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We've Been Going About This All Wrong

Tape | 2022 | US | Original (Jagjaguwar)

12,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

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Tramp Anniversary Crimson Splash Vinyl Edition

LP | 2012 | US | Original (Jagjaguwar)

32,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Dear Reader, About a year or two ago, Naomi Yang (of Galaxie 500) reached out to me after she rediscovered a video that we had made together in 2011, during the making of Tramp, just before the album's release. It was for the song Serpents. The timing was uncanny, approaching the anniversary of Tramp. Thinking about my time in New York while in the bubble of Los Angeles and my home. Thinking about how restless I was, and now settled down and stable. Thinking about how Aaron Dessner took a chance on me after I messaged him with a fury of demos. He could see through the hiss and crappy vocals on my GarageBand demos, and that I had something to say. He gave me the confidence to be loud and to scream my rage and feel founded and justified in my own pain. He gave me more tools to find catharsis in my work. I have carried that with me ever since. Being on the west coast the last two years, I look back on my community in New York and am forever grateful. I had so many friends and peers step up and help me unfold these demos. The album that it became. Doug Keith and Ben Lord from my original touring band, Logan Cole, Peter Silberman from The Antlers, Jessica Larrabee from She Keeps Bees, Thomas Bartlett of Doveman, Rob Moose of yMusic, Jenn Wasner of Wye Oak, Julianna Barwick, Zach Condon of Beirut, Matt Barrick (of the Walkmen), Clarice Jensen, Ben Lanz, Bryce Dessner, and Bryan Devendorf (of The National). I had almost forgotten about a song titled This Is Too Right that didn't make it onto the record. It was one of the first guitar "riffs" I had ever written and Jenn Wasner sang on it with me. A song about not believing how good I had it, like the other shoe was about to drop. I hope everyone that helped make this record and supported it, feel the love and admiration that I continue to hold for all of you. I hope that in sharing this record again, with a new video and this forgotten track, that new listeners are brought into this album and find meaning and relevance in it today. All of the musicians on this album helped me come to life and perform in ways I never had before. May these songs find you well. Sending all my love, Sharon.

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Sharon Van Etten & The Attachment Theory Black Vinyl Edition

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition + Laptop Sticker

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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Awareness Edition: Amber Galaxy Vinyl + Laptop Sticker.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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Sharon Van Etten & The Attachment Theory Amber Galaxy Vinyl Edition

LP | 2025 | US | Original (Jagjaguwar)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-02-07

Awareness Edition: Amber Galaxy Vinyl.From the off, Sharon Van Etten & The Attachment Theory issonically different from Van Etten's previous work. Writing andrecording in total collaboration with her band for the first time,Van Etten finds the freedom that comes by letting go. The resultof that liberation is an exhilarating new dimension of sound andsongwriting. The themes are timeless, classic Sharon - life andliving, love and being loved - but the sounds are new, whollyrealized and sharp as glass.Reflecting on this new artistic frame of mind, Van Etten muses,"Sometimes it's exciting, sometimes it's scary, sometimes you feelstuck. It's like every day feels a little different - just being at peacewith whatever you're feeling and whoever you are and how yourelate to people in that moment. If I can just keep a sense ofopenness while knowing that my feelings change every day, thatis all I can do right now. That and try to be the best person I can bewhile letting other people be who they are and not taking itpersonally and just being. I'm not there, but I'm trying to be thereevery day."Sharon Van Etten & The Attachment Theory is a quantum leap inthat direction.- Lol Tolhurst

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2LP | 2021 | US | Original (Ba Da Bing!)

Epic Ten

2LP | 2022 | EU | Original (Season Of Mist)

Release: 2021 / US – Original

Genre: Rock & Indie

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“epic represents a crossroads for me as an artist. Going from intern to artist at Ba Da Bing, from solo folk singer to playing with a band for the first time and beginning to play shows on tour where people showed up. I am in awe of the artists who wanted to participate in celebrating my anniversary and reissue, from young inspiring musicians, to artists who took me under their wing, who I met on tour, and to artists I’ve looked up to since I was a teenager. Each one of these artists continue to influence my writing and provide a sense of camaraderie during this new era of sharing music.” –Sharon Van Etten Sharon Van Etten’s career since the release of her second album, 2010’s epic, is well-known; critically lauded albums, films, and television shows have continually displayed her expanding artistry. Upon its release, epic laid a romantic melancholy over the gravel and dirt of heartbreak without one honest thought or feeling spared. Her songs covered betrayal, obsession, egotism, and all the other emotions disliked in others and recognize in oneself. Van Etten’s grounded and clenched vocals conveyed a sense of hope—the notion that beauty can arise from the worst of circumstances. To celebrate the 10th anniversary of this special album’s release, and to acknowledge the convergence of Van Etten’s present and past work, she asked fellow artists she admired to participate in an expanded reissue, where each artist would cover one different song from epic in their own style. Some are musicians Van Etten herself admired in her early days (Fiona Apple, Lucinda Williams, and Aaron Dessner and Justin Vernon of Big Red Machine), some are peers (Courtney Barnett, Idles), and others are part of a younger generation of innovators (Shamir, St. Panther). What they all share is embodied by epic—a musician frankly communicating the power of music. The resulting epic Ten is a double album featuring the original plus the new album of epic covers and reimagined artwork.

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Shape Of Despair

Return To The Void

51,99 €*

LP | 2023 | US | Original (Minty Fresh)

Release: 2022 / EU – Original

Genre: Rock & Indie

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New album from Shape of Despair - Return to the Void! There are few doom bands out there that manage to express sorrow and despair in such a majestic and beautiful manner as Finland's Shape OF Despair. Ever since starting out in 1995, the five piece is of the most appreciated acts in the funeral doom genre, despite the several year gaps in between their releases. With their new album 'Return to the Void', the Finns transfer life's negative sides into musical form. Shape OF Despair encloses a world of oppression, solitude and self-loathe from which to seek freedom and final solutions.

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Shannon, Sarah

Demo 98

LP | 2021 | US | Original (Sub Pop)

Release: 2023 / US – Original

Genre: Rock & Indie

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When Velocity Girl finally ended in 1997, Sarah Shannon was still eager to make music. In 1998, she recorded a demo with Geoff Turner (Gray Matter, Three) and Adam Wade (Jawbox, Shudder To Think). The songs reflected on Velocity Girl while at the same time looked forward to a hopeful future. As is often the case, life has a way of intervening and the tapes got buried on a shelf for 20+ years. Geoff recently rediscovered them and we were thrilled at how good they still sounded. We decided the songs should finally see the light of day and now here we are with a proper release, 25 years later.

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Shannon Lay

Geist

Release: 2021 / US – Original

Genre: Rock & Indie

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Shannon And The The Clams

Sleep Talk Green / Blue With Gols Spots Vinyl Edition

LP | 2011 | US | Reissue (1-2-3-4 Go!)

The Sun Still Seems To Move Coke Bottle Clear Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Shannon AND THE Clams return with a brand new album that tops everything they’ve done before. Sleep Talk features twelve new songs that Kim Fowley and Lou Christie would have clawed each others eyes out to get a hold of in the early ‘60s. Shannon can belt out fierce and fun like Wanda Jackson and Etta James going head to head in a competition for the last bottle of hooch in a song like "King of the Sea" and then play that heartbroken bad girl tryin’ to do good bit that hasn't been done this well since the Tammys or the Shangri-La's in a song like "Tired of Being Bad." Cody, the bands guitarist and other main song writer/singer comes on like a crooning, hiccuping, lo-fi garage version of the aformentioned Christie. Excercising the economy and aggression of Garage Rock in ways Lou would never have imagined but with a tenderness and vocal register you know he'd appreciate. Ian, the band's drummer, in addition to his skill at his own instrument provides additional back ups that would make Ennio Morricone and a tribe of head hunters equally as proud.

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Shannen Moser

LP | 2022 | US | Original (Lame-O)

Christmas Time / Do You Wanna Rock?

Release: 2022 / US – Original

Genre: Rock & Indie

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Shannen Moser wants to have a conversation: with their pastselves, their present self, their undesignated, unfurling future selves; with the trees that adorn their old street, and the door they used to call home; with the shadows of lovers-turned-to-friends and the overwhelming cacophony of abrupt change. They're drawing a map but the port of call is cloudy and indistinct. It's while traveling along these nebulous contours that their latest album The Sun Still Seems To Move forms a kind of physicality, of outstretched giving hands, that offers a guide through the fog. Here, Moser examines the disorientating, challenging task of trying to hold onto ourselves - and everything else - all at once. But this isn't a fatalistic journey of melancholy or apprehension. Instead, Moser celebrates the small steps and the unwavering perseverance that makes it all worthwhile. Moser's previous albums Oh, My Heart (2017) and I'll Sing (2018) were praised for their careful, intimate arrangements that showcased their sharp, interpersonal narration and timeless lush vocals. On The Sun Still Seems To Move, their first release in four years, Moser takes the arresting simplicity of their past LPs to form a malleable foundation, and combines it with orchestral swells and poignantly-rich harmonies. The Sun Still Seems to Move is an album of reckoning with death and trauma, with all the shapes that love can take and all the people we've been and will become. It's a record of regret and relief, unlocking every facet of feeling with an unabashed yet tender vigor. It's watching the clouds bend to a new shape and still staying outside. It's cry-laughing on the phone to an old friend, and trying to trust yourself again. By leaning into-and being at the whim-of this kind of vulnerability, Moser is able to navigate the spaces between the losses to produce a truly honest and lustral work. "Holding space for all of these feelings is confusing, but I think that's what makes the world turn," they explain. "It's love and grief existing in tande...

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Shandy

7" | 2024 | EU (Hellnation)

14,99 €*

Darkest Light Colored Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie, Christmas

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New great 7" for the king of Boover-boot/glam rock from Aussie , the great Shandy from Melbourne. The band will tour in Europe in September and touch Italy for 3 gigs in Arezzo (09/20) , Bologna (09/21) and Noale (09/22). For this tour we pressed an ep with two unreleased songs : one with a featuring of DON Powell from Slade and another with a staring of Ntenda the fantastic lead-singer of Giuda!

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Shana Falana

12" | 2019 | US | Original (Arrowhawk)

Darkest Light Black Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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"Psychedelic dream pop dashed on the rocks of goth defiance" -Stereogum

'If you want to zone out, Shana Falana's alluring debut LP gives many opportunities to do so.' -Pitchfork

Shana Falana returns with a new album, continuing where her Team Love output left off. Described playfully by its maker as 'druggy music by sober people,' Shana Falana's Darkest Light is as full of mystery, contrast, and paradox as the title would suggest. The Kingston, New York songwriter and record maker works her own deep niche in the psych-rock, shoegaze, and ethereal punk neighborhood. On Darkest Light, she converts all that weird, magical, and occasionally nasty energy into authentic messages of personal empowerment, rebirth, and redemption.

