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Stabbing Westward
Wither Blister Burn Peel
LP | 2018 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Anna B Savage - You & I Are Earth Black Vinyl Edition
Anna B Savage
You & I Are Earth Black Vinyl Edition
LP | 2025 | EU | Original (City Slang)
29,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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Anna B Savage - You & I Are Earth Transparent Clear Vinyl Edition
Anna B Savage
You & I Are Earth Transparent Clear Vinyl Edition
LP | 2025 | EU | Original (City Slang)
31,99 €*
Release: 2025 / EU – Original
Genre: Rock & Indie
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Unicorn Ship Explosion - There's A Rhinoceros In The Mega Church
Unicorn Ship Explosion
There's A Rhinoceros In The Mega Church
LP | 2024 | UK | Original (Sound)
25,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.
The Room - The Telling
The Room
The Telling
LP | 2024 | UK | Original (Nine X Nine)
27,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.
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John Cale
The Academy In Peril (Remastered)
CD | 2024 | UK | Original (Domino)
14,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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John Cale
Paris 1919 (Remastered)
CD | 2024 | UK | Original (Domino)
14,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-15
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
57,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
V.A. - Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
V.A.
Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
53,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).
An Autumn For Crippled Children - Try Not To Destroy Everything You Love
An Autumn For Crippled Children
Try Not To Destroy Everything You Love
LP | 2019 | EU | Original (Prosthetic)
24,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Limited White Vinyl Edition.
Still shrink wrapped but opened.
Includes original insert.
Record is slightly warped but still enjoyable.
Elton John - Diamonds
Elton John
Diamonds
2LP | 2017 | EU | Original (Rocket Entertainment)
29,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: VG+, Cover: VG+
Still shrink wrapped but opened.
Includes original inner sleeves.
Small light scuff on side B.
Father John Misty - God's Favorite Customer
Father John Misty
God's Favorite Customer
LP | 2018 | EU | Original (Bella Union)
22,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Joan Baez - Whistle Down The Wind
Joan Baez
Whistle Down The Wind
LP | 2018 | EU | Original (Proper)
17,99 €*
Release: 2018 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Sealed copy!
Gene Clark - No Other
Gene Clark
No Other
LP | 2019 | EU | Original (4AD)
23,99 €*
Release: 2019 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Jungle Rot - War Zone
Jungle Rot
War Zone
LP | 2022 | UK | Original (Back On Black)
24,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Red Vinyl Edition.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.
Johnny Cash - Original Sun Sound Of Johnny Cash
Johnny Cash
Original Sun Sound Of Johnny Cash
LP | 2024 | US | Original (Sun)
32,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Limited transparent violet colored vinyl LP pressing. Unreleased until 1964, six years after Johnny Cash's 1958 departure from Sun Records for Columbia Records, Original Sun Sound of Johnny Cash spans both his first and final recordings for the label. The early "Wide Open Road" shows the singer still under the influence of Hank Williams, but the sardonic, Charlie Rich-penned "Thanks a Lot," from one of his final Sun sessions, finds Cash beholden to no one but himself.
Teeth Of The Sea - Hive Blue Vinyl Edition
Teeth Of The Sea
Hive Blue Vinyl Edition
LP | 2024 | EU | Original (Rocket)
34,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Since their formation in 2006, London-based Teeth Of The Sea have metamorphosized into the most adventurous psychedelic rock outfit in the UK. Taking on board influences like Morricone, Eno, Delia Derbyshire, Goblin, and the Butthole Surfers , they've arrived at an incendiary sound that marries the aural enlightenment of an avant-garde sensibility with the reckless abandon of the racket.undamental to Teeth Of The Sea's mission thus far is that this band can go anywhere and make short work of any obstacles in their path. Unfettered by genre distinctions or expectations, the only limits of this trio - comprising Sam Barton, Mike Bourne and Jimmy Martin - are those of its imagination. It therefore follows that inspiration flowed into Hive from all dimensions, with the band's sphere of influence - the science fiction, trash culture and cinematic atmospherics by which they've fuelled their mission thus far - expanding to take in everything from Italo-disco to minimal techno, from dubbed-out studio madness to their most brazen forays thus far into pop songwriting. Here is a headspace where the psychic charges from records by Labradford, Nurse With Wound, Vangelis, The Knife, Nine Inch Nails and John Barry can happily co-exist.Hive is more than just a transformative force from subterranean origins. It's an alchemical headspace where monochrome animates into vivid colour. It may not be a carefully ordered insectoid militia set to overthrow society, but it's a transmission which transcends anything Teeth Of The Sea have thus far offered in their time on Earth.Step inside Hive, if you dare.
Elton John - Captain Fantastic And The Brown Dirt Cowboy
Elton John
Captain Fantastic And The Brown Dirt Cowboy
LP | 2018 | EU | Reissue (Mercury)
32,99 €*
Release: 2018 / EU – Reissue
Genre: Rock & Indie
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Medium: Sealed, Cover: Sealed
Des Demonas - Apocalyptic Boom! Boom!
Des Demonas
Apocalyptic Boom! Boom!
LP | 2024 | US | Original (In The Red)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
Washington, DC’s DES DEMONAS have been hailed as a favorite of Henry Rollins (KCRW FM/Black Flag), Marc Riley (BBC6 Music/The Fall), and Iggy Pop (BBC6 Music/The Stooges) since the release of their debut LP on In The Red Records and their subsequent singles and EP.

