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Godspeed You Black Emperor!

Release: 2004 / Reissue

Genre: Hip Hop, Rock & Indie

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Collision Course is a collaborative EP by Jay-Z and Linkin Park, released on November 30, 2004. The project was an experimental mash-up album that combined elements of hip-hop and nu-metal, blending Jay-Z's raps with Linkin Park's rock sound. Produced by Mike Shinoda (of Linkin Park) and Jay-Z, Collision Course merges some of the biggest hits from both artists into new, hybrid tracks that fuse their distinct genres.

Collision Course was the result of MTV’s "Mash-Up" series, where artists from different genres collaborated to create new music by combining their songs. The project quickly gained attention because it featured two hugely popular artists from vastly different musical backgrounds.
The EP features six tracks, each a combination of Jay-Z’s iconic verses and Linkin Park’s hard-hitting rock instrumentals and vocals. It brings together Jay-Z's hip-hop classics with Linkin Park’s emotionally charged, alternative rock anthems.
The release was accompanied by a DVD, which included behind-the-scenes footage of the making of the album and a live performance of the mash-up tracks.

The mash-ups blend hip-hop beats with rock instrumentation, creating a genre-bending sound. Jay-Z’s verses, which are typically supported by hip-hop production, are now backed by guitar riffs, drums, and electronic elements from Linkin Park’s catalog.
Linkin Park’s co-lead vocalists, Chester Bennington and Mike Shinoda, intertwine their vocals with Jay-Z’s raps, adding a dynamic contrast between Chester’s melodic hooks and Mike's rap-style verses.

Key Tracks and Highlights:
"Numb/Encore" – This is arguably the most well-known track from the EP and became a major hit. It combines Jay-Z’s "Encore" from The Black Album with Linkin Park’s "Numb" from Meteora. The song blends Jay-Z's braggadocious lyrics about legacy and success with the emotional weight of "Numb," creating a powerful contrast. The track won a Grammy Award for Best Rap/Sung Collaboration in 2006.
"Dirt Off Your Shoulder/Lying from You" – This track combines Jay-Z’s "Dirt Off Your Shoulder" from The Black Album with Linkin Park’s "Lying from You" from Meteora. The mix of Jay-Z’s swaggering, confident lyrics with the angsty tone of "Lying from You" creates an intense, high-energy track.
"Big Pimpin'/Papercut" – In this mash-up, Jay-Z’s party anthem "Big Pimpin’" from Vol. 3... Life and Times of S. Carter is combined with "Papercut", one of Linkin Park’s hard-hitting tracks from Hybrid Theory. The contrast between Jay-Z’s carefree lyrics and the darker themes of "Papercut" makes for a unique and striking combination.
"Jigga What/Faint" – This high-energy mash-up blends Jay-Z’s "Jigga What" from Vol. 2... Hard Knock Life with Linkin Park’s "Faint" from Meteora. The aggressive guitar riffs and fast-paced production of "Faint" complement Jay-Z’s rapid-fire rhyming, making this one of the more intense tracks on the album.
"Izzo/In the End" – This track mashes up Jay-Z’s hit "Izzo (H.O.V.A.)" from The Blueprint with Linkin Park’s massive hit "In the End" from Hybrid Theory. The combination of Jay-Z’s celebratory lyrics with the reflective, melancholic tone of "In the End" creates a unique emotional balance.
"Points of Authority/99 Problems/One Step Closer" – This mash-up brings together Jay-Z’s "99 Problems" from The Black Album with Linkin Park’s "Points of Authority" and "One Step Closer" from Hybrid Theory. It’s one of the hardest-hitting tracks on the EP, with aggressive beats and heavy guitars, paired with Jay-Z’s defiant lyrics.

Contrast between genres: One of the major themes in Collision Course is the juxtaposition of hip-hop bravado and rock’s emotional intensity. Jay-Z’s confident, self-assured lyrics are often paired with Linkin Park’s more vulnerable and introspective lyrics, creating a dramatic tension in the songs.

Jay-Z’s lyrics in tracks like "Encore" and "Big Pimpin’" focus on his rise to fame, success, and the challenges he’s overcome, while Linkin Park’s contributions often explore themes of alienation, frustration, and personal struggle.
Critical Reception:
Collision Course received mixed reviews from critics but was praised for its creativity and for bridging the gap between two different musical genres. While some critics felt that the mash-ups were too formulaic, others admired the seamless blending of two very different musical styles.
The EP performed well commercially, debuting at #1 on the Billboard 200 chart. "Numb/Encore" was particularly successful, becoming a mainstream hit and one of the most recognizable tracks from the project.

Collision Course is seen as a significant experiment in genre fusion, helping to bridge the gap between hip-hop and rock audiences. It contributed to the growing trend of genre-blending that would become more prominent in the 2000s.
The success of the EP demonstrated that collaborations across genres could be commercially viable, paving the way for future projects that mixed hip-hop with rock, pop, and other genres.
The live performance of the EP’s tracks, particularly the "Numb/Encore" mash-up at events like the Grammys and MTV Music Awards, helped to cement its place in pop culture, with fans of both Jay-Z and Linkin Park embracing the crossover.

Collision Course stands as a unique collaboration in music history, bringing together two icons from different genres and creating a blend that resonated with both rock and hip-hop fans. Though brief, the EP’s six tracks showcased the possibilities of genre fusion and delivered some of the most memorable mash-ups of the 2000s. The project continues to be celebrated for its innovation and the seamless combination of Jay-Z’s iconic flows with Linkin Park’s powerful instrumentals and emotive vocals.

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No Title As Of 13 February 2024 28.340 Dead

2LP | 2024 | EU | Original (Constellation)

From Zero Magenta Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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THE PLAIN TRUTH==we drifted through it, arguing.every day a new war crime, every day a flower bloom.we sat down together and wrote it in one room,and then sat down in a different room, recording.NO TITLE= what gestures make sense while tiny bodies fall? what context? what broken melody?and then a tally and a date to mark a point on the line, the negative process, the growing pile.the sun setting above beds of ashwhile we sat together, arguing.the old world order barely pretended to care.this new century will be crueler still.war is coming.don't give up.pick a side.hang on.love.

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Linkin Park

LP | 2024 | EU | Original (Warner)

The New Sound Indie Deluxe Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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LINKIN PARK—Mike Shinoda, Brad Delson, Phoenix, Joe Hahn, alongside new members Emily Armstrong [of critically acclaimed band Dead Sara] as co-vocalist and Colin Brittain [songwriter/producer for G Flip, Illenium, One OK Rock] as drummer—share their first brand new music in seven years.

The iconic band shared a new single “The Emptiness Machine,” which is also the herald for the arrival of LINKIN PARK’s first album since 2017, FROM ZERO, on November 15.
About the new era, Shinoda stated, “Before LINKIN PARK, our first band name was Xero. This album title refers to both this humble beginning and the journey we’re currently undertaking. Sonically and emotionally, it is about past, present, and future—embracing our signature sound, but new and full of life. It was made with a deep appreciation for our new and longtime bandmates, our friends, our family, and our fans. We are proud of what LINKIN PARK has become over the years, and excited about the journey ahead.”
Right out of the gate, “The Emptiness Machine” channels the DNA of LINKIN PARK, harnessing the band’s explosive energy and retaining the hallmarks of their instantly identifiable and inimitable sound. A chameleonic and catchy anthem, Shinoda’s hypnotic melodies hand off to Armstrong’s blistering chorus, over distorted riffs and head-nodding drums.
Ultimately, with FROM ZERO, the band is looking to harness the purest energy of their past, present, and future. The new era has officially begun.

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Geordie Greep

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Endless Rüttenscheid HHV Exclusive Purple Vinyl Edition

International Music

LP | 2024 | DE | Original (Timeless Melancholic Music)

Release: 2024 / DE – Original

Genre: Rock & Indie

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2LP | 1998 | EU | Reissue (Matador)

Queens Of The Stone Age

2LP | 2015 | US | Reissue (Interscope)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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THE EXPANDED 2011 EDITION OF QOTSA"S DEBUT ALBUM- BACK ON CD AT LAST!- THE FIRST RELEASE SINCE QOTSA"S NEW ALBUM FROM "23, "IN TIMES NEW ROMAN..."- FEATURES ORIGINAL LOOSE-GROOVE COVER ARTWORK

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Tame Impala

Currents

Release: 2015 / US – Reissue

Genre: Rock & Indie

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3LP | 2024 | EU | Original (W.25th)

Cindy Lee

Diamond Jubilee

54,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey.

Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realistik Studios. The album was mixed by Steven Lind, who also contributes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson. Triple LP on black vinyl comes with 24” x 36” poster.

