Search "men+i+trust" 6547 Items

Release: US

Genre: Rock & Indie

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LP | 2023 | US | Original (Asian Man)

Bat Boy

Fun Machine

20,99 €*

2LP | 2002 | UK | Reissue (Black Mark)

Release: 2023 / US – Original

Genre: Rock & Indie

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The debut full length from east coast pop punk band Bat Boy. Feat ex members of Spraynard and Sundials. Fronted by Hannah Eagle, the band delivers a powerful shot of punk rock adrenaline that brings back the old sound of Lookout Records era bands like Tilt, Green Day, or Mr. T Experience.

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Bathory

Nordland I

2LP | 2003 | UK | Reissue (Black Mark)

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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Nordland I is the eleventh full-length album by Bathory, released in 2002. It is characterized by an unapologetic return to the Viking metal of Bathory's middle period, and features songs written mainly about Norse mythology. It was to be the first in a projected four-album set, but Quorthon only lived long enough to finish the first two volumes (Nordland II was the second).

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Bathory

Nordland II

LP | 2024 | US | Original (Lovitt)

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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Nordland II is the twelfth and final album by Bathory. It is the successor to Nordland I and like its predecessor, it is characterized by an unapologetic return to the Viking metal style of Bathory's middle period, and features songs written mainly about Norse mythology. It was to be the second in a projected four-album set, but Quorthon only lived long enough to finish the first two volumes.

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Bats & Mice

P.S. Seriously

33,99 €*

Mr. Maserati - Best Of Baxter Dury 2001 - 2021

Release: 2024 / US – Original

Genre: Rock & Indie

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Sometimes, the best things take time to finish. In 2012, two of the founding members of the seminal punk trio Bats & Mice stepped into the studio to start work on their follow-up to 2010's Back In Bat EP. Then, between babies and careers, life happened, and the project went dark for almost a decade. Bats & Mice is a band that has quietly crept through the music world. Three members of Sleepytime Trio originally formed the band: Jonathan Fuller (Engine Down, Denali), Dave NeSmith (Rah Bras, Committees) and Ben Davis (MileMarker, Committees). They began writing songs together in a new style that pursued their hardcore roots coupled with a more dark and winding sense of melody. However, the music still maintained the energy and drive of their previous efforts. This lineup produced Bats & Mice's first work, a self-titled EP released on Lovitt Records in the fall of 2000, to critical acclaim. Friends Daron Hollowel and Ash Bruce from the band 400 Years joined for a stint in which 'Bats' wrote and released the full-length album entitled, Believe It Mammals, on Lovitt in the spring of 2002. That lineup toured to support the LP across the US, playing with Fugazi, Ted Leo and the Pharmacists, 90 Day Men, Denali, and Gregor Samsa. In 2004, Luke Herbst joined the band on drums, and the band toured Europe in support of a new EP titled A Person Carrying a Handmade Paper Bag is Considered as a Royal Person. Jonathan Fuller rejoined the group and helped write and record the Back In Bat EP, released in 2010. Soon after, Mark Oates (from Wailin' Storms) took over the drums for Jonathan and helped write new songs as the band headed into the studio to record the basic tracks for an LP in 2012. Bats & Mice then shelved the material as life, marriages, children, and Covid ate away the years. In early 2023, the band reconvened in Chapel Hill's Warrior Sound to rework the original tracking and finish a 10-song full-length record. Named PS: Seriously.

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Baxter Dury

LP | 2021 | UK | Original (Heavenly)

I Only Want To Be With You

Release: 2021 / UK – Original

Genre: Rock & Indie

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Mr Maserati showcases two decades of Baxter Dury’s idiosyncratically louche music, a universe of late-night London meet-ups, shuffling basslines and comedown disco tunes, all run through with a wry bleakness and sweet love of humanity. Mr Maserati collects tracks from across Dury’s six albums, plus a new song D.O.A.

“I don’t really think I warrant a ‘best of’ album,” says Dury. He’s wrong, though, and the selection here is stellar: the oldest song, Oscar Brown, is a wistful spooky slice of pop that can somehow put you in mind of The Carpenters and Spiritualized and haunted arcade games and a rotten sadness at the heart of England; a couple of years later we’ve got Cocaine Man, with its grim-sweet singalong chorus, a signature Dury surrealist wide-boy monologue and a half-submerged hook that does sound a bit like the Bloodhound Gang; Leak At The Disco, a provincial horror story from 2011’s Happy Soup, opens with Club Tropicana birdsong and a sweet guitar pulse and ends, after a shitty Chiswick night out, with Apocalypse Now helicopters; there’s the sinister bontempi-ish serenade of Palm Trees, and the poignant, daft and tender Oi; last year’s Carla’s Got A Boyfriend is funny and sexy and sad, with some of Dury’s finest lyrics and a frankly lovely Balearic Chris Rea guitar twang. What riches we have here! Baxter Dury’s career has snuck up on us: he’s quietly built a back catalogue of absolute beauties.

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Bay City Rollers

7" | 1976 | JP | Original (Arista)

6,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

ラブ・ミー・ライク・アイ・ラブ・ユー (Love Me Like I Love You)

Bay City Rollers

7" | 1976 | JP | Original (Arista)

4,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2021 | EU | Original (Wah Wah)

Bazali Bam

Action

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Extremely rare, under the radar afro-psychedelic LP from South Africa. This mysterious band was produced by African funk master, composer, guitarist and producer Almon Sandisa Memela, who was active since the mid 1950s, first as a musician and guitar teacher and then also as a producer. He is famous for his 1970s Afro funk works Funky Africa and the very sought after Broken Shoes.

Action features a cool mixture of incipient afro-funk and garage pop/psych, with one of its songs having been compiled on the famous Next Stop... Soweto compilation series that helped ignite the current fever for African music.

Riyl: Ofege, Blo, Aktion, The Apostles, Sjob Movement, Soweto and the likes.

First ever vinyl reissue, reproducing the original sleeve artwork and with remastered sound. 500 copies only.

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I Don't Know Black Vinyl Edition

LP | 2023 | EU | Original (Rock Action)

28,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Don't Know Colored Vinyl Edition

LP | 2023 | EU | Original (Rock Action)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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7" | 2023 | UK | Original (Rock Action)

Mud

10,44 €* 10,99 € -5%

Release: 2023 / UK – Original

Genre: Rock & Indie

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Port EP Orange Vinyl Edition

12" | 2022 | EU | Original (Sonic Cathedral)

Be All The Nothing You Can Be

Release: 2022 / EU – Original

Genre: Rock & Indie

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The EP is the Hull and Leeds-based band's first major release since their debut album, Bedroom, which was hailed as a latter-day shoegaze classic when it came out in July 2020. 'Port', which was originally released as a single last October, marked a major step forward for the band. Sounding not unlike the Low of Double Negative or Hey What deconstructing The Temptations' 'I Know I'm Losing You', it's a much darker sounding song; its distorted drones and beats burst into life with frenzied guitar and howls of anguish. "It helped us consider the band in a much more fluid perspective," says bassist and synth player Jordan Smith of the pivotal track. "Swapping instruments and redefining roles gave us time to spend working on new and more intriguing sonic ideas." This new experimental and more electronic approach was expanded as the standalone single release grew, almost accidentally, into a full EP, which features radical reworkings by Daniel Avery (a fearless, all guns blazing techno stomper); Working Men's Club (New Order's 'Sub-Culture' meets a long-lost early Warp Records classic); A Place To Bury Strangers (a feedback frenzy of total sonic annihilation); Tom Sharkett from Manchester krautpoppers W.H. Lung (dfa Records goes down to the death disco); Jonathan Snipes from LA-based experimental hip-hop trio Clipping (glitchy beats imploding into a wall of white noise); and Jordan himself, as Mouth Company, who brings proceedings to a close with a slow-mo trip-hop treatment. "To have so many influential artists to us putting their own piece of DNA on what has become such an important track to us is so humbling," gushes Ryan. "It's brand new territory for us, and we just feel so lucky to have everybody involved." The EP is being released ahead of bdrmm's dates supporting shoegaze legends Ride in April and will be followed by their eagerly-awaited second album, which they are currently working on."I am so excited to embrace the next chapter of bdrmm,"

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Be Nothing

Tape | 2024 | US | Original (Strange Mono)

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2023 | EU | Original (Third Man)

Be Your Own Pet

Mommy

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Third Man)

Be Your Own Pet

Mommy

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (We Are Busy Bodies)

Beach Body

Walking Holiday

17,09 €* 18,99 € -10%

Emotional Creature Orange / Yellow Marbled Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Beach Body wrote their debut album Walking Holiday in spring 2020 while holed up in a cabin in the remote woods of Northern Saskatchewan. They spent the summer recording at funeral-home-turned-recording-studio SoulSound Studio back in Regina.

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Beach Bunny

LP | 2022 | US | Original (Mom & Pop)

Tape | 2017 | UK | Original (Big Scary Monsters)

Release: 2022 / US – Original

Genre: Rock & Indie

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As lockdown approached in 2020, Chicago-based singer Lili Trifilio was wrapping up a tour in support of Beach Bunny's debut album, Honeymoon. Suddenly, she found herself back at her parents' house, coping with her new reality. To deal, she retreated into sci-fi stories and her always-active imagination. She envisioned new places to travel in her mind, thus dreaming up big, bombastic pop sounds to construct Beach Bunny's highly anticipated sophomore album, Emotional Creature. Simultaneously about personal growth, Emotional Creature is a collection of highly relatable songs that capture the highs and lows of new relationships, the joys and vulnerabilities of letting someone in, the gut-wrenching realities of experiencing anxiety, leaving toxic relationships, and seeing yourself through the eyes of the one you love. These complex feelings are expertly contrasted with ultra-poppy melodies, anthemic choruses, and a slight punk edge. 'The songs have grown with me over time,' Trifilio explains. 'Some of them were written in various stages of life, and I think as we go through different experiences and hardships, you come out stronger. I've grown as a person, so the songwriting reflects that.' With its openhearted, vulnerable themes and progressive, hook-filled take on pop rock and pop punk, Emotional Creature only further cements Beach Bunny and Trifilio's well-earned reputation as a leading voice of their generation.

