Search "butter goods" 1761 Items

Release: 2022 / CZ – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Philadelphia stalwarts Fixation are far from newcomers, but on The Secrets We Keep—recorded, mixed, and mastered by the band’s own Wyatt Oberholzer and releasing via WAR Records—there are few traces of the band’s five year history left intact. Opting to demolish the past, pave over the rubble, and start fresh, Fixation makes good on the promises of their 2020 promo. With an impressive roster that features members of Chemical FIX, Wild RED, and Drowse, the band has perfected their own brand of deft, blistering hardcore that’s difficult to ignore. Whether they’re channeling the stripped back stomp of Right Brigade, the tasteful melodicism of American Nightmare, or the self-reflective rage of Blacklisted, Fixation tidily corrals their influences into a refined, no-filler take on modern hardcore that only accomplished students of the genre could deliver. The Secrets We Keep is the final step in a long ascent, trimming the fat and leaving everything but the essentials behind.

Go to Item

The Rellies

Monkey

The Complete Dirty South Reposado Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Monkey is the second single by The Rellies since releasing 'Isabella is Annoying/ Brainwaves' in 2020. Ryan, guitarist and dual singer and songwriter for the band describes the making of 'Monkey' during lockdown with his brother Riley. "During covid we got very bored. Originally, we wanted to get our Monkeys and run them over with our dad's car, but we settled for filming them falling down the stairs and writing a song about it. When the other members of band finally heard the song, they liked the Monkey and then we made a clip with our friends and some TV monkeys. Everyone sang 'I like the Monkey' and soon everyone liked the Monkey!" Helicopter is Ryan's sonic representation of "hunks of steel flying through the sky. I'm an aviation nerd." He doesn't disappoint. Helicopter's opening riff is catchy and travels. Ryan's vocal powers through the song and the background vocals from kid brother Riley kicks it up a notch as he improvises his way through the chorus begging for a ride. The Rellies ages range from 13-16 and developed at Kings Cross Conservatorium. The brothers began writing and recording at age 9 and 11 respectively and doing shows as The Rellies in 2018 with Jarlath Kiernan on drums. In 2021, the band replaced guitarist Aiden Burke with Lachlan Knight when Aiden decided rehearsal was too loud. Ryan: "We love the Beatles but lately we've got more of a punk energy in our songs. Also, Riley likes a lot of different stuff like Tyler the Creator... his lyrics are inspiring us to be creative with humour."

Go to Item

Drive-By Truckers

2LP | 2023 | US | Original (New West)

51,99 €*

7" | 2017 | US | Original (Get Better)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. The album features live show staples like, “Tornadoes”, “Where The Devil Dont Stay” and “Puttin People On The Moon” as well as rarities like “Goode’s Field Road” and “Daddy’s Cup.” The Complete Dirty South is a band-led rework of the original album. Principal member, Patterson Hood, took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals. The packaging comes with a perfect bound book featuring liner notes from Patterson Hood, track by track descriptions from Mike Cooley and Jason Isbell as well as never before seen photos along with updated artwork from the late Wes Freed. “This ‘Director’s Cut’ is the way it was always intended to be heard” - Patterson Hood

Go to Item

Deafkids/Timekiller

Split

9,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hirs Collective/Peeple Watchin'

Split

7" | 2017 | US | Original (Get Better)

9,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2017 | US | Original (Get Better)

Loone

River's Our Blood Flexi

8,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Again Clear W/ Black White Vinyl Edition

Nancy Sinatra

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Bang!)

Love Battery

Confusion Au Go Go

LP | 2023 | US | Original (Perpetual Doom)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Love Battery were one of the most original bands to come out of the Seattle "grunge" scene, and one of a kind when it comes to alternative rock bands. Confusion Au Go Go is their the final studio album, originally released in 1998 on C/Z Records (Seattle), then only on CD format. Now it is finally released on vinyl and it has been remastered by Jack Endino (Nirvana, Soundgarden_) in order to get the purest sound. AllMusic wrote: "The addition of Dan Peters (Mudhoney) on drums definitely tightens the screws, and the reinvigorated rhythm section provides the perfect foundation for guitarist Kevin Whitworth's inspired flights of fancy, including, as on Dayglo, some of the best slide guitar work in alternative rock." Martin C. Strong called Confusion Au Go Go "certainly a notable album," writing that "the band seemed to be in full swing and willing to push their boundaries." Musicians: Vocals, Guitar - Ron Nine Guitar - Kevin Whitworth Bass, Backing Vocals - Bruce Fairweather (Mother Love Bone) Drums, Percussion - Dan Peters (Mudhoney)

Go to Item

Peter Gilroy

Light Dreams

Stoner Side Of The Doom Yellow Marbled Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Drift into the celestial embrace of Peter Gilroy's Light Dreams , an otherworldly potion of sonic enchantment. As the album unfurls, listeners embark on a hypnotic odyssey, enveloped in a healing aurora of ethereal vibrations. This atmospheric masterpiece evokes the introspection of Animal Collective's 'Sung Tongs', while guiding souls through the labyrinth of the cosmos. Akin to meandering through hazy cornfields and slumbering meadows, Gilroy's cosmic folk guitar weaves a tapestry of mesmerizing melodies, dream-laden arpeggios, meditative murmurs, and psychedelic panoramas. Rustic field recordings harmonize with subtle, artful instrumentals, breathing life into the evocative soundscape. Embrace the organic rawness as each pluck of the guitar, each breath and hum, and the echoes of the recording space coalesce into a soothing, immersive journey. Traverse the realms of the strange and sublime with this beautifully crafted album – a true delight for the ears of Robbie Basho and John Fahey devotees. Sky blue vinyl pressing in an edition of 100 copies.

Go to Item

Hemplifier

LP | 2023 | EU | Original (Electric Valley)

18,99 €*

Stoner Side Of The Doom Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"hemplifier is a Stoner/Doom band from the island of Malta consisting of Emanuel Portelli (Thy Legion, Victims of Creation, Pilgrimage, Animamortua), Bażaż (Lady Lizard, R.A.S.) & Dino Mifsud Lepre (Victims of Creation, Pilgrimage) – we ‘joint’ in 2019. All of us 3 have experience & have been playing in other bands before, whilst also still active presently in other bands apart from Hemplifier. Some of us have been in the scene from the ‘90s. The trios’ target was to jam, get high, compose the heaviest riffs possible, have a good time & send seismic waves to the planet while aboard their spacecraft! We worship Amps & Vintage Gear! Our lyrical themes are that of sci-fi, aliens, the supernatural, occult, voodoo, weed, giants & a touch of local folklore & myth."

Go to Item

Hemplifier

LP | 2023 | EU | Original (Electric Valley)

18,99 €*

The Guy Hamper Trio Feat. James Taylor

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Man In The Mouth Of A Cave

Tha''s Coo In A Totally Negative And Destructive Way

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Superb 45 featuring two Hammond-led instrumentals. The A-side is taken from The Guy HamperTrio's second long player due out on Hangman Records. The B-side is exclusive to this release. 'Man in the Mouth of a Cave' - I have painted St. Cuthbert's Cave, Northumberland on many occasions and decided that it was imperative that I write a great jazz /beat theme all about it. (Important info: After Viking raids monks from Lindisfarne wandered the north-east carrying the body of St. Cuthbert. Legend has it that they took refuge in 'St. Cuthbert's Cave.') I wrote the song with my friend Jamie Taylor in mind to have his way with it, which he does to thunderous applause - I should imagine. '107 Sleepless' is a tune I wrote in the early 1980s when me and Mick Hampshire would stay up the entire weekend writing songs for our group The Milkshakes. (We lived at 107 Rochester Street, Chatham.) About 3am Sunday morning we would be flagging and sitting there senseless. I would play this jazz riff over and over for some unknown reason. Meanwhile it should make a nice theme tune to some yet to be written HBO series and make me a millionaire - I should imagine. GUY Hamper - April 2023

Go to Item

Kill Lincoln

LP | 2023 | US | Original (Bad Time)

2LP | 2023 | EU | Original (Tonefloat)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10 Year Anniversary Pressing OF THE Modern SKA Punk Classic w/ NEW ART First Time IN Print Since 2015 “Kill Lincoln is one of the most vital bands right now not just in ska-punk, but in DIY music in general.” Andrew Sacher, BrookylnVegan Bad Time Records is extremely excited to finally re-issue Kill Lincoln’s “That’s Cool... in a Totally Negative and Destructive Way” in honor of it’s 10 year annivesary. The band’s second studio effort sees no sophomore slump, but has the band coming into it’s own and helping to define the modern ska punk sound; blending plenty of 3rd wave elements with dashes of hardcore, skate punk, metal, and enough pop punk gang vocals to keep everyone singing along. Tracks like “Wake, Wait, Repeat” and “F For Finished” helped define the band’s sound and role in the modern ska resurgence, and are mainstays in the band’s current setlist for good reason. A crucial link in the band’s modern catalogue, “That’s Cool” is finally getting the vinyl re-treatment on the band’s own Bad Time Records after it’s initial pressing went out of print in 2015 and is a must own for anyone paying attention to the modern day ska movement

Go to Item

Soft Machine

Other Doors

38,99 €*

7" | 2023 | US | Original (Swimming Faith)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new CD/LP, Other Doors. Boasting new material and two numbers drawn from their extensive historical repertoire, Other Doors finds the band on their usual fiery form.

Featuring John Etheridge (guitars), Theo Travis, (saxes, flutes, Fender Rhodes piano, electronics), Fred Thelonious Baker (Fretless bass), John Marshall (drums), Other Doors also features two guest appearances from long-serving bassist Roy Babbington, who retired from the band in 2021.

Other Doors was recorded at Temple Music Studios, a facility owned by the late Jon Hiseman during July and August 2022. It’s a location of which the band is particularly fond, explains John Etheridge. “Working at Jon Hiseman’s studio was special, especially with Ru Lemer who is a brilliant engineer. He’s fantastically quick and that’s very good as we record mainly live in the studio. It’s come out really well and I think it sounds great.”

That ability to work quickly on takes as an ensemble has resulted in a fresh-sounding series of top-flight performances whose typically knotty and sometimes complex themes frequently give way to explosively discursive improvisations. As Theo Travis observes, “The interesting thing about recording free improvisations is you're not playing to a plan or a grid or a blueprint, so you don’t know what's coming, and you don't know what's coming until it's gone. At which moment you're thinking about the next thing.”

