Search "super7" 18135 Items

7" | 2008 | Reissue (Damaged Goods)

Release: 2008 / Reissue

Genre: Rock & Indie

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The final single to be taken from his critically acclaimed second album 'A Virtual Landslide' this is a three track 7" single featuring the track 'One Stolen Moment' plus Love Lies Bleeding' from his debut album 'Walking Off The Map' and an exclusive, previously unreleased fantastic acoustic version of the Billy Childish / Buff Medways song, 'The Poets Dream'. This has been an incredible year for Pete Molinari which has seen among many highlights... widespread critical acclaim for his Liam Watson produced album "A Virtual Landslide", a nomination for best newcomer in the Mojo awards, a sold out 100 Club show in June, sessions and appearances on Bob Harris, Mark Lamar and Radcliffe & Maconie's radio shows a totally storming performance at Latitude Festival in front of more than a 1000 revellers rammed into Mark Lamar's Gods Juke Box Tent.

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Pete Molinari

Sweet Louise E.P.

9,99 €*

LP | 2024 | EU | Original (Avec Plaisir)

Release: 2008 / Reissue

Genre: Rock & Indie

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A three track 7" single featuring 'Sweet Louise' from the forthcoming second album 'A Virtual Landslide' plus 'Indescribably Blue' from his debut album 'Walking Off The Map' and a exclusive acoustic version on 'One Stolen Moment'. This will be limited to 1000 copies and also available digitally.

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Crazy Temple

Crazy Temple EP

Release: 2024 / EU – Original

Genre: Rock & Indie

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After a hiatus of almost 4 years Berlin-based label Avec Plaisir Records is finally back with their second outing: A stunning collection of six almost forgotten Progressive Rock oddities by the Austrian Band Crazy Temple.

Being mostly active in the late 70ies, the bunch of youngsters around the songwriting duo Günter Schiller and Herbert Bachinger only released one cassette „Heavy Birth“ as well as the sought-after 7-inch record „Homecomer“ in 1980 shortly before the band was scattered to the four winds. Their productions were recorded in the myth-enshrouded Ebensee Studio, were two members of the band were on the payroll.

Despite their fairly young age Crazy Temple established a very unique and authentic sound, carried by breezy synthesizers, meandering guitar-solos and the mature voice of Günter Schiller that seems heavily influenced by the favorite bands of their time. Being able to maintain a room in „Schloss Ebenzweier“ where already Franz Schubert was composing might have helped equally as the herbs the teens were smoking during countless hours of rehearsal.

The completion of the first long-player by Crazy Temple was originally planned for early 1981 - 43 years later the plan is put into action with the help of Avec Plaisir founders Sandra & Hendrik Stein. The record comes with six fully remastered original tracks recorded in 1980 complemented by three different takes on „Ev’rything’s Alright“ and „Homecomer“ by label-wright Sandra’s Alias Frinda di Lanco. The reproduction of Oto Atman’s etching „Die Träumerin von Eden“ as cover artwork adds zest to the authentic look of this release.

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The Front

Wet Things

LP | 2024 | EU (Rave Up)

7" | 2024 | EU | Original (Broc)

Release: 2024 / EU

Genre: Rock & Indie

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The Front were formed on Miami Beach in 1980. To the Miamians they were weird, but also tight and catchy: people soon remembered songs’ hooks. In 1981 they did their first 7’ Ep “The Front First Strike” at Sync Studios on diy label Foam Records. The B side “Immigration Report” hit #1 on Wvum and went on to heavy rotation on college radios across the US. The band played everywhere there was a stage, eventually becoming the opening act for bands such as U2, Psychedelic Furs, The Go-Go’s, Ultravox, Bow Wow Wow and many others. In 1982 released 2nd single “Aluminum Room”, which garnered the band a Billboard Single Pick. Many major labels were courting us… Nevertheless, by that time the band members were fragmenting personally and artistically. On 7/25/1983 they played last gig at a club called The Blitz in Hialeah, FL with a surprise appearance by Joey Ramone. A few years back, The New Times listed The Front at #5 of the “Greatest 20 Florida Punk Bands Of All Time” list. Not getting signed has its rewards, so put your headphones on and listen to a band that was on the cusp of international fame 40 years ago but just being heard today.

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The Soul Surfers

High Roller

Günther Schickert & Udo Erdenreich

Release: 2024 / EU – Original

Genre: Organic Grooves

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After releasing countless collectable and in-demand 7 inch singles and making a name for themselves in the contemporary “raw funk and soul” scene, After working with the legendary Janko Nilovic For "Maze of Sounds" and "Two Tales For The Mind vol 1" The Soul Surfers drop their First 7 inch on Broc Recordz , "High roller" with a crazy psychedelic cover Made by the italian artist Riccardo Bettazzoni. Don't missed this limited edition , only 500 copies!

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Schickreich

LP | 2024 | UK (Marmo Music)

25,99 €*

Pete Astor / Die Liga Der Gewöhnlichen Gentlemen

Release: 2024 / UK

Genre: Electronic & Dance

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Jabbering people, a dry bassline, nagging punks, the bassline again, a dry cough, the U-1 passes by, a guitar starts weeping: welcome to Schickreich, a rare recording of a super group that cut short into a duo. Comprised of bass, hurdy gurdy, jaw harp player, DJ, Intermedia-artist Udo Erdenreich, and Berlin’s cosmic kraut legend Günter Schickert. They were bandmates in Ziguri and played since the late 1980s off and on as Schickreich. Marmo now brings to life an album that uncovers two wings of their manifold musical explorations.