RIYL: The Black Angels, PJ Harvey, Alvvays, Black Belt Eagle Scout

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Shana Falana

12" | 2019 | US | Original (Arrowhawk)

16,99 €*

Manzanita Maroon Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Shana Cleveland

LP | 2023 | US | Original (Hardly Art)

Tape | 2023 | US | Original (Hardly Art)

Release: 2023 / US – Original

Genre: Rock & Indie

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Manzanita is the common name for a kind of small evergreen tree endemic to California which has strong medicinal properties. It's also the name of the brand new full length by visual artist, writer, songwriter, and musician Shana Cleveland. Subtle, powerful, and unafraid. We can't actually tell you how much we love this record because you'd never believe us, so we'll just say that it is her strongest and most personal album to date. These songs are as strong as the bricks in the Brill building, and seem destined to be covered by others in years to come. Where her previous record, 2019's Night of the Worm Moon (Hardly Art) functions as a collection of speculative fictions equally inspired by Afro-futurist pioneers Herman "Sun Ra" Blount and Octavia Butler, Manzanita concerns the love that loves to love. "This is a supernatural love album set in the California wilderness," Cleveland explains. The combinations of words and song structure are so strong throughout that one hardly notices Cleveland's nimble fingerpicking on first listen, or how much is packed into the arrangements. The lyrics are satisfyingly direct, with the buoyantly whimsical descriptions typical of the 1960s New York School of poetry. It's peppered with the kind of unexpected turns that make the words more modern, and in their spookiness they are more West Coast, as in "Mystic Mine," with its "Mystic Mine Lane, cars rotting away/ I feel so relieved to be/ Back in the country." So much of the pop music we love is propelled by those first blushes of infatuation and lust, but Manzanita concerns the kind of love that one can only experience with time, work, and devotion. Cleveland says: "The songs were all written while I was pregnant (side A) or shortly after my son's birth in that weird everything-has-quietly-but-monumentally-shifted state (side B)," she says. Moving to the country, starting a family, laughing for real at the same joke the thirteenth time you've heard it, surviving heavy shit (this is the first release since Cleveland's successful treatment for a diagnosis of breast cancer at the start of 2022). This is a love album that's somehow populated with the insect world, ghosts, and evil spirits. Sonically, Manzanita sits in a meadow similar to her previous solo records, set back and away from the genre-recombinant garage pop of her band La Luz. This is part due to the fact that there's a different sonic palette in use here. While Cleveland continues to play guitar and vocals; Johnny Goss, who has recorded all of Shana's solo material and early La Luz recordings, and Abbey Blackwell (Alvvays, La Luz) play the bass; Olie Eshleman is on pedal steel; and Will Sprott plays the keyboards, dulcimer, glockenspiel, and harpsichord-little of which would have been out of place on her previous two solo records-Sprott also adds layers of synthesizer infused with the sounds of the natural world.

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Shana Cleveland

Manzanita

13,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Food For Worms Yellow Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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Food for Worms, their explosive third record, sees shame enter a new, surreal landscape, as reflected in the cover art designed by acclaimed artist Marcel Dzama. It's suggestive of what is left unsaid, what lies beneath the surface, the farcical and fantastical everyday that we are living in, in a society where both everything and nothing is possible. On the one hand, new album Food for Worms calls to mind a certain morbidity, but on the other, it's a celebration of life; the way that, in the end, we need each other. The album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together - and grown so close, against all odds - can share. For the first time, the band are not delving inwards, but seeking to capture the world around them. Now they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which singer Charlie Steen declares to be "the Lamborghini of shame records." The album crashed into life faster than anything they'd created before. The band recorded it while playing festivals all over Europe. That live energy, what it's like to witness shame in their element, is captured perfectly on record - like lightning in a bottle. The album marks a sonic departure: shame have abandoned their post-punk beginnings for far more eclectic influences, drawing from the sharp yet uncomplicated lyrical observations of Lou Reed and the more melodic works of 90s German band, Blumfeld. They called upon renowned producer Flood (Nick Cave, U2, PJ Harvey, Foals) to execute their vision. Recording each track live meant a kind of surrender: here, the rough edges give the album its texture; the mistakes are more interesting than perfection. In a way, it harks back to the title itself and the way that with this record, the band are embracing frailty and by doing so, are tapping into a new source of bravery.

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Food For Worms Transparent Purple Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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Food For Worms Black Vinyl Edition

LP | 2023 | US | Original (Dead Oceans)

Release: 2023 / US – Original

Genre: Rock & Indie

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CD | 2023 | US | Original (Dead Oceans)

Food For Worms

16,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Dead Oceans)

Food For Worms

12,99 €*

10" | 2024 | UK | Original (Weltschmerzen)

Release: 2023 / US – Original

Genre: Rock & Indie

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Shallov

Coexist, Refrain

7" | 1974 | US | Reissue (Just Add Water)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Slovak band Shallov releases their new track "Refrain" on the experimental label Weltschmerzen just one year after the release of "Coexist". Two tracks that both span more than 10 minutes in length, work together as one coherent audiovisual art piece and are out as an EP on 10" vinyl. Music videos do not only visually supplement both tracks but they are equally autonomous art pieces.

The visual feature of the music pieces is highlighted by the vinyl's cover painted by Slovak artist Michal Fízik. The previous back cover carries a photograph which served as an inspiration for the painting while the current back has been created via AI reinterpretation.

The musical component of Refrain is based on a repetition building into a hypnotic trance, gradually disintegrating so it eventually ends in a monumental climax. It contrasts the band's previous work as well as the track Coexist which uses rather neverending rhythmic variations, and a changeable vibe and atmosphere.

The concept of the visuals in Coexist is a result of a collective fusion between the theatre director Adam Dragun, Viktor Ori and dozens of other participating non-actors. The video depicts individualistic egoist actions shaping a contradicting and incomprehensible totality of the world which ultimately seems to be alienated to everybody.

Refrain is an introspective journey leading to the dissolution of the individualistic experience of human existence. The video's concept, direction and production was conducted by the visual artist and performer Jak Užovič who also tends to inter-media art and object installations.

As Shallov and Jak Užovič explain the track's conceptual background: "The idea of owning one's own body and mind is an unnatural way of looking at ourselves imposed by the dominant paradigm. It's a blind ideology - the view of a body as a machine or a commodity is incomplete and represents a materialistic utopia which is being systematically internalized. We're not a community that acts right or wrong, our intentions are determined by an ideology which pretends not to exist - our relations are relations of masters and slaves, of domination and exploitation. We are a society bound by these features and even though we refuse to admit it, the world presented to us is only a legend we're striving to keep alive at all costs, while believing that there is no alternative. Our quality doesn't stem magically from the inside, on the contrary, it's determined by the conditions within which we interpret it through collectively shared fictions. We don't get to know our consciousness through ourselves, but we recognize it through others as they create and form us."

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Shakane

Gang Man / Gang Bang

17,99 €*

7" | 2023 | EU | Reissue (Juzz)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Heavy 1974 Junkshop Glam cruncher “Gang Man” available again for the first time in nearly 50 years. B-side is the unreleased original version entitled “Gang Bang” with the tawdry lyrics that could not be released in any way, shape or form back in the 70s. Produced by Miki Dallon who also worked with The Boys Blue, The Sorrows and early Billy Murcia-era New York Dolls. Edition of 300 copies on black vinyl.

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Shaghayegh Band

LP+7"+All Media | 2022 | US | Reissue (M-Theory Audio)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Shaghayegh was an Iranian rock band that emerged in the mid-1960s. They only released one EP, which was released under two different labels (Royal and Monogram), both versions rare as hell and go try find one. and their original vinyl records are some real highly rarity. Only four tracks are known to exist from the band, and they were printed on two different labels at the time.

Now it’s reissued thanks to the mighty Juzz label out of Tehran, bringing their garage-beat particular sound to a new life, in a well-cared production, limited to 500 copies in grey vinyl and beautiful cover.

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Shadows Fall

The Art Of Balance

Of One Blood Yellow With Black Marble Vinyl Edition

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Record Store Day. Green Haze Vinyl.

Note: INCOMPLETE!
Bonus 7inch is not included.

Record is close to VG+.
Cover as new with slightly dented corners.
Includes original insert.

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Shadows Fall

LP | 2000 | EU | Reissue (M-Theory Audio)

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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Shadows Fall was founded over 25 years ago by guitarists Jon Donais of thrash legends Anthrax and Matt Bachand of Act of Defiance. Soon after the group released their debut album – which featured All That Remains vocalist Phil Labonte – in 1997, Brian Fair was recruited to be the group's new front man. After a year's worth of live shows together, the band entered Massachusetts' Planet Z Studios with producer Zeuss to record what would become what would become a seminal album in the burgeoning New Wave of American Heavy Metal movement.

Influenced by classic Bay Area thrash, Scandinavian melodic death and New England hardcore, “Of One Blood” ushered in a new era for metal that emphasized heaviness, hooks and taut musicianship. The album earned extensive critical acclaim; it saw the group tour alongside the likes of Hatebreed, In Flames, Converge, Lamb of God and Unearth, as well as share festival stages with Pantera and Slayer; and it even caught the attention of MTV.

“Of One Blood” set the stage for the band to achieve additional mainstream metal success on their subsequent release, 2002's “The Art of Balance,” which saw the group join Ozzy Osbourne's Ozzfest tour en route to selling more than 250,000 copies in the U.S. alone. From there, the band cracked the Billboard Top 20 with 2004's “The War Within” – which sold more than 400,000 copies in the U.S. and earned the band its first Grammy nomination – before signing with Atlantic Records for the release of 2007's “Threads of Life,” which saw the band receive a second Grammy nomination.

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Genre: Rock & Indie

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The Necromancers Castle Ornage W Balck Splatter

Shadowland

LP | 2024 | EU | Original (No Remorse)

34,99 €*

LP | 2022 | EU | Original (No Remorse)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Traditional Heavy Metal from New York City, in the vein of early Iron Maiden, Riot, Saxon, Judas Priest and the New Wave of British Heavy Metal. Forged in New York City, 2018 Anno Satanas, Shadowland journeys beyond the chaos portal, sailing through the seas of time to conjure the spirits of the New Wave of British Heavy Metal ancients. Shadowland's debut full-length entitled “The Necromancer’s Castle”, contains eight weird and fantastical tales set to sounds of old school heavy metal thunder and cover art by Tanya Finder."Tanya’s vocals echo both the gothic wails of Coven or Wooden Stake and the snarl of Di’Anno-era Maiden, while the moments of chugging riffage and thundering drums show off the band’s appreciation for gritty punk and hardcore. That, coupled with Tanya’s Stygian album art, makes Shadowland more than your average vest-metal act." - Kerrang! Magazine Labelled by one astute chronicler as possessing the looks of Sacrilege and the sounds of Judas Priest, Shadowland are: Tanya Finder - Vox, Jeff Filmer - Guitar, Al Bulmer - Guitar, Cedric Obando - Bass, Dave Hawk – Drums. 1. Ligeia2. The Necromancer's Castle3. Walking In Shadows4. Rising Tide5. Warhound6. Remains7. Easy Livin'8. Pretty Faces

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Shadowland

Necromancers Castle

15,94 €* 28,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie

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Here's Tom With The Weather Oxblood Color Vinyl Edition

Shack

LP | 2003 | UK | Reissue (Shack Songs)

Here's Tom With The Weather Black Vinyl Edition

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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The Shack story is one of music’s greatest legends. It incorporates hardship, bereavement and chaotic misadventure, but above all it tells the tale of beautiful music triumphing over trouble and tragedy.