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Santana

Abraxas

LP | 1970 | WW | Reissue

57,99 €*

From Zero Blue Vinyl Edition

Release: 1970 / WW – Reissue

Genre: Rock & Indie

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Abraxas Remains the Consummate Latin Rock Record: Sophomore Santana Effort Includes “Black Magic Woman,” Ranks #334 on Rolling Stone’s List of the Greatest Albums of All Time

Sourced from the Original Analog Master Tapes for Exceptional Sound: Mobile Fidelity’s Numbered-Edition 180g 33rpm SuperVinyl LP Plays with Remarkable Clarity, Depth, Detail, and Presence

1/4" / 15 IPS analog master to DSD 64 to analog console to lathe

Abraxas remains the consummate Latin rock album. The confident sound of Santana stretching out and carving out new musical territory, the band's 1970 effort pulses with psychedelic accents and Afro-Latin grooves. Ranked on Rolling Stone’s list of the 500 Greatest Albums of All Time and selected by the Library of Congress for inclusion in its National Recording Registry, Abraxas immediately captured the public’s ear, spending six weeks at the No. 1 spot and sending the band's cosmic cover of Fleetwood Mac's “Black Magic Woman” into the Top 5. More than five million copies and countless global accolades later, Abraxas is legend.

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Linkin Park

LP | 2024 | EU | Original (Warner)

Teho Teardo & Blixa Bargeld

Release: 2024 / EU – Original

Genre: Rock & Indie

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Christian & Mauro Recycled Marbled Vinyl Edition

LP | 2024 | EU | Original (Specula)

Antics 20th Anniversary Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Teho Teardo & Blixa Bargeld are back with their third album, nearly eight years after "Nerissimo", but time collapses and expands like an accordion. Especially those two stolen years that have disappeared from our accounts without a trace during the pandemic.The new album is titled "Christian & Mauro" and their real names on the header hint to a more personal landscape who allows them to go through elements of the past like "Bisogna Morire", an incredible passacaglia, a dance of death from 1600 that"s been reinvented from a contemporary perspective. Since their musical roots belongs also to the future, another consideration comes after a book by astrophysicist Carlo Rovelli, it opens up for a different look at the universe.It"s not always possible to discover new territories without consenting to lose sight of the shore for quite a good amount of time, so across these new ten songs Teho and Blixa allow themselves various detours playing a large array of instruments, using a mythological keyboard who can play with ciphers, letters, characters, sounds and noises. Using sounds transversely provides the cue to new possibilities to move forward in music.The album has been produced by Teho Teardo, Blixa Bargeld and Boris Wilsdorf both in Roma at Basement Recordings and at andereBaustelle in Berlin.This music joins again the sky between Roma and Berlin and the tour that will follow its release will take place from November 19th right in Roma and will take them all over Europe. Teho and Blixa will tour with Laura Bisceglia on cello and Gabriele Coen on bass clarinet, there will be on stage also a string quartet on each show.

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Interpol

LP | 2024 | EU | Original (Matador)

LP | 2009 | UK | Original (XL)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Released in 2004, Antics cemented Interpol"s position as one of the most influential bands of their generation. The album"s dark, atmospheric soundscapes and frontman Paul Banks" signature vocals spawned iconic tracks such as "Slow Hands," "Evil," and "C"mere" and Antics continues to resonate with fans worldwide, solidifying its place as a modern classic.Formed in New York City, Interpol quickly rose to prominence with their unique blend of post-punk, shoegaze, and dark wave influences. Their debut album, Turn on the Bright Lights, became a critical and commercial success, establishing the band as a major force in alternative music. Over the course of their career, Interpol have released seven critically acclaimed studio albums including The Other Side of Make-Believe in July 2022.

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The xx

(What's The Story) Morning Glory?

Release: 2009 / UK – Original

Genre: Rock & Indie

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Everybody's favorite new band debuts their seminal self-titled album. What an amazing amalgam of 80s Wave, Postmodern Folk, syncopated R&B madness and UK Bass culture. One of those rare albums that virtually nobody has anything to complain about.

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Oasis

2LP | 1995 | UK | Reissue (Big Brother)

39,99 €*

Release: 1995 / UK – Reissue

Genre: Rock & Indie

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2020 Reissue of the Brit-pop kings' most successful album.

"(What s The Story) Morning Glory?", the second album by Oasis, was released in 1995 at the height of the Brit-pop boom and has sold over 22 million copies to date. It is now being re-released in three different formats as part of the "Chasing The Sun Edition". Remastered by Ian Cooper, the new edition of "(What s The Story) Morning Glory?" is available as a standard CD, as a special edition with three CDs and as a 12-inch vinyl double LP (with digital download bundle of all bonus CD content). Demand for the legendary Manchester band is as high as ever: "Definitely Maybe", the first re-release of the "Chasing The Sun Edition", entered the British charts at number five, with the vinyl edition accounting for the majority of sales. .

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LP | 2024 | EU | Original (Smiling C)

The Voice Of Love

LP | 2018 | US | Reissue (Sacred Bones)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The Voice of Love is a collection of British sophisti-pop and jazz-funk from the 1980s - ten songs ranging from unreleased demos to scarcely pressed 12”s attempt to define the scope of the British underground scene during that era.

The music presented on this release juxtaposes polished aesthetics with a punk ethos; while some bands sported sophisticated looks reminiscent of travel destinations and designer fashion, they also embraced gritty influences from iconic British acts like The Clash, Sex Pistols, and early Factory Records acts. This dynamic interplay between refinement and rebellion lies at the heart of the compilation. Artists like Jakatti, Berlin-Randazzo Band, and Xpertz offer a raw energy akin to Colourbox, Maximum Joy, and A Certain Ratio. Meanwhile, Inheritance, World Series, and Ocean evoke the sound of 52nd Street (Inheritance members went on to form that group) and Freeez (including After Eight’s notable "Southern Freeez" cover). The Goodbye Look and Sonjah & Ian introduce a smoother jazz-pop vibe, drawing inspiration from Sade and the sun-kissed allure of Ibiza.

Curated in collaboration with Michael Patricola, a pioneer in uncovering rare private pressings and obscure recordings, this project is a labor of love. This selection of long-elusive discoveries is a tender ode to the rainy melancholy of English adolescence.

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Molchat Doma

Etazhi

20,99 €*

The New Sound Black Vinyl Edition

Release: 2018 / US – Reissue

Genre: Rock & Indie

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Reissue of the breakthrough sophomore album by the rising Belarussian post-punk/synthpop band - Previous vinyl pressings have sold out instantaneously // The second LP by Belarussian trio Molchat Doma, Etazhi, meaning "Floors", was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they've reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths. RiYL: Depeche Mode, New Order, Drab Majesty, Black Marble

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Geordie Greep

LP | 2024 | EU | Original (Rough Trade)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A Place To Bury Strangers

Synthesizer Indie Exclusive Glow In The Dark Green Vinyl Edition

LP | 2024 | US | Original (Dedstrange)

43,99 €*

Electric Lady Studios: A Jimi Hendrix Vision

Release: 2024 / US – Original

Genre: Rock & Indie

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Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.

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Jimi Hendrix

LP Box | 2024 | EU | Original (Sony)

133,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

You All Look The Same To Me

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Archive

2LP | 2001 | UK | Reissue

Release: 2001 / UK – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (AD93)

Moin

You Never End

Release: 2024 / EU – Original

Genre: Rock & Indie

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You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin"s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.

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H-Street 35th Anniversary Vinyl Edition

LP | 2024 | EU | Original (Stereo Ronin)

28,99 €*

Lives Outgrown Deluxe Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In the early 1990s, before the era of social media dominance, skateboarding culture found its voice through magazines and VHS video releases, notably from brands like Santa Cruz and Powell Peralta. These videos not only shaped the skateboarding world but also influenced creativity across various industries worldwide.
In 1988 and 1989, two groundbreaking videos, "Shackle Me Not" and "Hokus Pokus," emerged from the fledgling skateboard company: H-Street, unleashed a seismic shift in street skateboarding. These videos are revered as iconic masterpieces, celebrated for their innovative skateboarding sequences and unforgettable soundtracks.

“What’s particularly interesting about Hokus Pokus was its soundtrack, largely comprised of demo cassettes, unsigned artists, and bands with loose ties to the brand. Some of the songs were goofy, others almost anthemic, and few sounded of their time. Perhaps it was the repetition or the fact that Matt Hensley could have skated to the sounds of a broken oven and it would have been iconic, but the songs in Hokus Pokus became a secret handshake for the hardcore—people who really gave a shit about skateboarding’s culture not just the act”.
Artless / Anthony Pappalardo

“When we were filming for Shackle Me Not we were still a brand new company and hardly anybody knew who we were and it was so brand new. I was so busy skating and I noticed there was like a movement in skateboarding, you could feel there was a change in the way, in the tide, not just white H-Street but with every company. I think that video, the H-Street video was saw raw, with the crazy music, and you know, just the wackiness of all of it, I think that feeling went out into the world, and kids everywhere understood you don’t need to live 20mn away from Del Mar to actually be part of what’s happening. I think that just opened up the world of skateboarding to more people”
Matt Hensley – Pro skater and Floggin Molly band member.

Fast forward 35 years, and H-Street, in collaboration with Paris (France) based label Stereo Ronin Records, embarks on a momentous project to release special edition vinyl soundtracks from these seminal videos. This exclusive release features meticulously remastered tracks, including new versions and previously unreleased gems on vinyl, making it a treasure trove for any skateboarding enthusiast.