The album is brimming with that fast-moving creativity including the title track, whose outline was initially composed by John Etheridge in the Lake District during 2021’s lockdown. Crooked Usages’ ’ slow-weaving machinations and the prowling inquisitiveness pursued during Fell to Earth are similarly imbued with a dextrous yet melodic bite that defines much of the band’s approach. Within this framework, John Etheridge’s supple interrogations across the fretboard’s range coupled with Theo Travis' tightly focused sax and flute alongside his impressionistic keyboard washes encompass a musical language that can be as cerebral as it is emotionally direct.

The Visitor at the Window, The Stars Apart, and the elegiac Back in Season unfurl into more reflective states of being, variously contrasted by mediative percussion, flute, solo guitar, or swarms of electronica and echoing clusters of electric piano. All coalesce to build into the beguiling atmospherics which forms a vital layer within the Soft Machine sound world. It’s been a kind of tradition with the group to include new arrangements of older Soft Machine numbers from the band’s illustrious back catalogue. These have included numbers as varied as Chloe and the Pirates, Kings and Queens, Out-Bloody-Rageous, etc.

On Other Doors they’ve revisited the very first album, originally released in 1968, to include Kevin Ayers ‘Joy Of A Toy. Fred Baker, makes his studio debut with Soft Machine. A well-known figure on the Canterbury Scene not only is he the perfect choice for the group but he’s also is a long-term fan of the repertoire.“The way I look at it is that this is all great music which we’re continuing to preserve and keep alive as we play it but also we’re adding to it all the time,” he explains. The idea for revisiting the number was Theo Travis’ he says and has been part of the band’s live setlist for a while. “I’ve added some extra harmonies and other things to it, so it’s got my stamp as well as going back right down to Kevin Ayers's original. It somehow fitted in with all of the new material as well as the older tracks we do. It’s amazing the amount of young people coming along to gigs who are liking the wide range of music we play.” The album also contains Penny Hitch, a track originally heard on 1973’s Soft Machine Seven. This features the first of two appearances of Roy Babbington who provides the bass lines underpinning Karl Jenkins’ composition while Fred plays the sinuous lead melody on his fretless bass. The pair also worked together as a duo on Now! Is The Time, a number originally based on a theme Babbington brought into the sessions, with Fred and Roy both adding and expanding the scope of the piece.

If the album ushers in a new member in the shape of Fred Baker, it also acts as a fond farewell to drummer John Marshall, who joined Soft Machine midway through the recording of 1972’s Fifth. At the age of 81 Marshall has decided to retire making Other Doors his final studio album with the group. “I’ve known John since 1975 when I first joined Soft Machine and of course, we’ve worked through the years together intermittently ever since. His drumming always meant a lot to me,” says Etheridge. “We worked over three days in the studio and John played great. It sounds terrific.” Indeed, Marshall is on whip-cracking form throughout the album bringing his trademark musicality and decisive presence. With Other Doors, he brings his distinguished career to a rousing conclusion.

Intense, celebratory, and consistently impressive. Other Doors is the sound of a group determined to press forwards with an integrity and sense of purpose that’s quintessentially and definitively Soft Machine.

Go to Item

Big Clown

Beatdown

LP | 2023 | US | Original (No Coast)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Big Clown is a group of best friends from Memphis, TN and Jackson, MS who got together one night to try and make a record without writing or rehearsing anything beforehand. What came out of it was a car-hitting-a-brick-wall style explosion, true living room punk from southern freaks trying to create something memorable and honest in the smallest timespan they can. The rules were simple: every song has one good idea and only one good idea. Get in, get out. Don’t linger. Tune each string to the same note. When it’s done, it’s done. Fast forward four years, three main releases, one Japanese exclusive tape, and several Gonerfests later to Beatdown. Written after a road trip gone wrong soundtracked by 16 hours of buttrock hits, Beatdown is what happens when your guitars tuned to only one note need to play something new. Beatdown is what happens when you write songs to amuse yourself and hope other people come along for the ride. Beatdown is what happens when your city faces a near insurmountable water crisis and you know exactly who is to blame. Sometimes you just gotta laugh.

Go to Item

Wristwatch

Lars Fredrik Frøislie Of Wobbler

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Meaner and mightier, Wristwatch returns with the followup to their oft-sold-out debut self-titled LP! Aptly titled II, the upcoming album features a more nuanced collection of songs than the first...with a heavier focus on varying the tempos, moods and songwriting. There's even a ballad! Never Fear all you punk rock aficionados/snobs!!!! II still stays true to Wristwatch's signature sound: A hyper kinetic and disfigured backbone chock full of mutated punk rock vertebrates, with searing guitar leads as the cartilage and cacophonous electronic drums as the brittle joints holding the whole thing together. A year of playing shows around the Midwest with the likes of Agent Orange, Bongzilla, MDC, Starcrawler, etc really morphed the band's DNA quite a bit. Tyler SPATZ's bass playing has truly come to the forefront over the top of Bobby HUSSY’s signature yowl and guitar mangling on tracks like the leadoff, "Rules" and punk-pop morsel "Sweet Tooth." Have a good look... it only gets gnarlier from here on out

Go to Item

Fire Fortellinger Dark Green Vinyl Edition

LP | 2023 | EU | Original (Karisma)

42,99 €*

Lars Fredrik Frøislie Of Wobbler

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Debut solo album from Wobbler’s Lars Fredrik Frøislie! Fitting perfectly into the 70s prog-rock tradition where the keyboardist makes a solo album between the band albums, this is music Frøislie has been doing, mostly alone, during the pandemic. Had it not been for the pandemic, much of the material would probably have ended up on a new Wobbler album - but then run through the Wobbler grinder and with English lyrics. In other words, this is unpeeled and raw, as spontaneous as possible without going through too many rounds of processing. Trying to preserve the impulsive - much of what you hear is improvised, and one-takes (preferably with playing errors and piano strings that break and the like). Trying to preserve the human aspect to a large extent, avoiding click tracks, auto-tune, Midi or too much technology. Expect lots of old analogue keyboards such as cembalo, Mellotron, MiniMoog, Yamaha Cp70 and Hammond organ. Four tunes; Four stories. The first song "Rytter av dommedag" is themed around Ragnarok, when King Rakne awakens in his large burial mound outside Romerike and, together with the old gods, creates real mischief. The second song “Et sted under himmelhvelvet” is dreamy, possibly set in a Renaissance garden near Florence or Arcadia. But in principle it can be anywhere where it feels good to be. It is partly about travelling to a place and feeling that you have been there before - only to find out that you had ancestors who lived there long ago. The third song "Jærtegn" opens in a frenzy, with a horse and cart speeding through the forest. The wagon overturns at the same time as there is a solar eclipse, and the riders become eternal wanderers in the dark forest, only visible to us now and then like the northern lights, as they vainly stretch their arms towards the sun in the hope of finding their way home. The final song “Naturens Katedral” is a depiction of the Norwegian mountains in winter where the cold is bitter, and blizzards and avalanches abound. It is also a search for bygone times when life was more basic out in the wilderness.

Go to Item

Fire Fortellinger Black Vinyl Edition

LP | 2023 | EU | Original (Karisma)

39,99 €*

Lars Fredrik Frøislie Of Wobbler

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Fire Fortellinger Blue / Turquoise Vinyl Edition

LP | 2023 | EU | Original (Karisma)

44,99 €*

Johnny Moped Feat. Captain Sensible

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Tribute To Jordan Mooney

8,24 €* 10,99 € -25%

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Suddenly Everything Is Twice As Loud

Alien Nosejob

LP | 2020 | EU | Original (Drunken Sailor)

21,99 €*

LP | 2000 | EU | Reissue (Epitaph Europe)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

You'd think Jake Robertson would already have his hands full playing in the likes of Ausmuteants, Leather Towel, School Damage, Drug Sweat et al. But no, evidently there's always time for one more thoroughly wracked project, and Alien Nose Job's focus is as kaleidoscopically scattershot as you'd expect from a man with such a short attention span. Just to confirm: yes, that's a good thing. From the off, we glide through the Coneheads-style Devocore of Television Sets before romping through the jangling lo-fi pop of Weight of the World, which skips and mopes while making like The Clean setting light to their parents' carpet with a magnifying glass. There's also charmingly scruffy soul-pop, chugging sci-fi slop-punk, straight-up college rock balladry and much, much more. But these aren't sketches or tossed-off genre exercises. They're bona fide works of consummate skill that resonate sincerely and effortlessly. Essentially, each song sounds like a challenge to the one that follows, a cry of 'step the fuck up'; Suddenly Everything is Twice as Loud is a treasure trove of mini-masterpieces. Rough as fuck mini-masterpieces, sure, recorded with a cheap drum machine and guitars that sound like rusty drills cutting through power cables, but mini-masterpieces nonetheless. When venerable doyens of the pop establishment make albums of such eclectic scope and genuine songwriting talent, they get called geniuses. When punk as fuck wiseguys like Robertson pull it off, words like 'maverick' get tossed around. Rest assured, his Alien Nose Job project covers both angles. This second album is an instant classic that deserves to be heard far beyond the underground - but if it isn't, who cares? He's probably playing in another seven bands already by the time you read this. I've not heard them yet either, but I can tell you they're all fucking amazing. Just buy this record and join the cult. Will Fitzpatrick.

Go to Item

Rancid

Let's Go

Tape | 2023 | US | Original (Sub Pop)

Release: 2000 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Rancid"s classic second LP, originally released in 1994, is disarmingly good from start to finish. With roots set firmly in their Berkeley punk rock origins, on Let"s Go Rancid set out with heart, soul and vehemence to reach new heights in their music. Some of the highlights are "Salvation," "Radio," and "Nihilism," but all the of the songs bristle with the unmatched signature of Tim Armstrong"s intensely evocative writing style. Recorded in their hometown of Berkeley CA, at legendary Fantasy Studios and mixed in Los Angeles at Westbeach Recorders, Let"s Go foreshadows the ground breaking success that would be found on their next record, And Out Come the Wolves.