DES DEMONAS’ much anticipated follow-up LP “APOCALYPTIC BOOM! BOOM!” is out this fall on In The Red Records.

The group is made up of some familiar names from the DC punk, garage, and indie scenes. A Kenyan punk-poet-politique Jacky “Cougar” Abok (Foul Swoops, Thee Lolitas) is on vocals & percussion, Mark Cisneros (Hammered Hulls, Kid Congo and the Pink Monkey Birds, The Make-Up) is on guitar, Paul Vivari (Benjy Ferree, DJ Soul Call Paul) is on Farfisa organ and bass machine, and Matt Gatwood (Two Inch Astronaut) is on drums.

Des Demonas’ music is a melding of disparate sounds and influences, hitting with a driving pulse and fiery intent.

“The sonic fuel of the band is a blend of post punk, punk, funk, blues, psych rock, Afro beat, even bubble gum but the noise you hear is pure Des Demonas.” - Kim Salmon / The Scientists
Perturbator - The Uncanny Valley Frosted Clear Vinyl Edition
Perturbator
The Uncanny Valley Frosted Clear Vinyl Edition
2LP | 2024 | EU | Original (Blood Music)
50,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
OFFICIAL REPRESS ON LIMITED EDITION BLACK AND FROSTED CLEAR VINYL!!!Smash dark electro hit Perturbator has crashed onto the scene with an insane force. A perfect rehash and improvement upon 1970s and 1980s analog synthesized film scores – recounting John Carpenter (Halloween), Vangelis (Blade Runner), Goblin (Suspiria), and the like. “The Uncanny Valley” follows on the heels of the unprecedented success of Perturbator's 2014 smash hit “Dangerous Days” - which saw four vinyl pressings, three CD pressings, two cassette pressings, and sold out tours across Europe in only two years time. This is the Parisian artist's extremely sought-after fourth album from 2016. 01 – Neo Tokyo 02 – Weapons For Children 03 – Death Squad 04 – Femme Fatale (Feat. Highway Superstar) 05 – Venger (Feat. Greta Link) 06 – Disco Inferno 07 – She Moves Like A Knife 08 – Sentient (Feat. Hayley Stewart) 09 – Diabolus Ex Machina 10 – Assault 11 – The Cult Of 2112 12 – Souls At Zero (Feat. Astronoid) 13 – The Uncanny Valley
Perturbator - Terror 404 Frosted Clear Vinyl Edition
Perturbator
Terror 404 Frosted Clear Vinyl Edition
2LP | 2024 | EU | Original (Blood Music)
50,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
OFFICIAL REPRESS ON LIMITED EDITION BLACK AND FROSTED CLEAR VINYL!!!Smash dark electro hit Perturbator has crashed onto the scene with an insane force. A perfect rehash and improvement upon 1970s and 1980s analog synthesized film scores – recounting Blade Runner and the like – this is the Parisian artist's extremely sought-after early works. The original vinyl version of this took down the label's webshop with refreshing for four straight hours and sold out immediately upon release. 01 – Opening Credits 02 – Terror 404 03 – Savage Streets 04 – Payback Pursuit 05 – Mirage (Feat. Lueur Verte) 06 – X-CaliBR8 07 – Nightmare Interlude 08 – Linnea Quigley Horror Workout 09 – John Holmes VHS Nightclub 10 – Shadow Force ’84 11 – The Darkest Alleys (Final Stage) 12 – End Theme
Frank Sinatra - Christmas With Ol' Blue Eyes Black Vinyl Edition
Frank Sinatra
Christmas With Ol' Blue Eyes Black Vinyl Edition
LP | 2024 | EU | Original (Second)
21,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie, Christmas
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Preorder shipping from 2024-11-15
180 Gram Vinyl`Christmas With Ol' Blue Eyes' is an extension of Sinatra's most beloved holiday album `A Jolly Christmas from Frank Sinatra'. It includes the bonus tracks `Christmas Dreaming', `Let It Snow, Let It Snow, Let It Snow' and `Santa Claus Is Coming To Town'. His deep blue eyes earned him the popular nickname "Ol' Blue Eyes" which gave the record its title. Sinatra is regarded as one of the most popular entertainers of the mid-20th century. He is among the world's best-selling music artists, with an estimated 150 million record sales globally. Over the course of his career Sinatra received eleven Grammy Awards, including the Grammy Trustees Award, Grammy Legend Award, and the Grammy Lifetime Achievement Award. He was included in Time magazine's compilation of the 20th century's 100 most influential people. American music critic Robert Christgau called him "the greatest singer of the 20th century" and he continues to be regarded as an iconic figure.
Green Day - American Idiot 20th Anniversary Deluxe Red & Black Vinyl Edition
Green Day
American Idiot 20th Anniversary Deluxe Red & Black Vinyl Edition
2LP | 2004 | Reissue (Reprise)
41,99 €*
Release: 2004 / Reissue
Genre: Rock & Indie
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A Place To Bury Strangers - Synthesizer Indie Exclusive Glow In The Dark Green Vinyl Edition
A Place To Bury Strangers
Synthesizer Indie Exclusive Glow In The Dark Green Vinyl Edition
LP | 2024 | US | Original (Dedstrange)
43,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.
Green Day - American Idiot 20th Anniversary Deluxe Edition
Green Day
American Idiot 20th Anniversary Deluxe Edition
Box | 2024 | Original (Reprise)
186,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Only 1 per customer!