Curated from bands like Kirk & The Jerks, Sub Society, Wonderful Broken Thing, The Cry,Potential Threat and Figure Ground, representing the golden era of skateboarding music,this album promises an unparalleled experience for fans of Punk Rock, Indy Rock, and ofcourse, skateboarding.

Working alongside RTM Studio in Paris, Stereo Ronin Records has undertaken a remastering journey, ensuring that this vinyl edition delivers a truly unique sonic experience, capturing the essence of a bygone era while resonating with contemporary audiences.

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Beth Gibbons

LP | 2024 | UK | Original (Domino)

Make It Fit Bleach The Scene Clear Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Heavyweight 180G schwarzes Vinyl in Deluxe Tip-On Gatefold Sleeve incl. 4-seitigem Booklet, Downloadkarte and 12-page A5 Studio Scrapbook

Lives Outgrown is the debut album by Beth Gibbons featuring 10 beautiful new songs recorded over a period of 10 years, the album was produced by James Ford & Beth Gibbons with additional production by Lee Harris (Talk Talk).

Lives Outgrown is, by some measure, Beth’s most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

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Karate

LP | 2024 | US | Original (Numero Group)

Manning Fireworks White Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Bleach The Scene Vinyl.The first new music from the postemotrio in two decades. Out of thebrain of Geoff Farina spills 10 newtales from their unlikely reunion,tracked with long-time Karatecollaborator Andy Hong. Make It Fitcrams 35 minutes of Wes Montgomeryhomage, Fugazi dub plate partyrocking, Lynott lyricism, and Clashcity crooning into a graceful seventhalbum.

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MJ Lenderman

LP | 2024 | EU | Original (Epitaph Europe)

LP | 2024 | US | Original (No Quarter)

Release: 2024 / EU – Original

Genre: Rock & Indie

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MJ Lenderman is a songwriter born and raised inAsheville, North Carolina. The anatomy of an MJrecord might go something like this: warped pedalsteels and skuzzed out guitar; crackin" a cold onewith some buds; a voice reminiscent of the high lonesome warble of a choirboy. Songs snake theirway from a lo-fi home recording to somethingglossier made withn longtime friends at Asheville"sDrop of Sun studios, but the recording settingdoesn"t seem to matter much - at its core, aLenderman song rings true.Manning Fireworks is a remarkable developmentin MJ Lenderman"s story as an incredibly incisivesinger-songwriter, whose propensity for humoralways points to some uneasy, disorienting darkness.The punchlines are still here, as are the rusted-wireguitar solos that have made Lenderman a favoritefor indie rock fans looking for an ernerging guitarhero. There"s a new sincerity, too, as LendermanIets listeners clearly see the world through hiswarped lens.

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Bonnie Prince Billy

High And High And Mighty

Absolute Ultra Rare Clear Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited to 1,000 copies worldwide!
Previously available as a limited edition cassette of 100 copies, High and High and Mighty"is a new set of songs from Bonnie "Prince" Billy. Arranged as two side-long pieces, sung inside clouds pedal steel guitar.

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Tool

2LP | 2024 | UK | Original (Parachute)

LP | 1991 | EU | Reissue (Domino)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Formed in 1990, Tool’s current line-up includes vocalist Maynard James Keenan, guitarist Adam Jones and drummer Danny Carey. Justin Chancellor has been the band's bassist since 1995, replacing original bass player Paul D'Amour. Tool has won four Grammy Awards, performed numerous worldwide tours, and produced several albums which have topped the charts in several countries.To date, the band has released five studio LPs, one EP and one box set. Tool emerged with a heavy metal sound on their first record, Undertow (1993), and became a dominant act in the alternative metal movement with the release of their follow-up Ænima in 1996. The group's efforts to combine musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and 10,000 Days (2006), gaining critical acclaim and international commercial success. Their fifth studio album Fear Inoculum was released in August, 2019, to widespread critical acclaim. Prior to its release, the band had sold more than 13 million albums in the US alone. Across a career spanning almost 25 years, Tool have had pauses to record, perform or otherwise communicate, a string of tunes that remain, ‘in the can’, or at least, not readily available.This new 2LP set features sixteen such cuts, which range from cover versions of numbers originally by Pink Floyd, Wings, Peach, Led Zeppelin, Sublime and Tori Amos, plus duets with the Deftones, RATM and Tori once again. With a clutch of unreleased demos to round the set off nicely too, the collection here will remain a sought after release.A delight for Tool fans and a top-drawer collector’s item to boot, this new compilation will prove a must-have item for those who care! SIDE A:1. Passenger 6:022. Know Your Enemy 4:533. Santa Monicha And Orange 0:454. You Lied 8:04Total side length – 19:44SIDE B:5. Spasm 5:176. Muhammed My Friend 3:367. Wrong Way 2:268. Comfortably Numb 2:259. Silly Love Songs 7:24Total side length – 21:08SIDE C:10. No Quarter 11:3011. Sober 4:30Total side length – 16:00SIDE D:12. Part Of Me 2:5713. Hush 2:3714. Crawl Away 4:4515. Jerkoff 3:5616. Cold And Ugly 3:51Total side length – 18:06

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my bloody valentine

loveless

Belaya Polosa Cloudy Clear Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Mastered from new hi-res uncompressed digital sources

LP Gatefold sleeve (sealed front pocket) Black heavyweight LP, printed polylined inner sleeve - inserts to rear pocket

Download card: MP3 / “Half inch” 16 bit 44.1K WAV / 24 bit 96K WAV (from original half inch) Shrinkwrap Marketing sticker + barcode sticker on reverse

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Molchat Doma

LP | 2024 | US | Original (Sacred Bones)

Sunshine Radio Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It's cold, gray, imposing, industrial_and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the `90s, and a technicolor reinvention of the band's somber dancefloor anthems.From the opening synth swell and drum machine throb of "Ty Zhe Ne Znaesh' Kto Ya," to the goth / post-punk austerity of "Son", to the swirling electronic textures mixed with reverb-drenched guitar flourishes, expansive space, and yearning vocals of title track "Belaya Polosa" - that suggests Depeche Mode at their most reflective or The Cure at their most downtrodden - to the sultry and seductive "Chernye Cvety"_ a track reminiscent of Duran Duran's early `90s output in its fusion of dreamy guitars and authoritative mechanized beats _ and the interwoven layers of instrumentation, soaring chorus, and melodic sophistication of "Ya Tak Ustal", it's clear that Molchat Doma are operating on another level.Molchat Doma gained following with earlier albums that sound like third-generation bootlegs of banned recordings from the Eastern Bloc made after a few key entries in the Factory Records catalog were smuggled in from the West. Belaya Polosa propels them into a new direction while retaining their cold minimalist delivery they're known for. The basement grime and dirty tape-head sound of their previous work are now making space for digital luster and shimmering production values.And while Molchat Doma's broadened aural spectrum adds a syne...

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Tommy Guerrero

LP | 2021 | US | Original (Too Good)

19,35 €* 21,99 € -12%

Uncollected Noise New York '88-'90 Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Brand new album by Tommy Guerrero.

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Galaxie 500

2LP | 2024 | US | Original (Silver Current)

Release: 2024 / US – Original

Genre: Rock & Indie

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The complete uncollected Noise New York studio recordings of Galaxie 500. A twenty-four track chronological journey through rarities and outtakes including never-before-heard songs, from the start of their incendiary career to their final studio session. Uncollected Noise New York ’88-’90 marks Galaxie 500’s first release of new archival material in nearly thirty years and their most comprehensive collection of unreleased and rare material ever. Produced and engineered by Kramer at Noise New York 1988-1990.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Now I See The Light Pink & Tan AB Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Toe

LP | 2024 | US | Original (Topshelf)

Uncollected Noise New York '88-'90 Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Since forming in 2000, toe have synthesized everything from pop, post- and math-rock, jazz, R&B, and electronic into one of the most distinct sounds in rock music. Their debut LP the book about my idle plot on a vague anxiety (2005) left an unmistakable imprint across the splintered worlds of instrumental and experimental music, exploding the tenets of post-rock with writing and performances that channel the intensity of hardcore.

NOW I SEE THE LIGHT (2024), toe’s fourth full-length album, is a bridge between the experimental restraint of their later work and the explosive abandon of their earlier output. From the opening tracks, toe balance serpentine passages against meditative repetition. On “LONELINESS WILL SHINE,” “サニーボーイ・ラプソディ,” and “NOW I SEE THE LIGHT,” Hirokazu reprises his role as part-time vocalist, breaking the band yet further from the instrumental work that formerly defined them. As a whole, NOW I SEE THE LIGHT closes the loop between early and late toe, giving them a clean slate for their new outlook.

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Galaxie 500

2LP | 2024 | US | Original (Silver Current)

39,99 €*

Flow Critical Lucidity Resistance Green Vinyl Edition with Flexi Disc

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore

LP+7" | 2024 | US | Original (Daydream Library Series)

The Silver Tongued Devil And I Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Thurston Moore's forthcoming album is his ninth solo recording...