‘Here’s Tom with The Weather’ boasts a majestic and fresh form. These are magical songs, psychedelic folk songs of the finest Head vintage. Sleepy-eyed, wistful and mystical, yet crafted with a cunning and acute dexterity beyond just about anybody you can think of.

The two profoundly Liverpudlian brothers Mick and John Head have made several brilliant albums together , but none as quickly as ‘Here’s Tom…’ which was completed in seven weeks at Brynderwen Studios in North Wales along with drummer Iain Templeton (rip) , bassist Guy Rigby and producer Jay Reynolds in 2003.

In the 80’s , the two brothers from the notorious Kensington estate in north Liverpool were singer and guitarist with The Pale Fountains , an effervescent pop group which imploded under the weight of two albums in 1986. The Heads returned in ‘88 as Shack and a debut album Zilch. In 1991 , Shack made ‘Waterpistol’ , an inspirational guitar jewel that would have proved just as influential as any British album in that era had the studio not burned down, taking the master tapes with it. Four more years passed , but by the time it was finally released on Marina it had developed ‘lost classic’ status.

The Heads battled on. They toured as their hero Arthur Lee (rip) of Love’s backing band. In ‘97 , they created

a new group called The Strands and recorded the delicate, dreamy masterpiece ‘The Magical World Of The Strands’ . They spent a long time making another classic ‘hms Fable’ , and then decided that next time they wouldn’t take quite as long recording. Enter ‘Here’s Tom With The Weather’.

Showcasing John’s slow , shy emergence as a songwriter to challenge his brother (on the sparkling, heartbreaking ‘Miles Apart’ and ‘Carousel’ , and the spun-out ‘Kilburn High Road’ ) , toasting Mick’s newest confirmation as the most unrecognised genius of his or any other generation (the ode to his bro, ‘Byrds Turn To Stone’ , the mariachi horns that break open the slow folk fog of ‘Meant To Be’ , the two lullaby bookends ..and on , and on) .

“The journey we’ve had together has been beautifully turbulent”, laughs John. “But there’s times when we glide and we’re gliding forward now”

Mick agrees. “Making this album has been frantic, chaos, carnage, intense : the normal way with us. But it doesn’t sound like that. That’s all that matters. The story is what it is. But so are the songs and so are the records. Because we’re good.”

Nobody could disagree with that.

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Shack

LP | 2003 | UK | Reissue (Shack Songs)

27,89 €* 30,99 € -10%

The Golden Age Of Rock 'N' Roll

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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Sha Na Na

2LP | 1977 | FR | Reissue (K-Tel)

5,99 €*

Release: 1977 / FR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Tape | 2023 | JP | Original (Lilii Sound Loom)

Sex Virgin Killer

Heaven

14,24 €* 18,99 € -25%

Type II Grey / Cream Swirl Vinyl Edition

Release: 2023 / JP – Original

Genre: Rock & Indie

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Sex Virgin Killer, who released their 2nd full album "devil" in November 2023, is already releasing their new EP "Heaven", which is their first work in the memorable "Darkwave set"!! SVK's tour with Blu Anxxety in Tokyo, Nagoya, and Osaka in 2023 is still fresh in our minds, and since then, SVK has been in close contact with foreign artists visiting Japan, such as Aidan Baker and Un Hombre Solo, and is attracting attention from talented musicians and bands not only in Japan but also from abroad. This album contains 6 songs including instrumental versions.

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Sex Swing

LP | 2020 | EU | Original (Rocket)

Golden Triangle Green Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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Since their foundation in 2014, this malevolent rogues gallery of luminaries of the UK underground have consistently proven to be capable of projecting vibrations that transcend and usurp any idea of the sum of their component parts. It is true that they've clocked up notable experience sparking tinnitus with everyone from Mugstar and Bonnacons Of Doom (bassist Jason Stoll) to Dethscalator (vocalist Dan Chandler and drummer Stuart Bell) and from Earth (guitarist Jodie Cox, who also introduced keyboard player Ollie Knowles to the melee) to a dizzying variety of endeavours from the paint-stripping skronk of Dead Neanderthals to the righteous ire of Idles (all via saxophonist Colin Webster). Yet Sex Swing represents less a group of disparate musicians pooling their resources, and more a peculiar spark of collective chemistry, with all forces gravitating towards the pursuit of the same dissolute and mysterious goal. 'Type II' is that goal reached in effortless style and amplified to intimidating aural vistas. This mighty monument of swagger and malice also sees fit to add a certain amount of glitter to the trademark gri t this time around. Just as the artwork from long-term collaborator Alex Bunn boasts a luminous sheen absent from the unsettling abjection of the sleeve of their 2016 debut, so the rolling grooves and mantric hypnosis here boast a new-found structure and a feline sleekness fresh and unusual for this pugilistic outfit. Nonetheless, this remains a band fundamentally obsessed with the expression of decadence and wrongdoing through the mediums of repetition and overloaded frequencies.' Type II ' is more than the mere machinations of a rock band - it's a howl of malfunction rendered terrifyingly visceral. It's the lightning flash and unearthly roar of the primeval battle between Godzilla and Mechagodzilla that provokes awe and disquiet in the realm of fantasy, It's the haunted clangour of the faullty air conditioning unit that lurks in the anonymous office building yet lends it eerie ambience....

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Sex Swing

LP | 2024 | UK | Original (God Unknown)

22,99 €*

Golden Triangle Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘What makes Sex Swing so powerful is that they transcend the limitations of rock music. Their sound is so full of possibilities, violence, sexuality, sacrifice, even religion. If there was a future to look forward to for heavy guitar music, this is it’ The Quietus The locals call it Sop Ruak – eighty thousand square miles of mountains and mystery and unholy medicine. “It really is an endless seam of activity,” Sex Swing frontman Dan Chandler explains of Golden Triangle – both the title of their new album and the region between Myanmar, Thailand and Laos that inspired it. To know this contradictory corner of the world is to understand fully why the cult-beloved noise-rock artisans turned to it when writing their hotly-anticipated third full-length.

The real-life Golden Triangle is a groundswell of both natural wonder and drug production, and who combines beauty and narcotic brutality better than Sex Swing? For a decade now, this collective of revered UK underground musicians, comprising members of Earth, Mugstar, The Keep and Jaaw, have been pulling audiences into drug- like slipstreams with their alchemy of pummelling rhythms, towering guitars, and unrelenting saxophone through which glimmers of light occasionally pierce through. No wonder their Golden Triangle is an album telling distortion-shrouded tales from one of the most storied, enigmatic places on the planet, with enough invention within to fill eighty thousand miles and more. Where does this violent, hypnotic aural travelogue take you within the Sop Ruak?

The eight tracks that make up The Golden Triangle see the band – completed by bassist Jason Stoll, drummer Stuart Bell, guitarist Jodie Cox, synthesist/guitarist Oli Knowles and saxophonist Colin Webster – adventure first to ‘The Confluence of the Ruak and Mekong Rivers,’ full of shimmering orchestration and feather-light ambience. Then come stops in ‘Myawaddy’, named after a small town embroiled in bloodshed on the border of Myanmar and Thailand, and ‘Boten, Route 13’ – sparked by stories of a seemingly endless stretch of road from Laos into China. Before long, listeners are plunged into ‘Hpakant’, one of the album’s most invigorating and singular moments, lyrically inspired by a jade mine in Myanmar, where the spoils of forced labour are exchanged for prostitution and methanphetamine.

The result is a mesmerising slow-burn of sax, snaking rhythms and sinister spoken word courtesy of the Scottish-born Bruce McClure, who “took the theme and turned it into a sci-fi story of exploitation and vice,” explains the frontman. It’s a track that, like the rest of Golden Triangle, underlines the evolution Sex Swing have undertaken since forming in 2014. From the raw and primitive sounds of the self-titled debut full-length, followed up by the coruscatingType II in 2020. Sex Swing’s third effort retains those early primitive elements and adds layers of structure and complexity. Golden Triangle initial formation was that of programmed beats and bedroom recordings shared electronically in the height of the pandemic. Those ideas were then completed during intensive writing sessions at a secluded farm in Oxfordshire.

Album credits consist of recording by Stanley Gravett at Holy Mountain Studios in Hackney, mixing by Wayne Adams at Bear Bites Horse, mastering from James Plotkin, and the continued aesthetic collaboration with artist Alex Bunn. Golden Triangle bristles with a rawness familiar to fans of the British sonic punishers, but adds new elements indicative of a group never resting on their laurels or sitting in one place. Why would they, after all? There’s an entire world of mountains and mystery and unholy medicine out there to be explored. The Golden Triangle, it seems, is just the beginning.

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Sex Swing

LP | 2024 | UK | Original (God Unknown)

21,99 €*

2LP | 2022 | UK | Original (Avantgarde)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Severoth

When The Night Falls

CD | 2012 | EU | Original (Lucky Number)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Severoth considers their first three studio albums a trilogy, as Winterfall, Solitude and Forestpaths were crafted using the very same equipment and approach. Once that chapter was over, S. needed to make some changes, to find a new approach, new feelings and new paths to wander with his music. Originally released in 2018, Severoth’s When The Night Falls will be available on vinyl for the very first time.

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Seventeen Evergreen

Steady On, Scientist!

7,99 €*

Release: 2012 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Shadow Of A Falling Star Part 1

Seven Sisters

Tape | 2021 | EU | Original (Dissonance)

14,99 €*

Where Time Will Come To Die

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand new album from British heavy metal flagbearers Seven Sisters!! ‘Shadow of A Falling Star Pt.1’ is the follow up to 2016’s ‘The Cauldron and the Cross’, a release which earned rave reviews and saw them tour extensively in Europe with Haunt.

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Servants To The Tide

LP | 2024 | EU | Original (No Remorse)

40,99 €*

Ancient Tomes Volume 1: Mother Of Light Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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From Alpha to Omega - the second album of the German band SERVANTS TO THE TIDE takes the listener on a journey through the history of existence itself: From the Big Bang, through the first rays of light on Earth, to a possible dark future for mankind and, finally, the inevitable cold death of the universe - the place where even time itself will die.Three years after the acclaimed self-titled debut album, SERVANTS TO THE TIDE matured into a full-fledged five-piece band. As a result, “Where Time Will Come To Die” is more dynamic, versatile and lively, bolder in its songwriting, and an album that we are sure will leave a lasting impression. 1. With Starlight We Ride (5:09)2. Sunrise In Eden (8:35)3. The Trial (CD only bonus track) (4:59)4. White Wanderer (8:08)5. If The Stars Should Appear (10:30)Act I: Nothing But Cloudless SkyAct II: The Days of Ill-Winged IdolsAct III: Marching To The End Of The World6. Towards Zero (3:13)7. Where Time Will Come To Die (9:40)

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Serpentent

2LP | 2022 | EU | Original (Svart)

38,99 €*

LP | 2016 | EU | Original (Medicom)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Svart Records is proud to debut Mother Of Light, the epic first album by dark folk songstress Anne K. O’Neill, under her Serpentent banner. As Serpentent, multi-instrumentalist and visual artist Anne K. O’Neill weaves a deep cinematic spell of gothic folk, combining elements of European folk music and neoclassical influences. Transfigured by her extraordinary, evocative vocal style, Serpentent’s Mother of Light is a lush saga. Unfastening her industrial roots, Serpentent sees O’Neill conjure monumental sonic narratives that are magnificently visual but fiercely vulnerable, her voice commanding an unconquerable presence. Emotionally charged, Serpentent sets the stage with songs of love and grief, magically distilled through eloquent landscapes of sound. Gothic classical neofolk or 80s-tinged neoclassical dark pop, only the listener can experience for themselves. Serpentent are that unique paradox, almost beyond genre, leaving you speechless and struggling to find words that can describe sheer beauty.