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Beach Slang

Here I Made This For You

7,99 €*

Release: 2017 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | UK | Original (Tiger Diger)

Beachheads

Beachheads Ii

21,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Blue Hours Black Vinyl Edition

Bear's Den

LP | 2022 | UK | Original (Communion)

Blue Hours White Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bear’s Den have today announced the release of their eagerly anticipated fourth studio album, Blue Hours.

Set for release on May 13th via Communion Records, the album sees the much-loved folk-rock duo – made up of Andrew Davie and Kevin Jones – once again team up with producer Ian Grimble on what is one of their most personal records to date.

Speaking about the new album, Davie says: “Blue Hours is a kind of imaginary space you get into at night, a place where you process difficult things or where you try to figure everything out.”

Themes on the album include both self-reflection and mental health after both struggled with the latter in recent years. “It’s the main over-arching theme with this record,” Davie explains. The group, who have worked with mental health charity CALM (Campaign Against Living Miserably) previously added: “It probably speaks to our struggles and hopefully many other people’s too. Men are not very good at talking. We’re not really taught how to – men have no idea how to talk about this stuff, certainly to each other.”

The pair describe the conceptual blue hours headspace that gives the new album its title as being “somewhere between a hotel, a mental health hospital, a bar that stays open later than anywhere else, a paradise, a dream, a nightmare and an endless sea of corridors and staircases leading you to rooms that represent memories – good, bad, happy or difficult.”

Despite the album’s challenging themes, it’s an album drenched in hope too. “We wanted this to be a celebration of music,” Jones continues. “I think that informed some of the bolder decision making on this record. At a time when music was so distant, it felt important to make an album that sounded hopeful, celebratory, ambitious and beautiful in spite of the heavy subject matter in some of the songs.” Jones adds: “It was almost like we needed to shout louder than before because we felt that there were more barriers between the audience and us. We needed something to transcend that.”

Following on from the album’s lead single, ‘All That You Are’, which was released late last year, the group have also given a further taster of what to expect from the new album with the release today of their bold, electronic-driven latest single, ‘Spiders’. Stream the new single here.

Speaking about the song, Davie says: “I started writing ‘Spiders’ around the time we left London. In my head, I thought moving would solve lots of problems, like everything will be better – almost like this Neverland vibe,” he laughs. “‘Spiders’ is a song dealing with the fact that this absolutely wasn’t the case. I had this vision in my head that I’d be at one with nature, that I’d be calmer – but all the things that were rattling around in my brain before were still there after the move. The song is about the fact you can’t run away from the things that are bothering you.”

Adding, “While making the record we wanted to get across a kind of simmering intensity with the song and the idea of someone trying to keep their shit together while wrestling with these darker thoughts and feelings. We wanted to get across a sense of bravery & triumph in saying, “sometimes I can’t pull myself out” of these difficult situations. To celebrate the difficult moments because we all have them. They are a universally shared experience even if it feels sometimes like they’re not and you’re the only one who feels them.”

Melodically, the song is a gentle Wurlitzer and guitar-driven track filled with hope thanks to the electronic elements added by long-term producer, Ian Grimble. “This song maybe sparked a lot of detail that ended up coming out on other songs on the album,” Davie says. “The sound of this felt exciting to us both,” Jones adds.

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Bear's Den

LP | 2022 | UK | Original (Communion)

LP | 2024 | Original (Regain - Helter Skelter)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Beastmaker

Body & Soul

35,99 €*

LP | 2024 | Original (COP International)

Release: 2024 / Original

Genre: Rock & Indie

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Helter Skelter Productions (distributed & marketed by Regain Records) announces a partnership with cult kings Beastmaker for an extensive reissue campaign of the band's many (and crucial) EP releases. In lieu of this announcement, Beastmaker also confirm that they have returned from their self-imposed hiatus and will be recording new music and playing shows again - as always, on their own terms.Formed in 2014, Beastmaker began with a flurry of activity and only intensified that activity over the next five years. Following two demos and an EP, the power-trio then released two albums - Lusus Naturae (2016) and Inside the Skull (2017) - through Lee Dorrian's esteemed Rise Above Records. Naturally, that pairing proved fruitful, for Beastmaker were indeed cut from a doomed cloth, but Beastmaker founder Trevor Church (who'd soon form the equally prolific Haunt) showed he had so much more to his vision than sticking within scene boundaries. Thereafter, between 2017 and 2019, the band released a staggering 11 EPs before breaking up, with another EP - Body and Soul - released posthumously in 2020.Now, longtime fans Helter Skelter Productions step forward to reissue this goldmine of Beastmaker godliness. The reissue campaign will include Body and Soul joined with the bonus material on the Who Is This? compilation, thereby making it a full-length, and which will be released on CD, vinyl LP, and cassette tape formats. Then, EP. 1 and EP. 2 will be joined together on CD and tape formats, followed by the pairings of EP. 3 and EP. 4, EP. 5 and EP. 6, EP. 7 and EP. 8, and finally EP. 9 and EP. 10: thus, full-length releases for all, and each on vinyl and tape formats. All ten of these EPs will also be available on a special 5xCD boxset. This reissue campaign is tentatively slated to start in April and then conclude by November; release dates and preorder info to be revealed in time.A statement from Church reads as follows: "I'm very excited to announce that the EP collection from Beastmaker will see a new pressing from Helter Skelter / Regain Records. This collection of work shows the artistic vision of horror I had writing in my home studio during 2015-2018. I was watching so many old horror movies during these times to inspire the song craftsmanship. Mario Bava always a huge inspiration in my music. The imagery of poster lobby cards also played a part of the writing process during these times. I've booked a festival for 2024, and Beastmaker will rise from the coffin once again. Thanks to all the fans that have supported us during our hiatus. We are not gone! Rather, we have descended further underground waiting for the right time." 1. Body and Soul2. Global Domination3. Ritual4. Lady of the Water5. Night of the Devil6. Who is This7. Why Can´t you See8. Cataclysm9. Fortune Thief10. Time Wizard

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Beasto Blanco

Kinetica

I Cannot Believe Its The Incredible...

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Beasto Blanco was founded by Chuck Garric and Chris Latham. They set out to create a raw, powerful rock & roll band with a blistering, theatrical live experience. Then came Calico Cooper, rock vixen and offspring of Garric's boss, legendary shock rocker Alice Cooper, and a renegade German rhythm section, and Beasto Blanco's inimitable sound and image was born.Blood, sweat and gas fuel Beasto Blanco's explosive rock sound. A band and an audience united in an inseparable bond of musical thunder and sensational spectacle: welcome to the world of Beasto Blanco. Whether under the spotlights of huge arenas or headlining packed theatres and clubs, the band's mission is unwavering: to create an immersive experience where everyone is welcome to join an extended family whose support is unconditional and authentic.At the helm of Beasto Blanco is a powerful triumvirate. Band co-founder, frontman, lead singer and guitarist Chuck Garric, distinguished by his considerable legacy as a touring and recording musician, including 22 years playing bass with Alice Cooper, is a creative force of nature. "Beasto Blanco is my inner beast, my Hulk, my wolfman, the thing I turn into when I step onstage", he says.Calico MachineGirl Cooper is the band's high priestess and serves as an inspirational archetype. "I get approached by women who say, 'Thank you for being so strong and so powerful'"'she explains. Her interaction with Chuck - who she's known for chasing around the stage with a spiked baseball bat - captivates the audience with a dynamic that blurs the line between combat and romance. "We're not just a band, we're a lifestyle".The future is a beast and we are here to ride it. – Chuck Garric 1. Run For Your Life2. Nobody Move3. Heavy Is The Head4. Unreal5. Kill Us Off With A Smile6. Slide7. Skull Rider8. Lowlands9. Diamond In The Dirt10. Bad Thoughts11. Fight

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Beat City Tubeworks

LP | 2020 | EU | Original (The Sign)

22,99 €*

I Cannot Believe Its The Incredible...

Release: 2020 / EU – Original

Genre: Rock & Indie

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Beat City Tubework can best be described as energetic 70’s influenced rock’n’roll / garage rock in it’s true form and glory... On steroids! The songs delivers a raw catchiness, with blazing electric guitars, honky licks, and thoughtful melodic hooks! Add a captivating pulsebeat tight percussion, and some killer baselines, and characteristic vocals to that, and it all results in a big sound!

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Beat City Tubeworks

LP | 2021 | EU | Original (The Sign)

23,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Beaux Gris Gris & The Apocalypse

Hot Nostalgia Radio Colored Vinyl Edition

2LP | 2024 | Original (Cadiz - Grow Vision)

55,99 €*

Left Hand Milky Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Beaux Gris Gris & The Apocalypse are happy to announce the release of their 3rd studio album, 'Hot Nostalgia Radio', alongside the release of the first single, 'Satisfy Your Queen', to digital platforms worldwide.The California-based Roots-Rock band have been gaining momentum across the UK and Europe for their acclaimed genre-bending music and epic one-of-a-kind live shows. Beaux Gris Gris expand their eclectic nature once again with this14 track album, celebrating and paying homage to classic songwriting and crossing the genre's that inspired their development as artists.Kicking the party off with a bang, BGG&TA presents their scorching rock single, 'Satisfy Your Queen'. A classic Rock n' Roll underpinning, bluesy riffs and an empowering chorus, the song kicks up a heavy fuss out of the gate, and doesn’t let up till the final note.True to form the album might be hard to categorize, but as the title suggests, it never strays away from being easily accessible. Front woman and songwriter, Greta Valenti explains: 'We've had over 4 years to write this album. The last album was recorded in 2019, pre-pandemic and then we had to sit on it for two years. I had over 100 song ideas waiting to go, but I really wanted this album to represent classic simple songwriting that strikes a chord within your soul. Every song should be a banger in some way, and these songs are really an evolution of who I am and who we are as a band. They're not complicated on the surface, but I hope these songs make you feel and are added to the soundtrack of your life - fitting seamlessly with the songs you already know and love.' Greta adds, 'So even though the songs may veer from Rock to Blues to Soul to Americana-Country to Singer-Songwriter, they are still essentially 3 to 4 minute pop songs. Our fans aren't genre-specific and neither are we. They just like good songs and wanna have a good time. And so do we.''I think our approach harkens back to when bands like the Beatles would write a bunch of different style songs, be it country, or psychedelic, or whatever they did they would always sound like the Beatles', guitarist Robin Davey adds. 'We certainly don't sound like the Beatles, but I hope that no matter what we do we are still easily identifiable as Beaux Gris Gris'.A deluxe double coloured vinyl set with LP sized booklet. Plays at 45rpm for higher fidelity! Side 1: 1. Oh Yeah (2:33) / 2. Wild Woman (2:47) / 3. Satisfy Your Queen (4:18) / 4. I Told My Baby (2:05). Side 2: 5. Middle Of The Night (3:21) / 6. Sad When I'm Dancing (3:21) / 7. All I Could Do Was Cry (3:22). Side 3: 8. The Runaway (4:36) / 9. Harder To Breathe (3:43) / 10. Don't Let Go (3:51). Side 4: 11. Penny Paid Rockstar (3:18) / 12. Marie (4:19) / 13. Let's Ride (3:23) / 14. Mama Cray (3:30)