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Kris Kristofferson

LP | 1971 | US | Reissue (Vinyl Me, Please)

Nursery Cryme Atlantic 75 Series

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Kris Kristofferson was the true country outsider, a man who single-handedly pushed the genre leftward, changing forever the perception of its songwriters, its performers and its message. He was long-haired, anti-war and sang songs with drug use, sex and violence always lurking as dangers in the margins, at a time when Waylon and Willie were wearing sweaters and playing golf on their album covers. He was the outlaw, in a genre that would soon have people recording his songs, and co-opting his vision for a new version of country, to much greater financial success.

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Genesis

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

86,99 €*

Tape | 1998 | US | Reissue (Bikini Kill)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

First Genesis album to feature drummer/vocalist Phil Collins!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Genesis' album Nursery Cryme, released in November 1971, marked a significant moment in the band's evolution and showcased the burgeoning talents of their new drummer and vocalist, Phil Collins, plus guitarist Steve Hackett.

Nursery Cryme saw the band take a more aggressive direction of some songs, with substantially improved drumming. The opening piece, "The Musical Box" combined the band's trademark mix of twelve-string guitars with harsh electric guitars and keyboards. The song, a macabre fairy story set in Victorian Britain, became the inspiration for the album cover, and went on to be a live favorite.

This album played a pivotal role in establishing the band's progressive rock sound and laid the foundation for their future success.

Although Peter Gabriel remained the band's primary vocalist, Collins' distinctive voice began to shine through on tracks like "For Absent Friends" and "Harlequin." Collins' vocals added a new dimension to the band's sound, blending seamlessly with Gabriel's, and hinting at the vocal prowess that would later define his solo career. His emotive and versatile singing style contributed to the album's overall charm.

Nursery Cryme is regarded as a crucial stepping stone in Genesis' discography, and with time, became recognized as a progressive rock classic. The album received acclaim for its adventurous and intricate compositions, combining elements of folk, rock, and classical music. Genesis' signature storytelling lyrics, often filled with surreal and whimsical imagery, captivated listeners and added depth to the music.

Critics praised the band's musicianship, with particular attention to the intricate guitar work of Steve Hackett and the melodic basslines of Mike Rutherford.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Bikini Kill

The Singles

16,99 €*

This Old Dog Black Vinyl Edition

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Received a perfect 10 Best New Reissue rating from Pitchfork. Bikini Kill Records is excited to reissue of The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini KILL's 7”s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with Joan Jett on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

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Mac DeMarco

LP | 2017 | US | Original (Captured Tracks)

Release: 2017 / US – Original

Genre: Rock & Indie

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Come And See Colored Vinyl Editoin

Gurriers

LP | 2024 | EU | Original (No Filter)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Floodland Black Ice Galaxy Vinyl Edition

The Sisters Of Mercy

LP | 1987 | UK | Reissue (Warner Music Uk)

Akira Ishikawa & His Count Buffalos

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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At the end of their US tour in June 1985 The Sisters of Mercy effectively split up. Returning in November 1987 with ‘Floodland’ (UK #9), and still aided by the trusty Doktor Avalanche, Eldritch hired former Gun Club and Fur Bible bassist Patricia Morrison to complete the new line-up. Featuring the hit singles ‘This Corrosion’ (UK #7), ‘Dominion’ (UK #13) and ‘Lucretia My Reflection’ (UK #20), production duties were shared with none other than famed Meat Loaf writer Jim Steinman. Available for National Album Day on 1LP black ice galaxy vinyl for a limited run. Limited to 3000 copies for National Album Day UK.

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Electrum Clear Orange Vinyl Edition

LP | 1970 | JP | Reissue (Victor Entertainment / Hmv)

47,99 €*

3LP | 2024 | DE | Original (Buback)

Release: 1970 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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In 1970, amidst the height of the jazz-rock era, Akira Ishikawa captured the chaotic atmosphere of the time and ventured into what could be called "jazz beyond." This album, Electrum, represents the moment when Ishikawa cut most deeply and incisively into jazz. Amid a sharpened groove, musicians ascended to new heights, competing fiercely. The epic "Electrum," the complexly intersecting vectors of "Revulsion," and the beautifully serene "Speak Under My Breath" are pieces that demand attention for their density and intensity. The participation of two genius pianists and composers/arrangers, Masahiko Satoh and Hiromasa Suzuki, is also noteworthy. This album, hailed as Ishikawa's greatest work, is revived here as part of Victor's series. Text by Yusuke Ogawa (universounds / Deep Jazz Reality)

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Die Goldenen Zitronen

Inventur (1984 - 2024)

45,99 €*

Release: 2024 / DE – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fever To Tell Remastered Edition

Yeah Yeah Yeahs

LP | 2017 | EU | Original (Interscope)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Maggot Mass Transparent Seaweed Green Vinyl Editoin

Pharmakon

LP | 2024 | US | Original (Sacred Bones)

Minna Tanoshiku Shonen Knife

Release: 2024 / US – Original

Genre: Rock & Indie

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Maggot Mass, the fifth full-length album by Pharmakon on Sacred Bones Records, marks the project's return after a five-year hiatus. This album signifies a departure from the original rules and structures established by Margaret Chardiet for Pharmakon, evolving into a new form. It retains the project's experimental roots in power electronics and noise while incorporating industrial and punk influences.The album stems from a profound disgust with humanity's dysfunctional relationship with the environment and other life forms. It explores the loneliness resulting from this broken bond and challenges us to acknowledge our personal and systemic responsibility.What peace can we make with privilege when the true cost of our comfort is not measured in dollars but in death? How can we reconcile with death when we impose the same hierarchical structures on it that we do in life? Is life worth living in the isolation of this self-imposed species loneliness?Humans often measure worth by accumulation _ money, assets, objects _ mistaking this for power and influence. Western heritage dictates a hierarchy, placing humans at the top, separate from the natural world. This delusion turns bodies into objects, land into property, and people into expendable tools.If our value were instead determined by our contribution to the ecosystem, who could claim that a human is more valuable than a maggot? Maggots recycle death into life, breaking down matter and nourishing new growth. They transform into flies, pollinating plants and sustaining the Earth's flora. In contrast, humans pollute rather than pollinate, with a select few profiting from exploitation at the expense of biodiversity and the well-being of many.In grappling with grief and loss on both personal and global scales, Margaret sought solace in the idea of rebirth through death, celebrating the beauty of regeneration through decay. However, she had to confront the stark reality of the disconnection from the earth under oppressive systems. Pharmakon is here imagining...

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Shonen Knife

LP | 1982 | JP | Reissue (P-Vine)

2LP | 2024 | UK | Original (4AD)

Release: 1982 / JP – Reissue

Genre: Rock & Indie

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After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix! These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone! Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Don’t miss this reggae gem from Bob Marley and The Wailers!

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The National

Rome White Vinyl Edition

41,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Teardo, Teho & Bargeld, Blixa

Still Smiling

2LP | 2013 | EU | Reissue (Specula)

Gris Gris Atlantic 75 Series

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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"Still Smiling" is the first album of songs written in four hands by Teho Teardo and Blixa Bargeld; a work conceived and composed over two years, with dedication, working side by side, deciding and choosing every sound, every word, every silence together.The album, contains 12 songs: 10 previously unreleased, a new version of "A Quiet Life" and the cover "Alone with the moon" by Tiger Lillies. On the album, recorded between Rome and Berlin, in Teardo"s Rome studio and in Einstürzende Neubauten"s "Andere Baustelle" (the historic band of which Bargeld is leader), cellist Martina Bertoni and the Balanescu 4et collaborated.Teho and Blixa dialogue in symbiosis, Blixa"s deep and intense singing ranging from Italian to English and German, Teho"s music sublimating and enchanting between strings, electronics and experimentation.The maturation of ideas and intentions, in the numerous journeys between the two capitals, the desire, listening and meeting of their respective expressions, have left their mark. Still Smiling is a record that gives time, it is a privileged vision that covers all the sky between Rome and Berlin.The collaboration between the two artists began in 2009 for "Ingiuria", a performance by Raffaello Sanzio"s "Societas" that featured Alexander Balanescu on stage in addition to Bargeld and Teardo. In 2010, Bargeld and Teardo collaborated again to record A Quiet Life, the title track of the soundtrack of the film "A Quiet Life" with Toni Servillo.After these two experiences, a strong understanding and artistic affinity was born, which has led to the genesis of "Still Smiling".

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Dr John

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

70,99 €*

Being Funny In A Foreign Language Clear Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

From the king of the psychedelic bayou, Dr. John!

180-gram 45 RPM double LP

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Rolling Stone's 500 Greatest Albums of All Time rated No. 356 in the 2020 edition

The debut album from the king of the psychedelic bayou — the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians such as Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing.

Gris-Gris was released on Atco Records, a sub label of Atlantic, in 1968. The musical style of Gris-Gris is a hybrid of New Orleans rhythm and blues and psychedelic rock. The album introduced Rebennack's Dr. John character, inspired by a reputed 19th century voodoo doctor.

The album was taken under the wing of a small percentage of the "underground" upon its release in 1968 and did not find a true following for years.

