Search "shearwater+animal+joy" 2992 Items

Phantom Five Translucent Blue Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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We are proud to present this collection of rare recordings from one of Kenya's most famous players from Kenya’s long traditional of fiddle music. Ayany Jowi creates a raw, hypnotic and frenetic set of sounds backed by a percussive and thumping chorus and was a master of Orutu music. Orutu emerged from the shores of Lake Victoria and was the precursor to Kenyan's famous guitar musical style benga that became popular throughout the 70s and 80s and continues to be popular today. ‘Ayany Jowi’ was born in 1944 as Silvanus Ayany in a small village called Nyamango village in what is now known as Homa Bay county, along the shores of Lake Victoria in Kenya. Jowi started playing ohangla music in school using empty jugs and steel tins for drums. He quickly moved on to make an ‘orutu’, the one stringed fiddle of the Luo people of Western Kenya, and his career was born. Because of his wild and uncontrollable nature he was named ‘Jowi’ which means ‘wild buffalo’. Jowi is likely the best-known fiddle player of the classic era of Kenyan recorded music and remains well known and respected as once of the greats in Kenya’s rich musical history. Jowi put out numerous singles on classic Kenyan labels throughout the 1970s, many of which made it to cassettes and CDs that people still listen to even to this day.We are intensely excited to present this restored and remastered (by Third Man Mastering in Detroit, MI) set of rare recordings of some of Kenya's, and by extension Africa's, most important music.”

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Awolnation

LP | 2024 | EU | Original (Thank You For Listening Entertainment)

38,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Floating On A Dream Opaque Bone Vinyl Edition

Avi Kaplan

LP | 2022 | EU | Original (Concord)

LP | 2010 | UK | Reissue (Domino)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Limited to 1800 copies with obi strip & sleeve notes. Rare Soul-Jazz-Funk album from 1985. First ever vinyl reissue. Jazz guitarist Calvin Keys is a legend among soul-jazz-funk fans for both his work as a session & touring musician and for the catalog of classic releases under his own name. Key’s playing style is lean & muscular and his unique phrasing balances sophisticated jazz harmonics with funky R&B & soul grooves. Since the 1960s Calvin Keys has performed/recorded with renowned artists such as Ahmad Jamal, Ray Charles, Pharoah Sanders and Joe Henderson. He is also a mentor to young talent, offers private lessons, and is a frequent teacher at the yearly happening ‘Jazz Camp West’.

Calvin Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer in the city's music scene…he passed the music bug on to Calvin, who picked up the guitar early. Keys landed his first notable gig as a member of Eddie 'Cleanhead' Vinson's band when he was 17 and then went on to play with Preston Love (of the Count Basie Orchestra). Later on, he would also join The Jimmy Smith Trio and then worked through the rest of the 1960’s with legends such as Jimmy McGriff, Richard 'Groove' Holmes and Brother Jack McDuff.

After moving to Los Angeles in the 1970’s, he signed to Gene Russell's now-legendary Black Jazz label where he cut his first two albums: Shawn-Neeq (1971) & Proceed with Caution (1974). Next to his own output on Black Jazz Records, Calvin Keys also did session work for the label and played on several of its hit records. At this point in time Keys also auditioned for the Ray Charles Orchestra…his unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in Charles’ band. Before relocating to San Francisco in 1975, he also played on Billy Brooks' jazz-funk classic ‘Windows of the Mind’ (1974) and focused on more live and session work. Keys then joined Ahmad Jamal's group and spent close to a decade with the pianist, touring the globe and recording six albums with him.

The 1980’s and 1990’s also proved similarly fruitful for Calvin Keys…he was a ‘first-call’ studio & live sideman and amassed massive credits for touring with all-stars from the likes of Tony Bennett, Pharoah Sanders and Sonny Stitt. He released two more fantastic solo albums: Full Court Press (1985) & Maria’s First (1985), this time on Olive Branch Records. In 1991 he was featured on the recordings for the original score of the film ‘Dying Young’ composed by James Newton Howard. Next to all of this, his session and live work with his own trio continued at a relentless pace. He settled down in the Bay area and played a multitude of gigs throughout the 1990’s.

After being sidelined in 1997 by heart surgery, Calvin Keys entered the new millennium with a bang! He released five widely acclaimed Jazz-charting albums & worked with major players from the likes of Taj Mahal (Santana, Miles Davis), Chester Thompson (Tower Of Power), Big John Patton (Blue Note), Phil Ranelin (Tribe), Sonny Fortune (Roy Ayers, Strata East), Buell Neidlinger (Lionel Richie, Quincy Jones), Peter Erskine (Joni Mitchell, Weather Report) and Lonnie Smith. There’s no such thing as ‘slowing down’ for Mr. Keys!

