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Remi Wolf's studio debut album, Juno, named after her dog she adopted, was written and recorded in the midst of the pandemic. On her website, she shared, "Every song on this record is a vivid snapshot into what was going on in my life and mindset the day I wrote each one." The album is an explosion of genres, showcasing Wolf's Gen Z pop and experimental sensibilities.

Limited to 2,000 copies, the VMP exclusive edition of Remi Wolf's Juno is pressed on 1LP Yellow vinyl at Furnace Record Pressing. The album will arrive in a single direct-to-board, foil stamped and numbered jacket.

Rose produced The Art of Forgetting using devices and media that embody the characteristics of fading or faulty memories. She gravitated towards instruments that naturally changed or decayed over time: wooden and string instruments, voices, tape, and granular synthesis. She began recording basic layers in her home studio, and “from there it was about a year of experimenting with those recordings both at home and in a couple other studios––chopping them up into loops and smears, creating modular percussion, and ultimately building any additional parts around them."

Limited to 1000 copies, the VMP exclusive version of Caroline Rose's The Art of Forgetting is pressed on Unique Eco Mix vinyl at The Vinyl Lab. The 2LPs will arrive in a gatefold, direct-to-board, foil...

Limited to 1000 copies, the VMP exclusive version of Caroline Rose's The Art of Forgetting is pressed on Unique Eco Mix vinyl at The Vinyl Lab. The 2LPs will arrive in a gatefold, direct-to-board, foil..." data-full="

Rose produced The Art of Forgetting using devices and media that embody the characteristics of fading or faulty memories. She gravitated towards instruments that naturally changed or decayed over time: wooden and string instruments, voices, tape, and granular synthesis. She began recording basic layers in her home studio, and “from there it was about a year of experimenting with those recordings both at home and in a couple other studios––chopping them up into loops and smears, creating modular percussion, and ultimately building any additional parts around them."

Limited to 1000 copies, the VMP exclusive version of Caroline Rose's The Art of Forgetting is pressed on Unique Eco Mix vinyl at The Vinyl Lab. The 2LPs will arrive in a gatefold, direct-to-board, foil-stamped and numbered jacket. It was mastered by Greg Calbi at Sterling Sound.

Mai Mishio with Goodfellas, a band set by Mai Mishio, will release "Mijikai Tegami Short Letter," the second of three consecutive 7ep singles!

The second of three consecutive 7ep single releases, "Mijikai Tegami Short Letter" will be released on September 27th (Wed.), the second of three consecutive 7ep single releases on July, September and November. I like the songs of the 50's chorus group and I have been listening to them again this time. The mid 50's was also the dawn of rock music, and whenever I listen to doo-wop and old rock'n'roll style songs, I feel the dry melancholy and loneliness contained in the songs, and the momentary short pleasures that I know. While such things are sounding in the world of three minutes, my heart is excited. I created "Short Letter" with the intention of singing pop music that makes you want to listen to it over and over again while rediscovering your favorite music, including the aforementioned songs. says Mai Mishio. Continuing from the first release, the B-side is an instrumental version of the same song. This is a piece that should be listened to in any environment you like.

Discover Malou Madi's vinyl, featuring her two acclaimed EPs "lilt" and "What We Don't Say." A talented Franco-American artist and producer, Malou Madi captivates us with her enchanting voice and unique compositions. "lilt" delights with its airy sounds and delicate R'n'B, while "What We Don't Say" explores more intimate and mysterious themes. This vinyl invites you to dive into a refined and captivating musical universe, perfect for lovers of authentic music. Available now.

Theme Ltd presents two new releases from resident artist GAIKA
, https://www.somersethouse.org.uk/residents/gaika also featuring THE NARRATOR and Liu. The two tracks circle between various influences and bear a bright flash of versatility from the artist and his collaborators. ‘Racing Gloves’ is underscored by THE NARRATOR’s melodious, delicately discordant passages. It’s then supplemented by GAIKA’s visceral, close-to-home rap style and calculated production. This textural balance, the two voices in tandem, makes for a perfect synchronicity. Not sure which voice to listen to? Pick up the gloves and go for a drive.

