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In partnership with WaterTower Records, Waxwork Records is beyond thrilled to release the long awaited BEETLEJUICE BEETLEJUICE Original Motion Picture Soundtrack! Featuring score music by Danny Elfman and classic songs by Donna Summer, Bee Gees, Richard Marx, and more!

Beetlejuice is back! Oscar-nominated, singular creative visionary Tim Burton and Oscar nominee and star Michael Keaton reunite for Beetlejuice Beetlejuice, the long-awaited sequel to Burton’s award-winning Beetlejuice.

Keaton returns to his iconic role, alongside Oscar nominee Winona Ryder as Lydia Deetz and two-time Emmy winner Catherine O’Hara as Delia Deetz, with new cast members Justin Theroux, Monica Bellucci, Arthur Conti in his feature film debut, with Emmy nominee Jenna Ortega as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe.

After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it’s only a matter of time until someone says Beetlejuice’s name three times and the mischievous demon returns to unleash his very own brand of mayhem.

Waxwork Records is excited to present the debut vinyl release of BEETLEJUICE BEETLEJUICE Original Motion Picture Soundtrack as a deluxe double LP featuring "Beetlejuice Splatter" colored vinyl, a Sandworm etching on Side D, all new artwork by Phantom City Creative, heavyweight gatefold packaging with matte satin coating, and an 11"x11" art print insert.

BEETLEJUICE BEETLEJUICE Original Motion Picture Soundtrack Features:

The Official Soundtrack From the Long Awaited New Beetlejuice Film!
2xLP "Beetlejuice Splatter" Colored Vinyl
Sandworm Etching on Side D
New Artwork by Phantom City Creative
Heavyweight Gatefold Packaging with Matte Satin Coating
11"x11" Art Print Insert

A two-disc soundtrack with music for the party and for the morning after. Featuring Aphex Twin, Bow Wow Wow, The Cure, Gang of Four, New Order, The Strokes and more! Oscar-winning Sofia Coppola brings to the screen an imaginative interpretation of the life of France's legendary queen Marie Antoinette. When betrothed to King Louis XVI (Jason Schwartzman), the naïve Marie Antoinette (Kirsten Dunst) enters the opulent French court which is steeped in conspiracy and scandal. Without guidance, adrift in a dangerous world, the young girl rebels against the isolated atmosphere at Versailles and becomes France's most misunderstood monarch.

Variant Pressed on Purple and White Smoke and Fluorescent Green Double Vinyl (with a D-Side Etching!) - Housed in a heavy gatefold jacket - Comes with Limited 11x11 Art Print - Artwork by Jiro Fujita - Featuring songs by Donna Summer, Bee Gees, Richard Marx and more!

Description: In partnership with WaterTower Records, Waxwork Records is beyond thrilled to release the long awaited Beetlejuice Beetlejuice Original Motion Picture Soundtrack!

Beetlejuice is back! Oscar-nominated, singular creative visionary Tim Burton and Oscar nominee and star Michael Keaton reunite for Beetlejuice Beetlejuice, the long-awaited sequel to Burton’s award-winning Beetlejuice.

Keaton returns to his iconic role, alongside Oscar nominee Winona Ryder as Lydia Deetz and two-time Emmy winner Catherine O’Hara as Delia Deetz, with new cast members Justin Theroux, Monica Bellucci, Arthur Contiin his feature film debut, with Emmy nominee Jenna Ortega as Lydia’s daughter, Astrid, and Oscar nominee Willem Dafoe.

After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia’s life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is...

180 GRAM AUDIOPHILE VINYL
INCLUDES 4-PAGE BOOKLET WITH LINER NOTES BY
DIRECTOR SAM TAYLOR-JOHNSON
CUT ON 45 RPM
ORIGINAL SCORE FROM THE 2024 BIOPIC BACK TO
BLACK BASED ON THE LIFE OF AMY WINEHOUSE
ORIGINAL MUSIC COMPOSED AND PERFORMED BY NICK CAVE AND WARREN ELLIS
LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON CRYSTAL CLEAR VINYL

Nick Cave and Warren Ellis crafted the evocative soundtrack for the biopic Back to Black, which chronicles
the rise and impact of Amy Winehouse. Their composition is a haunting yet soulful homage,
blending melancholic strings and ambient soundscapes to mirror Winehouse’s turbulent journey and profound artistry.
The duo’s music underscores the film’s emotional depth, capturing both the rawness of Winehouse’s struggles and the
brilliance of her musical legacy

Quartet Records, in collaboration with GDM, Universal Music Publishing Italy and EMI General Music Publishing, presents the premiere vinyl edition of the famous giallo score composed by Ennio Morricone in 1971 for LA Corte Notte Delle Bambole DI Vetro (aka Short Night OF Crystal Dolls) directed by Aldo Lado and starring Jean Sorel, Ingrid Thulin, Barbara Bach and Mario Adorf. Considered one of the best and most consistent giallos, the film is about journalist Gregory Moore (Sorel), whose corpse is found in a Prague square and taken to the local morgue. But Moore’s spirit is alive, trapped inside his dead body and desperately remembering the disappearance of his beautiful girlfriend, who is linked to a terrifying conspiracy of depravity. Can a reporter with no visible signs of life solve this perverse puzzle before his existence ends? Morricone’s thriller scores remain some of his most distinctive and original works. As demonstrated in his scores for Dario Argento’s efforts in the genre, Morricone’s uncanny ability to combine lyricism, unbridled avant-garde experimentation and stylish elegance was his most significant contribution to the category. LA Corta Notte Delle Bambole DI Vetro shows Morricone once again embracing the sophisticated avant-garde sound while beginning his score with a haunting tune performed by Edda Dell’Orso heard over the film’s main titles. The waltz theme has a timeless quality, providing a disturbing and disarming melody for the film. This is the first worldwide vinyl edition of this Morricone cult score. It has been completely produced and mastered by Chris Malone from original master tapes and pressed in audiophile clear glass-doll vinyl.

"Oceanography " is the second volume, produced by german music artist Chris Stüllenberg aka "The New Library Sound" and deals with the topics of marine exploration, diving and many other underwater adventures. The New Library Sound features vast usage of analogue modular synthesis and combines it with instrumentation like keys, mallets, chimes, different percussions and sampling.This recording is highly influenced by Jacques Cousteau's features „The Silent World & World Without Sun“, The Adventures of Tintin and Wes Anderson's „Life Aquatic with Steve Zissou“. It pays respect to classical music albums on the subject of water, like Sven Libaek's „Inner Space“, Walt Rockman's „Under Water“ or Les Baxter's „Jewels Of The Sea".

Soundtrack from the Animated Series (2020 2023) Featuring songs from Seasons 13 Music by Animaniacs Album Art by Gabe Swarr, Tony Craig, and Roman Laney Music has always been a vital part of the Animaniacs experience. So naturally, when the show made its triumphant return in 2020, it brought with it a whole new slate of fully-orchestrated and sharp-witted songs, performed by the Warner siblings (and their colorful cast of collaborators) themselves.

