Search "depeche mode" 2325 Items

Tape | 2022 | US | Original (Slumberland)

Release: 2022 / US – Original

Genre: Rock & Indie

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The Real Distractions love rocknroll. like an old shoebox of orc 45s you would sell your little cousin to get, made new and real by some secret seance of Bo Diddley beats, true touch guitar licks and forever teenage love croons. Its like they cut up a bunch of bomp and kicks magazines, stuck them back together and made a wish to turn them to a real band. a true love's wish and it worked. 4 tracks 45RPM featuring Tobi Vail (Bikini Kill, Frumpies, Spider and the Webs and MODs) as well as scene stalwarts Ricky Meyer (Rik and the Pigs), Peter David Connelly (the mona reels, Bangs, Quayde le Hue) and newcomer KT Ballard. Recorded live on a 1/2" 4- track and mixed byCapt. Tripps Ballsington in Olympia WA. Mastered by Amy Dragon.This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms.

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Kids On A Crime Spree

Fall In Love Not In Line

7" | 2021 | US | Original (Seeland)

Release: 2022 / US – Original

Genre: Rock & Indie

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Oakland, CA's Kids On A Crime Spree have spent the last decade crafting a compact but potent discography that shows a deep love of 60s Brill Building songwriting, 70s power-pop, bubblegum glam/pop, the Ramones and of course the seminal sonic overload and pop pathos of Phil Spector's legendary productions. With each release head Kid Mario Hernandez -- along with drummer Becky Barron, and guitarist Bill Evans -- have put a more and more unique stamp on the music they love and gathered a rather devoted fanbase doing so. Now back with a new record, Kids give us something their fans have always wanted ... more! "Fall In Love Not In Line" is a 10-song full-length record, a first for them. Cut at 45rpm, the album clocks in at a brisk 25 minutes, and it's a solid assemblage of noise-pop exuberance in all respects. Hernandez sought to move even farther from their influences, and the thick, rich sound that the band has put to tape (analog, of course) shows more warmth and some darker textures than in previous efforts; more shifting of tempos and melodies; a unity of purpose that can only come from years of playing together and listening to each other. The result is thoroughly modern power-pop that wears it's love of the classics lightly, finding new paths through familiar territory.

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Negativland

No Brain

7" | 2019 | EU | Original (Mr Bongo)

Release: 2021 / US – Original

Genre: Rock & Indie

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Four songs in just under nine minutes: what do they have in common? They’ve got No Brain, and they’re the new vinyl EP from your grandparents in Negativland. Just as all those decades of Media Literacy courses finally seemed to be sinking in, along came Social Media to scramble one’s lines of sight on where all these voices are really coming from. Every tactic modern citizens used to resist the one-way feeds of Broadcast Media—from skepticism, to research, to signal jamming—is just as easily used against them in today’s all-way environment. The four songs on this record juxtapose the voices of media experts from the ancient ’90s with voices culled from the modern landscape of Social Media—from the users still operating under the old rules, to the rationalizations of tech CEOs who invented the software that’s eaten them. How does one follow the money on a free platform? Who’s got the megaphone? Can non-sequiturs exist? What takes less time to update: a website’s auction to determine which ads are being loaded onto your page, or your own perceptual mechanism making a call on everything you don’t need to know? All of this and more, made hypnotically catchy through Negativland’s time-honored use of funny noises and weird beats, could be coming soon to a nervous system that is You. For a full Negativland stock list, please ask.

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Kit Sebastian

Mantra Moderne

Don't Tread On Me / I'll Find A Way

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.
The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.
The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.
Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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Royal Chessmen

7" | 2018 | UK | Original (B-W)

7" | 1966 | EU | Reissue (Wah Wah)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Despite a scant recorded legacy, the Royal Chessmen were one of the more popular 60s bands of the Mid-Ohio area.

Originally named for their hometown, 25 miles south of Canton, the Dover Chessmen, or simply the Chessmen, were assembled in 1965 by 15 year-old guitarist David Bird along with Dover High classmates Ken Weigand on bass, Keith Whiddon on guitar and Jeff Gintz on drums.

By 1967 Rich Bellanco of rival band the Pendletones had replaced Gintz, and Dave’s older brother Rodney Bird, a junior at Ohio State, was recruited on organ.

As they began to pick up local gigs they added equipment manager Edward Hardesty. They also MOD-ified their moniker to the more regal Royal Chessmen.

Two previously unreleased tracks have been rescued from the vaults by B-W label owner Matt Baker and are presented in this handsome gatefold sleeve.

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Brenner's Folk

Daurat Oest +3

Cold Diamond & Mink & Emilia Sisco

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The most elusive Edigsa 7" gets its first ever vinyl reissue on Wah Wah. An unsung moody garage folk-rock act, Brenner's Folk where the embryonic Pic-Nic (of "Cállate niña" fame) and featured a very young Jordi 'Toti' Soler right after he had gone through Els Xerracs (who also had released an EP on Edigsa), drummer Jordi Barangé (also from Els Xerracs) and brothers Vytas and Haakon Brenner. The Brenner brothers were born in Germany but grew up in Venezuela, where their family had emigrated after the devastation of World War II. The Brenner family would return several years later to establish in Europe, first in Italy and later in Barcelona. The new band started to rehearse under the name of The Vytas Brenner Quartet, and their main influences came from american modern folk acts like Peter Paul and Mary or The Mamas & The Papas, a.o. Not long after they started rehearsing, a very young Jeanette joined them thus becoming Brenner's Folk. Edigsa approached them and offered a contract for the recording of their only EP, sung in catalan and issued in 1966. A showcase of their folk and folk rock influences, the Brenner's Folk 7" is a lo fi garagey jewel that has become an elusive piece due to the importance that its band members would gather in years to come. Toti Soler became the biggest master of guitar, he went to psychedelic and progressive / jazz rock with Om prior to trading in his electric for a Spanish guitar and pioneering instrumental flamenco jazz rock fussion sound on his early solo albums. He is still active nowadays, he is one the biggest Catalan geniuses of modern guitar. The Brenner brothers returned to Venezuela where Vytas became a big solo act, recording the sought after LPs "La Ofrenda de Vytas" and "Hermanos" with his brother Haakon on production duties. Vytas continued a solo carrer that would last until his premature death in 2004 at only 57 due to a heart attack. Jeanette, of course, went on to lead the successful Pic-Nic along with Toti Soler and later enjoyed a successful solo career in the 1970s and 1980s, plus a come back in the early 2000s.

The 4 original Catalan sung tunes will appeal to lovers of Catalan sixties aborigen sounds, Euro & Nederbiet or American teen moody folk rock garage a la Rising Storm, Dovers, Nightcrawlers, Tormentors and the likes.

A facsimile reproduction of this mega rare EP, originally released on Edigsa in 1966, coming with remastered sound and an insert with lyrics, photos and notes.

