Search "shearwater+animal+joy" 1627 Items

LP | 2021 | EU | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Rock & Indie

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ZWEILASTER SAYS Dies ist ist unsere Platte! Sie wurde aufgenommen im Frühjahr/ 1. Quartal 2022. Das wurde SO gemacht von uns und unserem Pro-duzent Julian Knoth. In dem Album gehts um Pain und Joy, - echte Kunstheraphie halt! "Scheiblettenkäse und Sehnsucht ist ein witziges Drama, gespielt von zwei introvertierten Cholerikern!"(*innen) Viel Spass von Arno und Marie! PS: Das Album gibts schon seit 2022, also ist nur neu, dass es jetzt vom lieben Thomas Götz von "Tomatenplatten" auf Vinyl rausgebracht wurde. Cover von Maxi Messer.

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Zulu

Poor Animal / I Can't Stand

Release: 2021 / EU – Original

Genre: Rock & Indie

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Highlights:One Of The Last Great Albums Of The First Wave Of Peruvian Rock, Originally Released In 1974, Linking Psych-Tinged Rock With Afro-Latin American Beats And Folk Pop. This First Record By (Former Traffic Sound And Los Nuevos Shain's Member) Zulu Was Also His Last And One Of The Most Enigmatic Albums Released In Peru In The '70s, As The Artist Vanished Into The Religious Path, Making Sure His Music Got As Unnoticed As Possible...Reissued For The First Time With The Collaboration Of Zulu, Including Extensive Liner Notes And One Extra Track.Description:The First Record By Zulu Was Also His Last. Shortly After Releasing It In 1974, The Artist Withdrew From The Music Scene And Never Returned. 46 Years Later, His Music Still Sounds Out Of Time. His Musical Eclecticism Heralded A Different Era And Linked Rock With Afro-Latin American Beats And Pop.His Debut And Only Lp Is One Of The Last Great Albums Of The First Wave Of Peruvian Rock. No Other Original Records Of This Type Were Released In Peru Until The Early 80s. In The 70s, In Peru, Most Rock Groups Sang In English. For His Lp, Zulu Chose To Sing In His Own Language And Focus On His Own Emotions And Experiences.In The Early Days Of His Career He Became Member Of Los Shain's, For Less Than A Year. Then He Was Invited To Join Traffic Sound Playing Bass Guitar And Keyboards And Record The Band's Third Album "Lux".An Offer To Start A Solo Career Would Follow And 'Como Una Escalera ', 'Alegría' And 'Cariño Grande' 45s Were Released. The Expectations That His First Solo Singles Generated Were Met By The Release Of The Lp Zulu In 1974, Boasting An Eclectic And Innovative Sound. Andean Folk, Afro-Latin Beats, Psych-Tinged Prog Rock Scents, Moogglides, Choir Arrangements Spread Across The Entire Album Creating A Truly Unique Piece Of Music. A Few Demos Were Also Recorded For The Next Album But This Never Saw The Light. In December 1974, A Few Months After The Lp Was Released, The Artist Decided To Disappear. At This Point Of...

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Zola Jesus

7" | 2010 | DE | Original (Souterrain Transmissions)

16,99 €*

Vertigo Red Vinyl Edition

Release: 2010 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition, hand numbered Tiny wear.

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Zakk Sabbath

LP | 2020 | EU | Original (Magnetic Eye)

38,99 €*

7" | 2009 | US | Reissue (Sub Pop)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Zakk Sabbath is the Black Sabbath tribute band featuring guitarist/vocalist Zakk Wylde (Black Label Society, Ozzy Osbourne), bassist Blasko (Ozzy Osbourne, Rob Zombie) and drummer Joey Castillo (Danzig, Queens of the Stone Age), who have been constantly gigging since 2014 with their take on the Birmingham four's early songs. Legendarily recorded in a single day in October 1969, Black Sabbath's self-titled debut was released on a Friday the 13th in 1970, and the world was never the same. "We recorded a live EP and were wondering what we could do next as a cover band, so the 50th album anniversary came just at the right time", explains Blasko regarding Zakk Sabbath's decision to go studio. "Compared to 'Paranoid', which is almost like a best-of record, the bulk of the material on 'Black Sabbath' is deep-cut, really experimental stuff that was never thoroughly explored, so that was a challenge, not to forget that we wanted to meet our own high standards." Describing the DIY process as "very productive," the three respectfully added their own flair to make for a slightly different flavour, also revisiting various live renditions and "extending a solo here or slowing things down because that's what they tended to do on stage." Titled "Vertigo", Zakk Sabbath's ode to the masters won't be available digitally, "to make the release feel authentic to the time when vinyl ruled the earth. It was such a cool time for those of us that grew up during that time. The fan experience with the physical product is irreplaceable with digital and streaming. We wanted to capture that authenticity." The songs were faithfully recorded in the spirit of the original - live in the studio and with a film crew documenting the process - culminating in a new celebration of the greatest heavy metal band of all time and the record that started it all.

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Zak Sally's Fear Of Song

Why We Hide

10,99 €*

LP | 1987 | US | Reissue (Bar None)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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When Zak Sally left his position as bassist for the minimalist rock band LOW after 12 years, he was pretty certain he was done with music, choosing instead to concentrate on his cartooning (Recidivist, Sammy The Mouse), and his small-press venture, La Mano 21. However, he remained absolutely terrified by music, and so found himself drawn back into the basement with the self-imposed rule to write/play/sing/make every sound in every song-no matter what. Eventually he brought the whole mess over to his friend Ben Durrant's (Andrew Bird, Dosh, Shearwater) Crazy Beast studio and they made a record out of it. That record is called Fear of Song, and it's not elegant, literary, graceful, virtuosic, pastoral, clever, or compositionally astounding; it's the sound of one man clanging. This single is one song from that record (to be released this summer by the aforementioned La Mano 21 as a handmade and signed, l...

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Yung Wu

Shore Leave

間違いの実 / The Fruit Of Errata

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Limited Edition for Record Store Day 2018!

The initial record store day LP pressing comes with flexi disc. The flexi contains title track 'Shore Leave' along with a rare B-side 'Out Of Baby’s Reach'.

