Search "Nilüfer Yanya" 3149 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

55,09 €* 57,99 € -5%

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

LP | 1984 | DE | Original (Not On Label)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Magica

People

Beautiful Rivers & Mountains Blue Black Splatter Vinyl Edition

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Shin Joong Hyun

2LP | 2011 | US | Reissue (Light In The Attic)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Iain Matthews & The Salmon Smokers

Fake Tan

LP | 2020 | NO | Original (New Noise)

Boy From Michigan Deluxe Edition

Release: 2020 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.

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John Grant

2LP | 2021 | UK | Original (Bella Union)

56,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Mingus Blue Vinyl Edition

LP | 1979 | EU | Reissue (Elektra)

56,99 €*

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Music For William Eggleston's Stranded In Canton Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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J Spaceman & John Coxon

LP | 2024 | US | Original (Fat Possum)

Directions To See A Ghost

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

In 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing. Includes an 8-page booklet. Limited white vinyl edition features alternate artwork. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Original (Light In The Attic)

Release: 2008 / US – Original

Genre: Rock & Indie

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"The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost (Light In The Attic). Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in 'Never/Ever.' 'They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

12" | 2010 | US | Original (Not On Label)

Release: 2024 / US – Original

Genre: Rock & Indie

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Milk Music

Beyond Living

59,99 €*

Songwriter Clear With Black Splatter Vinyl Edition

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with slightly bumped corner. Wiht insert. Beautiful copy.

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Johnny Cash

LP | 2024 | Original (Universal)

Graceless Age Record Store Day 2022 Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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John Murry

LP | 2013 | IR | Reissue (Rubyworks)

2x12" | 1977 | EU | Reissue (Virgin EMI)

Release: 2013 / IR – Reissue

Genre: Rock & Indie

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Released briefly on vinyl on a tiny US label in 2013, a 60 minute album squeezed onto one piece of plastic, it is very, very hard to find and typically sells for $60 on Discogs when copies come onto the market. This edition is a new half-speed master cut from the original source by John Webber at Air Studios in London with the album spread across four sides of 140g golden-Colored Vinyl, in a gatefold sleeve reflecting the original CD artwork with a Spot UV finish and a double-sided lyric insert.

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Brian Eno

Before And After Science

Steve Wynn & The Miracle 3

Release: 1977 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. With OBI. Limited edition. 2017 reissue.

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Static Transmission

2LP | 2003 | DE | Original (Blue Rose)

2LP | 2016 | EU | Reissue (Capitol)

Release: 2003 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM.

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Jon Bellion

Human Condition

62,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Red Vinyl Edition

2LP | 2022 | US | Original (Light In The Attic)

63,99 €*

Everything Picture Deluxe Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band Restored and remastered audio by GRAMMY®-nominated engineer, John Baldwin Extensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs) Liner notes by journalist Joe Hagan with exclusive interviews Double LP pressed on 180-gram vinyl and housed in a gatefold jacket ‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger

Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.

Friend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”

After Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.

Now Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R&B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.

At once an archival mixtape, a secret history and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.

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Ultrasound

LP | 2021 | EU | Original (One Little Independent)

64,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2015 | EU | Reissue (Music On Vinyl)

Los Angeles

64,99 €*

Taking Tiger Mountain (By Strategy) Half-Speed Master Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl looks unplayed. Copy n° 000732
With original protective sleeve with hype sticker.

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Brian Eno

2LP | 2017 | EU | Original (Island)

66,99 €*

So Many Roads - An Anthology 1964-1974

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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John Mayall

| 2010 | EU | Original (Universal UMC)

66,99 €*

Release: 2010 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 1992 | US | Reissue (Analogue Productions)

Janis Ian

Breaking Silence

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Love Will Make A Better You

Love Live Life + One

LP | 1971 | JP | Reissue (King)

Diamonds And Rust In The Bullring 45rpm, 200g Vinyl Ediiton

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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Love Live Life (LLL) is a session band made up of all the great musicians Kosuke Ichihara (Sax), Kousei Mizutani (Gt), Hiro Yanagida (Pf), Chito Kawachi (Dr), and Masaoki Terakawa (Ba). The 1st album, which boasts tremendous support especially from overseas listeners, including the release of an unofficial boot board, will finally be officially reprinted. The vocalist listed as (+One) is Akira Fuse. Disquieting spoken word: 40 minutes of rich, intense shouts and hard sounds that pierce the edge of art rock aggressively.