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Let Me In Opaque Yellow Vinyl Edition

7" | 2024 | FI | Original (Timmion)

LP | 2019 | DE | Original (Wolves And Vibrancy)

Release: 2024 / FI – Original

Genre: Rock & Indie

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One of the prominent growing voices in Timmion Record'sroster, singer Emilia Sisco blesses your turntable withanother deep soul ballad. Joining hands with ColdDiamond & Mink, Emilia pours a generous helping of deepsoul magic into "Let Me In", gliding over the southerntinged beat with melodic grace.It's almost impossible to remain ambivalent to Emilia'stalent when the spine-tingling chorus with its clever twistsrolls in. The bittersweet love song's timeless feel poursover the listener like the flooding Mississippi, anthemic butunderstated. Flipping the single, we get to revisit Emilia'sprevious single "Love Can Carry Me" but this time ininstrumental mode, titled as "Way Past Midnight". It's notjust a vocal strip down, but this time Cold Diamond & Minkhas equipped the track with a jazzy Grant Green styledlead guitar. Tasty.You would have to be a cold-blooded robot not to feelsomething from this soulful double sider. Forget the dancefloors and bedrooms for a minute, these songs are the bestfertilizer for your personal mind garden.

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Colored Moth

DIM

Society Overdose / Turn The Tide

Release: 2019 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black vinyl edition.
Still shrink wrapped but opened.

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Death Ridge Boys

7" | 2024 | US | Original (Black Water)

Dave Cousins and Brian Willoughby

Release: 2024 / US – Original

Genre: Rock & Indie

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Hot off the heels of their full length on TKO, Too Much Bullshit, Death Ridge Boys give Black Water a nice new single. There isn’t much to say that hasn’t been said before from their several previous releases from these working class oi! loving Portland mainstays. They have never been broken, therefore need no fixing, so these two new jammers are taken in with open arms. For newcomers to this band, these fellas play melodic, anthemic street rock filled to the brim with inspirational political lyrics. In this singles case, gruffly sung tunes about the singer (Will from Talk IS Poison, Pressing ON, etc) and his journey into punk, discovering the world is a fucked up place in “Society Overdose”. The B-side “Turn The Tide” is a mid tempo rocker about fighting to not let the bastards have their way. Both tracks are modern day anthems for an insane world.

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Old School Songs

CD | 2011 | KR | Reissue (Media Arte)

Release: 2011 / KR – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Tape | 2023 | US | Original (Jagjaguwar)

Cut Worms

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Harbinger Sound)

Mark Wynn

More Singles, ...

12,74 €* 16,99 € -25%

Fat Pop Limited Standard CD

Release: 2017 / EU – Original

Genre: Rock & Indie

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Another 18 tracks taken from Mark Wynn's vast archives. After the success of the
previous volume and his acclaimed support slots following Sleaford Mods around
Europe. Harbinger Sound once again digs deep into the vaults and pulls out a
selection of tunes that previously appeared on self-released Cdrs over the last
couple of years. No-one is safe from Mark's wit, not even himself. Recommended for
fans of Ian Dury, Sleaford Mods, The Fall, JCC, Patrik Fitzgerald, Otway & Barrett,
etc. This first edition comes with a 20 page A4 booklet featuring Mark's musings on
life, the toilet gig circuit and many other things. Limited to 1000 copies.

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Paul Weller

CD | 2021 | EU | Original (Polydor)

12,09 €* 21,99 € -45%

7" | 2023 | US | Original (Lust Nouveau)

Release: 2021 / EU – Original

Genre: Rock & Indie

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We may be cursed to be in the midst a global pandemic, buffeted by all of its stresses and pain. But everyone knows that art provides succour, that music is the most reliable balm. And for many there is further significant comfort to be drawn from the knowledge that Paul Weller is in the midst of an unbelievably prolific purple patch. Paul Weller will not let us down when we need him most.

On May 14th, Paul Weller releases his 16th solo album since his self-titled debut in 1992, his fourth in as many years and his second in just under twelve months following June 2020’s magnificent, chart-topping On Sunset. It’s not hyperbole to state that this new album, titled Fat Pop (Volume 1), is among his most compelling collections, bar none, including all of his era-defining work in the 1970s and ‘80s with The Jam and The Style Council. It’s an absolute scorcher.

When lockdown was declared in March 2020, Paul Weller decided immediately that he wanted something to focus on, since it seemed unlikely he’d be able to tour On Sunset as planned that summer.

“I had lots of ideas stored up on my phone,” he explains down that same handset, speaking from outside his London home, “and at least this gave me an opportunity to develop them.” So he started to record songs on his own, doing just vocals, piano and guitar, then sending those sound files to his core band members such as drummer Ben Gordelier, Steve Cradock on guitar and various other instruments, and bassist Andy Crofts for them to add their parts. “It was a bit weird not being together, but at least it kept the wheels rolling. I’d have gone potty otherwise.”

The band reconvened at Weller’s Black Barn studio in Surrey during the summer when restrictions were lifted to finish the work, with several of the songs being cut live. By this stage, the shape of the album was clear to all. Weller wanted to deliver an album of singles, twelve short, distinct blasts, each strong enough that they could stand alone if so desired.

“That was a conscious decision,” he confirms. “I even thought about putting every song out as a single first then gathering them all on an album, but that wasn’t practical at the moment. They all have that strength and immediacy, I think, and they’re all short, three minutes or so maximum.”

Producer Jan ‘Stan’ Kybert was so taken with the concept that he half-jokingly suggested that the album be called Greatest Hits. “I quite liked the idea and every song does stand up as a single, I think,” chuckles Weller, “but no, we couldn’t do that really.”

Instead, he plumped for Fat Pop (Volume 1). “I thought we’d add Volume 1 to it just to keep my options open in the future for a second volume!” The title track, a tight, heavy blast of ultra-modern funk, is itself the conceptual key to the whole album. “It’s a celebration of music and what it’s given us all. No matter what situation you are in, and we’re in one now, music doesn’t let you down, does it?”

As ever, Weller’s sonic masterplan was to avoid whatever had recently preceded it. “After [2018’s] True Meanings I thought I wouldn’t have any acoustic guitars for a little while, so I’ve largely avoided those with On Sunset and with Fat Pop,” he says. “But more than anything I wanted something vibey, something we could play live.” He laughs ruefully at the irony of that. “God knows when that will be, bearing in mind where we are with the virus. But in the imaginary gig in my mind I can see us playing all of the songs on Fat Pop live, along with the songs from On Sunset, blending them with some of the old favourites too. What a great set that would be.”

Live is where he imagines On Sunset and Fat Pop (Volume 1) working in tandem, because they don’t act as companion piece albums otherwise. “On Sunset was quite lavish in places, whereas with this one I wanted to limit it in some ways, make the production less expansive.”

Beyond that desire to keep it frill-free and tight, sonically Fat Pop (Volume 1) is a diverse selection of sounds. No one style dominates. There’s the synth-heavy, future-wave strut of Cosmic Fringes, the stately balladeering of Still Glides The Stream, Testify’s moving-on-up soul, and the kind of dramatic three minute pop symphonies on Failed, True and Shades of Blue with which Paul Weller has hooked in generation after generation of devotee.

More than sonic plans, though, Weller set himself the same task as he does before any recording. “Whenever I make an album I’m always just trying to at least match what’s gone before because each time I think the bar’s been raised. If all goes to plan, sometimes I manage to go over that bar too.”

Sometimes he does, sometimes he really does.

Fat Pop (Volume 1), the story behind each song:

Cosmic Fringes

A dramatic entrance to Fat Pop (Volume 1). Cosmic Fringes pairs a minimal, pumping electro swing with a deadpan vocal that detonates an unspecified poseur and blowhard. “I’m a sleeping giant, waiting to awake/I stumble to the fridge/then back to bed”.