Fit For An Autopsy - The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition
Fit For An Autopsy
The Nothing That Is Bone W Blue Pink Purple Splatter Vinyl Edition
LP | 2024 | EU | Original (Nuclear Blast)
30,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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A Place To Bury Strangers - Synthesizer Black Vinyl Edition
A Place To Bury Strangers
Synthesizer Black Vinyl Edition
LP | 2024 | US | Original (Dedstrange)
43,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.
Delta Sleep - Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition
Delta Sleep
Blue Garden Clear Vinyl With Purple Splatter Vinyl Edition
LP | 2024 | UK | Original (Sofa Boy)
32,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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One True Pairing - Endless Rain
One True Pairing
Endless Rain
LP | 2024 | Original (Domino)
37,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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A Place To Bury Strangers - Synthesizer
A Place To Bury Strangers
Synthesizer
Tape | 2024 | US | Original (Dedstrange)
17,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Synthesizeris the title of A Place to Bury Strangers' seventh album. It is also a physical entity, a synthesizer madespecificallyfor A Place to Bury Strangers’ seventh album.Synthesizeris a record that celebrates sounds that are spontaneous and natural, the kind of music that can only come from collaboration and community. It now features a fully collaborative new lineup, withJohn and Sandra Fedowitz. That spirit of reinvention is all over the record.Synthesizeris out October 4, 2024 -- only on Dedstrange.
Jan Akkerman - It Could Happen To You
Jan Akkerman
It Could Happen To You
LP | 1988 | PL | Reissue (Tonpress)
8,99 €*
Release: 1988 / PL – Reissue
Genre: Organic Grooves, Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG
John Cale - Music For A New Society
John Cale
Music For A New Society
LP | 1982 | EU | Original (Island)
14,99 €*
Release: 1982 / EU – Original
Genre: Rock & Indie
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Medium: VG+, Cover: VG
Record is close to NM.
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Ian Donaldson
Dreams From Tenement Land
LP | 2024 | US | Original (Last Night Glasgow)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
Lions In The Street - Moving Along
Lions In The Street
Moving Along
LP | 2024 | US | Original (Interior Castle Musc)
37,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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"Anyone who's ever worn out a copy of the Stones' It's Only Rock & Roll or The Black Crowes' Shake Your Moneymaker is going to find LOTS to love" - Jambase. Comprising the Brothers Kinnon (Chris on vocals and guitar; Jeff on drums), riff-master Sean Casey (guitar), and classically educated bass player Enzo Figliuzzi, the Canadian/California-based band has played with everybody from the Dirtbombs to the Kings of Leon, making SXSW best-of lists numerous times, and hanging out with Andrew Loog Oldham. After years in the wilderness-working as a garbageman, surviving cancer and serious workplace injuries-they are back rocking with next album produced by Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons). Despite experiencing the best and worst of the of old music business, the band somehow kept going, releasing music piecemeal. Now the streaming platforms revolution has given Lions in the Street a new life an audience, allowing them to release largely-unheard music-finally finished and remixed/remastered. "This is rock with a direct line back to the nasty blues, jump tunes, and country boogie that birthed the whole damn genre. Untamed, direct, and bristling with hairy masculinity, Lions in the Street play rock like the cause it is... that is when you do it right. " - Jambase - LITS' upcoming album Moving Along captures their trademark swing and swagger. The title track, mixed by Rick Parker (Beck, BRMC, Scott Weiland), is a menacing, harmonica-driven vamp "worthy of Mick and Keith at their sticky-fingered best" (Jambase. Com). "Moving Along" is also the lead track in the upcoming Paramount film "Cassino In Ischia", starring Prison Break's Dominic Purcell. Never to rest on their laurels, Lions in the Street are also putting the finishing touches on a live album and a record they made with multi-Grammy-Award winning producer Dave Cobb (Chris Stapleton, Greta Van Fleet, Brandi Carlile, Rival Sons).
Children Of God - We Set Fire To The Sky
Children Of God
We Set Fire To The Sky
LP | 2013 | US | Original (Not On Label (Children Of God Self-released))
8,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Vinyl with a couple of light scuffs
Jerusalem In My Heart - Qalaq
Jerusalem In My Heart
Qalaq
LP | 2021 | CA | Original (Constellation)
19,99 €*
Release: 2021 / CA – Original
Genre: Rock & Indie, Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Like new. Comes with original inner sleeve and inserts. Record looks unplayed.
Kama Aina + Hochzeitskapelle - Wayfaring Suite
Kama Aina + Hochzeitskapelle
Wayfaring Suite
LP | 2018 | DE | Original (Alien Transistor)
19,99 €*
Release: 2018 / DE – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Like new. Comes with original inner sleeve. Record looks unplayed.
Gino Del Vescovo Complesso Caratteristico Napoletano - Neapolitan Mandolins
Gino Del Vescovo Complesso Caratteristico Napoletano
Neapolitan Mandolins
LP | JP | Original (Victor)
24,99 €*
Release: JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
One Morning Left - Neon Inferno Neon Transparent Vinyl Edition
One Morning Left
Neon Inferno Neon Transparent Vinyl Edition
LP | 2024 | EU | Original (Arising Empire)
29,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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John Lennon - Imagine = イマジン
John Lennon
Imagine = イマジン
LP | 1971 | JP | Original (Apple)
19,99 €*
Release: 1971 / JP – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
The Tubs - Cotton Crown Daffodil Yellow Vinyl Edition
The Tubs
Cotton Crown Daffodil Yellow Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
24,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
The Tubs - Cotton Crown Black Vinyl Edition
The Tubs
Cotton Crown Black Vinyl Edition
LP | 2025 | US | Original (Trouble In Mind)
23,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
V.A. - Bliss Out: For Days Crystal Clear Vinyl Edition
V.A.