Go to Item

Bully

Lucky For You

Lucky For You Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lucky For You is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by its creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on-and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. These ten songs are simply the most irresistible Bognanno's put to tape yet, making Lucky For You her greatest triumph to date in a career already packed with them. Work on Lucky For You began last year, when Bognanno brought some in-progress demos to producer J.T. Daly in his Nashville studio to see if they could strike creative kismet. "Authenticity is always on my mind, without even knowing it," she explains while discussing their recording process together. "It was great with J.T., because I could tell he was a genuine fan who wanted to emphasize what's actually good about my writing instead of changing it. I could tell how much he cared about the project, and it meant alot to me." The album came together over the course of seven months, the longest gestation process for a Bully record to date, but that time allowed inspiration to emerge in new ways. The result is a kaleidoscopic rock record spanning punk's grit, the crunchy bliss of shoegaze, explosive Britpop, and the type of classic anthems Bully has been known for. Lucky For You's thematic focus zooms in on grief and loss: The record is largely inspired by Bognanno's dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. The oceanic first single "Days Move Slow" was written shortly after Mezzi's passing, reflecting the persistence of Bognanno's incisive wit in the face of adversity. "There was nothing I could do except sit down and write it, and it felt so good." And then there's the passionate opening track "All I Do," which kicks in the door with huge riffs atop her lyrical reflections on three years of sobriety. "Once I stopped drinking, I felt like I was still haunted by mistakes and things that had happened when I was drinking, and it's still taking me a long time to forget about that while existing in this house. How do I shed the skin from a path I've moved on from?" In that vein, Lucky For You is a document of perseverance in the face of the big and the small stuff. "I'm so overly emotional and sensitive, it's a blessing and a curse" she says with a laugh, but there's no downside to her expressions of vulnerability on this record; it's the latest bit of evidence that nothing can hold Bognanno back.

Go to Item

Bully

LP | 2023 | US | Original (Sub Pop)

LP | 2023 | EU | Original (Cadiz Music)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Wingmen

Wingmen White

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | EU | Original (Phantom)

Doc Flippers

Human Pork

9,99 €*

LP | 2023 | EU | Original (Phantom)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The good doctor is finally back to flip us on our backs and give us the old one-two-three-four, following a cassette I only knew about and listened to death and onto rebirth after hanging with the boys in Marseille.

These new-age space cowboys take us to the other side of the galaxy with a space shuttle of punk-fuelled psychedelic country… and drop you off into a black hole. The riffs bring the good news of the apocalypse to the new world from the one they left behind. US Maple lightsaber guitars fighting in a Uranium Club? Singer running out of oxygen.

References aren’t required anymore, just like when you hired VHS from the local video store. Take the risk, take the plunge, form an opinion yourself… get your money’s worth, tell me to go to hell and stop reading this.

If Captain Beefheart kept playing punk music and joined Marbled Eye or something, wearing modern, youthful clothes with an iPhone to hang out with some of the deranged, loveable, lust-for-lifers of Leipzig, maybe it would sound like this, but only after pulling him apart and putting him back together as robocop with a country teasers bumper sticker on his metal arse.

Why hire VHS when you can see their amazing video clips, which look like they’ve been directed by Giuseppe Andrews... Doc Flippers are trailer trash cooking bratwurst on top of flaming oil drums... crazy homeless, performance art punk rock.

Go to Item

Battra

2014-2017

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2023 | EU | Original (Proper)

Embrace

Good Will Out

43,99 €*

And Justice For None White Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Embrace have quietly created an admirable body of work without fuss or the internal friction that has dogged so many bands of the era - They were founded by the McNamara brothers, singer Danny and guitarist Richard in 1990 in Baliff Bridge, West Yorkshire - Joined by bassist Steve Firth, drummer Mike Heaton and keyboard player Mickey Dale, the line-up has remained stable ever since. Signing to the ultra-cool Fierce Panda label, the group's debut single All You Good Good People was to become a UK Top 10 hit in October 1997, eight months after its first release, when it was reissued by Virgin offshoot Hut Records. As a result, their debut album, The Good Will Out was eagerly anticipated. Released in June 1998, over its hour, it showcased a range of styles and approaches. From the tender ballad Fireworks to the anthemic title track, the singles My Weakness Is None Of Your Business and Come Back To What You Know, the album's 14 tracks represent an accomplished, beautifully crafted body of work. It is easy to see why Chris Martin of Coldplay (who supported Embrace on tour in 2000) is such an admirer, among many others. In many respects, Embrace form a trilogy with two other great northern groups of the time, Oasis and The Verve – yet they were no junior partners: The Good Will Out fully captures the scale of their ambition. It is presented with scrupulous attention to the detail of the original UK first pressing and available in audiophile 180gm double vinyl.

Go to Item

Five Finger Death Punch

2LP | 2018 | EU | Reissue (Better Noise)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Arch Stanton Yellow /Green/Brown Vinyl Edition

Karma To Burn

LP | 2023 | EU | Original (Heavy Psych Sounds)

36,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Arch Stanton is the sixth studio album released by the instrumental stoner rock band Karma to Burn, released in 2014. Unlike their previous release V, this album returns to their exclusively instrumental roots, although the final track features dialogue snippets from the classic Spaghetti Western The Good, the Bad and the Ugly, from which the album title is derived. Now in 2023 Heavy Psych Sounds is reissuing this music gem in brand new Colored Vinyl !!!

Go to Item

Deecracks

Live At Punk Rock Raduno

LP | 2023 | EU (I Buy)

19,99 €*

Everyone Is Evil Black Vinyl Edition

Release: 2023 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Do you remember Punk Rock Shows? Do you remember the best festival in the world? Well, I hope you still have a vivid memory of the good old life when we weren’t wearing awful masks and hug a friend wasn’t so weird. Anyway, here is the second album of a serie our buddies at Punk Rock Raduno are doing that we happily joined together with the nice fellas at Hey Pizza! Records : the mighty DeeCracks from Austria Live at Punk Rock Raduno.

Go to Item

Øresund Space Collective

2LP | 2023 | EU | Original (Space Rock Productions)

LP | 2023 | JP | Original (P-Vine)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Øresund Space Collective (øsc), formed in 2004, is a totally improvising Scandinavian space rock band and has been releasing albums since 2006. The band has played concerts & festivals all over Europe. Their music is quite diverse and influenced by the ever-changing line up in the collective. “Everyone Is Evil” is the Band’s 40th release. This session took place in Sept. 2022 and collected up a number of top musicians to create several albums of progressive, psychedelic, world music and space rock! The track “Everyone is Evil” is an epic 64min track that takes the listener on an intense journey through different universes and a bit of CAN, Magma and other bands but in their own unique way. “Everyone is Good” brings you down to a more calm state in this repetitive, meditative exploration into space music. The two CD bonus tracks start with a rocking one and then followed by a 29min trip to another world. Lots of musical ideas are explored during the journey. Enjoy

Go to Item

Grit

34,99 €*

LP | 2011 | US | Reissue (Merge)

Release: 2023 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in London’s Islington borough in 1970, Grit would perform their heavy psychedelic rock locally for three years, disbanding and disappearing before they could sign a contract with a record label. Their sole recorded output was a three-track demo, recorded in 1972, of which only two copies were ever pressed. One of those copies made its way to Germany, where it was discovered in a flea market by record collector and psychedelic rock expert Hans Pokora. After being featured in Pokora’s “7001 Record Collector Dreams” and being awarded the maximum grade of rarity, the record quickly became an object of desire for crate diggers around the world. It didn’t take long for somebody to track down original guitarist Frank “Spider” Martinez, and with the original master tapes he still had in his possession, reissues were off to the races!

And for good reason - not only is this record incredibly rare, but the heavy psychedelic rock is unparalleled, with comparisons to Cream, Jimmy Hendrix, and John Mayall hardly doing it the justice it deserves. Fuzzed out riffs, Robert Plant-esque shout singing, and some of the most aggressive drumming this side of the Thames, makes for a psychedelic rock sound that’s unmistakably British but undeniably awesome. Featuring never before heard recordings of rehearsals, including a cover of Burnin Red Ivanhoe’s “Across The Windowsill”, this is a record as valuable for its history as it is its sound. Reissued with an obi-strip for the first time ever, don’t miss Grit only from P-vine Records.

Go to Item

The Mountain Goats

All Eternals Deck

LP | 1967 | EU | Reissue (Musica & Entretenimiento)

Release: 2011 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Mountain Goats are a trio from the mid-Atlantic and points north, helmed by John Darnielle ("one of America's most startling lyricist/poets" _Boston Herald) and kept honest by Peter Hughes and Jon Wurster. Though the Mountain Goats have been making records since the battle of Little Big Horn, All Eternals Deck is their third following the ratification by unanimous vote of their trio lineup (the bill, known as the Jon Wurster Mountain Goats Drummer Act of 2007, passed 2-0 with zero abstentions).Having taken to the open road as soon as the act was signed into law and consolidated their powers into a focused triune weapon, the three spent 2010 making commando raids on studios up the seaboard from Tampa to Boston, recording along the way with producers John Congleton, Brandon Eggleston, Erik Rutan and Scott Solter. Gravitating toward images and stories of doomed people or tribes trying to leave a scratch mark or two on some visible surface before their brief moment in the sun has slipped by forever, All Eternals Deck continues Darnielle's career-long quest to find hard-won moments of joy in the momentary resolve of people who have recognized, in the glare of a train's oncoming head lamp, their fate.

Go to Item

Los Vidrios Quebrados

Fictions

LP | 2023 | EU | Original (Musica & Entretenimiento)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Fictions" (1967) by Los Vidrios Quebrados is released now on vinyl, from the original IRT masters! Los Vidrios Quebrados were pioneers in Chile in adopting psychedelia as a musical aesthetic, due to the influences gathered mainly from British groups. Although they bequeathed only one LP, this one is a permanent reference of research and applause, for having been worked with their own material (without covers, as was the norm of local rock at the time) and combining their electric flight with opinions of social observation. "Fictions" (1967) is one of the most important rock albums made in Chile. The 1966 single "Friend" and "She'll Never Know I'm Blue" gave way the following year to the recording of "Fictions", their only LP, under the RCA Victor and Ues Producciones label. Without merely copying their influences, the songs on the album feature smooth and fine instrumental arrangements by Héctor Sepúlveda (guitar and vocals), who also acted as the album's musical director. Those who were lucky enough to hear them live say that they were much more rock than what we can appreciate on the album. And the music on the "Fictions" album was even more sophisticated than what was being done at the time, there was a musicality that was quite anticipatory, even foreign. If you listen to the harmonies in "Introduction to Life..." or "Concerto in A Minor", they are quite complex compared to what was heard at the time. That's why they also had a place in radio stations more accustomed to playing classical music, like Radio Andrés Bello. There was a certain intellectual taste, something like an "intellectual arrogance", like the quotations to Oscar Wilde in the lyrics of the songs, for example. For the recording of "Fictions", Los Vidrios Quebrados had very little time, as was customary in those days. And despite the technical limitations of the recording studios (two tracks -vocals on one side and all the instruments on the other-, bottle cap tambourines and homemade instruments), when listening to the album, the result is surprising and, considering that in Chile the music of the Beatles and the Rolling Stones was already known, the reception of "Fiction" was quite good. After the success of "Fictions" and with a promising future, Los Vidrios Quebrados decided to go to Europe in 1969, but the idea was rejected by the parents of two of the members, who only saw music as a hobby. Different life choices and musical tastes led months later to the end of the band.