On the album we are proudly presenting you today (Full Court Press) you’ll find seven sublime tracks recorded in 1984 and released in 1985 on the Olive Branch label. This was Calvin Key’s first solo album since his recordings for Black Jazz Records back in the 1970’s. Full Court Press features an impressive arsenal of working road dogs that Keys had shared the stage with over the years. Included are: Maxayn Lewis (The Ikettes, Morris Day), Mike Thompson (Freddie Hubbard), James Gadson (Marvin Gaye, Herbie Hancock), Donny Beck (Buddy Miles, Bobby Lyle)…and many others.

Full Court Press is THE dictionary definition of smooth (yet funky) soul-jazz, with washes of warm, laid back grooves pinned under Keys’ endless dancing up and down the fretboard. The playing is ‘deep in the pocket’ and comes off elegant and effortless. Fluid rhythmic fingerpicking that makes you forget all about time and space. This essential release deserves a prominent place in your record collection!

Tidal Waves Music now proudly presents the First ever vinyl reissue of “Full Court Press” (originally released on Olive Branch Records in 1985). This rare record (vintage copies are not easy to come by) now comes as a deluxe 180g vinyl edition, strictly limited to 1800 copies worldwide with obi strip and features the original artwork by John Heard (Azar Lawrence, Count Basie) & sleeve notes by Sherman Ferguson (Pharoah Sanders Quartet). Released exclusively for Record Store Day 2022 and available in participating stores on April 23, 2022.

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Avey Tare

Down There

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Domino)

Avey Tare

Release: 2023 / UK – Original

Genre: Rock & Indie

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2LP | 2020 | US | Original (Warner Bros / WEA)

Avenged Sevenfold

Diamonds In The Rough

42,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Plaisphere)

Ausgang 256

Essai 256

Release: 2022 / EU – Original

Genre: Rock & Indie

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On this first record, entirely self-produced, the Parisian trio Ausgang 256 joyfully offers us pop songs that would have been melted in experimental junk like sugar in water, overtly inspired by bands like Broadcast, Animal Collective or by the composer Sonic Boom. Indeed, the music of these young dreamy electronicians slips through our fingers but flows gently into us. Carefully, patiently, meticulously assembled in a small living room in the 18th arrondissement of Paris, the debut album of these devoted disciples of the Japanese magician Cornelius works like a pointillist painting. Too close and it's completely abstract. From too far away, you lose the flavour and the craftsmanship. But at the right distance, all the details come together as if by magic.The ten fragments of the album oscillate between experimental pop, space rock, theremin folk ballads and other unstructured melodies. The Essai 256 will be released on 21 October on Planisphère.

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LP | 2022 | EU | Original (Les Disques Bongo Joe)

The Big Swim

Release: 2022 / EU – Original

Genre: Rock & Indie

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With his third album, The Big Swim, due out in December 2022 on Bongo Joe records, Augenwasser ventures once again into the paths of synth wave exploration with a pop feel. Still laced with the folk textures of his early days, he nevertheless develops a dance approach that can at times be akin to melancholic drone. His music takes you to an imaginary, dark club, lulled by a haunting rhythm, surrounded by the fumes of the night, where it is possible to indulge in that quiet voice that has already confessed that it is too late but will never stop repeating its soft, cold poetry:

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CD | 2021 | EU | Original (Les Disques Bongo Joe)

Sleepdancer

15,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Augenwasser represents the alter ego of multi-instrumentalist Elias Raschle from Biel. The project was born in 2014 with a first 7“ record produced by La Suisse Primitive and a self-produced cassette entitled 'Fireworks', under Augenwasser's own label Hot Dogma.

In December 2015, Augenwasser's first album 'Drones & Love Songs' was released on Bongo Joe Records. Intimate compositions, solitary writings and raw melodies come together to create a personal and genuine project. He recorded it solo in the secrecy of his home studio. However, Elias Raschle asks for reinforcements for his stage shows. Trustworthy musicians agree to jump on board with him: Elias Gamma (Martin Savage Gang / ex-GOU, Shady & the Vamp), Juliette Rosset (zayk), Levent Pinarci (ex-GOU, Levent, Uht). Amongst others, the group performs at the notorious Bad Bonn Kilbi Festival, and also tours abroad: Belgium, Greece, United Kingdom, France.

After joining forces with the American musician Kelley Stoltz in 2017, the duo gives birth to a collaborative album that got released on the 'Transnational Serie' by the label La Suisse Primitive. On stage, Augenwasser becomes a solitary project. Elias Raschle now performs alone on the guitar for a more intimate experience. In 2018, he produces a collection of recordings entitled “The Last Campfire Smokeout“, that he put out on Soundcloud and Bandcamp. For his upcoming project, Elias immersed himself in the composition of 'Sleepdancer', to be released in 2020 on Les Disques Bongo Joe.