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Joan Baez

2LP | 2020 | US | Original (Analogue Productions)

The Jimi Hendrix Experience

Release: 2020 / US – Original

Genre: Rock & Indie

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A very difficult-to-find LP, originally released on a small, independent label. Originally released on a very limited run of vinyl. The original LPs are demanding a nice price on the Asian market. A beautiful recording with absolutely fantastic sound. Includes a performance of her hit song "Diamonds and Rust" as well as the audiophile classic "Famous Blue Raincoat." This may be an under-the-radar title, but it's a can't miss for the discerning audiophile. The album chronicles a show performed by Baez in a bullring, naturally, in Bilbao, Spain, in 1988, and it demonstates what makes her such a draw overseas. Half of the collection, side two of the LP, consists of songs sung in Spanish. Now we've upped the ante even more for true audiophile bliss — the 45 RPM 2LP version reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately. Natural tonalities, superb balances, pristine clarity and more are all revealed. »This record was made in a bullring in Bilbao, Spain, in 1988. It is dedicated to the Mayor and the people of Bilbao, who came out between thunderstorms to see me perform. The song in Catalan "Txoria Txori" is about a sweet little bird ... I want to thank Pasku who taught it to me, and thank the Bilbao public for singing it so beautifully.« — Joan Baez. Illustrations by Joan Baez; additional vocals Mercedes Sosa.

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Are You Experienced

2LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 2010 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2010 remastered reissue. Cover is close to NM!

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Shadows And Light Red & Clear Vinyl Edition

2LP | 1980 | EU | Reissue (Elektra)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Gris Gris Atlantic 75 Series

Dr John

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

70,99 €*

Everything's Alright Forever

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

From the king of the psychedelic bayou, Dr. John!

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Rolling Stone's 500 Greatest Albums of All Time rated No. 356 in the 2020 edition

The debut album from the king of the psychedelic bayou — the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing.

Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor.

The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years.

Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp," naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968."

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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The Boo Radleys

LP | 1991 | EU | Reissue (Music On Vinyl)

70,99 €*

LP | 1966 | UK | Original (Transatlantic)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

EU reissue from 2020. Orange vinyl. With insert. Limited edition. Few scuffs and tiny wear.

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John Renbourn

70,99 €*

Release: 1966 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Original UK mono pressing.

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Light In The Attic & Friends Black Friday Record Store Day 2023 Colored Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

71,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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* 20–track collection includes Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags performing a Betty Davis classic, Ethan & Maya Hawke interpreting Willie Nelson, and Angel Olsen paying homage to Karen Dalton * Double LP pressed on special limited edition color wax * Featuring new cover art by renowned British artist Sophy Hollington * Booklet with track–by–track notes by Lydia Hyslop For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says Lita founder, Matt Sullivan. Thus, Lita’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite Lita artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends. From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.

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Live At The Other End, Dec. 1975 Record Store Day 2021 Edition

4LP | 2021 (Rhino Atlantic)

71,99 €*

Abandoned Luncheonette Atlantic 75 Series

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release. In December 1975, Grammy Award-winning songwriter John Prine played three nights at The Other End (previously and now known as The Bitter End) in Greenwich Village, NYC. The acoustic performances featured some of his best-k

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Daryl Hall & John Oates

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

71,99 €*

2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Johnny Cash

At Folsom Prison

74,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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2LP | 2021 | RU | Reissue (Not On Label (Blankenberge Self-released))

Blankenberge

Radiogaze

74,99 €*

Chloë And The Next 20th Century

Release: 2021 / RU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gold opaque vinyl. Cover with slightly bumped corner, closer to NM

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Father John Misty

| 2022 | EU | Original (Bella Union)

74,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Complete box. With download card (status unknown).