But, as you’re probably all-too-aware, a lot has happened since we last saw The Animaniacs. The world has changed, yes, but The Animaniacs have stayed the same — they’re still bringing their signature brand of irreverent animated satire to the context of current-day events, with commentary on topics ranging from Amazon Drones to social media and even an all-new updated history of everything. We at iam8bit are teaming up with our friends at WaterTower Music to collect the very best of the Animaniacs’ new songs for you here.

This is Animaniacs: Seasons 1 – 3 (Soundtrack from the Animated Series) 2xLP! It features all your favorite songs from the 2020-2023 reboot, collected on vinyl for the very first time and pressed on beautiful translucent black wax.

For the album art, we were honored to work with a veritable supergroup of Animaniacs veterans: Executive Producer Gabe Swarr (My Life as a Teenage Robot, Kung Fu Panda: Legends of Awesomeness), Storyboard Artist Tony Craig (Lilo & Stitch: The Series, Timon & Pumbaa), and Art Director Roman Laney (The Powerpuff Girls, Bubble Guppies). The result is album art and packaging that quite simply demands display from any Animaniacs superfan.

The world has changed, but letting a little Ani-maney, totally insaney chaos into your life is still just as important as ever.

The romantic side of Maestro Morricone contrasts the dramatic side of Thriller and Crime genre where dissonances always dominate. For TIE ME UP! (1989) Morricone composed a delicate love theme for his one and only collaboration with the great Spanish film director Pedro Almodovar. For FOR Love (1976) he created a motif for piano and orchestra as a back- ground to a love triangle. The first sexual experiences of a teenager with older women at the end of the war in Disobedi- Ence (1981) are accompanied by piano, strings and oboe. “Desperate love theme” from Making Love (2000) is a very nostalgic classic tune for violin and orchestra. “Per le antica scale (Preludio)” from Down THE Ancient Stairs (1975) is a captivating, slow and sensual, love tune for piano and orchestra with a predominant flute solo. “Beata and Joe” from THE Star Maker (1995) a sentimental theme for the two protagonists performed by an orchestra with the intervention of a classical guitar in the second part. The crystal voice of soprano Edda Dell’Orso appears very frequently in Ennio Mor- ricone’s soundtracks as in the case of THE Good Thief (1980), THE Master AND Margarita (1972), What Have YOU Done TO Solange? (1972), Orient Express (1979).

Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

Waxwork Records is proud to release Lost Highway Original Motion Picture Soundtrack. In celebration of the film’s 25th Anniversary, the prodigious soundtrack produced by Trent Reznor and David Lynch is available via Waxwork on Friday, May 20th as a deluxe double LP featuring re-mastered audio, new design, 150 gram colored vinyl, high quality packaging, and more.

Released in 1997, Lost Highway is a neo-noir film co-written and directed by David Lynch and stars Bill Pullman, Patricia Arquette, Balthazar Getty, and Robert Blake. The film’s surreal narrative follows a musician who begins receiving mysterious VHS tapes of him and his wife in their home, and who is suddenly convicted of murder, after which he inexplicably disappears and is replaced by a young mechanic leading a different life. Director David Lynch has described it as “psychogenic fugue” rather than a conventionally logical story.

The film’s soundtrack features an original score by Angelo Badalamenti (Twin Peaks, Blue Velvet, Mulholland Drive) and Barry Adamson, as well as songs by artists such as David Bowie, Trent Reznor, Nine Inch Nails, The Smashing Pumpkins, Lou Reed, Marilyn Manson, and Rammstein. In New Orleans, Lynch collaborated with musician Trent Reznor. Two songs by Reznor and Nine Inch Nails, “The Perfect Drug” and “Driver Down”, were specifically composed for the film. Reznor then produced the soundtrack album. The album reached No. 7 on the Billboard 200 and reached Gold status in the United States.

Waxwork Record is thrilled to present the Lost Highway original soundtrack as a deluxe 25th Anniversary double LP featuring re-mastered audio, colored vinyl, old style tip-on gatefold jackets with matte satin coating, design by Matt Needle, and a heavyweight insert art print.

Lost Highway 25th Anniversary Original Motion Picture Soundtrack Features:

The Complete Soundtrack and Score

2xLP 150 Gram Splatter Colored Vinyl

Old Style Tip-On Gatefold Jackets

Design by Matt Needle

Heavyweight Insert and Art Print

Waxwork Records is thrilled to present Texas Chainsaw Massacre (2022) Original Netflix Motion Picture Soundtrack by Colin Stetson!

In partnership with Milan Records, Texas Chainsaw Massacre (soundtrack From THE Netflix Film) by Grammy Award®-winning saxophonist, multi-instrumentalist, songwriter and composer Colin Stetson (Hereditary, Color Out Of Space) features music written by Stetson for the long-awaited sequel to the 1974 horror classic. The 23-track collection finds Stetson expertly layering a multitude of sounds and instruments to create a hauntingly brutal, industrial soundscape.

From a filmmaking team that includes Fede Alvarez (Evil Dead, Don’t Breathe) and Kim Henkel, co-writer of the 1974 classic, The Texas Chain Saw Massacre, Texas Chainsaw Massacre arrives on Netflix today, February 18, 2022.

Of the album, composer Colin Stetson says, “It has been an honor and just way too much fun getting to musically world-build in the Texas Chainsaw Massacre universe. As with the subject matter and our iconic villain – all sputtering engines, metal scraping metal, faces on faces – the music is the sound of an old and decrepit abattoir, stirring to life and rattling off the dust after a great many years idle; made with Contrabass Saxophones, Tibetan bowls, and a hearty dose of wild turkey hunting calls; all twisted, stretched, and wearing masks of their own.”

About Texas Chainsaw Massacre

Directed by David Blue Garcia, the film centers on Melody (Sarah Yarkin), her teenage sister Lila (Elsie Fisher), and their friends Dante (Jacob Latimore) and Ruth (Nell Hudson), head to the remote town of Harlow, Texas to start an idealistic new business venture. But their dream soon turns into a waking nightmare when they accidentally disrupt the home of Leatherface, the deranged serial killer whose blood-soaked legacy continues to haunt the area’s residents — including Sally Hardesty (Olwen Fouéré), the sole survivor of his infamous 1973 massacre who’s hell-bent on seeking revenge. Texas Chainsaw Massacre is based on a story by Fede Alvarez and Rodo Sayagues. Fede Alvarez, Herbert W. Gains, Kim Henkel, Ian Henkel and Pat Cassidy produced. The screenplay was penned by Chris Thomas Devlin.