The A-Side, “Die Zukunft ist den Kindern und den Narren“, is an epic live recording from Easter Sunday 1988, when Schickreich first performed at Das Arschloch, an open-air pit at Kreuzberg’s Oranienstr. 1 / Manteuffelstrasse 43 at Berlin’s Görlitzer Straße underground station. At that time, the pit was a regular venue for concerts, performances, happenings, and other events of art. Free and outside was the slogan. The duo performed an improvised show alongside the megaphone shouting of Mirko from the Irren-Offensive, a 1980 formed association that served (according to the statutes) "the self-help of current or former psychiatric inmates" and "works toward creating understanding of madness and finding new ways of living with madness." The group's friend Uschi Schröder, at that time cultural manager in Berlin's underground culture, recorded the unique show with her cassette recorder, walking around in the pit, absorbing music, bypassing city noise, and the talk of the audience. After 35 years in deep sleep, the unique cultural document gets published for the first time. It brings all that Angst, that revolutionary Geist, that anarchy, West-Berlin had to offer for a brief period. You hear them shouting for free madness over low hanging bass figures and stretched guitar echoes. The audience is part of the show, children talk while strange drones appear just to disappear again.

The B-Side features a totally different musical universe of Schickreich. A meditative one, recorded 2008 by Günter Schickert while playing live to an audiovisual show about the cultural heritage of Tibet called Tibet Rediscovered. Two eight- to 16-minute-long tunes run by the names “Kang Rinpoche” and “Mapam Yu Tso”, featuring Günter Schickert playing his famous snail horns, while Erdenreich adds gentle bell tones, jaw harp frequencies and percussion on the flight. They are documenting an inner voyage into Schickreich's deep layered telepathic zones, where both artists speak in tones to each other, imagining the mountain regions of Kang Rinpoche and the nearby clear waters of high-altitude lake Mapam Yu Tso as a spiritual musical galaxy of their very own. Gently played, with long meandering tones in the spirit of Pauline Oliveros, unfolding a mystical story ark for friends of trance-portive music. Manufactured with snail horn, guitar, hurdy gurdy, bell, jaw harp, percussion, and two inspired spirits, that trust each other’s visions deeply. Free music for free zones.

Three recordings, two different atmospheric longings, created by two individuals of West-Berlin’s free agitating cultural zone, that followed their very own artistic path, never coping with the current, ever listening to their peculiar heartbeat, that pumps deep down in their psychedelic souls. Günter Schickert, Udo Erdenreich, Schickreich in eternity.

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Alle Ampeln Auf Gelb / Wie Frankie Lymon

7" | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Why You Have To Walk This Way

The Hamlins

7" | 2023 | JP | Reissue (Duke Reid Classics)

20,99 €*

Tell Me Remix / Little Girl Jah See

Release: 2023 / JP – Reissue

Genre: Reggae & Dancehall

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Side A : Unreleased Great Rock Steady Vocal. Recording In Duke Reid Studio 1966. Side B : Unreleased. Great Rock Steady Instrumental. Recording In Duke Reid Studio 1966.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Bitty Mclean / Natijah

7" | UK (Peckings)

Release: UK

Genre: Reggae & Dancehall

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7" | 2023 | AU | Original (Left Ear)

Poetical License

Footprints

22,99 €*

7" | 2023 | EU | Original (Batov)

Release: 2023 / AU – Original

Genre: Rock & Indie

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Poetical License was a brief project uniting Scottish born and Aotearean (New Zealand) musician Mark Airlie and keyboardist and vocalist Keri Ansley after the duo met in New Plymouth. The solitary 7” came together in 1986, recorded at the infamous Auckland studio, The Lab.

The A side’s fragile Footprints is as utterly charming as it is drenched in melancholia with a delicate glockenspiel lick and Ansley’s ethereal delivery of the vocals. On the B Side, Room 101 pivots to wonky rock and a more post-punk approach to composition. The two tracks shine brightly among an abundance of outsider gems made in Aotearoa during the 1980s.

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Sababa 5

Eilat 22 / Elifelet 23

Paper Airplanes, Paper Hearts White Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Sababa 5, Tel Aviv"s funkiest export, upgrade their signature Middle Eastern psychedelic funk with the addition of Hoodna Orchestra"s dynamic brass section, another essential 45 from Batov Records" Middle Eastern Groove series. On "Eilat 22" the Sababa 5 rhythm section of Raz Manon drums and Amir Sadot on bass is in full funk force, supporting a vibrant hook from the Hoodna brass section, leaving room for solos from guitarist Ilan Smilanand synth mage Eitan Drabkin, full of Middle Eastern flavour. On the flip "Elifelet 23" grooves along like a Dap Kings funk nugget, except in this case there"s room for Eitan to improvise across the jam with a microtonal organ sound reminiscent of legendary Egyptian musician Magdi el-Husseini. "Eilat22" & "Elifelet 23" open another page in Sababa 5"s rapidly diverse and ever-engaging discography, with two songs destined to head light up dancefloors over the coming months.

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Everyone Asked About You

2LP | 2023 | US | Original (Numero Group)

35,99 €*

7" | 2000 | DE | Original (Hal 9000)

Release: 2023 / US – Original

Genre: Rock & Indie

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Queer tweemo from the pop fringe of Little Rock, Arkansas's thriving '90s DIY scene. Paper Airplanes, Paper Hearts gathers Everyone Asked About You's complete recorded works, including the Let's Be Enemies LP and their two and a half 7"s released between 1997-2000. Remastered from the original DATs for maximum nostalgic crunch, this deluxe 2xLP is housed in a gatefold tip on sleeve and includes a 20-page book crammed with flyers, photos, lyrics, and an extensive essay on this crucial missing link between midwest emo and the Moog synthesizer.

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Miwon

April Showers

7" | 1999 | DE | Original (Hal 9000)

Release: 2000 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Yellow Clear Vinyl.
Record is close to NM.

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Peter Elflein / Heru Re

Hal 9000/13

7" | 1980 | EU | Reissue (Top Ranking Sound)

Release: 1999 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Limited Edition.
Yellow Clear Vinyl.