Go to Item

Frutos Del Pais

Lucky For You Loser Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Frutos del País" (1972) is released now on vinyl, from the original IRT masters! Apart from "Sin ti", their most popular single, there are other songs that move away from this aesthetic, such as "Salgamos a correr" or "Tema de Willy", which give a plus to the album for not only sounding different, but also for being very good songs. Frutos del País was born from the union of two Chilean rock bands, Los Picapiedras and Beat 4. Their sound was quite advanced for the time, their song "Sin ti" is still heard on the radio in Chile. The band's sound is very influenced by Procol Harum, but that doesn't detract from its tremendous quality. Maybe this song reminds them of Procol Harum's "A Whiter Shade of Pale", especially the sound of the Hammond organ. They did not have a direct musical relationship with the groups that in the early 70's fused rock influences with acoustic folk instruments, but Frutos del País belonged to the generation that at that time changed the guard for this music in Chile. By genealogy, they were the continuation of bands from the previous decade, such as Los Picapiedras and the Beat 4. Their two albums, "Frutos del País" (1972) and the more unnoticed "Y volar... y volar" (1974) described a brief trajectory but immortalized by one of the authentic and most recognizable hymns in the history of rock in Chile: the ballad "Sin ti", characterized by the Hammond organ of keyboardist Hugo Raymond and the evocative lyrics of singer Reinaldo Rhino González.

Go to Item

Bully

LP | 2023 | US | Original (Sub Pop)

2LP | 2021 | EU | Reissue (No Coincidence)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Goose

Shenanigans Nite Club

LP | 2023 | UK | Original (Chrysalis)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Connecticut-based quartet Goose _ Rick Mitarotonda [vocals, guitar], Peter Anspach [vocals, keys, guitar], Trevor Weekz [bass], and Ben Atkind [drums] _ shimmy through the cracks between jam, funk, alternative, and rock with head-spinning hooks, technical fireworks, and the kind of chemistry only possible among small-town and long-time friends. After selling out theaters coast-to-coast and a series of seismic festival performances, the musicians welcome everybody to this place on their 2021 second full-length, Shenanigans Nite Club. "In many ways, Goose is a conglomeration of music from the town we grew up in, and the songs are a collection of many different experiences and influences," observes Rick. "Where we come from has inevitably informed and enabled our music. We get these four defined seasons in rural Connecticut, and there's a powerful stillness.""Our area is a very reflective place," agrees Peter. "We're in the woods, and we all find peace from the setting. Being in the sticks positively affected what we're trying to do.""While we've been touring, the record has been happening in the background," says Rick. "We've done our fair share of sweating it out and paying our dues on the road. There was a natural progression until we really got on the same page creatively. It's been a long, weird trip. At times, it was tumultuous. The record is a companion to those growing pains."Goose introduce the record with "So Ready" and it's counterpart "(s?tellite)." Just shy of ten minutes together, the tracks twist and turn through synthesizer "emitting hilariously sexual vibes," jazz-y bass, and a chantable hook."Labyrinth" dives down "a deeper rabbit hole" as warm guitar wraps around shimmering piano originally culled from Rick's school days."`Labyrinth' is one of the only pieces I wrote in my latter high school days," he recalls. "It's got this thematic relevance with the weird sense of humor, rambunctiousness, and partying from back in the day."As the first proper Goose song, "Spirit of the Dark Horse" originated after a "twelve-minute meditation" between Rick and Trevor back in 2015. It unfurls as a captivating trip in and of itself and "holds a lot of meaning." The same could be said of the album title. As legend has it, Shenanigans Nite Club really popped off in the eighties. Rick's uncle worked as a bouncer and manager for the iconic haunt and shared all manner of wild stories with his nephew. He even gave Rick a sign from the original club, which overlooks the basement where the boys jam."Shenanigans has always been around," Rick elaborates. "It became the idea of the record. It celebrates this element of nostalgia and good memories as we move forward."In the end, Goose chart their own course and ultimately encourage everyone else to do the same."In the end, our dream is to inspire people to step off the beaten path," Rick leaves off. "There are a lot of voices that tell you to play it safe. I think the coolest thing in the world is when someone breaks free and goes for whatever weird shit they dream of doing."

Go to Item

Ben Harper

Wide Open Light

Wrong Side Of Heaven And The Righteous Side Of Hell Gold Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wide Open Light Is a family of songs I've written. I've selected them with the care one might put into a personal photo album. To that effect, I'd call it a sonic family photo album, each track a close relative to the next. The story behind this record is simple. I have been writing songs now forover 30 years. It's what I long to do, love to do, and at times feel I need to do, and hope to continue doing until the ink runs dry and the notes fade. But for now, Wide Open Light. Deliberately minimalist, the songs themselves do as much of the heavy lifting as the production. (produced by myself, and my longtime collaborators Danny Kalb and Jason Mozersky) Featured guests on the album include: Jack Johnson guitar, vocals on 'Gone For Good'. Shelby Lynne vocals on '8 Minutes'. Piers Faccini vocals on 'Wide Open Light'.

Go to Item

Five Finger Death Punch

2LP | 2023 | EU | Original (Better Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Lurkers

First Ever Demos 1977

Come On Feel 30th Anniversary Red / Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

limited edition single on randomly shipped Colored Vinyl. 300 copies on pink and 300 copies on clear vinyl, shipped randomly.1977. The band had been together for a few months, and we had some songs roughly worked out. I had managed to arrange a meeting with Miles Copeland (manager of the Police), and he wanted us to bring a demo tape. We didn't have much money, but I found a very cheap studio in Hayes in Middlesex, which we booked for two hours.At that point I didn't have my own amp but the man at the studio said not to worry because he had a great Fender amp which was all set up and ready to go. The studio was a very small, converted building in a back garden, it was a tight fit, and the Fender amp was actually a miniscule combo amp, with a very clean sound. It was a million miles from the overdriven noise I was looking for. Also, there was no proper headphone mix and I had to play guitar in the tiny "control room" to avoid sound spillage. This meant I could only vaguely hear the rest of the band.We quickly ran through our three songs. The man thought we were playing so fast because we were nervous, he wasn't aware of punk rock yet. I told him it was meant to be like that. All three songs were recorded and mixed within the two hours.The following week myself and Esso took the tube up to Oxford Street for our meeting with Miles Copeland. He had a good listen to the three songs and appeared unshocked. He was well aware that punk was "happening" so he was friendly and took us seriously. He was mainly interested in what our ambitions for the band were, we should have said "we wanna be worldwide stars," or something like that but we didn't.

Go to Item

The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

Come On Feel 30th Anniversary Black Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Expanded 30th anniversary re-issue of The Lemonheads' classic 1993 album with brand new sleeve artwork! The breakthrough record that took American alt rock global and catapulted Evan Dando into the hearts of a generation. With a wealth of unreleased demos, alternative versions and rarities - including covers of Victoria Williams, Buddy Holly and The Flying Burrito Brothers plus The Lemonhead's take on the Cole Porter standard 'Miss Otis Regrets'. In the 90's Evan's Lemonheads produced hit after a hit, a string of super cool singles: 'Big Gay Heart', 'Into Your Arms', 'It's About Time', and 'The Great Big NO'. Pure genius filling the radio waves and taking the stage... Some 30 years on; Evan is still knocking that song writing thing out of the park and 'Come On Feel The Lemonheads' sounds as fresh and perky as it ever did. Amid the hits on the original record are stencils and outlines for yet more magical music and now this deluxe edition adds a second disc of demos and acoustic versions, plus a host of one-offs from sessions and compilations that add further colour to the myth and how it was created. There's the in-demand combo lovingly covering Victoria Williams' 'Frying Pan' from her 'Sweet Relief' album, which is joined by an eclectic set of flipsides and out-takes, like their version of original garage punk nugget 'Little Black Egg' by The Nightcrawlers, Evan's homage to Gram Parsons on the winsome 'Streets Of Baltimore' and Buddy Holly's melancholy 'Learning The Game'. Evan knows a good song when he hears it, as 'Come On Feel The Lemonheads' certainly proved. "Come On Feel was home to some of his best, sharpest writing - fabulous sunny powerpop and beautiful ballads" The Guardian "'Come On Feel The Lemonheads' is all it purports to be: a chance to dip into Evan's jumbled-up, dope-smoking love-buggy of a life and celebrate it" NME

Go to Item

The Lemonheads

2LP | 1993 | UK | Reissue (Fire)

12" | 1970 | EU (Trading Places)

Release: 1993 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Mungo Jerry

In The Summertime

Synanthesia Black Vinyl Edition

Release: 1970 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After performing together in the skiffle-oriented band Good Earth, singer-songwriter Ray Dorset and keyboardist Colin Earl formed Mungo Jerry, whose breakthrough single, “In The Summertime,” remains a stone-cold anthem of the early 1970s. With Paul King on banjo and jug, Mike Cole on string bass, Earl on ragtime piano and with Dorset’s humorous vocals upfront, “In The Summertime” was skiffle-tinged rock at its best. The reissue of this uncommon 12-inch also features Dorset’s “Mighty Man,” with King’s kazoo and harp, as well as a great cover of Woodie Guthrie’s “Dust Pneumonia Blues.” A must-have!

