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Tombstones In Their Eyes
Asylum Harbour
LP | 2024 | US | Original (Kitten Robot)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
For their fifth long player, Tite return with a sound that is familiar in its use of distortion, drive, echo and swirling melodies, but refreshed with an embracing of vocal hooks and harmonies, often absent in the world of psyche and shoegaze. It’s Psychedelic Baby Magazine: ‘Asylum Harbour,’ named for a maritime safe-haven, symbolizes resurfacing from the darkness of 2022-2023 and the pandemic. (Band leader) John Treanor says the album reflects a journey out of a dark place, focusing on voices and harmonies over layers of fuzz. ‘The record marks, to my mind, a further evolution of the band with the voice(s) becoming a main feature rather than being used as another instrument.’” Jammerzine: “The term ‘shoegaze’ gets thrown around more and more, to the point that it’s beginning to become an assembly line genre, with Tite, and ‘I’m Not Like That’ we get a solid progression of original music with a true purpose. That purpose is to inspire.”
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Stabbing Westward
Wither Blister Burn Peel
LP | 2018 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 2018 / EU – Reissue
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Anna B Savage - You & I Are Earth Black Vinyl Edition
Anna B Savage
You & I Are Earth Black Vinyl Edition
LP | 2025 | EU | Original (City Slang)
29,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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Anna B Savage - You & I Are Earth Transparent Clear Vinyl Edition
Anna B Savage
You & I Are Earth Transparent Clear Vinyl Edition
LP | 2025 | EU | Original (City Slang)
31,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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John Cale
The Academy In Peril (Remastered)
CD | 2024 | UK | Original (Domino)
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Genre: Rock & Indie
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John Cale
Paris 1919 (Remastered)
CD | 2024 | UK | Original (Domino)
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
An Autumn For Crippled Children - Try Not To Destroy Everything You Love
An Autumn For Crippled Children
Try Not To Destroy Everything You Love
LP | 2019 | EU | Original (Prosthetic)
24,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Limited White Vinyl Edition.
Still shrink wrapped but opened.
Includes original insert.
Record is slightly warped but still enjoyable.
Elton John - Diamonds
Elton John
Diamonds
2LP | 2017 | EU | Original (Rocket Entertainment)
29,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie, Pop
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Medium: VG+, Cover: VG+
Still shrink wrapped but opened.
Includes original inner sleeves.
Small light scuff on side B.
Father John Misty - God's Favorite Customer
Father John Misty
God's Favorite Customer
LP | 2018 | EU | Original (Bella Union)
22,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Joan Baez - Whistle Down The Wind
Joan Baez
Whistle Down The Wind
LP | 2018 | EU | Original (Proper)
17,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Medium: Sealed, Cover: Sealed
Sealed copy!
Jungle Rot - War Zone
Jungle Rot
War Zone
LP | 2022 | UK | Original (Back On Black)
24,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Red Vinyl Edition.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.
Johnny Cash - Original Sun Sound Of Johnny Cash
Johnny Cash
Original Sun Sound Of Johnny Cash
LP | 2024 | US | Original (Sun)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Limited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early "Wide Open Road" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned "Thanks a Lot," from one of his final Sun sessions, finds Cash beholden to no one but himself.
Elton John - Captain Fantastic And The Brown Dirt Cowboy
Elton John
Captain Fantastic And The Brown Dirt Cowboy
LP | 2018 | EU | Reissue (Mercury)
32,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Medium: Sealed, Cover: Sealed
Des Demonas - Apocalyptic Boom! Boom!
Des Demonas
Apocalyptic Boom! Boom!
LP | 2024 | US | Original (In The Red)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Washington, DC’s DES DEMONAS have been hailed as a favorite of Henry Rollins (KCRW FM/Black Flag), Marc Riley (BBC6 Music/The Fall), and Iggy Pop (BBC6 Music/The Stooges) since the release of their debut LP on In The Red Records and their subsequent singles and EP.

DES DEMONAS’ much anticipated follow-up LP “APOCALYPTIC BOOM! BOOM!” is out this fall on In The Red Records.

The group is made up of some familiar names from the DC punk, garage, and indie scenes. A Kenyan punk-poet-politique Jacky “Cougar” Abok (Foul Swoops, Thee Lolitas) is on vocals & percussion, Mark Cisneros (Hammered Hulls, Kid Congo and the Pink Monkey Birds, The Make-Up) is on guitar, Paul Vivari (Benjy Ferree, DJ Soul Call Paul) is on Farfisa organ and bass machine, and Matt Gatwood (Two Inch Astronaut) is on drums.