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John Prine Atlantic 75 Series

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

In The Right Place Atlantic 75 Series

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Dr John

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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Live At The Other End Dec. 1975

4LP+Box Set | 2021 | Original (Rhino)

77,99 €*

LP | 2018 | CA | Original (Not On Label (Michelle Gurevich Self-released))

Release: 2021 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

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Michelle Gurevich

Exciting Times

78,99 €*

Release: 2018 / CA – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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The Hissing Of Summer Lawns

LP | 2008 | DE | Reissue (Asylum)

Release: 2008 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black Rebel Motorcycle Club

B.R.M.C.

LP+LP+All Media | 2014 | EU | Original (Music On Vinyl)

Coups de Coeur Coups de Soleil

Release: 2014 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Silver marbled vinyl. Copy n° 000376

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Réséda

LP | FR | Original (Not On Label)

Release: FR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2021 | US | Reissue (eOne)

Zakk Wylde

Book of Shadows

Release: 2021 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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2LP | 1988 | US | Original (Oh Boy)

John Prine Live

Release: 1988 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Concentus: The Live Collection Vol.1 10 Box

John Wetton

CD | 2024 | Original (Cherry Red)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Wanderlust Record Store Day 2022 Edition

Gavin Rossdale

2LP | 2008 | US | Reissue (eOne)

LP | 2024 | AU | Original (Warner Australia)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Record Store Day 2022 Drop 1 Release. Limited to 1700. Pink colored vinyl, includes 12x12 inch poster.

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Picture
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Jon Toogood

Last Of The Lonely Gods

Release: 2024 / AU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

John Mayall & The Bluesbreakers

A Hard Road

LP | 1967 | UK | Original (Decca)

Release: 1967 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

John Mayall & The Bluesbreakers

Bare Wires

LP | 1968 | UK | Original (Decca)

On Stage Collector's Edition Boxset

Release: 1968 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker residue on front cover. Mono, gatefold.

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Johnny Hallyday

3LP+7" | 2019 | EU | Original (Warner)

83,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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4LP | 2023 | US | Original (Rvng Intl.)

Pauline Anna Strom

Echoes, Spaces, Lines

84,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Chocolate And Cheese Deluxe Edition

Ween

3LP | 2001 | EU | Reissue (Rhino)

86,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Complete Notebook Series

Iain Matthews

5CD | 2002 | NL | Original (Coast To Coast)

89,99 €*

Release: 2002 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Morning Bugle Remixed, Remastered, Expanded Record Store Day 2024 Forest Green Vinyl Edition

John Hartford

2LP | 2024 | US | Original (Real Gone Music)

93,99 €*

LP | 2013 | EU | Reissue (Music On Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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The two albums multi-instrumentalist/songwriter John Hartford cut for Warner Bros. in the early ‘70s, Aereo-Plain and Morning Bugle, shook the bluegrass genre to the core, adding a modern, irreverent sensibility and fresh repertoire to the tradition-bound style. We have already (twice) reissued Aereo-Plain on LP, but we waited on Morning Bugle because we had something special up our sleeve—namely, the original session tapes! Which means that not only are you getting (with the full consent of the Hartford estate) a new remix and remaster of the original album—which even Hartford devotees admit never sounded that good on the production side of things—but an entire disc of unreleased tracks! Hartford scholar Skip Heller supplies liner notes to this monumental find on the enclosed insert. This 2-lp Expanded Edition comes on forest green vinyl, limited to 1500 copies worldwide, exclusive to Record Store Day 2024!

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Faith No More

The Real Thing

94,99 €*

Mind Games Meditation Mix Crystal Clear Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green/Yellow Marbled vinyl . Copy n° 001155. With insert. Beautiful copy!

