer Jaime Mccuaig Moved To The Outside Inn, A Hobby Farm In Hockley Hills, Ontario, Bria Soon Joined. The Farm's Living-Room-Turned-Studio Proved An Ideal Setting F...

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Brian Auger

Night Train To Nowhere

15,99 €*

Mycorrhizal Fungi Feat. Roisin Berkeley

Release: 1986 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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It's not because one might have worked with people like Jimi Hendrix, John McLaughlin and Rod Stewart throughout their career that Italo-Disco wouldn't get the best of your work. A great example of the Italian phenomenon's infectiously widespread grip is British rock keyboardist Brian Auger's path, when he found himself in a Milanese recording studio during the mid 80's and recorded his last known release in that decade. Powerfully fusing decades of rock and jazz education with the synthetic hysteria of the time (and culture), the result is a classic downtempo number that has found its way into some of our favorite DJ sets for a while now. Vocal and instrumental are featured on the A-side and in addition the B-side offers a new remix where things take somewhat of a catastrophic turn into what sounds like Brian getting on the wrong train to a K-hole, probably not for most dance floors. Meticulously remastered at manmade mastering in Berlin.

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Brian D'souza / Or:La

LP | 2024 | UK | Original (A State Of Flo)

LP | 2021 | EU | Original (Bang!)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Brian d’Souza (fka Auntie Flo) teams up with in-demand DJ Or:la, harpist Róisín Berkeley and celebrated artist Jana Nicole for a release celebrating the humble mushroom. Originally commissioned for the Hayes Mycelium Pavilion at Glastonbury Festival 2023, these two pieces represent the artist homage to the unique power of connection within nature - the mychorrizal network that humans could do well from learning from. d’Souza’s piece uses a process of biosonification, picking up electrical impulses from four different mushroom species (Oyster, Reishi, Lion’s Mane and Shiitake) and turning them into musical notes. The 18 min piece is a literal ecological sound walk into the mind of the mushroom. Irish techno artist/DJ Orlagh Dooley aka Or:la debuts with her piece created in collaboration with harpist Róisín Berkeley. Glacial textures and delicious harp glissandos form a mushroom habitat that exists in peace and harmony. The bespoke art work was created by multi-award winning artist Jana Nicole, who used a combination of collage, digital photography and manipulation to put together an art piece that resembles the depth and beauty of the mushroom and its mycelium. The limited edition vinyl will include a scratch and sniff smell component and incorporate UV paint that will only show up in dark light, revealing a different perspective as mushrooms do in the wilds. A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

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Brian Henry Hooper

I Won't Bend For You

12" | 2009 | UK | Reissue (A)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"I Won't Bend For You", The New Posthumous Album By Brian Henry Hooper, Is Packed With The Darkest And Most Intimate Melodies In His Solo Career. Released Now Almost Three Years After His Passing.Gatefold, 140 Gram Vinyl, Limited To 500 Copies! Almost Three Years After The Death Of Brian Henry Hooper (The Beasts Of Bourbon), We Find This New Posthumous Album That He Recorded At The End Of His Days With The Collaboration Of Friends Of The Stature Of: - Kim Salmon (The Beasts Of Bourbon, Scientists, Surrealists, Salmon, Etc.) - Spencer P. Jones (The Beasts Of Bourbon, The Johnnys, The Green Mist, The Butcher Shop, Etc.) - Mick Harvey (Nick Cave And The Bad Seeds, The Birthday Party, The Wallbangers, Etc.) Among Others. The Album Goes A Step Beyond His Previous Album "What Would I Know?" Revealing A Final Period In The Musical And Personal Evolution Of The Artist, Where The Darkest And Most Intimate Melodies Intersect, Announcing The Subsequent Outcome, As Well As The Genius And Creativity Of The Musical Musculature Of This Group Of Unique Musicians Of Their Kind. Open Folder Edition Limited To 500 Units, Edited Courtesy Of Ninevah Hooper.

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Brian Jonestown Massacre

Smoking Acid EP

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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LP | 2010 | EU | Reissue (A)

Brian Jonestown Massacre

Take It From The Man!

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (A)

Brian Jonestown Massacre

The Future Is Your Past

Release: 2023 / UK – Original

Genre: Rock & Indie

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Digital Ash In A Digital Urn

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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"The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."

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Digital Ash In A Digital Urn: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.