Texas Chainsaw Massacre (soundtrack From THE Netflix Film) Features:

The Complete Soundtrack By Composer Colin Stetson 180 Gram "Sunflower and Blood" Colored Vinyl Heavyweight Gatefold Jacket with Matte Satin Coating Original & Official Teaser Key Art

Hikaru Utada's debut single “Automatic/time will tell” released on December 9, 1998 sold over two million copies, catapulting her to top-artist-status at age 15. The first album “First Love” released a few months later and marked the highest number of CDs sold in Japan, a record that remains unbroken to this day. All of her albums that followed have topped the charts. The 2007 single “Flavor Of Life” set a world record for the highest number of digital downloads. She announced a hiatus from her music career in 2010 to focus on her "人間活動/ningen katsudo/career as a person," or personal growth, returning to her career of music in April 2016 with singles “Hanataba Wo Kimini” and “Manatsu No Tooriame.” Her sixth studio album "Fantome" followed in September 2016 to great success in both Japan and abroad with a #1 on the Oricon charts stretching four consecutive weeks for the first time, a #3 on the US iTunes chart, and over a million units total in sales of CD and digital downloads. Since March 2017, She has been with Epic Records Japan a division of Sony Music Labels Inc. The year 2018 saw the release of her 7th album "Hatsukoi" on June 27, 2018, marked her twenty-year anniversary from debut, and going on her first Japan-wide tour since recommencing her music career. Footage from the tour is available as a video release under the title "Hikaru Utada Laughter in the Dark Tour 2018." The theme song for video game KINGDOM HEARTS Ⅲ "Face My Fears" was released as a single in 2019. The track was co-created with Skrillex and marked Utada's first Billboard Top 100 in the US. An EP including the A.G. Cook co-produced single "One Last Kiss" and her first self-cover "Beautiful World (Da Capo Version)" is available March 10, 2021. The two tracks are both theme songs appearing in the feature film EVANGELION:3.0+1.0 THRICE UPON A TIME (SHIN EVANGELION).

Clark reworks his score for Naqqash Khalid’s award winning debut feature film ‘In Camera’ into a mesmerising, brilliant and varied album. Containing smoky, timeless synth instrumentals like ‘Running Dreams’, a bittersweet cover of Carpenters / Sonic Youth classic ‘Superstar’ and an epic, rising builder ‘Green Breaking’, it’s a deeply rewarding listen that fits perfectly into the canon of Clark soundtracks.

Director Naqqash says "This soundtrack and body of work Clark has invented feels like another character in the film – like an extension of the film’s atmosphere and interiority – it became so intertwined with my experience and memory of IN CAMERA – it’s difficult to pinpoint where it begins and ends. And for that I feel deeply privileged to have had this collaboration with him… Clark is an essential player in this film”

Clark says “I was going to just include the cues from the film, but got far too into recording new stuff that fitted the tone and emotion of the film. Favourite tracks: Tangent Cloak, Bleeding Building and Sensual Dismay. Little peaches that popped out in one breezy take. It’s got a really specific, colour/tone this record. It’s drenched in muted joy/dark euphoria. It sounds like Sensual Dismay but can’t really call it that, it’s the soundtrack for a film called In Camera.

Full of pointed notes about an industry rife with prejudice and hypocrisy, In Camera deploys elements of surrealism and fantasy to trace how its young British-Asian protagonist’s sense of self is affected by the tokenism of a world he hopes to conquer. Candid and acidly funny, with an unsettling eye for the warped and bizarre, it’s a playful, stylish satire not just of showbiz but also the myriad absurdities of modern life, with a complex, supple central performance from rising star Nabhaan Rizwan.

2xLP on Solar Orange and Lunar Blue Vinyl
Featuring Music by Eric W. Brown and Yasunori Mitsuda
Album Art by Bryce Kho
DESCRIPTION

Magnificent music is what takes an RPG from “great” to “one of the classics,” and one thing’s for sure: Sabotage Studio understands what makes the classics. On top of their in-house composer Eric W. Brown working full time on the brilliant music for their modern RPG opus Sea of Stars, they enrolled Yasunori Mitsuda as a guest composer. Anything less than a legendary score simply wouldn’t do.

We at iam8bit are humbled to play a part in bringing that score to life, here for you. This is the Sea of Stars 2xLP, a veritable epic on Solar Orange and Lunar Blue wax. It’s the score to Sea of Stars, with all the swelling highs, whimsical diversions, and touching twists present in the game, forever enshrined on vinyl for your home listening pleasure. Put it on to focus on work or just relax after a long day of grinding.

And of course, no iam8bit album would be complete without stunning cover art. Bryce Kho’s character design is as stunning as the music itself; simple, yet immediately evocative and recognizable - just the way a modern classic should be.

Originally released in October 2015, the much-requested soundtrack to Sideways finally gets a repress on the original Burgundy Colored Vinyl. Multi award-winning film Sideways was the surprise box office hit of 2004 and its story of two disillusioned forty-somethings on a wine infused road trip around California still holds a unique mixture of comedy and pathos. Rolfe Kent’s jazz inflected soundtrack accompanied them on their journey, its subtle lightness of touch the perfect accompaniment to their mid-life crises. “Tickles the palate like a crisp Chablis in June” - Mojo “The seduction, making midlife seem funky, is slow, shy and as narcotic as it is nostalgic” –

Assignment K (with lots of pencil scribbles everywhere). The Strange Affair (with lots of pen scribbles everywhere).

As usual with Basil tapes / things there is little else to go on, no tracklist, no list of musicians, no singer names, no dates or anything. I have actually tried to establish the name of the singer on the song from Side One (we have called it “Love Is To Walk Away “ as it is unnamed) but having played it to a handful of knowledgeable collectors and enthusiasts who I would count as experts in this field, no one has a clue who it might be. If you think you know please get in touch. We know who it isn’t.

We can tell you that Assignment K dates from 1968, was a film about a toy maker who has a double life as an international spy. It was directed by Val Guest, who’d just finished trying to rescue the cinematic hotchpotch that was Casino Royale - he had been brought in by the Bond producers after Peter Sellers had walked off the movie. We imagine Assignment K may have been a slightly less stressful few months of shooting. As for the Kirchin score that we have here, we can tell you very little indeed, apart from the fact that the bass player was Ron Prentice (an ex blacksmith turned musician and craftsman) who worked on several Bond scores, but we know little else. And we only know this because it says so in the academic tome “Jazz On The Screen” by David Meeker.

The Strange Affair is also from 1968, and was not only controversial but also a reasonably unsuccessful movie. Directed by David Greene who also directed, amongst other films, I Start Counting and the quite brilliant Sebastian. In this rather grubby flick a policeman called Peter Strange (played by Michael York) falls for an underage girl (played by Susan George), finds himself compromised by a pair of pornographers and gets lured into an errand for a smack gang. We can tell you little else because I have no more information about it all.

But we do know that this music has all the classic Kirchin mid-period sonic hallmarks that have always set him apart.

A selection of the main sountracks of Naruto - one of the best known Anime in the world. Including the opening theme "Haruka Kanata".

In the village of Konoha lives Naruto, a young boy who is hated and feared by the villagers because he has Kyuubi (Nine-tailed fox demon) of incredible strength inside him, which has killed many people. The most powerful ninja of Konoha at that time, the fourth Hokage, Minato Namikaze, managed to seal this demon in Naruto's body.

Several groups worked on the composition of this vinyl, such as:

Asian Kung-Fu Generation, Little By Litte, FLOW, Sambomaster, Stance Punks, Akeboshi, ORANGE RANGE, Raico, Captain Straydum and No Regret Life.