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John Lennon

3LP | 2024 | Original (Universal)

95,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 1979 | DE | Original (Not On Label)

Varis

99,99 €*

Release: 1979 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Chloe And The Next 20th Century Deluxe Edition

Father John Misty

2LP+7" | 2022 | UK | Original (Bella Union)

114,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Swagger (20th Anniversary Box Set)

Flogging Molly

3LP+DVD | 2000 | Reissue (Side One Dummy)

118,99 €*

Box | 2010 | EU (Universal)

Release: 2000 / Reissue

Genre: Rock & Indie

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20th Anniversary Box Set Release Of `Swagger,' The Debut Album By Flogging Molly, Produced By Steve Albini And Originally Released In 2000. The Original Release Has Sold Over 750k Copies Worldwide.The 20th Anniversary Box Set Includes:- 2lp 'Swagger', Remixed And Remastered, In Double Gatefold Sleeve- Lp `Live At The Bluebird'- `Swagger Live 2000' Dvd- `Swagger' Button Set- Flogging Molly Patch- Flogging Molly Slipmat//20 Years Ago, Swagger Impacted The Punk And Rock Music Worlds As An Utterly Unique Statement From An Undeniably Incredible Group Of Musicians, Who To That Point Had Been Honing The Songs In Increasingly Packed Bars Until All Were Razor Sharp. Swagger Would Go On To Serve As The Blueprint For An Entire Style Of Modern Punk Rock, Melding Classic Punk With Celtic Roots And Instrumentation.The Remixed And Remastered Version Of The Album Features A Bonus Version Of "Sentimental Johnny" En Español As "Juan El Sentimental," A Bonus Lp Featuring Three Live Songs Recorded In 2001 At Denver's Famed Bluebird Theatre Plus A Traditional Irish Set (Recorded With Steve Albini In "One Take With No Overdubs"), A Never-Before-Seen Dvd Documentary From 2000 Including A Full Live Performance, An Expanded Lyric Booklet Featuring Photos From The Band's Personal Collection, Flogging Molly Logo Vinyl Slip Mat, Embroidered Patch And Four Badge Swagger Button Pack."Never In Our Wildest Dreams Did We Ever Imagine That Twenty Years On, We Would Be Celebrating The Release Of Our Firststudio Album, `Swagger'. Yet Here We Are, A Little Older, Maybe None The Wiser, But Very Grateful For What Has Been An Amazingexperience.More Than Twenty Years Ago We Set Sail For Chicago, The Home Of Electrical Audio And The Wonderful Steve Albini. With Afistful Of Songs, From `Salty Dog' To `Far Away Boys', We Plugged In And Belted Out Everything We Had And Made Sure Thatno Song Was Left Behind. Little Did We Know That `Swagger' Would Become The Breaking Ground, And The Sound, Of Floggingmolly...

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John Lennon

Signature CD Box

118,99 €*

Release: 2010 / EU

Genre: Rock & Indie

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Simon Nicol & Ric Sanders, Iain Matthews & Ad Vanderveen, Little Johnny England

Folk Grolloo 1 March 2003, Zaal Hofsteenge Grolloo The Netherlands

2CDr | 2003 | NL | Original (A Harry Production)

120,99 €*

Release: 2003 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

with booklet

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Joni Mitchell Archives Volume 4:The Asylum Years 1976-1980

4LP | 2024 | Original (Rhino)

124,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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I'm Stranded Deluxe Box Set

The Saints

4LP | 2024 | US | Original (In The Red)

127,99 €*

| 2017 | Original (Atlantic)

Release: 2024 / US – Original

Genre: Rock & Indie

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One of the most revered, reviled and talked about records in all Australian music history (I’m) Stranded by The Saints finally gets the vinyl box set treatment. A joint collaboration between In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I’m) Stranded will feature four vinyl long players covering all the band’s studio and live recordings from 1976 thru 1977 and includes:

- The iconic debut album remastered for vinyl for the first time in over forty years.

- A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time.

- A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time.

- All three tracks from the 1977 This Perfect Day 12-inch single and all four tracks from the 1977 1-2-3-4 double 7-inch single.

- The previously unreleased 1976 demo mix of the full (I’m) Stranded album.

- In addition to all that vinyl, (I’m) Stranded - Deluxe Box Set will also features a twenty-eight page 12” x 12” photo essay of the band covering their origins from 1973 through the end of of ’77, an authorised band history, an 8” x 10” 1976 promo photo and a (I’m) Stranded sticker.

“It’s been an exhausting yet thrilling process being involved in the creation of this box set. It’s been fifty-one years in the making and has possibly turned out even better than I anticipated. It’s by far the most extensive appraisal of the band, both aurally and visually, that has ever been made available and hopefully reveals some things people may not have known about the band.”