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Yumbo

2LP | 2021 | EU | Original (Morr Music)

33,99 €*

LP | 2023 | EU | Original (Croatia)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Following in the footsteps of the pathbreaking Minna Miteru compilation of Japanese indie music, Morr Music and Alien Transistor have again joined forces to release The Fruit Of Errata, a compilation introducing the world to the intimate DIY pop of yumbo. Led by songwriter, pianist, and occasional vocalist Koji Shibuya, the Japanese band has released four albums since forming in 1998. This compilation draws fifteen songs (eighteen on vinyl) from those albums, and some ancillary releases, to uncover a biographical narrative of yumbo, showing how Shibuya’s songwriting, and the group’s limber, sensitive playing, has developed over the decades. It also places them squarely within a tradition of home-spun but ambitious Japanese pop that takes in Maher Shalal Hash Baz, Tenniscoats, Nagisa Ni Te, Yuzo Iwata, Kazumi Nikaido and more.

yumbo is very much the vision of Shibuya, an amiable iconoclast whose songs seem informed by some of his early listening – there’s the playful seriousness of Maher Shalal Hash Baz’s Tori Kudo here, an avowed long-time hero for Shibuya, but also the flexibility of freely improvised music. You can also hear Shibuya’s fondness for Mayo Thompson and The Red Crayola in both the idiosyncracies of the writing and the egalitarian looseness of the playing. Shibuya also carries those energies into the group’s membership – there are fantastic stories of him having a conversation at a record shop, or overhearing someone speaking, and asking the person in question to join yumbo as one of their various singers. He seems open to chance as a driving force, as a way to make space for unexpected possibilities to blossom.

The great achievement of yumbo and Shibuya, though, is translating all of this into beautiful, unpredictable pop songs. There’s a gorgeous soul-inflected lilt to “A House” that makes it delightfully affecting; the swaying brass on “Storm” propels its melody to a moody, dreamlike conclusion; the nakedness of “The Sweetest Mass” is slightly reminiscent of Carla Bley’s more pop-focused writing, crossed with the classicism of the songs that spilled from the Brill Building in the ‘60s. Throughout, Shibuya renders pop a deeply personal experience; you can hear musings here on friendship, family, intimacy, the complexity of relationships, mortality, and imbalances of power. These musings are also shadowed by real-life events: the effects and impact of the Great East Japan Earthquake of 2011 are captured in songs like “Umbrella People” from Onibi.

Throughout the performances on The Fruit Of Errata, Shibuya and the group play with tenderness; they also often draw on other players to flesh out the music even further, two such guests being the aforementioned Tori Kudo (on “Umbrella People”) and Olympia, Washington’s Lake (on “The Devil Song”). Community-minded and generous in approach, the writing of Shibuya and the music of yumbo is never less than lovely, and The Fruit Of Errata is a welcome introduction to their world. Open and gentle, confident and generous, these pop songs are filled with charm and spirit.

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YU Grupa

Yu Grupa (1st)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Skin Graft)

Yowie

Synchromysticism

23,99 €*

We Know The Sky Sky Vinyl Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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Since 2000, St. Louis YOWIE has been perfecting a unique form of progressive rock that incorporates complex polyrhythms and guitar dissonance. Operating within its own unique idiom, Yowie rejects rock music s typical foundation of common time signature and standard melodic structures. Their third album, Synchromysticism, the first with guitarist Christopher Trull (formerly of Grand Ulena), marks a new level of ambition in terms of conceptual complexity, synthesizing opposing compositional approaches into a distinctive style that simultaneously elicits feelings of euphoria, perplexity, dread... and an inexorable urge to dance.

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Yours Are The Only Ears

LP | 2023 | US | Original (Lame-O)

You + Your D. Metal Friend

Release: 2023 / US – Original

Genre: Rock & Indie

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As Yours Are The Only Ears, Susannah Cutler is reaching for a fresh start. For years, the singer-songwriter sauntered through her every day, stretching to please the people in her life and disconnecting as a means of survival. It wasn't until early 2020 after taking on the tasks set out in The Artist's Way, that Cutler experienced a reckoning. When was the last time she was truly honest with herself? And what is she so afraid of? Piercing through the gauze of an almost simulated existence, Cutler pieced together a face she could finally recognize in the mirror and began crafting what would become her second album, We Know The Sky. Here, her shadow no longer lags behind, but instead immerses itself to flourish into a beautifully complicated, truthful reality.We Know The Sky is like walking through a darkened hallway into the light; the sun on tentative closed eyes, slowly opening to take in the new horizon. It's an album that doesn't shy away from the hard work it takes to walk past every door, and greet whoever you find in there. Teaming deliverance with delicacy, Cutler knows that getting to know yourself--the real you--means you will find both the light and the dark. But it's not about shunning one for the other, but rather combining them to create a palette that is able to color the world in a way that you finally understand. "Songwriting for me has always been a way for me to say things out loud that I'm afraid to say otherwise," she says. We Know The Sky is Cutler peeling away the mask of who she thought she should be, and instead embracing the beautiful, ever-changing kaleidoscope of who she actually is.

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Sonnier

LP | 2016 | EU | Reissue (Alien Transistor)

LP | Original (Memphis Industries)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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In 2015, Cico Beck ( Joasihno, Aloa Input, the Notwist ) and Markus Acher ( the Notwist, Tied & Tickled Trio, Rayon ) started the project "You + Your D.Metal Friend" as a collective for improvisations and ideas apart from their other bands.

They will experiment with different settings and instrumentations and will collaborate with other artists for the music and the cover-artwork.

For "Sonnier", their first recordings, Cico and Markus started with percussion instruments from around the globe, analogue synthesizers and all kinds of acoustic and electronic devices to layer music that sounds like the memory of Gamelan, Italian library-records and minimal electronic experimentation... music, they listened to a lot before recording.

"Sonnier" will be available on vinyl (incl. download-code), limited to 300 for the world, and will not be repressed. Packaged in heavy-cardboard-LP-covers from second-hand records, they collected from their local record-stores with a screen-printed and numbered artwork glued on it. Designed by Richard Greenan from kit-records, London, and printed by Senor Burns (Red Can). Each cover is unique and hand numbered.

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You Tell Me

Release: Original

Genre: Rock & Indie

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You Say Party! We Say Die!