Ahoy, Straw Hat Crew! One Piece is a bona-fide global phenomenon, and our friends at Netflix gave Luffy and the Straw Hat Pirates new life through a faithful reimagining of the iconic manga, born again for a new generation, via their critically acclaimed live-action series. With lively visuals, lovely-world building, and unforgettably nautical music, One Piece captivates lifelong fans and brand-new landlubbers alike.

The Last Emperor is a lavish historical epic directed by the great Italian filmmaker Bernardo Bertolucci and starring John Lone, Joan Chen, and Peter O’Toole. The film tells the life story of Pu Yi, the last monarch of the Chinese Qing dynasty prior to the republican revolution in 1911. The score for The Last Emperor was created by an unlikely trio: Ryuichi Sakamoto, David Byrne, and Cong Su. The soundtrack is a theme-filled exploration of the sounds and musical traditions of Imperial China, filtered through some very contemporary sensibilities. Sakamoto’s contribution comprises nine cues and is focused around his main theme: a beautiful, lyrical melody for the full orchestra. It’s soft, wistful, and introspective, but becomes increasingly dramatic. Byrne contributes five cues, and the first one is the most recognisable, as it’s the main title theme playing over the film’s stylish opening credits sequence. It emerges from a set of evocative Chinese percussion items, with the melody being carried by a gorgeous, lilting erhu. It’s traditional and wholly steeped in Chinese classical music, but it has a real emotional weight that will connect with westerners. Cong Su’s contribution to the soundtrack album comprises just one cue – “Lunch” – but there is much more of his music in the film; Su was basically responsible for writing all the period-specific Chinese source music one hears in and around the imperial palace during Pu Yi’s childhood. All in all, Sakamoto, Byrne and Cong Su deliver an excellent score.

The LP comes with an insert with liner notes and photos.

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Ship to Shore PhonoCo. is very proud to present Vince Pope’s score to Issa López’s acclaimed dark fairy tale Tigers Are Not Afraid, on limited edition vinyl!

The film plays out as a dark fairytale, set against the harsh reality of a Mexican city in which a group of orphaned children living rough in the streets butt heads with the local murderous cartel, all the while their most recent addition - Estrella - is literally haunted by a dark presence…

The music helps weave the tapestry of the story together, dark ambient moments are punctuated with touching melodies that will pull at your heartstrings with a soundscape that is simultaneously creepy and melancholic in all the good ways.

The soundtrack is pressed onto an orange-with-black-splatter variant LP, and also comes with a voucher offering a 30 day free trial of Shudder!

In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.

At the time of the film’s release only a 45 rpm single of this OST was issued which contained the song “Can be done”, with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966 Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful western movie “Django”). Only in 1995 Point Records released a CD (PRCD 120) which contained the istrumental score coupled with the OST from “Il grande duello”. For this our very brand new digitally restored and remastered CD, we again had access to the mono master tapes of the recording session that gave us the chance to discover some unreleased takes which we have assembled in a 7:46 suite. In addition a special bonus track (Tr.16) features the very rare stereo-mixed version of the original 45 rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in Titoli di testa in a pop key and with a little Bacharach flavour called “Can be done”, sung by Rocky Roberts and accompanied by a children’s choir (Tr.1). This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini (Tr.2, Tr.3, Tr.4, Tr.5, Tr.9, Tr.11, Tr.14) and alternated with saloon as well as instrumental and choir folk music (Tr.6, Tr.8, Tr.12, Tr.13). This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western and of the music art of the Academy Award winner Luis Bacalov.

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

Bob’s Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob’s Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season currently in progress and airing through May 2017, Bob’s Burgers’ cultural influence only grows.

Now comes The Bob’s Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes – and often in abbreviated form – these songs appear here in their freestanding glory for the first time. The Bob’s Burgers Music Album – in both its affordable standard editions and its impressive deluxe edition – is sure to be a must-have for any fan of the show (and, really, any sentient life-form).

Why you'll love it...
Returning to create the sound of Euphoria Season 2 Official Score From The HBO Original Series, Labrinth creates a haunting portrait to accompany the angst we've come to love from the HBO Original. With chilling layered vocals, several tracks featuring Zendaya, Dominic Fike and Angus Cloud, and driving electronic beats, the world of Euphoria comes to life.

The VMP exclusive edition of Labrinth's Euphoria Season 2 Official Score From The HBO Original Series is pressed on Hazy Dawn vinyl at Memphis Record Pressing (MRP). The 1LP will arrive in a single, tip-on, foil-stamped jacket with Collector's Edition Zendaya art.

Dive into the evocative soundscapes of the past with the first ever vinyl reissue of Piero Umiliani's 1972 library masterpiece, "Guerra E Distruzione." Known for his innovative and genre-defying compositions, Umiliani's work on this album encapsulates the raw emotions and tumultuous energies of war and destruction through a unique blend of orchestral finesse and experimental brilliance. This exclusive reissue has been remastered for vinyl by Davide "Bassi Maestro" Bassi to capture the full depth and richness of the original recordings, bringing to life every nuanced note and intricate layer. Presented in a stunning gatefold jacket with opening in the inside, replicating the original pressing, the album's artwork is a tribute to its historical significance and artistic value, offering fans and collectors a visual and auditory feast.

Limited to just 500 copies, this release is a rare gem for connoisseurs of library music, soundtrack enthusiasts, and vinyl aficionados. Immerse yourself in the hauntingly beautiful and profoundly stirring world of "Guerra E Distruzione," a timeless work that stands as a testament to Piero Umiliani's enduring legacy in the realm of cinematic soundscapes.

It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

A young doctor on the verge of greatness finds his career and life shattered after choosing to treat two children rather than the town mayor. The deaths of one of the children are inexplicable. What if he had saved a monster?

Monster, the manga created by Naoki Urasawa, is an acclaimed psychological thriller that has been a huge critical and commercial success. The complex and gripping story, which follows the moral choices of a surgeon confronted with a serial killer he has saved, has attracted a wide international audience. Monster has won several awards and is regarded as one of Urasawa's major works, affirming her place as a master of suspense in the world of manga.

Kuniaki Haishima is a Japanese composer best known for creating the soundtrack to the anime Monster. In addition to his contribution to Monster, Haishima has also composed music for TV series (Terra Formars and S-CRY-ed) and films (Tokyo Tribe and Helter Skelter).

Based on Terry Pratchett and Neil Gaiman’s international best-selling novel, the first series of Good Omens was released in 2019 and became a worldwide hit. Good Omens 2 explores storylines that go beyond the original source material to illuminate the ineffable friendship between Aziraphale (Michael Sheen), a fussy angel and rare-book dealer, and the fast-living demon Crowley (David Tennant).

Multi-faceted composer David Arnold returns having received two Primetime Emmy nominations for the first series. His many awards include a Grammy (Independence Day) and a Primetime Emmy (Sherlock). Taking over the mantle from John Barry as the Bond composer he scored five in total ranging from Tomorrow Never Dies through to Quantum of Solace. Other film successes include Stargate, 2 Fast 2 Furious, Hot Fuzz and Made in Dagenham. TV highlights include Little Britain, Sherlock and Dracula. This debut vinyl edition is pressed on Pearl White and Transparent Green vinyl.