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Ras Talent

African Trap

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1990 | EU | Reissue (Top Ranking Sound)

Ras Talent

Big Brother Marcus

Release: 1990 / EU – Reissue

Genre: Reggae & Dancehall

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Hollywood Curacao Vinyl Edition

Madsen

LP | 2023 | EU | Original (Goodbye Logik)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Album I Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

Music From The Legend Of Zelda Skyblue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spar who featured Ishibashi on their then new album "Under Pressure".

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London Music Works

3LP | 2024 | UK | Original (Diggers Factory)

51,99 €*

Release: 2024 / UK – Original

Genre: Soundtracks

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Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Album II Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

Knight Rider / 9 Breaks (The Warm Up) [Japanese Edition]

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Zone Identity

7" | 2023 | US | Original (Fraternity Music Group / Counterpart)

LP | 2022 | EU | Original (Be With)

Release: 2023 / US – Original

Genre: Organic Grooves

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After a two year hiatus, The Zone Identity is back! But exactly who The Zone Identity is and how they get down depends on the tune. For 2017’s “Funk-I-Tus” b/w “Let The Music Take Your Mind” and 2018’s “Melting Pot” b/w “Soul Food” 7”s, The Zone Identity sat firmly in a soul-jazz groove for smokin’ covers of classics by Kool and the Gang, Booker T and the MG’s and lesser-known funk bands like Warm Excursion. But who is The Zone Identity in 2021?

The only common denominator is drummer Jay Mumford (aka "J-Zone"), who uses The Zone Identity as a vehicle to work with his favorite musicians outside his band, The Du-Rites. For this go round, he teams up with Pittsburgh’s Buscrates, to put a greasy, funk-i-fied spin on the classic 1980s “Knight Rider” theme song. A two-man job, Buscrates’ infinite knowledge of synths and keyboard prowess match the authenticity of the original, while adding an extra heavy unique funk sheen for the update. Meanwhile, J-Zone’s syncopated kick-snare work, hi-hat polyrhythms and auxiliary percussion add a funky, human touch and thick layer of grease not heard on the original. “Knight Rider” pays a respectful nod to the original without neglecting the b-boys/b-girls and funk fanatics who need to get down and dirty.

The flip side, “9 Breaks (The Warm Up),” is credited to J-Zone as a solo artist because technically…it’s a drum solo! 2020’s pandemic lockdown forced musicians to be more creative and practice harder, often out of sheer boredom. It was in said isolation that Zone created his “9 Breaks” routine as a warm-up. The routine sees him seamlessly move through nine classic drum breaks we all know and love; it was both a homage and a warm-up to keep sharp on the set with no shows or rehearsals to keep the rust off.

From music for talking cars to classic breakbeat mini-mixtapes, The Zone Identity has you covered for 2021.

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Maston

Panorama

Frankie Beverly's Raw Soul

Release: 2022 / EU – Original

Genre: Organic Grooves

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With Panorama, Frank Maston pays homage to the classic era of library records and Italian soundtracks of the 70s. A blissed-out, grooving collection of filmic cues, it continues the unique brilliance of Tulips and Darkland. Elegant and easy, subtle and stylish, breezy and beautiful; this is his Maston-piece. Commissioned by legendary label KPM, Panorama cements Maston as a master of modern classics and the most mesmeric of contemporary composers.

In early 2020, Be With suggested to Frank that he should make a KPM record. He wasn't aware that they were still putting out new library records - but he was super keen: "It was completely surreal and it still hasn't fully sank in that I have a record in that catalog, sitting alongside those incredible albums that were so influential to me."

Frank was visiting family in his hometown of LA in March 2020 when the world ground to a halt so the KPM project arrived at a fortuitous moment. Having fantasised about committing to a record with no distractions, with a proper budget, access to his gear and space to work in - to really dig in and try to write and arrange the best work he could possibly make - it was a real "be careful what you wish for" moment. But, as Frank explained, "it completely saved my year and sanity to have something to focus on and get excited about. It was my lifeline." He spent seven months on it, working almost every day.

Maston had already been making library-influenced music so when KPM outlined the criteria for the tracks it was exactly what he had been doing all along. He thought the best approach would be to make a follow-up to Tulips that had a parallel life as a KPM record. Enjoying complete creative freedom, “gave me the drive to power through and dig in deep. I'm not sure if I could have kept myself on such a rigorous recording schedule under my own steam, and I think the momentum I had writing and recording it is part of the strength of this record."

Maston’s sleek retro-groove instrumentals emulate the classic KPM “Greensleeve” reel-to-reel recordings that provided mood-setting music for mid-century cinema, television, and radio programs. Apparently in close conversation with the John Cameron-Keith Mansfield KPM pastoral masterclass Voices In Harmony, Maston's Panorama could be heard as that record's funky follow-up. Yes, it's *that good*. Another reference point from the hallowed library would be Francis Coppieter's wonderful Piano Viberations.

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What Color?

7" | 2021 | Original (Brewerytown)

2LP | 2021 | EU | Original (Minmalsoul)

Release: 2021 / Original

Genre: Organic Grooves

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Before Frankie Beverly and Maze, after Frankie Beverly and The Butlers, there was Raw Soul - a James Brown-esque group of musicians out of Philadelphia. They released four singles, one for Philadelphia's Eldorado Records (Charles Earland's Small Philly Label) & three on Gregar Records out of New York.

On this release you have the never before heard alternate version of "What Color? (Color Blind)" backed with the even more impressive raw soul instrumental version featuring a massive drum break, previously layered with vocals. But because we found the multi-track tapes, we stripped the vocals and let the drums stand solo and hit hard. If you beat juggle, make sure to check the DJ double pack. We promise you will not regret it.

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Luca Averna & Chris Coco

Sueno Mediterraneo

LP | 2021 | US | Original (Dewolfe Music)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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80g Limited Edition (2×12″lp)

“Sueño Mediterráneo” meets our primary goals of then and now: expanding our sonic horizon and telling a story in music that focuses on the human being, the soul, and the essential things to appreciate in life. “Sueño Mediterráneo” is a two-hand effort by the Italian DJ and producer Luca Averna (elsewhere also known as Jay Green) and the UK House veteran DJ and producer Chris Coco.