’S Composites’ featuring Liu, guides the listener between the gentle throes of multilingualism. It’s a unique mix of ethereal melodies supported by a classic RnB beat, enriched by a soft, swelling droning that seems to mimic breathing. As the track inflates and deflates, we’re carried by Liu’s honeyed vocals to her countdown, and the track’s final minute-long ‘breath’.

The second release from the My Favorite Soul label is a 7-inch featuring singer Keyco. This ambitious project features Keyco's empowering vocals, recorded with a live band assembled once again by producer Chick-d.

Side A, titled ‘Watashi Jishin,’ is a cover of the track from Ayumi Ishida & Tin Pan Alley Family’s classic 1977 album *Our Connection*. The cover retains the original’s spoken word sections while infusing a touch of Latin funk into the sophisticated city pop vibes, giving the song a warmer feel. (It's also worth noting that a recent cover of "Bye Bye Jet" from the same album by Muro featuring Keyco remains fresh in memory.)

Side B, ‘I Am,’ is a cover of the hidden gem by neo-soul duo Kindred the Family Soul from their 2003 album “Surrender to Love”. This track features a soft and warm band arrangement, with standout contributions from Swing-o (of 45trio) on keys and Tsuyoshi Kosuga’s mellow guitar. However, the real highlight is the heartfelt harmonies shared by long-time collaborators Keyco and Mika Arisaka, whose gentle and beautiful vocals make this recording truly captivating.

An analog single of Tatsuro Yamashita's classic cover, which was previously only available for digital release! It includes "Koukiatsu Girl" newly mixed for this analog release, and the lead song "That Must Be September" from the latest original album "dreamin'" on the B-side. The song was written, composed, and arranged by Junk Fujiyama's sound creator, Tatsuki Kamiya, who has worked on all of Junk Fujiyama's recent works, creating an ongoing city-pop sound.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

Limited to 100 copies.

Coming-of-age heartbreak madness in 90s indie rock style from the Ruhr area! Here come EAT THEM, ladies and gentlemen. Behind it is the musician Johannes Hofmann, who has recorded more than 20 albums single-handedly to date. And don't worry, Johannes is only in his mid-20s, he just started recording music at the age of 14, which he then burned onto CDs for his grandma to play. A little later: The own Bandcamp account.
Now a kind of best-of collection from the first 10 years of his creative work will be released at the end of June: EAT THEM ALL!

12 tracks on vinyl with a small art zine included. Everything designed by Johannes Hofmann himself.

All songs remastered by Norman Nietzsche. Lo-Fi becomes Hi-Fi Lo-Fi in no time!

The LP is intended as an introduction to the inexhaustible EAT THEM multiverse. Because there is about as much to discover here as on the legendary Shimmy Disc label or the Guided By Voices: indie rock, lo-fi pop, shoegaze, krautrock, math rock, punk rock or heartbreaking power ballads! In the meantime, Johannes has found two colleagues to bring EAT THEM live on stage. Please don't miss this!

As (Tocotronic discoverer) Myriam Brüger recently said so beautifully after the first EAT THEM show in Berlin: “Finally a really uncool band again!” That was actually meant as a big compliment!

In keeping with the holistic aspect of the project - and complementing the band name - titled "ALL", the album covers the full spectrum: from drum machine and sonic youth guitar melange, nervous post-funk to anthemic lo-fi indie -Rock, everything an indie heart desires can be found here.

The first single released today is “Do You Love Me When I’m Dead?”, a catchy song that takes place sonically where it is most beautiful in the rich history of suburban pop: in the garage. The piece reflected the live line-up, which was expanded to include bass and drums. The beat clatters happily and the open guitar chords flow! However, Hofmann transcends the suburbs with reverberated singing about an emotional urge to move and flies into the city, the disco or even through clouds and the landscape.