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LP | 2021 | EU | Original (Les Disques Bongo Joe)

Sleepdancer

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2020 | CH | Original (Les Disques Bongo Joe)

Sleepdancer

22,99 €*

Release: 2020 / CH – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

LP | 2022 | EU | Original (Crazysane)

Aua

The Damaged Organ

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Crazysane)

Aua

Painkiller No.1

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Crazysane)

Aua

I Don't Want It Darker

Release: 2020 / EU – Original

Genre: Rock & Indie

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Au Suisse Limited White Vinyl Edition

Au Suisse

LP | 2022 | EU | Original (City Slang)

28,99 €*

Au Suisse Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Born from the collective mind of producer Morgan Geist (Storm Queen, Metro Area) and songwriter/multi-instrumentalist Kelley Polar, AU Suisse is a new project that promises to stake a milestone in both its members' already storied careers. Crafting immersive soundscapes using a patchwork of electro, synthpop, funk and disco, AU Suisse's self-titled debut album evokes both a post-rave comedown on a tropical beach and a weekend alone icy chalet, ruminating on life and love. Guest players include friends and labelmates Dan Snaith (Caribou) and Jeremy Greenspan (Junior Boys).

Having met in college in the early '90s and continued to forge a close friendship throughout the years, AU Suisse is the first time Geist and Polar have set out to gel their creative relationship into its own musical project. But this is no bashed-together collection of random tunes — this is a band, through and through, and Geist and Polar's shared expertise give the album its own indelible identity.

'Savage' is the second single release in this campaign with which we will announce the album to be released this August 19th (digitally) and September 16th (physically).

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Au Suisse

LP | 2022 | EU | Original (City Slang)

7" | 2009 | UK | Original (Moshi Moshi)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Au Revoir Simone

Shadows

Release: 2009 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Space Ghost Pink Vinyl Edition

Attia Taylor

LP | 2022 | US | Original (Lame-O)

Release: 2022 / US – Original

Genre: Rock & Indie

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Attia Taylor is a NYC based musician, writer, and content producer. She is the founder of Womanly Magazine, The Dorothy and a member of The Art Dept Collective. Her work is rooted in social justice, art, and design, to bring inclusive and culturally relevant content to sound, print and digital realms.She is passionate about building and cultivating communities through journalism, music, storytelling, and research. "Space Ghost" is her debut solo album, recorded with Jeff Ziegler (Kurt Vile, The War on Drugs) in Philadelphia.

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Tape | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

15,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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CD | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

A Little Fable

LP | 2018 | EU | Original (Warner / WEA)

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Ashley McBryde

Girl Going Nowhere

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Original (Ba Da Bing!)

Asher White

New Excellent Woman

Join Inn 50th Anniversary Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Asher White’s music is a complex and heartfelt reaction to the churn of the modern world. With tender intimacy and resounding anxiety, White takes a wide view through the lens of her own queer sexual politics and transgender identity; what does it mean to renew, to progress, to transform? What is lost, gained, or irreversibly altered?

At 22 years old, White has developed a massive self-released discography: over a dozen albums since 2015, each one started the moment the last one was finished. New Excellent Woman is a distillation of these experiments and discoveries, a new achievement in songwriting that stands astride the cracks in the earth and lopsided ground. Songs jump between styles like a pubescent sex drive, all locked together by White’s ability to pull melody out of chaos.

New Excellent Woman wanders a meticulous cut-and-pasted path paved by forebears like The Books and Animal Collective. It sounds like a live band, bursting with kinetic energy, but the album was constructed alone in her Providence, RI studio, where she arranged, performed, recorded, and mixed the record herself. The ingenuity of Dirty Projectors is laced with the catchiness and warmth of The Kinks, and maybe a dash of Elephant 6. It’s like an Adhd party and the listener is the first to arrive.

New Excellent Woman is built from detritus, often quite literally: from the thrift store amplifiers and scavenged keyboards she uses to her penchant for discovering and sampling obscure YouTube videos into her songs. The thick fog of “Bedsong” is made up of little more than a Hammond organ found on craigslist and a few muffled drums piled with rags; opener “Ptolemy” uses a seemingly random video of teenage boredom as its textural and rhythmic backdrop.

The ceaseless march of the modern world can feel both awe-inspiring and abysmal. New highways and condominiums are erected in a matter of weeks as historic burial grounds are demolished. Even short TikToks seem to expire in real time. Asher White won’t change things, but New Excellent Woman gives one a fresh and poignant perspective of the shifting world around through her eyes—and maybe a connection is the best one can hope for.

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Ash Ra Tempel

LP | 1973 | EU | Reissue (MG.Art)

Bortom Naturens Förlat Cs

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.

In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album, and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two legendary last concerts in February 1973 in Paris and Cologne.

Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since. It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also Hartmut (the Hawk) Enke soon after quit the Bass and music forever. Join Inn marks the end of the collaboration with Klaus Schulze. However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of our Series, it is considered a highlight of the Krautrock movement. As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it. "Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and expressionist for just long enough before slipping back into the musical fabric of the song. As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’ meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves. Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series. After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”

Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice

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Aset

12" | 2024 | EU | Original (Moloton)

8,44 €* 12,99 € -35%

LP | 2019 | EU | Original (Rockshots)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Moloton proudly presents the debut release by Aset (in Swedish meaning roughly ‘decomposing animal carcass being scavenged upon’). The constellation have existed for some time now in the Stockholm underground, but have up until now not released anything.

Behind the name are two experimental scene – by now – veterans: Anja Enerud of Masskultur and Orphan Ann recognition, and Sonja Tofik, who has made a name for herself as an experimental composer-performer, having released music through Moloton, Country Music and recently Northern Electronics as well as been commissioned by Ina GRM.

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As I May

My Own Creations

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Napalm)

As I Lay Dying

Through Storms Ahead

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | EU | Original (Napalm)

As I Lay Dying

Through Storms Ahead

16,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lightless Yellow Vinyl Edition

As Friends Rust

LP | 2024 | EU | Original (End Hits)

Join The Club Tri-Coloured Tour Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Solid Yellow Vinyl, limited to 150 copies.Comes with a sticker sheet. The 'Lightless' EP sees AS FRIENDS RUST confronting existential and cosmic loneliness with intensity, imagination and, of course, hooks. Picking up where 2023's Any Joy LP left off, and now joined permanently by bassist Andrew Seward (Against Me!), the band presents five urgent rockers that rage through both inner and outer space, leaving only earworms in their wake. Writing for Lightless began immediately upon the band's return from their tour of Europe in support of 2023's Any Joy LP. Picking up where the album left off, the Lightless EP is a massive, catchy work focusing largely on cosmic loneliness -- a theme echoed in its airbrushed, 70s/80s sci-fi artwork. The EP was mixed by long-time collaborator James Paul Wisner (Further Seems Forever, Paramore, Dashboard Confessional), and mastered by Will Killingsworth at Dead Air, and will be released on November 1st, just days ahead of the band's tour supporting QUICKSAND and HOT WATER MUSIC.'Lightless' will be strictly limited to 500 copies across five vinyl variants, each including a sci-fi/spaced travel sticker sheet. The exclusive END HITS RECORDS/EVIL GREED variant will feature a limited patch, perfect for your 80s satin bomber jacket or heavy metal jeans vest.

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As December Falls

LP | 2023 | EU | Original (Adf)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | UK | Original (ADF Records)

As December Falls

Join The Club

Release: 2023 / UK – Original

Genre: Rock & Indie

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Tape | 2023 | EU | Original (ADF Records)

As December Falls

Join The Club

17,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Long Long Road Clear Red Vinyl Edition

Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

41,99 €*

Long Long Road Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pretty much everyone into rock music knows Arthur Brown – and not just because of his iconic, career-defining transatlantic hit single 'Fire' from the 1968 album "The Crazy World of Arthur Brown" but also through his many collaborations with other outstanding artists, such as a cameo in the cult film "Tommy", in which his dramatic vocals were backed by Eric Clapton and THE WHO, as well as working with THE Alan Parsons Project, David Gilmore, THE Prodigy, Bruce Dickinson, THE Stranglers, Kula Shaker, DIE Krupps, and many others. Scheduled for release on Arthur's 80th birthday on June 24, 2022, "Long Long Road" effortlessly shifts from progressive rock and soul to pristine blues rock, with the much-loved singer summoning his full vocal range with a mature mastery that comes only with the experience of a lifetime. Wild, vibrant, and crammed with rich musical textures, this album is quintessentially Arthur Brown, and can easily be construed as the apex and summary of a fascinating career that has spanned several decades. Arthur is widely credited as a pioneer of shock rock and progressive rock, and a significant influence on heavy metal. His live performances include iconic classics, dance, poetry, visuals and a subliminal soundtrack of new electronic music. Whenever he plays, Arthur still brings the dramatically elegant and always extravagant style that he established as the gold standard onstage. With each note on "Long Long Road", Arthur Brown makes the impressive statement that he remains as authentic, challenging, creative, and compelling as he was at his career's fiery beginning. This record is not a swansong, but the thrilling beginning of the final phase of an utterly singular career.

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Arthur Brown

LP | 2022 | UK | Original (Prophecy / Magnetic Eye)

37,99 €*

One Afternoon In A Hot Air Baloon

Release: 2022 / UK – Original

Genre: Rock & Indie

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Artery

LP | 1983 | EU | Reissue (Spittle)

21,99 €*

LP | 1982 | EU | Reissue (Spittle)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Artery

Oceans

12,99 €*

Art Of Primitive Sound (W. Maioli)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Formed in Sheffield in 1978 and originally known as just "The", Artery is a band that saw several changes in the line-up throughout the '80s. Supported by John Peel and often compared to Joy Division their music incorporates various fundamental elements of the British post-punk aesthetic. Originally released in 1982 on Red Flame records, "Oceans" was Artery's debut mini-LP including some absolute gems such as "into the Garden" and "Afterwards" infectious anthemic tracks of the post-punk era.

