Search "john+roberts" 12898 Items

Bulletproof Black Vinyl Edition

LP | 1972 | EU | Reissue (Sommor)

27,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Hard ‘n’ heavy first album by Hard Stuff, originally released in 1972 on Purple Records (the label set up by Deep Purple’s management team). Quintessential British hard-rock / proto-metal, featuring the outstanding guitar playing of John Cann (Andromeda, Atomic Rooster…) and the powerful rhythm section of John Gustafson (Quatermass…) and Paul Hammond (Atomic Rooster). This first Hard Stuff album included a lot of reworked / newly recorded material from the early line-up of Hard Stuff under the Bullet name, with vocalist Harry “Al” Shaw, who also appears here on five of the tracks. “Sadly, all members of Hard Stuff have left this mortal plane, but their vast body of work and these supremely rocking LPs are testament to their absolutely bulletproof greatness” -Plastic Crimewave

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Bolex Dementia Black Vinyl Edition

LP | 1973 | EU | Reissue (Sommor)

27,99 €*

Byard Lancaster, Keno Speller

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave

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Exactement

2CD | 2024 | EU | Original (Souffle Continu)

Byard Lancaster, Steve Mccall, Sylvin Marc

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa. Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

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CD | 2024 | EU | Original (Souffle Continu)

15,99 €*

Pass The Loofah Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is great Black music.

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

Electric Bouquet (Lamplight Bouquet)

Release: 2024 / US – Original

Genre: Rock & Indie

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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

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Anna McClellan

LP | 2024 | Original (Father / Daughter)

Release: 2024 / Original

Genre: Rock & Indie

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Bolex Dementia Splattered Vinyl Edition

LP | 1973 | EU | Reissue (Sommor)

Georgia Anne Muldrow & Madlib

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Seeds

LP | 2012 | US | Reissue (Someothaship)

Another Green World Half-Speed Master Edition

Release: 2012 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Record is close to VG+.

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Brian Eno

2LP | 2017 | EU | Original (Island)

114,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Bulletproof Colored Vinyl Edition

LP | 1972 | EU | Reissue (Sommor)

Burning Savage Transparent Red Vinyl Edtion

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Obnoxious Youth

LP | 2024 | EU | Original (Svart)

Yellow Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Total speed metal rager Obnoxious Youth return with a new album out in October.

The Swedish-Finnish speed and thrash metal quintet Obnoxious Youth is back with a bang after a four year break. New album Burning Savage will be out in 18th October 2024.

-“A total speed metal rager manifesting the driving force behind the onslaught that is Obnoxious Youth. A sexual flame and a satanic force of nature. An urge to discover and embrace the primitive flame that grows inside. Succumb to the Burning fucking Savage” Affe ”Phantasma” Piran, the vocalist of Obnoxious Youth, manifests.

The sperm of Satan’s cock AKA the Obnoxious Youth was born in 2002 in Uppsala/Sweden. But the fully fledged and perverted behemoth that stands before you today was an international collaboration brought to life in 2009 by John ”Zeke” Finne, Affe ”Phantasma” Piran and Frans ”Cult” Utterström. But today Edde ”Shit” Aftonfalk and Lukas ”Spine” Häger are added to the live lineup of the band.

The purpose of the band was to break boundaries and to return to the time when extreme music didn’t have any rules or regulations. When there was no ”death metal” or ”thrash metal”, when there was just ”metal” or ”punk”. Just channeling the most insane music that was humanly possible. Using methods that was founded in the 80’s, Obnoxious Youth fully encloses itself and gets swallowed by the power of extreme music and getting influences from a feeling rather than other bands. Taking the listeners back to a time when heavy music was something to fear.

In 2012 the band received a Manifest Award for the debut album The Eternal Void and has since then released two EP’s (Suck On The Cross, 2013 and Mouths Sewn Shut, 2020) and one more full length album Disturbing the Graves in 2017. They have established themselves as a fierce live band that leaves no one unaffected.

Members of Obnoxious Youth has played in or currently plays in bands such as Vorum, Undergång, Endtime, Reveal!, Morbus Chron, Century, Tøronto, Degial, Begravningsentreprenörerna, Entombed and No Future.

