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PRESSED ON 180G BLACK VINYL. HOUSE INSIDE A SPOT VARNISHED 425GSM GATEFOLD JACKET WITH INSERT. Artwork By Matt Ryan Tobin

We are thrilled to be releasing the score to A Quiet Place in conjunction with our friends over at Milan Records. The film has been one of the breakout hits of 2018. This is only the second directorial feature for John Krasinski and is an absolutely incredibly tense monster movie, that is as original as it is scary.

The score by Marco Beltrami is an absolute tour de force, it's basically another character in the film, it can be forceful and bludgeoning one minute and quiet and reflective the next. His players twist their instruments to generate tones and textures not usually associated with them, the layers of sound and percussion on display are incredible, the opening track 'It Hears You' reminds me of a classic Planet Of The Apes cue it's disquieting and slightly wonky but has an incredible hook that immediately lets you know you are in horror territory whereas say 'A Quiet Family' is a beautiful piano track that reminds you of the life the family lived before a world of monsters took over. Pianos are detuned, Electronics are layered over traditional instruments to create something truly unsettling

The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa

In conjunction with The Criterion Collection’s special-edition DVD and Blu-ray release of David Byrne’s 1986 film True Stories, Nonesuch and Todomundo Records release a comprehensive soundtrack, collected for the first time in one package and in film sequence: True Stories, A Film by David Byrne: The Complete Soundtrack. David Byrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during preparations for its Celebration of Specialness. As shot by cinematographer Ed Lachman, Texas becomes a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings. In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals, and a singular variety show. Byrne calls the record “an immersive audio voyage into the little town of Virgil, Texas, in the mid-eighties.” He continues, “I always imagined that the music written for True Stories should be heard as it is in the film. It makes the most sense this way. Me singing the song that was written for John Goodman’s character, Louis Fine, always felt weird to me. It was written for that character, not for me.”

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

Agnes, taken for granted as a suburban mother, discovers a passion
for solving jigsaw puzzles which unexpectedly draws her into a new
world - where her life unfolds in ways she could never have imagined.
The soundtrack to Puzzle is composed by A Winged Victory for the
Sullen member Dustin O’Halloran. He says about his recordings: “I
wanted the score to have a minimal sound in order to leave space
for the performances of the actors, so I decided on a chamber sound
consisting of piano, string quartet, harp and woodwinds.” For the last
track “Horizons” he contacted his friend Ane Brun, who created beautiful
melodies and words that perfectly captured the feelings of the character
Agnes.
Dustin O’Halloran released his first two albums, entitled Piano Solos
and Piano Solos 2 in 2004 and 2006. Later on he scored multiple
soundtracks, including Marie Antoinette, Lion and The Beauty Inside.

Reissue of an out-of-time and ahead-of-its time garage rock soundtrack to the typically out-of-his-mind Mike McCarthy aka JMM movie Sore Losers. The film is full of aliens, comic books, rednecks, zombies, boobs, gals, gals fighting, and rock ‘n’ roll. Starring the Oblivians’ Jack Oblivian, with Guitar Wolf, Mike Maker, the deliciously curvy D’Lana Tunnell, and a guest appearance by exploitation master David F. Friedman himself.

Anyone who has seen his movies can attest to the fact that Mike McCarthy always overdelivers. Sore Losers is as good / bad an example as any. Whole soundtracks would be filled out around just one of the acts on this thing—case in point, Greg Oblivian doing a toy instrument version of the much-loved “Bad Man” that is worth the price of the record by itself. Plus The Gories / Dirtbombs’ Mick Collins, The Makers, Jack Oblivian himself, and the mighty Guitar Wolf! Also New Orleans garage/ frat kings Royal Pendletons, Jeffrey Evans of the Gibson Bros with his ’68 Comeback, and also featuring Jack Taylor, the most amazing / fucked up guitar player ever. His guitar tone started with the legendarily messed-up solo in the Velvet Underground’s “I Heard Her Call My Name” and then added four fuzz pedals to it, creating modern art! RIP Jack Taylor. There is also Nick Diablo of Viva L’American Death Ray Music, The Drags, The Makers, Tim Feleppa, Gasoline… This is quality ’90s garage rock, still raw and vital as ever.