Luca moved to Ibiza permanently a few years back, firmly wanting to live the isle differently, appreciating the rustical life of the western hills with his beloved wife, dog, turntables, vinyl records, and drum machines. Chris is an Ibiza regular since the 90s, and during the last two decades, he has become one of the most respected figures within the island’s Balearic scene.

After meeting a couple of years ago, they decided right away to produce music together, giving birth to this “Sueño Mediterráneo” project, with the desire to pay tribute to the 90s Italo Dream House, celebrate a newborn friendship, and their shared love for the White Island.

All tracks written & produced in 2018 by Chris Mellor and Luca Averna, between Ibiza and London and using the following gear: Roland® TR 606,626,707,909; Yamaha RX5, Yamaha DX7, Korg M1.

Additional Credits: Guitar in ‘Mare’ By Micko Roche. Bass Guitar in “Walearic Dub” By Yusuke. Vocals in “Underwater” By Louis Van Johnson. Vocals in “Il Tempio Dell’Amore” By Luca Averna.

Mastered by Rune Lindbaek.

Graphic design by Dextro.org.

Buy Digital Album Streaming + Download Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, Flac and more.

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Keith Papworth

Hard Hitter

36,99 €*

Play The World / Byrdman's Revenge

Release: 2021 / US – Original

Genre: Organic Grooves

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There may not be a more suitable name than Hard Hitter to grace an album cover ever again. The drums hit, and they hit hard. From cinematic funk (“Speed Trap”, “Hard Hitter”, “Decisive Action", and “Big Dipper”), to strutting grooves (“Fun Seeker”), along with jazzy ("Three’s A Crowd") and erratic (“Super Drive”) recordings, this record sounds like a 1970’s action movie. Released in 1975, Hard Hitter features compositions by Keith Papworth, who, in addition to writing hundreds of tracks for de Wolfe Music's production library over the course of three decades, is best known for having his recordings featured in Monty Python skits and movies. Hard Hitter is beloved by crate diggers of all genres for its minimalist orchestration over heavy grooves.

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Johnick / Mike Delgado

7" | 2019 | US | Original (Henry Street)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Funk-I-Tus / Let The Music Take Your Mind

The Zone Identity

7" | 2017 | US | Original (Fraternity)

Geraldo Pino & The Heartbeats

Release: 2017 / US – Original

Genre: Organic Grooves

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In name, The Zone Identity sounds like a long forgotten band comprised of college students from the age of psychedelia that released one obscure 45 that lives on with a mortgage-busting price tag. It’s about 50 years too late for a story that cool – The Zone Identity is just the latest musical endeavor from producer, drummer, DJ, writer, multi-instrumentalist, (occasional) MC and music industry outsider, J-Zone.

After the unexpected cult success of The Du-Rites, J-Zone’s 2016 funk offering with guitarist Pablo Martin, the New York native follows with a different take on the funk for the inaugural offering of The Zone Identity. Working with a wide array of different musicians with different backgrounds for The Zone Identity makes for a more funk-jazz-inspired and solo driven take on J-Zone’s trademark drums and production. This debut 7” features jazz guitarist Ed Littman and Hammond B-3 organist Bennett Paster from Fraternity Music Group house band, The U.B.'s, as well as J-Zone’s go-to percussionist, Ray May, on congas. Littman and J-Zone split the bass playing duties. An avid funk 45 collector, J-Zone uses both sides of the release to pay homage to his musical heroes and favorite records with a spin on two of his favorite tunes. While the A-Side re-works “Funk-I-Tus,” an obscure late ‘60s offering from L.A.-based Warm Excursion, the b-side will be more familiar with its nod to “Let The Music Take Your Mind,” an early hit for J-Zone’s favorite band, Kool and the Gang. The original story is more exciting, but the reality is easier to believe. It’s also cheaper.

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Afro Soco Soul Live

LP | 1972 | EU | Reissue (Oom Dooby Dochas)

You Don't Have To Fall / Super Bright Gold Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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He was born in Sierra Leone in the 1930s. Fact is that Gerald Pine was son to a lawyer working in Nigeria, lost his mother and sister at a very young age and found relief in music. He played social clubs by the early 60s with his newly founded band THE HEARTBEATS delivering cover-versions of American hits and Congolese rumba tunes that were then utterly popular in the West Africa area. Due to the influence of Congolese popular musicians Franco and Dr. Nico he adopted the more exotic sounding stage name of Geraldo Pino and he moved on from there. THE HEARTBEATS literally played until their fingers bled in popular night clubs in Sierra Leone, became one of the highest earning bands of Western Africa and were even able to put up their own television show after television had been introduced in Sierra Leone in 1962. All those developments put Geraldo Pino and his band in the position as leading figures in the African popular music that even a legend such as Nigerian cult musician Fela Kuti, who is often credited with originally creating the so called “Afro Beat” style stated Geraldo Pino and THE HEARTBEATS as major influence which even made him setting sail to the USA to introduce his musical vision over there for he could not match with Geraldo Pino concerning popularity in Africa. This of course is a whole different story. Geraldo Pino lived and played in his area, Sierra Leone, Ghana, Nigeria and created some of the hottest funky sounds with sophisticated sound gear, outstanding clothing and songs that made your blood boil. After a few 7” releases throughout the 1960s the first real album of GERALDO PINO & THE HEARTBEATS hit the scene in 1972. “Afro soco soul live” is as the title suggests an album that has been recorded at a concert and Geraldo Pino often communicates with the utterly enthusiastic audience, gives longer announcements between the songs or introduces his lead guitarist before he starts a simmering solo. All songs here have an average length of six minutes and despite their composed parts they show this free jammy flow. The basic style is funk with soulful vocals which gets mixed up with traditional African percussion grooves. This album swallows you with its mesmerizing rhythms. It's afro funk at best with a frantic atmosphere whirling up from the ever flashing percussive arrangements. The funky Hammond B – 3 organ is omnipresent on all the tracks and duels with the wild and completely unleashed lead guitar from time to time. Repetative chord progressions and harmonies decorate the solid rhythmmical base and deprive you of your senses while you get deeper and deeper into a trance like state moving and floating along on the dancefloor. Due to the crisp and clear sound this record gives you the feeling of being right at the scene, everything sounds and feels so vivid, even after more than four decades. So it is no wonder that this record is a popular gem in Western Africa but how is the reception from the European and American fans of furious funk music? Well, Geraldo Pino has become a legend in his home area but just a short time before his death in 2008 people from the Western World really discovered him and his amazing band. Original copies of this album go for several hundred USD if they ever turn up. So a reissue of this sacred gem of African funk music from the early 70s has been long overdue. A record that is made to let dancefloors smoke and tremble and the musicianship is sheer amazing!