Svart Records releases Obnoxious Youth’s new album Burning Savage 18th of October 2024 on black, transparent red and limited yellow/red/black marble vinyl versions – and of course on glorious CD. Pre-orders are now available on Svart Records’ webstore.

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Emma-Jean Thackray

2LP | 2021 | UK | Original (Movementt)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2023 | UK | Reissue (Trojan)

John Holt

1000 Volts Of Holt

18,99 €*

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

A Love Supreme: Live In Seattle

2LP | 2021 | EU | Original (Impulse!)

35,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Taking Tiger Mountain (By Strategy) Half-Speed Master Edition

Brian Eno

2LP | 2017 | EU | Original (Island)

66,99 €*

LP | 1980 | CA | Original (CTI)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Fuse One

5,99 €*

Release: 1980 / CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2018 | EU | Original (Guayaba)

Made In M & Walterwarm.

Fungus

Metti, Una Sera A Cena (Colonna Sonora Originale)

Release: 2018 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Cover with a seam split at the upper edge.
Record is slightly warped but still enjoyable.

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Ennio Morricone

LP | 2023 | IT | Reissue (AMS)

Tape | 2024 | US | Original (Dear Life)

Release: 2023 / IT – Reissue

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Limited Yellow Vinyl Edition.

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Anne Malin

Strange Power!

16,99 €*

Smithereens Red & Yellow Splatter Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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Dan Reeder

LP | 2024 | EU | Original (Oh Boy)

2LP | 2016 | US | Reissue (Get On Down)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Red & Yellow Splatter Vinyl.Dan Reeder is a multi-faceted artist, recently championed byboygenius. He is Oh Boy Records longest signed artist, andwas personally signed by the legendary John Prine himself.Reeder is releasing a collection of songs titled,Smithereens, aneclectic mix of songs, many recorded and played on gear hebuilt. A true DIY maestro, Dan seamlessly assumes the roles ofproducer, mixer, mastering engineer, and visual artist,imbuing every facet of his artistry with his distinct touch. Hismusical stylings often draw comparisons to the likes of BlazeFoley, Bon Iver, Sufjan Stevens, and Ween.

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UGK

Super Tight...

LP | 2018 | EU | Reissue (Music On Vinyl)

Release: 2016 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Clear Vinyl Edition.
Note: Run-ins with tiny damage on both discs, play is not affected.
Still shrink wrapped but opened.

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Bob Andy

Lots Of Love And I

13,99 €*

12" | 2011 | DE | Original (Dessous)

Release: 2018 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Orange vinyl limited edition. Plastic sleeve with hype sticker. Cover has beginning seam split. Vinyl is very close to NM. Numbered MOV 000544. 2018 reissue.

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Jamie Anderson & Owain K

Without Sound

4,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

The Get It! Raw Funk Of '67 - '69!

LP | BE (Not On Label)

12,99 €*

Release: BE

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2014 | EU | Reissue (Blue Note)

Blue Train

Release: 2014 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Quentin Tarantino's The H8ful Eight

Ennio Morricone

2LP | 2016 | UK | Original (Decca)

2LP | 2005 | US | Original (Sound In Color)

Release: 2016 / UK – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Vinyl seems unplayed. Original inner sleeve. With poster.

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Steve Spacek

Space Shift

44,99 €*

One Way featuring Al Hudson

Release: 2005 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl has scuffs and a few hairlines. Cover shows slight wear and a tiny torn on the front. Copy is still in shrink!

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One Way Featuring Al Hudson

LP | 1980 | US | Original (MCA)

9,99 €*

Lifetimes (Pan-Pot Remixes)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has storage wear, seam splits, yellowing and sticker residue!
Vinyl has scuffs and hairlines.

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Slam

12" | 2011 | DE | Original (Without Any Doubt)

7,99 €*

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2022 | UK | Original (Houndstooth)

On Man

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | UK | Original (Houndstooth)

On Man

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2017 | EU | Original (Oh, Sister)

One Sentence. Supervisor

Temporär Musik 1-13

33,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | UK | Original (Fire)

Jane Weaver

Flock

LP+CD | 2021 | UK | Original (Fire)

Release: 2021 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Cream vinyl version!