First time on vinyl, 35th anniversary, pink vinyl limited to 500 copies, includes 7"x10" Japanese mini-poster, newly remastered. Score by Ira Newborn. Contains "The Star-Spangled Banner" (vocals by Leslie Nielsen) and "I'm Into Something Good" (vocals by Petter Noone / written by Carole King).

‘My Animal’ is Augustus Muller’s (Boy Harsher) debut as a feature film composer and follows 'Cellulosed Bodies', his score for two experimental pornography films released last month.

Muller wrote and recorded the score for 'My Animal' at his home studio in Northampton, MA, where he primarily used hardware and analog synthesizers. Muller utilizes a sparse but efficient palette of sounds, combining modern and quintessentially 80’s soundscapes to create a score that’s fresh while still nodding to 80’s B movies. With this release, Muller pays homage to Klaus Shulze’s music for 'Angst' and John Carpenter's 'Assault on Precinct 13'.

Written by Jae Matthews (Boy Harsher), 'My Animal' was directed by Jaqueline Castel, and stars Bobbi Salvör Menuez (Euphoria) and Amandla Stenberg (Bodies Bodies Bodies).

'My Animal' is a genre-bending horror romance that tells the story of Heather. Tormented by a hidden family curse, she is forced to live a secluded life on the outskirts of a small town. When she falls for the rebellious Jonny, their connection threatens to unravel Heather's suppressed desires, tempting her to unleash the animal within.

Jacqueline Castel is a longtime music video and short film director at Sacred Bones Records, and has directed work for musicans Alan Vega (Suicide), The Soft Moon, Zola Jesus, and for directors David Lynch, Jim Jarmusch, and John Carpenter.

Coop between Sacred Bones and Waxwork.
Legendary hip hop pioneer DJ Muggs and frequent David Lynch collaborator Dean Hurley join forces for the original score to the 2023 Sundance-premiering feature film Divinity. Equal parts sonically punishing and ethereal, the soundtrack delivers a unique punch that further intensifies the mind-bending, acid-trip experience of the film.

Divinity is a sci-fi dystopian odyssey produced by Steven Soderbergh and helmed by visionary director Eddie Alcazar. Set in the distant future, scientist Sterling Pierce dedicated his life to the quest for immortality, slowly making progress developing a serum named Divinity. Jaxxon Pierce, his son, now controls and profits from his father’s once benevolent dream. Society on their barren planet has been entirely perverted by the supremacy and pervasiveness of the drug. Two mysterious brothers arrive with a plan to abduct the mogul, and with the help of a woman named Nikita, they set on a trajectory hurtling toward true immortality.

Amidst the film’s extraordinary tapestry of stark aesthetics and themes, the score is a ten ton barbell of sonic weight. Crafted with 8-bit samplers, Wavestation synths, extended choir and string techniques, the soundtrack manages to swing wildly between the arenas of both music and sound design. Like all rich soundtracks, listening to the score on its own re-conjures the imagery of the film in the screen of the listener’s mind, an aural experience that manages to encapsulate and pulse a matched intensity of the film.

Tracks like ‘The Brothers’ and ‘Reflective Dreams’ cascade Vangelis-esque tones, painting with broad strokes of cinematic grandeur and ethereal wonder. ‘Main Titles’ and ‘Infinity Techno’ conversely swing hard into relentless, punishing sonics; with brutal, pulsing energy representative of the twisted, relentless pursuit of immortality. A standout of the album is undoubtedly “Divinity 2 Infinity: The Odyssey,” featuring cult hip-hop hero and lyrical-savant Kool Keith. Written for the film’s end credits, the track is a satisfying throwback to the 90’s original soundtrack cut bespoke-tailored to the film’s narrative themes.

DJ Muggs and Dean Hurley’s synergy yields a soundtrack that takes Divinity beyond the screen and into a multi-dimensional experience, inviting its listener along uncharted aural terrain for an unforgettable odyssey in sound.

If you want this edition, don't wait, as we will not get many copies.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Repressed. "In addition to his day job transforming pop music with his own records, as well as those of Gastr del Sol, Loose Fur and Sonic Youth over the past few decades, Jim O'Rourke has been contracted for several dozen film scores over the years as well. It makes sense -- his abilities as an improviser, composer and producer allow him to interpret cinematic moments with a unique understanding for their construction and how they work. It doesn't hurt that Jim's a well-versed cineaste, a complete and total fan of watching films, which has given him a preternatural understanding of the role of music in movies. What doesn't make sense is how Hands That Bind is the first film soundtrack of Jim's to ever receive worldwide release! He's worked with filmmakers of international repute, like Olivier Assayas, Allison Anders, Werner Herzog and Kôji Wakamatsu! He served as music consultant on Richard Linklater's 2003 laff-fest, School of Rock! He's played in ensembles of award-winning documentaries and films alike! ... Made for an indie film that's been seen by festival audiences and not enough others, the soundtrack for Hands That Bind is a moody, atmospheric delight. Jim's roots in composition via tape-editing have evolved into a sophisticated assembly of found-and-processed sounds that achieve highly musical, near-orchestral majesty as they hang in the very air of the drama that unfolds in Kyle Armstrong's Hands That Bind. Described as a 'slow-burn prairie gothic drama' set in the farmland of Canada's Alberta province, and starring Paul Sparks, Susan Kent, Landon Liboiron, Nicholas Campbell, Will Oldham, and Bruce Dern, Hands That Bind is a spellbinding trip to the existential bone of rural working life in North America. As conflict rises over the hard-worked patches of land that provide a mere and mean existence, a desperate air settles in, as a series of mysterious, often supernatural occurrences rock the small community. O'Rourke's vaporous, serpentine musical backdrops and atmospheres reflect the obsessions and distractions of the film's principles; moods of all sorts seen or otherwise implied. Additionally, the music highlights cinematographer Mike McLaughlin's closely observed accounting of the farmers' environment, as well as the striking widescreen images of the big sky country with unnerving flair. For fans of Jim's ongoing steamroom series as well as collectors of soundtracks, Hands That Bind will provide hours of engrossing listening..."

2xLP reissue housed in an all-new wide spine jacket
Album art by cardboard computer
Music by Ben Babbitt and The Bedquilt Ramblers
DESCRIPTION

I’m going that way…

Kentucky Route Zero is nothing short of an American epic, a magical realist road-tripping saga spanning nearly a decade of development powered by stunning visual landscapes, surrealist, dreamlike dialogue, and, of course, unforgettable music.

We at iam8bit are proud to partner with developer Cardboard Computer and publisher Annapurna Interactive to bring you that soundtrack, the way it’s best experienced: On wax. This reissue of the Kentucky Route Zero 2xLP comes in a new wide-spine jacket, featuring the original art from Cardboard Computer themselves.

