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Featuring an impressive pedigree including members of Bl’ast!, Good Riddance, THE Distillers, and Fast Asleep, the band picks up right where they left off on their 2020, debut LP, Brace Yourself, with a ten-song barrage of relentless, uncompromising rage, touching on topics such as religion, self-medication, and survival in a—literally and figuratively—sick society. In between playing shows with legendary acts like Quicksand, Fear, R.K.L., and Propagandhi, the band got back together with Paul Miner at Buzzbomb Studios to lay down the follow-up to their explosive debut. All in all, it is a continuation of the band’s fast and hard approach in every way, and if anything, the band is more dialed-in and focused than ever. The songs on the record come from extremely personal and often dark places for singer and lyricist Clifford Dinsmore, such as the first single, “Hanging In The Balance.” He explains, “In the time period I was fighting cancer, I was shacked up, feeling like a prisoner in my own house. Living in a semi-purgatory state, I felt like I was looking at the world from an outside view.” Of the bleak, punishing “Omen Of Despair,” guitarist Danny B simply says, “Musically and lyrically, this is where we feel Seized UP is right now.” The band also re-recorded “Forum Of Decay,” from their 2021 7”, wishing for it to be featured on the album with the laser tightness the band is now playing with after five years as a unit.

The original incarnation of Amsterdam’s THE Anomalys was a concept to behold: uniformly towering and chiseled, and as savage on stage as a band could be. They also produced only one full-length in ten years of existence, with a few EP’s to keep the fans drooling in vain in anticipation of that next album. Their current line-up with long time Conductor-in-Chief Bone, featuring Looch Vibrato (Magnetix) and Remi Lucas (Weird Omen) has graced Slovenly with an EP and an album (2019 and 2022 respectively), and have wasted minimal time putting together this Down the Hole LP, and Motherfucker This IS THE Anomalys Like YOU Have Never Heard Them Before. The rock’n’roll heebie jeebies are in full force this round, with more fuzz, distortion, speed, vitriol, and sheer Volume than we ever thought attainable. Sometimes predictable on past efforts (but always a good fuckin’ time, natch), the troopers are completely unhinged and gloriously messy here, while retaining that peculiar formula that makes and keeps them undeniably Anomalys."

Like new, record looks unplayed. Comes with insert.

Yellowing and corner wear, but looking good.

Like new, record looks unplayed. Comes with insert.

Washington, DC’s Battery brought 12 tracks of old-school style hardcore with a twist sound on their final, full-length LP, Whatever It Takes..., originally released in 1998. All songs were cut in singer Brian McTernan’s now infamous Salad Days recording studio.

Battery was a staple of the Washington, D.C., hardcore scene during the ’90s, formed by a who’s-who of that scene, including members of Damnation A.D., Better Than A Thousand, Shelter, Ashes, and Worlds Collide. From 1991-1998, the band released numerous EPs and LPs that have mostly been in high demand for reissues leading up to Revelation Records reissuing Whatever It Takes… in 2014. To coincide with the band’s appearances at Damaged City Fest in D.C. and Rev Fest in California in 2017, Battery hand-selected their favorite tracks from throughout their career for this release, presenting only the most powerful of their output.

For those who don’t know them yet, Food Fight are a four-piece combo from Rennes, France, made up of vets from the local scene (with ex- or current members of Headliners, Abuse, Ready-Mades, Cheap Riot…). They released their debut 7" three years ago on Snap Records from Spain and have played all over the country since then, polishing their own special blend of late 70s style Punk Rock and Power Pop that'll please all fans of the Good Vibrations sound - think Undertones, Protex, Moondogs… This new album was recorded and mixed by Jacky from Syndrome 81, Night Stalkers, Coupe Gorge and mastered by Eddy Current’s Mikey Young. You’ll find a new version of their hit « Shenanigans » along with 11 new bangers.