Des Demonas’ music is a melding of disparate sounds and influences, hitting with a driving pulse and fiery intent.

“The sonic fuel of the band is a blend of post punk, punk, funk, blues, psych rock, Afro beat, even bubble gum but the noise you hear is pure Des Demonas.” - Kim Salmon / The Scientists
Fit For An Autopsy - The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition
Fit For An Autopsy
The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition
LP | 2024 | EU | Original (Nuclear Blast)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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One True Pairing - Endless Rain
One True Pairing
Endless Rain
LP | 2024 | Original (Domino)
37,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Jan Akkerman - It Could Happen To You
Jan Akkerman
It Could Happen To You
LP | 1988 | PL | Reissue (Tonpress)
8,99 €*
Release: 1988 / PL – Reissue
Genre: Organic Grooves, Rock & Indie
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Medium: VG+, Cover: VG
John Cale - Music For A New Society
John Cale
Music For A New Society
LP | 1982 | EU | Original (Island)
14,99 €*
Release: 1982 / EU – Original
Genre: Rock & Indie
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Medium: VG+, Cover: VG
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Ian Donaldson
Dreams From Tenement Land
LP | 2024 | US | Original (Last Night Glasgow)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Lions In The Street - Moving Along
Lions In The Street
Moving Along
LP | 2024 | US | Original (Interior Castle Musc)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).
Children Of God - We Set Fire To The Sky
Children Of God
We Set Fire To The Sky
LP | 2013 | US | Original (Not On Label (Children Of God Self-released))
8,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Medium: VG, Cover: VG+
Vinyl with a couple of light scuffs
Jerusalem In My Heart - Qalaq
Jerusalem In My Heart
Qalaq
LP | 2021 | CA | Original (Constellation)
19,99 €*
Release: 2021 / CA – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Like new. Comes with original inner sleeve and inserts. Record looks unplayed.
Kama Aina + Hochzeitskapelle - Wayfaring Suite
Kama Aina + Hochzeitskapelle
Wayfaring Suite
LP | 2018 | DE | Original (Alien Transistor)
19,99 €*
Release: 2018 / DE – Original
Genre: Rock & Indie
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Medium: Near Mint, Cover: Near Mint
Like new. Comes with original inner sleeve. Record looks unplayed.
One Morning Left - Neon Inferno Neon Transparent Vinyl Edition
One Morning Left
Neon Inferno Neon Transparent Vinyl Edition
LP | 2024 | EU | Original (Arising Empire)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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John Lennon - Imagine = イマジン
John Lennon
Imagine = イマジン
LP | 1971 | JP | Original (Apple)
19,99 €*
Release: 1971 / JP – Original
Genre: Rock & Indie
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Medium: VG, Cover: VG
The Tubs - Cotton Crown Daffodil Yellow Vinyl Edition
The Tubs
Cotton Crown Daffodil Yellow Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
24,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
The Tubs - Cotton Crown Black Vinyl Edition
The Tubs
Cotton Crown Black Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
23,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
The Tubs - Cotton Crown
The Tubs
Cotton Crown
Tape | 2025 | US | Original (Trouble In Mind)
16,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
Naked Roommate - Pass The Loofah Black Vinyl Edition
Naked Roommate
Pass The Loofah Black Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Anna McClellan - Electric Bouquet (Lamplight Bouquet)
Anna McClellan
Electric Bouquet (Lamplight Bouquet)
LP | 2024 | Original (Father / Daughter)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Brian Eno - Taking Tiger Mountain (By Strategy) Half-Speed Master Edition
Brian Eno
Taking Tiger Mountain (By Strategy) Half-Speed Master Edition
2LP | 2017 | EU | Original (Island)
66,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Sealed copy!
Anne Malin - Strange Power!
Anne Malin
Strange Power!
Tape | 2024 | US | Original (Dear Life)
16,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...
One Sentence. Supervisor - Temporär Musik 1-13
One Sentence. Supervisor
Temporär Musik 1-13
2LP | 2017 | EU | Original (Oh, Sister)
33,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Jane Weaver - Flock
Jane Weaver
Flock
LP | 2021 | UK | Original (Fire)
19,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Cream vinyl version!
Jane Weaver - Flock
Jane Weaver
Flock
LP+CD | 2021 | UK | Original (Fire)
33,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Olive green vinyl. Limited edition.
The Jon Spencer Blues Explosion - Orange
The Jon Spencer Blues Explosion
Orange
LP | 2011 | US | Reissue (Shove)
39,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Limited Yellow Marbled Edition.