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Becca Mancari

LP | 2023 | EU | Original (Captured Tracks)

Hyperspace Deluxe Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Featuring contributions from Brittany Howard, Daniel Tashian (Kacey Musgraves, Demi Lovato), Julien Baker + more.Since moving to Nashville to start their music career in 2012, Becca Mancari has been lauded for their dextrous songwriting and prodigious guitar playing. Their sophomore album The Greatest Part, released in 2020, was an indie rock opus that garnered acclaim from The New York Times, NPR, and more. After its release, however, Mancari was despairing. An illness in their family, coupled with a realization that their alcohol dependency had become untenable, led Mancari to begin the hard work of taking ownership of their existence by mending broken relationships and investing in their mental health. "I didn't realize it then, but looking back, I was a passenger in my own life," Mancari says. The transformative period of self-reckoning was the catalyst that ultimately steered Mancari to write and produce their triumphant new album, Left Hand.After a disheartening studio session with an outside producer, Becca became convinced that they were capable of rendering their vision independently. Close friend and musical ally Juan Solorzano, who has played on all of Mancari's albums since the debut of Good Woman in 2017, joined them in the studio to co-produce the majority of the record. In addition, Daniel Tashian (Kacey Musgraves, Demi Lovato) co-wrote and co-produced the song "Don't Close Your Eyes," encouraging Mancari to track every instrument on the initial demos. As much as self-producing this album was an act of resilience and growth in one's own craft, Mancari brought trusted friends like Brittany Howard, who they play with in Bermuda Triangle, Julien Baker and Zac Farro into the process.Insecurities that had dogged Mancari since childhood couldn't weather the force of energy in that studio, where they executed decisions with newfound certainty. The title track, "Left Hand," is named for the Mancari family crest. After a lifetime spent feeling like they didn't belong, Mancari unlocked a perfect...

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Beck

LP | 2020 | UK | Original (Capitol)

50,99 €*

LP | 2014 | DE | Original (Capitol)

Release: 2020 / UK – Original

Genre: Rock & Indie

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Features 2 x unreleased songs ‘Dark Places (Soundscape)’ and ‘I Am The Cosmos (42420)’

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Beck

Morning Phase

33,99 €*

Beheaded Opaque Red Vinyl Vinyl Edition

Release: 2014 / DE – Original

Genre: Rock & Indie

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The record features many of the musicians from 2002's Sea Change, including Justin Meldal-Johnsen, Joey Waronker (currently of Atoms for Peace), Smokey Hormel, and Roger Joseph Manning Jr. Beck described the record as coming from the tradition of "California music" and said, "I'm hearing the Byrds, Crosby Stills and Nash, Gram Parsons, Neil Young—the bigger idea of what that sound is to me."

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Bedhead

LP | 1996 | US | Reissue (Numero Group)

Transaction De Novo Grey, Silver Or Natural Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Original 1996 album remastered and pressed on 180 gram virgin vinyl."Beheaded was such a quiet record out of necessity. I was living in a small apartment. Some of the songs I did are really quiet with no drums because I couldn't think of anything to do, we couldn't practice, and I didn't want to wake up the neighbors. It's a definite case of environment affecting the creative process." - Matt Kadane

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Bedhead

LP | 1998 | US | Reissue (Numero Group)

What Fun Life Was Pink Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Original 1998 album remastered and pressed on 180 gram virgin vinyl."I met them in full flower, in the depths of their mania, pursuing contemplative music with the kind of intensity normally found in psychopaths. No detail was too small to sweat, no crack in the veneer not worth gluing and clamping. We built a common language, equal parts philosophy, rock music, and disdain for the dullness around us." - Steve Albini, on recording Transaction De Novo.

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Bedhead

LP | 1994 | US | Reissue (Numero Group)

Turned Away Clear Vinyl Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Pink Vinyl. Original 1994 album remastered and repackaged in an expanded gatefold and pressed on 180 gram virgin vinyl. "On a family vacation to Florida in the mid-'70s, Bubba cut his head on the bedside table in a motel room. I still remember it vividly and how I was haunted by the matter-of-fact line: 'you cut your head on the bedside table.' Its ten syllables sounded right, but the content is what really haunted me. It felt like the ultimate betrayal, the bedside table taking advantage of its proximity to a serenely sleeping body." - Matt Kadane

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Bedroom Eyes

LP | 2024 | Original (A La Carte)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Danger Collective)

Bedroom

Thread

Bees Made Honey In The Vein Tree

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thread, Noah Kittinger's fourth LP under the Bedroom moniker, is the album the singer/songwriter & producer has strived to release throughout his career. It's a stunning portrait of self-exploration, as Kittinger aims to find his place in life after a tumultuous period both in his personal life and artistry."This record is the result of many years of dedication to the craft and to continuing this career, of me being pretty creatively lost for a long time and then finding my new self in music that I was searching for," says Kittinger. "It's a testament to independent artistry. [Bedroom] isn't an industry-designed project. Thread is a very organic body of work that is the result of many years of just pushing."While self-producing in an at-home studio allowed Kittinger to reach the depths of his creativity, it was during his trips back to North Carolina that Thread began to take shape. "I think that there was just something about removing myself from that frequency that's within a city, and just literally being in a house in the middle of nowhere, and just having a very limited amount of time and stuff to work on, that I think is what really brings out the important stuff," explains Kittinger.In that time in serene isolation, Kittinger realized that to break his writer's block, he had to process the emotional pain he'd experienced over the past couple of years through his writing, leading to his most intimate and compelling songwriting yet."It was like a choice of [saying] 'This is what I'm going through right now.' This record is me very bluntly talking about what it is that I'm going through. I would say it is my most personal record," says Kittinger.Kittinger has been making music as Bedroom for the past decade. He recorded much of his music from the comfort of his bedroom as a teen, including "In My Head," a single originally released in January of 2013 (re-released in 2017) that organically became a hit online and was introduced to a wider audience when it became a viral sensation on TikT...

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Aion Black Vinyl Edition

2LP | 2023 | EU | Original (Magnetic Eye)

32,19 €* 45,99 € -30%

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bees Made Honey In The Vein Tree

Aion White Vinyl Edition

2LP | 2023 | EU | Original (Magnetic Eye)

46,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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I Could Be Asleep If It Weren't For You Forest Green Vinyl Edition

Before Breakfast

LP | 2020 | EU | Original (After Dinner)

17,39 €* 28,99 € -40%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Temporary Residence)

Behind The Shadow Drops

Harmonic

23,99 €*

Ben Bertrand & Manah Depauw

Release: 2017 / US – Original

Genre: Rock & Indie

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Behind the Shadow Drops is the new solo endeavor from Takaakira 'Taka' Goto,
founding guitarist and composer of iconic Japanese experimental rock group,
MONO. Established in 2016, Behind the Shadow Drops combines Goto's disparate
but commensurate interests in many different forms of music, most notably
ambient, trip-hop, industrial minimalism, and modern classical. Recorded at Goto's
home studio and mixed with esteemed producer and percussionist, John McEntire
(Tortoise, The Sea and Cake, Yo La Tengo), H a r m o n i c merges Goto's
dynamic, moody compositions with McEntire's renowned drum programming and
percussive sensibilities. What begins as a passing resemblance to the more
melancholy work of Goto's ensemble, MONO, slowly mutates into something
otherworldly, submerging in a symphony of synths, drum machines, noise loops,
and mournful strings (courtesy of Los Angeles experimental cellist, Helen Money).
Resembling something like waves rippling in the ocean under a cloudy moonlit sky,
H a r m o n i c is as eerie as it is beautiful - a vast abyss punctuated by seemingly
endless glimmers of light.

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Black Zodiac

Tape | 2024 | EU | Original (Stroom)

14,99 €*

What Matters Most Indie Exclusive Signed Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Black Zodiac is a science-fiction sonic piece in which the oblique movement of harmonies allows conversations with other existences. It is a galactic chant created by the words of Manah Depauw and the web of sounds of Ben Bertrand

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Ben Folds

LP | 2023 | US | Original (New West)

30,09 €* 42,99 € -30%

LP | 2020 | EU | Original (A1)

Release: 2023 / US – Original

Genre: Rock & Indie

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“More than anything, I wanted to make an album that was generous, that was useful,” says Ben Folds. “I want you to finish this record with something you didn’t have when you started.” Indeed, Folds’ masterful new collection, What Matters Most, isn’t so much a statement as it is an offering, an open hand reaching out to all those wounded and bewildered by a world that seems to make less and less sense every day. Recorded in East Nashville with co-producer Joe Pisapia, the album marks Folds’ first new studio release in eight years, and it’s a bold, timely, cinematic work, one that examines the tragic and the absurd in equal measure as it reckons with hope and despair, gratitude and loss, identity and perspective. The songs are bittersweet here, hilarious at times, but often laced with a quiet sense of longing and dread: a text message goes unanswered; an old classmate descends into the dark depths of internet conspiracies; a relationship unravels in the middle of a lake. And yet, taken as a whole, the result is an undeniably joyful record that refuses to succumb to the weight of the world around it, an ecstatic reminder of all the beauty and promise hiding in plain sight for anyone willing (and present enough) to recognize their moments as they arrive.