Go to Item

Synanthesia

LP | 1969 | EU | Reissue (Guerssen)

Come On Feel 30th Anniversary Black Vinyl Deluxe Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Prog-psych / acid-folk lost classic from 1969 by this short lived London trio. Now lovingly reissued on vinyl with fantastic remastered sound and including insert with rare photos / memorabilia and detailed liner notes by Steve Krakow aka Plastic Crimewave. Named after a Cannonball Adderley track, Synanthesia formed thanks to a Melody Maker ad placed in 1968 by guitarist/vibes/vocalist Dennis Homes, answered by Jim Fraser (who played sax, oboe and flute) and Leslie Cook (an Incredible String Band fan on bongos, violin and mandolin). With their particular blend of folk, jazz and psychedelia, the trio played all the key underground venues and clubs, sometimes alongside top acts like Floyd, King Crimson or Fairport Convention. Their sole album was recorded at Sounds Technique studio in Chelsea (which was where Pink Floyd were recording their albums at the time) and subsequently released by RCA. The cover featured the trio climbed onto a tree at the same park where the Beatles filmed their “Strawberry Field” promo film. Despite the good reviews and the support of DJs like John Peel, the album was considered too far out and psychedelic and eventually flopped, only to be re-discovered several decades later by acid-folk fans and collectors.

Go to Item

The Lemonheads

Book+2LP | 1993 | UK | Reissue (Fire)

67,99 €*

LP | 2023 | EU | Original (Telephone Explosion)

Release: 1993 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Uh Huh

22,99 €*

Tape | 2022 | EU | Original (Better Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Telephone Explosion proudly presents the self-titled debut LP from Toronto’s UH HUH, out physically and digitally on April 14, 2023. The album features eight tracks of dub-damaged art rock which conjure a potent vision of spaced-out 1980s post-punks feeding their angular rhythms and bass-heavy grooves through layer upon layer of grime-spattered spring reverb.

There is a palpable sense of discovery and exploration throughout UH HUH’s 37 heady minutes. Elastic basslines and serpentine guitar phrases throb and glide, cutting through dubwise reverberations like hands moving through an opaque cloud of reefer smoke.

Formerly known as Teenanger, the reconfigured (and reinvigorated) group’s newfound sense of sonic identity is put on display the moment the door kicks open. The percolating spaciousness of opener “Somewhere Beyond” is followed by the cyclical grooves of “Redemption Pause.” Vocalists Christopher Swimmings and Melissa Ball each take respective turns at lead vocal duties, showcasing their contrasting yet complimentary styles.

“Babylon”, a slab of overcast, loping funk features both singers on the same track, alternating between Swimmings’ stoned syncopation and Ball’s saccharine melancholy. This juxtaposition leans against a backdrop of reverb-soaked drums, watery guitar chords and rippling trumpet.

The slinking, fractured grooves of “Rain (In The Afternoon)” and “Citrus Song” call to mind the deranged minimal dub-wave of Naffi or Vivien Goldman. Both songs feature lyrical content heavily inspired by the Florida swamplands, although the aural landscape on these tracks is decidedly more brutalist than Boca Raton. Two of the songs included here are reworkings of previously released Teenanger numbers. “Blinds Drawn” is reduced to its core elements of bottom-heavy rhythm, spliced guitar shanks and Swimmings’ murmured ruminations. “Good, You”, on the other hand, is completely re-imagined as a blissed-out melt of opiated bossa nova.

After countless hours of experimentation during the album’s recording sessions at Toronto’s Studio Z, the band decided to send their drum machines, snare drums and percussion through an obscure 1960’s Japanese Guyatone guitar amp with a notoriously ecstatic spring reverb sound. The result was immediately inspiring.

The dank, busted and clanking tones produced by the Guyatone evoke a muggy, humid atmosphere that mimics the photo on UH HUH’s cover. The process of re-amping is literally the means through which UH HUH found the sound of this record. UH HUH is a record that asks more questions than it does provide answers. This is searching music that requires that the listener lean into it, the more time you spend in between the beats, bars, notes contained within, the more vivid the picture becomes.

Go to Item

V.A.

OST The Retaliators

14,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hypnogogue Purple Vinyl Edition

The Church

2LP | 2023 | UK | Original (Easy Action)

HHV Records Sticker Sheet

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

) Brand new album by The Church, their first in 6 years! • Presented in deluxe card gatefold sleeve CD and gatefold limited purple double vinyl LP • European tour 2023 • Reviews secured in Mojo, Classic Rock, Uncut, Vive Le Rock, Record Collector, Louder Than War • "While some may just want The Church to write another "Under the Milky Way", The Hypnogogue's title track is excellent. One of the most anticipated albums of 2023” - Brooklyn Vegan • Treble Zine have named The Hypnogogue one of their most anticipated albums for 2023. "Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is a reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades". After an epic return to homeland stages, Australian psych-rock legends The Church announce their forthcoming studio album The Hypnogogue. Following on from 2017’s widely acclaimed Man Woman Life Death Infinity, the Sydney band’s 27th album was recorded just before the world was shut down by the Covid-19 pandemic. Emerging from the darkness is the band’s first new studio album in six years and the first to feature the newest line-up led by founder, bassist and vocalist Steve Kilbey. “The Hypnogogue” is the most prog rock thing we have ever done, we’ve never created a concept album before,” says Kilbey. “It is the most teamwork record we have ever had. Everyone in the band is so justifiably proud of this record and everyone helped to make sure it was as good as it could be. Personally, I think it’s in our top three records.” Picking up substantial international airplay, raising anticipation for the album’s release, the digital singles ‘The Hypnogogue’ and ‘C’est La Vie’ set the stage for the album’s striking science fiction narrative. Kilbey unpacks the themes that tie the album together: “The Hypnogogue is set in 2054, a dystopian and broken-down future. Invented by Sun Kim Jong, a North Korean scientist and occult dabbler, it is a machine and a process that pulls music straight off dreams.” This new five-piece line-up is made up of Kilbey along with long-time collaborator, drummer and producer Tim Powles, who’s remained a staple across 17 albums since 1994. Joining them is guitarist Ian Haug, formerly of Australian rock icons Powderfinger, who has been with the band since 2013. Touring multiinstrumentalist talent Jeffrey Cain is now a full-time member since the departure of Peter Koppes in early 2020. Completing the line-up, newcomer Ashley Naylor is one of Australia’s finest guitarists and a long-time member of Paul Kelly’s touring band. Formed in 1980, The Church found early chart success in their homeland, before establishing themselves as an international touring entity, earning a worldwide hit with the single ‘Under The Milky Way’ from their hit 1988 album Starfish, while their stellar live shows have been deemed ‘spectacular’ by Magnet magazine and continue to win the hearts of industry and fans across the world. Often seen as the Godfathers of an Australian psych/prog scene generating such internationally successful names as Tame Impala and King Gizzard And The Lizard Wizard, The Church have gone on to maintain a loyal and far-reaching following as their fanbase has expanded with their evolving sound. Entering their fourth decade as a band, The Church continue to remain a treasured creative force.

Go to Item

HHV

1 Piece | 2023 | Original (HHV Records)

80 Bonus Coins

LP | 2023 | EU | Original (Wrong Speed)

Release: 2023 / Original

Genre: Hip Hop, Organic Grooves, Rock & Indie, Electronic & Dance, Reggae & Dancehall, Pop, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bonus Coins

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker, square
• KEATS Logo Sticker, square
• Beat Jazz International Logo Sticker, square
• For the RECORD Logo Sticker, round
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• HHV Mag Logo Sticker, round
• HHV Boombap 45's Logo Sticker, round
• 90's Tapes Logo Sticker, round
• For The CULTURE Logo Sticker, round
• Vinyl Diggers Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• 20 Years HHV Logo Sticker, round

Go to Item

Big Break

Angels's Piss

24,99 €*

2LP | 2023 | EU | Original (Better Noise)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Big Break occur somewhere in the cracks between hardcore, new wave and egg punk. Apparently unable to concentrate on a song for longer than 2 minutes, their music is minimalist, agitated and addictive. Taking inspiration from the likes of Devo, Negative Approach and Food Fight by The Village People, they combine hyper guitar hooks with taut rhythms and break-neck changes of pace. Recorded at Sheffield's Delicious Clam Studio, their debut album, Angel's Piss, features songs about the gaffer (bad), computer phones (bad), bank holidays (good), relationships (mostly bad), and bodily fluids(depends). It's an on/off, in/out, bits and pieces document of the band's first LP that captures their raw energy and sense of immediacy. Formed in the basement of the aforementioned Delicious Clam, the band's current and previous musical incarnations include Best Friends, The Hipshakes, Nai Harvest, Avida Dollars, Thee Mightees, Joy Boys, Thumbuster, Champayne, Town Cruise and more. "Words from us, the label, some context...Will Pearce, who spent a healthy couple of years in the Hey Colossus group, moved to Sheffield. He was soon embroiled in the deep music scene, hitting up the Delicious Clam venue and becoming smitten with Big Break-the band help run the place.

Go to Item

V.A.

The Retaliators OST

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | Original (Bmg Int'l)

Pitura Freska

Duri I Banchi Ita

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Feel This Good Solid White Vinyl Edition

High South

LP | 2023 | EU | Original (High South)

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | US | Original (Feel It)

Why Bother?

A Of Unsolved Miseries

LP | 2023 | US | Original (Siltbreeze)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mason City, Iowa's WHY Bother? return with A City of Unsolved Miseries, their third album in as many years. Their patented basement recording setup has yet again captured something magical, thirteen originals in all. From the fringes of a small, landlocked Midwestern city—Why Bother? have honed in on a punk sound that is original, self-driven and shows no signs of slowing. Swirling in darker thematics, such as the still unsolved 1995 disappearance of Mason City TV anchor Jodi Huisentruit, the album speaks to every outcast living out their days underneath dark, grey skies. However the music strikes you—Why Bother? have defined yet another chapter of their enigmatic existence with the genius sounds captured on A City of Unsolved Miseries. First pressing limited to 300 copies.