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Strumenti Musicali Della Preistoria: Il Paleolitico

LP | 2022 | EU | Original (Black Sweat)

15,99 €* 19,99 € -20%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Art Of Primitive Sound is a sensational journey to the origin of Music. In his crucial research chapter on the Paleolithic, Walter Maioli between 1986 and 1991 investigates the soundscape of different geographical, climatic and botanical environments, in which the mystery of the ancient human-nature relationship resides. What emerges is an expanded and unprecedented Paleorganology, with a range of acoustic and natural instruments from all over the World. Rubbing of fossils, animal artefacts, plant elements of all sorts, everything becomes sound and each object opens up forms of imaginary communication, psychic effect and unexplored languages. Whistles, flutes, leaf and shell rattles, rhombuses, horns, bone pipes, slate slabs, bamboo arches, stones, vertebrae, seeds, stalagtites etc...how great can be the Natural Orchestra inherent in the spirit of forests, rivers, caves, seas, swamps or Amazon jungles? Thanks to an interdisciplinary partnership (Anthropology, Archaeology, Botany, Ethnomusicology) of collaborating friends, Maioli directs an Opera of universal character inspired by the archaic essence of sound and infrasonic dimension.

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Box Set | 2022 | EU | Original (Onderstroom)

Zwarte Doos

144,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

LP | 2022 | EU | Original (Oh Boy)

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Arlo Mckinley

This Mess We're In

Release: 2022 / EU – Original

Genre: Rock & Indie

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For Those That Wish To Exist At Abbey Road Black Vinyl Edition

Architects

2LP | 2022 | EU | Original (Epitaph)

12" | 2014 | DE | Original (Uncle M)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Architects’ new album captures a historic live stream performance event at the iconic Abbey Road studios: spiritual home to legends like The Beatles and Pink Floyd. Dubbed For Those That Wish To Exist at Abbey Road, the album features a reimagined orchestral version of their masterpiece album For Those That Wish To Exist, backed by their friends in the Parallax Orchestra, the well-respected UK based orchestra made up of some of England’s best and most versatile classical musicians, arranged and written by Simon Dobson, Parallax Orchestra’s conductor and a three times British Composer award (basca) winner for his compositions. Vocalist Sam Carter speaks to the cultural importance of Abbey Road Studios, “It’s such an important part of music in not only the U.K. but all across the world. Some of the biggest and most important records of all time were recorded there. It’s such a joy to even be allowed into the building, let alone to record there. It’s a very special place; I still can’t quite believe we were able to create there.”

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Apologies, I Have None

Black Everything

29,99 €*

Little Green House White In Pink Vinyl Edition

Release: 2014 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black on black screenprited b-side. Limited to 500 copies.

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Anxious

LP | 2022 | US | Reissue (Run For Cover)

Little Green House Peach Swirl Vinyl Edition

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Since the inception of Anxious in 2016, the band has always acted with purpose. This may seem like a simple premise, but for five kids still in high school at the time, it's quite an accomplishment. Early songs were packaged in limited run demo tapes with accompanying zines and hand-dyed t-shirts. Weekends were filled with regional runs of shows outside of their Fairfield, Connecticut homebase. With this amount of effort it's no wonder that within a few years of graduation, Anxious has built a solid foundation for their debut album to flourish upon.On Little Green House, Anxious explores what it feels like to enter adulthood in unflinching detail. The Connecticut band unpacks struggles, joys, and hard-earned realizations in a way that makes them feel wise beyond their years. Anthemic songs like lead single "In April" and guaranteed sing-along "Growing Up Song" thread the often difficult melodic-hardcore needle in a way that feels both nostalgic for the emo renaissance of yesteryear and precisely built for the current moment of genre defiant pioneering.

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Anxious

LP | 2023 | EU | Original (Run For Cover)

LP | 2022 | EU | Original (Bang!)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Antiseen

Eat More Possum

17,99 €*

LP | 2023 | EU (Papagajuv Hlasatel)

