Search "slowy" 624 Items

Copy closer to NM

Purple vinyl. Cover with hype sticker

Sealed copy with a bent and stuffed corners!

Though they came together from far corners of the Nordic underground, Night Shall Drape Us are united by blood and an unwavering spirit for fast, melodic, uncompromising black metal. Their debut album features eight perfectly executed hymns sung by a relentless choir of lunatics. Lunatic Choir offers fast blast beats together with raw yet melodic traditional black metal riffs. “One with the beasts of the black flame”, the band chant in dedication during "Under the Dead Sky", giving themselves into the arms of Holy Death.

Limited Edition. No.0193
Includes obi with small tear.
Box contains: MWEX001, MWEX003 & MWEX005.

Red vinyl.

Following the massive success of their debut album in 1975, Kalapana returned to the studio in 1976, this time at Audiotronics in West Covina, California, this time taking the lead in producing the record. Barry Fasman, the Los Angeles-based producer whom the band credited with making their first record shine, joined them in the studio for string arrangements and to conduct certain tracks. However, on Kalapana II, the band felt fully prepared to produce the album themselves. And they did so, marvelously.

Little did they know, this would be the last time all four original band members would record an album together.

Second in a trio of eponymous albums from 1975 to 1977, Kalapana II expanded upon Kalapana I’s now-classic sound while leaning into styles not previously heard on their debut: lead vocalist Malani Bilyeu weaved a love-lorn country ballad into the new LP with “Wandering Stranger”, and keyboardist Kirk Thompson forever left his mark on the group’s legacy with the latin jazz-funk instrumental, “Black Sand”. (The tune became a staple for the band’s live performances: they’ve opened practically every concert ever since with the composition).

Considering the mastery and timelessness of Kalapana I, a sophomore LP could have easily fallen short of the high standard they had set. Yet they did it, cutting a second LP with back-to-back, timeless hits that continue to resonate today. As a quartet — supported by the propulsion of drummer Alvin Fejarang and saxophonist Michael Paulo’s prowess — Mackey Feary, Malani Bilyeu, D.J. Pratt, and Kirk Thompson solidified their legacy as one of Hawaii’s greatest groups of all-time with this recording.

Following the massive success of their debut album in 1975, Kalapana returned to the studio in 1976, this time at Audiotronics in West Covina, California, this time taking the lead in producing the record. Barry Fasman, the Los Angeles-based producer whom the band credited with making their first record shine, joined them in the studio for string arrangements and to conduct certain tracks. However, on Kalapana II, the band felt fully prepared to produce the album themselves. And they did so, marvelously.

Little did they know, this would be the last time all four original band members would record an album together.

Second in a trio of eponymous albums from 1975 to 1977, Kalapana II expanded upon Kalapana I’s now-classic sound while leaning into styles not previously heard on their debut: lead vocalist Malani Bilyeu weaved a love-lorn country ballad into the new LP with “Wandering Stranger”, and keyboardist Kirk Thompson forever left his mark on the group’s legacy with the latin jazz-funk instrumental, “Black Sand”. (The tune became a staple for the band’s live performances: they’ve opened practically every concert ever since with the composition).

Considering the mastery and timelessness of Kalapana I, a sophomore LP could have easily fallen short of the high standard they had set. Yet they did it, cutting a second LP with back-to-back, timeless hits that continue to resonate today. As a quartet — supported by the propulsion of drummer Alvin Fejarang and saxophonist Michael Paulo’s prowess — Mackey Feary, Malani Bilyeu, D.J. Pratt, and Kirk Thompson solidified their legacy as one of Hawaii’s greatest groups of all-time with this recording.

The Stormy Six debut album is, in some ways, the mirror of an era with simple atmospheres and an almost like ‘messa beat’ feel. The harmonies are kinda elementary and the general setting is strongly influenced by the Beat origins of the group. The "Stormy Six" formed as a sextet in Milan in 1965, right along that student environment that had already given birth to Maurizio Arcieri's "New Dada". The album is an eccentric mixture of Beat, Psychedelia and proto-prog in the vein of Moody Blues "In the search of the lost chord" or even early Genesis. The songs are almost written by the Rocchi-Fabbri duo even if, in retrospect, it was assumed that three of them belonged to Rocchi alone: ‘Ramo’, with a mystical indian flavor, ‘I Tuoi Occhi Sono Tristi’ – much in the vein of Brian Auger- and the poignant ‘Sotto I Portici Di Marmo’.

Second pressing of Maryanne Ito's live album, featuring a new addition on vinyl: the backing band's locomotive charge through tough-as-nails Herbie Hancock tune, 'Actual Proof'.

Recorded during the same live session as the rest of the album, and previously only available as a digital bonus on Bandcamp, this seven-minute rapid-fire rendition opens the B-side to provide further evidence that these players — guitarist Gilbert Batangan, bassist Alika Lyman, and drummer Dae Han — were dialed into something extraordinary that evening.

The LP — already an enchanting snapshot of an evening with singer Maryanne Ito and her original music — feels even more complete the second time around.

A bedroom city pop, math rock album of original songs recorded and performed entirely by the 19-year-old guitarist * New territory for Aloha Got Soul, expanding its catalog to represent new music from Gen Z.

Now in its sixth year as a fully-fledged record label, Aloha Got Soul enters new territory with teenage guitarist Nicadrio Lee and his self-produced Palette, a bedroom city pop, math-rock album of original songs recorded and performed entirely by the 19-year-old guitarist. Palette is inspired by Nicadrio Lee's musical journey, which began in Honolulu, Hawaii, and has brought him to study in New York City.

Nicadrio's own encounters in music and interactions with people prompted a question: 'What makes a song sound and feel good?' He discovered that a song is not labeled 'good' simply because of who is playing the music or because of how well an instrument is being played, but because an artist is able to inspire emotion through vibration, mood through sound, and life through music.

Palette tells a complete story of Nicadrio Lee's experiences to date. It marks the beginnings of the journey in music that awaits this young musician.

Stunning LP fusing far-eastern field-recordings with modern electronic production techniques - a true Sound Voyage! This time as repressed basic editon without the golden bagde!

9 CASSETTE BOX SET W/ BOOK, FLAG, PATCHES, BACKPATCH, POSTERS & METAL PIN