Bliss Out: For Days Crystal Clear Vinyl Edition
LP | 2024 | US | Original (Numero Group)
35,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.
V.A. - Bliss Out: For Days Black Vinyl Edition
V.A.
Bliss Out: For Days Black Vinyl Edition
LP | 2024 | US | Original (Numero Group)
33,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Numero Group guide to private issue new age. Featuring Laraaji, Iasos, Joanna Brouk, Don Slepian, Peter Davison, Master Wilburn Burchette, Jordan De La Sierra, David Casper, Robert Slap and 9 other pioneers of the Perrier underground. Adorned with Marcus Uzilevsky's Linear Landscapes, this 2xLP compilation is housed in a sturdy tip-on jacket and is accompanied by a 32-page booklet. The fourth world awaits.
Julie Kuhl - Clouds Of Grief
Julie Kuhl
Clouds Of Grief
LP | 2024 | EU | Original (Asmara)
17,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-01
The Tubs - Cotton Crown
The Tubs
Cotton Crown
Tape | 2025 | US | Original (Trouble In Mind)
16,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-03-07
The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...
Andromeda - Seven Lonely Street Black Vinyl Edition
Andromeda
Seven Lonely Street Black Vinyl Edition
LP | 1990 | EU | Reissue (Guerssen)
27,99 €*
Release: 1990 / EU – Reissue
Genre: Rock & Indie
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Essential collection of demos and acetates (1968-69) by psychedelic hard-rock / proto-prog British band Andromeda, mostly done by their original line-up: John Cann on guitar & vocals, Mick Hawksworth on bass and Jack McCulloch (brother of guitar player Jimmy McCulloch) on drums. Raw psychedelic hard-rock with John Cann’s guitar on fire.
Hard Stuff - Bulletproof Black Vinyl Edition
Hard Stuff
Bulletproof Black Vinyl Edition
LP | 1972 | EU | Reissue (Sommor)
27,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Hard ‘n’ heavy first album by Hard Stuff, originally released in 1972 on Purple Records (the label set up by Deep Purple’s management team). Quintessential British hard-rock / proto-metal, featuring the outstanding guitar playing of John Cann (Andromeda, Atomic Rooster…) and the powerful rhythm section of John Gustafson (Quatermass…) and Paul Hammond (Atomic Rooster). This first Hard Stuff album included a lot of reworked / newly recorded material from the early line-up of Hard Stuff under the Bullet name, with vocalist Harry “Al” Shaw, who also appears here on five of the tracks. “Sadly, all members of Hard Stuff have left this mortal plane, but their vast body of work and these supremely rocking LPs are testament to their absolutely bulletproof greatness” -Plastic Crimewave
Hard Stuff - Bolex Dementia Black Vinyl Edition
Hard Stuff
Bolex Dementia Black Vinyl Edition
LP | 1973 | EU | Reissue (Sommor)
27,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave
Naked Roommate - Pass The Loofah Black Vinyl Edition
Naked Roommate
Pass The Loofah Black Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Anna McClellan - Electric Bouquet (Lamplight Bouquet)
Anna McClellan
Electric Bouquet (Lamplight Bouquet)
LP | 2024 | Original (Father / Daughter)
26,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Hard Stuff - Bulletproof Colored Vinyl Edition
Hard Stuff
Bulletproof Colored Vinyl Edition
LP | 1972 | EU | Reissue (Sommor)
31,99 €*
Release: 1972 / EU – Reissue
Genre: Rock & Indie
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Hard ‘n’ heavy first album by Hard Stuff, originally released in 1972 on Purple Records (the label set up by Deep Purple’s management team). Quintessential British hard-rock / proto-metal, featuring the outstanding guitar playing of John Cann (Andromeda, Atomic Rooster…) and the powerful rhythm section of John Gustafson (Quatermass…) and Paul Hammond (Atomic Rooster). This first Hard Stuff album included a lot of reworked / newly recorded material from the early line-up of Hard Stuff under the Bullet name, with vocalist Harry “Al” Shaw, who also appears here on five of the tracks. “Sadly, all members of Hard Stuff have left this mortal plane, but their vast body of work and these supremely rocking LPs are testament to their absolutely bulletproof greatness” -Plastic Crimewave
Obnoxious Youth - Burning Savage Transparent Red Vinyl Edtion
Obnoxious Youth
Burning Savage Transparent Red Vinyl Edtion
LP | 2024 | EU | Original (Svart)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Total speed metal rager Obnoxious Youth return with a new album out in October.

The Swedish-Finnish speed and thrash metal quintet Obnoxious Youth is back with a bang after a four year break. New album Burning Savage will be out in 18th October 2024.

-“A total speed metal rager manifesting the driving force behind the onslaught that is Obnoxious Youth. A sexual flame and a satanic force of nature. An urge to discover and embrace the primitive flame that grows inside. Succumb to the Burning fucking Savage” Affe ”Phantasma” Piran, the vocalist of Obnoxious Youth, manifests.

The sperm of Satan’s cock AKA the Obnoxious Youth was born in 2002 in Uppsala/Sweden. But the fully fledged and perverted behemoth that stands before you today was an international collaboration brought to life in 2009 by John ”Zeke” Finne, Affe ”Phantasma” Piran and Frans ”Cult” Utterström. But today Edde ”Shit” Aftonfalk and Lukas ”Spine” Häger are added to the live lineup of the band.