"Greetings from the Northern plains of the hopeless heartland. We are now entering the time when the leaves hiss and the dark corners of reality are not so brightly lit....And hidden within these long shadows reside the band WHY Bother? where they have recorded and will be releasing yet another album to close the punk rock door on 2024. ...This record we call 'hey, AT Least You're NOT ME' was going to be released in 2025 , but we decided that the sooner the better is the way to go so we can focus and work on more material for the future. (Until then, this is our self-proclaimed masterpiece to date) So what do you think?... Is there even a future to talk about?.... Well, the ALL seeing eye says YES. But will you be there to embellish it is the Real question. If so, we will be there waiting for you. Sincerely, WHY Bother?"

Vinyl closer to NM

The sample and sounds scientists surprise with a SEX PISTOLS cover, but of course in their very own style. The b-side is a new track called "Willfully obscure".

We already have Weirdsville & Wowsville and now the collection is complete with ‘WILDSVILLE’…..Oh yeah, 16 tracks of weird and wonderfully whacky tracks including the Gamma Goochee himself…The Creep, The Lifeguards and sooo much more. If you don’t already have the other couple of volumes in this series, you really should….These were compiled by the same folk that originally did the Born Bad series…..Good enough pedigree for you ?

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

While veteran TKO fans should already be well-versed in Italy’s reigning champs of Bootboy Bovver Rock, Giuda, here’s the scoop for newcomers: Hyper-catchy, mastercrafted Glam/Pub/Punk Rock that pulls from legendary acts like Slade, Budgie and the Sweet, with football-chant choruses aplenty and Power-Pop hooks that stay firmly lodged in your brain. After the disbanding of Taxi, Giuda busted onto the scene in 2010 with their modern take on no-holds-barred Glitter Rock. This new style and direction was unquestionably established by their tour de force debut album, Racey Roller. To call Racey Roller a staggeringly strong debut is a gross understatement: this album was an international cult sensation. Standing toe to toe with the '70s classics from which it draws, Racey Roller's boot-stomping clap-along chants, infectious leads, and sugary sweet melodies are so immediately and powerfully arresting that underground rockers the world over had no choice but to sit up and take notice. Since its original release, Racey Roller has seen release on Dead Beat Records (usa), Fungo Records (Italy), Damaged Goods (uk), TKO (just in case), Burning Heart Records (Sweden), and most recently on Italy’s Overdrive Records in 2019. Fourteen years on, Racey Roller has earned its status as a modern European underground classic, comparable in impact to other cult favorites like Turbonegro's Apocalypse Dudes. This most recent TKO reissue, presented in support of Giuda's current 2024 North American Summer tour, will be the first domestic release of the title since our previous 2013 version. And you can bet your favorite tartan trousers and platform shoes that TKO is delivering it with every bit of the care and reverence an album of this caliber deserves

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

After the uncompromising opening salvo of 2010’s Racey Roller, Giuda followed things up with the aptly titled 2013 sophomore release, Let’s Do It Again. And "do it again" they did indeed. Solidifying the band's lineup with the additions of new drummer Daniele Tarea and lead guitarist Michele “Mikey Steakknife” Malagnini, Let’s Do It Again finds the Giuda in top form, delivering on the promise of Racey Roller and then some. The stomps are harder, the chants are louder, and the grooves are heavier than ever. Every song on this album is catchy enough to be a legendary single in its own right. This is the very definition of "all killer, no filler." Thanks to increased touring, and an excellent promotional campaign by Damaged Goods for the UK release, Let’s Do It Again elevated Giuda's international profile as subculture heroes. Much like Racey Roller before it, Let's Do It Again has seen release internationally on many labels like Fungo Records (Italy), Damaged Goods (uk), TKO, Burning Heart Records (Sweden), and Overdrive Records (Italy). This is the first domestic release of Let’s Do It Again since TKO initially released it in 2014, and we’re eager to get it into the hands of anyone who missed it the first time around. If that’s you, don’t make the same mistake twice. Giuda is unequaled at what they do; namely cranking out stomping, modern Glitter Punk anthems that are every bit as essential as the classic '70s material that inspired them.