Includes original inner sleeve.
Conny Ochs - Troubadour
Conny Ochs
Troubadour
LP | 2024 | EU | Original (Exile On Mainstream)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Exile On Mainstream Records presents Troubadour, the intimate new album from nomadic German singer/songwriter CONNY OCHS.Since 2010, CONNY OCHS has been capturing the hearts and minds of curious music fans around the globe through his expressive and emotive songcraft. Through eight full-length releases - including two collaborative albums with Scott "Wino" Weinrich of Saint Vitus, The Obsessed, and more, and not to mention his work in Trialogos and other projects - OCHS has expanded his sound from stripped-down singer/songwriter anthems based almost entir...
Naked Roommate - Pass The Loofah Metallic Silver Vinyl Edition
Naked Roommate
Pass The Loofah Metallic Silver Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Aino & Hajonneet - Enemmän Kuin Mitään Muuta Purple Vinyl Edtion
Aino & Hajonneet
Enemmän Kuin Mitään Muuta Purple Vinyl Edtion
LP | 2024 | EU | Original (Svart)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Ane Brun - Spending Time With Morgan
Ane Brun
Spending Time With Morgan
LP | 2003 | EU | Reissue (Balloon Ranger)
20,99 €*
Release: 2003 / EU – Reissue
Genre: Rock & Indie
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Corrosion Of Conformity - Deliverance
Corrosion Of Conformity
Deliverance
2LP | 2021 | EU | Reissue (Music On Vinyl)
37,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Cranes - Population Four
Cranes
Population Four
LP | 1996 | EU | Reissue (Music On Vinyl)
30,99 €*
Release: 1996 / EU – Reissue
Genre: Rock & Indie
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Ian Hunter - You're Never Alone With A Schizophrenic
Ian Hunter
You're Never Alone With A Schizophrenic
2LP | 2024 | Original (Chrysalis)
31,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Ian Hunter - Short Back N Sides
Ian Hunter
Short Back N Sides
2LP | 2024 | Original (Chrysalis)
31,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tonic - Sugar Black Vinyl Edition
Tonic
Sugar Black Vinyl Edition
LP | 2024 | EU | Original (Music On Vinyl)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Santana
Lotus
3LP | 1974 | EU | Reissue (Music On Vinyl)
47,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Kooymans & Carillo - Mirage
Kooymans & Carillo
Mirage
LP | 2022 | EU | Original (Music On Vinyl)
19,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
White Vinyl Edition.
Dogeared cover.
Includes original insert.
Amber Run - 5am
Amber Run
5am
LP | 2015 | EU | Reissue (Music On Vinyl)
19,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cover with a beginning seam split at spine.
Includes original insert.
Picture
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Incubus
A Crow Left Of The Murder
2LP | 2004 | EU | Reissue (Music On Vinyl)
37,99 €*
Release: 2004 / EU – Reissue
Genre: Rock & Indie
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Black Stone Cherry
Black Stone Cherry
LP | 2006 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 2006 / EU – Reissue
Genre: Rock & Indie
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Black Stone Cherry
Between The Devil & The Deep Blue Sea
LP | 2007 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 2007 / EU – Reissue
Genre: Rock & Indie
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Black Stone Cherry
Folklore And Superstition
2LP | 2008 | EU | Reissue (Music On Vinyl)
34,99 €*
Release: 2008 / EU – Reissue
Genre: Rock & Indie
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Daryl Hall & John Oates = Daryl Hall & John Oates - Private Eyes = プライベート・アイズ
Daryl Hall & John Oates = Daryl Hall & John Oates
Private Eyes = プライベート・アイズ
LP | 1981 | JP | Original (RCA)
14,99 €*
Release: 1981 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing with OBI!
John Mayall - Looking Back
John Mayall
Looking Back
LP | 1969 | EU (Endless Happiness)
22,99 €*
Release: 1969 / EU
Genre: Rock & Indie
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Looking Back is the seventh album released by John Mayall in August 1969.The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. It contains songs written between 1964 and 1968 with almost all the most well-known musicians who played with the Bluesbreakers during this period.
John Lennon - Imagine
John Lennon
Imagine
LP | 1977 | JP | Reissue (Apple)
9,99 €*
Release: 1977 / JP – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: G+, Cover: VG
Japanese pressing without OBI!
OK KID - DREI
OK KID
DREI
LP | 2022 | DE | Original (Not On Label)
38,99 €*
Release: 2022 / DE – Original
Genre: Hip Hop, Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Original inner sleeve. Close to NM.