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Jane Weaver

Flock

33,99 €*

LP | 2022 | EU | Reissue (Trojan)

Release: 2021 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Olive green vinyl. Limited edition.

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John Holt

1000 Volts Of Holt

Release: 2022 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2023 | UK | Reissue (Trojan)

John Holt

1000 Volts Of Holt

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Sealed, Cover: Sealed

OMD (Orchestral Manoeuvres In The Dark)

Live-Architecture & Morality&More

2LP | 2018 | EU | Original (Earmusic Classics)

36,99 €*

Release: 2018 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2020 | BE | Original (Mostiko)

Gene Thomas

Omsingeld

17,99 €*

Release: 2020 / BE – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

The Jon Spencer Blues Explosion

Orange

LP | 2011 | US | Reissue (Shove)

39,99 €*

2LP | 2018 | EU | Original (Horsie In The Hedge)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Limited Yellow Marbled Edition.
Includes original inner sleeve.

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Gunship

Dark All Day

41,99 €*

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1985 | JP | Original (CBS/Sony)

Wayne Shorter

Atlantis

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1995 | US | Original (Not On Label)

Green Velvet

I Want To Leave My Body

14,99 €*

LP | 2024 | EU | Original (Exile On Mainstream)

Release: 1995 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: Generic

Note: Pressing error, same label on both sides.

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Conny Ochs

Troubadour

Pass The Loofah Metallic Silver Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Exile On Mainstream Records presents Troubadour, the intimate new album from nomadic German singer/songwriter CONNY OCHS.Since 2010, CONNY OCHS has been capturing the hearts and minds of curious music fans around the globe through his expressive and emotive songcraft. Through eight full-length releases - including two collaborative albums with Scott "Wino" Weinrich of Saint Vitus, The Obsessed, and more, and not to mention his work in Trialogos and other projects - OCHS has expanded his sound from stripped-down singer/songwriter anthems based almost entir...

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

12" | 2022 | UK | Original (Warp)

Release: 2024 / US – Original

Genre: Rock & Indie

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Nightmares On Wax

Remixed! To Freedom...

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | UK | Original (Fire)

Jane Weaver

Flock

22,99 €*

Release: 2021 / UK – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Pink vinyl.

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LP | 1958 | EU | Reissue (Blue Note)

Blue Train

29,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Enemmän Kuin Mitään Muuta Purple Vinyl Edtion

Aino & Hajonneet

LP | 2024 | EU | Original (Svart)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gene Douglas & Continental Breakfast

The Pimpin

12" | 1995 | DE | Original (Velvet)

3,99 €*

12" | 1986 | US | Original (Pow Wow)

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Johnny Dynell

Rhythm Of Love

6,99 €*

Release: 1986 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1974 | JP | Original (EMI)

Olivia Newton-John

Let Me Be There

6,99 €*

Yellow Black Vinyl Edition

Release: 1974 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Comes with Obi and inserts. Cover is close to NM.

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Emma-Jean Thackray

2LP | 2021 | UK | Original (Movementt)

34,99 €*

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

A Love Supreme: Live In Seattle

2LP | 2021 | EU | Original (Impulse!)

39,99 €*

7" | 2024 | US | Original (Pibe)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Kero One

Portishead Remixes

20,99 €*

The 1974 Live Recordings Box Set

Release: 2024 / US – Original

Genre: Hip Hop

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Back in the 90’s, hiphop kids like myself would often gravitate towards bands like Portishead to take a break from hip hop without going on a complete vacation. Since the sampled drums were gritty and the instrumentation and singing were soulful, it gave people that familiar hiphop vibe while being completely unique.