With nods to Jung, Bataille, Camus, and Krishnamurti, Mother of Light’s themes serve as a rumination on the meanings of life and death making this debut Serpentent album an opus of philosophical observation. Featuring accompaniments by Joseph M. D’Auria on drums, Dylan Desmond on bass, and guest appearances from Lorraine Rath, Sasha taqʷšəblu LaPointe, Kakophonix, and Joy Von Spain, Mother of Light Together with artwork created by Anne K. O’Neill, Serpentent’s Mother of Light is an unflinching masterwork of artistry from cover to cover. O’Neill’s dark folk soundtracks, with her song-craft and voice bringing to mind Lisa Gerrard and Jocelyn Pook will appeal to fans of everything from Chelsea Wolfe, Darkher, Lindy-Fay Hella and Dead Can Dance to Emma Ruth Rundle, Enya, Mazzy Star and even Svart Records own Hexvessel. It’s hard not to believe that Serpentent is a prescient star whose moment has arrived. Mother of Light is a shining gem of darkness waiting to be discovered and explode into the mainstream. As explorer’s who have been there discovering many new artists as they emerge, take our word for it that Serpentent is one to seek out, to be there as the levee breaks. Allow Mother Of Light’s wave of life and death illuminate you.

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Sergey Dunaev

In Your Name

Release: 2016 / EU – Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Bureau B)

Serge Blenner

Magazin Frivole

Love & Algorhythms Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Bureau B present a reissue of Serge Blenner's Magazin Frivole, originally released in 1981. Cold, concise analog synthesizer instrumentals -- on his second album Serge Blenner remained true to his style, albeit shifting course slightly towards pop territory. The juxtaposition of dark harmonies and pop structures is what makes this album so appealing. In places, it feels like a blueprint for early Depeche Mode. Having seen his first album La Vogue (BB 324CD/LP) snapped up by the Sky Records and fast-tracked for release in 1980, Blenner delivered his second LP, Magazin Frivole, the following year. Mindful of the success of its predecessor, Blenner added the name of his debut in big letters to the front cover of the new sleeve. Blenner remained faithful to his musical style, albeit adding more of a pop flavor. Magazin Frivole would not look out of place filed alongside Depeche Mode on the record shelf, as a certain resemblance is undeniable. Moreover, Blenner was one of the few proponents of electronic music who preferred to keep his songs concise, in contrast to the meandering odysseys of many of his electronic contemporaries. The far better-known French artist Jean-Michel Jarre adhered to similar principles, yet although Blenner was often compared to his compatriot, he claims only to have heard his music long after La Vogue had appeared. Minor chords dominate his harmonies, the bass performs octave leaps which mirror the zeitgeist. Unexpected key changes abound, adding a restless, almost disquieting quality. Overall, Magazin Frivole is less dark than the preceding album, but a picture of cheerfulness it is not. Nevertheless, a poppy drum computer introduces a lighter note. From the very first track, chord changes pop up at unexpected junctures -- they seem to come in prematurely, before harmonic sequences have run their course. Blenner doesn't have any explanation for this curiosity, other than to note that "most of the music was played by hand, so of course it wasn't all perfect." "I did all I could to avoid being successful -- on a subconscious level, at least. Unpredictable metrics and irregular beats were definitely part of the process," Blenner admits with an enigmatic smile. Juxtaposed with Blenner's more recent works, one can see what he means. His latest album Musique de Chambre (2008) comprises modern classical chamber music, built on digitally sampled real instruments. Besides, Blenner points out, handling all of those analog devices was a convoluted and complex undertaking.

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Seratones

LP | 2022 | US | Original (New West)

25,99 €*

Love & Algorhythms Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes's voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler's Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde's Power of the Erotic. With drummer Jesse Gabriel's machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder's ecstatic release. Each song hovers and pulsates in the wide, dark matter'constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.

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Seratones

LP | 2022 | US | Original (New West)

25,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Sepul/Quarta Black Vinyl Edition

Sepultura

2LP | 2021 | EU | Original (Nuclear Blast)

Quadra Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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While the pandemic paralyzed the entire world and prevented bands from touring, Latin America's biggest metal export SEPULTURA refused to sit back and act like an animal trapped in a cage. Like the flowers growing out of the deceased bird’s body depicted on the stunning, colourful cover artwork by Eduardo Recife, the thrash metal pioneers from Belo Horizonte made good use of their unexpected free time to start a project that kept them busy throughout the entirety of 2020.

„»SepulQuarta« was born at the very beginning of the pandemic when everything was halted”,guitarist Andreas Kisser remembers. “We had a new album out, but we couldn’t tour for it. Therefore, we created this recurring event where we could talk with our fans around the world, play our music and exchange ideas, it was a blast! »SepulQuarta« kept us alive and strong throughout one of the most difficult times in human history.” “Doing Sepulquarta during this period allowed me to stay in contact with music. Playing my instrument was the only thing left to do in this pandemic,”adds drummer Eloy Casagrande, and indeed, music seemed to be a good way of coping with the never-ending lockdown and fear of loss and isolation that haunted people worldwide.

Obviously, the Brazilian pioneers were not the only musicians feeling this way, so they started to connect with friends and colleagues worldwide and asked them to not only be part of their weekly podcast, but also join them in playing one of SEPULTURA’s classics tracks. From the safety of their homes, international stars like David Ellefson, Scott Ian, Danko Jones, Devin Townsend, Matt Heafy and many more recorded a SEPULTURA track together with the band, which have now been mixed and mastered by Conrado Ruther for release on CD, 2LP and all streaming platforms.“We invited our amazingly talented friends to be a part of our project, either jamming with us or as a guest in the many Q&A’s we promoted,” Andreas explains.“We talked about our history, politics, sports, philosophy, depression and the environment among other things. We learned a lot with specialist guests and many of the great minds of today. Here you will find unique performances of SEPULTURA’s music from the many phases of our career, with amazing guest musicians that lent us their talent and energy to record these historical versions!”

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Sepultura

2LP | 2020 | EU | Original (Nuclear Blast)

34,99 €*

Peryzoma Colored Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

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It goes without saying that the global metal scene would not be the same without SEPULTURA. For 35 years now, the Brazilian icons are not only a band revered worldwide; they have been, are and forever will be at the very forefront of Thrash Metal, trailblazing ever since they released their long-since legendary debut album “Morbid Visions” in 1986. While quickly establishing themselves as leaders of the second wave of Thrash already in the late eighties, to this day they never came even close to stagnation. “Quadra”, their mighty new undertaking, is proof of a will unbroken, a thirst unquenched and a quality so staggeringly high it’s a wonder this band doesn’t implode. Now three albums deep into what may very well be their strongest incarnation yet – uniting the talents of old-school members Andreas Kisser (guitars, vocals) and Paulo Xisto Pinto Jr. (bass), vocal force of nature Derrick Leon Green (vocals) and drummer Eloy Casagrande – SEPULTURA are an unleashed power to be reckoned with, uniting bucketloads of experience and youthful vigour in a totally revived way.

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Senzabenza

LP | 1992 | EU | Reissue (Hey Suburbia)

10" | 2015 | EU | Original (! A N G R R !)

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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The sensational Italian pop-punk quartet Senzabenza will forever be associated with The Ramones, having opened for them on every Italian tour undertaken by the legendary New York group during the 1990s, the Italians eventually placing Joey Ramone in their producer’s chair. Formed in 1989 in Latina, a small town that lies a short distance southeast of Rome, the group termed their music “Flower Punk,” indicating a sound somewhere between their Ramones obsession and the non-thrash tempos of surf rock, along with peripheral links to the Italian variant of the ‘beat’ music of the mid-60s, as well as hints of ska and the excesses of acid rock. As with many underground acts of the era, a demo sparked the initial interest that brought them onto the newly formed McGuffin label for debut set Peryzoma, with front man Nando Ferdinandi joined by guitarist Sebi Filigi, bassist Fabio Furlan, and drummer Max Bergo. One of the lost treasures of Euro Pop Punk, it was about time that their groundbreaking debut LP 'Peryzoma' would get the deluxe-reissue treatment. Two extra tracks !

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Senyawa / Melt-Banana

Split-Serie

20,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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10" | 2018 | EU | Original (Okraïna)

Senyawa

Calling The New Gods

17,99 €*

The Fire Butterly Effect Color Vinyl Edition

Release: 2018 / EU – Original

Genre: Rock & Indie

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Seven songs by Rully Shabara and Wukir Suryadi, rootsily mystical and vividly al fresco, spiralling from peripheral sites beside rubbish dumps and rice fields, into a busy market at the heart of Yogyakarta, from dawn till dusk.

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Senses Fail

LP | 2022 | EU | Original (Vagrant)

31,99 €*

Senior Service Feat. Rachel Lowrie, The

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Fire is the fourth studio album by the American post-hardcore band Senses Fail. Widely looked on by fans and critics alike as one of the band's finest studio album, the record features singles including title track 'The Fire, 'New Years Eve' and 'Lifeboats'.Originally released on October 26th 2010, this new pressing is the first since it's original release, packaged in a hand-numbered sleeve with accompanying lyric insert, and comes complete with bonus track 'Ghost Town'. Released via Hassle Records for the UK/EU in conjunction with Vagrant Records to celebrate their 25th Anniversary."The Fire showcases an immense growth in both the band's songwriting and arrangements, proving that these scenes stalwarts are not about to rest on their laurels." Revolver"The Fire is proof that Senses Fail consistently toe the line between singing and screaming better than most of their peers." Alternative Press

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A Little More Time With The Senior Service

10" | 2022 | EU | Original (Damaged Goods)

15,99 €*

La Fine Non Esiste Clear Orange Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Senior Service returns with a brand new 10" EP for 2022. A year or so ago, The Senior Service decided that it wanted to add a little more to its well-honed instrumental sound. On one slightly drunken night out, they approached local songwriter and chanteuse Rachel Lowrie and asked if she'd like to perform guest vocals on some specially written new material. By this time, Rachel had supplied impressive 'pipework' on quite a few Medway records so the band was confident that she'd be able to deliver - the band was right.Following a lengthy hiatus in activity due to lockdown restrictions, The Senior Service was finally able to get together to record the new songs, so they piled into Ranscombe Studios to crack on. It soon became apparent that they'd lost none of the chemistry that had made them such a powerful musical collective and the instrumental backing tracks were laid down with relative ease. It was when Rachel arrived and sprinkled vocal sugar over the tracks that they really began to shine! Intuitively, she understood the approach needed and delivered a made-to-measure performance for each song.This collection includes four original tracks penned by the band plus two rollicking covers of lesser-known instrumentals; John Schroeder's take on 'Lovin' You Girl' - a slinky slice of lounge grooviness, given a slightly chunkier sound, informed by the band's musical aesthetic, and 'Mysterious Land' - The Chris Lamb Orchestra's little heard filmic masterpiece; a track seemingly tailor-made for the band to get its musical chops around. So, we invite you to spend 'A Little More Time with The Senior Service'.