“It’s not about anyone in particular,” suggests Weller, “but I suppose it could be about a keyboard warrior, someone who is constantly brainstorming ideas but never gets around to doing them. Someone talking the talk, but never doing anything.”

“When I first did the demo it was quite punky, a bit like The Stooges. It doesn’t sound anything like that now because then I had the idea of stripping it all back to just the drums and bass, putting those synths on it. It’s got a bit of motoric feel to it and a little bit glam rock too, I think.”

True

A song with all the attributes of the greatest Paul Weller numbers: fire in its belly, questing lyrics, boss horns, flashes of guitar fury and a yearning melody you awake humming daily. It’s also a tremendous vocal, shared between Paul and Lia Metcalfe, the young Liverpudlian singer with The Mysterines.

“I really like her band and I really like her singing,” he says. “It makes a massive difference that we sang it live, in the same room. She’s got a really powerful voice and I wanted to write something for us to sing together, so I did. Then I just sent the phone demo to Lia and two weeks later we cut it. That was one of the last things we did for the album, in around September”.

Fat Pop

That brilliant, heavy bassline? “I did that. When we recorded it I was actually thinking about Cypress Hill, doing something that sounds like a DJ Muggs production. It’s got a bit of that. It’s my favourite song on the album, I think, about all the times music’s been there for me.”

Shades of Blue

A classic three-minute English pop kitchen sink drama, written by Paul Weller and his daughter Leah, who joins him on vocals. “Leah wrote the chorus for it and helped me finish it up. I wrote the verses. Reminds me of a suburban drama, a play.”

Glad Times

Sweeping, wistful, sparkling in shades of blue, Glad Times’ winning melancholia has been in the back of Weller’s mind for a while. “I wrote this with Tom (Doyle) and Ant (Brown). They usually send me a backing track and we work on it from there. It’s been around for a while, nearly made it onto On Sunset but didn’t quite fit. I really liked it, though, so I’m really glad it made it on to this album instead.”

Cobweb / Connections

Pastoral introspections, featuring a lovely acoustic solo by PW and a string score by Hannah Peel. “I think the song is saying that the more you can be yourself and be happy with yourself, the more you change into something better. It’s not just good for you, it’s good for everyone else as well. ‘Save yourself and save everyone around you too.’ It’s from observation but I suppose it’s about me too.”

Testify

Superfly strutting, cut live in the studio with Andy Fairweather Low adding distinctive vocals and Jacko Peake on fine flute and saxophone. When allowed out of the house, it’ll be a future live favourite.

“We had actually done it live two or three years ago,” says Weller, “but while I loved the groove I never really got a grip on the song. Then I did this charity gig in Guildford, one of the last things I’ve done probably, some Stax songs with Andy Fairweather Low. Our voices sound so good together and he’s such a lovely fellow, so I sent him the backing track. As soon as lockdown was lifted he came down to the studio for the afternoon. We cut it live and that was it.”

That Pleasure

In amongst those soulful strings there is some barely contained rage in Weller’s voice as he sings ‘Lose your hypocrisy.’ “I suppose it’s my reaction to the whole Black Lives Matter movement,” he explains. “You’re always on tender ground writing about that, but, regardless of my colour, any human being should be disturbed. You should be appalled and disgusted and shocked by those images of George Floyd being killed in the street. It has to stop. It’s a question for everyone.”

Failed

‘All the things I never get/and all the things I never meant/and all the things that make no fucking sense…I’ve failed.’

“Yes, I’m asking myself the question,” admits Weller, a man who has never been afraid of self-reflection in his songwriting. “It’s an angry song because I wrote it right after a massive row with my wife. But I like it. It’s honest. It’s not how I feel all the time, but it is how I feel some of the time. I’m just talking about me as a man. We all measure success in different ways.”

It’s also one of his favourite songs on the album, a stand-out.

Moving Canvas

A chunky, percussive groove, with the feel of Traffic but updated for the here-and-now.

“It’s going to be great live that one. I wrote it about Iggy Pop. I hope he likes it if he ever gets to hear it. It’s my tribute to him, even though it doesn’t sound anything like him. Aside from all the great records he’s made, as a performer he’s high art. It’s all about the Igster.”

In Better Times

A plaintive plea with some beautiful sax and guitar breaks. “Cold in your eyes, don’t you know you break my heart in two”.

“It’s me talking to a young person who is going through something, addiction or mental health pressure, or whatever, and just saying it’ll be alright. Just get through this bit and there’ll be better times to come, you’ll look back and you’ll see it differently.”

Still Glides The Stream

A stately collaboration between Weller and long-time guitar foil Steve Cradock.

“I had the chords and possibly the melody, which I sent to Cradock. And he sent me back a poem and I edited that, then we sent it back and forth by phone. Lockdown songwriting. I just liked the poem. In my mind, I was thinking about our road sweeper who’s a lovely fellow. I started thinking that there’s so many people in this country who form the infrastructure of it and without whom we’d be fucked. But they’re looked down upon, not really noticed. So I was imagining their story. I did find out that there’s a book of the same name (by Flora Thompson) and Cradock said he had seen it in a shop, so that’s where the title comes from. I just liked the poetry of it. Steve’s a very soulful fella.”

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Dream Cars

Quocunque Jeceris Stabit

Death And Pure Distruction

Release: 2023 / US – Original

Genre: Rock & Indie

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Dream Cars is the musical alter ego of Vancouver BC artist: Phillip Intile (from post-punk group Mode ModeRNE). The forty year old is set to release his sonically colourful third full length album + 7" Return of the Custom Design! A brilliant song trip of beautifully disjointed weirdo pop music, written and created with complete freeness of the mind and soul.

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Death Sentence

7" | 1982 | EU (Mad Butcher Classics)

7" | 2021 | US | Original (Domestic Departure)

Release: 1982 / EU

Genre: Rock & Indie

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Death Sentence was certainly a band of its time as the looks of the boys suggest with their boots, studded jackets and spiky hair. The four songs on this Ep epitomize everything to love about that genre. It is fast and basic, it is sloppy, it is snottier than a six-year old on a rainy day, it is pissed, spontaneous and distorted.

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CDG

Unconditional EP

Tape | EU | Original (Alam El Phan)

Release: 2021 / US – Original

Genre: Rock & Indie

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New sounds from the solo home-recorded incarnation of Portland's CDG (aka Conditioner Disco Group), as performed by J. NICKLE—also of Collate and THE Bedrooms. Messthetics moderne / doomtown goes downtown. "If you can opine on the relative merits of Slates versus Hex Enduction Hour (I definitely can), CDG makes music for you. Not that CDG sounds exactly like the Fall (but sometimes they sound a lot like the Fall). For one, CDG often uses funky grooves (like the Zamrock-ish “Degraded Dialect”), something the Fall didn’t tend to do, but that was a big part of that UK DIY / post-punk / messthetic (although CDG resides in Portland, this is very Anglophonic). If you have any fucking clue about what I’m going on about right now, you need this. It’s exactly how on the nose you want it to be, right down to the distinctive sleeve design and the sneaky pop hit that closes the record. I also love that, while a lot of bands of this ilk release singles, this is modeled on longer 7” EPs like the Television Personalities’ Where’s Bill Grundy Now or the O-Level record, and like those EPs, this feels weightier and wider in scope than a two-songer."—(Daniel Lupton / Sorry State Records)