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Ben Granfelt

True Colours

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (Chrysalis)

Ben Harper

Wide Open Light

29,99 €*

2LP | 2014 | EU | Original (Island)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Wide Open Light Is a family of songs I've written. I've selected them with the care one might put into a personal photo album. To that effect, I'd call it a sonic family photo album, each track a close relative to the next. The story behind this record is simple. I have been writing songs now forover 30 years. It's what I long to do, love to do, and at times feel I need to do, and hope to continue doing until the ink runs dry and the notes fade. But for now, Wide Open Light. Deliberately minimalist, the songs themselves do as much of the heavy lifting as the production. (produced by myself, and my longtime collaborators Danny Kalb and Jason Mozersky) Featured guests on the album include: Jack Johnson guitar, vocals on 'Gone For Good'. Shelby Lynne vocals on '8 Minutes'. Piers Faccini vocals on 'Wide Open Light'.

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Ben Howard

I Forget Where We Were

39,99 €*

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

I Forget Where We Were 10 Year Anniversary Live Edition

Ben Howard

2LP | 2024 | Original (Island)

42,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2022 | AU | Original (Warner Music Australia)

Ben Lee

I'm Fun

Release: 2022 / AU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

I'm Fun! Black Vinyl Edition

Ben Lee

LP | 2022 | AU | Original (Ten Fingers)

Release: 2022 / AU – Original

Genre: Rock & Indie

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I'm Fun! Glow In The Dark Vinyl Edition

Ben Lee

LP | 2022 | AU | Original (Ten Fingers)

42,99 €*

The Many Moods Of Ben Vaughn Combo

Release: 2022 / AU – Original

Genre: Rock & Indie

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Limited 'glow in the dark' green colored vinyl. Indie-pop singer-songwriter, composer and producer Australia's Ben Lee releases his 14th solo studio album "I'm Fun!". The new album will feature guests Zooey Deschanel, Christian Lee Hutson, Money Mark, Megan Washington, Georgia Maq, Eric D Johnson.

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Ben Vaughn Combo

LP | 2022 | EU | Original (Munster)

13,49 €* 17,99 € -25%

LP | 2022 | US | Original (Shrimper)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Ben Vaughn's unstylized singing and guitar is filtered through his quirky sense of humor, resulting a collection of clever lyrics and catchy tunes scented with vintage aroma.It sounds just as fresh today as it did back then and sees now its first reissue in 35 years!The Ben Vaughn Combo blazed the trail for American music that was way off kilter compared to the competition. Their tri-state type Tex-Mex sound really shook things up. Their reputation as a live act grew exponentially with every show they played. Theirs was a twist on the roots rock scare with a reach something like The Fleshtones, outside of the standard 80s ranch stash. The sort of thing that has a tendency to get written out of history despite being timeless, it doesn't easily fit into any premeditated narrative.When "The Many Moods Of Ben Vaughn Combo" appeared in 1986, the Combo literally had the world at its feet. Many of the hits you hear when you see him (and the Quintet) today are on this platter. Long out of print and somewhat sought after, this was the first time that Ben's Rambler car was heard on a record. And not the last.The Andy (then Adny) Shernoff inspired 'I Dig Your Wig' is like The Cramps with a Doug Sahm infusion. The accordion is the secret weapon here. Little used in rock 'n roll and often scoffed at, it allows these songs a setting that your conventional instrumentation would just flatten. Reading the sleeve info you'll see the legend "DEDICATED TO THE GEATOR", a nod to the legendary Philly DJ that inspired Ben to come up with his sound. It sounds just as fresh now as it did back then.Perhaps you're too young to have been around when this record album was first available? Maybe you wore your three copies out? Whatever your story is, these "Many moods_" will lift yours in these perilous times. Don't end up sorry (like Brenda Lee).The man himself (and the aforementioned players) will be revving up their engines for an appearance at Surforama 2022 in Valencia and appearing at other locations a...

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Ben Woods

Dispeller

28,99 €*

Tape | 2020 | US | Original (NNA Tapes)

Release: 2022 / US – Original

Genre: Rock & Indie

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On Dispeller, Ben Woods’s beguiling new album, his intimate experiments in rock paint a vivid portrait. Here, the New Zealand artist leans comfortably into intuition and abstraction. Expansive arrangements are anchored by heavy-lidded prose, while carrying the air of the portside shack it was made in. Dispeller was recorded throughout a year in Woods’s hometown, Lyttelton, with Ben Edwards (Aldous Harding, Marlon Williams, Julia Jacklin) at the helm of the mixing console and co-producing. Utterings, footsteps, and the rattles of the room linger beneath the album’s dense instrumentation, alluding to the familiar space the songs were captured in. Here, Woods’s songs breathe and flourish into their own worlds. “I found my voice in trying to make atonality croon,” he says. “With Dispeller it was less about harmony—the blend was capturing the songs very honestly in the room, and still making each of them to transport you somewhere different.” Even beside Woods’s acclaimed debut, PUT (2019), which saw him sharing stages with Aldous Harding, No Age, Julia Jacklin and Steve Gunn, Dispeller enchants. The songs here are stronger, the instrumentation stranger. With chopped and screwed vocal contributions from underground hero Alastair Galbraith, “Speaking Belt” snaps and pulses with the sordid clatter of a lost Xpressway single. Charlotte Forrester from Womb (Flying Nun) adds their diaphanous voice to “The Strip And Punishing Type”. On fragile duet “Wearing Divine”, Lucy Hunter (Opposite Sex / Wet Specimen) threatens to steal the limelight, before a full hive of Marlon Williams’s honeyed vibrato comes spluttering out of what sounds like a rusted can. Woods’s melodies bring to mind Scott Walker’s dramatic tunefulness, while his voice holds something of Gordon Gano’s waver, pushed through New Zealand vowel mangling. Dispeller’s arrangements hit at the subtle, reactive instrumentation of late-era Fugazi, the glowing murk of Grouper, the Antipodean-gothic drudge of Tall Dwarfs, and the mechanical outer crust of Sparklehorse. However, while Woods experiments with the disparate and the disharmonious, it is the open heart which elevates Dispeller. His voice holds the physical and spiritual middle; flirting with, but never succumbing to the splendour and turmoil which surround it.

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Bendrix Littleton

Deep Dark South

9,74 €* 12,99 € -25%

LP | 2022 | EU | Original (Where Its At Is Where You)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bendrix Littleton is the writing and recording project of Nashville-via-Dallas musician and producer Bennett Littlejohn. The self-aware, malaise-filled songs on his debut LP 'Deep Dark South' are imbued with the painful beauty of the modern American South, including themes of drug and alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a 'Nashville tuning'). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. 'I tried to pair instruments that typically aren't used together--one's that I've shied away from after playing them with uninspired country music.' 'Deep Dark South' conjures the feeling of wonder one gets from looking up at the vast Southern night sky.

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Beneather

24,29 €* 26,99 € -10%

Impossible Love Songs From Sixties Quito

Release: 2022 / EU – Original

Genre: Rock & Indie

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RIYL: Cocteau Twins, Jefre Cantu-Ledesma, Julia Holter, DIIV, Washed Out, Broadcast, Insides, Beach House, Drug Store Romeos. Introducing Beneather, a BAFTA-nominated composer from North London obsessively crafting sad, lo-fi, cinematic, ambient scandi-dreampop submerged in gently fuzzy tape loops. Much like the paintings of Gerhard Richter or a heavy mist rolling through a familiar landscape, the debut long player from Beneather obscures and blurs ten beautiful tracks beneath washes of cinematic, ambient scandi-dreampop - details emerge and fade, voices ooze and flow, tunes soothe and unnerve, metronomic beats click and swing. It would not be out of place on a David Lynch or Jim Jarmusch soundtrack. Inspired by the likes of Jefre Cantu-Ledesma, Hammock, Grouper, Low, GAS, Huerco S., Emeralds, Jenny Holzer, William Basinski & ABBA!! Beneather is the solo project of Lewis Young - composer and collaborator in The Leaf Library, drone pop from north London. As a composer, Lewis recently scored the British short 'Lucky Break' which found its way into the BAFTAs short list only to narrowly miss out on the gong. Lewis is a multi-instrumentalist, producer, designer and filmmaker currently living in Walthamstow, London. He started as a guitarist in noughties math-rockers Tea with the Queen, shifting to bass for multi-harmonied Naomi Hates Humans before returning to thumping roots as drummer for The Leaf Library. Objects Forever - the imprint label created by The Leaf Library - has provided Lewis with the vehicle to jump back into experimental song craft, inspiring the genesis of Beneather. "I just needed to make a project which spoke to all the aspects of music I've loved creating as a multi-instrumentalist. Plugging things into things to make satisfying little electronic loops, then layering extremely minimal bass and guitar lines with a lo-fi aesthetic. Melinda and I spent a few days in the studio - picking out objects, patterns_ items that could inspire a thread of instinctive wordless melody. I took that e...

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Benítez & Valencia

2LP | 2022 | UK | Original (Honest Jon's)

LP | 2015 | US | Original (Third Man)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Gonzalo Benitez and Luis Alberto Valencia were kingpins of the musica nacional movement in Ecuador. Check them out on the cover, on a rooftop in Quito’s Old Town, surveying their dominion. In 1970, when Valencia collapsed onstage during a performance of the yaravi Desesperacion — ‘My heart is already in ashes’ — and died four days later, aged 52, his coffin was carried through those city streets on the shoulders of his fans.

They began singing as a duo in their mid-teens. During twenty-eight years together they recorded more than six hundred songs, for Discos Ecuador, Nacional, Granja, Ortiz, Rondador, Onix, Fuente, Real, Tropical, Fadisa, RCA Victor — and of course Caife.

Their exquisitely romantic harmonising is a sublime blend of collected forbearance and abject self-annihilation, underpinned and elaborated by the heart-piercing, improvisatory guitar-playing of Bolivar Ortiz. Effectively the third member of the group. ‘El Pollo’ sets the tone and intensity for everything that follows: listen to his soloing at the start of our opener, Lamparilla.

Musically a pasillo — a cross between a Viennese waltz and the indigenous yaravi rhythm — Lamparilla draws its verses from a poem by Luz Martinez from Riobamba, written in 1918 when she was 15, under the influence of Baudelaire and Mallarme. Another pasillo here, Sombras is one of the best-loved songs in the musica nacional canon, setting lines about undercover sex and loss by the Mexican poet Maria Pren, which were considered pornographic on publication in 1911.