Now, Portishead’s style and influence can be heard everywhere in modern music as a legendary group who led the way for “trip hop”, fusing hiphop, electronic, film scores, and soul music in rare form. Included in this limited run (green vinyl) 7” are Kero 1 remixes of their quintessential tracks, “Glory Box” and “Roads”. On Glory Box, Kero mashes togehter a mixture of Bossa, Amapiano and house for dance floor energy along with the previously released Roads remix on the B-side, which reached a million streams online with critical acclaim for not destroying the original but actually elevating it. On Roads, Kero adds a fuller dimension using a 80’s analog synth bass while still allowing the lead vocalist, Beth, to remain the focus. In the end, Kero hopes this remix renews interest in Portishead among listeners who aren’t familiar with an entire music genre they helped pioneer.

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Bob Dylan

Box | 2024 | EU | Original (Sony)

124,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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27 CDs.

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OST Stand By Me Clear Vinyl Edition

LP | 1986 | Reissue (Not Now)

29,99 €*

Thunder Express Yellow Vinyl Edition

Release: 1986 / Reissue

Genre: Rock & Indie, Soundtracks

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Eighty-three years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The heart-warming movie was nominated for an Academy Award and has continued to be a favorite of both critics and fans around the world. The film, whose plot is based on Stephen King's novella The Body and title is derived from the Ben E. King's eponymous song, which plays over the opening and ending credits, tells the story of four boys in small town Oregon who go on a hike across the countryside over Labor Day weekend in 1959 to find the dead body of a missing child. The classic soundtrack is crammed with early rock & roll hits (“Yakety Yak”, “Lollipop” & “Great Balls of Fire” o.a.) and still sounds very alive today, decades after they were originally recorded. 180 gram audiophile vinyl PVC protective sleeve Featuring songs by Ben E King, Jerry Lee Lewis, Buddy Holly a.o.

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MC5

LP | 2024 | EU | Original (Jungle)

2LP | 2024 | UK | Original (Rewarm)

Release: 2024 / EU – Original

Genre: Rock & Indie

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MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.

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Luke Una

Everything Above The Sky

44,99 €*

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .

Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.

Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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Don Blackman

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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I'm Always Dancin' To The Music Green Vinyl Edition

Benny Golson

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Music On Vinyl)

Lonnie Smith

Finger Lickin' Good

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Music On Vinyl)

Trio Ternura

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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2LP | 1983 | EU | Reissue (Music On Vinyl)

Paul Young

No Parlez

Release: 1983 / EU – Reissue

Genre: Pop

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La Cuna Red Vinyl Edition

Ray Barretto

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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12" | 2024 | EU | Original (Evesive)

Autonomy

14,99 €*

Spending Time With Morgan

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In 2000, Leonora Epremian collaborated with Evasive Records’ founder Rob Pearson to produce a remarkable three-track EP, marking the fourth vinyl release on the label. Recorded at the renowned Online Studios in Croydon, South London, this EP captures the essence of a pivotal era in London’s Tech House scene.

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Ane Brun

LP | 2003 | EU | Reissue (Balloon Ranger)

20,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | UK | Reissue (Universal)

Big Youth

Dread Locks Dread

34,99 €*

OST Bram Stoker's Dracula

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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Originally released on Klik Records, in 1975, Dread Locks Dread became one of the new Front Line label’s first key releases when reissued in 1978.

One of reggae’s best and most recognizable ‘toasters’, Big Youth broke new ground as a DJ in the early ’70s with a flowing, chant-like cadence that was equal parts melodic and invigorating, applying his infectious vocal approach to heavy social and political lyrics.

A huge favourite of the punk and new wave artists at the time of release, Big Youth was embraced by The Clash, via Don Letts, and PiL, amongst others. John Lydon was part of Richard Branson’s A&R envoy to Jamaica, helping sign credible artists to his new Front Line reggae label.

Featuring the legendary Skin, Flesh & Bones band, formed around Lloyd Parks (bass), drummer Sly Dunbar (before he started working with Robbie Shakespeare), Ansel Collins on keyboards, and trombonist Vin Gordon. The album was produced by Tony Robinson and Errol Thompson and mixed at the famous Joe Gibb’s studio.