The purpose of the band was to break boundaries and to return to the time when extreme music didn’t have any rules or regulations. When there was no ”death metal” or ”thrash metal”, when there was just ”metal” or ”punk”. Just channeling the most insane music that was humanly possible. Using methods that was founded in the 80’s, Obnoxious Youth fully encloses itself and gets swallowed by the power of extreme music and getting influences from a feeling rather than other bands. Taking the listeners back to a time when heavy music was something to fear.

In 2012 the band received a Manifest Award for the debut album The Eternal Void and has since then released two EP’s (Suck On The Cross, 2013 and Mouths Sewn Shut, 2020) and one more full length album Disturbing the Graves in 2017. They have established themselves as a fierce live band that leaves no one unaffected.

Members of Obnoxious Youth has played in or currently plays in bands such as Vorum, Undergång, Endtime, Reveal!, Morbus Chron, Century, Tøronto, Degial, Begravningsentreprenörerna, Entombed and No Future.

Svart Records releases Obnoxious Youth’s new album Burning Savage 18th of October 2024 on black, transparent red and limited yellow/red/black marble vinyl versions – and of course on glorious CD. Pre-orders are now available on Svart Records’ webstore.
Brian Eno - Taking Tiger Mountain (By Strategy) Half-Speed Master Edition
Brian Eno
Taking Tiger Mountain (By Strategy) Half-Speed Master Edition
2LP | 2017 | EU | Original (Island)
66,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Sealed copy!
Anne Malin - Strange Power!
Anne Malin
Strange Power!
Tape | 2024 | US | Original (Dear Life)
16,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...
Dan Reeder - Smithereens Red & Yellow Splatter Vinyl Edition
Dan Reeder
Smithereens Red & Yellow Splatter Vinyl Edition
LP | 2024 | EU | Original (Oh Boy)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Red & Yellow Splatter Vinyl.Dan Reeder is a multi-faceted artist, recently championed byboygenius. He is Oh Boy Records longest signed artist, andwas personally signed by the legendary John Prine himself.Reeder is releasing a collection of songs titled,Smithereens, aneclectic mix of songs, many recorded and played on gear hebuilt. A true DIY maestro, Dan seamlessly assumes the roles ofproducer, mixer, mastering engineer, and visual artist,imbuing every facet of his artistry with his distinct touch. Hismusical stylings often draw comparisons to the likes of BlazeFoley, Bon Iver, Sufjan Stevens, and Ween.
One Sentence. Supervisor - Temporär Musik 1-13
One Sentence. Supervisor
Temporär Musik 1-13
2LP | 2017 | EU | Original (Oh, Sister)
33,99 €*
Release: 2017 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Sealed, Cover: Sealed
Jane Weaver - Flock
Jane Weaver
Flock
LP | 2021 | UK | Original (Fire)
19,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Sealed, Cover: Sealed
Cream vinyl version!
Jane Weaver - Flock
Jane Weaver
Flock
LP+CD | 2021 | UK | Original (Fire)
33,99 €*
Release: 2021 / UK – Original
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Olive green vinyl. Limited edition.
The Jon Spencer Blues Explosion - Orange
The Jon Spencer Blues Explosion
Orange
LP | 2011 | US | Reissue (Shove)
39,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG+
Limited Yellow Marbled Edition.
Includes original inner sleeve.
Conny Ochs - Troubadour
Conny Ochs
Troubadour
LP | 2024 | EU | Original (Exile On Mainstream)
24,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Exile On Mainstream Records presents Troubadour, the intimate new album from nomadic German singer/songwriter CONNY OCHS.Since 2010, CONNY OCHS has been capturing the hearts and minds of curious music fans around the globe through his expressive and emotive songcraft. Through eight full-length releases - including two collaborative albums with Scott "Wino" Weinrich of Saint Vitus, The Obsessed, and more, and not to mention his work in Trialogos and other projects - OCHS has expanded his sound from stripped-down singer/songwriter anthems based almost entir...
Hard Stuff - Bolex Dementia Splattered Vinyl Edition
Hard Stuff
Bolex Dementia Splattered Vinyl Edition
LP | 1973 | EU | Reissue (Sommor)
31,99 €*
Release: 1973 / EU – Reissue
Genre: Rock & Indie
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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave
Naked Roommate - Pass The Loofah Metallic Silver Vinyl Edition
Naked Roommate
Pass The Loofah Metallic Silver Vinyl Edition
LP | 2024 | US | Original (Trouble In Mind)
21,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.
Aino & Hajonneet - Enemmän Kuin Mitään Muuta Purple Vinyl Edtion
Aino & Hajonneet
Enemmän Kuin Mitään Muuta Purple Vinyl Edtion
LP | 2024 | EU | Original (Svart)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Bob Dylan - The 1974 Live Recordings Box Set
Bob Dylan
The 1974 Live Recordings Box Set
Box | 2024 | EU | Original (Sony)
124,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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27 CDs.
V.A. - OST Stand By Me Clear Vinyl Edition
V.A.