You Did It! / Love In The New Millennium

7" | 2006 | UK | Original (Sink And Stove)

7,99 €*

LP | 2024 | EU | Original (Vouz Avez Dit Bizarre)

Release: 2006 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Lime green vinyl

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You Said Strange

Trade Your Soul EP

Release: 2024 / EU – Original

Genre: Rock & Indie

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Hailing from Normandy (France), YOU Said Strange offer an indie rock sound made up of psych pop-rock, shoegaze and proto-grunge. The band's music is the work of passionate musicians, combining the dazzling power of their instruments and the union of their voices to create a fusion of melancholy and energy. The band recorded their 1st album, Salvation Prayer, in 2018 in Portland (usa), with Peter G. Holmstrom from The Dandy Warhols. Seduced, the iconic Kevin Cole invites them to perform live in the studios of the prestigious Kexp radio, where their next project will emerge. At the end of 2021, Thousand Shadows Vol.1 is released. Then, after defending it on European and American stages, comes its sequel Thousand Shadows Vol.2 in 2023.

"trade Your Soul" plunges us into the complex exploration of human relationships, love, trust and disillusionment, addressing several universal themes in an introspective way. This post-rock tale unfolds as a metaphorical journey of spirituality through life's most intense and intimate emotions and experiences.

YOU Said Strange continues to combine abstract and concrete indie rock with psych-rock, post-punk, shoegaze and indus, inviting listeners to reflect ever more deeply. Nevertheless, "trade Your Soul" marks a significant milestone for the band, with a more striking musical approach and a number of innovations, while remaining the work of passionate musicians who combine the dazzle of instruments and the union of voices to fuse melancholy and energy.

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Genre: Rock & Indie

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Suckapunch (Deluxe Edition)

LP (Underdog)

Genre: Rock & Indie

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Suckapunch (Deluxe Edition)

LP (Underdog)

28,99 €*

Genre: Rock & Indie

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Suckapunch (Deluxe Edition)

LP (Underdog)

Genre: Rock & Indie

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LP | 2020 | Original (Underdog)

Suckapunch

21,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2013 | US | Reissue (Topshelf)

You Blew It!

The Past In Present

23,99 €*

7" | 2015 | US | Original (Jade Tree)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red Translucent vinyl. Cover with slightly bumped corner

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You Blew It!

Pioneer Of Nothing

4,99 €*

LP | 2017 | EU | Original (Big Scary Monsters)

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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You Blew It!

Abendrot

33,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Katauna Kata Black Vinyl Edition

You And The Whose Armies

LP | 2021 | EU | Original (Las Vegas)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Terraform Colored Vinyl Edition

Yo No Se

LP | 2022 | EU | Original (Stolen Body)

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Matador)

This Stupid World

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | Original (Matador)

This Stupid World

Release: 2023 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

There's A Riot Going On Black Vinyl Edition

LP | 2018 | EU | Original (Matador)

Release: 2018 / EU – Original

Genre: Rock & Indie

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& Then Nothing Turned Itself Inside-out

2LP | 2011 | US | Reissue (Matador)

37,99 €*

Release: 2011 / US – Reissue

Genre: Rock & Indie

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2LP | 2023 | UK | Original (Beggars Banquet)

Summer Sun

36,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2015 | US | Original (Matador)

Stuff Like That There

Release: 2015 / US – Original

Genre: Rock & Indie

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The 14th album by Indierock legends Yo La Tengo including cover versions, new versions of their own songs and brand new material.

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LP | 2020 | US | Original (Matador)

Sleepless Night

21,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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LP | 1993 | DE | Original (City Slang)

Painful

64,99 €*

Release: 1993 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl and cover are closer to NM. Without inserts.

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LP | 2011 | EU | Reissue (Matador)

Painful

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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I Can Hear The Heart Beating As One

2LP | 1997 | US | Reissue (Matador)

36,99 €*

Release: 1997 / US – Reissue

Genre: Rock & Indie

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LP | 1990 | US | Reissue (Bar None)

Fakebook

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Yo La Tengo Is The Musical Love-Child Of Two Folks Who Live In Hoboken, Dig The Mets, Eat Red Meat, Sleep Late, And Whose Lives Were Saved By Rock And Roll. Ira Kaplan Used To Write About The Latter Topic For Various Renowned New York Publications Before He Met Drummer Georgia Hubley Who Used Her Rhythmic Charms To Lure His Guitar Out Of The Closet. The Band Has Been A Quartet, A Trio, Or Just The Two Of 'Em. Fakebook, Yo La Tengo's Fourth Album, Was Made In Hoboken And Released On Bar/None Records In 1990. Using Their Occasional Acoustic Concerts As A Jumping-Off Point, Fakebook Is Made Up Mostly Of Cover Songs, Built On Ira's Acoustic Strumming, Georgia's Brushwork, And The Pair's Harmonizing.

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LP+CD | 2013 | US | Original (Matador)

Fade

Release: 2013 / US – Original

Genre: Rock & Indie

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13th studio album by those groovy Indie-Mainstays! Includes Download-code!

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2LP+7" | 2014 | US | Reissue (Matador)

Extra Painful

54,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

With inserts but without 7"

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Electr-O-Pura New Edition

2LP | 2020 | US | Original (Matador)

Release: 2020 / US – Original

Genre: Rock & Indie

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Continuing with their ever-expanding Revisionist History series, Matador Records announce a 25th anniversary reissue of Yo La Tengo's 1995 album Electr-o-pura. Now in a gatefold sleeve and cut from the original 58-minute master, the new reissue is pressed for the first time on two LPs to ensure the highest quality of audio the album has had on vinyl to date. On their seventh studio album, Yo La Tengo would further expand on the venturous songwriting established on their previous album Painful with stunning craft and a deepened exploration of contrasting textures, moods and atmospherics. Chock full with moments of pop gold like "Tom Courtenay,"melancholic ballads such as the heartbreaking "Pablo And Andrea," and sweeping, feedback-laden jams like the show-stopping "Blue Line Swinger", Electr-o-pura is a thrilling document of one of America's most beloved bands hitting their creative stride and remains one of the most sublime records the band has released in their uninterrupted 36-year career.