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Down In The Weeds, Where The World Once Was

Tape | 2020 | US | Original (Dead Oceans)

16,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Black Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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Down In The Weeds, Where The World Once Was Red & Transparent Orange Vinyl Edition

2LP | 2020 | US | Original (Dead Oceans)

Release: 2020 / US – Original

Genre: Rock & Indie

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First pressing on limited edition Transparent Red + Transparent Orange vinyl - 2xLP packaging features die-cut jacket and Side 4 phenakistoscope etching!

A lone pair of footsteps meanders down a street in Omaha, into the neighborhood bar and then into a near-imperceptible tangle of conversations - about wars, sleepless nights - a surrealist din pushing against the sound of ragtime. Then, as the background quiets, a line rings out clearly: "I think about how much people need - what they need right now is to feel like there's something to look forward to. We have to hold on. We have to hold on." Thus we enter the fitting, cacophonic introduction to Bright Eyes' tenth studio album and first release since 2011. Down in the Weeds, Where the World Once Was is an enormous record caught in the profound in-between of grief and clarity - one arm wrestling its demons, the other gripping the hand of love, in spite of it. The end of Bright Eyes' unofficial hiatus came naturally. Conor Oberst pitched the idea of getting the band back together during a 2017 Christmas party at Bright Eyes bandmate Nathaniel Walcott's Los Angeles home. The two huddled in the bathroom and called Mike Mogis, who was Christmas shopping at an Omaha mall. Mogis immediately said yes. There was no specific catalyst for the trio, aside from finding comfort amidst a decade of brutal change. Sure, Why now? is the question, but for a project whose friendship is at the core, it was simply Why not? The resulting Bright Eyes album came together unlike any other of its predecessors. Down in the Weeds is Bright Eyes' most collaborative, stemming from only one demo and written in stints in Omaha and in bits and pieces in Walcott's Los Angeles home. Radically altering a writing process 25 years into a project seems daunting, but Oberst said there was no trepidation: "Our history and our friendship, and my trust level with them, is so complete and deep. And I wanted it to feel as much like a three-headed monster as possible." As a title, as a thesis, Down in the Weeds, Where the World Once Was functions on a global, apocalyptic level of anxiety that looms throughout the record. But on a personal level, it speaks to rooting around in the dirt of one's memories, trying to find the preciousness that's overgrown and unrecognizable. For Oberst, coming back to Bright Eyes was a bit of that. A symbol of simpler times, vaguely nostalgic. And even though it wasn't actually possible to go back to the way things were, even though there wasn't an easy happy ending, there was a new reality left to work with. And here, there is a bleary-eyed hopefulness - earnest, emotive recommitments to love appear on "Dance and Sing" and "Just Once in the World." And throughout, Down in the Weeds features snippets of Oberst's loved ones speaking, in late-night conversations. The fleeting loveliness of intimate moments punctuates the bleakness of the record's existential crisis, crackling like lightning bugs illuminating the long night. Down in the Weeds is a distillation of a prolific, enduring canon. It's immediate and urgent, the product of its creators' growth across a decade apart, as well as the need to make a record together to find solace from loss. Through deliberate, fearless experimentation in process, the trio made the truest Bright Eyes sound: the sound of a deep bond, of a band coming home, but also a seamless continuation, like Bright Eyes never went away. It's the impossible, sprawling mess of human experience that Bright Eyes has always sought to put to tape, since the beginning - the sound of holding on. Why now? Why not?

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CD | 2024 | US | Original (Dead Oceans)

Five Dice, All Threes

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Five Dice, All Threes Ghostly Blue Vinyl Edition

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Five Dice, All Threes Red And Orange Splatter Vinyl Edition

2LP | 2024 | US | Original (Dead Oceans)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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I'm Wide Awake, It's Morning

LP | 2005 | EU | Reissue (Dead Oceans)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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I'm Wide Awake, It's Morning

LP | 2005 | US | Original (Saddle Creek)

66,99 €*

Release: 2005 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

With insert. Cover and vinyl are close to NM

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I'm Wide Awake, It's Morning: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | CA | Original (Dead Oceans)

Release: 2022 / CA – Original

Genre: Rock & Indie

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I'm Wide Awake, It's Morning Vinyl Me, Please Edition

LP | 2024 | US | Original (Vinyl Me, Please)

33,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
"I’m Wide Awake, It’s Morning came out in 2005, Conor Oberst’s folky foil to Bright Eyes’ concurrent release, the electronic experiments of Digital Ash in a Digital Urn. It’s distinct placement in an Americana lineage takes center stage, from the detailed, no-holds-barred vulnerability in its storytelling to gripping vocal appearances from Emmylou Harris. For many, it’s looked fondly upon as the well-worn soundtrack to a distinct coming-of-age period, much like the time of exploration Oberst chronicles across the songs on the album, where even the mundane is something worthy of marveling at."