Dread Locks Dread skanks from punchy, rhythm-heavy reggae to the deepest, dubbiest roots. The hypnotic Some Like It Dread reworks Dennis Brown’s “Some Like It Hot”, where the DJ’s toast is entwined with a bluesy harmonica (the dub version re-titled (Black Man Message). Also features a fiery version of Burning Spear’s “Marcus Garvey” (Marcus Garvey Dread), a tasty take on the John Holt classic “Keep on Moving” – Moving On and a scintillating dub of the Techniques’ rocksteady masterpiece You Don’t Care.

Not your typical DJ album by any means, the music equals the toasts and vice versa – an essential release for a dub fan or a Big Youth supporter.

Re-mastered at Abbey Road Studios, London.

Out of print for over 20 years!

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Wojciech Kilar

LP | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Soundtracks

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2LP | 2021 | EU | Reissue (Music On Vinyl)

Corrosion Of Conformity

Deliverance

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Music On Vinyl)

Cranes

Population Four

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Waxwork)

Anna Drubich

Barbarian

40,99 €*

Release: 2024 / US – Original

Genre: Pop

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Archie Shepp & Annette Lowman

Lover Man

34,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

Release: 2024 / Original

Genre: Rock & Indie

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Ron Carter & Cedar Walton

Heart & Soul

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (W.E.R.F.)

Kct

Adult Swing

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Adult Swing" is the first full album as KCT (aka Karel Cuelenaere from Black Flower, John Ghost and Ping O.D and is immediately one that will put the trio firmly on the map.

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12" | 2024 | EU | Original (Giano Electronics)

Electronics Memoriae II

14,99 €*

Sugar Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The saga continuous. Whit his second V/A vinyl release, Giano Electronics has the pleasure to host a great producer like Teslasonic whit a proper electro-bomb, also joined by stunning electro tracks from Direct Y, the acid duo Twist head Groove, Stefano Rocchi and iQbit’s atmospheric vibes.Artwork by Abu Qadim Haqq Masterd by Andrea MerliniFuture sounds from the eternal city

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Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Fin Du Monde)

Seoi Nage

The Gentle Way

LP | 2024 | EU | Original (Fin Du Monde)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hill Collective is a jazz ensemble based in Brighton, UK. Led by saxophonist and composer Pete Piskov, the group offers a fresh musical attitude, employing modern improvisation techniques and nuanced compositions - a soulful, avant-garde addition to the bustling UK jazz landscape.

"Tonal Prophecy" is their first studio album, being released on the 20th April with the help of German label, Fin Du Monde. The sound is varied and rich, drifting from almost-big band horn arrangements to riotous free jazz. Latin rhythmic attitudes and playful excursions to the absurd lay out a tonal palette that brings both solace and revelation.

The inclusion of the "Grand Unison Choir" in the recording is an important statement of community and the DIY ethics that surround the album. A group of about 20 friends chant, laugh, scream and sing, embracing the full spectrum of what makes this music so magical.

Holistic in its ethos, this album explores the warmest depths of the mind, body and spirit while keeping things light and honest- a music that speaks for itself, about itself and the world around it.

The album sits comfortably in it's own vibrant identity greatly inspired by the idiosyncrasies of Sun Ra, Art Ensemble of Chicago and Ornette Coleman.

"Enthusiastically embracing the full gamut of freewheeling experimentation ... from wonky bossas to deranged swinging Mingus-ism, this new release from Hill Collective is a compelling refutation to anyone who still thinks that jazz is no fun"

Eddie Myer (New Generation Jazz / QOW Trio)

"Hill Collective seem at ease creating some of the boldest, bombastic and liberating music I have heard from any other release ... Fearless, passionate and deeply joyous"

Ozzy Moysey (Ancient Infinity Orchestra)

Pete Piskov - Alto Saxophone, Flute
Joe Edwards - Drums
Federico Micheli - Bass
Luke Congdon - Piano
Will Roberts - Trombone
Phil Smith - Trumpet
Jojo Circle - Harp
Sudhi S Pooniyil - Percussion