Release: 2022 / EU – Original

Genre: Rock & Indie

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[ENG"Eat More Possum" is Antiseen's most acclaimed album, originally released in 1993 and now remastered for this vinyl reissue. ANTISEEN is an American punk rock band formed in Charlotte, North Carolina by Jeff Clayton and Joe Young in 1983. The name "Antiseen" serves as a deliberate deviation of the phrase "anti-scene" - the group not wishing to adhere to standard perceptions of punk rock in specific and rock music in general. Musically, Antiseen is influenced by groups such as the Ramones and Stooges, employing short, heavily distorted power chord-driven songs largely free of guitar solos or advanced musicianship. The band has a catalogue of over 100 LPs, EPs, CDs and DVDs recorded with various line-ups and have performed all over the world. Years after crawling from the primordial ooze of rural North Carolina, Antiseen proceed to bulldoze through the nineties with one quality release after another. Eat More Possum is one of the greatest specimens of gun totin', meat eatin', society rejectin' punk rock the Young / Clayton posse ever laid to wax. Young's guitar tone is particularly grinding, heartwarming like steel cutting machinery buzzing in your ear, capped by Jeff Clayton's trademark ursine raving. Speedballs like "Star Whore" and "Storm Trooper" are like chopper territory fights set to music, while anthropological studies on southern attitudes like "Trapped in Dixie" offer miles of perspective to the unfamiliar. The vegetarian torturing anthem "Animals (Eat 'em)" may be the tastiest nugget in this pannikin of dixie nihilism, and the boys nail one hell of a Ramones cover along the way. This is an absolute must for fans of extreme punk rock ala GG Allin, Dwarves, Poison Idea, etc.

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Anti-Nowhere League

The Cage

20,99 €*

The Best Of Part 1 Red Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

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The brand new studio album from the UK punk rock icons who inspired everyone from Metallica to Rancid, the ever-defiant Anti-Nowhere League! Indomitable frontman and founder Animal leads the band through 13 superb new tracks including a heartfelt ode to UK Subs singer Charlie Harper (“Uncle Charlie”) and the soon-to-be barroom classic “God Bless Alcohol!”

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Anti Nowhere League

2LP | 2022 | UK | Original (Audio Platter)

17,99 €*

LP | 2020 | EU | Original (Drag City)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Anti Nowhere League best of Part 1. featuring all the hits and more of classic Uk82 punk rock and biker rock - ON Transparent RED Vinyl! The Anti Nowhere League formed in 1980, are a good honest Punk rock band the way it should be.. Singing loud and fast about the stuff they know and as always with fantastic honesty, lyrically a joy to listen too!

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Anthony Moore

Out

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Art Of Propaganda)

Tranceformation

25,19 €* 35,99 € -30%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Austrian post-metal/black metal outfit Anomalie put out their fourth full length instalment - Tranceformation! The outing was recorded, mixed and mastered by Victor "Santura" Bullok at Woodshed Studio in Germany.

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2LP | 2024 | Original (AOP)

Riverchild Digipak

34,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

CD | 2024 | Original (AOP)

Riverchild Digipak

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2018 | Original (AOP)

Integra

Release: 2018 / Original

Genre: Rock & Indie

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LP | 2018 | Original (AOP)

Between The Light

Release: 2018 / Original

Genre: Rock & Indie

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LP | 2024 | Original (We Are Busy Bodies)

Annarella And DJango

Jouer

Release: 2024 / Original

Genre: Rock & Indie

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12" | 1984 | UK | Original (A&M)

Annabel Lamb

So Lucky In Bed

6,64 €* 6,99 € -5%

Release: 1984 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Annabel / Empire! Empire! (I Was A Lonely Estate) / Joie De Vivre / The Reptilian

Four Way Split

7" | 2011 | US | Reissue (Count Your Lucky Stars)

7,99 €*

Tape | 2023 | EU | Original (Osàre! Editions)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Purple vinyl.

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Anna Funk Damage

Il Corpo Che Si Rompe

16,99 €*

Codes Oxblood Red Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An icy wave of distortion. Gristle and bone bass. Incantatory, bloodcurdling poetics. Anna Funk Damage returns to Osare! Editions with a full-length LP, laying down 13 occultist tracks, turbocharged by industrialism, dissolution and heartbreak. The Italian producer more than lives up to his namesake, delivering his signature, genre-destroying blend of experimental-punk-techno and steely dance floor deviance.

Opening with a howl, clatter and smash, on 'Sono Spento’, Andrea Natale takes the shape of a self-annihilating robot, his heavily pitched-down vocals laden in layers of FX. ‘Maybe I’ whirls into a slow build screech while 'Allegri Rimpianti’ joins together organic, pummelling percussion, sharp synth chords, and jangly guitar for a nightmarish trifecta of throbbing noise. Occasionally, Natale's presence falls away entirely, allowing for unadulterated machinic ecstasy to take over. Cogs grind on 'Memoria, Solitudine’, a dark and lolloping track, thrumming with sinister, malicious intent, before 'La Fine’ signs off, lurching skittishly like an anxious, artificially pumping heart.

Interweaving elements of avant-garde ambient, rock, and even black metal, all rewired through a Moog Dfam and a Mother-32 interface, II Corpo Che Si Rompe is powered by unrelenting energy as Natale descends to ever more demonic, punishing depths.