This rerelease coincides with McCarthy’s new edit of the film. Southern sci-fi trash has never looked or sounded so good.

At The Movies is very proud to present this epic soundtrack on vinyl for the first time!
James Horner (Titanic, Braveheart, The Magnificent Seven) knew when he took on the scoring of Avatar that it would be the challenge of a lifetime. The music is both classic in its orchestral power, but also connects us to the soul of the Na'vi through the use of indigenous rhythms and vocals. Includes the Leona Lewis track "I See You" (Theme from Avatar).

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

Quentin Tarantino established himself as one of the few filmmakers to effectively use pop music with his first film Reservoir Dogs, a movie where the music was integral to the success of the film yet also worked well as a collection of songs. Jackie Brown, Tarantino's long-awaited third feature, finds him exploring new territory, creating an homage to blaxploitation flicks as well as a surprisingly subtle character study and love story, and its soundtrack appropriately finds him in new territory as well. The soundtrack still features snippets of dialogue, which simply aren't as effective separated from the film as those from Pulp Fiction, but the unified collection of '70s soul and funk is refreshing. He has wisely selected a batch of songs that haven't been worn out by oldies radio, building the bulk of the album with cult favorites like Bobby Womack's "Across 110th Street," Bill Withers' "Who Is He (And What Is He to You?)," Randy Crawford's "Street Life," Minnie Riperton's "Inside My Love," the Vampire Sound Inc.'s "The Lions and the Cucumber" and Pam Grier's "Long Time Woman." Only "Didn't I Blow Your Mind This Time," "Strawberry Letter 23" and "Natural High," as well as the Grass Roots' "Midnight Confessions," are familiar oldies items, but they play an integral part in the film itself and help make the soundtrack a thoroughly enjoyable, compulsively listenable experience. - Thomas Erlewine at allmusic.com

"Beyond good. Beyond evil. Beyond your wildest imagination." The 1986 animated feature film The Transformers: The Movie was based on the animated TV series by the same name. Set to a soundtrack of synth-based incidental music and hard-driving metal music, composed by Vince DiCola, the movie has a decidedly darker tone than the television series. Featuring Stan Bush's songs "Dare" and "The Touch", "Instruments of Destruction" by NRG and more.

180g blue vinyl.

Steven Soderbergh’s take on Stanislaw Lem’s influential sci-fi tome Solaris was incredibly polarizing at the time. Some didn’t want to see it simply because it starred heart-throb George Clooney in what is essentially a mostly solo role, some didn’t appreciate it in light of legendary Russian director Andrei Tarkovsky’s overtly spiritual take on the same book. Soderbergh says of Martinez's pivotal role and his score, "I relied on it not only to unify the film emotionally, but to import actual narra-tive information." Martinez himself describes it as "one of the few soundtracks of mine that I can still stand to listen to.

I also think it was a score that made the greatest contribution to the film for which it was written." Described by BBC Music as "A brooding slow, meditative work" and a musical journey that "leaves the listener floating free" by Soundtrack.net, "Solaris' is an evocative and highly seductive score that still fully resonates with the listener more than a decade after it was first released.

Those that did manage to take it in would have noticed on thing in particular though – composer Cliff Martinez‘s haunting and deeply influential soundtrack. Percussive, but anchored with a slow, deeply affecting synthesized bass line throughout, the soundtrack served as a nudge in the right direction for drone-lovers and ambient types, and still sounds fresh even now. It’s hardly surprising then that Portishead’s Geoff Barrow has had the good sense to make sure it finally gets pressed to wax through his Invada imprint.

Ahoy, Straw Hat Crew! One Piece is a bona-fide global phenomenon, and our friends at Netflix gave Luffy and the Straw Hat Pirates new life through a faithful reimagining of the iconic manga, born again for a new generation, via their critically acclaimed live-action series. With lively visuals, lovely-world building, and unforgettably nautical music, One Piece captivates lifelong fans and brand-new landlubbers alike.