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Maiyada El Henawy

Amr El Hawa

Release: EU – Original

Genre: Rock & Indie

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Tape | EU | Original (Alam El Phan)

Mayada El Henawy

Ana Baashaak (Syria)

Release: EU – Original

Genre: Rock & Indie

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Tape | 1993 | EU | Original (Alam El Phan)

Mayada El Henawy

Gayart Hauate (Syria)

Release: 1993 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (La Vida Es Un Mus)

Kohti Tuhoa

Väkivaltaa

Tape | 2021 | US | Original (Sacred Bones)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The Hardworking Helsinki 4-Piece Are Back With A New Ep, Which Shows The Band Experimenting With Different Sounds On Each Side Of The Record. On Side A The Band Draws Inspiration From Early Spiderleg Records Eps And Killing Joke, With Raw, Catchy Guitar Parts And Vocals Nicely Layered On Top Of A Heavy, Driving Beat. Side B Offers 3 Tracks Of Catchy Yet Relentless Hardcore Punk Where Intense Screaming, Pogo Beats And Broken-Sounding Guitars Create A Backdrop For A Great Mix Of Finnish Hardcore, Disorder And Modern Bands Like Colombia's Muro. The Lyrics Illustrate A Violent World Plunging Into Chaos At An Alarming Rate, Which Seems To Be The Case In All Parts Of The Planet In 2021. Väkivaltaa 7" Was Recorded And Mixed By The Band And Mastered By Their Trusted Engineer Jack Control At Enormous Door Mastering. The Record Comes With A Booklet-Sleeve, Lyrics And Original Artwork From Jaakko Karjula And C.S.M 101.

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Molchat Doma

S Krysh Nashikh Domov

This Is My Story / Blue Light

Release: 2021 / US – Original

Genre: Rock & Indie

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When S Krysh Nashikh Domov The Debut Album By Molchat Doma, Was Released In 2017, It Announced A Bold New Voice In Underground Music. The Album Found A Passionate Audience On Bandcamp And Other Streaming Services And Was Released On Cd And Cassette. Sacred Bones Records Is Proud To Present The Album On Vinyl For The First Time. Molchat Doma (Translated As "Houses Are Silent"), Founded In 2017 In Minsk, Belarus, Stands At The Intersection Of Post-Punk, New-Wave And Synth-Pop. Dark Yet Danceable, And With A Heavy Dose Of Goth Ethos, Their Music Is Reminiscent Of The Masters That Predate Them, But Make No Mistake: Molchat Doma Creates A Sound And Meaning That Is Immediately Recognizable As All Their Own. The Band Is Comprised Of Egor Shkutko, Who Sings The Russian Lyrics In His Deep Monotone, Roman Komogortsev On Guitar, Synths, And Drum Machine, And Pavel Kozlov On Bass And Synths.Riyl: Depeche Mode, New Order, Drab Majesty, Black Marble

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Holy Hive

7" | 2018 | US | Original (Big Crown)

LP+12" | 1987 | Original (Arista)

Release: 2018 / US – Original

Genre: Rock & Indie

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Big Crown Records is proud to present the debut single from the newest band on the roster, Holy Hive.

Comprised of Paul Spring, Homer Steinweiss, and Joe Harrison, Holy Hive obscures genre lines and has a style and energy uniquely their own.

Side A, “This Is My Story”, is a cover of the Invincible’s cult classic from 1968. Holy Hive takes the tune into modern times while keeping just enough of the original. The horns and vibraphone rip into the speakers from the first note and Paul Spring’s ethereal and honeyed vocals sit atop Homer’s infamous drumming like an ox pecker on a black rhinos back.
The B Side, “Blue Light” is a perfect representation of the sound that is wholly unique to Holy Hive. With a less is more ethos, they craft an intimate space that is equal parts Jessica Pratt, The Persuaders, and Julian Bream.

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Meat Loaf

Meat Loaf Live

Release: 1987 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | EU | Original (Gentle Threat)

Sarah Mccoy

High Priestess

7" | 2024 | US | Original (Dirt Cult)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Cover with a beginning seam split at the upper edge.
Record is slightly warped but still enjoyable.

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De Rodillas

Implacable

EP | 2006 | Reissue (Damaged Goods)

Release: 2024 / US – Original

Genre: Rock & Indie

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De Rodillas is a hardcore punk band from Pittsburgh PA. Fronted by a formerly undocumented Mexican immigrant, the band’s songs explore political topics from a personal perspective, and are steeped in raw, visceral emotion. Slathered in feedback, anchored by a rapid rhythm section and propelled by inventive riffing that pulls equally from 80s hardcore classics and modern inspirations. The band paints with an extreme but inventive sonic template that serves to imbue the lyrics with an increased sense of urgency.

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The Wolfmen

Jackie Says E.P.

12"+Cassette | 2022 | DE | Original (Treibender Teppich)

Release: 2006 / Reissue

Genre: Rock & Indie

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"Jackie Says" is the debut EP from THE WOLFMEN, the new band from Marco Pironni (ADAM & THE ANTS, Sinead O'Connor) and Chris Constantinou (ADAM & THE ANTS, JACKIE ONASSID). The four songs here show exactly where the band is coming from: the title track tells a story of Jack The Ripper, with music that's as arresting as the subject matter, while "Needle In The Camel's Eye" is a fierce cover of early Brian Eno. This may be the first buy-able release from THE WOLFMEN but their tracks have been leaking out through TV and cinema for the past year. Rimmel and Heineken have both used tracks in adverts and THE WOLFMEN wrote the soundtrack to Bravo TV's I Predict A Riot, which Time Out declared "astonishing" and The Times "compelling". Demos from the Jackie Says EP have been...

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Marlais

Stream Of Forms

7" | 2024 | US | Original (Domestic Departures)

Release: 2022 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+. With insert. Tape is missing.

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Added Dimensions

Time Suck / Hellbent

Release: 2024 / US – Original

Genre: Rock & Indie

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Time Suck / Hellbent is the first vinyl EP from Richmond, Virginia’s Added Dimensions (the home recording project helmed by Sarah Everton OF Blowdryer and Telepathic), following a self-released, self-titled cassette released in 2022. Sarah’s trebly/jangly guitar riffs and sneaky bass lines are backed by a charge of unfussy, driving drums from ROB Garcia, all cloaked in the perfect amount of lo-fi Tascam grit, as she lyrically pares down the heavy psychic weight of modern living (the social cost of convenience and connectivity, the inane routine of labor as a means of survival, etc.) into disarmingly hooky mini-manifestoes—even the sugar-coated melodies can’t hide the harsh truths behind lines like “every day, same as before” (“Interruption”). Wire rubbing elbows with the Shop Assistants as a C86 band? A Kim Deal-fronted Urinals? Charms you can’t resist!

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LP | DE | Reissue (Threshold)

Seventh Sojourn

Information / Alors Allez

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl closer to VG+

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Disturbed Furniture

7" | 1991 | EU (Mad Butcher)

Sea Divers: Live in London

Release: 1991 / EU

Genre: Rock & Indie

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The 1981 debut single by the acclaimed NYC-based post-punk/new wave band, reissued on vinyl!