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Semiramis

LP | 2024 | EU | Original (Vinyl Magic)

I Feel It All At Once Clear With Red Blue & Yellow Swirl Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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“La fine non esiste” (The End Does Not Exist) consists of 6 unreleased tracks, sung in Italian, characterized by a modern sound but still in continuity with the debut album. In fact, all the instruments that characterize Semiramis’ background are present, such as keyboards, moog, flute, acoustic and electric guitars, vibraphone, leading to wide-ranging compositions, supported by rich and lively arrangements, definitely “prog rock”. This new work, unlike “Dedicato a Frazz”, is not a concept album. In fact, the lyrics are not linked by a single narrative thread, but each song tells stories of different characters, real or imaginary. Musically the album is full of typical Semiramis melodies, in which the progressive is always pressing. Rhythmic changes and arrangements that border on hard rock are the backdrop. The band wanted to pay homage to themselves by bringing out the Semiramis trademark! “La fine non esiste” is a hymn to the ability to go beyond, to overcome the boundaries of what is considered possible, normal, right. A spark, brilliant and crazy at the same time, which allows the individual to take a step forward, however small or large. A step that increases collective awareness, useful for tackling the radical changes of a frenetic society. Overcoming boundaries involves a sacrifice, a renunciation, an effort that can only be conceived by those who really look within themselves, illuminating the thousand universes (mille universi) that dwell within each of us.

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Semantics

LP | 2024 | Original (SideOneDummy)

LP | 2022 | EU | Original (Like A Can Of Beans)

Release: 2024 / Original

Genre: Rock & Indie

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Brisbane indie-punk quartet Semantics make their return with I Feel It All At Once - their much-anticipated sophomore album.

Representing a bright new chapter for the group, I Feel It All At Once builds on a diverse range of sonic influences; crushing riffs, soaring melodies and introspective, open songwriting coming together in producing Semantics’ most cohesive and definitive work to date.

Written and produced by Semantics in Brisbane, I Feel It All At Once has a strong foundation of artistic chemistry and understanding at its core. Led by songwriter and frontman Callum Robinson, Semantics’ new work has the imprint of all band members included. Overall, the album is a project that serves as a love letter to their relationship as musicians, their perseverance as a group, and more importantly, it is a project that looks ahead to fresh horizons for them as a unit.

Across its eleven tracks, I Feel It All At Once encapsulates a broad emotional spectrum; snapshots of life’s experiences, journeying themes of grief, love, yearning and ultimately, acceptance. Semantics are a band who have proven in the past that they are unafraid to explore darker themes and subject matter but even then, they displayed a talent for doing it in a way that felt healthy and cathartic.

Here, we see a band who has navigated the ups and downs of the last few years of life, relationships and growth, emerging from it tighter than ever. Musically, the vision for their future has never felt more positive.

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Selina Gin

Patiently Waving

36,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lozells Drone Survey Orange Marbled Vinyl Edition

Self Modifier

LP | 2024 | UK | Original (Polytechnic Youth)

17,09 €* 18,99 € -10%

Make Me A Pallet Of Fire On Your Floor

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Well, after a nigh on three year sabbatical, North London’s Polytechnic Youth label returns to the fray with an absolute cracker. The label built up not only an esteemed back catalogue of releases (featuring the likes of Sonic Boom / Spectrum, Tim Gane’s Cavern of Anti-Matter, Pye Corner Audio, Polypores, Heartwood Instititute and so on) but was also constantly name dropped as a source of inspiration to a number of newer electronic labels such as Castles in Space, Woodford Halse and Library of the Occult . This new release is an absolute banger. ‘self Modifier’ is the new project from Peter Duggal, the current musical partner of ex-KRAFTWERK legend Wolfgang Flur. His work with Wolfgang has seen collaborations with Peter Hook, Juan Atkins, Midge Ure, Claudia Brücken, Carl Cox and many others for the critically acclaimed 2022 album ‘Magazine 1’ (which reached the top of the UK Electronic Album Charts). His background is particularly interesting, as he himself explains “growing up in Lozells and Handsworth in inner city Birmingham during the Thatcher years, technology and music were the ticket to escape out of the fear and oppression to somewhere unreal. On the TV were threats of impending nuclear war and out on the streets in Lozells (as in other deprived inner cities around England at this time), there were the well publicised riots - police banging on the door instructing us to turn the lights off and lock ourselves inside until further notice. Shops, houses and cars were ablaze, and some lost their lives - those who were in the wrong place at the wrong time. Computers were appearing everywhere… including the home. According to the older generation they were going to take over the world, destroy everybodys’ jobs and eventually start thinking for themselves at which point they would be out of control and destroy everything else too. I, like many of my friends, became totally fascinated to the point of obsession with these machines—these were ours, and the idea of creating a whole world in your bedroom by typing in obscure commands was something truly magical. Rooted in the memories and landscape of that time, this collection of pieces emerged from nostalgia of people and places, and a deep yearning to engage with all that is no longer real”. 4 intensely beautiful slow building pieces of electronica, rhythmic and richly melodic, it's a beautiful record and a fine addition to the PY canon. Pressed on lush marbled orange wax and with a sleeve continuing the labels’ tip of the hat theme to the 70s BBC sound effects series of library releases, this one is not be missed....

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Self Defense Family

7" | 2020 | US | Original (Run For Cover)

11,89 €* 13,99 € -15%

LP | 2024 | US | Original (Pirates Press)

Release: 2020 / US – Original

Genre: Rock & Indie

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Over the years Self Defense Family's revolving lineup and improvisational writing process has led to the band often recording new music while on tour, putting the focus on capturing a specific moment between the current collaborators. The Island singles have been snapshots of the band in studios all over the world, from Jamaica, to Iceland, to Scotland, and now Australia. The songs on Make Me A Pallet Fire On Your Floor / Local Clerics are marked by a raw, spacious recording, winding guitar lines mixed with swirling organ, and of course Kindlon's one-of-a-kind vocals and unflinching lyricism.

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Seized Up

Modify The Sacred

LP | 2022 | UK | Original (Fuzz Club)

Release: 2024 / US – Original

Genre: Rock & Indie

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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

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Sei Still

Fuzz Club Session

LP | 2021 | US | Original (Flatspot)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Right off the back of their second album 'El Refugio' which was released in November 2021 via Fuzz Club Records, Mexican post-punk/krautrock group Sei Still are back with a 'Fuzz Club Session' LP that's due out January 21st 2022. Having upped sticks from Mexico City to Berlin, Sei Still's Fuzz Club Session was recorded live at Berlin's Monoton Studio back in October 2020 and is comprised of five tracks from the newly-released 'El Refugio' LP: 'Esperando' (later titled 'Saldados Caidos' on 'El Refugio'), 'Hombre Animal', 'Las Puertas De La Noche', 'Me Persigue' and 'Se Asoma el Sol' (later 'Solsticio'). 'El Refugio' and the session LP set to be released in support capture a new era for Sei Still. The expansive Krautrock jams heard on their 2020 self-titled debut have evolved into a dark, motorik post-punk sound that owes far more to 70s punk, goth-rock and Spanish New Wave than any kosmische travellers. The session is released on 180g black or white vinyl with a printed inner sleeve and is accompanied by a series of videos recorded during the session.

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Section H8

Welcome To The Nightmare

Retrofit Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Formed in 2018, in Los Angeles, California, Section H8 creates gritty and callously honest hardcore punk. Now Section H8 comes with their most definitive statement yet in the form of their debut fulllength, Welcome To The Nightmare. Welcome To The Nightmare is pure hardcore punk at it’s finest, with fast as hell instrumentals that quickly become formidable and pummeling on the turn of a dime. Section H8 have mastered their blend of blistering punk mixed with heavy grooves as found on album opener “Nightmare” or “Mist-Head.” Lyrically, the ten tracks each tell their own story, ranging from personal experiences living in Los Angeles, crime, and death, to the current political divide in America, the legal system and the corruption within it. On Welcome To The Nightmare, Section H8 give an honest and unfiltered look at life through their own eyes, or as vocalist Mexi says, “The goal isn’t to change the world, but to give you a glimpse into our world.” Recorded and mixed by Taylor Young at The Pit Studios in Southern California and mastered by Nick Townsend, Section H8’s debut comes with plenty of surprises among the ten pummeling tracks, such as a standout feature from Tim Armstrong of Rancid on “Street Sweeper” which calls to mind the fast aggression of Rancid (2000). Another curveball found on the full-length is the following track, “Behind The 8 Ball,” which acts as a thank-you list from the band over a grooving riff and gang vocals. Made up of Aldo (guitar), Chris (drums), Dan (bass, vocals), Mexi (vocals), and Ryan (guitar, vocals), Section H8’s members aren’t new to this world by any means—playing in acts such as Product OF Waste, Downpresser, Minus, Human Garbage, and Nomads to name a few—but their

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Section 25

LP | 2023 | UK | Original (Factory Benelux)

Nature + Degree Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited (500 copies only) orange vinyl edition of Retrofit, the seventh studio album from post-punk trailblazers Section 25, originally released in 2010. First time on vinyl.

Recorded before the untimely death of founder member Lawrence Cassidy in February 2010, Retrofit saw cult Factory Records group Section 25 revisit key tracks from their 1980s back catalogue, remade and remodelled for the 21 st century using an appropriate mix of new and old technology.

‘Gathered here is a selection of Section 25 faves, re-recorded and re-thought. The idea is born from their invigorating live set – compelling use of technology to lift them (almost) free from the familiar shards of 80s underground. Shockingly, this newattack works. All this tightening appears to have tugged the band into a sense of Now, gloriously at odds with the contemporary norm’ (The Quietus)

‘Audacious and innovative’ (Record Collector)

‘Section 25 might just be the best band in the world. Since 1980 they’ve been forging music that is as beautiful as it is challenging, from the monochrome psychedelia of their first album through Zen guitarscapes, electronic epiphanies, the arguable invention of Acid House, and on to an unexpected rebirth in 2006. Even within the narrative of such an unusual band, Retrofit is an odd confection: not a best-of or remix album, but a retrospective in which tracks are remodelled as gleaming technosculptures with the most human of hearts.’ (Glasgow Herald)

Now released on vinyl for the very first time, FBN 140 is limited to just 500 copies pressed on orange vinyl. The digital copy contains 5 bonus tracks, including a blistering re-boot of Looking From A Hilltop by Stephen Morris of Joy Division/New Order.

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Section 25

LP | 2009 | UK | Reissue (Factory Benelux)

LP | 2023 | UK | Original (Factory Benelux)

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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Self-produced in 2009, Nature + Degree was the first Sxxv project to feature new members Stephen Stringer and Stuart Hill. Founder members Larry and Vin Cassidy are also joined on several tracks by Beth Cassidy, whose vocal style recalls that of her late mother Jenny on From the Hip and Love & Hate.