The iconic, soulfully twangy but still somehow otherworldly and ethereal soundscapes from Ben Babbitt and The Bedquilt Ramblers come to life on high-quality, black vinyl, letting you relive the road trip again and again, just through the power of your turntable. And as a bonus, we’ve included a digital download of the soundtrack, at no additional cost.

You can’t tell the story of indie games in the 2010s without Kentucky Route Zero. Don’t miss out.

“Water. Earth. Fire. Air. Long ago, the four nations lived together in harmony…” In 2024, Netflix breathed new life into the rich world of Avatar: The Last Airbender with a legendary live-action adaptation. This reimagining added new snippets of lore and gave longtime fans a more visceral perspective on the mystical art of element bending.

A rare masterpiece that is secretly attracting attention from the perspective of music after the recent revival of City Pop~Balearic~New Age. This is the first analog version of the 1991 soundtrack related to Hisashi Eguchi, one of Japan's most renowned manga artists! "Still Life” is a TV program that vividly blends Eguchi's stylish and captivating illustrations with music sound-produced by musician/saxophonist Kiyoshi Miyaura. The program known to those in the know that aired for about five minutes before 11 p.m. on Saturday nights from the late 80s to the early 00s. This is the second of three soundtracks illustrated by Hisashi Eguchi and Sho Kitagawa, and is the most difficult one to find.

Everything Everywhere All At Once Soundtrack by Son Lux. Nominated for the 2023 Academy AWARDr for Best Original Score. Includes "This is A Life," featuring Son Lux, Mitski and David Byrne _ nominated for Best Original Song. Also includes the songs ü"Now Weü're Cookinü' (with Randy Newman)ü" and "Fence (with Moses Sumney)". Limited Edition of 15,000 double albums, on black & white vinyl.

As soon as the pilots of the Space Oddities endeavour decided to tackle Yan Tregger's oeuvre, a major problem surfaced: where to begin? And where to end? Upon which side should one launch into the ascension of this body of work? It will have taken Alexis Le-Tan and Jess years to put up this selection, capturing the profusion and eclecticism of Tregger who, at 81 years old, has yet to lay down the arms and still defines himself as a "jack of all trades". Symphonies, library music, movie soundtracks, TV credits, advertisement, French variété, pop, disco, electronic, experimental or relaxation music, Yan Tregger (born Edouard Scotto di Suoccio) took up all genres, styles and formats through a career spanning from the end of the 50s to this day. How the Stakhanovist successfully went down so many different routes can be explained by his innate talent for composing melodies; they are the very basis on which his iconoclastic production was built. Ten years ago already, Yan Tregger had welcomed us in the studio of his Parisian suburb pavilion. There, sat in front of his machines and albums framed on the wall, he had delved into the midst of a life writing itself like would a rather unusual musical score.

* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition red vinyl

Infernal Affairs' was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. 'Infernal Affairs' has been remade many times at home and abroad, including Martin Scorsese's remake in 2006 as the American version of 'Infernal Affairs' called 'The Departed'. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of 'Infernal Affairs', the film's soundtrack is being pressed for special release of the global limited edition 'Infernal Affairs' vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. 'Infernal Affairs' is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience's emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin's song 'The Forgotten Time' connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode 'Goodbye - Police', like the sound of the sounds of nature, I feel sorry for Huang's death. When fans recall the scene, the music often comes to mind at the same time.

* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition yellow vinyl * This soundtrack has not yet released as digital formatInfernal Affairs' was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. 'Infernal Affairs' has been remade many times at home and abroad, including Martin Scorsese's remake in 2006 as the American version of 'Infernal Affairs' called 'The Departed'. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of 'Infernal Affairs', the film's soundtrack is being pressed for special release of the global limited edition 'Infernal Affairs' vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. 'Infernal Affairs' is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience's emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin's song 'The Forgotten Time' connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode 'Goodbye - Police', like the sound of the sounds of nature, I feel sorry for Huang's death. When fans recall the scene, the music often comes to mind at the same time.

* Japan Pressing
* Hong Kong exclusive
* Pressed on limited edition clear vinyl
* This soundtrack has not yet released as digital format

“Infernal Affairs” was born in the downturn of Hong Kong movies in the early 2000s, with a compact plot and an innovative narrative style. It won word-of-mouth from the audience, achieved a box office revenue of 55 million Hong Kong dollars, became the 2002 box office champion, and represented the peak of Hong Kong film creation. “Infernal Affairs” has been remade many times at home and abroad, including Martin Scorsese’s remake in 2006 as the American version of “Infernal Affairs” called “The Departed”. It won four Oscars, including Best Picture. Both China and Japan have been remade the film into TV series. To commemorate the 20th anniversary of the release of “Infernal Affairs”, the film’s soundtrack is being pressed for special release of the global limited edition “Infernal Affairs” vinyl format. Created by Hong Kong famous film composer Chan Kwong Wing, the soundtrack was performed by the Asia Philharmonic Orchestra and the Nicolaus Esterhazy Orchestra, the Asian Philharmonic Choir and the Hungarian Choir participated in the chorus. “Infernal Affairs” is a successful example of the flawless combination of light, shadow and music. Cooperating with the compact plot, each note is closely related to the progress of the plot, arousing the audience’s emotions, creating a tense atmosphere and enhancing the dramatic effect. In the first act of drug dealing, the struggle between good and evil is perfectly demonstrated. In addition to plots and images, music also plays an important role in certain scenes. Cai Qin’s song “The Forgotten Time” connects two protagonists with different fate trajectories. Another example is the scene where Huang Sir was thrown off the building and died, and Feng Xiyu hummed the episode “Goodbye – Police”, like the sound of the sounds of nature, I feel sorry for Huang’s death. When fans recall the scene, the music often comes to mind at the same time.

Blonde – Soundtrack From The Netflix Film, featuring music by Nick Cave and Warren Ellis, is coming soon.

The film, based on a novel by Joyce Carol Oates, was written and directed by Andrew Dominik and stars Ana de Armas. Blonde is out now globally on Netflix.

Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe. From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, Blonde blurs the lines of fact and fiction to explore the widening split between her public and private selves. The film also stars Bobby Cannavale, Adrien Brody, Julianne Nicholson, Xavier Samuel and Evan Williams.

Blonde – Soundtrack From The Netflix Film, featuring music by Nick Cave and Warren Ellis, is coming soon

The film, based on a novel by Joyce Carol Oates, was written and directed by Andrew Dominik and stars Ana de Armas. Blonde is out now globally on Netflix.

Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe. From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, Blonde blurs the lines of fact and fiction to explore the widening split between her public and private selves. The film also stars Bobby Cannavale, Adrien Brody, Julianne Nicholson, Xavier Samuel and Evan Williams.

Blonde – Soundtrack From The Netflix Film, featuring music by Nick Cave and Warren Ellis, is coming soon

The film, based on a novel by Joyce Carol Oates, was written and directed by Andrew Dominik and stars Ana de Armas. Blonde is out now globally on Netflix.