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Mott The Hoople

CD | 2021 | UK (Cantare)

Release: 2021 / UK

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | 1980 | US | Reissue (Iron Lung)

The Steves

Making Time

7" | 2019 | EU | Original (Six Tonnes De Chair)

Release: 1980 / US – Reissue

Genre: Rock & Indie

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When The Steves' two extremely limited (maybe 100-200 of each?) EPs were released back in 1980 and '81 respectively, the squares around Harvard's newsroom were aghast at the audacity of this group. Having the stones to release such crudely-rhythmic, near mechanical and downright terse tunes in the day's often long winded prog rockin' ballad heavy radio reality that were too robotic to be “punk” and too unruly to be anything but was, to say the least, a bold move. Sure to cause an uproar in the halls, protests in the classroom and uninvited dancing in the streets! In the annals of New England's rock journalism, there is not a mountain of coverage on The Steves, certainly not as much as the Alan Parsons Project or Aerosmith, but the fact remains that they were a fully charged powder keg of raw energy and new musical direction that seemed to elude most of the world back then. Not to say they didn't get any light shone on them, they did get a fair amount of airplay on the college stations around Boston and even appeared on the cover of Boston Rock magazine. It is Iron Lung Records' distinct pleasure to offer the modern world a new chance to discover the ever vital and effervescent music of The Steves' initial EPs along with a third EP of songs never released on vinyl until now that were recorded at the time or shortly after the initial sessions. A true synth-punk/KBD treasure. Obscurity is for suckers. Let's get shakin'! 700 copies of each EP on black 70gr vinyl housed in a 12pt reverse board glue pocket sleeve with faithful reproductions of the original art. Originally produced by V. Ray, Darlene Wilson and The Steves. Remastered by John Golden in 2023. These reissues are dedicated to Steve Arey, a great drummer and the original steve.

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Memes

Blah Blah Blah

Tape | 2024 | EU (Radiation Reissues)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Memes is John Meme and Paul Meme - a laptop rock duo from Glasgow, formed in February 2019.

"Nine months is what MEMES have taken to get together and release their first 7", " Blah Blah Blah ", whose vinyl will reach the buckets in less than a week through the French label Six Tonnes De Chair Records, happening everything so fast thanks also to Steve Lamacq on the BBC6, who praised the John and Paul hard work behind the eponymous single to the album, whose strategy is based on a saturated lo-fi that makes post-punk and garage go hand in hand before the strings end up taking the control in favour of the motivating rock, implanting also its lyrical message in 'Happy Shopper', which takes it to the Sleaford Mods ground while the instrumentation is approaching a Christmas dyed of BODEGA, getting noticed by the use of a megaphone with which they approach their lyrics to the people, causing the hips to not stop moving at any time, which well taken advantage of by 'Funny Man', means visiting the 70's, chanted by the 50's, generating a mosh whose limits are not yet defined."

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Modern Lovers

7" | 2022 | US | Original (Flatspot)

Release: 2024 / EU

Genre: Rock & Indie

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Modern Lovers' self-titled debut album, released in 1976, is a timeless exploration of proto-punk and alternative rock. Led by Jonathan Richman, the album captures a minimalist and lo-fi charm, with tracks like 'Roadrunner' becoming anthems of the emerging punk scene. Richman's witty lyrics and stripped-down sound make 'Modern Lovers' a seminal work, influencing generations of indie and punk musicians. The album stands as a testament to the band's pioneering role in shaping the landscape of alternative music.

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Kill Your Idols

Rule Them All

Land Of The Rising Spaghetti

Release: 2022 / US – Original

Genre: Rock & Indie

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Kill Your Idols formed in 1995 by vocalist Andy West and guitarist Gary Bennett, listening to hardcore and dreaming of recording a 7” and opening for their favorite bands like 7 Seconds and Sick OF IT ALL. That dream became reality faster than they could have ever imagined as they ended up doing all that, and then some, spending 1997 through 2006 touring the United States, Europe, and even Asia at a Black Flag pace, as well as releasing scores of full-length albums and EPs, including splits with Fisticuffs, Full Speed Ahead, THE Nerve Agents, Voorhees, Good Riddance, Crime IN Stereo, Modern Life IS WAR, Poison Idea, and yes, 7 Seconds. Then, in 2007 the band called it quits with members moving on to other projects, but not before playing several legendary final shows. In 2013, the band rose from the dead, performing a now famous “welcome back Kyi” set at Black N’ Blue Bowl, at a sold out Webster Hall in NYC. Ever since, the band knew they belonged on the stage, and have continued to play shows to their loyal fans as well as reaching a new, younger audience. Hardcore as ever, the band plans on writing, recording, and performing whenever possible. Never say die. Rule Them ALL was created with one goal in mind: deliver gimmick-free hardcore that speaks truth to power. The band was formed in 2017 by Richie Armour and Jon Gusman, who have since completed the lineup with members of diverse experience that spans a wide range of musical disciplines. Their carefully constructed and deliberately paced songs call to mind both the emotional intelligence of classic D.C. hardcore and the raw aggression of the Long Island scene they call home. The result is a confrontational blend of vintage and modern styles that force the listener to reckon with their own notions of what it means to be independent in today’s fractured society. Sonically, Rule Them ALL expertly synchronize hard-hitting drums with harmonic riffs to form an unshakeable foundation over which the message in the vocals can be easily heard and understood crystal clear. This shines on their latest EP, Dreams About... and upcoming split with fellow Long Island punk act Kill Your Idols (both released by Flatspot Records). The band’s potent blend of hardcore has lead way to an ever-growing fanbase and sharing the stage with acts like Terror, Turnstile, Gorilla Biscuits, and more.

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Raw Power & Ananas

7" | 2021 | EU | Original (Pig)

Blood Sacrifice Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Raw Power was formed in 1981 by two brothers from Poviglio, Italy, Mauro on vocals and Giuseppe on guitars. Land of the Rising Spaghetti commemorates their 40th Anniversary release and their pre-Covid 19 tour of Japan with the Ananas opening. The line-up for Raw Power's side of the record includes Mauro Codeluppi on vocals, Marco Massarenti on bass, Paolo on guitars, Berta on drums and Giuseppe in spirit. Sadly, Giuseppe left the planet on October 6th, 2002 but his guitar can still be heard screaming from the gutters. He was with Raw Power for slightly over a quarter of a century and is the driving force between Mauro's desire to keep the band functioning until he too passes on. Executive producer, David Ulysses Portnow first saw Raw Power in 1986 at the Gorilla Gardens all-ages club where he worked until its closure. "Funny thing about that night, the opening band was Guns & Roses," he recalls. In 1987, Raw Power returned to the US and headlined a massive US and Canadian tour with the Dayglo Abortions and Dehumanizers in tow. Raw Power have also performed with the Ramones, Dead Kennedys, Circle Jerks, Adolescents, DOA, Agnostic Front, Suicidal Tendencies, Motorhead and a list of heavy hitters that goes on and on, including Japan's female fronted Ananas. PIG Records was searching for more female representation in punk and found it with the Ananas. PIG Records wants to emphasize the importance of women in rock. Mauro gave his full support to the concept and describes front lady Karina Friday as the modern-day version of Mr. Chi Pig from Snfu, may his soul rest in peace as well. The Ananas are from Kyoto, Japan and Karina is supported by Junichi on guitars, Awaji on bass and Kazu on drums.