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Section 25

Dark Light

LP | 2024 | UK | Original (Southern Lord)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Factory Benelux presents a limited crystal clear vinyl edition of Dark Light, the eighth studio album from post-punk trailblazers Section 25, originally released in 2013.

Recorded in 2012, Dark Light would be the band’s first collection of new material since the tragic loss of founder Larry Cassidy in 2010, and marked a return to the smooth electro and synth-pop textures first explored on their seminal 1984 album From the Hip. These echoes are amplified by the presence of co-vocalists Beth and Jo Cassidy, as well as a sublime cover image by iconic artist/designer Peter Saville.

Much of Dark Light was produced in collaboration with remixer Derek Miller (aka Outernationale), and includes new versions of single tracks Colour Movement Sex & Violence and Inner Drive. Other stand-out cuts include future pop classic My Outrage, also released as a single on Record Store Day.

“A revelation. The group were once doomy post-punks whose 1984 electronic album From the Hip anticipated house music and thrilled New York clubland. Now the deaths of singers Larry and Jenny Cassidy have inspired their daughter Bethany to carry on the family business and give the band a makeover. The collision of the original members’ brittle rhythms and the angelic voices of Bethany and similarly fresh-faced co-singer Jo takes recent material into shimmering club-pop heaven” (The Guardian, 2014)

Now released on vinyl for the very first time, FBN 145 is limited to just 500 copies pressed on crystal clear vinyl. The digital copy contains several bonus tracks.

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Sect

Plagues Upon Plagues

25,99 €*

Plague Upon Plagues Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sect have a lot on their minds. With the release of their brand new single, New Low and the promise of Plagues Upon Plagues, the follow up full-length to 2019’s Blood of the Beasts, Sect explore the intersection of issues which have cascaded over us for the last five years, the “plagues” of the title referring to the literal pandemic, and the metaphorical plague of the political state and the rise of fascism.

Comprised of an international cast of stellar musicians, who cut their teeth in a formative moment of political, cynical, antagonistic extremes, Sect unites Scott Crouse (Earth Crisis, Tooth & Claw) & Jimmy Chang (Undying, Catharsis) - guitars, Steve Hart (Day of Suffering, Mania For Conquest) - bass, Andy Hurley (Fall Out Boy, Racetraitor) - drums and Chris Colohan (Cursed, Unwell) - vocals. They released No Cure For Death in 2017 and Blood of the Beasts in 2019.

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Sect

LP | 2024 | US | Original (Southern Lord)

Comparing Missile Size Volume 1

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Black/white splatter vinyl. Sect's 4th LP is about a political plague swept in worldwide under the chaos of a literal & ecological one. Plagues Upon Plagues faces a mournful new reality: the profound loss of lifelong battles in an unraveling civilization."Sect have a lot on their minds. With the release of their brand new single, "New Low" and the promise of Plagues Upon Plagues, the follow up full-length to 2019's Blood of the Beasts, Sect explore the intersection of issues which have cascaded over us for the last five years, the "plagues" of the title referring to the literal pandemic, and the metaphorical plague of the political state and the rise of fascism

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Secretors

7" | 2023 | US | Original (Roachleg)

LP | 2023 | EU | Original (Lucky Bob Music)

Release: 2023 / US – Original

Genre: Rock & Indie

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Following up from their 2019 demo tape (repressed as a flexi) NYC’s Secretors return with 6 new tracks influenced by Japanese bands such as Kuro and Mobs. While the demo relied on a blown out drum machine to provide the relentless d-beat, these new songs were recorded with a live drummer, as well as the addition of a second guitarist, cranking the intensity up a notch from the previous release. Acting as the Roachleg Records unofficial house band, Secretors are fronted by Rottweiler who runs the label and features members of Warthog, Thee Nodes, Urchin, Institute & Glue.

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Secret Rule

Uninverse

37,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Second Grand Constitution And Bylaws

Secret Chiefs 3

2LP | 2024 | EU | Original (Angr!)

41,99 €*

So Cool - The Very Best Of Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The second album from the ensemble Secret Chiefs 3, as the name suggests, continues their journey towards the magic of deconstructing sounds and music, branded with the SC3 stamp. This new expedition takes us through a blend of surf, film scores, and Indian music, adorned with electronic effects and various distortions. The group's esoteric and mystical dimension becomes clear from this point onwards, embraced even if deliberately obscured, hehe! Originally released on CD in 1998 on the Amarillo label, then later on Web of Momicry, this first 'special deluxe' vinyl version is co-released with the latter.

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Secret Affair

LP | 2022 | UK | Original (Demon)

Release: 2022 / UK – Original

Genre: Rock & Indie

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7" | 2011 | US | Reissue (Hardly Art)

Seapony

Sailing

10,99 €*

Trilogy Yellow Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Two brand new songs from Seapony, exclusive to this release. First material to follow the band's debut LP, Go With Me, also available on Hardly Art. The music of Seapony is refreshing in its simplicity. Most songs use no more than three chords, with an average running time around two-and-a-half minutes. Other bands make a fuss about coloring outside the lines, but Seapony aspires to the reverse, making each ditty distinctive while operating within the same basic sonic framework: Fuzz-drenched guitar playing simple chord progressions, topped with concise melodic hooks and singer Jen Weidel's breathy vocals. In lieu of a human drummer, the Seattle trio entrusts timekeeping to a vintage gizmo the size of a desktop calculator. The lyrics to "Dreaming," the track that catapulted them into the spotlight in late 2010, are just six lines long. Like YoungMarble Giants and Beat Happening before them, this young three-piece has generated excitement that belies their music's modest means. "Sailing" gently drifts on a simple, sleepy melody and soft handclaps, allowing space for crystalline layers of both acoustic and electric guitar. B-side "I Saw You" is an upbeat number in the traditional Seapony vein that gets crazy with the drum machine...

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Sean Nicholas Savage

LP | 2024 | CA | Original (Arbutus)

Shine Baby Blue Vinyl Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

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Canadian cult songwriter Sean Nicholas Savage is renowned for his bittersweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.'Trilogy' collects standouts from Savage's fan-favourite string of cassette releases: Magnificent Fist (2016), Yummycoma (2017), Screamo (2018). Now available on LP for the first time, this pressing commemorates a remarkable era in Savage's career.

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Sean Nicholas Savage

LP | 2022 | US | Original (Arbutus)

Secrets Of The Deep Clear Blue Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Canadian cult songwriter Sean Nicholas Savage is renowned for his bitter sweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.Shine is a record about recapturing the will to live after a period of sadness and stagnancy, and the return to positivity and hope wrapped up in music that adds a sense of rhythmic guitar-based folk intimacy to Savage's hallmark ebullient avant-pop. Savage says he was leaning into his "Tatsuro Yamashita and Elliott Smith fandom" for Shine, a mix that immediately comes through vividly on opener "Feel Like A Child," which was the first song he wrote for the record. The pandemic had taken both an emotional and artistic toll on Savage, sapping his ability to be creative. It was after a long stay spent alone on the island Crete, sitting and staring at the sea that he felt a spark coming back to him. He sang "a long joyful memo" into his phone as he fell asleep one night, transcribing the words upon return to his home in Berlin and putting them to music.This reaffirmation of love and healing is at the heart of all the songs that make up Shine, not only thematically but sonically as well. Shine was recorded in Los Angeles with Savage's longtime friend Mac DeMarco, who produced the record. "With [2020's] Life is Crazy, I was delving into the overwhelming emotional experience of life and with Shine, I just wanted to dive in and be more healing," he says. The difference is apparent in Savage's vocals, which have a raw and intuitive feel to them. Instrumentally, Shine differentiates itself from Savage's past records through the use of the guitar as the primary instrument. While these are not straight-ahead folk songs, they do borrow from that genre's sense of closeness. On the title track, Savage sings of a place at the end of the world where one can find the seed of an entirely new universe within the gleaming eye of a seagull, and how that can expand one's sense of existence within something greater - "Every night we're still alive/ The moon sighs over you and I," he sings.

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Seahawks

LP | 2021 | EU | Original (Captains Log)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Ghost/Acoustic Purple Vinyl Edition

Seahaven

LP | 2010 | US | Reissue (Run For Cover)

Grass Stains And Novocaine

Release: 2010 / US – Reissue

Genre: Rock & Indie

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"On their debut EP, Seahaven explores a very transparent back-and-forth between their dark and light sounds, a lot like what we saw Brand New do on Deja Entendu and The Devil and God Are Raging Inside Me. Vocalist/guitarist Kyle Soto has that voice that exudes an audible pain sometimes, while at other times sounding so damn hopeful that it might break your heart even more. When Seahaven is playing sadder and darker music, it tends to be more in the vein of perhaps Crime In Stereo, or to compare the band to a more contemporary peer, Balance & Composure. Not many bands are playing this type of music, and a large percentage of the groups that are trying aren't doing it very well. Seahaven isn't just doing it well - they border along fantastic." - Absolutepunk.net

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Seablite

LP | 2019 | US | Reissue (Dandy Boy)

LP | 2022 | EU | Original (Morr Music)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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San Francisco’s jangle-gaze sensation, Seablite, has been mesmerizing audiences from the Golden Gate to Glasgow with their brand of dreamy fuzzed-out bliss and announce the reissue of their long out of print debut album, Grass Stains and Novocaine”on Dandy Boy Records. Seablite formed in 2016 when Lauren Matsui (vocals / guitar) and Galine Tumasyan (vocals / bass) bonded over a mutual appreciation of early 90s Britpop and UK underground music and began writing songs together. Soon after Jen Mundy (ex-Wax Idols) joined on second guitar and drummer Andy Pastalaniec (Chime School) would round out the lineup. Their debut album Grass Stains and Novocaine was released in the summer of 2019 and sold out of its initial pressing almost immediately. The album wowed critics and made them friends and fans throughout the US and across the sea in the UK. Repressed on vinyl and remastered by Mikey Young (Eddy Current Suppression Ring) the album sounds bigger and better than ever. This new version of Grass Stains showcases the band’s noisy beginnings and highlights their love for My Bloody Valentine, Lush, Blur and Ride. The guitars sound more aggressive and textured while the low end is far more present and driving, doing justice to Matt Bullimore’s (ex-Mantles) original mix and allowing a second chance at a first impression.

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Seabear

In Another Life

22,99 €*

LP | 1992 | EU | Reissue (1972)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Seabear return with a new album. After a hiatus of 12 years - the bands most 'recent' LP dates back to 2010 - the much loved Icelandic collective presents »In Another Life«, a mesmerizing collection of songs, oscillating between indie pop and classic singer-songwriter material.