Go to Item

C.I.A. Debutante

Down, Willow

Elephant Shell Tri-Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With their 3rd vinyl long player for Siltbreeze, CIA Debutante have successfully out-flanked those critics who have been forever chattering, "will they ever be as big as Artery?" To paraphrase Fred Ward in Tremors; "Artery? Hell, Clock DVA!" All bristling aside, such questions & answers don't carry much weight these days. Such is the language of pettifoggers. And who's got time for them? We're trying to sell records here. Down,Willow sees our heroes Paul & Nathan attaining S.T.A.S. (Superior Third Album Status), honing in with a top gloss of new & proto experimental, post-punk, recitation & vibe. Imagine fusing The Fall's Grotesque & Morton Subotnick's Sidewinder into a sole entity? Sure, there's going to be lots of sparks, flash fires, smoke of all colors + bickering, but from this vantage, what a light show! There's even some shredding on here that sounds like they may have lit this fucker with Martin Kippenberger's copy of Guitar Hero. Please take it off, it's too good! If you've been paying attention to the bands countless tape efforts, or just their recent vinyl outings, there's no denying the Mach thunder Down, Willow is gonna roll across thine cranium. And should this be your introduction to the band, feel free to pretend none of the aforementioned bullshit matters. And welcome, adventurous new listener!

Go to Item

Tokyo Police Club

LP | 2023 | UK | Original (Memphis Industries)

Black And The White And The Grey

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ontario four piece Tokyo Police Club burst on to the scene as teenage sensations with 2007"s A Lesson in Crime EP, an opening salvo that delighted discriminating young music fans around the world and saw them win plaudits from NME, Pitchfork and more. The EP was followed up in 2008 with Peter Katis on the desk for their debut album Elephant Shell which spawned the hits Your English is Good and Tesselate. Elephant Shell is the sound of these four young friends coming of age and into their own. The album catapulted the band into the popular consciousness, landing the band on the stages of the world"s biggest festivals, a spot in MTV"s video rotation, appearances on the Late Show with David Letterman, and even a cameo on Desperate Housewives. Beyond that, Elephant Shell has stood up as one of the defining albums of this particular era in indie rock. Hard to believe it"s 15 years hence

Go to Item

Rough Kids

LP | 2023 | Original (Dirt Cult)

25,99 €*

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

31,49 €* 41,99 € -25%

Morgan And The Organ Donors

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

M.O.D.S

LP | 2023 | US | Original (K)

Singles Breaking Up Vol.1

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Featuring Tobi Vail (Bikini Kill, Frumpies, Spider and the Webs and The Real Distractions) as well as scene stalwarts James Maeda, Olivia Ness (C.O.C.O.) and vocalist Sara Peté.Recorded live on a 1/2" 4 track and mixed by Capt. Tripps Ballsington in Olympia WA.This release continues the rich tradition of DIY bands crafting instant pop hits entirely on their own terms, which has long been the hallmark of the Olympia Underground.Look for the video for singles "Letter", "Freeze The Time", and "Motel Lights" And a show or two.... Whatever happens it is quite assuring that whatever these times may bring bands can still put out music as good as this LP.

Go to Item

Don Caballero

LP | 2017 | EU | Reissue (Touch & Go)

7" | 2023 | US | Original (Alternative Tentacles)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

By no means a release of new or current Don Cab material(and originally released in 1999), Singles Breaking Up (Vol. 1) offers quite a range of the band's history to appreciate. The oldest recordings found here are programs 1-6 which became the first two singles and a b-side for the fourth. They wererecorded in a 1/2 inch 8 track studio by Lee Hollihan of Valencia, PA (the original Good Morning Vietnam man) for only $25 an hour. The next batch, 7-9, were recorded by Steve Albini in his once home studio and were a part of the For Respect Sessions. Program 10 was also recorded in this same studio by colleague engineer Bob Weston. Program 11 was recorded in Detroit by engineer Al Sutton and was a part of the sessions for Don Caballero 2. Lastly, programs 12-13 were recorded again by Steve Albini in the B room portion of this Chicago studio Electrical Audio. The photographic art concept for the whole anthology is simply this: 7 inch phonograph singles breaking up, in the kind of setting of giving Abby Road back to the people. With the exception of programs 12-13, these songs wererecorded in the early part of the 1990's. The intention was not to release them in this form, if at all, but to give the record company a rough idea of the songs Don Cab at the time. The "punky" songs were written with the sole intention of obtaining a record contract. It seemed a the time that contracts flowed like water for this kind of music. The band soon found out that it wasn't quite that easy, but did, eventually, manage to sign a deal with Touch and Go. It is interesting to see how some of these songs, or parts of them, developed into others that have become well-known.

Go to Item

Kultur Shock

King / Country Mohammed

8,99 €*

LP | 2023 | EU | Original (Damaged Goods)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Yet another rockin’ new direction from the label that can’t stop expanding its….well,…Tentacles! Meet Kultur Shock—multinational ‘Gypsy Punk’ pioneers, led by irrepressible ball of energy and good cheer, Gino Yevdjevich. Gino was quite the mainstream pop star in his native Bosnia (and the Balkans), when the shelling of Sarajevo began, trapping him in his family’s apartment for two years. He was finally able to flee, first to New York, then on to Seattle. Instead of reviving his pop career, Gino chose (a full plunge) to reinvent himself, reaching deeper into his heart and Balkan roots, and Kultur Shock was born! They began playing slightly electrified Traditional Folk, to a growing refugee audience, including many a dancing Serb. The fan base quickly widened to Krist Novaselic and Vic Bondi, among others, who then drew in Jello Biafra. - Then something happened - A year or two later, they debuted in San Francisco to a sold-out audience at the Bottom of the Hill, packed with almost all refugees and migrants - and a much louder, heavier Kultur Shock. Lineups hail from all over Eastern Europe, Seattle, and even Japan; with a much wilder, more theatrical Gino as ringmaster of all he surveys. A more punked-out, direct version of their close friends and cousin, Gogol Bordello, Kultur Shock mixes Balkan folk melodies and bizarre meters with face-melting metal and blood-pumping punk rock in a pagan cauldron of lyrical, obnoxious, and politically irreverent music stew since 1996. The band released its first three studio records produced by FNM’s Bill Gould on his KoolArrow Records – Fucc the INS (2001 and 20th-anniversary re-master in 2022), Kultura- Diktatura (2003), and We Came To Take Your Jobs Away (2006). Since 2007, Kultur Shock is self-produced and self-released on its own label, Kultur Shock Records. It released Live in Europe (2007), Integration (2009), Ministry Of Kultur ( 2011), Tales Of Grandpa Guru, vol. 1 EP (2012), IX (2014), Live At Home ( 2016), and D.R.E.A.M. (2019). So here to start is Kultur Shock’s Alternative Tentacles 7” debut. To break the ice and dangle the carrot for our eclectic Tentacle fan base, and reintroduce the now post-Covid Kultur Shock, as they head back across the Atlantic, for their main audience and festival dates, and Stateside down the road. “King” and “Country Mohammed” have been live show favorites for some time, and Alternative Tentacles is pleased to showcase them to our audience. With an all-new album is in the works, with hopefully more vinyl reissues of their past CD-only albums to follow, Kultur Shock is here to stay. We love them so much, it’s the Second band with this name on Alternative Tentacles: Dick Lucas’ Culture Shock is the first!

Go to Item

Graham Day & The Gaolers

Reflections In The Glass

19,99 €*

Late December/Live Acoustic Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Third studio album by Graham Day & The Gaolers! Their first in 14 years! It's been a good time recently to be a fan of Graham Day. Last year saw the release of "A Little More Time With...", a 10" mini LP by The Senior Service, as well as his recent debut solo album, The Master Of None, (released on Acid Jazz). There's also been a string of hometown reformation gigs with the Prisoners, and a US tour with the Woggles. And now this! Damaged Goods asked Graham a few questions about the new Gaolers album_ Q: This is the third Graham Day & The Gaolers album. It's been 14 years since the last one, why the long gap?A: Blimey, is it that long? We never "finished" the band, but with Dan living in the USA it's always been difficult to get together, and we've had to rely on touring to make it worthwhile flying him over. I think we were all feeling a bit tired of touring, my 'day' job got increasingly intense, and we sort of put it on hold for a while. We were set to record the album in March 2020, but then Covid hit so we lost a couple of years.Q: How did you first hook up with Dan Electro from the Woggles?A: I met Dan in 2000, his band the Woggles were supporting the SolarFlares on two nights of a German tour. The first night they blew me away, and we went on first the following night, no way I was going to follow that again! We stayed in touch, became great friends. Dan was over in London 2006 ish, I'd just finished playing bass in the Buff Medways, and Dan suggested we start a band together with Buzz the Woggles bass player. I had an album's worth of material and they flew over and we recorded the first Gaolers' album in 2007.Q: One of my favourites on the album is 'Don't Hide Away'. What inspired the song?A: Covid divided a lot of people, everyone had their own views and different attitudes to risk. Don't hide away is about those friends and family that were so scared they locked themselves away, some of whom still have never returned to social circles. I just wanted to put it out there that there...

Go to Item

Maria McKee

2LP | 2023 | US | Original (Afar)

First Fruit Record Store Day 2023 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2000 pressed. First time on vinyl for the gorgeous 'Late December', with a second LP featuring rare recordings from her Live Acoustic LA tour in 2006, the package includes new liner notes and a download of the studio album and live show. An album that's broader than Broadway, a panoramic view of life, love and loss filled with drama and theatricality. Plus a live set that's heart-on-sleeve time, bringing together songs from Lone Justice, plus covers of the traditional country anthem 'The World Is Not My Home', Richard Thompson's 'Has He Got A Friend For Me' and three songs that show the bittersweet beauty of her brother Bryan MacLean's song writing. In total, it's Kurt Weill, Springsteen, it's the million-selling global hit 'A Good Heart' delivered by the songwriter herself in all its Phil Spector-like baroque beauty.