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And Then Nothing Turned Itself Inside-Out

2LP | 2011 | EU | Reissue (Matador)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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The Rabbit That Hunts Tigers

Yin Yin

LP | 2019 | EU | Original (Les Disques Bongo Joe)

LP | 2016 | EU | Original (AFD. O)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Where to place Yīn Yīn on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of disco grooves, powerful “thaï beat” tunes and experimental tropi-synths. After two mind blowing singles on Les Disques Bongo Joe, they’re back with «The Rabbit That Hunts Tigers ». Yīn Yīn passed last months burning scenes and make people dance around Europe, so they’re ready to blow the world with this awaited Sirst album. Made of groovy tunes and danceSloor killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea. Due for fall 2019, still on Les Disques Bongo Joe, this twelve songs gem will warm you up during the cold season.

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Yesterday's Breed

LP | 2023 | EU | Original (Devilduck)

Release: 2016 / EU – Original

Genre: Rock & Indie

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The faces behind Yesterday's Breed are two 'older' guys who should know better than jumping around, sounding like frustrated teenagers with urgent needs, but they can't help it. They really like the stuff from America's '60s garage-scene, which is showcased by these haircurling ballads, floating popsike outings, poundering fuzz-rocking dancetunes, folky jingle-jangle guitar tunes, smooth vocals and swirling organ parts.

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Yes We Mystic

Trust Fall

LP | 2020 | EU | Original (Smash)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yes We Mystic has been many things in its decade of existence. In the beginning, it was a group of high schoolers making music on borrowed instruments in a basement in Winnipeg, Manitoba; in a few short years it had become an internationally-touring musical powerhouse being praised as "art pop transformers" (Julijana Capone, BeatRoute Magazine) charged with a "fearless creative energy" (Exclaim!). By 2019, for the release of their sophomore album Ten Seated Figures, they had reinvented themselves as a performance art collective (an alternate version of the band played by artists and actors did interviews, starred in videos, and hosted live performances as the band prodded at the nature of memory). Shortly thereafter the band"s longtime rehearsal space, reborn as House of Wonders, became the beating heart of off-kilter indie music in Winnipeg as frontman Adam Fuhr became a sought-after producer-producing work from JayWood, Virgo Rising, Amos the Kid, Julien"s Daughter, among dozens more. And now, they return as art-rock veterans for the release of their third and final album, Trust Fall.

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Yell-O-Yell

(Still) Warm Like Worms

22,94 €* 26,99 € -15%

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2009 | EU | Original (Polydor)

It's blitz

Release: 2009 / EU – Original

Genre: Rock & Indie

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Disco-Pop infused new album by Karen O and her bunch. As catchy as it gets.

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Fever To Tell Remastered Edition

LP | 2017 | EU | Original (Interscope)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Cool It Down Yellow Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

Release: 2022 / US – Original

Genre: Rock & Indie

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It could only be called alchemy, the transformative magic that happens during the Yeah Yeah Yeahs' most tuned-in moments in the studio, when their unique chemistry sparks opens a portal, and out comes a song like "Maps" or "Zero" or the latest addition to their canon, "Spitting off the Edge of the World featuring Perfume Genius" _ an epic shot-to-the-heart of pure YYYs beauty and power. A thunderstorm of a return is what the legendary trio has in store for us on Cool It Down, their fifth studio album and their first since 2013's Mosquito. The eight-track collection, bound to be a landmark in their catalog, is an expert distillation of their best gifts that impels you to move, and cry, and listen closely.

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Cool It Down Black Vinyl Edition

LP | 2022 | US | Original (Secretly Canadian)

LP | 2022 | US | Original (Dandy Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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Yea-Ming And The Rumours

So, Bird...

40,99 €*

LP | 2024 | US | Original (Dandy Boy)

Release: 2022 / US – Original

Genre: Rock & Indie

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Yea-ming AND THE Rumours swing, shimmer, and whisper through a confessional map of the landscape of heartbreak on their new album, So, Bird… Yea-Ming Chen has a distinctive, whispery alto that delivers the kind of confident melancholy—a matter-of-factness about her own emotional ghosts—that shows itself in varying opacities, from psychedelic dream-logic to the nakedness of a psychotherapist’s notepad. Touching on everything from American indie pop, twee and jangle pop to country, folk, and even a bit of Brill Building pop, So, Bird... offers 11 more broken hearted songs to fall to pieces over. The perfect record for solo adventures and long drives with no specific destination. The Oakland based four piece features Yea-Ming Chen on vocals, guitar and keys, Anna Hillburg on bass and backing vocals, Eoin P. Galvin on guitar and lap steel and Sonia Hayden on drums. Chen and Hillburg have been playing together since their college indie pop group, Dream Date. So, Bird... is their second album following their self released digital album I Will Make You Mine and their self released 7" single Baby Blue.

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Yea-Ming And The Rumours

I Can't Have It All

31,99 €*

CD | 2022 | EU | Original (Palto Flats)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

I Can’t Have It All is the third studio album by Yea-Ming and The Rumours and marks a new line-up and creative era for the band. Frontwoman Yea-Ming Chen has masterfully curated her self-proclaimed “pop record.” Weaving melancholy narratives with catchy hooks in a sound that is more surfy, more punk and more indie than anything the Rumours have done before. Fuller sounding production heavily influenced by groups like Yo La Tengo, Camera Obscura and other early '90s underground college radio favorites, I Can’t Have It All marks the band’s continued evolution.

Alongside the usual beautiful imagery, Yea-Ming’s songwriting remains as introspective as ever, but I Can’t Have It All marks a changing point both creatively and personally in the songstress’ life. Written during a difficult period in which she struggled to identify and painfully shed a “false-self" imposed by the outside world, the album follows the personal and relatable journey of accepting loss and making changes. “I realized one day that I have spent most of my life pretending to be someone that other people wanted me to be, and that was probably the source of my anxiety and depression.” Recalls the songwriter. “So I made changes that were really hard and I experienced a lot of grief in letting go of people and situations that held a lot of power over me emotionally—even if it wasn’t intentional—and I became someone that is closer to who I want to be. In that transition, I discovered that it is completely possible to experience total sadness and extreme happiness simultaneously within the same body." These complicated feelings are clearly reflected in the new record—especially in ‘Pretending’, ‘Somebody’s Daughter’, ‘I Can’t Have It All' and ‘Ruby’.