Washington, DC’s BATTERY brought 12 tracks of old-school style
hardcore with a twist sound on their final, full-length LP, Whatever It
Takes..., originally released in 1998. All songs were cut in singer Brian
McTernan’s now infamous Salad Days recording studio.

For more than two decades, Anberlin has remained a formidable force in the alt-rock world, boasting a wildly devoted fanbase who’ve come to rely on the raw, cathartic power of their music. On the massively anticipated Vega—the first album in ten years from vocalist Stephen Christian, guitarists Joseph Milligan and Christian McAlhaney, bassist Deon Rexroat, and drummer Nathan Young—the Florida-bred band delivers a body of work forged with an explosive, new energy, thanks in part to the addition of singer Matty Mullins (the Memphis MAY Fire frontman who’s stepped in as live vocalist for Anberlin, following Christian’s announcement that he’ll no longer tour fulltime). The latest triumph in an extraordinary career that’s included selling over 1.5 million albums in the U.S. alone and turning out hits like the No. 1 Alternative Radio smash “Feel Good Drag,” Vega reveals a band whose creative passion and one-of-a-kind vision have only grown stronger over time. Arriving on the heels of two back-to-back EPs— 2022’s Silverline and 2023’s Convinced—Vega emerged from a period of unbridled creativity for Anberlin, who parted ways soon after 2014’s Lowborn and reunited for a series of lockdown-era livestreams. In bringing their new album to life, the band embraced a deliberately free-flowing and DIY approach, building up songs in McAlhaney’s garage before self-producing the LP at Tampa’s Feral Sound Studios. “In the past we’d sometimes limit our sound to some preconceived idea of what Anberlin is supposed to be,” says McAlhaney. “This time the mantra was, ‘If it feels good, let’s try it.’ Because at the end of the day, Anberlin is whatever we say it is.” As a result, Vega encompasses everything from the shout-along-ready pop perfection of “Walk Alone” to the brutally heavy intensity of “Seven” (a shapeshifting and strangely enthralling epic featuring a savage vocal performance from Mullins). “I think after spending time apart we came back with a new perspective, where we were all just excited to work together and create the best songs we can,” says Young. “No one was precious about their ideas; it was all about making something that feels new and risky and like nothing we’ve ever done before.” As they get set to embark on the “20 Years Of Tears” amphitheater tour with Thursday, Hawthorne Heights, and SAOSIN—a 56- date run that marks their most extensive tour in a decade—Anberlin looks forward to the pure thrill of performing their new material for their longtime legion of fans. “We’ve had so many people tell us things like, ‘Your songs got me through a really difficult time in my life,’ or ‘You guys are what made me pick up a guitar and start my own band,’” says Rexroat. “It’s an incredible feeling to know that we’ve impacted other people on that level—the amount of love we’ve felt is undeniable, and it’s one of the main reasons we’ve kept going for as long we have.”

New pressing of 768 on coke bottle clear vinyl!

We’ve been working on this one for a while and it does not disappoint! We initially planned on doing a one sided cassette for a single long track. The band brought us 2 crushing and engaging works of force and finesse that are a never tiring 16+ and 20+ minutes each. We were so moved we decided there was no course, but to also offer it up on vinyl. In addition to producing their usual brand of pissed-off Metal/Hardcore, the members of Dissolve have always dabbled in playing strange improvisational music. A few years back, the band started recording their rehearsals in an attempt to bring something tangible back from these sonic excursions into the far-out, deep space that they would travel to together. Burnt is the recorded artifact of these explorations and features two of Dissolve’s heaviest, and longest, songs ever. 'Shot Rocks' and 'Sunshine' crush the listener with the brutal, down-tuned riffs and raving, street prophet vocals that people would expect from Dissolve, but then they also take a lot of unexpected twists and turns into blotter acid territory. The songs go deep into shadow realms of ambient whispers and electronic whirs that lead to gonzo guitar solos and bursts of noise. There’s a lot of wild sounds going on during these songs. Put on the good headphones, turn on, tune in, and drop out." Edition of 167 copies.