Go to Item

Sonseed

LP | 1981 | Reissue (Arena Rock)

Ghosts Of Princes In Towers Record Store Day 2023 Black Vinyl Edition

Release: 1981 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited Edition of 1000 copies worldwide. RSD Limited Run / Regional Focus Release.
14 million streams ago...God, where to start? We formed in the late-70s to play a special Mass for the Bishop at Our Lady of Perpetual Help Church in Brooklyn. Most of us met for the first time while rehearsing for that Mass and decided to keep in touch. We realized that Catholics (we were all Roman Catholics at the time) had nowhere to go to hear fun, inspirational music, so we began playing church halls and schools doing "rocked-up" versions of songs we pulled out of hymnals. Eventually some of us wrote our own stuff. We played hundreds of shows over the next 4 years, passing the hat for donations to pay for necessities that we needed to keep the group going (microphones, wires, gas for the van, and eventually, the "First Fruit" album, which we sold at concerts for just about cost). It was never about the money; it was all about spreading the Good News and having fun doing it. We consistently lost members through the years and gave our last concert in December 1983. Doug Prinzivalli, who owned a video copy of our appearance on a local TV show sometime in 1982, had been running "where are they now" (or more specifically, "who are they") contests on his California blog for years. It wasn't until he got his hands on a copy of the album (which is amazing considering we only printed 1,000 or so) that he found my name and tracked me down. That video was originally put on YouTube not by Doug, but by some visitor to his blog who thought it was too good not to share. --Sal Polichetti (Sonseed) (This is an exclusive 2023 Record Store Day release.)

Go to Item

Rich Kids

2LP | 1978 | Reissue (Parlophone Label Group)

28,99 €*

LP | 2023 | JP | Original (P-Vine)

Release: 1978 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited to 2500 copies worldwide. RSD Exclusive Release.
Limited 1 x 140g 12" Black vinyl album. RSD 2023. Ghosts of Princes in Towers is the only studio album by British band Rich Kids, founded in 1977 by Glen Matlock (ex Sex Pistols) and Midge Ure (Ultravox) and Rusty Egan released in August 1978 and produced by ex-Bowie guitarist Mick Ronson. Exclusive for RSD 2023, the original album will be newly remastered. Release overseen by Rich Kids Rusty Egan. Tracklisting: Side A - Strange One, Hung on You, Ghosts of Princes in Towers, Cheap Emotions, Marching Men, Side B - Put You in the Picture, Young Girls, Bullet-Proof Lover, Rich Kids, Lovers and Fools, Burning Sounds

Go to Item

Isato Nakagawa

Solar Wind

34,99 €*

We're Still Here Baby Pink Edition

Release: 2023 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Known as one of the greatest fingerstyle guitarists of his generation, the late Isato Nakagawa’s “Solar Wind” is getting a long awaited analog reissue!

With incredible technical talent and an ear for beautiful melodies, Nakagawa was a pioneer of Japan’s fingerstyle guitar scene, mentoring world-renown guitarists such as Kotaro Oshio and Masaaki Kishibe. Originally released over two decades ago, ‘Solar Wind’ saw Nakagawa at the height of his powers, a guitarist confident in both his compositional skills and unrivaled technical ability. Of course, this talent is disguised, with melodies often so simple they could be from lullabies. Yet at times, his talent is on full display, with moving harmonies so complex it seems impossible that he’s playing with only two hands. Whether you want to sit down and study the music of a master, or simply sit back and listen to beautiful guitar melodies, this album is perfect. Reissued on vinyl for the first time ever with an obi strip, this album has never looked or sounded this good! Don’t miss Isato Nakagawa’s Solar Wind, only from P-vine Records.

Go to Item

The Hirs Collective

LP | 2023 | US | Original (Get Better)

2LP | 2021 | EU | Original (Better Noise)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hirs Collective rely on an ethos of de-individualization. It is their strength, and their love. Through co-opting the anarchist phrase “No Gods. No cops. No masters,” as a ‘fuck you’ to the disingenuity of too much art and life of the capitalist world at large, the group introduced themselves as humanly as possible. Yes, there are individuals who make up this band/Collective/organization. Yes, the politics are in play, which a listener might likely expect from a group that comes from the leftist punk rock world that boasts community, acceptance, and radicalism. However, these are the foundations the Hirs Collective itself. As such, the Collective watched these community virtues and ideologies change through overuse and abuse and holds to them more tightly because of it. After thrice releasing 100-song albums and countless splits and collaborative records, the Hirs Collective had already begun to realize their next frontier through 2020’s highly collaborative Friends. Lovers. Favorites. Since then, the band has doubled-down on prioritizing the love of creation over the expansion of an artist’s public identity, and through the act of expansive collaboration, the Hirs Collective brings We’re Still Here, an immersive album featuring over 35 musicians and vocalists across 17 tracks. The name of the game is world expansion, cultivating true senses of community, and making sure that an idea can never die because it will have spread beyond the mind and powers of any single person. Once you work with the Collective, you are the Collective.

Go to Item

Sixx:A.M.

Hits

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Nancy & Lee Again Fanclub Edition pressed on Got It Together Again Gold Vinyl Edition

31,49 €* 41,99 € -25%

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Nancy & Lee Again Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Nancy & Lee Again 8-Track Tape

8Track | 1972 | US | Reissue (Light In The Attic)

23,99 €*

LP | 1977 | JP | Reissue (Panam)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Kaze

Umikaze

65,99 €*

LP | 1978 | JP | Reissue (Panam)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The album has come back in a special 180-gram vinyl edition and is now on sale!

Ise Shozo and Okubo Kazuhisa formed the folk duo Kaze in 1975 and recorded their 4th original album Umikaze in LA. It was their first recording overseas. Local musicians such as R.A.Martin and Geffrey Hales participated in the recording, as well as Mizutani Kimio, Sato Jun, Takebe Hideaki, Moriya Jun, and others from Japan. In the relaxed atmosphere with a good rapport between the members, the album adopted the California sound. It became a masterpiece reflecting the newest trends in music, such as fusion and crossover. Originally released in 1977, the album consists of 11 tracks including Umikaze with its beautiful intro riff.

Go to Item

Kaze

Moony Night

65,99 €*

7" | 1987 | US | Reissue (Sorry State)

Release: 1978 / JP – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This album has also come back in a special 180-gram vinyl edition and is now on sale!

The 5th album by Kaze, Moony Night was recorded in LA, following the 4th album Umikaze. The recording process with local musicians such as Steve Forman and Chuck Findley, and the same members as the previous album from Japan (Mizutani, Sato, Takebe, Moriya) added a new taste and successfully created a new Kaze sound.

After releasing this masterpiece in the history of city pop, Kaze entered a fallow period.

Go to Item

Koro

Tape | 2023 | DE | Original (Phantom)

Release: 1987 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sorry State is excited to bring you a repress of one of the best hardcore records ever, Koro's 1983 7" EP. Originally released in a small, self-released pressing, over the decades this monster's reputation has continued to grow, and collectors now have to fork over well over a grand for an original pressing. This one is too good for the scum to keep to themselves, though, a hyper-compact explosion of energy that can hold its own next to any landmark early 80s hardcore punk record you want to compare it to. Sorry State's 2023 pressing aims to replicate the original look and feel of the original as closely as possible, with an offset-printed sleeve on legal size paper. It's as close as you can get to the original without missing a mortgage payment.

Go to Item

Splizz

Release: 2023 / DE – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ecuatoriana - El Universo Paralelo

V.A.

LP | 2023 | EU | Original (Analog Africa)

32,99 €*

LP | 2023 | EU | Original (Reptilian)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On 12 February 1949 an angry mob stormed into the centre of the Ecuadorian capital of Quito, burning the offices of the city’s main newspaper and its oldest radio station to the ground.

On that tragic day Radio Quito had just broadcast a local adaptation of H.G. Wells’s The War of the Worlds. The novel – first published in 1898 and famously adapted into a radio series by Orson Welles – is one of the earliest stories to depict a conflict between mankind and a hostile race of extra-terrestrials. The large audience - not understanding that it was pure fiction - believed that intergalactic intelligence had invaded the country as all hell broke loose. Thousands began running the streets of Quito looking for shelter, chaos broke out, causing a deadly stampede. People blamed the broadcaster for the tragedy, formed a dense crowd and stormed Radio Quito, setting it ablaze. Several musicians, who were there performing, were killed.

In the decades after the second world war, outer space was on everyone’s mind and the ‘space race’ of the 1950s and 60s not only produced groundbreaking efforts to launch artificial satellites, send space probes to Mars and land a human on the moon, it also had a huge impact on the movie and music industry which was taking advantage of the world‘s fascination with space voyages and lunar missions to create instruments capable of mimicking imaginary interstellar sounds. These synthesised space effects that captivated the imagination of a whole generation of young Ecuadoreans coincided with a period in which workers and musicians from the provinces started flocking to Quito and to the commercial port of Guayaquil, some hoping to find regular work, others looking to break into the musical big leagues by getting hired by one of the prestigious urban radio station. These artists brought riches of rhythms to the major Ecuadorian cities who would soon witness the explosion of what would be known as “Andean Cumbia”.

That fusion, of tropical electronics mixed in with Andean melodies and lyrics describing the cruel reality of migrant workers, achieved massive success. And so while budding Ecuadorian UFOlogy lead to widespread extraterrestrial sightings, Ecuadorian musicians began released various albums consisting of traditional music combined with synthesisers in order to bring their traditional music into the space age. One of these musicians is Polibio Mayorga who had travelled 160km from his hometown of Chisalata to Quito where he showcased his talent as he championed the art of modernising his region’s ancestral rhythms - Huaynito, Sanjuanito, Albazo and many others - using the latest in electronic instruments.

After 4 years with Los Locos del Ritmo, one of Ecuador’s most popular bands, Polibio joined Fadisa (Fabrica De Discos S.A) in 1973 as a solo musician and songwriter before becoming their musical director a year later. While there he would team up with saxophonist extraordinaire Olmedo Torres, and for 10 years they would compose and arrange hits, not only for themselves but also for their fellow artists in the Fadisa family. Although Fadisa had countless labels in their roster, the jewel in their crown was Rondador and it was on that imprint that Polibio would release “Ponchito de Colores” and his famous album “La Farra Está Aquí”. With their novel use of Moog synthesiser, both become huge hit records and were broadcast constantly by Cosmopolita and Marañón de Quito – the two major radio stations of the capital. This led to a surge of interest in Andean cumbia, and the subsequent record sales helped to revive the country’s flagging music industry, turning Polibio into Ecuador’s most influential musician.

Polibio has never considered his music to be “tropical psychedelia” - although he thinks it would make a good name for a band. He has the sense of humour of a genius and the ability to make anyone laugh, yet he remains discreet, eloquent and humble … but as a musician he is daring and visionary, with an intrepid, vigorous style almost impossible to imitate. More than perhaps any of his peers, Polibio Mayorga established a unique place for himself at the vanguard of tropical music.