And Benitez & Valencia looked back still further, to the indigenous roots of Ecuadorian music, as the key to its future. Carnaval de Guaranda is their take on a song dating back to the era of the Mitimaes, a broad group of Bolivian tribes conquered by the Incas and displaced to Ecuador. ‘Impossible love of mine / I love you for being impossible / Who loves what is impossible / Is the truest lover.’

Lovingly presented in a gatefold sleeve with spot-gloss, and printed inners, with stunning photos and expert notes. Excellent sound, drawn from original tapes, by way of Abbey Road, D&M and Pallas.

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Benjamin Booker

Third Man Live

17,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2024 | Original (Lost Dog Street Band - Thirty)

Benjamin Tod

I Will Rise

Release: 2024 / Original

Genre: Rock & Indie

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Benjamin Tod of Lost Dog Street Band

Songs I Swore I'd Never Sing

LP | 2022 | US | Original (Anti-Corp)

I Saw A Star Behind Your Eyes, Don't Let It Die Away

Release: 2022 / US – Original

Genre: Rock & Indie

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Third solo album from the frontman of critically acclaimed dark country trio, Lost Dog Street Band. 10 songs dealing with the pain of loss, and the struggle of maintaining balance in a life fraught with hardship and uncertainty. The stripped down presentation of this collection bares all to the listener and delivers an intimacy that can not be attained with a full band arrangement. Recorded in October of 2021 at Black Matter Mastering And Recording by Benjamin Tod and Dan Emery, using only 2 microphones.

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Bennett Wilson Poole

LP | 2023 | UK | Original (Bwp)

19,99 €*

Little Red Book Limited Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Nearly five years on from their acclaimed debut, Bennett Wilson Poole reveal the follow up. It's been a long time coming, but... That eponymous first album was only ever intended as a one-off collaborative project — a serendipitous series of events which began with a late evening session where the trio wrote ‘Hate Won't Win’. A response to the murder of MP Jo Cox, it was something of a fresh take on Crosby Stills Nash and Young’s classic protest song ‘Ohio’. The release saw Bennett Wilson Poole embraced by the Americana community, playing live on the Andrew Marr show and crowned as ‘UK Artist of the Year’ at the 2019 UK Americana Awards, in front of a watching crowd including Graham Nash himself. The new album came together in similar fashion; Robin (Bennett) and Danny (Wilson) started writing new songs late into the night whilst on tour to promote the first record — a tour which unfolded from a three-night residency in a London pub into a year-long odyssey culminating in a headline show in Hall One at King’s Place — and before they knew it, there were enough songs to begin recording an unplanned second album. Where the first record drank deep from 70s US west coast folk-rock, the second has been heavily spiked with 1960s British psychedelia, even featuring a cover by legendary counterculture artist John Hurford (whose credits include 60s artwork for Oz Magazine and International Times).* Tony Poole’s meticulous and inspired production has spun Robin and Danny’s fresh batch of songs into a delicate web of musical delight. Fans of the ‘spot the reference’ game Tony started on the first record won’t be disappointed this time either, as there are plenty more to be found here. As with the first album, the lyrics don’t shy away from current affairs – by the end of that year of touring, the band were already playing “I Wanna Love You (But I Can’t Right Now)”, reflecting on the state of US politics, yet optimistic that the problems are only temporary. Many of the tracks on the new album feature live rhythm section Fin Kenny (drums) and Joe Bennett

(bass) for the first time on a BWP record.

The title of the album comes from the lyrics of ‘Help Me See My Way’, the first single, a prayer for strength in difficult times, the trippy animated video for which was originally issued during lockdown. The dreamy positivity of the line "I saw a star behind your eyes" is tempered with the plea "don't let it die away", a message which feels as important as ever two years on.

All three collaborators have had critical acclaim in their own right. Danny Wilson’s credentials go back to his days in Grand Drive with brother Julian, and his consistent high calibre output with his Champions of the World led them to sweeping the board at the first UK Americana Awards with Album, Artist and Song of the year awards richly deserved; Tony Poole’s Starry Eyed and Laughing were hailed as “the English Byrds” on the back of their two CBS-released albums in the mid-seventies and he has since built an enviable reputation as producer and engineer; Robin Bennett has been relentlessly turning out timeless songs from his Oxfordshire base in bands from Goldrush to The Dreaming Spires

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Benny Joy

LP | 2023 | EU | Original (Rockstar)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Live Zebulon Black Vinyl Edition

Bent Arcana

2LP | 2022 | US | Original (Castle Face)

35,99 €*

Live Zebulon Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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“Recorded at Zebulon in Los Angeles as a warm-up show for a show I had booked in Holland. What was meant to be a jumping point for the ‘first show’ ended up being a real burning set. A slightly more stripped-down version on the ten piece band [Bent Arcana] (for sake of ease) keeps it nice and concise. Nerves sometimes bring out these little lost jewels of which this recording is full of…gotta love improvisation for fleeting moments.

“Recorded super-hot by none other than our sound person Liza Boldyreva. Selections of songs from Bent Arcana and Moon-Drenched—cockpit stoned space jazz here you come. Mixed by John Dwyer and mastered by JJ Golden. This hunky double disk sports a zoetropic screen-printed animation of the Death’s Head moth circling on its D side that works with a strobe light off yer phone...fucking cool. Fucking hot. Dig in and be well. ” —John Dwyer

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Bent Arcana

2LP | 2022 | US | Original (Castle Face)

39,99 €*

LP | 2022 | EU (La Munai)

Release: 2022 / US – Original

Genre: Rock & Indie

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Benyamin S.

Funky Kromong Volume 1

20,99 €*

Funky Kromong Volume 2 Black Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie, Pop

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Funky Kromong is a compilation from the multitalented Legendary Betawi artist Benyamin Suaeb. Consisting of 10 tracks from the 70s, this compilation is rich with Benyamin Suaeb’s eccentric vocals with tongue-in-cheek lyrics and walled with funk and psychedelic and traditional sounds. He made is own humorous style of psychedelic music that everyone could relate. We really hope you enjoy this record with beautiful nostalgia in mind. Don’t miss it.

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Benyamin S.

LP | 2024 | WW | Original (La Munai)

Funky Kromong Volume 2 Green Vinyl Edtion

Release: 2024 / WW – Original

Genre: Rock & Indie, Pop

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Funky Kromong Vol. 2 continues the legacy of Vol.1 by featuring unbeatable songs. At this time’s release, Lamunai Records re-selected some of the songs by legendary musician Benyamin Suaeb who showed his excellence in combining traditional Betawi elements with innovative funk and groovy rhythms. Each track in this compilation brings listeners a unique musical journey, blending Benjamin’s distinctive humor with a nuance of sound.

Vol. 2 not only maintains the eccentric spirit and intelligent satire of its predecessor but also explores Benjamin’s rich culture and musicality more deeply. Songs like “Kompor Meleduk”, “Cong-Cong Balicong” and “Koboi Ngungsi” offer a fresh listening experience but remain familiar to old and new listeners. The combination of traditional musical instruments with modern instruments creates charming harmony, inviting us to re-experience the golden age of Indonesian music with a contemporary touch.

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Benyamin S.

LP | 2024 | WW | Original (La Munai)

LP | 2023 | EU | Original (Telephone Explosion)

Release: 2024 / WW – Original

Genre: Rock & Indie, Pop

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Bernice

Cruisin'

29,99 €*

Chess Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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With Cruisin', their second album for Telephone Explosion, Toronto's Bernice distils their playful sense of composition resulting in the most affecting collection of their young career. Across fifteen tracks, a special kind of contemporary, jazz-inflected pop unfolds, miraculous for being both fun and musically adventurous, all in the name of emotional resonance. Each groove in the bassbin is matched by a little scratch at the listener's heartstrings. The album was recorded at home with Phil Melanson (Sam Gendel, Andy Shauf) and Thom Gill (Beverly Glenn-Copeland, Joseph Shabason), led by songwriter and vocalist Robin Dann (Martha Wainwright) and producer Matthew Pencer, with additional contributions from longtime members Dan Fortin and Felicity Williams (Bahamas) being captured remotely.

Throughout their eleven years as a group, working at the intersections of several scenes and spotlights (many of which begin and end at Toronto's beloved Tranzac Club), Bernice have developed an idiosyncratic musical language that feels immediately inviting and wonderfully refreshing. The group's two previous releases, Eau De Bonjourno (2021) and Puff: In The Air Without A Shape (2018) received generous nods from both Stereogum and Pitchfork, who described the music as "unusually mesmerizing". With the songcraft a little more crystalline and the vulnerability notched up, Cruisin' feels like the right record to open Bernice up to a much wider audience.

Development of the album began in Spring, 2021 during a writing retreat at the family farm in Bond Head, Ontario. Members of the band luxuriated in slow time, tinkering with lyrics and melodies, sharing meals, knitting. From this communal gathering, the concept of 'dedication' emerged as a guiding theme. Specifically, developing songs in an almost epistolary form; as love letters or check-ins for friends, community members, pets and other more elusive acquaintances (a longtime working title for the project was 'Songs For People').

Lead single 'Underneath My Toe', one of the first pieces developed under this theme, finds the group at their most graceful and direct. Beginning with songwriter/vocalist Robin Dann singing simply 'Hi / I miss you all the time', the composition proceeds to shift subtly between soft jazz balladry and low-bit funk, revelling in the intimate beauty of a long-time-no-see letter to a dear old friend.

Though being a band that so deeply values the art of fartin' around, Bernice couldn't settle on such a straightforward approach. During the creative process, a clarifying question arose: 'Can you cruise to it?'. This somewhat ambiguous aesthetic criteria became a guiding light for the album. 'Sure, it's a beautiful song about building trust with a new nonagenarian friend... but can you cruise to it?'.

Case in point, both follow up singles, 'No Effort To Exist' and 'Second Judy', fall into a more nebulous, bewildering category of song. Undoubtedly affecting, emotionally charged, existentially searching, yet also undeniably juicy. Drum patterns skitter into place while synth tones shift on a dime to meet thematic twists. There's errant whistling and curious overdubs. Then in come elegant backing vocals, elevating the narrative while an unlikely, left-field groove is established. Miraculously, the listener is not just moved, but Cruisin'.