Take 5 kids, put new toys in their hands and abandon them in a dirty garage with a fair amount of alcohol and rock 'n roll; a nice soak in punk, a smattering of good intentions and let them fry properly: these are Siouxie & the Skunks, (not too) healthy bearers of that sacred fire that only shamans and teenagers know how to guard. Screams, tearful ballads and lacerating songs. Get closer, warm yourself, but be careful to not burn. 'Songs about girls' the name of the debut EP, totally self-produced, which is a collection of bad luck and victories derived from the encounter/clash with the fairer sex. It could only end badly. It's possible to get a taste of their first DIY album, Songs about Cuddles, produced by Wild Honey Record, during their live shows. You can find them as performers in the best festivals, in the wildest parties, in characteristic taverns and in the homes of the most adventurous.

Tokyo-based high-speed punk band “(The) Segare Kids” is releasing its first nationally distributed 7-inch analog record! Punk band (The) SegareKIDS formed in 2021. The first nationally distributed and first 7inch analog record, named “speed FREAK.ep”! The dizzying speed of the spinning record and the sound of the more-than-necessary slide guitar and high-tension vocals will surely accelerate the listener's heart rate!

Latest single by THEE SPIVS taken from their recent "Black And White Memories" album with an exclusive B-side, a cover of Patrick Fitzgerald's "Safety Pin Stuck In My Heart". Lovingly pressed on traditional black vinyl. **LIMITED TO 500 COPIES!** Both tracks were recorded at Gizzard studios with Ed Deegan at the controls. Flickin V's is already a live favourite and is set to become an anthem for disaffected youth worldwide. The cover features Ben's uncle, who you may have heard about on their first album. He's the one with ASBO. We can't think why!

Thee Spivs are back with their second album 'Black And White Memories' in November, following their critically acclaimed debut 'Taped Up' from 2010. This is the lead single from the album called 'T.V. Screen', it's a limited edition 7" with anexclusive b-side, a cover of the Billy Childish classic "Don't Like The Man That I Am" which weirdly enough has also been covered by Pete Molinari and the Singing Loins, both on Damaged Goods! Thee Spivs are Ben Edge (Guit/Vox) Dan May(bass) and Steve Coley (drums). Rock'n'Roll hasn't been this much fun for years, give it a try, you might like it!

[DEU]Limitiert auf 500 7"s auf grünem Vinyl nur für die Europa Tour 2011! "Wir wollten für diese Tour etwas ganz Besonders machen. Das neue Album erscheint erst in ein paar Monaten, so dass uns bei ein paar Bier und guter Pizza in einem Pub in Hackney die Idee kam, den ersten Track auf dem THEE SPIVS Debütalbum mit deutschem Gesang aufzunehmen, so wie das Bands in den Sixties ständig gemacht haben. Also nahm Ben mit der Hilfe von unseren Freunden von Cargo Records Germany deutschen Gesang für diese Doppel-A-Seite auf. Außerdem haben THEE SPIVS soeben die erste Hälfte ihres Album fertig aufgenommen, das später 2011 erscheinen wird." - Ian Ballard, DAMAGED GOODS.www.myspace.com/theespivs[ENG]LIMITED EDITION OF 500 GREEN COLORED 7" SINGLES FOR EUROPEAN TOUR 2011. "We wanted something special to release for the tour and the new album is still months away, so over a few beers and some very nice pizzas in a Hackney pub we came up with the idea of a German vocal on the first track on their debut album as a nod to the great bands of the sixties who did this on a regular basis. So, with a little help from our friends at Cargo Germany Ben re-recorded the vocals in German for this double 'A' side 7"! They have also just finished recording the first half of their second album which will be out later in 2011. " - Ian Ballard, DAMAGED GOODS.