Grand Unison Choir (A-Z):
Gina Boyle, Jamie Broughton, Milo Costelloe, Oceanmae Davis, Edward Deeney, Noah Fox, Oscar Godfrey, Tom Gregory, Fae Haley, Rose Io, Tamara Klüver, Edmund Lloyd-Winder, Constance Nash, Ed Prideaux, Zosia Szymanowska, Joss Trevena-Samson, James Virtue, Freddie Willatt, Tam Zin

Recorded at Church Road Studios by Paul Pascoe
Album Cover by Pete Piskov
Mixed and Mastered by Pete Piskov

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Hill Collective

Tonal Prophecy

John Peel Session 1979-1981

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Cure

LP | 2024 | UK (Planet Claire)

18,99 €*

2LP | 2019 | EU | Reissue (Moabit Musik)

Release: 2024 / UK

Genre: Rock & Indie

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A collection of John Peel sessions from The Cure recorded between 1979 and 1981.

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Malaria

Compiles 2.0

LP | 1974 | EU | Reissue (Elemental)

Release: 2019 / EU – Reissue

Genre: Pop

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January 1981 found Gudrun Gut and Bettina Koster in Christopher Franke’s Berlin-Spandau Studio recording their first Malaria! EP (Zensor Records). Christine Hahn of The Static with Glenn Branca and Barbara Ess, joined in from New York, and Manon P. Duursma fresh from Nina Hagen’s O.U.T. project and Susanne Kuhnke completed the Line-Up.

Malaria! started touring intensively soon after the release of their 12”, commencing with a concert with New Order at Brussel’s Ancienne Belgique, and going on from there to concerts with Siouxsie and the Banshees, Birthday Party, The Slits, The AuPairs, Raincoats, Nina Hagen, John Cale, Einstuerzende Neubauten. They played venues as diverse as the Mudd Club, Peppermint Lounge and Studio 54 in New York, the Documenta in Kassel, the Bat Cave in London, Les Bains Douche in Paris, Milky Way and Paradiso in Amsterdam, ICA in London, the Piazza Santa Maria Novella in Florence and Markthalle in Hamburg and naturally, again and again, at the So36 in Berlin.

While touring, Malaria! used their time off to record in Studios in New York, London, Brussels, New Orleans, and in Berlin (How Do You Like My New Dog? 7”, Weisses Wasser 12”, New York Passage 12”, Revisited MC, Emotion Album). At the BBC studios in London Maida Vale Malaria recorded an Kit Jensen and a John Peel Session.

Malaria! took a break in 1984 - Bettina and Christine re-located to New York, and Gudrun and Manon stayed in Berlin to form, with Beate Bartel, Matador, but not before they recorded their Mini-Album, Beat the Distance. 1992 Gudrun, Bettina, Christine, and Manon met up in New Orleans with Jim Thirlwell (Foetus) to record Elation 12”. Elation was followed by Cheerio, Album, which again was recorded in Berlin.

Chicks on Speed did their own version of Malaria’s song, Kaltes Klares Wasser in 2001, and the Remix went into the German Top 10.

Malaria has been an instrumental part of Berlin Music History, as recently presented at the „Zurück zum Beton“ at Düsseldorf’s Kunstakademie, Kunsthalle Wien „Punk!“, „Geniale Dilletanten“ Goethe Institut, and in B-Movie.

Biba Kopf 2019 The theme song for that great German road movie yet to be made, Malaria!’s 1981 single “How Do You Like My New Dog?” etched the E into the motion music of their soon-come debut album Emotion with its trail-out line “Immer vorwärts, nie zurück...”. Always forward, never back: from West Berlin to London, Paris, New York and Tokyo... from here, there and everywhere to eternity, the Autobahn goes on forever, with Malaria! at the wheel, spinning new moves from timelines crossed in records and songs right on the money evoking Zarah Leander, fighting the power, staring down Death, and a whole lot more. In all, one merry hell of a ride, and on the evidence of Compiled 2.0, it’s not over yet.