Therein lies the marvel of Bernice: they remind us that the rec room funk of Mario Kart 64 need not exist in mutual exclusivity to a rich tapestry of human emotions. Even as we live through this most cursed timeline, we can look into the heart of things, dwell on the challenges we're called to witness, and find a little levity to carry us through; grab a lil' mushroom and cruise the existential soup.

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Bernie Marsden

LP | 2022 | EU | Original (Cargo)

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Kings Black Vinyl Edition

Bernie Marsden

LP | 2022 | EU | Original (Cargo)

31,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2016 | US | Original (Earth)

Bert Jansch

Avocet Art Print Edition

36,99 €*

Bertrand Burgalat Meets A.S Dragon

Release: 2016 / US – Original

Genre: Rock & Indie

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The vinyl edition comes with 6 high-quality lithograph art prints (by UK illustrator Hannah Alice) representing each of the birds on the album, held in a heavy board die-cut gatefold sleeve. This unique packaging is fully interactive - the cover image is interchangeable with any of the prints. Remastered by Brian Pyle from original tapes. Bert Jansch was often quoted as saying "I'm not playing for anyone, just myself" and this feels no more apparent than on 1979's 'Avocet', his beautifully meditative paean to British birds. For fans of Jansch this is often the album that is singled out as his best work. The freedoms...

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2LP | 2002 | EU | Reissue (Tricatel)

33,99 €*

LP | 1995 | US | Reissue (Hells Headbangers)

Release: 2002 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This album, recorded live after the release of Bertrand Burgalat's first album (The Sssound of Mmmusic, 2000), is a unique testimony of a passionate encounter, of explosive concerts and an exceptional musical adventure, a mixture of soulful rhythms, oniric keyboards and songs with chiseled lyrics and harmonies.

Out of stock on vinyl for decades, it will be reissued and published in December 2022, with a text by Philippe Manœuvre. 21 years after its first publication, it has not aged a bit. It includes tribute covers ("Follow Me" by Amanda Lear, "Tears Of A Clown" by Smokey Robinson), and a version of "Easy Tiger", recorded at the same time for Depeche Mode.

"This album brings back the great psychedelic concerts that Bertrand gave at the time. For me, Aux Cyclades électronique is in the running for the title of most beautiful song in the world, I haven't changed my mind." Philippe Manoeuvre, excerpt from the innersleeve note, April 2022

"A.S Dragon is arguably the best French rock band of today. Nearly an hour of psyche-magnetic madness, the spectacular collision of a Gainsbourg theorist playing his melodies to a Jefferson Airplane from Clignancourt charged with pushing all galactic limits." Philippe Manoeuvre, Rock & Folk, October 2001

"Bertrand Burgalat meets A.S Dragon could satisfy both French Touch fans and Rock'n'Roll purists. It sounds like the resurrection of a sixties garage rock band, somewhere between Detroit and Combs-la-ville. Burgalat for charity." Philippe Barbot, Télérama, November 2001

"This is a fantastic remix! It sounds a bit like 70's funk. Bertrand has taken the song and reworked it from top to bottom, re-recording people on every part. It sounds like a James Bond song. It's really one of the best remixes we've ever done. " Martin Gore (Depeche Mode) on "Easy Tiger", Magic, May 2001

"I wish this song could last my whole life..." Virginie Despentes, on "Aux Cyclades électronique", "Vernon Subutex

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Bestial Warlust

Blood & Valour

48,99 €*

LP | 2022 | UK | Original (Magnetic Eye)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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At long last, a timeless classic returns: BESTIAL WARLUST's pivotal second album, Blood & Valour, now on Black Vinyl w/ Poster & Insert! Originally released in 1995, Blood & Valour was the crucial follow-up to the Aussie barbarians' legendary debut album, Vengeance War 'Til Death. That debut almost singlehandedly started war metal, but it was with Blood & Valour where BESTIAL WARLUST confirmed that their "Satanic war metal" was truly a viable, lawless outback all its own and that their over-the-top violent savagery was no mere fluke. The lineup may have shifted, but the iron fist remained bloody: Blood & Valour more than lived up to its title, then and especially now. Added as a bonus track on this long-overdue reissue is the studio cover of BATHORY's "Massacre" previously only heard by close contacts of the band. SATANIC WAR METAL...BESTIAL fucking WARLUST!!! 1.Blood & Valour 02:522.Death Rides Out 02:293.Prelude: Descention Hells Blood 05:284.Barbaric Horde 04:475....'till the End 03:446.Within the Storm 05:327.Legion of Wrath 03:008.Orgy of Souls (Hallowed Night) 03:479.I, the Warrior 03:11

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Besvärjelsen

Atlas

49,99 €*

Beth Gibbons & Rustin Man

Release: 2022 / UK – Original

Genre: Rock & Indie

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What to do when you like rock and doom born from the desert but your surroundings offer anything but arid lands? Besvarjelsen found an impressive answer in the grim forests of their homeland in Dalarna, Sweden. Having grown up in the far north at the meeting grounds of ancient Norse and Finnish cultures amongst echoes of runes and gods, shamans and spirits, the spellbinding five-piece crafted their name from the Swedish word for "conjuring" while drawing heavy inspiration from local lore, mysticism, and the dark, old musical traditions. Yet Besvarjelsen are anything but another "pagan" outfit longing for a time that never was. With its wistful melodies and towering riff-power their sophomore full-length "Atlas" represents a logical step along the course that Besvarjelsen charted from the start. The band was co-founded by guitarists and vocalists Andreas Baier and Staffan Stensland Vinrot in 2014 with a clear vision to channel the spirit and traditions of the vast Dalarna forests, a region otherwise famous for its painted wooden horses, into contemporary heavy music. Once vocalist Lea Amling Alazam arrived with a fiery passion for punk and stoner rock that had begun at the local skate park when she was just counting 13 years, Andreas and Staffan happily relegated their shared vocal duties to a supporting role – an easy choice as Lea's distinctive voice summoned the intimacy and charisma of singers like Nina Simone or AMY Winehouse. Besvärjelsen released their debut EP "Villfarelser" in 2015, which was followed quickly by the "Exil" EP in 2016. The Swedes' debut full-length "Vallmo" hit the streets of Stockholm and elsewhere in 2018. The album merged crushing riffs and storming drums with increasingly sophisticated melodies and thoughtful themes. With the mini-album "Frost", Besvärjelsen intended to crush stages all over Europe in 2019, before being forced into involuntary live performance hibernation for two years. Although compelled to write separately, the band used the spare time to compile a wealth of ideas, amassed remotely and shared across the miles and months of relative solitude, which would finally result in the recording of "Atlas" with producer Karl Daniel Lidén in 2021. Re-purposing melancholic harmonies that could have been derived from the playbook of Alice IN Chains, adding gravity that would make Windhand proud, and topping their upgraded sound with exciting yet intimate vocal lines, Besvarjelsen have carved a towering monolith from solid rock and planted it firmly into the magical woods of their homeland to send its heavy lay-lines around the globe that is burdening the shoulders of the titan "Atlas".

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Out Of Season

LP | 2002 | EU | Reissue (Go Beat)

12,99 €*

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Beth Gibbons & Rustin Man

Out Of Season

LP | 2002 | EU | Reissue (Go! Beat)

10,99 €*

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Beth Hart & Joe Bonamassa

Don't Explain Limited Transparent Vinyl Edition

LP | 2024 | EU | Original (Mascot Label Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Beth Hart & Joe Bonamassa

Seesaw Limited Transparent Vinyl Edition

LP | 2024 | EU | Original (Mascot Label Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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You Still Got Me Red Vinyl Edition

Beth Hart

LP | 2024 | EU | Original (Mascot Label Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Stroom)

Betty Arden / Saskia

Funny Bells / Sloopy

12,99 €*

LP | 1974 | US | Original (Just Sunshine)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"Goodmorning. I wish you, a merry merry christmas. As you sit by the fire. I see your sadness on your face. You hear the funny bells inside your head. And I do look into your pretty eyes. So gray. The Funny Bells. You are my friend. Today." au

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Betty Davis

They Say I'm Different

120,99 €*

10" | 2020 | DE | Original (i.corrupt)

Release: 1974 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Original US Sonic Pressing - Unipak cover and vinyl are Close to VG+.

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Between Bodies

On Fences

12,99 €*

Release: 2020 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Between The Buried And Me

Colors II Black Inside Grimace Purple Inside Trans Highlighter Yellow Vinyl Edition

2LP | 2021 | EU | Original (ADA)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (Hopeless)

Between You & Me

Everything Is Temporary

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Legacy / Columbia)

Big Audio Dynamite II

On The Road Live '92

19,99 €*

Do The Backstroke / Mother's Earth

Release: 2018 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2018!

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Big Boss Man

7" (Spinout Nuggets)

18,99 €*

The Cosmic Genius Of Big Boy Pete Volume 2

Genre: Rock & Indie

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Hand-Numbered, Limited to 500. Big Boss Man have produced a hip-Hammond hybrid of 60's R'n'b, Latin, Soul, Bongo-Fuzz and Funk since 1998. As well as playing hundreds of concerts and festivals across the UK, Europe and even Russia, Big Boss Man's music may sound familiar to you, being regularly played on film and television, including Come Dine With Me, Strictly Come Dancing and I Used To Be Famous, and broadcast on BBC Radio, by presenters including Gideon Coe, Cerys Matthews and Craig Charles. Their track 'Party 7' was featured in the international Nike World Football '06 Campaign advert featuring Thierry Henry and Eric Cantana. The entire soundtrack to The Mighty Boosh's Bafta nominated short film "Sweet" was provided from tracks taken from the Big Boss Man's "Humanize" album. The band have performed live on national Spanish television and had tracks included on XFM London Radio and "Later" magazine compilation albums (100,000 plus copies). Big Boss Man's official remix of Modfather Paul Weller's single "The Bottle" went straight in to the UK Top 20, and fast became a collector's item. Know enough yet? Well you'll need to see them live too! Big Boss Man's explosive live shows are legendary. They've been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. Big Boss Man have released four studio albums, and six 7" singles, and have appeared on countless compilations. This twin-spin 7" single has two new dance floor fillers from Big Boss Man's most recent recordings, and are sure to pack out dance floors across the globe, and further.