Sometimes, a long break is all it takes. Seabear, the band featuring the talents of Guðbjörg Hlín Guðmundsdóttir, Halldór Ragnarsson, Kjartan Bragi Bjarnason, Örn Ingi Ágústsson, Sindri Már Sigfússon (aka Sin Fang) and Sóley Stefánsdóttir (aka Sóley), did exactly that. Producing an album takes up a lot of energy. You do promotion, you tour quite a bit and afterwards you... well, you just do different things. "We had all focussed on other projects", Kjartan Bragi explains. "Solo careers, playing with other projects, other forms of art, working 'normal' jobs to make a living etc. It's nice to finally come together again with old friends and make music." During the break, music has been an integral part of the members’ daily lives. Sóley started a remarkable solo career (she just released her fourth solo-album), as did Sindri, under the name of Sin Fang, while Guðbjörg worked with Sigur Rós. However, all this was made possible by the disarming folk music of their 2007 debut LP »The Ghost That Carried Us Away«.

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Sea Urchins

Stardust

40,99 €*

Moonlight Butterfly Opaque Tan Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Cutting their teeth as teens in a West Bromwich bedroom, The Sea Urchins were nothing like the heavy metal that seemed to fill every bar in the UK Black Country. Fringe haircuts, perfect trousers, suede jackets and infectious tambourines gave plenty of hints as to their youthful ambition, but nothing could fully prepare you for just how utterly spellbinding these songs would be. Compiling their fanzine-only flexi material with the full complement of singles for Sarah Records, Stardust runs chronologically from late 1986 to the middle of 1989, beginning with the singles split for Clare Wadd’s Kvatch and Matt Haynes’ Sha La La, before hitting the first of what would be an even hundred releases from the new label Wadd and Haynes would form - Sarah. The song that launched a legendary label and defined a sound, a scene, a place and time; “Pristine Christine” still rings out as immediate and magical today as it did on first listen. What a glorious jangly rush racing around the corners of pop’s history! The band would reach such heights time and again over the course of this three year burst. The melancholy swinging folk of “Everglade” and it’s wonderfully yearning vocal; the organ-fueled british invasion garage rock sing-a-long of “Solace”; the playful psych pop of “A Morning Odyssey”; the acoustic sweep of “Wild Grass Pictures”; the perfectly named “Summershine” leaving you with a ramshackle smile out on the dancefloor. All of it is just so filled with delicate humanity, yet somehow absolutely perfect. As Bob Stanley said about the shimmering ballad “Please Rain Fall” while bestowing it with NME Single Of The Week (an honr also bestowed upon “Pristine Christine”), “think of some variations on the word marvelous and you’re most of the way there.” In their time, they might have seemed wildly out of step, but it’s not crazy to say that things could have been very different for the likes of Radiohead, The La’s, and Oasis without The Sea Urchins.

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Sea And Cake, The

LP | 2011 | US | Reissue (Thrill Jockey)

31,99 €*

LP | 2022 | US | Original (Dirtnap)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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In January 2011 Sam Prekop, Archer Prewitt, John McEntire, and Eric Claridge reconvened at Chicago"s Soma Electronic Music Studios to record their latest release The Moonlight Butterfly. This thirty three minute mini-album finds the band deliverying much more long form and cinematic pieces. The new songs lean upon the band"s more experimental tendencies, taking time to stretch the forms and in someways the new material relates to the way the band re-interpretes some of their songs live. With the band making a shorter than usual record they were allowed to take more chances and ended up with a release that leans a bit more towards the instrumental. Rather than having the vocals be the sole focal point the shifts in emphasis to other instruments facilitated a more open approach. The song "Weekend" from Car Alarm was kind of an unwitting blueprint for some of the new material. Especially the new song "Inn Keeping" where a synthesizer pattern became the armature for the song, a constant to play with and against. "Inn Keeping" is also quite a breakthrough for the band, sounding unlike anything they have done before and breaking the 10 minute mark.

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Scrunchies

Feral Coast

21,99 €*

LP | 2021 | EU | Original (Upset The Rhythm)

Release: 2022 / US – Original

Genre: Rock & Indie

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Scrunchies is a Minneapolis, MN-based rock band formed by Laura Larson (she/her; guitar, vocals) and Danielle Cusack (she/her; drums, vocals). Larson earned notoriety early on, leading brash punk band Baby Guts. She is also currently a member of seminal dance-punk drums and bass trio, Kitten Forever. Cusack, raised by veterans of the ’70s NYC art and music scene, also came to prominence in the Twin Cities music scene as a teenager with her indie grunge rock band, Bruise Violet. Larson and Cusack began Scrunchies after mutual admiration of each others’ bands as well as a short stint together in a Buzzcocks-cover band called Buzzcunts (with Clara Sayler of Babes In Toyland). Both are passionate about encouraging young women and queers to find empowerment in playing music and embracing a DIY ethos. In 2018, with Stephanie Jo Murck on guitar and Bree Meyer on bass, Scrumchies exploded onto the Twin Cities music scene as a supergroup with their debut album, Stunner (Forged Artifacts Records). A set of heavy and melodic rock scorchers tinged with moments of sweetness, Stunner earned Scrunchies a spot on City Pages’ “Picked to Click” and “Best Rock Band”, as well as in the lineup of First Avenue’s “Best New Bands”. After a year of touring the U.S., and with Murck and Meyer shifting their focus to their other projects in late 2019, Larson and Cusack were joined by bassist Matt Castore of legendary hardcore punk band Condominium. Castore, who recorded Stunner, is a renowned music engineer and is currently developing a collective recording studio in the Twin Cities titled Soft Cult Studios. Scrunchies brings an energetic live set, recalling the messy and cathartic energy of late ’80s grunge, punk, and post-punk bands. Their forthcoming sophomore album, Feral Coast, continues their consciousness of the intersection of personal and political, pushing the edges of the soft and the heavy, with intimate yet surrealistic lyrics and melodic hooks.

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Screensaver

Expressions Of Interest

22,99 €*

LP | 2023 | UK | Original (Upset The Rhythm)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sonically, the 10 track album is rich and detailed, and pays homage to its era of inspiration (late 70s-mid 80s post-punk and new wave) with gripping vocals, dissonant guitar, melodic basslines, washes of synths and motorik drumming. Engineered by Julian Cue alongside band member Chris Stephenson and recorded over multiple studio sessions between 2020-2021.

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Screensaver

Decent Shapes

20,99 €*

LP | 2022 | JP | Original (Fastcut)

Release: 2023 / UK – Original

Genre: Rock & Indie

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This October Melbourne/Naarm synth-punk five-piece screensaver return with ‘Decent Shapes’, their second album. ‘Decent Shapes’ is loaded with bubbling tension, a low grade but growing fever, a rising rage. The frustration is so tangible you can taste it. Detachment and dissociation become survivalist coping mechanisms. Thematically, screensaver's latest offering finds them exploring existence on an ever-growing trash heap where we’re desperate for the new, the nice and the shiny. A world where materialism reigns supreme and corporate niceties litter the public dialogue but behind closed doors the sentiment is warlike, total domination is the only answer to the bottom line. All of which is underpinned by the band's sonic sense of urgency and a commitment to creating a sound that taps into the mood and spirit of post-punk whilst also allowing space for new wave elements and electronic experiments to shine through.

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Screen Prints

European Jeans

50,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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Long-awaited new album from UK guitar-pop band Screen Prints! UK/Manchester guitar-pop band Screen Prints, who released material on labels such as Earworm (uk), Track & Field (uk) and Motorway (japan) in the late 90s and early 00s, have released a compilation album of previously unreleased and previously unreleased material on fastcut This is the band's first release since the 2014 compilation album 'Hum And Hiss' on fastcut records, which featured previously unreleased and previously unreleased tracks, and is a long-awaited full-length album of all new songs, recorded with songwriter Declan Meehan at the helm. !!! The album features the classic song 'Look Forward', which was first released in December 2021 and has a fragility that echoes current indie rock and is typical of Screen Prints, and the weeping guitar pop number 'Words Can't Really', which has an impressive guitar riff reminiscent of The Sea Urchins' 'Pristine Christine'. The album is a full 11-track album with an updated indie appeal without feeling blank, including the number 'Words Can't Really Say' and the nostalgic slow number 'Coastal Lights', which is inspired by the scenery of the British seaside.

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Boogada Boogada Boogada Legacy Yellow & Black Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Double LP, one color, one black, the full remastered original album plus a whole new LP with the 'Live '88' set with the same line-up. Includes a 30x30 cm 8 pages booklet with an exclusive interview to Ben Weasel by Andrea Manges, booklet cover by Manuel Cossu. Gatefold, gold laminated sleeve.

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Boogada Boogada Boogada Legacy White & Black Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Boogada Boogada Boogada Legacy Red & Black Vinyl Edtion

Release: 2024 / EU

Genre: Rock & Indie

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Boogada Boogada Boogada Legacy Green & Black Vinyl Edtion

LP | 1980 | US | Reissue (Hozac)

Release: 2024 / EU

Genre: Rock & Indie

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Screaming Urge

Buy

31,99 €*

LP | 2012 | US | Reissue (Don Giovanni)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Homework' was an earth-shaker the first time I heard it. Blasting off the sketchy Cd-r on the Hyped2Death volume of Homework Volume 1: American DIY R-T, it defined frantic punked-out power pop from the Midwest. In such great company on those comps, sometimes the tracks seemed to seep into each other, yet Screaming Urge seemed to consistently dig itself deeper, standing out and don’t forget, they named their entire Series after that invigorating cut! Columbus, Ohio, in the late 1970s had an incredible cast of characters running around Mr. Brown’s, Crazy Mama’s and such. Tommy Jay, Mike Rep, Ron House, Jim Shepherd, Nudge, it must have just been a brown leather fever dream! 'Released' on Mike Rep’s New Age label in 1980, the 'Homework' single is pure American DIY punk gold that really checks all the boxes. Overbearing parents, teenage frustration, beer, everything you’d want in a punchy underground would-be hit. Later the same year they released their powerhouse debut LP BUY, (aka The Blue Album) on Garner Records, which has sadly been out-of-print for 43 years, until now. Packaged together with the 'Homework' 7” tracks and freshly remastered, this Ohio Punk milestone is finally available again."—

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Screaming Females

Ugly White Vinyl Edition

LP | 2019 | US | Original (Don Giovanni)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Limited Edition White Vinyl (750 units pressed worldwide)! Screaming Females’ seven years as a band, four full-length albums and 700 globe-spanning live shows has made them difficult to miss. Through it all, the New Brunswick, New Jersey trio have continued to exude a frenetic energy which is built upon the zeitgeist of America’s punk and indie underground yet has always remained forward-looking. Fittingly, for Screaming Females’ 5th album Ugly, the band enlisted legendary recording engineer Steve Albini, famed for his unique ability to capture the ferociousness of a live performance while delivering gorgeous sonic clarity. The album’s 14 tracks reaffirm the touchstones of the band; they can still shred and front-woman Marissa Paternoster can still unleash a powerful howl. But it doesn’t end there. The album ushers in new explorations for the band, a truly remarkable feat considering their already prolific output. Ugly has the perfect combination of raw energy and honed musicianship that produces the type of rock & roll which is still a force to be reckoned with.

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Screaming Females

Singles Too

Desire Pathway Vinyl Me, Please Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Out October 18th, Singles Too is a complete collection of Screaming Females' non-album recordings, gathering the band's early 7' singles, digital-only b-sides, rarities, and one pretty great remix. The digital version also gathers six cover songs, including the New Jersey trio's re-works of songs by Neil Young, Taylor Swift, Sheryl Crow, and Patti Smith.