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Brownout

7" | 2017 | US | Original (Fat Beats)

I Want You Love / I Want You Love Version

Release: 2017 / US – Original

Genre: Organic Grooves

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An 8-piece outfit formed ten years ago by members of Grammy Awardwinning Latin revival orchestra Grupo Fantasma, Brownout has evolved into a musical force all its own. After garnering their third Austin Music Award last year, the band has continued to produce music that is unflinchingly progressive, while evoking the classic influences of artists such asWAR, Cymande and Funkadelic. They’ve performed at events including Bonnaroo, High Sierra Music Festival, Pickathon, FFFFest, Bear Creek Music Festival, Utopia Festival and Pachanga Fest, while regularly touring the U.S. Brownout’s also served as a highly in-demand backing band for artists including Prince, Daniel Johnston, GZA and Bernie Worrell.

This 45 features two cuts from their latest release, Over The Covers, on limited edition gold vinyl

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Norma White

7" | 2016 | UK | Original (Soul Jazz)

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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Frisco Disco / It's Real With Sleeve

Eastside Connection

7" | 2016 | US | Reissue (Fraternity)

Release: 2016 / US – Reissue

Genre: Hip Hop

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LP | 2014 | EU | Reissue (Discrepant)

Malayeen

23,99 €*

The World Is A Beautiful Place & I Am No Longer Afraid To Die

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Discrepant proudly re-presents the Vinyl edition of Lebanese trio Malayeen. Malayeen is the project of Lebanese musicians Raed Yassin (Keyboards, Turntables & Electronics), Charbel Haber (Electric Guitar & Electronics) and Khaled Yassine (Darbouka, Percussion). Born from Yassin and Haber's love for the music of quintessential Egyptian guitarist Omar Khorshid, Malayeen disassembles and re-configures the work and style of the iconic guitarist innovative take on Arabic music. The final result makes for an original and unique update of Khorshid & belly dancing inspired songs from the past. Over the course of 7 compositions, appropriately named after Khorshid and famous belly dancers from the Arabic diaspora, the three musicians' varied backgrounds and techniques collide and coalesce in an experimental yet magical fashion, not actually playing Khorshid's music, but inspiring themselves from the cult guitarist's genius to create something completely new, modern and unexpected. A unique LP featuring the combined talents by key players of the Lebanese avant-garde.

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Thank You For Being Here

LP | 2023 | EU | Original (Epitaph Europe)

7" | 2023 | UK | Reissue (Tramp)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Thank You For Being Here is a new live album by The World Is A Beautiful Place & I am No Longer Afraid To Die and is a companion piece to a feature length documentary film of the same name. After multiple delays, the seven-piece band from Connecticut set out on the road (in a Van!) in Fall 2021 for a five -week tour to support their critically acclaimed new album, Illusory Walls. They brought with them a documentary filmmaker and audio engineer to capture the adventures. This collection of songs features fan favorites from the band"s catalog along with a deep dive into their latest studio album. Brooklyn Vegan raves, "..it"s no surprise that the band sounded super tight during all the new songs, and these songs really came alive on stage the way TWIABP"s best songs always have. Everybody was locked in and sounded massive." In Fall of 2021, for a brief moment the world of club touring in the US and Canada opened up again with the world seeming slightly more normal. Post pan?demic touring was different; aside from the moving of gear and crew, you had the challenges of keeping everyone healthy. Proof of vaccinations, masking and covid testing became as much a part of the show day as soundchecks. Thank You For Being Here, the film, gives you an inside look at the realities of touring as an Independent musician and the struggle of touring in the time of COVID.

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Earl Turner

S'port City Rock

12" | 2022 | US | Original (Edit & Dub)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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** Very Rare Disco/Modern Soul 2-Sider **

Born in Fayette, Missouri, Earl Turner made his recording debut in the late 1970s with a 45rpm single on his own De-Pact label ("S'port City Rock" b/w "Sunshine"). "S'port City Rock" can also be found on Tramp's "Can You Feel It? Vol.3 Modern Soul, Disco & Boogie 1976-85" compilation (Tramp Trlp/cd-9099) along with some more information about him.

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Edit & Dub

Super Disco Mixes

Love Is Selfish (Non-Album Acoustic Version)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Edit & DUB delivers more very mysterious unreleased 12" disco versions of classic jams Can't Hide Love (extended disco mix) and BAD FOR ME (disco re-edit) taking these cuts to a whole different level. Limited edition Japan style disco vinyl. Order now don't sleep!