Mal, also known as “Mal of the Primitives”, pseudonym of Paul Bradley Couling (Llanfrechfa, 27 February 1944), is a British singer and actor who obtained Italian citizenship in 1989.After his first steps in Great Britain, it was in Italy that he found great success. At the end of 1965 he was one of the leading artists at the “Piper” in Rome, the most trendy venue in those years for Italian beat.After countless successful records (even in the world of childhood, thanks to the theme song of the TV series "Furia") and after many Sanremo festivals (the most important Italian musical TV show), as a sign of gratitude for the origins of his success in 2019 Mal released the album "Grazie Piper! (Thank you piper!)", accompanied by a video clip shot entirely inside the historic Roman venue.Now, five years after his last release, on the occasion of his 80th birthday, Mal has decided to treat himself to a book and a brand new vinyl, with the prophetic title: "I'm Still Singing"

Vinyl close to NM. Cover with beginning of seam split on top spine.

The Psyché France collection, dedicated to a certain French alternative pop, has more surprises in store with this 9th volume! This new immersion in the 60's and 70's will astonish you with curiosities concocted by psychedelic visionaries and forgotten mavericks. Start the adventure with Gascon troublemaker Jacques Filh and his striking anthem about the famous Drugstore des Champs-Elysées, before listening to the highly cult Calcium, whose drummer was Alain Sireguy, and Jacqueline Taieb. Very rare 'Anita' by Claude Guilain, who was a member of the group L'assemblée, will delight fans before a roaring instrumental by the Electric Max Band (alias Jean-Pierre Castelain), followed a De Roubaixyesque track by Patrick Roche and the sensual 'Femme' by Patcho. More after the inevitable band Triangle, Guy Skornik will open the side B with 'Gurdjieff', from the album 'Pour Pauwels', before Voyage and especially Quo Vadis, produced by eminence grise Igor Wakhévitch, give this side a more Rock-like feel. The same Wakhévitch concludes this collection with his 'Sang pourpre', taken from the legendary Docteur Faust' album illustrated by Philippe Druillet.

Kosuke Shimizu of mama!milk releases his first solo album on vinyl. The gentle and sincere passion that blows up like a vapor and the carefully spun creaking layers of concrete sound are just beautiful and fragile melodies delivered from the bottom of the sound. Based on his work with mama!milk, a group that brings an aesthetic and beautiful worldview from the city of Kyoto to the world, double bass player Kosuke Shimizu is known for his work in the low range of the psychedelic pop band Labcry and in numerous session work, including with EgoWrappin'. This, his first solo album, clearly highlights his talent as a composer/sound creator.

Maya Shenfeld"s expansive, kaleidoscopic music is as illuminating as it is exquisite. Classically trained, Shenfeld has fast grown into one of contemporary music"s most exciting, vital voices. Every aspect of her dazzling, multifaceted output interrogates the way we experience the world around us - be it solo microtonal explorations, site-specific installations, or commissions for leading New Music ensembles. Shenfeld balances orchestral ambition and compositional rigor with the joy of noise, and granular detail. Under the Sun provides a daring expansion of that musical vision, a series of pieces exploring change and repetition, deep time and the ephemeral moment, equilibrium, and imminent threat. Composed and produced between a studio in Berlin and on-site at one of the world"s deepest marble quarries in Portugal, the album"s powerful sounds are a meditation on the natural world, wrestling with the looming threat of catastrophe and crisis, and the power of community and collaboration to enact change. Our environment is more than just an abstract theme, it is interwoven into Under The Sun"s very sonic DNA. Field recordings taken deep within the still-active quarry in Portugal were recorded, quite literally, under the scorching sun on one of the hottest days on record in the country. Shenfeld extracted sounds from this scarred, deeply mined landscape, and threaded these samples into rich arrangements of synthesizers and acoustic instruments. The atmospheres of Under the Sun evoke that push and pull through an eclectic and rich sonic palette, from the sacred sounds of the organ at St Matthew"s Church to the ethereal voices of the Ritter Youthchoir conducted by Ann-Kristin Mayr. Reflections of her punk and electronic forays bubble up in a collaborative composition with Emptyset"s James Ginzburg, summoning raw, primal energy. Under the Sun encourages us to explore how we relate to our environment. Shenfeld"s slowly evolving, hypnotic pieces make canny use of repetition, space, and silence to play with our very sense of time and our relationship to our surroundings. A deep listening that enables us to better attune our ears to the world around us, championing collective listening and collaboration as a force for change.