Allmusic gave the album five out of five stars, referring to it as "The most exploratory and psychedelic outing of Dr. John's career" and "that it "sounds like a post-midnight ceremony recorded in the bayou swamp," naming it "among the most enduring recordings of the psychedelic era; it sounds as mysterious and spooky in the 21st century as it did in 1968."

Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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The 1975

LP | 2022 | EU | Original (Virgin Music)

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1994 | UK | Reissue (XL)

Radiohead

The Bends

Nick Cave & The Bad Seeds

Release: 1994 / UK – Reissue

Genre: Rock & Indie

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Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock. - allmusic.com

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Push The Sky Away

LP | 2013 | UK | Original (Bad Seed Ltd.)

LP | 2000 | EU | Reissue (Secretly Canadian)

Release: 2013 / UK – Original

Genre: Rock & Indie

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PUSH THE SKY AWAY is the fifteenth album by NICK CAVE & THE BAD SEEDS, which returns after four long years of absence. Produced by their now faithful companion NICK LAUNAY, who has worked on the band's last three albums, and recorded in a 19th century mansion in the south of France, the opus is considered by its composer as the most successful bad seeds album to date. The first clip directed by the famous French director GASPARD NOÉ immediately plunges us into the half - nagging, half - disturbing atmosphere of this album with sounds both rough and delicate. To those who thought they knew everything about the work of the Australian composer, he promised an album unlike anything done so far by the Bad Seeds, one of the best band in the world by Nick Cave's own admission: "The Bad Seeds have no equal on earth in terms of inventiveness and instinct". Far from being just another link in an already impressive discography, PUSH THE SKY AWAY promises to open up new dark and haunting horizons.

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Songs:Ohia

Protection Spells

LP | 2024 | Original (Idol)

Release: 2000 / EU – Reissue

Genre: Rock & Indie

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"The Protection Spells is a collection of songs recorded over a period of several Songs: Ohia tours. Presented here are nine entirely improvised pieces. The approach to these songs involved no rehearsals, no second takes, no additions and no going back. What you have here are songs that just happened in real time. The many musicians on these recordings were friends, bandmates, and, at times, total strangers. I have long hoped to offer the listener a chance to have some of these great accidents on record. It is a direct look at my songwriting process, only a little more risky, and nobody has any idea what direction we are going until we all start working on it together. I think that the years of improvised music I played in the past helped to strengthen the risk-taking with these songs. Here the goal was to still have basic songs without falling into long freak-out noise experiments, saving that kind of exploration for live settings. You will notice the appearances and disappearances of ideas that could never be recreated, not that they are all brilliant, but they are certainly not forced. The seemingly arbitrary moments of strange repetition the lyrics, the clear lack of a preconceived system of established song parts, all are the marks of improvised songwriting. Since even the singing had no idea what the floorplan of the song was to be, there were some unanticipated troubles and some shy steps taken, but I have preserved these mappings of the dangerous musical byroads that Songs: Ohia has always depended on. I hope you enjoy this." - Jason Molina, July 10, 2000

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La Femme

Rock Machine

LP | 2024 | UK | Original (Brainfeeder)

Release: 2024 / Original

Genre: Rock & Indie

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After the Spanish escapade 'Teatro Lucido' and the sweet journey 'Paris Hawai', the group created by Marlon Magnée and Sacha Got continues their world tour with 'Rock Machine,' their first album entirely written in English. Composed over the past few years during various tours around the world, this new LP has been strongly inspired by the succession of dates in the USA, Canada, South America, Australia, and the encounters that ensued.The band returns to its New Wave and Synthwave roots from their acclaimed first LP 'Psycho Tropical Berlin' (Machine), which they mix with an Anglo-Saxon rock sound from the 80s/90s (Rock). This album is an ode to rock'n'roll, its effectiveness, and timelessness, but also an ode to love and despair. La Femme continues to develop with Rock Machine a universe beyond trends with their own sound and aesthetics. In addition to rock and synthwave sounds (of which 'Clover Paradise' is the perfect example), there's still electro (Sweet Babe), surf music (Ciao Paris), disco with a UK punk twist (My Generation), and even elements of western. The list is long but always unique and coherent

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Kit Sebastian

New Internationale Red

Release: 2024 / UK – Original

Genre: Rock & Indie

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Performance Clear Vellow Vinyl Edition

Tr/St

LP | 2024 | US | Original (Dais)

Release: 2024 / US – Original

Genre: Rock & Indie

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Manning Fireworks Black Vinyl Edition

MJ Lenderman

LP | 2024 | EU | Original (Epitaph Europe)

Amber Of Memory Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tommy Guerrero

LP | 2024 | US | Original (Too Good)

23,99 €*

LP | 2024 | US | Original (1-2-3-4 Go!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Brand new album, released digitally in September of 2023 - now on vinyl. Black vinyl.

"The idea was to make something that would diminish the heavy times we were all experiencing in 2020/21.
Something perhaps uplifting with a hint of beauty... or at least a respite from the ugliness outside.
Not sure any of this was achieved but it’s a bit of a departure from my normal mode/style… which is necessary from time to time.

70’s drum machines, tremmed-out baritone guitars, verbed-out synth pads, warbly keys, and a slight 80’s sensibility add up to what I have coined, “Surf Goth”.

Yes, I joke but it might be on point. Who knows?
Thank you all for the continued support!!
Big Love"
TG

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Pinhead Gunpowder

Unt Red Vinyl Edition

You All Look The Same To Me + Noise

Release: 2024 / US – Original

Genre: Rock & Indie

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“Pinhead Gunpowder started writing songs in 1990 and made our first 7-inch the following spring. Nearly every year since, we’ve met up to play. Some years we recorded—five albums and eleven EPs—and some years we played shows.

“But since 2010, we’ve been playing just for ourselves, something bands forget to do. Rather than ‘writing for the new album’ or rehearsing to get ready for tour, we went back to the basement every year. We lived in the house we’d built, remembering how we’d made the music for each other in the first place.We played all over the world—well, at least Oakland, Singapore and New York—but only for each other. We worked on the reissues of our back catalog, too and found ourselves fonder of each other and more family-like than ever.

“A new record and tour was only a matter of time, but between the members’ other bands projects, and families, that was hard to find. When we finally did, we were all surprised. We think it’s our best yet—our catchiest, most collaborative, and most poignant.”

— Aaron Cometbus

Pinhead Gunpowder is Billie Joe Armstrong, Aaron Cometbus, Jason White and Bill Schneider. Unt is fourteen brand new songs recorded in 2023 by Chris Dugan (Green Day, Weezer, Iggy Pop, Samiam, Swingin’ Utters etc) and mastered for all formats by Nick Townsend (Cheap Trick, Bad Religion, Iron Maiden etc) at Infrasonic Sound.

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Archive

Box Set | 2024 | EU | Original (Pias Catalogue)

129,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1994 | FR | Reissue (Geffen)

Nirvana

Unplugged in New York

28,99 €*

3LP | 2022 | EU | Original (RCA)

Release: 1994 / FR – Reissue

Genre: Rock & Indie

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Vinyl LP pressing of this live release from the Grunge heroes. Recorded in November 1993, less than six months before singer Kurt Cobain killed himself, Nirvana's MTV Unplugged is a watershed document that presents a band at the peak of it's powers. Unlike any other unplugged affair, the diverse album is not a simple stripped-down regurgitation of greatest hits or a cash-it-in set of nostalgic favorites. Rather, the live effort is among the most emotionally naked spectacles ever released an album so starkly intense and profoundly personal, it's impossible not to get chills down the spine. The set list is as surprising as the stylistic makeover. Save for renditions of 'All Apologies' and 'Come As You Are', the adventurous material includes brooding covers of the Meat Puppets' 'Lake of Fire', 'Plateau', and 'Oh Me' as well as harrowing versions of David Bowie's 'The Man Who Sold the World', and the Vaselines' 'Jesus Don't Want Me for a Sunbeam'.

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Tool

Fear Inoculum

46,99 €*

Joy As An Act Of Resistance Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fear Inoculum is the Grammy award winning masterpiece from Tool. Following the release of the limited edition single pressing ultra-deluxe 5 disc vinyl box set, this critically acclaimed album is available now as a 3 disc 180 gram set, that features new artwork in a triple gatefold jacket and an exclusive poster.

Tool members include drummer Danny Carey, guitarist Adam Jones, bassist Justin Chancellor and vocalist Maynard James Keenan.

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IDLES

LP | 2018 | UK | Original (Partisan)

LP | 1975 | EU | Reissue (Wewantsounds)

Release: 2018 / UK – Original

Genre: Rock & Indie

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IDLES – bristol's punk quintet glorified by all the press – release their new album on August 31 on Partisan. On the 12 songs that make up "Joy as an Act of Resistance ." we find Joe Talbot and his acolytes who once again deliver a powerful, electric and effective record. Produced by Space and mixed by Adam Greenspan and Nick Launay (Arcade Fire, Yeah Yeah Yeahs, Kate Bush). "Joyas an Act of Resistance."puts into yoke everything related to machismo, nationalism, immigration, and class inequality all with a contagious and natural positive energy.