The title track and the first single, “I Can’t Have It All”, describes the ugly journey of accepting unrequited love. Brutally honest and painful, the narrator confesses to finding solace in a night of drinking and a stranger in their bed as they accept they can’t have it all. The lyric video features animated drawings offering an innocent and playful take on the somber and sobering realization that everything might not work out in the end and a bit of distraction helps ease the pain.

Produced by Chen, the album was mostly recorded and sculpted in her home studio after basic tracks were recorded with Meric Long (The Dodos) at Tiny Telephone Studios and Mike Walti at Wyldwood Studios. As usual, the record is performed by Yea-Ming with the help of long-time Rumours collaborators Eóin Galvin on lead guitar, lap steel and backing vocals and Sonia Hayden on drums and percussion on several of the tracks. New Rumours members Jen Weisberg (Hits) and Luke Robbins (Latitude) also make their debut and appear on bass and drums throughout the record. I Can’t Have It All is a new album with a new line-up and a new perspective, signifying Yea-Ming and The Rumours’ entry into a new era.

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Yasuaki Shimizu

Kiren

14,99 €*

Lagos Paris London EP Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Acclaimed saxophonist, producer and composer Yasuaki Shimizu will release Kiren, his unreleased album from 1984, on the Palto Flats record label on February 25, 2022. Liner notes by music historian Chee Shimizu, and credits in both Japanese and English.

By the early 1980s Yasuaki Shimizu had established himself on the Japanese new wave scene, producing many important experimental pop records and releasing several albums as the bandleader of Mariah. Following the release of his widely regarded solo classic Kakashi, from 1982, and the otherworldly Utakata No Hibi, by Mariah in 1983, he went into the studio the following year with frequent collaborators, producer Aki Ikuta and Morio Watanabe (bassist of Mariah), to record a mystifying collection of experimental dance music. Utilizing cutting-edge technology and studio trickery, Kiren showcases Shimizu's trademark playfulness, marrying richly layered production techniques to off-kilter, sometimes traditional sounding rhythms and melodies. Portending his work with the Saxophonettes as well as forecasting trends in techno, new wave, and futuristic rhythmic music, this formerly lost album represents an important period of Shimizu's artistic expression, an artist at his peak, while successfully exploring the intersections of fusion, synthpop, new wave, and jazz.

As Chee Shimizu (no relation) writes in the liner notes, Kiren, and his concurrent release Latin were “born out of a free environment of collaboration that existed between Yasuaki and Aki Ikuta ... (exemplifying) his most energetic works.” In listening to Kiren, we might share with Yasuaki Shimizu the joy and excitement of experimentalism and movement that went into the making of this album, now released for the first time many years later.

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Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Lagos Paris London EP Black Vinyl Edition

Yannis & The Yaw

12" | 2024 | EU | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Rock & Indie

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10" | 2019 | US | Original (Tender Loving)

Y La Bamba

Entre Los Dos

22,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Via Negativa (In The Doorway Light) Ruby Red Vinyl Edition

Xeno & Oaklander

LP | 2024 | US | Original (Dais)

Via Negativa (In The Doorway Light) Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Ruby Red Vinyl. The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feel...

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Xeno & Oaklander

LP | 2024 | US | Original (Dais)

LP | 1967 | EU | Reissue (Wah Wah)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

The eighth and latest slate of refined retro-futuristic synth-pop by LizWendelbo and Sean McBride aka Xeno & Oaklander is named afterand inspired by "the study of what not to do, a negative image of apositive, the other side, the other:" Via Negativa (in the doorway light).Recorded in the fall of 2023 at their modernist Connecticut homefashioned into a two-story synthesizer laboratory and mixing studio,the album is uniquely visionary in spirit yet precision in execution, acontrast central to the duo's enduring chemistry. Embryonic pianosketches were translated to nuanced modular systems, whichMcBride weighted with "harmonic padding," tuned percussion, and aspectral transfer device capable of "rendering spasms of rhythmicovertonal filigree." Despite the technological complexity of their craft,emotively the songs require no deciphering - these are technicolorwidescreen anthems of the cybernetic age.The eponymous opening track sets the pace, soaring sleekly overglittering synths and call-and-response vocals about arias, shatteredlight, and faces in stereo. From there the record expands andcontracts, cycling through a gallery of moods and masks, animated bythe band's fascination with drama, "the idea of personae," andtheatrical characters. Track by track, a murky, tragic backstoryreveals itself: forlorn figures navigating a treacherous mercury mine,alternately poisoned by fumes or buried in collapsing caverns. Thetension between Teutonic, utopian synthetic pop and lyrical narrativesof ghosts in silos, ruined mills, and the traumas of mineral excavationcreates a compelling friction, alternately futurist and obsolete,elevated and subterranean. Wendelbo describes the music's polaritiesperfectly: "The heavy machinic din of extraction in contrast with theenchantment of the mined precious gems and metals."From bilingual odes to bloodstones ("O Vermillion") to cosmic chromedance floor classics ("Lost & There" "The present tense can never feelreal / So many pasts...

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Wynder K. Frog

Sunshine Super Frog

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynder K. Frog

Out Of The Frying Pan

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Into The Fire

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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The Louder I Call, The Faster It Runs

LP | 2018 | US | Original (Merge)

Release: 2018 / US – Original

Genre: Rock & Indie

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Shriek + Vriations Orange Swirl Vinyl Edition

2LP | 2024 | US | Original (Merge)