Blonde boldly reimagines the life of one of Hollywood’s most enduring icons, Marilyn Monroe. From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, Blonde blurs the lines of fact and fiction to explore the widening split between her public and private selves. The film also stars Bobby Cannavale, Adrien Brody, Julianne Nicholson, Xavier Samuel and Evan Williams.

The series The Crown follows the life and reign of Queen Elizabeth II. Its fifth season was released in 2022 and is the first season to be released after the passing of both Prince Philip and Queen Elizabeth II. Imelda Staunton stars as Elizabeth, along with main cast members Jonathan Pryce, Lesley Manville, Jonny Lee Miller, Dominic West and Elizabeth Debicki. All cast members are new to the series; this season marks The Crown’s second and final wholesale recasting. Martin Phipps once again composed the haunting minimalistic soundtrack for this Golden Globe Award winning drama series. Phipps previously composed soundtracks for Peaky Blinders and Black Mirror amongst others. The Crown: Season 5 is available as a limited edition on “Royal Blue” coloured vinyl and includes an insert.

The Crown is a drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix Original. The show is a biographical story about the early reign of Queen Elizabeth II of the United Kingdom. Reception to the series was overwhelmingly positive, with critics praising cast performances, direction, writing, cinematography, production values, and relatively accurate historical accounts of Queen Elizabeth’s reign. The Crown has received many awards and nominations, including all seven drama categories at the 73rd Primetime Emmy Awards in 2021 and two at the 2017 Golden Globes, including Best Television Series Drama. The fourth season features Olivia Colman as Queen Elizabeth, as the story traces her life from her wedding 1947 to the present day. The main cast is further completed by Emma Corin as Lady Diana Spencer, Gillian Anderson as Margaret Thatcher, Helena Bonham Carter and Tobias Menzies as Prince Philip, amongst more. Martin Phipps once again composed the haunting minimalistic soundtrack for this Golden Globe Award winning drama series. Phipps previously composed soundtracks for Peaky Blinders and Black Mirror. For his efforts in the soundtrack to The Crown Season Four, Phipps was nominated for a BAFTA TV Award (Television Score of the Year). The Crown Season 4 is available as a limited edition on Royal Blue coloured vinyl and includes a 4-page booklet.

Le Hasard et la Violence is a strange French-Italian movie which came out in 1974 and was directed by Philippe Labro and written by Jacques Lanzmann. It was a time of thesis films on ultra- violence such as Stanley Kubrick"s A Clockwork Orange (1971) and John Boorman"s Deliverance (1972). Labro"s feature film differs from those of his American counterparts by an almost dreamlike approach and a soft psychedelia. A sort of lysergic atmosphere that has more to do with the idea of an LSD trip at Castel"s than with Californian counterculture. Mid-life crisis is embedded in this story of criminologist Laurent Berman (Yves Montand), vacationing on the French Riviera to write an essay on violence. He is both the victim of an assault and of his love for Constance Weber (Katherine Ross), a young doctor who pushes him over the edge. Within this cinematic paradigm, it was a stroke of genius to ask Michel Colombier to compose the music for his film. Michel Colombier, let us recall, is a musician of classical formation, who went to the Conservatoire Supérieur de Musique in Paris. His music for Le Hasard et la Violence reflects his career: from Gainsbourg to the Beach Boys, via Paul Williams. A soundtrack that goes from neoclassical to contemporary, via groovy pop and slow music. Not to mention the main theme, a killer ballad with timeless lyrics. There is in the song performed by Drupi (known in France for "Vado Via"), a kind of romanticism specific to Colombier. Let"s forget our post-post modern irony that is no substitute for intelligence and let us be caught by the emotional power of this soundtrack.

In 1968, the future composer of The Things of Life (Les Choses de la Vie) seriously considered becoming a director. He wrote and shot Florence, a short film influenced by the New Wave and composed its soundtrack, under the benevolent eye of Vladimir Cosma. The first spectators of the film are unanimous: failing to have seen a visionary cinematographic opus, they have discovered a real movie musician. From this first attempt, Philippe Sarde imposes his melodic talent on the picture and initiates his sense of counterpoint. This founding soundtrack, however, remained in the boxes for more than 50 years, before finding a place of choice on the B side of our album. To open the ball, we offer you another forgotten score: the almost unused score of Loulou, Maurice Pialatís cult classic. In 1980, the naturalist director planned to use original music to accompany the wanderings of his sublime love duo, played by Gerard Depardieu and Isabelle Huppert. He commissioned a bare, impressionistic score from Philippe Sarde, then changed his mind and kept only a timid end credits. The meeting between the two giants of French cinema did however take place, as evidenced by the first side of this beautiful lp. This album was produced from a high definition transfer of analog tapes, without compression or alteration, and respecting the dynamics of the original recordings.

he music for the film Inu-Oh, including the song in the film, was composed by Otomo Yoshihide, the composer of Hanabutsukana na Koi wo Shitatta and other films. The original soundtrack is sung passionately by Avu-chan (Queen Bee), who plays Inuoh, and Mirai Moriyama, who plays the biwa master Tomofuji, in a colourful original soundtrack.

* Deluxe double LP “Herman” and “Lily” colored vinyl (green & black swirl and white & black swirl) * Exclusive liner notes by Rob Zombie * 12x12 art print * 24 Page Booklet * printed inner sleeves

Waxwork Records is thrilled to present Rob Zombie’s THE MUNSTERS Original Motion Picture Soundtrack! Rob Zombie (House of 1000 Corpses, The Devil’s Rejects, The Lords Of Salem) digs up the origin story of everyone’s favorite family of monsters in the brand new movie. Starring Sheri Moon Zombie as Lily, Jeff Daniel Phillips as Herman Munster, and Daniel Roebuck as The Count, Rob Zombie’s THE MUNSTERS presents to us the strangest love story ever told! Lily is just your typical 150 year old, lovelorn vampire looking for the man of her nightmares… that is until she lays eyes on Herman, a seven foot tall green experiment with a heart of gold. It’s love at first shock as these two ghouls fall fangs over feet in this crazy Transylvanian romance. Unfortunately, it’s not all smooth sailing in the cemetery as Lily’s father, The Count, hasother plans for his beloved daughter’s future, and they don’t involve her bumbling beau,Herman. You’ll laugh, you’ll cry, you’ll howl at the moon as The Munsters make their way to Mockingbird Lane!

The Munsters features a soundtrack and score by Rob Zombie and Zeuss. Waxwork Records is proud to present The Munsters as a deluxe double LP featuring spooky synth-driven jams such as “Disco Vampire” and “Microbat / Megabat”, movie dialogue, and the singles “It’s Zombo” and “I Got You Babe” with performances by Sheri Moon Zombie and Jeff Daniel Philips. The chilling score album features a whimsically malevolent performance by Zeuss thats pays homage to the original 1960’s The Munsters television series. Bells, xylophone, horns, claves, wood blocks, and wooden guiro, are paired with synthesizers and spine-chilling choir choruses to build an eerie and cooky good time!

The deluxe double LP includes 180 gram “Herman” and “Lily” colored vinyl, heavyweight gatefold jackets with matte satin coating, exclusive liner notes by Rob Zombie, a 24 page booklet, a 12”x12” art print, printed inner sleeves, new artwork by Graham Humphreys, and more!