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Bloodphemy

LP | 2021 | EU | Original (Emanzipation)

7" | 2020 | US | Original (Wick)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Steamrolling and rumbling death metal. Drawing influence from Florida, Sweden, and their heritage, Bloodphemy distinguish themselves with aggressive death metal mixing modern and classic styles. This is particularly true in their fourth studio album, “Blood Sacrifice”, the first to be released after the Dutchmen signed a record deal with Emanzipation. Cavernous deep roaring vocals, heavy slow crawling dirges and up-tempo psychotic slaughtering providing heavy listening that hits you in the chest and to bang your skull heavy! The album is aptly led by a great concept: During the 1800’s, in a rural area of the US, a priest leads the congregation of a small village. He is obsessed by the sins of the people around him. He is convinced he has direct conversations with god and this drives him to see the actions of his own family as sinful. In visions he sees the destruction of heaven and the victory of the forces of hell if he lets the sinning go on. With this in mind he decides to end the sins by killing his own family. In the end he ends up in an insane asylum surrounded by only sinners and driven completely mad. Bloodphemy was created in 2000 and is based in Amersfoort, Netherlands. In 2002 they released the album “Section 8”. Shortly after they disbanded, only to be revived in 2015. Since then they released the EP “Blood Will Tell” (2016) and the albums “Bloodline” (2017) and “In Cold Blood” (2019). The band is also known for being an unrelenting live force, with appearances registered in stages across Germany, Luxemburg, Czech Republic, Austria,

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The Ar-Kaics

To Be Free / Easy

7" | 2020 | CH | Original (Six Tonnes Des Chair)

Release: 2020 / US – Original

Genre: Rock & Indie

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The Ar-Kaics are back with a double shot of their endangered mode of recreational expression / rebellion, and doing it just for Kaics! Recorded at Daptone amid the gloom and decay of the day, “To Be Free” b/w “Easy” showcase the band's primitive garage sound in two nasty f lights of fancy. Wash it down with the fun punch straight from the bowl, and listen for the proto psych and outright punk nonsense a-brewing. With a new drummer in tow, free & easy is the rally cry for their new lease on psych. Communion for heads and seekers alike!

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Mt. Mountain

Tassels

Release: 2020 / CH – Original

Genre: Rock & Indie

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The Mystery Of The Bulgarian Voices

Shandai Ya / Stanka Black Vinyl Edition

LP | 2020 | EU | Original (Prophecy)

Release: 2020 / EU – Original

Genre: Rock & Indie

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7" | 1985 | EU | Reissue (Optic Nerve)

Meat Whiplash

Dont Slip Up

Collective Unconciousness

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Includes postcard and poster. Their one and only single was originally released in 1985 on Creation and spent 19 weeks in the independent chart. From East Kilbride in Scotland, they morphed into Motorcycle Boy.

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S.H.I.T.

7" | 2014 | US | Original (Iron Lung)

The Other Side HHV Bundle

Release: 2014 / US – Original

Genre: Rock & Indie

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Sexual Humans In Turmoil (or our favorite: Skinheads In Tuxedos) more commonly known as S.H.I.T., debut with four urgently executed 100% uncommon hardcore punk tracks in the modern Toronto style. Collective Unconciousness speaks to a vast generation of sleeping strength and rusted mobility. It's time. Organize. Stand tall. Believe in your movement. Check your spelling. Honest, important music gets made less frequently then it should and gets noticed even less. Don't be a dullard, wake up and smell the S.H.I.T. Sounds: Falco. Art: Jaybo.

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Robot Koch

CD | 2011 | EU | Original (Project: Mooncircle)

12" | EU (Mad Butcher Classics)

Release: 2011 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being “One of Europe's finest producers of the beat generation“ (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” (“Essential listening” – Bobby Friction BBC) and “Songs For Trees and Cyborgs“ (“Music for a modern age that has rarely sounded so good” – Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch's production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch's fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

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The Zips

Take Me Down

Release: EU

Genre: Rock & Indie, Reggae & Dancehall

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LP | 2020 | EU (Overdrive)

Meat For Dogs

Il Grande Bluff

Release: 2020 / EU

Genre: Rock & Indie

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CD | 2002 | UK | Original (Mute)

Moby

Release: 2002 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

7" | 2023 | EU | Original (Treibender Teppich)

Flora

Time Stops

Pete Astor / Die Liga Der Gewöhnlichen Gentlemen

Release: 2023 / EU – Original

Genre: Rock & Indie

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Flora Times Stop Single!

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Alle Ampeln Auf Gelb / Wie Frankie Lymon

7" | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2016 | DE | Original (Twisted Chords)

Colored Moth

Fragmenting Tensions

10,49 €* 13,99 € -25%

Release: 2016 / DE – Original

Genre: Rock & Indie

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12" | 2022 | EU | Original (Prah)

Pozi

Typing EP

10,39 €* 15,99 € -35%

LP | 2023 | JP | Original (Pink Layke Audio)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The nightmare continues. Last summer, Pozi's 176 EP came out just as the coronavirus pandemic was offering us its first false dawn. Fast forward twelve months and another devastating wave later, we're still a disorientated, shell-shocked mess; moving once again towards normality, but with the energy-sapping tension of continued restrictions. A grimly perfect time then for the south London three-piece to return with new EP 'Typing' on Prah Recordings. The five tracks here reflect another stage in Pozi's evolution. Since coming out of the gate they've been a bristling, frenetic presence, toeing the line between dissonance and pop sensibility. As the 176 EP was a refinement of what they did on PZ1, Typing sees the trio becoming yet more comfortable in their relationship as a band and increasingly confident in how far they can push their sound. Typing isn't a lockdown record, but it has been informed by it. More importantly, though, it's yet another significant step forward from a band who've so far felt like something of an underground secret, despite being championed by BBC Radio 6 Music and in various places by contemporaries such as Sleaford Mods, Squid and Sports Team. Once restrictions do finally lift, that may no longer be the case.

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Sky Mata

Smile Hotel

10,39 €* 25,99 € -60%

Needle In The Camel's Eye

Release: 2023 / JP – Original

Genre: Rock & Indie

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The '21 album by Sky Mata (Yūtai Bijin), a prodigious bedroom folk S.S.W. from Sapporo, is now on LP!

The latest work by the Sapporo-based home recording project Sky Mata is now available in analog form. Each side consists of seven or eight songs on this nostalgic, cinematic, and stunning lo-fi avant-pop suite.

Sky Mata has been releasing works since the mid-2010s, and their self-titled EP under the name Ghostly Beauty, which was released in analog form in 2021, has also made a big splash. It is now available in analog form. The album has a unique sound that combines the romanticism of folk music from half a century ago with an inorganic, futuristic world. The improvisational and flowing performance that intersects jazz, lounge music, and exotic, and the unique vocal style that spins pop melodies in a humorous way are also filled with a mysterious charm. If I had to name an artist of the same era, I would cite Sam Gendel as a great masterpiece.

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The Wolfmen

7" | 2008 | Reissue (Damaged Goods)

Tin Machine / Moody Blues

Release: 2008 / Reissue

Genre: Rock & Indie

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"Needle In The Camel's Eye" is the fourth single from The Wolfmen, following hot on the heels of last years limited edition release "Cecilie" and their first two singles on DG. It's a cover of the ENO track from his debut album "Here Come The Warm Jets" and this version has been remixed by Alan Moulder. There are two exclusive tracks on the b-side "Zip Gun" and "Mother Of Mystery". The Wolfmen's debut album is scheduled for a June 2008 release. The Wolfmen are Marco Pirroni (guitars) and Chris Constantinou (vocals/bass). Marco first appeared on stage alongside Sid Vicious in Siouxsie and The Banshees and, with Adam and The Ants, he co-wrote five number one singles and two number one albums. In the 90s he joined Sinead O'Connor as co-writer and guitarist. Chris joined Adam Ant's band in 1982 and went on to work with Junior Vasquez and Guy Chambers, and, in the 90s, formed Jackie Onassid and toured with Iggy Pop. This remix of "Needle..." is also featured in the new film DOGGING: A...