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Big Boy Pete

LP | 2022 | EU | Original (Mono-Tone)

28,99 €*

7" | 2024 | US | Original (Strange Mono)

Release: 2022 / EU – Original

Genre: Rock & Indie

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After the success of his first ever vinyl compilation, The Cosmic Genius of Big Boy Pete Vol.1, which sold out really fast, here comes the follow-up, imaginatively called_ The Cosmic Genius of Big Boy Pete Vol.2! of this mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. Like on volume 1, Volume 2 features one side of some of his best 60s stuff and side two unreleased or little known gems from the 70s-ranging from wild and fuzzy garage to psych pop and freaky country-rock!LP includes a psychedelic color inner cover with lyrics and a text written by Pete Miller himself.Like an English Kim Fowley produced by Joe Meek or a one man Barrett era Pink Floyd, Big Boy Pete is the unsung hero of the sixties! This mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. The second volume of first ever vinyl compilation features some of his best 60s stuff on one side and seven unreleased or little known gems from the 70s on the other-ranging from wild and fuzzy garage to psych pop and freaky country-rock!

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Big Burly

Tumors

18,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2021 | US | Original (Side One Dummy)

Big D And The Kids Table

Do Your Art

Cranes In The Sky / It's You

Release: 2021 / US – Original

Genre: Rock & Indie

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Double LP in a gatefold jacket. Cyan Blue Vinyl, limited edition of 1000 copies.DO YOUR ART isn't just an album title for Big D and the KidsTable's ninth studio album of original material. DO YOUR ARTis an inherently political mission statement delivered with gusto and enthusiasm to anyone creative to remind them to keepgoing, even if the odds are increasingly stacked against them in this hyper-capitalistic society. "I wanted to instill in young artists_or old artists, or whoever_to keep doing it," says frontman David McWane. "Life might pull you away with itsdemands: but don't give up. Every musician, artist and dancerneeds to realize that there's magic inside of them that otherpeople just don't have, no matter the circumstances of theirupbringing." DO YOUR ART, finds Big D and the Kids Table sounding as fresh and inspired as ever for their fifth album with SideOneDummy Records. Produced and engineered by ReelBig Fish's Matt Appleton, DO YOUR ART is a musical meltingpot, highlighting the band's versatile talents and delivering amixture of punk, ska and dub-reggae songs, as well as payinghomage to McWane's favorite `60s B-films. The 20-track albumis truly a moveable feast. And what's moving are your feet!DO YOUR ART is a reminder to make the most of life_evenwhen at its lowest points_and also to not be dissuaded fromcreating what you want to create. It's an album that will makeyou think and feel, but also make you dance and laugh. It's asurge of positivity in a crappy world where it's all too easy to feel equally crappy, and a much-needed jolt of perspectiveabout everything that's going on. "I definitely want this record to be helpful for people mentally," says McWane. "It'ssomewhere for them to go to and laugh. So listeners can focuson recognizing all the good things in their lives_all the beauty, and all the people who love them_and make sure to enjoy their life and DO YOUR ART!"

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Big Joanie

7" | 2020 | US | Original (Third Man)

10,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Proto)

Big Mountain County

Klaus

15,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Two years after the release of their last album Somewhere Else, BIG Mountain County releases a new EP. That's Klaus, the result of an evolution in sound and style that the band has carried out during the long months of forced absence from the scene. Unlike the past, the artistic production was in fact entirely in the hands of BIG Mountain County, which, never as this time, feel perfectly represented their soundscape in the tracks engraved on vinyl, available here from April 22. To open the dances there is (literally) What?, already released digitally last July. It is a song that, despite its attitude rooted in punk, is about artifice, about pushing the sounds to reach new landscapes. The super groovy bass lines, the crunchy drums, the connection between the synths and the vocals, raw, edgy but also refined and elaborate, push the band's style beyond the garage-psych overtones to which they have been associated. The lyrics are about a personal relationship, centered around someone very close who can turn into an unbearable person, leading us to a definitive reaction. But the song is also a vehicle for emotional release, so yell "What?" it becomes an indomitable will to move forward, to go through these absurd times that we are all living, a cry of anger against any kind of impediment. For What? was shot a video, released last July, signed by Paolo Sfirri. It follows the title-track THE Klaus Crossing, the unique track not yet unveiled. It is the track closest to the old production of BIG Mountain County, who speak of it as follows: “In such a "chaotic and fragile" period we need to dream even more strongly. On a heartbeat marked by the arpeggiator, a weave of guitars is being created to send the present to an other side, where we are stripped of material consistency and imagination takes the power. These days are too grey, some relationships are too worn out, there are no expectations, only the prospect of sinking. So we hurry: energies fade, time runs fast, but spring is just around the corner. And to be born it is necessary to die.” Side A is closed by Where ARE YOU?, released as a single in January. Here the contamination of psych sounds, exquisitely analog, with rhythmic and melodic lines with a more synthetic flavor is evident. Over a skeleton of a reiterated rhythm that is not afraid to refer explicitly to the krautrock of Can, we hear guitars and synthetic riffs that remain around Berlin, but look towards California, remembering The Brian Jonestown Massacre. In the middle of this combination, a synthetic arpeggio breaks in, to soon gets stuck in the pressing rhythm, and finally get confused in the closing explosion, BIG Mountain County's trademark. The band's "flirt" with Berlin and California doesn't end with the A-side. Side B, in fact, features the two remixes of Where ARE YOU?, both already released digitally last March. The first one is signed by AL Lover, , cult name of the international psych scene, known for his unique approach to psychedelic and experimental electronic music. Already author of remixes for bands such as Thee Oh Sees and Night Beats, he has collaborated with several labels (Stolen Body Records, The Reverberation Appreciation Society, Fuzz Club Records, Hoga Nord Rekords, Pnkslm Records and Crash Symbols) and artists such as The Brian Jonestown Massacre, White Fence, Goat and Cairo Liberation Front. He has also been the official DJ for festivals such as Levitation and Desert Daze. When Big Mountain County approached the California-based producer about remixing Where ARE YOU?, these were his words: "I really love this track! Been jamming it loud! I love the vibe of the original track and the production value. I tried to preserve some of those elements but with a different twist. I was able to sit down with this over the last few days. Really digging the results, I went with a mix of krautrock / shoegaze / chopped and screwed trip hop vibes." The result doesn't betray his words, but according to the band it goes even further: “The Californian producer Al Lover puts the music of Big Mountain County on film. He projects it on the big screen, cleverly uses photography and rewrites the plot with a very personal editing. Colors of the East, no longer intended as a lysergic space, but as a chaotic traffic of men, vehicles and animals on any given day in the Indian subcontinent (in Mumbai). In this marasmus the echo of what has been, or what could be, is there to re-propose the question that led to writing the screenplay: "Where are you?”. With the second remix, which closes out the EP, Big Mountain County are infected with a tropical disease in this remix masterfully produced by Tropicantesimo, aka UGO Sanchez, metropolitan prophet of slow rhythms and star of nights with no end, if not in hallucinated dawns front of the sea. Big Mountain County talks about it like this: “Here, more than hangover, that's "saudade" . So, the sense of lack becomes a curse - How does it feel to live so far away for me? - to be shouted, shared and cried. But outside, in some crowded city in the South of the world, it's Carnival and Summer is still there to be lived and danced, perhaps at a slower and more rhythmic pace.” An experiment, that of the remix of their songs, long in the band's wish book, finally fulfilled by Hugo Sanchez, cult Rome-based DJ and producer, recently protagonist of the recording declination of Tropicantesimo, a musical ritual dilated in time, through the celebration of sound and dance. This is a party, which over the years has become a real experience of listening, sharing and discovery out of time and space, finding home among the records and recordings of Pescheria, space-studio, but also record project, which sees Hugo Sanchez at the center of a collective of artists of various forms, musical, visual and sound installation. After having premiered two tracks by Klaus at the last Esns in Groningen (nl), Big Mountain County will return to play from April 23rd, in a tour with more than twenty gigs in Italy, Switzerland, Germany, France, Belgium and UK. In July they will be back in Berlin for the Fusion Festival 2022.

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Big Nothing

7" | US (Asian Man)

9,99 €*

Release: US

Genre: Rock & Indie

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Dog Hours Transparent Blue Vinyl Edition

Big Nothing

LP | 2022 | EU | Original (Lame-O)

How Long Do You Think It´S Gonna Last?

Release: 2022 / EU – Original

Genre: Rock & Indie

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Being in a band is often a cheap alternative to therapy. It allows an outlet for feelings its members can't articulate. It provides a space for physical inhibitions to be let loose. For Big Nothing's Liz Parsons, the need for that mental nourishment became evident when she moved to Philadelphia. She found herself fitting into the city nicely, yet felt isolated and empty. Her new home was one of America's musical epicenters - a big reason she moved there - and she didn't plan on wasting any time filling the indie rock shaped hole in her life. She shot a text to guitarist Pat Graham, who recently had a conversation with drummer Chris Jordan about starting a new project. Once Matt Quinn caught wind of the three playing music together - he begged to bring his Rickenbacker tone into the mix.After jamming out some Voice Memo riffs - Big Nothing was here to stay. Sonically, big nothing find themselves borrowing cues from indie mainstays like Superchunk and The Replacements. It's clear that they are trying to unhinge themselves from patterns they've repeated in the past, but they're also not afraid to blast the tried and true methods of rock and roll. Their live shows mirror the honesty of their albums. Big Nothing is a genuine rock band.