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Anja Huwe

LP | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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Codes Black Vinyl Edition

Anja Huwe

LP | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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We Are All Animals Colored Vinyl Edition

Animaux Formidables

LP | 2024 | EU | Original (Go Down)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Here's the debut album of Animaux Formidables, a sensual and explosive masked power duo formed in early 2022. We are talking about two characters with animal-like features, fed so far on glam, blues, and rock ‘n roll. They express themselves with a garage-fuzz-noise sound at an extremely fiery level, both on record and on stage, the band’s natural habitat.

Say the artists on the genesis of the album: “Our producer Marco Fasolo, who first listened to some of our stuff recorded with a smartphone in the rehearsal room, encouraged us to reproduce the live sound on the record. So we did a single live take for each song, recording in two rooms divided by glass to avoid feedback. No overdubbing or post-production processing was done. In this way what you hear is the essence of who we are, how we compose and perform our music, with all our deep passion and expressive urgency”.

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2LP | 2022 | Original (ABKCO)

Retrospective

57,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Double 180gm vinyl LP pressing housed in gatefold jacket. This set gathers all fourteen U.S. Top 40 hits by The Animals (and late '60s lineup Eric Burdon & The Animals), including "See See Rider," "Don't Let Me Be Misunderstood," "San Franciscan Nights," and the transatlantic #1 classic, "House of the Rising Sun." The set is capped by the 1970 smash, "Spill the Wine," by Eric Burdon & War. Package includes extensive liner notes in a gatefold jacket.

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LP | 2022 | US | Original (ABKCO)

36,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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The Animals - "The Animals" The Animals' self-titled debut album features a mixture of blues, R&B, traditional folk covers, and an Eric Burdon original, "I'm In Love." The #1 US and UK charting "House of the Rising Sun" is included, which Rolling Stone included on the list of 500 Greatest Songs of All Time. The Animals is available on 180-gram vinyl and has been remastered utilizing high-resolution sources from first generation mono master tapes. Features liner notes by Rolling Stone Senior Editor David Fricke.

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LP | 2022 | US | Original (ABKCO)

Animalization

36,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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The Animals -"Animalization" The Animals' fourth U.S. album, Animalization, is a characteristic mix of Blues, R&B, and traditional folk covers, plus Eric Burdon originals co-written with new Animals keyboardist Dave Rowberry. The hits "Don't Bring Me Down," "Inside-Looking Out," and "See See Rider" are included. Animalization is available on 180-gram vinyl and has been remastered utilizing high-resolution sources from first generation mono master tapes. Features liner notes by Rolling Stone Senior Editor David Fricke.

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LP | 2022 | Original (ABKCO)

Animal Tracks

36,99 €*

Animal Piss It's Everywhere

Release: 2022 / Original

Genre: Rock & Indie

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The Animals - "Animal Tracks" - Overview: The Animals' third U.S. album, Animal Tracks, is a combination of Eric Burdon and Alan Price originals, in addition to blues and R&B covers. The hit singles "Don't Let Me Be Misunderstood," "Bring It On Home To Me," and "We Gotta Get Out Of This Place" are highlights of this album. Animal Tracks is available on 180-gram vinyl and has been remastered utilizing high-resolution sources from first generation mono master tapes. Features liner notes by Rolling Stone Senior Editor David Fricke.

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Grace

LP | 2024 | US | Original (Sophomore Lounge)

34,99 €*

Animal Piss, It's Everywhere

Release: 2024 / US – Original

Genre: Rock & Indie

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It's Cocktail Time, America! That’s right—Grace, the sophomore effort from Planet Earth's favorite Western Mass bar band Animal Piss, It's Everywhere, is officially upon us. And indeed, there is a certain grace present amidst the rambles and ambles of this particular trip around the gramophone. Picking up where 2022’s self-titled LP left off (deemed an "all-star romp through early West Coast country rock a la Moby Grape, Sons of Champlin, & Byrds" by Byron Coley), this latest full-length further explores such collectively road-tested themes as mortality, partying, doomed celebrity, and wasted-days-turned-regrettable-nights with equal parts stardusted mania and genuine pathos. Sorta like if an early Jimmy Buffett LP took a wrong turn down a dark alley somewhere between the poolside cabana and neighborhood crab shack, or if Brewer & Shipley tripped with the Meat Puppets in a tour van together. Sophomore Lounge and Half A Million Records are happy to co-present this aural truckstop feast from the experimental northeast, and it arrives just in time to squeeze in a few more shoreline drives with what's left of these hazy summer daze. Jump in!

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LP | 2023 | US | Original (Half A Million)

47,99 €*

Get It Right / Standard Man Ep Collection

Release: 2023 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Gem piled upon gem of woozy, VU-tinged cosmic American music delivered by some familiar Western MA faces (PIgeons/Sunburned/SQRM) will surely excite fans of early Drag City, Gene Clark, Country Teasers et al. Lyrical content explores the enjoyment of inexpensive wine, the enjoyment of wine having been transformed from water by Jesus, nude perambulations, remorse, and spiritual consternation. "Because piss flows from us animals, and is as natural as spring water—and holy water, for that matter."