Why you'll love it...
The original score by Academy Award winner Volker Bertelmann that is the soundtrack to Jules, starring Sir Ben Kingsley (Gandhi, Schindler’s List), Harriet Sansom Harris (Licorice Pizza, “Hacks”), Jane Curtin (Coneheads, I Love You, Man) and Jade Quon (Transformers: The Last Knight, The Hunger Games) is set for release by ABKCO Records. Written by Gavin Steckler (“Review”, “Playing House”), Jules made its world premiere at the Sonoma International Film Festival where it was the opening night film, and won the Stolman Audience Award for Best Feature. The film is produced by Michael B. Clark, Andy Daly, Deborah Liebling and Alex Turtletaub alongside Marc Turtletaub.

Produced and directed by Marc Turtletaub (Puzzle, The Farewell, Little Miss Sunshine), Jules, a Bleecker Street release of a Big Beach production, was filmed in Morris County, NJ and follows Milton (Kingsley) who lives a quiet life of routine in a small western Pennsylvania town. His day is upended when a UFO and its extra-terrestrial passenger crash land in his backyard. Before long, Milton develops a close relationship with the extra-terrestrial he calls “Jules.”

Things become complicated when two neighbors (Harris and Curtin) discover Jules and the government quickly closes in. What follows is a funny, wildly inventive ride as the three neighbors find meaning and connection later in life – thanks to this unlikely stranger.

The film’s score is the work of composer/pianist Volker Bertelmann who was a 2017 Academy Award nominee for his score to Lion. Last year he received both an Academy Award and the British Academy Film Award (BAFTA) for his score for All Quiet on the Western Front. The Budapest Art Orchestra performs Bertelmann’s music for the Jules score. Recording under the name Hauschka, Bertelmann is a prolific artist in his own right and, beyond soundtracks, has released 20 full length albums of original music to date. The Washington Post’s Michael O’Sullivan wrote, “In the end, Jules performs a magical, if tiny, bait-and-switch: It’s less a sci-fi parable — “E.T. the Extraterrestrial” for the AARP demographic — than a fairy tale reminding us that the tribulations of getting old are more natural than sad, and best done in the company of loved ones.”

The VMP exclusive version of Jules (Original Score) is pressed on 180g Honey Crisp vinyl at GZ Vinyl. The 1LP will arrive in a single, direct-to-board jacket with an 8x10 insert and art by Sara Deck. It was mastered by Carl Rowatti at Trutone Mastering Labs.

Composed by Hans Zimmer
Artwork by La Boca
Pressed on Black Triple Vinyl
Manufactured in the Czech Republic
DESCRIPTION

Mondo, in conjunction with WaterTower Music, is proud to present the premiere vinyl pressing of Hans Zimmer’s incredible score to WONDER WOMAN 1984.

Featuring incredible artwork by La Boca and housed in a tri-fold jacket with holo-foil elements, with liner notes by writer and director Patty Jenkins, the vinyl pressing is available on 3x 180 Gram Swirl colored vinyl.

Hans Zimmer’s score to WONDER WOMAN 1984 is quite possibly our favorite piece of superhero film scoring since John Williams’ SUPERMAN: THE MOVIE (1978), and Danny Elfman’s BATMAN (1989). We know that sounds hyperbolic, but even before our test pressings arrived, it was one of our most listened to albums on Spotify of the last 6 months. It’s that good. We can’t wait for you to hear how good it sounds on vinyl, out of big speakers.

Pressed on Black Eco Vinyl
Artwork by Paul Mann
Music to the 1981 film directed by Rick Rosenthal
DESCRIPTION

Death Waltz Recording Company is proud to present the return of one of horror’s scariest boogeymen, as well as one of the genre’s most iconic theme tunes with John Carpenter and Alan Howarth’s score to HALLOWEEN II. Set directly after the events of the first film, Rick Rosenthal’s sequel sets itself up as the slasher equivalent of THE EMPIRE STRIKES BACK, making a family connection between Laurie Strode and Michael Myers while getting some good kills in at the same time. Carpenter and Howarth’s score is beefier and more intense than before, using layers of electronics to drive the audience to madness.