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Yoshiko Sai

Mangekyou

Nos Alive Festival Vol.2 Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of one of Japan"s most coveted albums of the 70s, "Mangekyou" by singer-songwriter Yoshiko Sai. Produced in 1975 by Master musician Yuji Ohno, the album features Yoshiko Sai"s superbly crafted songs and crystal clear voice over Ohno"s lush, funky sound and breezy arrangements. A strong buzz has been growing around the album over the years and original copies now change hands for large sums of money. This is the first time "Mangekyou" is available outside of Japan, featuring remastered audio, original artwork and a 4 page insert including new liner notes by Paul Bowler.

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Depeche Mode

2LP | 2024 | UK | Original (Parachute)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Festival broadcast from the Global Spirit TourDepeche Mode’s fourteenth studio album, "Spirit", was released in March 2017. It was the final Depeche Mode studio album to feature co-founder and keyboardist Andy Fletcher, prior to his death on 26 May 2022. On 11 October 2016, the band had announced that they would embark on the Global Spirit Tour to support the album. The tour began in Stockholm, Sweden, on 5 May 2017 and ended on 25 July 2018 in Berlin, Germany.The Global Spirit Tour went on to become Depeche's largest tour, and saw them play to more than 3 million fans around the world. The final two shows were recorded for their concert film and documentary "Spirits in the Forest", released in theatres in November 2019. Among the very finest concerts of the entire tour took place at ‘Nos Alive’, an annual music and arts fest held in the Algés riverside, close to Lisbon, in Portugal. Depeche Mode took to the stage at Nos Alive on the Saturday evening of 8th July, when they put on a quite remarkable show which remains a fan favourite to this day. Recorded for live FM Radio Broadcast, the entire performance the band put on that warm evening in 2017 is now captured in its entirety on this new two-instalment set. SIDE A:1. Everything Counts 6:462. Stripped 5:07Total side length – 11:53SIDE B:3. Enjoy The Silence 7:234. Never Let Me Down Again 7:17Total side length – 14:40SIDE C:5. Home 7:536. Walking In My Shoes 7:09Total side length – 15:02SIDE D:7. I Feel You 6:178. Personal Jesus 6:02Total side length – 12:19

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Als Die Welt Noch Unterging (German Post Punk Underground 1979-1984) HHV Exclusive Clear Vinyl Edition

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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12" | 1991 | EU | Reissue (Thank You)

Simone

Mabsouta 2024 Repress

15,99 €*

2LP | 2024 | UK | Original (Riaz)

Release: 1991 / EU – Reissue

Genre: Rock & Indie, Pop

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Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Featuring 2 original tracks - "Mabsouta" and "Al Eih" including a bonus beat edit of "Rekka" by Castro. "Mabsouta" is a game changing Arabic cover version of a track that stayed in a generation's childhood memories - Tom's Dinner by Suzanne Vega. Simone's beautiful voice in Arabic brings an entirely new meaning to what might have been a track you couldn't hear anymore, highly refreshing!

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Jaubi

A Sound Heart

Release: 2024 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The core members of Jaubi are true masters of their craft, coming from a rich lineage of accomplished musicians. Kashif Ali Dhani is a classically trained tabla master from the Punjab gharana, and is the accompanist of choice on the local scene for some of Pakistan's great classical vocalists and instrumentalists, as well as in Europe and the USA. Zohaib Hassan Khan is a 7th generation sarangi master, who has performed globally, and is one of only 3 professional sarangi players left in Pakistan. Multi-instrumentalist, composer and Jaubi bandleader Ali Riaz Baqar aka Ila Zair began his musical journey as a hip-hop enthusiast, evolving into a jazz guitarist following the exposure to the genre’s rich sampling culture. He then became a disciple of the Senia-Shahjahanpur gharana, a lineage of musicians specialising in the sarod. His playing now focuses on merging North Indian classical music with modern jazz harmony on a traditional, unaltered 6-string electric guitar.

The collaborative relationship between the core group and wider collaborators dates back to April 2019, when 22a label founder and multi-instrumentalist Tenderlonious and EABS/Bloto keyboard and synth maestro Marek ‘Latarnik’ Pędziwiatr travelled to Lahore, Pakistan to take part in some improvised recording sessions with Jaubi. Nothing whatsoever was written down during the recording sessions – no sheet music, no song titles. It was sincere, bottled lightning. All egos were left behind, with hearts and souls being opened and poured into the music. The result has been described as spiritual jazz-fusion meets psychedelic Hindustani classical with nods to golden era hip hop.

An adventurous and absorbing record ‘A Sound Heart’ is the next chapter for Jaubi, both sonically and spiritually. The title is inspired from a verse in the Holy Qu’ran (26:89), where one comes to God with a spiritual or sound heart (Qalb) which is sincere, without doubts and free of materialistic attachments. Importantly it refers to a state where the heart is spiritually healthy and content with only God. A Sound Heart’s basis is goodness, rooted in love. In this case, it is the love for one’s creator. The album also acts as a tribute to fallen heroes, paying respect to the greatness that has come before, casting new light via cross-cultural collaboration and improvisation.

Throughout this incredible journey, meditative ragas blend with Herbie Hancock-esque motifs, joined by lament-filled contemporary melodies intertwining with the intricate sounds of the sarangi and earthy layering of the tabla. A true masterpiece of composition from start to finish.

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LP | 2024 | EU | Original (Wagram)

Italian Rare Groove

LP | 2022 | EU | Reissue (AD93)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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Moin

Paste

Nos Alive Festival Vol.1 Clear Vinyl Edition

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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"Paste" is the second album by Moin, released in 2022 via AD93. The follow up to their well received debut album "Moot!", the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling technique sto redefine it"s context, not settling on any one style but moving through them in search of new connections.

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Depeche Mode

2LP | 2024 | UK | Original (Parachute)

Anthem Of The Sun Vinyl Me, Please Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Festival broadcast from the Global Spirit TourDepeche Mode’s fourteenth studio album, "Spirit", was released in March 2017. It was the final Depeche Mode studio album to feature co-founder and keyboardist Andy Fletcher, prior to his death on 26 May 2022. On 11 October 2016, the band had announced that they would embark on the Global Spirit Tour to support the album. The tour began in Stockholm, Sweden, on 5 May 2017 and ended on 25 July 2018 in Berlin, Germany.The Global Spirit Tour went on to become Depeche's largest tour, and saw them play to more than 3 million fans around the world. The final two shows were recorded for their concert film and documentary "Spirits in the Forest", released in theatres in November 2019. Among the very finest concerts of the entire tour took place at ‘Nos Alive’, an annual music and arts fest held in the Algés riverside, close to Lisbon, in Portugal. Depeche Mode took to the stage at Nos Alive on the Saturday evening of 8th July, when they put on a quite remarkable show which remains a fan favourite to this day. Recorded for live FM Radio Broadcast, the entire performance the band put on that warm evening in 2017 is now captured in its entirety on this new two-instalment set. SIDE A:1. Intro / Going Backwards 8:122. Barrel Of A Gun 5:51Total side length – 14:03SIDE B:3. A Pain That I’m Used To 4:354. I Want You Now 6:42Total side length – 11:17SIDE C:5. World In My Eyes 5:326. Cover Me 5:26Total side length – 10:58SIDE D:7. Judas 6:198. Where’s The Revolution 5:059. Wrong 4:08Total side length – 15:32

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The Grateful Dead

LP | 2024 | US | Reissue (Vinyl Me, Please)

35,99 €*

Make It Fit Black Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
Anthem Of The Sun is not a live album. Nor is it a studio album. It is truly a hybrid, unprecedented at the time and never replicated. It is both types of album and was created through genius production techniques, exceptional musicianship and inspiration.

There were two versions of Anthem Of The Sun and also of Aoxomoxoa, the Dead’s 1969 follow-up to Anthem. ... The original mix [of Anthem] was muddier, but to my ears this was part of its draw. It worked well with the live vibe the Dead brought to their second studio album. Now, after over 20 years of listening to both mixes quite equally, I feel they complement one another perfectly. There’s plenty of room in the sonic landscape to hear both mixes and appreciate them both for their subtle, and not-so-subtle, differences.

This new Vinyl Me, Please slab of wax is the original mix and a rare opportunity to hear the 1968 intention mastered from the original analog tape. There’s always a lot to be excited about in the Grateful Dead world, and this is certainly one of those things.

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Karate

LP | 2024 | US | Original (Numero Group)

LP | 2001 | EU | Reissue (Sony Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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The first new music from the postemotrio in two decades. Out of thebrain of Geoff Farina spills 10 newtales from their unlikely reunion,tracked with long-time Karatecollaborator Andy Hong. Make It Fitcrams 35 minutes of Wes Montgomeryhomage, Fugazi dub plate partyrocking, Lynott lyricism, and Clashcity crooning into a graceful seventhalbum.

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The Strokes

Is This It

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 2009 | EU | Original (Bubbles)

The Whitest Boy Alive

Rules

Tristwch Y Fenywod Glow In The Dark Vinyl Edition

Release: 2009 / EU – Original

Genre: Rock & Indie

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11 new songs from Erlend Oye and company, recorded in Mexiko, no overdubs, no effects.