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Jack White

7" | 2022 | US | Original (Third Man)

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Temporary Residence)

Lincoln

Repair And Reward

The Dusty Fingers Orchestra

Release: 2022 / EU – Original

Genre: Rock & Indie

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Lincoln was a Morgantown, WV band formed in 1992 by Jay Demko (vocals/guitar), John Herod (guitar), Justin Wierbonski (drums), and Johanna Claasen (bass). Dan Ball would later take over on bass. Though a band for only a brief time who left behind only a handful ofrecordings, they remain highly respected and are often regarded as one of the many foundational pieces of what would become known as "post-hardcore," as well as the proto-emo scene that was birthed by bands like Rites of Spring and Moss Icon. Lincoln's first 7" was originally released in 1992 by Watermark Records. The following year, their universally beloved split 7" with Washington, DC's Hoover became the inaugural release on the Art Monk Construction label. A final Lincoln 7" was released posthumously in 1994. All of Lincoln's releases have remained out-of-print and unavailable since the late 1990s. In 2021, Lincoln's entire recorded history was recovered, and the original analog tapes were restored and transferred. J. Robbins (Jawbox, Burning Airlines) newly mixed every song. All eight songs - seven that originally spanned three 7" singles, plus a previously unreleased track - are now finally available on CD, LP, and Digital formats. It all sounds and feels better than ever, and shows just how much a small band from a small town with a small discography can have such a large and lasting impact.

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Dramatic Underscores

7" | 2022 | US | Original (Fraternity)

Release: 2022 / US – Original

Genre: Organic Grooves

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Hate Über Alles White Black Marbled Vinyl Edition

Kreator

2LP | 2022 | EU | Original (Nuclear Blast)

37,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Mr Bongo Record Club Volume 5 Pink Vinyl Edition

V.A.

2LP | 2022 | EU | Original (Mr Bongo)

Touch Me (All Night Long) Feat. Fonda Rae

Release: 2022 / EU – Original

Genre: Organic Grooves

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It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.

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Wish

7" | 1984 | US | Reissue (Kn / Fraternity Music Group)

7" | 2021 | EU | Original (F-Spot)

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Side A: Touch Me (All Night Long) - The Undercover Brother 7" Vocal Edit
Starts with the classic accappella intro like the original 12 inch version.

Side B: Touch Me (All Night Long) - 7" Radio Edit

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Mestizo Beat

Left Behind / I Want You

7" | 1973 | US | Reissue (Fraternity)

Release: 2021 / EU – Original

Genre: Organic Grooves

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A band who’s been gradually making a dent in the West Coast music scene, Mestizo Beat is pushing forth with a brand new 45 that further expands on their core sound to fuse the old with the new while paying homage to the greats who came before. “Left Behind b/w I Want You” is no exception.

Taking inspirational elements from Roy Ayers, Isaac Hayes, George Benson, Eric B and Rakeem, Mestizo Beat teamed up with longtime friends Jamie Allensworth and Terin Ector to bring a fresh set of vocals and lyrical element to the bands mostly previous instrumental catalog. On Side-A we find “Left Behind”, an original collaboration between Mestizo Beat and Jamie Allensworth (Jungle Fire, Orgone, Night Owls) who’s soulful vocals and wide range takes us strait to those late night after hour jams complete with a Benson inspired guitar solo by Aquiles Magaña and vibraphone additions by Tim Felten (Sure Fire Soul Ensemble). Left Behind’s lyrical elements are about leaving wherever you are in pursuit of something you can't quite explain, but you'll know in your soul when you find it. The song is a constant state of wandering in search of where you're meant to be while the clock keeps ticking adding a sense of urgency. Then, Side-B, hits it hard with a cover of Marvin Gaye’s “I Want You” featuring Terin Ector (Organ, Moswen, Soluzion) on lead and Jamie Allensworth this time providing backup support. While staying close to the original but with added production value and vintage synthesizer strings soaring over top, these two songs together, along with production out of the band’s home studio, Spc#166 in Topanga Canyon, CA, take this record to new heights for a true “double A-side” slab of wax.

Mestizo Beat is a musical group and production team founded by brothers Aquiles and Agustin Magaña. Both songs mixed by Claudio Cueni and mastered by John Golden.

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Pegasus

Fire / Things To Come

12" | 2020 | EU | Original (Cécille)

Release: 1973 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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7" Black Vinyl - Limited Edition with Picture Sleeve

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iO (Mulen)

Meuse EP

12" | 2020 | EU | Original (Shift Imprint)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Anyone who knows about electronic underground house music knows Ukraine super export iO (Mulen). Cécille and iO (Mulen) have been connected for a long time, but only now have both found each other and put together a great 3 tracker. Meuse EP is the first EP on Cécille three individual tracks which are at home in every set. Take a listen and enjoy.

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Eddie Fowlkes

Plant 19 EP

Summertime (Vocal / Instrumental)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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One of Detroit Techno’s founding father and legendary DJ/Producer arrives to Shift Imprint for the 7th cut of the label with Plant 19 EP, a subversive two tracker record only available on 12”. Enjoy…

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High Frequency

7" | 1980 | US | Reissue (Nia / Fraternity)

7" | 2019 | US | Original (Fraternity)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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High Frequency - Summertime

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Sidibe

What Should One Do?

Release: 2019 / US – Original

Genre: Hip Hop

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7" | 2019 | EU | Original (Linx Ink)

Missin' Linx

M.I.A. / Lock'd

The Beat Box Boys / Teen Rock

Release: 2019 / EU – Original

Genre: Hip Hop

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The underground hip-hop group Missin' Linx was led by Al Tariq (formerly the Beatnuts' Fashion) and also included Black Attack, and Problemz among its core ranks. Their debut single M.I.A. produced by Vic with the B-Side Lock’d, produced by Necro became an instant hit in the Hip Hop scene of the 90s. Using as sample from David McCallum called “The Edge” the song captured the ears of many fans and producers.

Everyone has heard Dr. Dre’s 2001, even if you aren’t a fan of rap music and the single “Next Episode” which was one of the most iconic songs of its decade. Before Dr. Dre released his version of the sample, another artist beat him to the punch. M.I.A. released by “Missin Linx” in 1998, almost a full year before Dr. Dre released his sample of the beat. The co-producer of the track, Mel Man frequently visited the Fat Beats LA store when the Missin Linx song was circulating.