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Animal Magic

LP | 1982 | EU | Reissue (Lantern)

24,69 €* 25,99 € -5%

LP | 2019 | EU | Original (Radicalis)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

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Animal House

Premium Mediocre

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original

Animal Ghosts

Wallow

28,04 €* 32,99 € -15%

LP | 2024 | US | Original

Release: 2022 / US – Original

Genre: Rock & Indie

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Portland Shoegaze reminiscent of Creation Records and well crafted guitar layers.

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Animal Ghosts

Swell

26,39 €* 32,99 € -20%

Release: 2024 / US – Original

Genre: Rock & Indie

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2LP | 2022 | EU | Original (Domino)

Time Skiffs

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP+LP+All Media | 2018 | US | Original (Domino)

Tangerine Reef

15,99 €*

Release: 2018 / US – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green translucent Vinyl. One single sdied vinyl with art etcheing in one side. Original inner sleeves. Vinyl seems unplayed. Limited edition.

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Sung Tongs 20th Anniversary Colored Vinyl Edition

2LP | 2024 | UK | Original (Domino)

43,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP | 2004 | UK | Reissue (Domino)

Sung Tongs

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Spirit They'Rr Gone, Spirit They've Vanished Remastered 2023 Black Vinyl Edition

2LP | 2009 | UK | Reissue (Domino)

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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Spirit They're Gone, Spirit They've Vanished Remastered 2023 Colored Vinyl Edition

2LP | 2009 | UK | Reissue (Domino)

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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12" | 2005 | US | Reissue (Domino)

Prospect Hummer

22,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green/Yellow vinyl has some paper scuffs. Original inner sleeve. Record Store Day edition 2021 reissue. Limited edition. tiny wear

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OST Crestone

LP | Original (Domino)

Release: Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Seems unplayed. Shrink wrapped but opened.

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Genre: Rock & Indie

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Merriweather Post Pavilion 15th Anniversary Edition

2LP | 2008 | UK | Reissue (Domino)

33,99 €*

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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Isn't It Now? Orange Vinyl Edition

2LP | 2023 | UK | Original (Domino)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Isn't It Now? Black Vinyl Edition

2LP | 2023 | UK | Original (Domino)

29,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Genre: Rock & Indie

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2LP | 2005 | UK | Reissue (Domino)

Feels

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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12" | 2009 | US | Original (Domino)

Fall Be Kind EP

Release: 2009 / US – Original

Genre: Rock & Indie, Electronic & Dance

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5 tracks, recorded in Oxford, Missouri in early 2008

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12" | 2023 | UK | Original (Domino)

Defeat

Release: 2023 / UK – Original

Genre: Rock & Indie

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12" | 2021 | UK | Original (Domino)

Bridge To Quiet

Release: 2021 / UK – Original

Genre: Rock & Indie

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Cha Cha Palace Black Vinyl Edition

Angélica Garcia

LP | 2024 | US | Original (Spacebomb)

23,99 €*

LP | 2019 | EU | Original (Trikont)

Release: 2024 / US – Original

Genre: Rock & Indie

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Two years in the making, 25-year-old Angelica Garcia's album Cha Cha Palace is the result of an artist's need to SAY SOMETHING. The second song on the record, "Jícama" might only be a minute and 25 seconds in its entirety, but the message spans generations and is one that resonates deeply for Garcia with her Mexican and Salvadoran roots. Singing/shouting, "I see you, but you don't see me Jímaca, Jímaca, Guava Tree_I've been trying to tell ya, but you just don't see, like you I was born in this country," Garcia tells the reality for millions of Americans unapologetically and with passion.That feeling of being between places is something Garcia knows well having been raised between multigenerational, multicultural, homes with step-parents and half-siblings. Additionally, she made the journey from the West Coast to the East Coast and back again multiple times before finally settling down in Richmond, Virginia.She fondly recalls Mexican ranchera music always playing throughout her childhood. Ranchera was ingrained within the maternal side of her family with her Mother, Grandmother, Uncle & Aunt constantly singing the traditional music throughout the home of her Grandparents.Like Mitski, Lorde, Billie Eilish, and Rosalía, Garcia isn't afraid to tear pages out of her diary and express emotions that might be difficult and oftentimes daunting to share given today's social and political environment. Like her peers, she joins a new chapter of musicians who are connecting with their audiences on a level that lives outside the reaches of technology, trends, and social media, the daily experience of feeling torn between saying something and doing something, for being a voice and speaking with your voice, of being Latina while being American. And it's humanity and honesty that audiences are looking for and will find in spades throughout each note of Cha Cha Palace.

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Angela Aux

In Love With The Demons

21,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Big Time Pink Vinyl Edition & Tote Bag Bundle

Angel Olsen

2LP | 2022 | US | Original (Jagjaguwar)

37,99 €*