LOUIS LINGG AND THE BOMBS are goddamn punk-rock-garage-pop-anarcho saviours of the 2 and half minute pop song. They come from Paris where they regularly blow up little bars with explosions of snot and beer fuelled punk rock energy. The group is named after Louis Lingg, the famous Chicago anarchist who committed suicide on death row in 1887. Some of their songs are ultra-political anarchist punk rock and some of their songs are like children's nursery rhymes. ALL of their song's are full of interesting pop hooks and melodies and they are sung with energy and commitment.Their influences are punk bands like The Briefs, The Epoxies, Antiflag, Pansy Division and The Dickies. They have a strong love of '77 style punk like The Buzzcocks, The Clash, The Adverts and The Undertones. Never forgetting that they are children of the 90s having grown up with bands such as Nirvana, Bikini Kill, Sleater Kinney and The Butthole Surfers. In their song-writing however, their admiration of classic children's songs is clearly visible, as is their 60s influences; Shirley Ellis,...

A limited edition Colored Vinyl 7" featuring NEW WAY from the album 'Band Aids On Bullet Holes' plus an exclusive b-side called 'PARASITE' which went on to become 'This Twist' on the album.

New project of a Scotish duo consisting of Amanda MacKinnon of BIS and Ryan Seagrist of DISCOUNT. They mix the post riot grrl sound with DISCOUNT-like agressive guitars to create a vigorous and nervy blend of pop punk combined with electronic and staple instruments and a drum machine.

The Boston Arms is Londons's premier music venue for garage-punk and this EP boasts live cuts from four of the best bands on the UK scene. It contains Songs from Thee Headcoatees (Wild man), Thee Headcoats (Girl from 1962), The Guaranteed Ugly (Gypsie Girl) and The Solar, Grahams (The Prisoners) new band.

Indignation Meeting are punky rail fans from Leeds. 15-year-old Peter is the driver - he's the drummer and lead singer, writes most of the songs, and also plays bass and trumpet on the album. The rest of the crew is his dad Michael on guitar, Hugo on bass, and with Keith, Heather and Sally often along for the ride when they play out. Here at DGHQ we loved listening to their self-released debut album Trouble In The Shed so much we eventually released it on vinyl for the first time. They now have a second album! Vocalist/drummer Peter very kindly talks us through the (train) tracks_* "The Trainspotting Song" - Now, as a train geek, I go out filming trains an awful lot, and one thing you can't help noticing whilst out in the wilds of Staffordshire or the moors of Lancashire are a whole load of unnecessary 'Private Land' signs. This song is my response_* "The Talyllyn Railway" - The history of the Talyllyn Railway is a fascinating one that I've long since wanted to explore, due to its unique nature as the first railway to ever be taken over by volunteers. This is the result! * "The Middleton Railway" - As a volunteer at the Middleton Railway, I had felt that a song needed to be written for quite a while. However, our guitarist Michael, ended up beating me to it! * "A Model World" - It was late one night, and I was lying on my sofa, trying my hardest to gain an ounce of enjoyment from 'Hornby; A Model World.' It was proving quite hard, due to the alarming lack of substance in the programme, so instead I decided that its name was rather good, and could be the basis of a song explaining my 'model world.' And, well, here it is! * "The Fifth Black Five" - This song is dedicated to the railway preservationists of old, who spent countless hours in cold, damp, dreary sidings, all to make sure us future generations would be able to enjoy the smell of a steam train. Thanks guys! * "Case Study" - This song is a commentary on the sensationalisation of disasters, when there's a massive tragedy and peopl...

Still shrink wrapped but opened.
Cover as new with slightly dented corners.