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2014, Wye Oak released Shriek, their fourth album. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice, which was newly freed from its call-and-response relationship to the guitar - what had been, until then, a signature of Wye Oak's sound. "This idea and the ensuing creative reworking of our band did what it was meant to do," Wasner writes in 2024. "It ended a long, painful period of creative stagnancy and reconnected me with the joy of making music." During that period, Wasner and Stack were introduced to William Brittelle, the Brooklyn-based composer whose 2019 LP Spiritual America featured Wye Oak, the Metropolis Ensemble, and the Brooklyn Youth Chorus. His orchestral reimaginings of five songs from Shriek (Shriek: Variations, if you will) are the centerpiece of this package, which serves not only to mark the tenth anniversary of a great album, but to demonstrate the richness of Wye Oak's compositions. Stack says of Shriek: Variations: "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished - this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way." Through Brittelle, Wasner and Stack found themselves at the intersection of classical, experimental, and pop music. Further collaborations, like the Brooklyn Youth Chorus- featuring No Horizon and Paul and Michi Wiancko's string arrangements on "My Signal" from The Louder I Call, The Faster It Runs, followed, as this connection fundamentally changed the way Wye Oak approached making records, incorporating an entirely new palette of sound into their work. That shift began here. Shriek: Variations may feel like a startling take on the material, something like light bursting into a room through drawn curtains, but Brittelle's arrangements are largely original to his first collaborations with Wye Oak a decade ago, suggesting that his maximalist arrangements have lived comfortably within the framework of Shriek the whole time, waiting for the right moment to emerge. It's a fitting reintroduction to the album, which upon its initial release was pigeonholed into the easy one-note talking point of being the "no-guitar" record. But even so, as that happened, Shriek quietly started to become a staple among Wye Oak's core fans. Here, with help from Brittelle's expansive compositions, the release draws attention back to the songwriting - how, regardless of the instrumentation, Wasner and Stack's uncanny musicwriting partnership at the core is what makes both Shriek and Wye Oak excellent. Joined by the Metropolis Ensemble, Paul Wiancko, and Lizzie Burns, Wye Oak turn songs like "Logic of Color" inside out, reaching towards a kind of pastoral bombast, Brittelle's aesthetic with Wasner and Stack as an anchor. In fact, "Logic of Color" in this iteration takes that "no-guitar" script and flips it, with Wasner playing the synthesizer ostinato on acoustic guitar at its center. If Shriek is a record that charts the depths of solemnity and inner space, its Variations, roiling in a sea of winds, brass, and strings, recolors that space and complicates it, a gorgeous, unexpected response to the original's siren call.

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If Children Record Store Day 2022 Vinyl Edition

LP | 2022 | US | Original (Merge)

Release: 2022 / US – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2022.

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Every Day Like The Last Natural & Black Swirl Vinyl Edition

LP | 2023 | US | Original (Merge)

Release: 2023 / US – Original

Genre: Rock & Indie

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Every Day Like The Last: Collected Singles 2019-20

LP | 2023 | EU | Original (Merge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Civilian + Cut All The Wires: 2009-2011

LP | 2021 | US | Original (Merge)

32,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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2lp Is Green Swirl Vinyl In A Gatefold Jacket.Ten Years After Its Release, Wye Oak's Civilian Remains A Raw, Sinewy Punch Of A Record _ Bleak And Intense And Lonely And Self-Assured All At Once. The Album Unravels With The Sort Of Selfquestioning And Uncertainty That Come With Youth, And Its Specific Confidence In Unflinchingly Probing All Of Those Emotions, Feeling Them To Their Deepest Extent Even When It's Tearing You Apart At The Seams. When Andy Stack And Jenn Wasner Released Civilian, It Marked Both The Ascension And Death Of Wye Oak, Or At Least A Version Of It. Now, A Decade Later, Civilian + Cut All The Wires: 2009-2011 Delves Back Into That Pivotal Record And Adds A Lost Album Of Unreleased Tracks And Demos To Civilian's Universe. Civilian Was Beloved Upon Release, Complete With Late-Night Tv Appearances, Sold-Out Concerts, And Glowing Reviews; It Was The A.V. Club's Favorite Album Of 2011. Cut All The Wires: 2009-2011, A 12-Song Collection Of Rare And Unreleased Tracks And Demos Culled From The Wye Oak Archives, Is An Extension Of The Bruised And Aching Civilian. Sonic Paradoxes Abound: The Mellow "Sinking Ship" Is Preceded By The Wall-Of-Sound Grunginess That Roars Through "Half A Double Man." A Pared-Down Acoustic Daytrotter Live Session Of "Two Small Deaths" Dovetails Into The Jangling "Holy Holy" Demo. The Closing Lyrics Over The Frenetic, Screeching Feedback Of "Electricity" Lend The Anniversary Release Its Title.

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LP | 2011 | US | Original (Merge)

Civilian

21,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Ramalama)

Marriage Limited Edition

13,49 €* 26,99 € -50%

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Happy Happy Birtday To Me)

Wut

Mingling With The Thorns

28,99 €*

Go Tell Fire To The Mountain

Release: 2024 / US – Original

Genre: Rock & Indie

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Since 2018, Vancouver BC’s jangle-pop meets riot-twee trio WUT have been making a local name for themselves with their joyfully heartfelt live performances. In 2020, the trio released NOW, an energetic cassette accompanied by 10 DIY music videos. These earnest and often humorous videos reflect WUT’s playful yet sincere songwriting. Recently, WUT recorded Mingling With The Thorns, their sophomore full-length album. Mingling With The Thorns was created during two years of intermittent quarantines which caused guitarist Kaity McWhinney (Knife Pleats / Love Cuts), bassist Tracey Vath (Knife Pleats / Love Cuts), and drummer Lauren Smith (Tough Age / Jock Tears), to write songs independently, and share their ideas through countless emails, dropbox folders, and google drives. Long periods of isolation were consumed by experimentation with different arrangements, and often an idea would be re-worked over and over (and over) again. This resulted in a collection of carefully crafted pop songs that reflect the bands mutual love for c86 jangle pop and early Flying Nun Records bands. McWhinney’s longtime friend and musical collaborator, Christina Riley (Artsick, / Burnt Palms) joins WUT on the track “Your Feelings”, which pushes the band into the realms of garage rock with her raw and frenetic lead guitar. On a surface level, Mingling With The Thorns may seem fun and carefree. However, a dig deeper into the album’s lyrical content draws up themes that grapple with patriarchy and late stage capitalism; specifically the struggle to find personal autonomy within these social systems.