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Go Now Picture Disc Edition

7" | 2022 | EU | Original (Reel To Reel)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tin Machine / Moody Blues

Go Now Red Vinyl Edition

7" | 2022 | EU | Original (Reel To Reel)

Release: 2022 / EU – Original

Genre: Rock & Indie

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7" | 2022 | US | Original (Sloth Mate)

Violent Change

Martin Kolbe + Ralf Illenberger

Release: 2022 / US – Original

Genre: Rock & Indie

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Violent Change is a San Francisco Bay Area act formed in 2012 as the recording project of Matt Bleyle (sopors / ABI Yoyos). The band has had a rotating cast of musicians (once including Tony Molina and Sterling Mackinnon of The False Berries). The current line up featuring, Stanley Martinez (rays, THE World) finds them straddling the boundaries, again, of all things questionably recorded. Their sound has been described as somewhere between GBV and a Killed By Death compilation or The Idle Race meets Vertical Slit.

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Waves

LP | 1978 | DE | Original (Mood)

Release: 1978 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Original (Heavenly)

Halo Maud

Je Suis Une Île

Ich Sehe Im Vorbeifahrenden Auto Den Unfall Mitvorbeifahren, In Zeitlupe Und Rueckwaerts

Release: 2018 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover is close to VG+!

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Farce

12" | 2017 | DE | Original (Meta Matter)

7" | 2012 | EU | Reissue (Moody Monkey)

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown/black marbled. Looks like new, probably unplayed. Comes with insert and MP3 download cars.

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Thee Outlets

Halloween Bash

7" | 2012 | EU | Reissue (Moody Monkey)

Release: 2012 / EU – Reissue

Genre: Rock & Indie, Christmas

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THEE OUTLETS, today's so-called Garage Punk Sensation from Hamburg St. Pauli with their second release, a HALLOWEEN smasher offering two A-sides: MY MONKEY MAN, a sexy Bo-Diddleyish fecundity ode, and VAMPIRE OF MINE which beams you back in the ol' spooky world of Screaming Lord Sutch. Both of these dancing tunes were written by Thee Outlets, recorded at the Yeah!Yeah!Yeah! studios in Hamburg and come in a beautiful sleeve created by star illustrator Jean-François Martin in person! Two soon to become party classics, so put on your gorilla costume, smash your pumpkins and party on!

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Thee Outlets

1st

Soul Of Fire / Rip Van Winkle

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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THEE OUTLETS are today's Garage Punk and Beat sensation, straight from Hamburg's St. Pauli. Four original eclectic smashers in English and French by three cuties and one dude. This crew can definitely make songs and will surely electrify you as they did it to me. They offer candy for your ears, rage for your heart, and guaranteed stompers for your feet. Featuring a member of Curlee Wurlee! This is their first EP, so get it now before it's sold out!!!

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Witch

7" | 2006 | Reissue (Damaged Goods)

CD | 2005 | AU | Original (Mute)

Release: 2006 / Reissue

Genre: Rock & Indie

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A limited edition 7" single featuring "Soul Of Fire" (taken from their debut album) and an exclusive b-side "Rip Van Winkle" (early version). The group WITCH was born from a marriage of apparently contradictory influences. J Mascis of DINOSAUR JR. renown and his long time friend Dave Sweetapple were interested in forming a hard rock band. They found willingand able conspirators in Kyle Thomas and Asa Irons, members New England avant-folk outfit FEATHERS. On their eponymous debut album, this line-up mounts a mighty sonic tumult that harkens back to classic heavy metal sound of early 70_s outfits while still sounding modern in it's assault. The eponymous debut album from WITCH is scheduled for release on TeePee Records March 7th, 2006. WITCH recorded their debut album for Tee PeeRecords with engineer John Agnello, who had already recordedDINOSAUR JR., J MASCIS + THE FOG, EARLY MAN, SON VOLT and SCREAMING TREES to name a few.

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Richard Hawley

Coles Corner

Tape | 2023 | EU | Original (Phantom)

Release: 2005 / AU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Doc Flippers

Human Pork

Tape | 2020 | US | Original (NNA Tapes)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The good doctor is finally back to flip us on our backs and give us the old one-two-three-four, following a cassette I only knew about and listened to death and onto rebirth after hanging with the boys in Marseille.

These new-age space cowboys take us to the other side of the galaxy with a space shuttle of punk-fuelled psychedelic country… and drop you off into a black hole. The riffs bring the good news of the apocalypse to the new world from the one they left behind. US Maple lightsaber guitars fighting in a Uranium Club? Singer running out of oxygen.

References aren’t required anymore, just like when you hired VHS from the local video store. Take the risk, take the plunge, form an opinion yourself… get your money’s worth, tell me to go to hell and stop reading this.

If Captain Beefheart kept playing punk music and joined Marbled Eye or something, wearing modern, youthful clothes with an iPhone to hang out with some of the deranged, loveable, lust-for-lifers of Leipzig, maybe it would sound like this, but only after pulling him apart and putting him back together as robocop with a country teasers bumper sticker on his metal arse.

Why hire VHS when you can see their amazing video clips, which look like they’ve been directed by Giuseppe Andrews... Doc Flippers are trailer trash cooking bratwurst on top of flaming oil drums... crazy homeless, performance art punk rock.

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Bendrix Littleton

Deep Dark South

9,74 €* 12,99 € -25%

7" | 2023 | UK | Original (Ocean Omen)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bendrix Littleton is the writing and recording project of Nashville-via-Dallas musician and producer Bennett Littlejohn. The self-aware, malaise-filled songs on his debut LP 'Deep Dark South' are imbued with the painful beauty of the modern American South, including themes of drug and alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a 'Nashville tuning'). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. 'I tried to pair instruments that typically aren't used together--one's that I've shied away from after playing them with uninspired country music.' 'Deep Dark South' conjures the feeling of wonder one gets from looking up at the vast Southern night sky.

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SBT (Sarabeth Tucek)

The Gift

8,99 €* 11,99 € -25%

7" | 1982 | EU (Mad Butcher Classics)

Release: 2023 / UK – Original

Genre: Rock & Indie

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American singer-songwriter Sarabeth Tucek re-emerges in 2023 after a decade-long hibernation with the new moniker SBT and a brand new double A-side 7” “The Gift / 13th St. #2” in advance of her long-awaited third album next spring, details to be announced in the new year. “The Gift” has already received heavy rotations on BBC Radio 6 Music courtesy of Marc Riley. An extensive UK tour is lined up to support the impending album release that will be issued world-wide on SBT's own freshly-minted imprint Ocean Omen. The lead track “The Gift” is a magnificent and swoonsome pop song awash with its modern take on classic Americana. It is indeed, a timely reminder of how great songs can be, evoking the classic chiming guitar pop of the likes of Game Theory, or Australia’s The Church and melding with the contemporary choogle of the likes of Jeff Tweedy / Wilco, whereas the second side has and almost updated that seminal Velvets drone-pop chug that flows like it should be released on Creation or indeed Homestead / Sub Pop in the late 80s. Yes, both tracks are that good.. trust us.