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Tristwch Y Fenywod

LP | 2024 | Original (Night School)

Aurelia Golden Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.

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Deary

LP | 2024 | UK | Original (Sonic Cathedral)

22,99 €*

Deary Ep Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Just under a year after their acclaimed self-titled debut, dreampop duo deary release a brand new six-track EP – Aurelia – via Sonic Cathedral on November 1.

It includes the singles ‘The Moth’, ‘Selene’ and ‘The Drift’ and features Slowdive drummer Simon Scott playing on three songs. It will be available on three different vinyl variants, a CD with three bonus tracks and digitally.

It’s a stunning record, which displays a new-found maturity in terms of production as well as musically and lyrically. The band – singer Rebecca ‘Dottie’ Cockram and guitarist/producer Ben Easton – have had to grow up in public since the release of their debut single at the start of 2023, supporting legends such as Slowdive and Cranes and TikTok sensations like Wisp along the way.

An aurelian is a rare old term for a lepidopterist – someone who studies and collects moths – derived from the Latin aurelia, meaning chrysalis. The perfect title for an EP which is based around the theme of metamorphosis and change.

“It leans on the natural world, the human body, the earth and sky as well as human emotion,” says Ben of how the EP represents physical and metaphysical growth. “Change can be daunting but equally exciting, which is something we’ve come to learn.”

“While writing the EP, I found a letter I had written to myself when I was 22,” adds Dottie. “I was fresh out of university and had moved back in with my parents as Covid was in full force. I was uninspired and lost and reaching out to my future self for some hope. It was a physical representation of what can happen in a few years; how much can change and how you never know what’s coming next.

“I found it interesting that – at the age of 26 – here I was looking back to my younger self for hope or just some comfort in the fact that things will and do move on. It was important to me to bring both of these versions of myself into the new songs.”

“Personally, I had noticed a change in myself; a new level of social anxiety, a strange disassociation to things that once brought me joy as well as negative repetitions in my daily life,” reveals Ben. “I began the year sober which allowed me to finish the writing process as a letter of care to my own mental health. There are motifs throughout the EP – for example the riffs in ‘The Moth’ and ‘The Drift’ being reminiscent of each other – which are like musical reflections of these repeated cycles.”

It’s musically where the change deary have undergone is most obvious. ‘The Moth’ mixes howling guitars atop a strident breakbeat making it more Curve than Cocteaus; ‘Selene’ is a slow-building wall of noise; ‘The Drift’ combines a perfect pop melody with an incredible sense of urgency. These three singles are balanced by the brief but beautiful ‘Where You Are’ which leads into the Portishead-style trip-hop of ‘Dream Of Me’. The title track has been a staple of their live sets for about a year as ‘Can’t Sleep Tonight’, but its mix of The Cure circa Disintegration and Mezzanine Massive Attack has grown and evolved so much that they renamed it ‘Aurelia’ as the embodiment of the change they have been through.

“We’ve allowed deary to naturally grow over the past year, we didn’t want to force it to take a certain shape or sound,” explains Dottie of the duo’s slow and steady approach. “A lot of the last EP was written by sending ideas back and forth over WhatsApp, but this time we were able to sit in the same room and I think that really shows. We know each other a lot better now as we have experienced this journey together and that benefits the writing process as we are more open with each other and can be vulnerable.”

“Aurelia definitely feels a lot more collaborative, more personal and more fully realised than the first EP,” concludes Ben. “It feels like a real document of what has been a very important time in both of our lives. Ironically, the band has changed and matured even more since the recording, so we’re both excited to document the next stage.”

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Deary

12" | 2023 | UK | Reissue (Sonic Cathedral)

19,99 €*

When I Was Lost, I Found Myself

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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The eponymous debut EP by London-based dreampop duo deary on Sonic Cathedral. The six-track release is available on frosted clear 12” vinyl, plus a CD with five additional bonus tracks and remixes. Their debut single ‘Fairground’, which came out at the end of January, was an instant classic. A mix of shoegaze beauty and trip-hop beats, it was amazing to see people falling in love with it in real time as it gained airplay around the world, a remix by Saint Etienne and hit number one on the Official Charts’ vinyl singles chart. The EP includes the follow-up, the deliciously dark ‘Beauty In All Blue Satin’, and new single ‘Sleepsong’, plus three other tracks, and follows their support slot with Slowdive at the Troxy in London. They play other live dates in November and December.

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Girls Of The Internet

2LP | 2024 | UK | Original (Classic)

2LP | 1994 | EU | Reissue (Proper)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Girls of the Internet’s Tom Kerridge announces the release of forthcoming album When I Was Lost, I Found Myself on Classic Music Company, Luke Solomon’s revered imprint. Following the acclaimed, self-released 2020 album ‘Girls FM’, ‘When I Was Lost, I Found Myself’ delves into a deeper and more personal journey for Tom. Spanning 12 blissed out genre-blending house records and featuring stellar vocalists such as Sadie Walker, Allysha Joy, shiv, Allknight, Anelisa Lamola and more, Tom continues to demonstrate his innate ability to nurture talent and collaborate on this latest LP. With heavy support from BBC Radio 1, BBC 6 Music and BBC Introducing, Girls of the Internet’s previous singles from the LP, in particular ‘Never Ever Ever’ featuring Irish singer-songwriter shiv (which also saw a remix from legendary producer Henrik Schwarz) have seen the group reach new heights in recent months. Selected as BBC Introducing’s Track of the Week, both ‘Never Ever Ever’ and the following garage-inspired ‘Gravity’ featuring Allknight have formed a path laden with anticipation for the full LP. Girls of the Internet’s manifesto is clear; to create dance music that calls back to how it was made at its inception, but with the knowledge and experience of the past 50 years of the genre.

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Therapy?

Troublegum (Deluxe)

51,99 €*

LP | 2024 | UK | Original (Ghost Box)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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To commemorate the 30th anniversary of Therapy's Troublegum album , this 2LP set contains the original album pressed on 180g silver vinyl plus a further 14 tracks rounding up B-sides and bonus tracks of the era pressed on 180g lavender vinyl

By the time Therapy? released Troublegum in 1994 they were already well established, but it was the first time many had encountered the group's intensely melodic blend of hard rock and indie, an arresting combination of old and new, striking in its immediacy.

Formed by schoolfriends in Larne, Northern Ireland, Therapy? consistently pushed the rock trio to its limits, often saying that their use of feedback was their fourth instrument. Singer, guitarist and writer Andy Cairns, bassist Michael McKeegan and drummer Fyfe Ewing had been playing together since 1989, and were signed to indie label Wiiija the following year on the strength of their live reputation. After two albums with Wiiija, they were signed to A&M Records, and their 1992 album, Nurse, reached the UK Top 40. The group paired with Mission producer Chris Sheldon and went to Chipping Norton Studios to record a follow-up. The results were stunning.

Lead single "Screamager" (on the Shortsharpshock EP) reached the UK Top 10 in March 1993; follow-up "Turn" made the Top 20. By the time Troublegum was released in February 1994, it contained both singles, plus "Nowhere" and "Trigger Inside", further hits from the album. Troublegum is warm and powerful, showing that grunge was not just the preserve of bands from the western seaboard of the US. Mixed without any discernible gaps between tracks, the album offers 45 minutes of attack. Amid the originals, the band's post punk roots are shown by their storming cover of Isolation by Joy Division. Widely acclaimed, Troublegum reached No 5 in the UK charts, went Gold and was nominated for the Mercury Music Prize. It sounds as fresh today as it did in 1994.

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Beautify Junkyards

Nova

LP | 2024 | EU | Original (Microqlima)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Nova is the third album on Ghost Box for Lisbon based band Beautify Junkyards. As ever, the songs have a wide instrumental palette with ethereal vocals from both João Branco Kyron and new singer Martinez. This time around however, there’s a more electronic feel to proceedings and the usual rich and melodic songwriting has a somewhat more experimental and Avant-pop sensibility. Kyron’s synths and electronics are now augmented by the most recent recruit to the band Bernard Loopkin. Together their contemporary sound design combined with meticulous period sampling evoke a world of 60s & 70s movie soundtracks, library music and vintage electronica; the sounds reminiscent of White Noise, Piero Umiliani, Mort Garson and Broadcast.

This is not machine music though; Antonio Watts’ mesmerising drumming and percussion beautifully underpin the songs and the bass and guitars of Sergue and João Moreira intertwine throughout, ensuring that there’s always a sinuous, human feel.

Lyrically the songs explore a surreal and abstract dreamscape, taking stylistic cues from situationism, Dada, cut-up and the wider reaches of the psychedelic imagination. This is reflected in Julian House’s beautiful and carefully researched design work for the album, which draws its inspiration from the situationist and revolutionary underground press of 1960s Europe.