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WU LYF

LP | 2011 | EU | Reissue (Lyf)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Loggerhead Light Green Vinyl Edition

Wu-Lu

LP | 2022 | Original (Warp)

31,99 €*

Loggerhead Black Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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Wu-Lu

LP | 2022 | Original (Warp)

31,99 €*

Tape | 2022 | Original (Warp)

Release: 2022 / Original

Genre: Rock & Indie

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Wu-Lu

Loggerhead

12,59 €* 17,99 € -30%

World Is A Beautiful Place & I Am No Longer Afraid To Die, The

Release: 2022 / Original

Genre: Rock & Indie

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Illusory Walls Olive Green Vinyl Edition

LP | 2021 | EU | Original (Epitaph)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Drag City)

Woo

When The Past Arrives

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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LP | 2014 | US | Original (Drag City)

Woo

When The Past Arrives

Release: 2014 / US – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Listenable)

Wolf Jaw

Starting Gun

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Third Eye Stimuli)

Winter Mcquinn

Move To The Trees

33,99 €*

LP | 2022 | EU | Original (Grönland)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Perhaps known as the frontman of Sunfruits and as the drummer for Jade Imagine, Winter McQuinn’s solo music explores psychedelic country and folk rippling with a free-ness similar to Nick Drake, Syd Barrett, Kevin Ayers and more modern 70s soft rock purveyors like Michael Rault and Drugdealer. His impressive 2021 debut album ‘A Rabble Of Bees’ marked the beginning of Winnie’s solo wanderings, showcasing his songwriting talents and DIY inventiveness. Winter McQuinn’s sophomore solo album 'Move To The Trees' is set for April 5th via Third Eye Stimuli Records and Echodelick Records (usa). McQuinn recorded the new album in April 2022 over one weekend in Anglesea, Victoria with Jesse Williams (Leah Senior, Grace Cummings, Traffik Island) as engineer and producer. 'Move To The Trees' showcases a more refined and sonically sophisticated side to Winter McQuinn’s solo music. Featuring talented musicians Jack Kinder and Lewis Mosley from fellow Third Eye Stimuli family, Hot Apple Band, as well as Elena Jones from Sunfruits and Jaspar Robinson, McQuinn and co create a unique space through their artful intersections of hope and tragedy. A series of anthems for the future, settled in a post psych-folk and 70s soft rock energy, McQuinn takes influence from the new-wave of 70s folk and rock influenced artists from the USA's West Coast such as Sylvie, Cut Worms, John Andrews, Anna St Louis, The Lemon Twigs and more. This album showcases a step up in songwriting and production for Winter McQuinn who’s ever evolving style and commitment to creating is inspiring. The album cover design was hand painted by renowned folk / baroque pop artist Leah Senior and portrays McQuinn in different settings around Anglesea and the studio.

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William Fitzsimmons

Covers, Volume 1

Release: 2022 / EU – Original

Genre: Rock & Indie

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Wild Billy Childish & CTMF

Failure Not Success

LP | 2023 | EU | Original (Damaged Goods)

The Well I Fell Into Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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The new studio album by Billy and CTMF features Billy at his song writing best! Includes covers of Richard Hell and Jimi Hendrix songs, along with a newly recorded version of 'Bob Dylan's Got a Lot to Answer For'!We asked Billy a few questions about this mighty fine album_Q: Great album title! It will seem counter-intuitive to some but why do you favour failure over success?A: If the Pop Rivets (the first group I was in in 1977) had been "successful" in the formal sense, then it would have been a disaster - no learning about sound, growth, and independence. Luckily, we considered ourselves successful from the outset by doing what we wanted the way we wanted. We believed the hype of punk rock - do-it-yourself and lived it, unlike the "successful" leaders of the movement. I've always wanted small gigs where your open and exposed. The same with recording - excitement, mistakes, humour, and hopefully joy. The reason to become "successful" is to cut yourself from your origin and roots. In short, we'll decide what success is, not a critic, the world, or public opinion.Q: The album opens with a cracking cover of Richard Hell's 'Love Comes in Spurts'. You've previously recorded this with Thee Headcoats on Brother Is Dead_ But Fly Is Gone! from 1998. What made you want to revisit the song? Has Richard heard it? If so, what did he think?A: I forgot that we did it with Thee Headcoats. If I had that LP, I'd give it a listen. I do remember covering it live with The Pop Rivets in 1978. Richard said he liked it a lot and told his girlfriend he only wants my tunes at his funeral. I said, "not too soon I hope." He assured me he's well.Q: We're digging the instrumental track 'Walk of the Sasquatch'. Is this track in honour of the North Kent Sasquatch Research Group? What do you know about that mysterious organization?A: The track is more about the pacific Northwest cousin of the English version (the Woodwose). The North Kent Sasquatch program has gone a little quite of late, but I believe they are still tryi...

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Why?

LP | 2024 | US | Original (Waterlines)

Release: 2024 / US – Original

Genre: Rock & Indie

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For nearly three decades, WHY? have thrived in subverting expectations. Across seven unpredictable and adventurous studio albums, the band led by Cincinnati songwriter Yoni Wolf has stretched the fringes of psychedelic pop, hip-hop, and electronic music. No matter the genre experiments and thematic departures, their discography is remarkably consistent, anchored by Wolf's disarming lyrical transparency. His writing is provocative, self-lacerating, and always considered, coming from a place of blunt emotional openness. The Well I Fell Into, the eighth full-length from WHY?, is Wolf at his most cohesive and poignant. An autopsy of heartbreak, the album charts the ups and downs of a devastating breakup while trading bitterness for healing. Self-released on Waterlines, Wolf's new label that follows in the footsteps of Anticon, the trailblazing artist-run collective he co-founded, its 14 tracks stand as the band's prettiest and most immediate work yet.

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Wish On The Bone Grape Purple Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

Release: 2024 / US – Original

Genre: Rock & Indie

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'Wish On The Bone' is Why Bonnie's sophomore LP and debut for Fire Talk. It's untethered from any landscape or genre, propelled by this freedom and resulting in Why Bonnie's most catchy, hopeful body of work to-date. Ranging from twangy country infused rock jams to more intimate and lo-fi arrangements, ‘Wish on the Bone’ is wide-eyed and waiting. It’s a coming of age film in which the protagonist rejects the forces that have tried, and failed, to shape her into something other than herself. It leaves you with a hard-fought sense of hope, which is among songwriter Blair Howerton’s greatest gifts. “You owe it to the people who are experiencing the worst to just keep pushing,” Howerton says. That’s the throughline of “Wish On The Bone”, a record that rewards with repeated listens.