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The Fits

The Last Laugh E.P.

8,99 €* 11,99 € -25%

7" | 1978 | EU (Mad Butcher Classics)

Release: 1982 / EU

Genre: Rock & Indie

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The Fits were a punk rock band from Blackpool, Lancashire, England. Originally released on Rondelet Music, this EP entered the UK Indie Chart in December 1982 and peaked at number 44.

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The Rebels

Suicide

8,99 €* 11,99 € -25%

Release: 1978 / EU

Genre: Rock & Indie

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Reissue In 'Company Sleeve' For This 1978 Uk Punk Smasher Originally On The 'Rigid' Records Label Limited 500 On The Mad Butcher Label From Germany

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LP | 1981 | DE | Original (Threshold)

Long Distance Voyager

Mad Monk & Apache Dropout

Release: 1981 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

vinyl is close to NM

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My Wild Life

7" | 2012 | Reissue (Family Vineyard)

Release: 2012 / Reissue

Genre: Rock & Indie

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Mad Monk is John Terrill, original member of the late '70s new/no wave Dancing Cigarettes and veteran of many stripped down Hoosier groups since. As an ace singer/songwriter and eternal student of rock ' roll's high/gulcher culture, he's kept a criminally low profile snug in the Midwest despite drawing attention from songwriter Bill Fay and other major/minor music heads. This platter lines up the Monk's two newest biographical orchestrations -- and a Velvet Underground bootleg favorite -- with the freakbeat backup of Apache Dropout -- fresh off their Trouble In Mind album. In blasted proto-style the Monk takes on his past ("My Wild Life"), drink of choice ("Double Shot of Brandy") and a tune that bridges Apache Dropout's boogie and avant-garde notions ("I'm Not a Young Man Anymore"). Comes in full color sleeve with download code in edition of 500 copies. Recorded in mono by John Dawson and Lord Fyre at Magnetic South on analogue equipment.

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2LP | 1974 | US | Original (Threshold)

This Is The Moody Blues

Release: 1974 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

2CD | 2017 | DE | Original (Columbia)

Depeche Mode

Spirit

Topic Records . The Real Sound of Folk Music

Release: 2017 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Deluxe Edition.

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V.A.

2CD | 2017 | Original (Topic)

Arbeitslos & Spaß Dabei Record Store Day 2023 Edition

Release: 2017 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case.
All booklets included.

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Vicky Vomit

7" | 2023 | EU | Original (Dreilabel)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fantasy Curacao Color Vinyl Edition

7" | 2023 | UK | Original (Upset The Rhythm)

Release: 2023 / UK – Original

Genre: Rock & Indie

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If Es’ debut album for Upset the Rhythm explored the “tension between intent and interpretation”, the London group’s 2023 EP, ‘Fantasy’, constructs a coda for resistance against the distorted gaze. A four-track contact-high anxiety amid fact and facsimile, the new release attempts to define a sound that still resonates in an increasingly confused public theatre, where cerebral dreams manifest in corrupt fascination. Echoing the legendary Pylon or the later, disco-inspired releases from PIL, tracks like ‘Emergency’ and ‘Unreal’ blend the band’s established disjunctive style of gothic restlessness with brighter, poppy, and danceable tones. These stylistically unwind in transition with the increasingly claustrophobic pieces like ‘Too Late’ and ‘Swallowed Whole’, syncopating a parallel design of the frantic and the fashionable. Paired with a lyrical intricacy which emits a desire to break the fetish of false representation, ‘Fantasy’ reminds us that worthy punk records, like any manifesto of neurotic suspicion, balance testimonial, speculative-fiction, and social critique. Indebted to the past but pointed sharply to the future, Es deconstruct our modern wreckage of personhood and self-deceit, granting a sense of solidarity inside alienation. Inside ‘Fantasy’ we visualize our own estrangement, and it is only when this mirror fades that we find the tools to fight back.

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V.A.

Rough Trade Indiepop 01

7" | US (Mute)

Release: US

Genre: Rock & Indie

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Muddy Worries

The Rent / Summertime

7" | 2023 | EU (Rave Up)

Release: 2023 / EU

Genre: Rock & Indie

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7" | 1973 | DE | Original (CBS)

Mott The Hoople

Roll Away The Stone

Release: 1973 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1976 | DE | Reissue (Midi)

Wishful Thinking

Hiroshima

Release: 1976 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl closer to VG+

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In Search Of The Lost Chord

LP | 1968 | US | Original (Deram)

The United Jazz+Rock Ensemble

Release: 1968 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Pitman Pressing.
Record has some hairlines and a few superficial scratches.

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Teamwork

LP | 1978 | DE | Reissue (Mood)

Release: 1978 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

Split Random Colored Vinyl Edition

Meat For Dogs / Across

LP | 2022 | EU (Overdrive)

7" | 1971 | FR | Original (Island)

Release: 2022 / EU

Genre: Rock & Indie

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2022 release on Overdrive for the Legendary punk rock band from Italy Meat FOR Dogs, along with Skate Punkers Across. 2 tracks each on a limited color vinyl 12".

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Mott The Hoople

Midnight Lady

Release: 1971 / FR – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Hawaii Mud Bombers

Low Ridin' High Surfin'

LP | 2022 | EU (G-Force)

Release: 2022 / EU

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 1999 | UK | Reissue (Topic)

Davy Graham

Folk, Blues & Beyond...

CD | 2009 | UK | Original (Topic)

Release: 1999 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Martin Simpson

True Stories

Release: 2009 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

A Better Treatment Black Vinyl Edition

Spice

7" | 2021 | US | Original (Dais)

7,69 €* 10,99 € -30%

CD | 2024 | EU | Original (Alto Fuero)

Release: 2021 / US – Original

Genre: Rock & Indie

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Spice singer Ross Farrar speaks of the band's ambition to forge a sort of aesthetic patois: a mode of expression as strikingly regional as it is recognizable. Last year's self-titled debut, released in the depths of the pandemic, fully achieved this goal, distilling decades of North Bay punk and post-hardcore into an urgent, artful set of emotive unrest. Their latest single, A Better Treatment b/w Everyone Gets In, further refines the group's singular mix of weathered melody and abrasive poetics, equal parts bracing, bruised, and cryptic. "A Better Treatment" began as a song about a friend who died but through the turmoil of collaboration transformed into something more macroscopic and opaque, blurring the boundary between hopeful and defeated ("I thought loving someone would cure my self-hatred"). Bass and drums build against walls of guitar while the violin threads its own melancholy within the noise; Farrar is blunt about the intention: "The violin is an instrument of death you know." "Everyone Gets In" is both poppier and more pained, an anthem for angst aging into the reverie of regret: "We lose our strength / along the way / we lose each other / the funeral sways." The tempo sways too, gradually slowing to an anxious crawl before finally revving back into a storm of shimmering guitar and splashing drums, fighting against the dying of the light. It's music of raw truths and rejected pedestals, storied but unswerving, a revolt against the great regress: "and my / my time is spent / adoring seasons / that I / I never should've."

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Alto Fuero

7,69 €* 13,99 € -45%