As before, Myers aka “The Shape” is propelled by that theme, souped up with a new and more powerful arrangement from Carpenter and Howarth. HALLOWEEN II is more overtly synth and is perhaps less focused than the original score, although that certainly means it’s nastier and more schizophrenic. The score also brings back the evocative ’Laurie’s Theme’, incorporating into a score full of harrowing musical effect, its synthesised howls and wails piercing your ears so that by the time ‘Mr. Sandman’ comes around, you’ll feel just like the final girl, delirious at having survived the aural ordeal. And that’s just when The Shape wakes up.

The Mighty Monarch of Exploitation Cinema! These audacious adults-only radio adverts and trailers showcase all original counter-culture compositions from Friedman’s freaky frontal lobe! Includes a DVD!

Always a carny at heart, Friedman gravitated towards the sleazy independent film world, where he started a new company and ushered in a decade of his greatest films. Always brimming with bodaciously bare beauties and copious carnality – which became his tawdry trademark. From 1964-1975, he wrote and produced roughies, historical costume dramas (based on literary classics), counter culture time capsules, wild wanton westerns, various soft-X sizzlers, an elaborate jungle epic and perhaps the worst sci-fi movie ever committed to celluloid.

But what ties all of these films together is the ballyhoo. Friedman sure knew how to craft an auditory advertising campaign to got ‘em in the theatres. He was the king of alliteration and catchy taglines and his coming attractions were among the best and most entertaining of their time. Many of the trailers and radio spots utilized all-original compositions and scores from Billy Allen – a composer/conductor Friedman enlisted to set his films apart from all the other smut peddlers.

As “adults only” films were getting more explicit in the ‘70s, Friedman longed for the good old days of sin and skin. He only dabbled in the XXX world for a short time before retiring. So, listen up and get ready to have your ears spanked hard!

Cover with minor lamination lifts and tiny tear at the opening side.
Record is close to NM.

Baba Stiltz has written and produced the award winning soundtrack for the Swedish Movie „Shame On Dry Land (Syndabocken)“. Awarded the „Guldbagge“ price for best feature film soundtrack in 2024, the music is dense, at times oppressive, than again light-mediterranean, all perfectly accompanying the stories vibe. The score is now available on vinyl and digitally for the first time.
Baba Stiltz moving between Stockholm & LA. A myth, a young legend. Writing music since the tender age of 13, not bound by genres or expectations. Used to do Skweee before he defined his own sound of Tech House - skipped that (temporarily?). Now moving on to more folkloristic styles: country, rock, indie… you name it. Good Musik.

- Pressed on red vinyl - Soundtrack to the 2022 anime series - Composed by the leader of experiemental rock group, Ground Zero, Otomo Yoshihide - Arranged by Takeo Yamashita Original soundtrack of the acclaimed anime, printed on red vinyl.

Composed by Takeo Yamashita & Otomo Yoshihide
Arranged by Otomo Yoshihide

Original soundtrack of the acclaimed anime, printed on red vinyl.

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

Ennio Morricone is known throughout the world for the Italian Western genre, but most of all for his famous soundtracks for Sergio Leone’s masterpieces which have entered into popular culture on an international level, and here represented by iconic themes such as A Fistful OF Dollars (1964), FOR A FEW Dollars More (1965), Once Upon A Time IN THE

West (1968), A Fistful OF Dynamite (1971) with extraordinary soloists such as the coro dei cantori Moderni di ales- sandroni, the whistle of Alessandro Alessandroni, the harmonica of Franco De Gemini, and Edda Dell’Orso’s soprano voice. For the Westerns starring the legendary Giuliano Gemma – A Pistol FOR Ringo and THE Return OF Ringo – both directed by Duccio Tessari, he wrote the songs “Angel Face” (with lyrics by Gino Paoli) and “The Return of Ringo” respectively performed by Maurizio Graf with pop music arrangements that were popular at the time. With PistolS Don’t Argue (1964) Morricone experiments with a still undefined pre-Leone sound, Death Rides A Horse (1967) presents a main theme for guitars ostinatos, exotic flutes and choir. For Life IS Tough, EH Providence? Ennio Morricone creates a theme that mixes religious elements for a female choir with modern arrangements. And A Fist Goes West (1981) a late Western in which the composer himself interprets the Indian’s screams.