OST Stand By Me Clear Vinyl Edition
LP | 1986 | Reissue (Not Now)
29,99 €*
Release: 1986 / Reissue
Genre: Rock & Indie, Soundtracks
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Eighty-three years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The heart-warming movie was nominated for an Academy Award and has continued to be a favorite of both critics and fans around the world. The film, whose plot is based on Stephen King's novella The Body and title is derived from the Ben E. King's eponymous song, which plays over the opening and ending credits, tells the story of four boys in small town Oregon who go on a hike across the countryside over Labor Day weekend in 1959 to find the dead body of a missing child. The classic soundtrack is crammed with early rock & roll hits (“Yakety Yak”, “Lollipop” & “Great Balls of Fire” o.a.) and still sounds very alive today, decades after they were originally recorded. 180 gram audiophile vinyl PVC protective sleeve Featuring songs by Ben E King, Jerry Lee Lewis, Buddy Holly a.o.
MC5 - Thunder Express Yellow Vinyl Edition
MC5
Thunder Express Yellow Vinyl Edition
LP | 2024 | EU | Original (Jungle)
25,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.
Ane Brun - Spending Time With Morgan
Ane Brun
Spending Time With Morgan
LP | 2003 | EU | Reissue (Balloon Ranger)
20,99 €*
Release: 2003 / EU – Reissue
Genre: Rock & Indie
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Corrosion Of Conformity - Deliverance
Corrosion Of Conformity
Deliverance
2LP | 2021 | EU | Reissue (Music On Vinyl)
37,99 €*
Release: 2021 / EU – Reissue
Genre: Rock & Indie
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Cranes - Population Four
Cranes
Population Four
LP | 1996 | EU | Reissue (Music On Vinyl)
30,99 €*
Release: 1996 / EU – Reissue
Genre: Rock & Indie
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Ian Hunter - You're Never Alone With A Schizophrenic
Ian Hunter
You're Never Alone With A Schizophrenic
2LP | 2024 | Original (Chrysalis)
31,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Ian Hunter - Short Back N Sides
Ian Hunter
Short Back N Sides
2LP | 2024 | Original (Chrysalis)
31,99 €*
Release: 2024 / Original
Genre: Rock & Indie
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Tonic - Sugar Black Vinyl Edition
Tonic
Sugar Black Vinyl Edition
LP | 2024 | EU | Original (Music On Vinyl)
26,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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The Cure - John Peel Session 1979-1981
The Cure
John Peel Session 1979-1981
LP | 2024 | UK (Planet Claire)
18,99 €*
Release: 2024 / UK
Genre: Rock & Indie
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A collection of John Peel sessions from The Cure recorded between 1979 and 1981.
The Alan Parsons Project - Pyramid - 45 RPM Audiophile Edition
The Alan Parsons Project
Pyramid - 45 RPM Audiophile Edition
2LP | 2024 | UK | Original (Cooking Vinyl)
46,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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2LP 180gm 45 RPM audiophile edition, printed insert, polylined inners, gatefold sleeve, numbered Obi strip.The Alan Parsons Project "Pyramid" is re-issued in a variety of different formats including this 2LP heavyweight, 45 RPM Audiophile edition. The first pressing comes with a numbered Obi-strip. This edition was expertly cut by Miles Showell at Abbey Road Studios, October 2023 on a customised Neumann VMS 80 lathe at half speed using high-resolution archive transfers taken from the original 1978 mastertapes.As with other The Alan Parsons Project albums, the focus was on very high-quality studio sound production, and they recorded the album at Abbey Road Studios in London. There were a variety of different lead vocalists employed including John Miles, Colin Blunstone, Lenny Zakatek, David Paton, Jack Harris and Dean Ford. Plus, a selection of session musicians such as guitarist Ian Bairnson and drummer Stuart Elliot with arrangements by Andrew Powell.
Wilde Flowers - The Wilde Flowers
Wilde Flowers
The Wilde Flowers
LP | 2024 | EU | Original (Retroworld)
28,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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his LP is a selection of tracks by The Wilde Flowers representing the origins of the ‘Canterbury Scene’. It features early works by Robert Wyatt, Mike Ratledge, and brothers Hugh and Brian Hopper. SIDE 1 1. The Pieman Cometh2. Orientasian3. Slow Walkin' Talk4. Man in a Deaf CornerSIDE 21. Belsize Parked2. Hope for Happiness
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Santana
Lotus
3LP | 1974 | EU | Reissue (Music On Vinyl)
47,99 €*
Release: 1974 / EU – Reissue
Genre: Rock & Indie
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V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Wild Pink - Dulling The Horns Mustard Yellow Vinyl Edition
Wild Pink
Dulling The Horns Mustard Yellow Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
The Silver Abduction - The Silver Abduction
The Silver Abduction
The Silver Abduction
LP | 2024 | UK | Original (Lightwell)
24,99 €*
Release: 2024 / UK – Original
Genre: Rock & Indie
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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.
The Boxer Rebellion - The Cold Still Green Swirled Vinyl Edition
The Boxer Rebellion
The Cold Still Green Swirled Vinyl Edition
LP | 2010 | UK | Reissue (Absentee)
33,99 €*
Release: 2010 / UK – Reissue
Genre: Rock & Indie
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Wild Pink - Dulling The Horns Black Vinyl Edition
Wild Pink
Dulling The Horns Black Vinyl Edition
LP | 2024 | US | Original (Fire Talk)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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“Do you still believe it?” John Ross asks that question after journeying through the wreckage. The genesis of Dulling The Horns goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record Dulling The Horns live in the room, in an effort to capture Wild Pink’s onstage style — rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Ross’ voice is haggard against the humid distortion coating every song. “I wanted to make economical songs,” Ross explains. “Music that is very much at its core three or four people rocking.” If before, Wild Pink took notes from Springsteen and Petty, they’ve now entered their Crazy Horse era. On Dulling The Horns, you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. “There is no answer to these problems,” Ross says, having eventually yielded. But as far Dulling The Horns is concerned, there’s at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC, mastered by Greg Obis in Chicago, IL and is out in October on Fire Talk.