The popular single is now available on seven inch for a limited time paying homage to the classic Hip Hop scene of the nineties.

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Yum Yum (Eat Em Up) / Set Me Free (U.B. 7" Dub Edit)

7" | 2019 | US | Reissue (Meno Vision / Fraternity)

Pat's Rubber Band / Phone Call From The Devil

Release: 2019 / US – Reissue

Genre: Electronic & Dance

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This 7" double-header delves into the vast vaults of Bobby Orlando, a prolific New York producer whose muscular mutations of electro, Italo-disco, freestyle and Hi-NRG were popular in gay clubs around the globe. He specialized in "concept groups" - made-up acts fronted by session singers who were hired in to front the tracks he produced. Two of these concept acts are showcased here. On the A-side you'll find "Yum Yum (Eat 'Em Up)" by The Beat Box Boys, a stripped-back and slightly silly - but undeniably fun - electro workout from 1985. On the B-side you'll find an edited version of the Latin Rascals dub of fine 1985 freestyle cut "Set Me Free", which was credited to Teen Rock and bears some similarities to Orlando's early productions for the Pet Shop Boys.

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Alley Pat

7" | 1977 | EU | Reissue (Everland)

LP | 2019 | US | Original (Mass Appeal)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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One more extremely obscure 7 inch reissue on EVERLAND MUSIC. Originals are impossible to find, so it actually makes sense to me, to make it available again to all the soul and funk collectors and probably new fans out there. Recorded by the legendary Calvin Arnold, the title track is a groovy, simmering hot funk song as funky as it could be. Early 70s sound, although the music was recorded in 1977. The B side contains a kind of spoken word performance, a phone call, as the title tells you. One guy, certainly the band’s singer, answering a phone call talking to someone whom he refers to as “The Devil” or “Mr. Boogeyman”. There are people in the background laughing. A strange track indeed. The A side indeed is a killer tune and worth the few bucks for this great reissue alone. Funk aficionados will grab a copy anyway.This is a great dancefloor sweeper with a hypnotizing structure, beautiful horn section melodies, an ever pulsating groove, commanding spoken vocals and female singers in between. Clever DJs should grab a copy to make their audience go wild. A nifty little obscurity and worth having for fans of music as black as music can be. Great sound, great interplay, steaming hot performance, this tune has everything you would want and is even a memorable effort. It stands the test of time.

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N.O.R.E.

21,99 €*

12" | 2018 | US | Original (Dark Entries)

Release: 2019 / US – Original

Genre: Hip Hop

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One of Queens, NY most popular MC's, N.O.R.E. (aka Noreaga) returns with the new album 5E from Mass Appeal Records.

Earlier this year, Mass Appeal dropped the first single Uno Mas. The track was produced by N.O.R.E.'s long time collaborator Pharrell Williams, who is also featured on the song.

2018 is a special year for N.O.R.E.: it marks the 20th anniversary of his first, self-titled solo album that featured the hip hop anthem Superthug, produced by super production team The Neptunes.

Most recently, N.O.R.E. has developed the popular podcast Drink Champs, that also airs on Revolt TV as a video series. In addition, he is also the host of Complex TV digital series "On The Run Eating," that is currently in production for a new season.

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Sepehr

Body Mechanics EP

LP | 2018 | CZ | Original (Hit & Run)

Release: 2018 / US – Original

Genre: Electronic & Dance

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We are excited to release a 6-track EP from San Francisco based DJ, producer, and remixer Sepehr Alimagham. The San Jose native has been a fixture in the Bay Area house and techno scene for quite awhile now — on the dance-floor, behind the decks, in the studio, or all of the above. Early influences like Boards of Canada, Aphex Twin and post-hardcore bands later in high school started his affinity for off-kilter, underground music. In 2017 he began performing live PA sets, utilizing his immense production backlog to perform vivid and electric sets, from potent dance music to psychedelic and esoteric soundscapes.

"Body Mechanics" is six tracks of acid drenched dance music that ebb and flow from floor filling club thumpers to more cerebral soundscapes. Inspired by the new wave of the acid sound as well as nostalgia from his formative years in the San Francisco music scene, 'Body Mechanics' takes a functional, yet psychedelic approach to 303 styled techno and electronica. Attention demanding basslines, indiosyncratic structures and hallucinatory atmospheres provide an effective framework for Sepehr's vision. The themes of the track titles take root from a series of dreams Sepehr had with a common atmosphere of strange characters and textures, akin to scenes from David Lynch's 'Twin Peaks'. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket featuring a dark and inviting cyborg hand holding a rose designed by Nicole Ginelli.

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Contact Field Orchestra

LP | 1980 | EU | Reissue (PMG)

Release: 2018 / CZ – Original

Genre: Hip Hop

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In 2008 I came across a box of 7” tapes at an estate sale in Altadena. The woman there said that they had belonged to her father and were “field recordings” of a turn-of-the century orchestra. It took me maybe another year to actually load them up and transfer them to the computer. When I did, what I found was an incredible documentation of indigenous folkloric music that was meticulously recorded and then later transferred to 2-track tape sometime in the 1960’s. The tapes were labeled “Contact Field Orchestra”-- a collection of field recordings that seem to date from sometime around the turn of the 20th century (possibly a little earlier). After transferring the tapes and cleaning them up as best I could, I discovered that due to the frequency range, they must have been recorded largely with hand-made piezo transducers of some sort. Some of the tapes were partially destroyed, so I found that I had to re-play or play over the songs as best I could to fill-in and augment the original ideas. I tried to stay as true to the original recordings as much as possible. I’ll admit I took some liberties with the EQ (perhaps too much...) and where applicable added a small amount of delay and reverb to accent the track. (Okay, and maybe a few electric guitars...sue me.) The result, I think, is an amazing collection of esoteric folk recordings of a mysterious band of San Gabriel miners turned musicians. Apparently having given-up after the gold boom, these folks stayed in what would later become Upper Mallard Canyon in Altadena -- living in the old Dawn’s Mine shaft, and crafting their own instruments from discarded mining equipment and whatever small guitars and banjos they had brought with them. The sound this orchestra created is like something out of a Jim Jarmusch film, and reminds me of an old Library of Congress or Folkways recording. The music itself is full of opposites -- hypnotizing and odd; meditative and jarring. It’s strangely familiar, but also distantly unrecognizable. Some songs are more minimalist in their approach, building up a rhythm with mbiras and percussion, while others seem to have much more harmony and tonal structure and almost Blues/Country feel. Either way, they had me hooked from the first bar, and I find myself returning to it again and again, irregardless of my heavy-handed noodling... I’m really happy to have discovered this, and I hope you are too. All the best, Damon Aaron / “Sounds like Tom Waits and Augustus Pablo smoking opium on the bayou.” - Kutmah