Go to Item

Eddie Spaghetti

Old No. 2

No Redeeming Social Value

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Second solo release from 'Suckers frontman Eddie Spaghetti. Blue/Custard marbled vinylNow that the Supersuckers have become a productive cottage industry thanks to the good people at Mid-Fi Records (namely the band itself), 'Suckers frontman Eddie Spaghetti has given us his second solo album in as many years with 2005's Old No. 2. Like his previous solo disc Sauce, Old No. 2 is dominated by covers, though Eddie wrote a whopping four new songs for this set (double his output for Sauce), and since this album boasts a significantly lower goofiness quotient than his previous go-round, he offers us some solid and literate country-rock tunes, including the ode to touring "Here We Go" and a rueful look back at a busted romance, "Some People Say." Old No. 2 is in the tradition of the Supersuckers' periodic visits to the land of twang, with even the AC/DC and Coasters covers boasting a semi-acoustic sawdust-on-the-floor vibe, and his band (anchored by guitarist Jordan Shapiro) kicks up a satisfying amount of dust, even with the amps turned down. While Eddie unwittingly reveals how narrow his vocal range can be on a couple of tunes, he makes with the attitude when he needs to and sounds like he means it when he wants to, and his versions of Bob Dylan's "Tonight I'll Be Staying Here with You" and Willie Nelson's "Everywhere I Go" show the guy is a better interpretive singer than one might expect. Oh, and if you were looking for a straight-up joke, check out the Aerosmith revision on track 11. Old No. 2 is hardly revelatory, but it sounds like Eddie and his pals enjoyed their four days in the studio, and the good vibe is infectious -- lots of guys have tried a whole lot harder without coming up with a record half as enjoyable as this. - Mark Deming AMG

Go to Item

Wasted For Life Picture Disc Edition

LP | 2023 | EU | Original (Dead City)

LP | 2012 | US | Reissue (Merge)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Classic hard-hitting, old school hardcoreThe year is now 2020 and the band is still going strong. NRSV never stopped playing or partying, and they continue to bring their unique style of mosh-worthy jams to the world. Their action-packed, brand new, full-length album titled "Wasted For Life" features 10 new songs of intensely riotous hardcore punk at its finest! NO REDEEMING SOCIAL VALUE continue to deliver the classic hard-hitting, old school hardcore sound with their own energetic and unique twist, along with many anthemic sing-a-longs that will soon be hardcore classics. If you're ready to get wasted with NRSV, then drop the needle on this slab and join the Brew Crew for a raucous good time

Go to Item

The Mountain Goats

Transcendental Youth

24,99 €*

Threads Of Unknowing Violet / Black Splatter Vinyl Edition

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Transcendental Youth is full of songs about people who madly, stupidly, blessedly won't stop surviving, no matter who gives up on them. I can report that it is a very good album and has many more instruments on it than his early cassette tapes, including Peter Hughes on bass, Jon Wurster on drums, and, for the first time, a full horn section. And all of this makes a very joyous noise." - John Hodgman

Go to Item

Voidceremony

LP | 2023 | US | Original (20 Buck Spin)

28,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Threads Of Unknowing Black Vinyl Edition

Voidceremony

LP | 2023 | US | Original (20 Buck Spin)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2023 | EU | Original (Shimmy Disc)

Britta Phillips & Kramer

Nocturnes

12,99 €*

7" | 2023 | EU | Original (Shimmy Disc)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In 2022, the pandemic seemed to be receding to the point where artists could work together again, literally side by side. So, as a kind of 'follow-up' to my Joyful Noise 2020 Artist-in-Residence box set, I revisited the notion of a limited-edition vinyl box celebrating the joys of collaboration. i thought about it for a good long while, and eventually, It felt good. I then put the idea under a microscope and found that it felt even better when i minimized the project to six 33rpm EP's on 7" vinyl. The borderless landscapes of audio art, tempered by the imaginations of the artists I chose to work with, then cast against the myriad infinities of mysteries betwixt those ageless, spinning rings...those rings that seem to sing, "...listen to us..."It all begins with imagery. Always. Let it be. If You fall in Love with the process, it's possible that the process will Love you back. The end results are important, but nothing is more important (to me) than the changes we experience as a result of the process. How are we different now, after the music is done? What has happened to us, because of these sounds we have made together, and these songs we have made? And, of equal importance... can the listener sense that something is happening o the artists as a result of their collaborations? And...can the listener experience some of that, too?RINGS OF SATURN won't change the world, but the words & music dervishing off these grooves accurately expresses the Love poured into the foundations beneath these Nocturnes (w/ Britta Phillips) and Psalms (w/ David Grubbs) and Preludes (w/ Eerie Wanda) and Elegies (w/ Jad Fair & Danielson) and Laments (w/ Paul Leary) and Hymns (w/ Rob Crow). working with others is my lifeblood. I am Nothing without them.TIME, with all its mysteries intact, and unfettered by borders, so that both the artists and the listeners can enter, in partnership, together. -Kramer, 2023

Go to Item

David Grubbs & Kramer

Psalms

12,99 €*

LP | 2023 | EU | Original (Velveteen)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Slow Readers Club

Knowledge Freedom Power

LP | 2021 | US | Reissue (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Slow Readers Club follow their 2020 Top 10 album 'The Joy of the Return' with the release of their new record 'Knowledge Freedom Power. 'Knowledge Freedom Power'is a sizzling synth-rock beast of a record akin to White Lies, Muse and modern-day Bloc Party, and a rallying cry of emancipation, both stylistically and socially. It's a righteous punch of the air, a surge towards the future. Frontman Aaron Starkie says, "The world had got so bleak it felt a little indulgent to paint apocalyptic pictures when they were out in the real world. I thought people would probably want to hear more uplifting things, it was my intention to be a bit more positive. There's still a lot of melodrama in there and it's still dystopian in places but there's more positive shades in this record." That positivity powers to the fore with the album's lead single and title track, an instantly addictive hybrid of the band's new pulsating synth style with their anthemic alt - rock roots. As much as the record finds The Slow Readers Club channelling a brighter spirit, there's no dumbing down of their famously ferocious and insightful lyricism. A beam of hope shines throughout 'Sacred Song' : part in the form of a spiritual saviour, but also embracing the power of love as a force for good, something which can also be achieved by the friendship and community spirit infused in 'Lay Your Troubles On Me'. Yet a darkness still looms large, whether it's within the warmongering satire - and ultimately individual powerlessness - of 'Seconds Out' or the steady march of automation over the human workforce on opener 'Modernise' 'Knowledge Freedom Power' is the band's sixth album and the latest giant leap in one of the greatest self-made success stories in recent British rock history

Go to Item

Wednesday

Twin Plagues

Good Time / Hard Time Natural & Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I'm not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing. But, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don't remember how, or why. They simply arrived, as if we'd been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I'd needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves. There is the trick of nostalgia that I spend a lot of time playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn't paired with something that approaches a type of rigorous honesty. But if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of "The Burned Down Dairy Queen" when Karly sings I was hiding in a room in my mind / and I made me take a look at myself. Because if you, like me, have been avoiding mirrors - both metaphorical and real - this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. So, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when "Birthday Song" gets good and loud and singalong- able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let "Ghost Of A Dog" churn and rattle you to some nighttime realization that you couldn't have had in silence. But, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience. _Hanif Abdurraqib

Go to Item

Teleman

LP | 2023 | UK | Original (Moshi Moshi)

32,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Good Time / Hard Time Black Vinyl Edition

Teleman

LP | 2023 | UK | Original (Moshi Moshi)

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Only Good Punk ...Is A Dead One Clear Vinyl Edtion

Electro Hippies

LP | 1988 | EU (Radiation Reissues)

21,99 €*

Unleashed Hymns Silver Vinyl Edition

Release: 1988 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hailing from the former northern mining town of Wigan, between Manchester and Liverpool, the short-lived Electro Hippies were a band like no other, saluted as icons of crust punk and proto-grindcore. Following some cassette demos, a shared LP with Newcastle’s Generic and a Peel session, debut LP The Only Good Punk…Is A Dead One surfaced on Peaceville with twenty songs, all clocking in at under two minutes (around half being less than 60 seconds). Highly political, deeply ironic, and with a snatch of Black Sabbath in the mix, The Only Good Punk is the band at their blistering best, the peak that preceded their ultimate downfall.

Go to Item

Fjosnisse

LP | 2020 | EU | Original (Sevan Mater)

43,99 €*

Unleashed Hymns Red Vinyl Edition

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Unleashed Hymns is the second album from the Norwegian artist Fjøsnisse. The one-man project was launched last year by vocalist and multi-instrumentalist Anders Vada. This album is released on vinyl for the first time. They are a good example of very well executed Norwegian black metal with thrash metal elements. Great vocals, thrash metal style abrasive riffs and relentless drumming there is actually a fair bit of ambiance and melody on here. The track The Nine Lords for instance, contains a melodic guitar section towards the latter half of the. All the tracks have a very balanced amount of both melodic and harsh elements with smooth transitions in the guitar passages. Then there is the beautifully serie and frostbitten instrumental The Wanderer, the closing song to what has been a very enjoyable album. Unleashed Hymns is a cult-classic album, in particularly for those who enjoyed the bands that emerged as part of the Norwegian black metal scene in the 1990s. A few decades later Fjøsnisse is continuing with the legacy. This album comes out in deluxe gatefold edition, in three colors (Gold / Red / Silver) 300 limited edition each.

Go to Item

Fjosnisse

LP | 2020 | EU | Original (Sevan Mater)

43,99 €*

LP | 2021 | EU | Original (Pulverised)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

House By The Cemetary

Rise Of The Rotten

28,99 €*

LP | 2023 | EU | Original (Post Present Medium)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Good ol’ Swedish chainsaw division House BY THE Cemetary unleash the supergroup’s debut offering with “Rise Of The Rotten”! House BY THE Cemetary is a supergroup that comprises of Rogga Johansson (ex-Bone Gnawer, ex-Demiurg, Paganizer, etc. handling all guitars and bass), Mike Hrubovcak (Monstrosity, ex-Rumpelstiltskin Grinder, Divine Rapture, etc, on vocals) and Matthias Fiebig (Paganizer, ex-Ribspreader, etc. on drums) For fans of Nirvana 2002, Entombed & Swedish Death Metal!

Go to Item

Debt Rag

Lost To The Fantasy

24,99 €*