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Lifted Or The Story: A Companion EP Opaque Gold Vinyl Edition

LP | 2022 | EU | Original (Dead Oceans)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lifted Or The Story Is The Soil, Keep Your Ear To The Ground

2LP | 2002 | EU | Reissue (Dead Oceans)

LP | 2023 | US | Original (Fire)

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Originally released 2002. "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this

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Brigid Mae Power

Dream From The Deep Well

LP | 2023 | EU | Original (Pelagic)

Release: 2023 / US – Original

Genre: Rock & Indie

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‘Dream From The Deep Well’ is the new album from celebrated Irish singer songwriter Brigid Mae Power. Recognised as a purveyor of dreamier pop with folky leanings, this new album is a departure; a unique marriage of traditional stylings and very modern melodies; a breath-taking soundtrack which underpins her gorgeous vocal.

Filled with personal tales of offspring and grandparents, the lovelorn and the lost, it’s the essence of re-imagined folk music, from the traditional intro and outro that act as bookends. It’s folk music, but not as we know it. In these ever-confusing and often annoying times, Brigid brings us modern folk for modern folk, with her evocative vocal, doubling back on itself with strings, steel guitar, horns and mellotron adding to its baroque loveliness. It’s waving back at her rootsy past, daubing new colours on a much-loved canvas. ‘Dream From The Deep Well’ is a new visionary beginning from a gifted songwriter.

Elsewhere, there’s the lovelorn longing of her version of Tim Buckley’s ‘I Must Have Been Blind’, alongside a moving tribute to the late Ashling Murphy, a 23-year-old Irish primary school teacher and traditional Irish musician who was attacked and killed while jogging along the Grand Canal just outside Tullamore, County Offaly. It's a harrowing story, delivered with overwhelming compassion. In the best tradition of old school folk music, it opens up a pressing issue to a wider audience.

It's an album that’s politically primed and socially aware; a broadside for us all, this is Brigid Mae Power’s most complete album yet.

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Briqueville

IIII Black Vinyl Edition

LP | 2020 | EU | Original (Pelagic)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Shrouded in darkness for over a decade, ever since the disturbing events that lead to the band's inception, B R I Q U E V I L L E have been bewitchingaudiences with a hypnotizing dirge that evokes the heaviest elements of doom metal and post-rock before mixing them with eerie field recordings, found sounds and haunting traditional instrumentation.On November 3rd, 2023, as winter takes back the night, B R I Q U E V I L L E will unveil `IV' - their latest exploration into the darkest depths of the soul. The Belgian collective's pulsating, repetitive rhythms and penetrating, guttural guitar work return alongside a more prominent vocal presence with ethereal melodies and brooding lyricism further exploring the deeper, richer sonic palette first heard on 2020's `Quelle.' Drawing from members of different local scenes, B R I Q U E V I L L E first assembled with the ambition of improvising around a single, droned note. Having latched onto something raw and powerful, the band suddenly found themselves confronted by a stranger telling tales of a hatred years in the making. Floored by such a fateful meeting, B R I Q U E V I L L E have anonymised themselves behind sweeping black robes and occult golden masks ever since; unifying the collective as one sound, a singular faceless force hellbent on converting audiences around the world.With `IV' however, B R I Q U E V I L L E are beginning to lift the veil. Alongside the aural despair that the band have been handcrafting ever since their eponymous debut full-length in 2014, `IV' is imbued with an intriguing duplicity. Within the mournful melancholy and grinding, icy orchestration is the faintest glimmer of hope as the collective explores the idea of creativity free from the confinement of morals, expectations and time. `IV' sees subtle, tonal shifts and brief periods of warmth and richness now intersperse the band's fearsome outbursts of unrivalled heaviness in a new, intoxicating transformation of their formidablesound. DO be careful though, B R I Q U E V...

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Briqueville

Quelle