Ariel Pink & R. Stevie Moore - Ku Klux Glam
Ariel Pink & R. Stevie Moore
Ku Klux Glam
LP | 2016 | UK | Reissue (Stroll On)
24,99 €*
Release: 2016 / UK – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Cover with slightly bumped corner
Daryl Hall & John Oates - Out Of Touch
Daryl Hall & John Oates
Out Of Touch
12" | 1984 | JP | Original (RCA)
16,99 €*
Release: 1984 / JP – Original
Genre: Rock & Indie, Electronic & Dance, Pop
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing with OBI!
Elton John - Don't Shoot Me I'm Only The Piano Player
Elton John
Don't Shoot Me I'm Only The Piano Player
LP | 1973 | JP | Original (DJM)
26,99 €*
Release: 1973 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
No Obi, with insert. Record is close to NM.
Green On Red - Live
Green On Red
Live
LP | 1989 | UK | Original (China)
13,99 €*
Release: 1989 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Record is close to NM!
Joan Armatrading - To The Limit
Joan Armatrading
To The Limit
LP | 1978 | EU | Original (A&M)
7,99 €*
Release: 1978 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG
Cover has corner and ring wear, with price tag on front and on back cover. Original inner sleeve. Original EU pressing.
Joan Jett & The Blackhearts - I Love Rock'n Roll
Joan Jett & The Blackhearts
I Love Rock'n Roll
LP | 1982 | DE | Original (The Boardwalk Entertainment Co)
13,99 €*
Release: 1982 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Explosions In The Sky, David Wingo - Prince Avalanche: An Original Motion Picture Soundtrack
Explosions In The Sky, David Wingo
Prince Avalanche: An Original Motion Picture Soundtrack
LP | 2013 | US | Original (Temporary Residence)
17,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie, Soundtracks
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Jefferson Airplane - After Bathing At Baxter's
Jefferson Airplane
After Bathing At Baxter's
LP | 2015 | EU | Reissue (Music On Vinyl)
26,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Top left corner slightly bent. Record looks unplayed.
Joan Armatrading - Show Some Emotion
Joan Armatrading
Show Some Emotion
LP | 1977 | UK | Original (A&M)
4,99 €*
Release: 1977 / UK – Original
Genre: Organic Grooves, Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Joan Armatrading - Me Myself I
Joan Armatrading
Me Myself I
LP | 1980 | UK | Original (A&M)
3,99 €*
Release: 1980 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG, Cover: VG
Mirrorism - Night Flight | Exit The Loop
Mirrorism
Night Flight | Exit The Loop
7" | 2013 | US | Reissue (Trouble In Mind)
10,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Sometimes the best bands are just out in the world - waiting for you to discover them. Mirrorism formed nary a year ago in Ferrara, Italy & posted up some songs from their self-released cassette onto a message board late last year. The band's TiM debut snags two tunes from that blast of hot air & slaps 'em onto wax - where they belong! In their own words, Mirrorism are: "a philosophical, artistic and political movement based on chaos, disunity, multiple personality disorder and the refusal to make sense of any kind of artistic output." One gets a very real sense of the chaos lurking beneath these jagged stabs of post-punk fury - "Night Flight" kicks of the A-side with a rhythmic ticking of the drums, perhaps a warning of the musical time bomb about to explode thru your speakers! Short & sweet - it's over before it even began. "Exit The Loop" closes out the single with a ragged cacophany of garage scree & trebly guitar sirens! An exciting debut from this promising new band! The first edition of this single is pressed on randomly mixedvinyl & includes a download code!
Proto Idiot - You're Wrong | You Can't Hide
Proto Idiot
You're Wrong | You Can't Hide
7" | 2013 | US | Reissue (Trouble In Mind)
10,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Andrew Anderson is a prolific guy, having recorded two albums of dumb-punk ferocity with his band, Hipshakes & released three albums & a number of singles under his solo project moniker, "Proto Idiot". Proto Idiot's previous output has had one foot firmly planted in the Hipshakes school of frenzied, nervousgaragepunk intensity, & the other in a rickety, Kinks-ian,English-countryside gallop. His debut for TiM however is a step in a new direction, delivering smart & urgent pop tunes having more in common with the DIY smarts of bands like Television Personalities, Wire & The Soft Boys than The Oblivians or The Gories. "You're Wrong" yearns with the strummy confections of a lost classic & it's earworm melody will have a hard timegetting unstuck from your brain! "You Can't Hide" burns with the loping maudlin of guitars & careens into a head-bopper of sugary pop-perfection. The first edition of this single is pressed on randomly-mixed vinyl & includes a download code!RIYL: Wire, The Soft Boys, TVP, Tyvek, Hipshakes
Wax Museums - Eye Times
Wax Museums
Eye Times
LP | 2011 | US | Reissue (Trouble In Mind)
21,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Olivia Newton-John - Don't Stop Believin'
Olivia Newton-John
Don't Stop Believin'
LP | 1976 | JP | Original (EMI)
8,99 €*
Release: 1976 / JP – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: VG+
Japanese pressing without OBI!