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Wish On The Bone Black Vinyl Edition

LP | 2024 | US | Original (Fire Talk)

Release: 2024 / US – Original

Genre: Rock & Indie

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90 In November Peaock Green Vinyl Edition

LP | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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90 in November, the first full-length LP from Texas quintet Why Bonnie, crashes into existence with a squeal of feedback and a burst of distorted guitar. It's a dynamic introduction to a more raw-edged indie sound from a band who have matured from bedroom dream pop into a sophisticated rock act, their evolving sound a reflection of the journey undertaken by songwriter Blair Howerton on this vividly rendered collection of songs. The songs for 90 in November were mostly written in Brooklyn, New York, where Howerton moved from Austin in 2019. Already in the midst of a major life change, Howerton's feeling of being between worlds was compounded when quarantine hit and she found herself, like so many others, stuck in her apartment-about as far away from the wide-open spaces of Texas as one can possibly get. It was in this environment that she began to write songs parsing out the complicated, mixed emotions associated with building a new home while attempting to make sense of the one she had left behind.

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90 In November Black Vinyl Edition

LP | 2022 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Keeled Scales)

90 In November

13,99 €*

Alopecia 10th Anniversary Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Why?

LP | 2018 | US | Original (Joyful Noise)

LP | 2023 | EU | Original (Father/Daughter Records / Cargo)

Release: 2018 / US – Original

Genre: Rock & Indie

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"I'll go unknown by torpedo or Crohn's / Only those evil live to see their own likeness in stone." It's the kind of couplet you'd carve into a wall whilst savoring the irony at hand, but when Yoni Wolf spit the line ten years ago he was blissfully, broodily unaware that he and his band WHY? were creating a career-defining album—one so fan-adored that it would go out of print, and so influential that the art-pop heroine Lorde herself would lovingly steal the very lyric quoted above. When it dropped in 2008, Alopecia not only marked WHY?'s evolution from a sonically collaged mostly solo project to a live-recorded powerhouse band of badass multi-instrumentalists. It also minted a genre of one: wryly written, poignantly posed, simultaneously swaggering and heart-rending song-rap that jangles like folk, bursts like psych-rock, and sways like chamber pop. To this day, there is no other group in the known universe that sounds or feels like WHY? does on Alopecia. The album's 2018 reissue cheekily etches that aural likeness into our musical history.

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Who Is She?

Goddess Energy Violet

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Meritorio)

Whitney's Playland

Sunset Sea Breeze

16,79 €* 27,99 € -40%

12" | 2021 | EU | Original (Stroom)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Whitney's Playland is the pandemic-era project of Inna Showalter and George Tarlson, longtime friends and veterans of the music scene (grandma’s Boyfriend, Blades OF JOY, Modern Charms). Having grown up in and around San Francisco and inspired by their experiences, their music is about the usual things in life: love and loss, sometimes with a wry and sardonic angle. The result is a dreamy pop landscape reminiscent of Yo La Tengo, Guided by Voices, the Sundays, and Dinosaur Jr. The band expanded into a four-piece in late 2022 with the addition of Evan Showalter and Paul Demartini.

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White Light / Jo Bogaert

Whale

What Kind Of Human Have I Become

Release: 2021 / EU – Original

Genre: Rock & Indie

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Strange lovesongs from the Belgian Dender area in the early 80's

"The other night when I was talking to my friend I said: believe me, I wasn’t far from death when I lived in the hotel the only thing that he could do was take me in his arms and love me and kiss me and show me the difference between friendship and love but there is none"

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Avoiding The Diggy Diggy Dogs

7" | 2024 | US | Original (Soft Abuse)

11,99 €*

LP | 2024 | Original (BFD)

Release: 2024 / US – Original

Genre: Rock & Indie

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What Kind of Human Have I Become is a new vehicle helmed by Matt Plunkett (Cuticles, The Trendees, etc.). Conceived as a solo endeavor, the designation got a bit blurry following an invitation to record his new songs with Stefan Neville (Pumice, etc.) at the studio he shares with Ben Holmes (Oksun Ox, etc.) in Auckland.

Once in the studio, Plunkett’s songs puffed in a wholly new way with Neville at the controls, and backing and bits from both Neville and Holmes perhaps channeling Nag and Bendie. Fans of Matt’s past and current activities will find much to rejoice in here; Avoiding The Diggy Diggy Dogs plucks three songs from the sessions. More to come in due time.

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Wendy O. Williams

Maggots: The Record

32,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | Original (BFD)

Wendy O. Williams

Deffest And Baddest!

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Crater Maker Pruple Vinyl Edition

Weed Demon

LP | 2020 | EU | Original (Electric Valley)

29,99 €*

We Were Promised Jetpacks.

Release: 2020 / EU – Original

Genre: Rock & Indie

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A bands third release is a challenging one - it's frequently here where they make or break their career. Having launched on a musical journey five years ago with the desire to reflect their sludgy musical ancestors, Weed Demon live up to their early promise on Crater Maker. This is far and away their most fully realized work to date. Not for the faint of heart, Crater Maker launches with eleven minutes of instrumental stoner rock to set the mood. By the time you get to the devastating vocals of "Serpent Merchant" you know you're in for a rare treat. Infused with bluesy roots and defined by a search for the perfect tone, Crater Maker is a sonic quest like few others. Their worship of bands like Sleep and Electric Wizard is apparent throughout, but these Columbus, Ohio doomsters are clearly in touch with another side of themselves on this record. An album that rewards multiple listens, it promises to be a worthwhile listen for doom freaks across the globe. Electric Valley Records has once more signed a winner - are you ready to join them on the journey to this riff filled land?

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Unravelling

CD | 2014 | UK | Original (FatCat)

5,99 €*

Release: 2014 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

We Were Promised Jetpacks

Enjoy The View

LP | 2021 | EU | Original (Big Scary Monsters)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We Were Promised Jetpacks

A Complete One-Eighty

10" | 2023 | EU | Original (Big Scary Monsters)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Kapitän Platte)

We Stood Like Kings

Away

35,99 €*