In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost. A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting. So, a while ago, following the initiative of Fabio Capuzzo, veteran musicians of the prog and funky Italian scene are involved and gathered to work to a new recording session of this amazing score. The result isn’t intercepted too late by Beat Records radars and so we are proud to give a discographic life to this wonderful project through which, with extreme precision and care has been realized again the soundtrack now expressed through the sonorities of Marcello Bonetta (keyboards), Diego Vergari (drums, percussions) Giorgio Giuseppe Tonazzo (bass), Antonio Micheli (Guitar). All the funk created by Goblin to comment Milian vicissitudes is replicated with renovated vigor and vintage charm, to the program couldn’t be missing the cue “E lassame perde” that, thanks to the collaboration between Fabio Capuzzo and Alan Donati, son of the original singer Aldo, could count on the real voice of the crooner taken from a demo stored in the family estate archive. Also present a new version of the Goblin cue AMO NON AMO, arranged by Marcello Bonetta and Diego Vergari, as a special bonus track. Squadra Antimafia is the result of the profusion of much love by its protagonists and deserved a special treatment by Beat Records with this CD Audio deluxe edition featuring a 16 pages booklet, graphic layout by Daniele De Gemini supported by Fabio Capuzzo photo archive, recording, mix and mastering by Marcello Bonetta, Diego Vergari and Fabio Capuzzo.

Waxwork Records is proud to release THE EXORCIST: BELIEVER Original Motion Picture Soundtrack by David Wingo & Amman Abbasi. THE EXORCIST: BELIEVER is a 2023 supernatural horror movie directed by David Gordon Green. The film is the sixth installment in The Exorcist franchise and serves as a sequel to The Exorcist (1973).

Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own.

But when Angela and her friend Katherine (newcomer Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.

For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before.

ABOUT DAVID WINGO

David Wingo got his start composing music for films on David Gordon Green's debut feature, George Washington, and since that time has maintained a consistent working relationship with Green, scoring the majority of his films. In 2010 he scored Jeff Nichols' Take Shelter, and has since scored all of Nichols' films, including the forthcoming Bikeriders starring Austin Butler, Tom Hardy, and Jodie Comer. Wingo has transitioned into television over the last several years, providing the score for FX’s Mayans MC, Showtime's Kidding and HBO's Emmy Award-winning Barry, for which he received an Emmy Nomination in 2019 for Outstanding Music Composition for a Series.

ABOUT AMMAN ABBASI

Amman Abbasi is a Pakistani-American writer-director, editor, and composer from Little Rock, Arkansas. Filmmaker Magazine listed him among the 25 New Faces of Independent Film in 2016. His film Dayveon premiered at the 2017 Sundance Film Festival, was an Official Selection of the 2017 Berlin Film Festival, and went on to get two Film Independent Spirit Award nominations in 2018, including in the coveted Someone to Watch category. As a music composer, Abbasi’s compositions have appeared in several commercials, films, and documentaries, and most recently he was a music consultant for Halloween (2018) and Halloween Kills (2020). In 2008, he and his brother’s debut album, Something Like Nostalgia, topped the charts in Japan.

Waxwork Records is proud to release THE EXORCIST: BELIEVER as a deluxe double LP featuring 180 gram Black & White swirl colored vinyl, heavyweight gatefold packaging, a four page booklet featuring an exclusive interview with director David Gordon Green and composers David Wingo and Amman Abbasi, layout and design by Matt Needle, and more.

THE EXORCIST: BELIEVER Original Motion Picture Soundtrack Features:

Music by Composers David Wingo and Amman Abbasi
180 Gram Black and White Swirl Colored Vinyl
Deluxe Heavyweight Gatefold Packaging
Exclusive Interview with the Director and Composers
Four Page Booklet
Layout and Design by Matt Needle

Waxwork Records is beyond thrilled to release WENDELL & WILD Original Soundtrack From The Netflix Film! Wendell & Wild is a 2022 stop-motion animation film directed by Henry Selick (The Nightmare Before Christmas, Coraline) and written by Selick and Jordan Peele. It stars Keegan-Michael Key and Jordan Peele as the titular characters Wendell and Wild, with Angela Bassett, Lyric Ross, James Hong, and Ving Rhames in supporting roles. The film marks Selick's first feature since Coraline (2009).