—Ed Kuepper

The iconic debut album remastered for vinyl for the first time in over 40 years

A five-song live performance from Paddington Town Hall Sydney 3.4.1977 appearing on vinyl for the first time.

A full live performance from the Hope & Anchor Front Row Festival, London November 1977 appearing on vinyl for the first time

All three tracks from the 1977 This Perfect Day 12” single and all four tracks from the 1977 1-2-3-4 double 7” single

The previously unreleased 1976 demo mix of the full (I’m) Stranded album.

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The War On Drugs

A Deeper Understanding

149,99 €*

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Complete box set with coke bottle clear and black records, bonus 7", CD and inserts!

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Ladies Of The Canyon 180g 45RPM SuperVinyl Box Set

2LP | 1970 | US | Reissue (Mobile Fidelity)

154,99 €*

Complete Mercury Albums (1986-1991) Box Set

Release: 1970 / US – Reissue

Genre: Rock & Indie

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SOURCED FROM THE ORIGINAL ANALOGUE MASTER TAPES
PRESSED AT RTI ON MOFI SUPERVINYL, AND STRICTLY LIMITED TO 5,000 NUMBERED COPIES
1/4” / 15 IPS / Dolby A analogue master to DSD 256 to analogue console to lathe

Ladies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolour painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl at RTI on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.

Playing with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually non-existent noise floor, reference-calibre groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.

The deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendour of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.

Deemed "powerful and brilliant" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.

Mitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving "a pattern all her own."

That pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the centre of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Johnny Cash

Box Set | 2020 | US | Original (Mercury Nashville)

156,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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2LP | 1971 | US | Reissue (Mobile Fidelity)

Blue

158,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Feelings Are Good And Other Lies

John Taylor

| EU (Pegasus)

169,99 €*

Release: EU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Mind Games Deluxe Box Set

John Lennon

Box | 1973 | EU | Reissue (Beatles Solo)

180,99 €*

I Don T Live Here Anymore

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Slipcase including 6 CDs (walleted) + 2 BLU-RAYs (walleted & sleeved) + 128 Page Hardback 10” Book + Poster + Postcards 6CDs: Stereo Versions of The Ultimate Mixes, Elements Mixes, Elemental Mixes, Evolution Documentary, Out-takes and Raw Studio Mixes. Easter Egg tracks on every disc 2 BLURAYs: High Resolution 24-96 Stereo, 5.1 and Dolby Atmos versions of The Ultimate Mixes, Elements Mixes, Elemental Mixes, Evolution Documentary, Out-takes and Raw Studio Mixes + 2024 Remastered ‘Mind Games’ music video + ‘You Are Here’ (additional out-take) tape boxes video. Easter Egg tracks and videos on both discs. Book: 10-inch square, 128-page glossy hardback coffee table book about the writing and recording of the album, in the words of John & Yoko (taken from hundreds of hours of archive interviews), featuring brand-new interviews with all the musicians and engineers, exclusive never-before-seen photographs by Bob Gruen and exclusive photos, lyrics, letters, original tape boxes and memorabilia from the John Lennon & Yoko Ono Lennon Archives. Poster: Reproduction of the original triptych marketing poster for the album Postcards: Postcard-sized reproductions of artworks made for the marketing of the album in 1973 “citizen OF Nutopia” Passport: With exclusive QR code for use in the forthcoming text based “game” and treasure hunt. More details to follow of “The Game”, no purchase necessary to enter.

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The War On Drugs

4LP (Atlantic)

200,99 €*

Genre: Rock & Indie

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Music For Installations Limited Vinyl Box

Brian Eno

9LP | 2018 | EU | Original (Universal)

203,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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2LP | 1996 | EU | Original (The Rocket Record Company)

Elton John

Love Songs

237,49 €* 249,99 € -5%

Campaign Volume I & II: 1979 - 2020

Release: 1996 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.
Includes original inner sleeves.

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Sutcliffe Jügend

Box Set | 2023 | Original (Vinyl On Demand)

399,99 €*