Special Guest Artists:

Beautify Junkyards have always enjoyed working with writing and performing collaborators. Nova is no exception and features some very special guests. Paul Weller sings and plays guitar on the co-written song, “Sister Moon”. Dorothy Moscowitz (of United States of America) co-wrote and sings on “Turn the Tide”. Jesse Chandler (of Pneumatic Tubes, Midlake and Mercury Rev) contributes flute on “Groundstar”

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L'Imperatrice

Pulsar

Release: 2024 / EU – Original

Genre: Rock & Indie

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With two successful albums and a sold-out world tour under their belt, Paris-based L'Impératrice have matriculated from a good-times instrumental act created by music critic Charles de Boisseguin to a six-piece powerhouse whose sashaying mixes of funk and French Touch, disco and deep house now include the fetching vocals of singer Flore Benguigui. Their new album Pulsar, is a focused but far-reaching record, the jubilant testament of a band with plenty to say and the skills to say it themselves. Across 10 tracks, L'Impératrice move freely and authoritatively among the sounds they love, bridging hip-hop, kosmische, and modern pop with their most unabashed embraces of French Touch and international house ever. Benguigui, meanwhile, boldly sings of self-empowerment by shirking beauty standards, ageism, and drab normalcy, with a little help from an exciting set of new friends.A longtime fan who had seen the band multiple times, Maggie Rogers flew to Paris to lead the svelte and graceful "Any Way," approaching the song with an unabashed vim. They had a similar encounter with Erick the Architect, who was so enthusiastic about the sample- based and panoramic "Sweet & Sublime" that Benguigui scrapped one of her own verses to make more room for him. And Italian singer Fabiana Martone (Nu Genea) crafted the melody for "Danza Marilu" the moment she heard its disco thump. Throughout these 10 songs, L'Impératrice espouses the rare willingness to be real about life and its woes while also sounding like a perfect picture of joy. Pulsar opens like a window being slid open onto an unimagined world. During the title-track finale, where a casual confession of suffering climbs into a mighty climax rooted in redemption, the band intertwines dubstep, turntablism, and symphonic strings to offer a bracing conclusion: however we are is OK.

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Instrumental Dubs #1 2024 Repress

12" | 2022 | EU | Reissue (Isle Of Jura)

LP | 2024 | UK | Original (Domino)

Release: 2022 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

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Beth Gibbons

Lives Outgrown

Sentir Que No Sabes Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Lives Outgrown is the debut album by Beth Gibbons featuring 10 beautiful new songs recorded over a period of 10 years, the album was produced by James Ford & Beth Gibbons with additional production by Lee Harris (Talk Talk).

Lives Outgrown is, by some measure, Beth’s most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

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Mabe Fratti

LP | 2024 | Original (Unheard Of Hope)

T. Rex Vinyl Me, Please Edition

Release: 2024 / Original

Genre: Rock & Indie

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A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”

Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.

For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios.

Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s.

The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor.

So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.

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T. Rex

LP | 1970 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 1982 | US (New Alliance)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
This album, a pair of gorgeous, androgynous longhairs with incredible cheekbones on its cover, showed up first. Its songs talked of girls with jewels on their lips riding zebras and a chance encounter with a wizard. The sound was a strange brew concocted from different strains of earlier rock ’n’ roll: some folk, some rock, and an undeniable debt to Eddie Cochran. Marc Bolan’s music, persona, and look were strange, beautiful, and whimsical enough that if you tried to explain his massive popularity to somebody born after the century Bolan lived in, for just shy of 30 years, it would probably sound like a story from eons ago. We know glam came after T. Rex, but it’s also just a skip to the Sex Pistols, Ramones, and more punk from there; it’s also not far from the “post” sounds that came out of New York and London around 1977 or the darkness and decadence of Siouxsie Sioux and Bauhaus either. The tarted-up heavy metal of Hanoi Rocks and Poison in the 1980s followed, and into this newer century, you can hear Bolan’s direction heeded and reimagined by Alison Goldfrapp or Devendra Banhart. All of that is because of this album, the sound of Marc Bolan turning the key to unlock his true potential. His magically strange vision took shape here, and nothing has been the same since.

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Descendents

Milo Goes To College

Release: 1982 / US

Genre: Rock & Indie

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2LP | 2013 | EU | Reissue (Born Bad)

La Femme

Psycho Tropical Berlin

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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First album of French band La Femme released in 2013 with which they won Best New Band of the year at the French Music Awards and god certified gold. It marked also the beginning of their international recognition, confirmed since with their 2nd album Mystère in 2016 and their brand new album Paradigmes today.Includes the hits Sur La Planche, It's Time to Wake Up and Antitaxi!La Femmes's debut LP, is a mix of surf revival, updated cold wave (in a similar vein to countryman Lescop), 1960s yéyé and psychedelia. "Psycho Tropical Berlin: is apparently also their self-penned genre, they have also said "strange wave, new Motown, witch wave, silly mental wave"... whatever, aach term makes for a pillar to describe their music.Psycho Tropical Berlin is the story of a couple who slipped into chaos and survives by watching each other. Le Danger est partout - Peril is all around - as written in the booklet. Rock and pop, rococo bauhaus, fed from multiples influences (Krafwerk, Elli & Jacno). La Femme just want to please you. Generous and welcoming, she stretches you her white hand in the dark, if you grasp it, it could be the shiver of your life.

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Pink Vinyl Edition

2LP | 2019 | US | Original (Light In The Attic)

47,99 €*

Bellhead / Optimo (Remix)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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**Note: Silver and black vinyl may or may not have audio distortion intermittently during playback, depending on your system. This was discovered after the press had been completed and packed, so we have included a red repress without audio issues. All purchases will ship with both silver and red copies.

After a busy 2018, which saw worriedaboutsatan release a steady stream of new material, the Yorkshire based duo start the new year with the release of their fourth full length album, ‘Revenant’.

The record marks a slight departure from their previous critically acclaimed album Blank Tape, by venturing into more synthesiser heavy pieces, based around dark brooding atmospheres, and switching from the bouncing arpeggios and slow hypnotic rhythms like the 10 minute album opener ‘Skylon’, to the jittering, cinematic rush of ‘Making Your Masks’.

Six tracks recorded over three weeks in Tom’s rural Yorkshire studio. The band channelled their signature post-rock guitars and skyscraping atmospherics into something more synthetic, but without losing what makes them the band that garnered attention for soundtracking Adam Curtis’ Hypernormalisation documentary back in 2016.

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Liquid Liquid

12" | 2024 | UK | Original (DFA)

2LP | 2024 | EU | Original (Muddy Water)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liquid Liquid loom large for many - their classic run of EPs on 99 Records has gotten a second, third, and fourth life thanks to devout fans like the Beastie Boys, LCD Soundsystem's James Murphy, and Domino's Laurence Bell. (This to say nothing of the fact that one of rap's all time classics - Melle Mel's "White Lines" - is based around their song "Cavern.) This new double a-side single from Murphy's own DFA features a torrential version of "Bellhead" he co-produced in 2004 alongside a completely new version of the Liquids classic "Optimo" by Glaswegian party crew Optimo (Espacio).

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Peter Cat Recordings Co.

Beta

35,99 €*

13" Frank Beltrane Italian Stiletto Mint Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a near decade spent in obscurity, Peter Cat Recording Co. or PCRC, emerged from the toxic winter smog of Delhi to enter the global Krishna consciousness with the release of 2019's "Bismillah", the culmination of years of refining their unique vision of 21st century pop music. Seeking a transcultural sound, centered around the song writing of Suryakant Sawhney, PCRC's music mines ideas from both time and space, across centuries and continents, extracting and transforming them into modern hymns and timeless folk, something you could perhaps imagine hearing in the holo-deck of a ship from Star Trek. As the name suggests, Peter Cat Recording Co. is less a band and more of a self-sufficient factory of music and art. With 3 potent song writers in Suryakant, Dhruv & Kartik, the group is building a legacy informed and echoing the spirit of groups like The Velvet Underground and The Beatles. The next chapter of this entity began with the announcement of their new album, "BETA", a name inspired by the birth of Karan Singh's son. PCRC is Suryakant Sawhney on vocals and guitars, Karan Singh on drums, Dhruv Bhola on bass and samples, Rohit Gupta on keys, horns and woodwind, and Kartik Sundareshan on guitars, horns and woodwind.

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Xiu Xiu

LP | 2024 | US | Original (Polyvinyl)

38,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Moon Mirror Coke Bottle Clear Vinyl Edition

Nada Surf

LP | 2024 | US | Original (New West)

2LP | 2024 | EU | Original (15 Love)

Release: 2024 / US – Original

Genre: Rock & Indie

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Moon Mirror, Nada Surf’s new record, has everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows-down masterpieces? Check. It’s all here. For the past 30 years, Nada Surf has had the same core lineup: Matthew Caws, Daniel Lorca, and Ira Elliot. Moon Mirror, their first for New West Records, was produced by the band and Ian Laughton at Rockfield Studios in Wales. For the recording, Matthew, Daniel, and Ira were joined by their friend and longtime keyboard player Louie Lino. Moon Mirror is a thrilling and moving leap forward for Nada Surf. The songs on the album are true to the human experience—as meaningful and mysterious and sometimes absurd as it is. There’s love, yes, but also grief, deep loneliness, doubt, wonder, and hope. These are not the songs of a band in their 20s. There is hard-won wisdom here, and hard-won belief in possibility—the kind that comes from falling down and getting back up

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Ml Buch

Suntub