Wendell & Wild is an animated tale about two scheming demon brothers Wendell (Keegan-Michael Key) and Wild (Jordan Peele) who enlist the aid of 13-year-old Kat Elliot, a tough teen with a load of guilt and a love for punk rock, to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other, an animated fantasy that defies the law of life and death, all told through the handmade artistry of stop motion.

Waxwork Records is proud to release the soundtrack to Wendell & Wild as a deluxe vinyl album featuring score cues by composer Bruno Coulais and tracks by X-Ray Spex, Death, TV On The Radio, and more. Features include 180 Gram "Wendell & Wild Demon Swirl" colored vinyl (Green and Purple swirl), new album artwork by TV On The Radio frontman Tunde Adebimpe, a four page booklet with an exclusive essay by Adebimpe, heavyweight gatefold jackets with matte satin coating, and more!

WENDELL &WILD Original Soundtrack From The Netflix Film Features:

Score Cues By Composer Bruno Coulais
Tracks By X-Ray Spex, Death, TV On The Radio, and more
180 Gram Green and Purple "Demon" Swirl Colored Vinyl
Artwork by TV On The Radio Frontman Tune Adebimpe
Exclusive Essay by Tunde Adebimpe
Four page Booklet
Heavyweight Gatefold Jackets with Matte Satin Coating

The live record was once considered a staple of an artist’s discography. A document capturing a moment in time or perhaps reinventing older material as it was being given new life or perhaps showcasing a band at the height of their prowess, it was a standard release in every band’s catalog. Recently, the internet has made bootlegging almost non-existent as bands specialize in offering board-quality downloads that can be equally as important as a band’s official releases. The live experience has always been the going-to-church portion of our communal experience, and the live record should capture that spirit and energy. With those goals in mind, Iron & Wine offer their first official live record with the career-spanning set Who Can See Forever.

Captured over two evenings at the historic Haw River Ballroom in Saxapahaw, North Carolina, Who Can See Forever finds Iron & Wine in full flight, working their way through a catalog of songs spanning their twenty- plus-year career. The recordings happened deep into a three-year period by a band of assassins assembled by mainstay Sam Beam that included bassist Sebastian Steinberg (Fiona Apple, Soul Coughing), drummer Beth Goodfellow (Allison Russell, Better Oblivion Community Center), cellist Teddy Rankin-Parker and keyboardist Eliza Hardy-Jones (War on Drugs, Grace Potter). It was a creative period for Beam that rendered two albums (Beast Epic and Weed Garden) and garnered four Grammy nominations.

Dynamite Cuts are proud to unleash another selection of musical delights. The World OF Library music is a mind field of goodies. Our first release in this 5-part series from the UK Library label De Wolf Music.

Dynam7136 Nick Ingman

A - Throng

B - Trip Wire

This is as kitch as it gets, Firstime on 7" vinyl for these two beauties. A side "Throng" with its Perfect funky opening, lifts it up into a lovely little groove, Clavs, flutes, horns… Thank you ! On the flip "Trip Wire", a slow intro building up to a wicked head knodder,

"Throng" was sampled by Ltj Bukem for the Inner Guidance" release

“La Settima Donna” (1978), also known as “The Last House On The Beach”, is a disturbing thriller directed by Franco Prosperi and set in a secluded cottage overlooking the Tyrrhenian sea, starring Florinda Bolkan, in the role of Sister Cristina, governess of five female students on a short vacation, rehearsing their Shakesperean end-of-year play. The unfortunate inhabitants of the house became soon hostages of three vicious criminals looking for a hiding place after a bank robbery, but the psychological and sexual violence ends when the nun abandons her vows. And the victims decide to get justice. Roberto Pregadio's brilliant music is not surprisingly, functional and almost disconnected from the bloody images: there is no overwhelming sense of disturbance for the listener. The soundtrack of “La Settima Donna” was published only once, in cd format, attached to the rare dvd of the film, gaining new life on vinyl thanks to Musica Per Immagini. Some of the eleven tracks of the score are characterised by an easy listening mood and united by a psychedelic feel, in harmony with the progressive atmospheres found in albums such as “A Saucerful Of Secrets” (1968) and “Meddle” (1971) by Pink Floyd. However, the English band is not the only reference for the jazz pianist, who quotes a piece by Bryan Ferry, entrusting it to the voice of Ray Lovelock, one of the three kidnappers. After that, the Sicilian composer remodels an international hit by Donna Summer, background of the sequence in which the nun is forced to strip naked in front of her tormentors.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