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

IN THE NIGHT GARDEN is one of the most captivating and heart-warming TV series of the last 20 years. The make-believe world of IN IN THE NIGHT GARDEN's loveable and caring characters, conjures a magical picture-book fantasy-land that exists between waking and sleeping in a child's imagination. The calming and soothing nature of the music and nursery rhymes, carry the viewer through this happy world. This 12" Vinyl LP Picture Disc brings the characters to life! Produced, written and composed by Andrew Davenport.

To celebrate the 25th anniversary of the release of She’s The One, we are releasing a remixed, remastered and re-imagined version of this album. The original album included several songs that were left off the original Wildflowersalbum (recently included as the "All The Rest" disc in the "Wildflowers & All The Rest" re-issue), so this re-release is an appropriate ending to the campaign celebrating the Wildflowers-era.

Ryan Ulyate (Tom’s long time engineer and producer) has remixed the audio, and the song selection is designed to work as aTom PettyAnd The Heartbreakers album, rather than a soundtrack album. Four unreleased tracks have been added; the rocker “105 Degrees” (written by Petty), a cover of JJ Cale’s “Thirteen Days”, “One of Life’s Little Mysteries” (another Petty original), and an instrumental (“French Disconnection”) in the same vein as the instrumentals on the original album. An extended version of “Supernatural Radio” is also included.

The new title is a reference to one of the stand-out tracks on the album, for which there will be a video. The new album will have brand new artwork, and this version will replace the existing physical versions of "She’s The One."

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

Cracking a brain teaser is a much easier prospect if you’ve got a good soundtrack humming along in the background. No one knows that better than the fine folks at Draknek & Friends, and this 2xLP is a testament to that fact. It’s a compilation of the most ponderous and whimsical melodies from four different and very awesome games: A Monster’s Expedition, Sokobond, Cosmic Express and A Good Snowman is Hard to Build, perfect for getting lost in thought or just unwinding after a tough day of puzzling.

Composers Eli Rainsberry, Allison Walker, Nick Dymond, and Priscilla Snow all crafted a wide range of soundscapes, each unique to their respective games. They come together on this 2xLP to create a compilation of Draknek & Friends’ early years that’ll have you saying “Eureka!” And of course, the wonderful album art by Andre Rodrigues ties all these notions together into one beautiful big rumination.

Finally back to life after decades of obscurity, Berto Pisano’s exquisite soundtrack to La Novizia encapsulates the Italian erotic sound of the 70s in all of its nuances, from the classic lounge sound to psychedelic rock influences. Previously unreleased in any format.

Richard Thompson's score for Grizzly Man - Werner Herzog's 2005 documentary film of real life and death in the Alaskan wilderness - is one of the best-kept secrets in the British guitarist's epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog's footage - mostly alone, at times in chamber settings with cello, piano and percussion - these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson's lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best - finger-picking dance; snake-curl twang and singing-wire harmonics - in a solo clarity that runs from jig-like joy to deep-note meditation, the "Main Title" blues march with its echoes of Fairport Convention's "Sloth" to the long night of "Treadwell No More," a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude - as bold and majestic as the land in Herzog's film; as intimate as prayer - and essential Richard Thompson.

Waxwork Records Limited Exclusive Red Smoke Colored Vinyl

This February the story of the infamous Unabomber Ted Kaczynski will receive its theatrical debut in a new Tony Stone directed film, Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Stone’s choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter.

2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland’s acclaimed cinematic debut ‘Calm with Horses.’ This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with BBC’s acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for best original film score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards.

Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass’s Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski’s story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project “I wanted it to feel like an ‘epic’" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil.

The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.

My Hero Academia: Heroes Rising is a film set in the My Hero Academia universe. After the events of Season 4 of the Anime, Izuku and Katsuki go from fighting against each other to fighting side by side as they face the biggest threat that dares to dominate the domain: Nine! Beautifully animated and written, My Hero Academia: Heroes Rising received enormous critical praise, as well as massive admiration from fans. Composed and performed by Yuki Hayashi, the music of My Hero Academia: Heroes Rising is a complete standout. The live wire pieces pulse with life and power, and have never sounded better than this vinyl pressing.

Limited to 1000 copies, foil numbered units pressed on red and black galaxy viny.

Inspired by the popular paranormal podcast The Midnight Society, A new record by The Rentals for Record Store Day 2022 Mondo & Death Waltz Recording Company are thrilled to be releasing a new record by The Rentals for Record Store Day 2022.

Inspired by the popular paranormal podcast The Midnight Society Matt Sharp (Weezer) & Nick Zinner (Yeah Yeah Yeahs) have created an expansive atmospheric soundtrack to some of life’s most bizarre and otherworldly unexplained paranormal activities.

This is an unsettling yet beautiful record, ambient passages give way to menacing jittering Synths amid Nick Zinner’s familiar guitar tones soaked in reverb, conjuring up long dark highways, deserted buildings and dense woods that never end. The artwork by Henry Abrams compliments the audio perfectly.

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

Burning Witches Records are once again honoured to be working with Director Brian O’Malley (The Lodgers) to bring you the fantastic and atmospheric score to 2015’s cult horror Let Us Prey by composer Steve Lynch.

Rookie cop Rachel (Pollyanna McIntosh) is about to begin her first night-shift in a neglected police station in a Scottish backwater town--the kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that they really deserve to be somewhere else. They all think they're there by accident and that, with a little luck, life will get better. Wrong on both counts. Six (Liam Cunningham) is about to arrive--and all hell will break loose

“The Minimoog pulsating bass throughout the score is a nod to 80’s horror, but I wanted to modernise it too, so all the synth textures are on a Dave Smith Prophet 12, which is a modern classic. Rachel’s Theme was a chance to bring in a more emotive organic tone using cellos, bowed bass guitar and voices. I think the combination of all these elements gave the score its own particular sound.” -Steve Lynch

Original London Cast Recording - Mel Brooks' Young Frankenstein Presenting the original London cast recording of Mel Brooks' Young Frankenstein on Vinyl LP! Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage in a musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman. Recorded live in London's West End. Grandson of the infamous Victor Frankenstein, Dr. Frederick Frankenstein (pronounced 'Fronk-en-steen') (Hadley Fraser) inherits a castle in Transylvania leading him to fulfill his grandfather's legacy by bringing a corpse (Nic Greenshields) back to life. With help and hindrance from hunchback henchman Igor (Ross Noble), buxom assistant Inga (Summer Strallen) and needy fiance Elizabeth (Dianne Pilkington), his experiment yields madcap success and monstrous consequences. After opening on Broadway in November of 2007 the show ran until 2009. A revised version of the show opened in London's West End in October of 2017 to mostly positive reviews. ABC was set to air Young Frankenstein Live last October and delayed it due to Covid-19 restrictions. The show has been rescheduled to air October 2021 on ABC. Mastered and mixed at Abbey Road Studios. This is the first LP release of music from either of the Young Frankenstein live shows.