The tracklist -- which is arranged chronologically -- provides a roadmap of the band's progress through 15+ years, seven albums, and countless tours. 'On the first single we ever put out, there were mistakes that I made playing guitar that make me want to crawl in a hole and die,' says guitarist Marissa Paternoster, recalling the sessions for 'Arm Over Arm' and 'Zoo of Death.' 'At the time I didn't know I was allowed to say, 'Can I do that again and correct it? I was 19, giving it my all.'

On Singles Too, you can hear Screaming Females lay it down at Milltown, NJ's post-apocalyptic recording-on-a-budget one-stop, The Hunt -- tin roof, flammable mixing board, DIY growlab housed in back of Marshall cab -- AND at posh Los Angeles hit-factory, East West Studios, where they convened with members of Garbage to cover 'Because the Night.'

The b-sides included here also capture the breadth of the trio's creativity, with compelling detours and tangents otherwise unrepresented in their catalog -- from Sammus and Moor Mother's re-work of 'End of My Bloodline' to the stripped down demo of Rose Mountain's 'Hopeless.' And it doesn't hurt that Singles Too is also full of hits, even though they're other people's hits, though -- much loved cover versions of classics by Sheryl Crow, Taylor Swift, Neil Young, Patti Smith, and more.

Singles Too is a rarities comp, yes, but it's a very, very compelling one, gathering Screaming Females most obscure original material together with it's best-known performances of other people's songs. A deep dive, an introduction, and a history lesson all at once.

Formed in 2005, Screaming Females are Marissa Paternoster (guitar), Mike Abbate (bass), and Jarrett Dougherty (drums). They have released seven full-length albums and toured across the world.

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Screaming Females

LP | 2024 | US | Original (Vinyl Me, Please)

No Roof No Floor Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Desire Pathway is Jersey rock band Screaming Females' first release of all new material since 2018. The trio recorded Desire Pathway at Pachyderm Studios, the same Minnesota space where Nirvana recorded 1993’s In Utero. Bandleader Marissa Paternoster shared a brief statement about the lead single “Brass Bell,” calling it “a song about surrendering your autonomy to something so overwhelmingly powerful you willingly relinquish your ambitions and self-worth.” She continued, “My intention was to draw an interesting dichotomy between the muscular nature of the song and the rather bleak, worried lyrics.” Limited to 750 copies, the VMP exclusive version of Screaming Females' Desire Pathway is pressed on Red vinyl at Citizen Vinyl. The 1LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket. It was mastered by Ed Brooks at Resonant Mastering.

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Scout Gillett

LP | 2022 | US | Original (Captured Tracks)

Tape | 2023 | US | Original (Deathbomb Arc)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Home" is a tough thing to pinpoint for someone who's constantly in motion. Scout Gillett knows this well, but since relocating from Kansas City in 2017, she's found one in Brooklyn's DIY scene, playing in multiple live bands and even starting her own booking company to organize local shows. Her intrepid nature results from a childhood spent running barefoot through rural Missouri and coming of age in Kansas City's punk scene. Her debut solo album no roof no floor is a bold and spirited yet warm, intimate meditation on trust, surrender, and what makes a home. Following the sudden overdose of a lover in 2018 and the onset of the 2020 quarantine, Scout returned to Missouri in search of reprieve. Instead, she was dismayed to find that her hometown was suffering; friends and family members were caught in the grips of drug and alcohol addiction. Overcome by grief and helplessness, she retreated inward, channeling her fears and frustrations, as she always had, into songwriting. The resulting songs were more vulnerable than any of her prior work, and it was a while before the notion of sharing them even occurred to her. Then Nick Kinsey, the album's producer, called from his recording studio The Chicken Shack in Stanfordville, New York to tell Scout that his friends Ellen Kempner (Palehound) and David Lizmi (MS MR) had relocated upstate, and were interested in working on an album with her. Recorded in a big wooden barn with the doors wide open, there's a sense of spaciousness on no roof no floor befitting its title. On some songs, there are even audible cricket chirps. The arrangements, too_ which feature contributions from Kempner, Lizmi, and Kevin Copeland (The Big Net)_reflect Scout's rural roots and her indie spirit; a fusion of upbeat, guitar-driven melodies and folk/country instrumentation like pedal steel, harmonica, and tenor banjo. All of these elements are underpinned by Scout's signature soaring, velvet vocals and open- hearted lyricism. She arrives at her thesis on the haunting six-minute centerpiece "hush, stay quiet": "you can only save yourself," she muses over a resolute guitar. We can't always know what to expect, even in a place we've been before. With a little trust, though, we can find a safe place within. No roof required.

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Scott Thiessen

An Indifferent Sea

18,99 €*

LP | 2020 | EU | Original (Glitterhouse)

Release: 2023 / US – Original

Genre: Rock & Indie

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Returning with his second solo album, Scott Thiessen continues to explore the space where ambient and country coexist, showing this is an ever-expanding horizon. The lonesome cowboy sound of his previous release, 'toy', plays a crucial part in the new 'An Indifferent Sea' as well, but here is a starting point for surprising routes through pop melodies, clattering rhythms, and most importantly, balladeer vocals. These elements never dominate though, carried in on an ocean swell and then leaving again just as mysteriously, creating a sense of songs almost heard. Creating what the artist calls his version of a surf record. Not one that sounds like a party on the shore, but one translating the feeling of Thiessen experiences being in the ocean. Where once deserts were seas, here the sea is not yet a desert. 'An Indifferent Sea' is a surf album, cowboy songs, spread as wide as the eons of time it takes for water to turn into land and back again. The resulting record delicately defies category; a true poetry of the West Coast. Thiessen was a member of the noise rock group rRope. Featuring beats by Back To The Future The Ride. This album was recorded and produced at his home studio in Berkeley, CA.

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Scott Matthew

Adorned

Release: 2020 / EU – Original

Genre: Rock & Indie

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Lost Time Behind The Moon

Scott Hirsch

LP | 2018 | US | Original (Scissor Tail Editions)

21,99 €*

LP | 1968 | US | Reissue (Earth)

Release: 2018 / US – Original

Genre: Rock & Indie

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Songwriter and multi-instrumentalist / producer Scott Hirsch has recorded a follow up to his critically acclaimed 2016 record, Blue Rider Songs. On Lost Time Behind The Moon, Hirsch chronicles confronting ghosts of the past, acknowledging that darkness rides alongside the light, and avoiding the pitfalls of regret. The record was recorded and produced by Hirsch with the help of Mike Coykendall (M Ward), and features musical guests William Tyler, Mikael Jorgensen (Wilco), Orpheo McCord (Edward Sharpe), Jimmy Calire (America) and Jesse Siebenberg (Lukas Nelson, Supertramp).

Scott Hirsch’s name is one you’ll find lurking in the liner notes of many admired recordings from the late 1990s to the present. As a founding member of Hiss Golden Messenger, he was integral to the band’s first five records, lending his sonic imprint on their productions, as well as shaping the sound of the live outfit, having toured heavily through the formative years of the band. Much of this work is reflected on the forthcoming Merge Records box set entitled Devotion: Songs About Rivers And Spirits And Children. Along the way he produced and played on records by Kim Krans’ Family Band, as well as recording a Grammy-nominated record by the legendary folksinger Alice Gerrard. Having stepped off the demanding tour schedule of Hiss in 2016, new pathways opened up for Hirsch to fully engage in the craft of songwriting. On this second record, his production tones and songwriting talents are in full bloom.

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Scott Fagan

South Atlantic Blues

7" | 2023 | US | Original (Indecision)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. 'South Atlantic Blues' will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. "His songs embrace a broad sonic fantasia, swirling in '60s New York R&B and '40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga." New York TimesScott Fagan's story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building's Doc Pomus and Mort Shuman, and feted as the next big thing. "Forget Rodriguez, forget Searching for Sugar Man," says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. "Scott was so much more. He was cut from a different cloth."'South Atlantic Blues' is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan's dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works - the never-recorded soundtrack to 'Soon', the 1971 Broadway rock musical he co-wrote and starred in - and a documentary 'Soon: the Story of Scott Fagan' currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.Classic Black Vinyl + DLC

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School Drugs

Procession

11,99 €*

Schleimer K Record Store Day 2023 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Hardcore punks School Drugs announce Procession, the third installment of the four-part LP Funeral Arrangements. Procession finds the group bringing the bereaved into the inner sanctum of darkness, greeting the listener with lush strings, thick reverb, and a symphony of synthesizers—with reverence to early Ministry and Beneath The Shadows-era T.S.O.L. Like the grieving process, Procession finds School Drugs transitioning from their staunch, old-school hardcore beginnings to a new way of being and expressing the darkness within. This fresh sound is described as “stage diving into an open grave.” Procession fans will find this a turning point for the group: either a death or rebirth into anew.

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Schleimer K

LP | 1981 | US | Reissue (Glass Modern)

32,99 €*

LP | 2023 | UK | Original (Scheich In China)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Reissue of the 1981 debut LP by darkwave electrronic pioneers, Schleimer K', based around the duo of Englishman Michael Wolfen and Frenchman Dominique Brethes and its music has two naturally interlaced aspects. On the one hand, there's the eccentric dandyism of British "punk gothique" (if we take Bauhaus as its strongest representative) and the musical intransigence of early industrial bands (like Throbbing Gristle or Cabaret Voltaire). On the other hand, we have the very obvious French touch of "coldwave", varying from cold synth sounds to intense experiments. New artwork, yellow vinyl!

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Scheich In China

Arschgesichter Des Todes

LP | 2024 | EU | Original (No Remorse)

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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One of two hellish new Scheich in China albums, the malefic form of ‘Arschgesichter des Todes’
looms like a soundtrack to petrifying night terrors with a devil-baiting parade of ungodly
pleasures. The harder hearing among you may be familiar with Philipp Meiers and Alsen Rau’s
work in this guise from a number of LPs issued on local Hamburg labels since 2014, and should also
recognise this one as closest to source, mostly ditching the drone and technoid elements in favour
of pure death metal throttle and blizzard dynamics.
Riddled with dread and venom, the album shells a cavalcade of enslaved drum machine and wiry
guitars (ir)resplendent in typically lo-fi recording virtues and hungry to gnaw the nerves of any
poor soul in earshot. Of course it’s an outright buzz if you like this stuff, shy of the sort of vocal
theatrics that can put some heads off, but with steely, uncompromising focus on the textures,
energy and an end-of-earth primordial thrust that makes Death Metal, proper, such a uniquely
extreme proposition.
At its longest, ’Nosebleeding Diarrhea Pus Mucus’ sums up the sound literally and viscerally, while
the rest of it tends to more succinct assaults on the senses, spanning the heck-raising charge of
‘The Virgin Witch’ thru the inferno-in-the-next-room of ‘Deine Gebeine’, tape sodden squall of
‘Satan Needs no Forks’ and martial mini-epic ‘Postatomicwat Hookers’, with their sick sense of
humour epitomised in the title and grindcore flay of ‘The eBook of Dead’.

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Scavenger

Beyond The Bells

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | AU | Original (Rather Be Vinyl)

Scattered Order

Where Is The Windy Gun?

39,99 €*