Acclaimed label Light in the Attic proudly partners with River Road, Zurich Avenue, and Roadside Attractions to release Dreamin’ Wild Original Motion Picture Soundtrack. The film follows the real-life story of brothers Donnie & Joe Emerson, whose teenage dreams of rock stardom suddenly came true 30 years later. The soundtrack blends vintage recordings by Donnie & Joe (including the cult favorite “Baby”) with exclusive new performances by Donnie Emerson, Nancy Sophia Emerson, and actor Noah Jupe, plus original score selections by composer Leopold Ross (Black Mirror, A Million Little Pieces).

Waxwork Records is thrilled to present THE Sandman Original Soundtrack Music From The Netflix Series by David Buckley. Based on the beloved award-winning DC comics series written by Neil Gaiman, The Sandman is a rich, character-driven blend of myth and dark fantasy woven together over the course of ten epic chapters following Dream’s many adventures.

There is another world that waits for all of us when we close our eyes and sleep — a place called the Dreaming, where The Sandman, Master of Dreams (Tom Sturridge), gives shape to all of our deepest fears and fantasies. But when Dream is unexpectedly captured and held prisoner for a century, his absence sets off a series of events that will change both the dreaming and waking worlds forever. To restore order, Dream must journey across different worlds and timelines to mend the mistakes he’s made during his vast existence, revisiting old friends and foes, and meeting new entities — both cosmic and human — along the way.

About the composer:

Born in England, David Buckley's first involvement with film music was as a cathedral choirboy performing on Peter Gabriel’s score for Martin Scorsese’s The Last Temptation of Christ. He continued his musical education at Cambridge University. In 2006, David moved to Los Angeles where he began collaborating with Harry Gregson-Williams on film scores, including Shrek The Third and Gone Baby Gone. He has written music for films including Wonder Woman, all the Fifty Shades movies, Big Eyes and American Hustle, and his music was featured in David O’Russell’s Joy. David was honored as a ‘Brit to Watch’ by Bafta.

For television, David composed the music for the hit Scott Free/CBS drama series The Good Wife and continues to score the spin-off, now in its sixth season, The Good Fight (for which he received an Emmy nomination for Outstanding Title Music).

As well as film and TV, David has written the music for a number of games, including Batman Arkham Knight.

Buckley's soundtrack to THE Sandman is a lush and dynamic composition overflowing with analog synthesizers, full orchestra, sound design, and even usage of ancient instrumentation. It grants each character in the series their own theme, and effectively transports the listener to an otherworldly, dreamlike setting.

THE Sandman Original Series Soundtrack Features:

The Complete Soundtrack by Composer David Buckley 2xLP 180 Gram "The Sandman" Gold Swirl Colored Vinyl Heavyweight Gatefold Jackets with Matte Satin Coating 11"x11" Insert

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

"Rivelazioni di un maniaco sessuale al capo della squadra mobile" (best known internationally as “So sweet, so dead”) is a 1972 giallo film by Roberto Bianchi Montero, director of various other movies mainly belonging to the western and erotic genres; the latter is here mixed with thriller and noir, for a very good final result. The soundtrack is here entrusted to the well-known pianist, arranger and composer Giorgio Gaslini (1929-2014); among the most important Italian jazz musicians of all time, he’s been quite prolific during his whole career, also in the vast field of soundtracks. In this case, he creates a memorable theme with a handful of notes and enriches it with typical 70s orchestral pop arrangements, adding an elegant touch with easy-listening jazz and lounge atmospheres. Overall, “Rivelazioni…” is a multi-genre music work in which mellow and romantic sounds coexist with more obscure and abstract ones, made with only string instruments and percussion. Originally released in 1972, this soundtrack is now reissued on LP for the first time in over 50 years, in a yellow-coloured edition with audio remastered by Claudio Fuiano and five bonus tracks here released on vinyl for the first time ever!

Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” will feature several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.

“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie

Rob Zombie and Waxwork are thrilled to announce their first soundtrack title as “Rob Zombie Presents White Zombie”. Starring Bela Lugosi, 1932’s White Zombie is considered the first zombie movie. It was also filmed on Universal Studio’s lot, using several props from other horror films of that time. Starring Madge Bellamy, Robert W. Frazer, and John Harron, the film follows the cast as they navigate zombies, love, obsession, and treachery. Initially slammed by critics upon its release, the movie has been reevaluated and praised by recent critics for its classic horror production. The film has gone on to influence mainstream media, even influencing the band name of White Zombie. Rob Zombie has said of the film, “It’s a great film that not a lot of people know about. It amazes me that a film that is so readily available can be so lost.”

After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the Hammer film library.

ROB Zombie Presents White Zombie Original Motion Picture Soundtrack Features:

The Original Soundtrack Available For The First Time On Vinyl Liner Notes by Rob Zombie 180 Gram "Zombie & Jungle" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert

Imagine a world in which you are permitted, by a warlock, to go back in time to use an advanced yet primitive submarine to investigate the deepest waters in and around Japan, for the first time in human history. You are not permitted, but two Japanese scientists were allowed on such an aquatic adventure!

Here we have an underwater in-submarine field recording of their adventures, intermixed with a slippery-watery score, that surely represents the lurking fresh surroundings of the deep as they retreat further and further to the bottom of the ocean. The cameras, the retracting mechanical sea tentacle, their communication devices, are all audible now for you, as Deep Sea Animals is played out as a fresh digital radio play. All the audio has been preserved at Studio Isabellalei, by Milan W. from the original laserdisc, which was a part of the cinematic curatorial program at the opening for Spencer Clark’s album Avatar Blue, in Antwerp, Belgium.

With a purchase of the vinyl album of Deep Sea Animals on Pacific City Discs, you not only return to the prehistoric times of 1986, when two brave Japanese submarine pilots were to record deep underwater creatures, but you are also thus thrust back in time to Antwerp 2018, to a romantically titled, Event Horizon Cactus Cooler Laserdisc Theater. Just as well, the proceeds of this disk, tirelessly edited by Spencer Clark, will be donated to the preservation of the ocean, via the inspiring Sylvia A. Earle’s foundation, Mission Blue. Its not that you may or may not believe what I am now discussing with you, its that you can believe, because this disk is real, and thanks to Pacific City and Discrepant we will ride further into the super-natural realms of real life.

What an amazing experience,

Spencer Clark, Athens 2023

She’s more than just a toy. She’s part of the family.

Waxwork Records is proud to present M3gan Original Motion Picture Soundtrack by Anthony Willis. From Universal Pictures and Blumhouse, the record-breaking hit centers on M3gan, a marvel of artificial intelligence: a life-like doll programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out’s Allison Williams), M3gan can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3gan prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

About the composer:

Bafta-nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring, quickly becoming one of the most highly sought after new voices in Hollywood. Anthony composed the score to Oscar-winning writer/director Emerald Fennell’s drama thriller Promising Young Woman starring Carey Mulligan, which was nominated for Best Picture and earned Anthony a Bafta nomination for Best Original Score.

Willis grew up in London and began his musical training as a chorister of St. George’s Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice Beach.

Waxwork Records is thrilled to release M3gan Original Motion Picture Soundtrack as a 2xLP album featuring 180 gram pink & white swirl vinyl (Disc 1) and blue & white swirl vinyl (Disc 2), new artwork by Susi Vilchez, and deluxe packaging including heavyweight gatefold jackets with matte satin coating and an art print.

M3gan Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer Anthony Willis 180 Gram 2xLP Colored Vinyl Pink & White Swirl (Disc 1) Blue & White Swirl (Disc 2) New Artwork By Susi Vilchez Deluxe Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print