Kooymans & Carillo - Mirage
Kooymans & Carillo
Mirage
LP | 2022 | EU | Original (Music On Vinyl)
19,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
White Vinyl Edition.
Dogeared cover.
Includes original insert.
Amber Run - 5am
Amber Run
5am
LP | 2015 | EU | Reissue (Music On Vinyl)
19,99 €*
Release: 2015 / EU – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG, Cover: VG
Cover with a beginning seam split at spine.
Includes original insert.
The Okmoniks - Afterparty Fever!!
The Okmoniks
Afterparty Fever!!
LP | 2024 | US | Original (Slovenly)
23,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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San Francisco’s last and only rock and roll band THE Okmoniks has teamed up with Slovenly Recordings for Afterparty Fever!!! Here are nine new houserockin’ woman led punk rock’n’roll blasts that capture the essence of a party that just don’t stop. This particular all-nighter was recorded live in a small room, and you can tell from the screams, handclaps, and peals of laughter that this 17 minute end result was produced in a gloriously boisterous session. Afterparty Fever!!! captures the girls-to-the-front, make-room-for-dancing, leave-’em-wanting-more live show they’ve been dishing out for freaks world-wide for the past two decades. The OKs are fronted by Helene 33 on vox, simultaneously playing impossible sounding, finger stretching 60s Ace Tone Top 5 organ tones while tossing it around like a toy… It must be seen to be believed, and a believer you shall be!

The Okmoniks recorded and produced every song on this album, and wrote them all with the forgivable exception of one cover by Tucson 60s punk outfit The Grodes. “Afterparty Fever!!!” sounds like a band in 1977 doing their favorite 1966 stompers: devastating dancers like “Don’t Wanna See You No More” and “I’ll Let You In” could fit comfortably in a John Waters teen shimmy montage, giving way to rockers like “He Left the Party with Me” and “Summer Break Up” that could serve as the captions for a comic panel in “Punk” Magazine.
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Incubus
A Crow Left Of The Murder
2LP | 2004 | EU | Reissue (Music On Vinyl)
37,99 €*
Release: 2004 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
Rose City Band - Sol Y Sombra Coke Bottle Clear Vinyl Edition
Rose City Band
Sol Y Sombra Coke Bottle Clear Vinyl Edition
LP | 2025 | US | Original (Thrill Jockey)
34,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Rose City Band"s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70"s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble"s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson"s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist, Sanae Yamada. Album closer "The Walls" perfectly captures the band"s explorative and expansive songs, Hasenberg"s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson"s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.
Mei Semones - Kabutomushi / Tsukino Bubblegum Vinyl Edition
Mei Semones
Kabutomushi / Tsukino Bubblegum Vinyl Edition
LP | 2024 | US | Original (Bayonet)
27,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is not only a way for her to find solace in her favorite genres, but is an intuitive means of catharsis. "Blending everything that I like together and trying to make something new - that's what feels most natural to me," says the 23-year-old Brooklyn-based singer-songwriter and guitarist. "It's what feels most true to who I am as an artist." Plinking guitar tones and asymmetrical time shnatures exemplify her forays into angular indie rock more now than ever before, especially on her debut Bayonet Records single "Wakare no Kotoba"-its wide-interval arpeggios in odd meters being some of the most technically difficult guitar work Mei has ever implemented in her songwriting. Translated to "parting words" in English, the self-described "anti-love song" serves as a farewell to a toxic friendship, complete with orchestral swells and crashing guitars. Originally from Ann Arbor, Michigan, Semones began playing music at a young age, starting out on piano at age four before moving to electric guitar at age eleven. After playing jazz guitar in high school, she went on to study guitar performance with a jazz focus at Berklee College of Music. College is where she met her current bandmates, including string players Noah Leong and Claudius Agrippa, whose respective viola and violin add softness and multidimensionality to Mei's intricate guitar work. After releasing a slew of singles and an EP in 2022, coinciding with her move to New York City, Mei and her band have since gone on to collaborate with post-bossa balladeer John Roseboro and embark on their first-ever tour with the melodic rock outfit Ravi, Semones chronicles infatuation, devotion, and vulnerability in her songs, complete with sweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English and Japanese, that have all become part of her sonic trademark: ornately catchy, genre-fusing compositions serving as the backdrop to tender lyrics touching on the universalitie...
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Black Stone Cherry
Black Stone Cherry
LP | 2006 | EU | Reissue (Music On Vinyl)
28,99 €*
Release: 2006 / EU – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-11-22
Rose City Band - Sol Y Sombra Black Vinyl Edition
Rose City Band
Sol Y Sombra Black Vinyl Edition
LP | 2025 | US | Original (Thrill Jockey)
31,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2025-01-24
Rose City Band"s music is sun-kissed timeless country rock whose seemingly effortless momentum carries the joy of its creation without ignoring the darkness pervading our consciousness. Led by guitarist/vocalist Ripley Johnson, the music of Rose City Band is rooted in his love of private press records of the mid to late 70"s. The band, in addition to Johnson, features pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg and drummer John Jeffrey who enmesh a keen sense of rhythmic drive and melody with gentler, sumptuous atmospheres. Nuanced performances and interplay between players unfurl like desert flowers splashing color onto an arid landscape. The ensemble"s buoyant moments still glide with ease, but there is room to revel in respite of the shade of a dark cloud. Across the album, Johnson"s tasteful guitar interjections and soothing voice are met in kind with the versatile playing of Walker, Hasenberg, and Jeffery, with special guest performances by synthesist/vocalist, Sanae Yamada. Album closer "The Walls" perfectly captures the band"s explorative and expansive songs, Hasenberg"s soulful organ driving the album to an emotionally cathartic conclusion. Throughout his prolific career with Wooden Shjips, Moon Duo and now Rose City Band, Johnson"s music has consistently centered around exploration and discovery. Sol Y Sombra imbues his penchant for space and resplendent tonality with a denser amalgam of his influences through a delicate balance of the somber and the serene, of subtle evolutions and familiar sounds, Sol Y Sombra makes for a holistically joyous experience, finding solace in both sun and shade.