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Big Red Machine

Tape | 2021 | US | Original (Jagjaguwar)

16,99 €*

How Long Do You Think It´S Gonna Last? Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Ever since childhood, learning to play various instruments in a suburban Cincinnati basement alongside his brother Bryce, Aaron Dessner has consistently sought an emotional outlet and deep human connection through music _ be it as a primary songwriter in The National, a founder and architect of beloved collaboration-driven music festivals, or collaborator on two critically acclaimed and chart-topping Taylor Swift albums recorded in complete pandemic-era isolation at his Long Pond Studio in upstate New York, among many other projects. Through it all, Dessner has brought together an unlikely community of musicians that share his impulse to connect, celebrate and, most of all, process emotion and experience through music. This generous spirit and desire to push music forward has never been more deeply felt than on Big Red Machine's "How Long Do You Think It's Gonna Last?," the second album from Dessner's evermorphing project with Bon Iver's Justin Vernon. In 2008, while assembling material for the charitycompilation "Dark Was the Night," Dessner sent Vernon a song sketch titled "big red machine". Vernon interpreted "big red machine" as a beating heart and finished the song accordingly _ a metaphor Dessner says "still sticks with me today. This project goes to many places and is always on some level about experimentation, but it shines a light on why I make music in the first place, which is an emotional need. It's one of my therapies and one of the ways I interrogate the past." Released in 2018, Big Red Machine's self-titled debut album evolved from improvisation and what Dessner calls "structured experimentalism," with an ear toward building tracks that would work well in a live setting alongside visual elements. When Dessner and Vernon started the Eaux Claires Music Festival in 2015, they staged the original "Big Red Machine" as an improvisation-based performance piece. They later took that show to the People collective's Berlin residency and festival, and to Dessner's Haven Festival in Copenhagen. "Big Red Machine started as this thing we would do for fun, and we fell in love with the feeling of it," says Dessner." Vernon agrees: "I remember it feeling really easy, but we never knew what would happen. It was exciting. As time went on, we just kept doing things together. And our friendship has grown strong, alongside all the collaborative stuff." New Big Red Machine material began taking shape in spring 2019, when Vernon came to visit Dessner at Long Pond. The first week produced songs such as "Reese," "8:22am" and eventual album opener "Latter Days," a haunting number sung by Vernon and Anaïs Mitchell that set the emotional tenor for what was to come. "It was clear to her that the early sketch Justin and I made of Latter Days was about childhood, or loss of innocence and nostalgia for a time before you've grown into adulthood _ before you've hurt people or lost people and made mistakes. Anaïs defined the whole record When she sang that, as these same themes kept appearing again and again," Dessner says. In the ensuing months, Vernon and Dessner would meet up when they could, and in the meantime, Dessner developed the existing material and wrote new instrumental tracks which he sent Vernon, always eager to hear what he would receive back. "Justin is incredibly gifted, but he's also disruptive in the best way," says Dessner, pointing to the first note of the song "Birch" as a prime example. "It's absolutely brilliant, but it was very surprising when I heard it the first time. I can't tell you what that interval is. There are many moments working with him where your head hits the wall in amazement like that." In the early stages of the pandemic, Swift approached Dessner to work with her on what would become the sister albums "folklore" and "evermore." Dessner describes this period as a "creative blur," during which he'd be writing material for Swift and Big Red Machine simultaneously. "I think this was an intense growing period for me, I was learning so much from Taylor and the process. Along the way, I shared all of our unfinished Big Red Machine songs with her and she really found them inspiring and gave me so much positive feedback and encouragement," he says. "I think that helped me realize how connected this Big Red Machine music was to everything else I was doing and that I was always supposed to be chasing these ideas. I was finding new sounds and ways of working through these songs. I just hadn't been able to finish them. So, I did." Beyond Vernon and Swift's encouragement, many of Dessner's previous collaborators and friends show up for him here, continuing the reciprocal exchange of ideas that has come to define his creative community. Songs feature guest vocals and writing contributions from artist friends including Fleet Foxes' Robin Pecknold ("Phoenix"), Ben Howard and This Is The Kit ("June's a River"), Naeem ("Easy to Sabotage'), Sharon Van Etten, Lisa Hannigan and My Brightest Diamond's Shara Nova ("Hutch," a tune inspired by Dessner's late friend, Frightened Rabbit frontman Scott Hutchison) and Swift herself ("Birch" and "Renegade," the latter an instant-classic Taylor earworm summed up by the poignant lyric "Is it insensitive for me to say / get your shit together so I can love you." The song was recorded in Los Angeles at the Kitty Committee studio in March 2021, the same week when Swift and Dessner took home the Grammy for Album of the Year for "folklore.") "This is all music I generated, but it is interesting to hear how different people relate to it, or how different voices collide with it," Dessner says. "That's what makes it special. With everyone that's on this record, there's an openness, a creative generosity and an emotional quality that connects it all together." As he continued writing prolifically on his own, Dessner noticed a theme emerging -- the idea of sitting with the uncomfortability of personal and family darkness from his childhood and reflecting on how emotional issues he dealt with growing up have reverberated through his adult life. It became clear that some of these he'd need to sing himself; songs such as "The Ghost of Cincinnati" and "Magnolia" address the disintegration of marriage and family and mental health, asking pointed questions of himself and those closest to him. "Brycie" is an ode to his aforementioned twin and National bandmate, who picked up on the musical vibes immediately when Dessner played the song for him for the first time backstage at a National show in Washington D.C. "He picked along to it with me and it immediately sounded like Aaron and Bryce playing the guitar in the basement as kids, which was my intent," Dessner remembers. "The words mean a lot to me. It's about my childhood with Bryce, and how I had pretty severe depression in high school. He was the one who kept me going and took care of me until I was back on my feet. I've lost close friends to depression and this song is about how important it was that Bryce was there for me at that time and is still here." In addition to being one of the more lyrically significant tracks on the album, Dessner says singing it himself felt like an important act of self-acceptance. "I always sing under my breath when I write music, but I usually hand it off to [National vocalist] Matt [Berninger] or others" he says. "When you're in a band for so long and somebody else is that person, you come to rely on it and I've always loved Matt's voice and his words. But singing `Brycie' myself helped rewire my brain to realize that maybe Big Red Machine is the project that not only enables me to create songs with other people, but also sometimes finish songs on my own." Recalling sessions at Sonic Ranch in Texas when Dessner recorded his vocal takes, Vernon says, "Aaron showed me `Brycie' a couple years ago now. I was like, this is beautiful, and you should do more singing. Not only would it be good for the future of your songwriting, but your voice sounds really good to me. It was exciting to see him flourish in that way _ to now be a part of that process and realize the hardships in that and also the victories. On this record, he's leading the charge, wholly and completely." Musically, "How Long Do You Think It's Gonna Last?" features what Dessner calls maybe the "clearest distillation" of his varying songwriting and production styles. Songs like "Reese," the Dessner-sung "Magnolia" and the elegiac "Hutch" are built on the kinds of tear-jerking piano melodies millions of fans have come to love from The National, but then move at their own pace toward unusual sonic destinations. "Aaron's greatest gift as a collaborator is his ability to evolve and experiment with the emotional sound that is so natural to him," Vernon says of the material. Elsewhere, the dream-like "Hoping Then" sets layered vocals by Vernon, Dessner and Hannigan ("It's the on the edge of why I can't sleep soundly") atop chopped and phased violin lines, programmed drums and countermelodies played on a rubber bridge guitar. His brother Bryce's orchestration ebbs and flows throughout this song and many others. The main instrumental track of the chugging, groovy "Easy to Sabotage" was stitched together from two different live recordings and later enveloped in warm keyboard textures and the head-nodding vocals of Naeem. "It just feels alive and electric, and it just happened," Dessner says of the song. That sense of shared experience extended to the new album's title, which was coined by Swift after Dessner told her he wasn't sure what to call the new album. Intuitively summing up the themes, she suggested titling it "How Long Do You Think It's Gonna Last?," a question which she pointed out could refer to multiple subjects addressed therein: "childhood, family, marriages, a depression, a losing streak, a winning streak or a creative streak. Taylor saw it all so clearly," Dessner says. "A year ago, we'd never even worked together. It's so cool that this community keeps extending and that everyone who contributed to this album connected so naturally to the emotions at the heart of the music."

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

How Long Do You Think It´S Gonna Last? Red Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Red Machine

2LP | 2021 | US | Original (Jagjaguwar)

Long Morrow Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Big Scenic Nowhere

LP | 2022 | EU | Original (Heavy Psych Sounds)

22,99 €*

Long Morrow Transparent Green/Purple/Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bob Balch here. Wanted to let you know about "The Long Morrow." We released the E.P "Lavender Blues" back in October of 2020. "Lavender Blues" and "The Long Morrow" are both the result of a three day jam session back in November of 2019. The players were myself, Gary Arce (Yawning Man), Bill Stinson (Yawning Man) and Tony Reed (Mos Generator). We left that session with hours of stuff to choose from. We still have tons to release! Once 2020 hit, we started digging into what would become "Lavender Blues" with the intention to make it an EP and save the main chunk of the material for the LP which would become "The Long Morrow." Once we released "Lavender Blues" Tony Reed and I began digging into the tunes. All of the songs were jams at first, just two or three parts and lots of improvisation. Tony started chopping them up into arranged songs and added lyrics and a few changes. That's where we got songs like "Murder Klipp" "Defector" "LeDu" and "Lavender Bleu." I did a few guitar overdubs on them as well to flesh out the parts, but for the most part they are all live takes. I'm surprised that "Murder Klipp" came together so easiely that early in the morning. That time signature is bonkers, Bill Stinson had no trouble coming up with a beat that complemented it. I had to take notes and increase my caffeine intake for that one. "Lavender Bleu" is a second take for "Lavender Blues" hence the title similarity. They were both jams but "Lavender Bleu" became a structured song and the second half of it became "Labyrinths Fade" from the EP. I got to play bass on "Defector" and Tony switched to guitar. "LeDu" is inspired by Husker Du and Led Zeppelin. Gary Arce (Yawning Man) planted the main riff ideas for all of those songs on Side One. The dude is a riff machine. “The Long Morrow” takes up Side Two. Clocking in at a little under 20 mins, “The Long Morrow” was the very first jam we did during the session. Took us about 30 seconds to fall into a groove and we didn’t surface for 30 mins. I went home and re-recorded all of my guitar parts throughout 2020. I kept the original ideas in place but embellished them a little. After editing it down and changing guitar parts around it was sent to Reeves Gabrels (the Cure/david Bowie) and Per Wiberg (opeth, Spiritual Beggars) to add guitars and synth. Then it was sent to Tony Reed (mos Generator) for vocals, overdubs and structure changes. Mixed and Mastered by the very talented Tony Reed. I couldn't ask for a better production. Sounds just as I wanted to hear it. We are super proud of this album, and look ahead into the future as this is only the beginning. If we can create stuff like this the first time jamming together we can only imagine that it’s gonna get better and better! More soon!

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Big Scenic Nowhere

LP | 2022 | EU | Original (Heavy Psych Sounds)

29,99 €*

Dragon New Warm Mountain I Believe In You Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Big Thief

2LP | 2022 | UK | Original (4AD)