Mark Reeder 2019 "Even today, their originality in everything from sound to style, has proven just how relevant Malaria! are. In my opinion, their music has stood the test of time. To me, Emotion sounds as good today as it did when it was first released and it was a pleasure to revisit it. They might not have had any zillion selling albums, and their image might have been copied, while their sound could never be. They remain exclusively unique and their influence and legacy will reach far into the future. This band is both an inspiration and a statement and they prove what five very creative girls can achieve, if given the right support to allow them to evolve, and it is exactly that, which has made Malaria! Germany’s most successful and renowned, all-girl band...“

Diedrich Diederichsen 1991 "...Malaria! put across so many clear, manifest, attractive, certain, muscular, and harsh symbols, just as they refused - defying the customs intrinsic to these symbols and the worlds in which they circulate - to weave all these things into a readable, reproducible and manageable, generic text..."

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Pharoah Sanders

Love In Us All

Pyramid - 45 RPM Audiophile Edition

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Biggest Tip! Limited Edition LP. Deluxe 180-Gram Reissue. Special Gatefold Edition Including Original Artwork. Few will need introduction to the work of Pharoah Sanders. He is a titan with few equivalents in histories of free and spiritual jazz. The creator of some of the most important and singular records in these fields, Sanders, who was once described by Ornette Coleman as “probably the best tenor player in the world”, is equally noted for his work with artists like John Coltrane, as a member of his groundbreaking final quintet, Alice Coltrane, Leon Thomas, Ornette Coleman, Don Cherry, and Sun Ra, often rendering a remarkable influence over the results.

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The Alan Parsons Project

2LP | 2024 | UK | Original (Cooking Vinyl)

46,99 €*

A Missing Myth Of The Future

Release: 2024 / UK – Original

Genre: Rock & Indie

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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.

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Kaoru Inoue

LP | 2024 | EU | Original (Studio Mule)

23,99 €*

LP | 2024 | EU | Original (Retroworld)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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kaoru inoue is a japanese veteran producer and dj since late 90’s. he has been releasing from his own label “seeds and ground” and some other labels like mule musiq,groovement. the original release of this album was released in 2013 in only japan. it’s a very own style mix of world music, field recording, ambient and electronic music. the album is started by minimal gamelan ambient “malam”,the second track “selva” is minimal afro brazilian house which reminds us early luciano or villalobos. third track “kamui fuchi” is electric jazz fusion house, fourth track “sphere” is like joan bibiloni in late 80’s. on b side,”etenraku” is avant-garde tribal break beats,”she was in ecstasies”&”escape dub” are typical his style balearic slow house. the album is closed with beautiful melancholic new age music “healing force”. this album is a timeless masterpiece for us.

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Wilde Flowers

The Wilde Flowers

Jean-Claude Vannier Et Son Orchestre De Mandolines

Release: 2024 / EU – Original

Genre: Rock & Indie

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his LP is a selection of tracks by The Wilde Flowers representing the origins of the ‘Canterbury Scene’. It features early works by Robert Wyatt, Mike Ratledge, and brothers Hugh and Brian Hopper. SIDE 1 1. The Pieman Cometh2. Orientasian3. Slow Walkin' Talk4. Man in a Deaf CornerSIDE 21. Belsize Parked2. Hope for Happiness

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Jean-Claude Vannier

LP | 2025 | US | Original (Ipecac)

27,99 €*

Release: 2025 / US – Original

Genre: Pop

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Game Of Thrones: Season 5

Ramin Djawadi

38,99 €*

Release: 2024 / EU – Original

Genre: Pop

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3LP | 1974 | EU | Reissue (Music On Vinyl)

Santana

Lotus

47,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Frank Sinatra

Collected

35,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Paul Young

Between Two Fires

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | EU | Original (Music On Vinyl)

Five For Fighting

Two Lights

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | Original (Fat Cat)

Jan & Dean

The Best Of

20,99 €*

Release: 2024 / Original

Genre: Pop

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

7" | 1978 | EU | Reissue (LAVA ON WAX)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

Go to Item

Outfit

Dr. Spougenstien

15,99 €*

Losalamitoslatinfunklovesong / Summer (The First Time)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!

The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.

This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.

This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

Go to Item

Gene Harris

7" | 1974 | UK | Reissue (Selector Series)

15,99 €*