Mei Semones - Tsukino
Mei Semones
Tsukino
Tape | 2024 | US | Original (Bayonet)
16,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-29
'Mei Semones' sweetly evocative blend of jazz, bossa nova and math-y indie rock is notonly a way for her to find solace in her favorite genres, but is an intuitive means ofcatharsis. "Blending everything that I like together and trying to make something new -that's what feels most natural to me," says the 23-year-old Brooklyn-based singersongwriter and guitarist. "It's what feels most true to who I am as an artist."`Tsukino', Mei's debut, self-released EP, is being released physically for the first timeever on Bayonet Records! The EP will be released by itself on CD & Tape formats, andwill be included in a vinyl pressing on the B-side of Semones' landmark EP,`Kebutomushi'!Plinking guitar tones and asymmetrical time signatures exemplify Semones' forays intoangular indie rock more now than ever before. Originally from Ann Arbor, Michigan,Semones began playing music at a young age, starting out on piano at age four beforemoving to electric guitar at age eleven. After playing jazz guitar in high school, she wenton to study guitar performance with a jazz focus at Berklee College of Music. College iswhere she met her current bandmates, including string players Noah Leong andClaudius Agrippa, whose respective viola and violin add softness andmultidimensionality to Mei's intricate guitar work. After releasing a slew of singles andan EP in 2022, coinciding with her move to New York City, Mei and her band have sincegone on to collaborate with post-bossa balladeer John Roseboro and embark on theirfirst-ever tour with the melodic rock outfit Raavi.Semones chronicles infatuation, devotion, and vulnerability in her songs, complete withsweeping strings, virtuosic guitar-playing and heartfelt lyrics sung in both English andJapanese, that have all become part of her sonic trademark: ornately catchy, genrefusing compositions serving as the backdrop to tender lyrics touching on theuniversalities of human emotion.
The Fluid - Glue Silver Vinyl Edition
The Fluid
Glue Silver Vinyl Edition
LP | 1990 | US | Reissue (Sub Pop)
30,99 €*
Release: 1990 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Roadmouth Lime Vinyl Edition
The Fluid
Roadmouth Lime Vinyl Edition
LP | 1989 | US | Reissue (Sub Pop)
30,99 €*
Release: 1989 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Clear Black Paper Yellow Vinyl Edition
The Fluid
Clear Black Paper Yellow Vinyl Edition
LP | 1988 | US | Reissue (Sub Pop)
30,99 €*
Release: 1988 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
The Fluid - Punch N Judy Blue Vinyl Edition
The Fluid
Punch N Judy Blue Vinyl Edition
LP | 1986 | US | Reissue (Sub Pop)
30,99 €*
Release: 1986 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Preorder shipping from 2024-12-06
The Fluid are arguably the great unsung band from the fertile underground rock scene of the late '80s and early '90s. The Denver five-piece - John Robinson (vocals), James Clower (guitar), Matt Bischoff (bass), Garrett Shavlik (drums), and the dear departed Ricky Kulwicki (guitar) - fused the fire of '80s hardcore with crunching Detroit protopunk, '60s garage rock, and '70s rock swagger. Think MC5, Faces, '70s Stones, all cranked up and really high on Sex Pistols and Black Flag singles. Rising from the ashes of early-'80s Denver bands Frantix (whose "My Dad's a Fuckin' Alcoholic" is a true gem of American punk) and White Trash, The Fluid were the first non-Seattle band to sign to Sub Pop, and Clear Black Paper was the second full-length album the label ever released. The label honchos were fans of Frantix, and happily got involved with The Fluid when the opportunity arose via the label's European licensing partner, Glitterhouse. Witnessing The Fluid's dominant live presence helped - a particularly fiery early show at Seattle's Central Tavern featured The Fluid, Mudhoney, Mother Love Bone, and Soundgarden all trying to outdo one another on stage. The band fit right in on Sub Pop's nascent roster of acts who, wherever they stood on the spectrum of punk/rock/metal, shared a commitment to thunderous riffs and explosive live shows. Legendary for their ferocious stage presence, The Fluid toured all over the US and Europe, holding their own and then some on bills with Mudhoney, Nirvana, Soundgarden, Dinosaur Jr., and other powerhouses of the era. From 1986 to 1993, The Fluid put out four albums and a number of EPs and singles, including a split 7" with Nirvana in 1991, before doing one album for a major label and promptly disbanding.Yet, while their partners-in-crime bulldozed into the mainstream, The Fluid remained something of a cult band, their audience confined to those who got hip during the band's existence, and crate diggers who nabbed original vinyl or CDs, which had quickly become rarities after sellin...
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