John Denver - John Denver's Greatest Hits
John Denver
John Denver's Greatest Hits
LP | 1976 | JP | Original (RCA)
5,99 €*
Release: 1976 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Japanese pressing without OBI!
Olivia Newton-John = Olivia Newton-John - Totally Hot = さよならは一度だけ
Olivia Newton-John = Olivia Newton-John
Totally Hot = さよならは一度だけ
LP | 1978 | JP | Original (EMI)
4,99 €*
Release: 1978 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Japanese pressing without OBI!
Blue Öyster Cult - Extraterrestial Live
Blue Öyster Cult
Extraterrestial Live
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
John Wetton - Concentus: The Live Collection Vol.1 10 Box
John Wetton
Concentus: The Live Collection Vol.1 10 Box
CD | 2024 | Original (Cherry Red)
80,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
Ian Hunter - Short Back N Sides
Ian Hunter
Short Back N Sides
CD | 2024 | Original (Chrysalis)
17,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Randy Meisner - Randy Meisner
Randy Meisner
Randy Meisner
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Wishbone Ash - Pilgrimage
Wishbone Ash
Pilgrimage
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Dio - Strange Highways
Dio
Strange Highways
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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One Morning Left
Neon Inferno Digisleeve
CD | 2024 | EU | Original (Arising Empire)
18,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Ramatam - In April Came The Dawning Of The Red Suns
Ramatam
In April Came The Dawning Of The Red Suns
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Kashmir - Zitilites
Kashmir
Zitilites
CD | 2024 | EU | Original (Music On CD)
15,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Jan Group Hammer - Oh Yeah?
Jan Group Hammer
Oh Yeah?
CD | 2024 | EU | Original (Floating World)
14,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Leo Kottke - The Best
Leo Kottke
The Best
CD | 2024 | EU | Original (Beat Goes On)
21,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Johnny Delaware - Para Llevar
Johnny Delaware
Para Llevar
CD | 2024 | Original (Normaltown)
16,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Fit For An Autopsy - The Nothing That Is
Fit For An Autopsy
The Nothing That Is
CD | 2024 | EU | Original (Nuclear Blast)
19,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Kids In Glass Houses - Pink Flamingo
Kids In Glass Houses
Pink Flamingo
CD | 2024 | EU | Original (Family Recipe)
14,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Janice Burns & Jon Doran
Great Joy To The New
LP | 2024 | EU | Original (Wylam)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Laura Jane Grace - Give An Inch
Laura Jane Grace
Give An Inch
LP | 2024 | EU | Original (Dial Back Sound)
27,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The debut EP from Laura Jane Grace & The Mississippi Medicals entitled 'Give An Inch' releases on a Dial Back Sound exclusive variant of "Fun Dip" colored vinyl. This six song EP was recorded at Dial Back Sound in Water Valley, MS and lacquered for 140g vinyl at historic Sam Phillips Recording Service in Memphis, TN by Jeff Powell. Disc plays at 45rpm for maximum deep grooves. The Mississippi Medicals are Laura Jane Grace (Against Me!), Paris Campbell Grace, Matt Patton (Drive By Truckers) and Mikey Erg!
Cats In Space - Time Machine Digipak Edition
Cats In Space
Time Machine Digipak Edition
CD | 2024 | Original (Cherry Red)
20,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Sarah Neufeld & Richard Reed Parry & Rebecca Foon - First Sounds
Sarah Neufeld & Richard Reed Parry & Rebecca Foon
First Sounds
CD | 2024 | EU | Original (One Little Independent)
17,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Home Front - Games Of Power
Home Front
Games Of Power
LP | 2023 | Original (La Vida Es Un Mus)
14,99 €*
Release: 2023 / Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cover with a seam split at the upper edge.
Record with just a few paper scuffs.
Includes original inner sleeve.
Home Front - Think Of The Lie
Home Front
Think Of The Lie
LP | 2022 | EU | Original (La Vida Es Un Mus)
19,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
Cover with a beginning seam split at the upper edge.
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