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Theadora Ifudu

First Time Out

9,99 €*

7" | 2018 | US | Original (Loveturl)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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First Time Out is a cosmic soul transmission from Nigeria’s own Diana Ross, Theadora Ifudu. The arty co-host of hit TV program, ‘The Bar Beach Show’ hooked up with the guys from Monomono to created an album that is sultry, sexy and effortlessly cool. It’s a smoky, New York Soul Club on wax. A graduate of the New York film school, Ifudu considered herself an artiste, and the opening track, ‘Hello There!’ Is arresting in its cinematic scope and intriguing strangeness. After briefly channelling Miriam Makes in ‘Gbata Ngwa’, she moves into full diva mode. ‘(When Will It Be) Right Time’ features vocal runs that Mariah Carey would be proud of and ‘That Man’ has a smoky, jazz club vibe. It’s easy to imagine Theadora, under a single spotlight, dazzling in a sparkling figure-hugging crowd, holding a hard-to-please New York audience in her thrall. At times funky, laidback and smooth, the greatest compliment that can be paid to First Time Out is that it sounds international. The musicianship is first class, the vocals faultless and the mood super smooth. Theadora Ifudu, the self-proclaimed ‘moon watcher, ragdoll and artiste’, created an Afro soul masterpiece for the ages. - Peter Moore

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V.A.

The Unseen Breaks

7" | 2018 | US | Original (Transistor Sound)

Release: 2018 / US – Original

Genre: Hip Hop

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The Unseen Breaks is a Limited press, 7 inch vinyl experience of Gus Sutherland's "The Unseen - A Detroit Beat Tape", chopped and edited into a classic Detroit break record. Includes bonus production from the producers featured on the soundtrack and in the documentary (Amp Fiddler, Quelle Chris, J Dilla, Dakim, House Shoes, Slautah, Ahk, Hugh Whitaker, & Rafael Statin) curated by TaRaach. From the 1st clip of "Start Recording" to the blaring of the J Dilla Anthem "Ghetto Wish", this 7 inch serves its purpose for any DJ needing to improve their collection.

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Monophonics

Beggin'

LP | 1983 | EU | Reissue (Everland)

Release: 2018 / US – Original

Genre: Organic Grooves

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Monophonics are back with a 45 cover of a Frankie Valli and the Four Season’s “Beggin’” that fuses the complimentary and explosive soul, rock and funk influences, proving themselves to be the rightful inheritors of the Bay Area’s impressive psychedelic soul sound.

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Gary

Chilling Out

LP | 1964 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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In his late teens Rev. Gary Hairston wasn’t only serving the Lord, he was also a member of funk outfit Opus 7, that recorded the great album "Thoughts" in 1979. Although it was distributed nationwide, the group album was not very successful. In 1983 the Winston-Salem, NC native Gary Hairston delivered the now mega rare album "Chilling Out", his debut solo-album under the moniker GARY. It was recorded under the auspices of legendary musician/producer Harry Deal at his Galaxie III studios. Now the album is a well sought after electro, funk and boogie classic, and Everland is proud to present the very first and official reissue of this previously almost unobtainable private press nugget.

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Solomon Burke

Rock 'N Soul

28,99 €*

Maurice Moore And Family Affair Band

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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The album Rock 'n Soul was originally released in 1964 by Grammy Award winning Solomon Burke (†2010). 7 tracks ended up in Top 100 Billboard Hits at the time. "If You Need Me" went as high as #2 in the Black Singles Chart. This extraordinary album is not only soulful but a confirmation that Burke is a genius when it comes to writing music and making it happen in a studio!

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Everything That Shines Ain’t Gold

12" | 2017 | EU | Original (Melodies International)

LP | 1975 | US | Reissue (Fast Track)

Release: 2017 / EU – Original

Genre: Organic Grooves

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A few years ago, Melodies family members Floating Points and DJ Red Greg got their hands on a couple of original 70s obscurities. While these standout records shone brightly in their own right, the two DJs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. Of these new recordings, they cut only five copies for themselves and a few DJ friends of theirs.

Today, Melodies International is very proud to bring you MEL006 and MEL007. Fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two ‘You’re A Melody’ classics weren’t originally meant to get official releases. But due to popular request, they are now available to play and share in very special moments at parties around the world.

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Sugar Billy

Super Duper Love

Release: 1975 / US – Reissue

Genre: Organic Grooves

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12" | 2013 | US | Original (Unknown Deetroit)

Deetroit

Catchin' That Groove EP

Exoteric Continent & Cont Ext

Release: 2013 / US – Original

Genre: Electronic & Dance

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Back in stock! Super limited pressing by a well known producer who prefers to let the music speak for itself. "DEFINITION" feels like ROLANDO's "JAGUAR" and may remind folks of DERICK MAY, but all the other tracks are equally as cool. A mix of deep house and/or techno. Hand stamped white labels.

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Residual EP

7" | 2016 | EU | Reissue (Altre)

Jingle Bell Blues Translucent Red Vinyl Editoin

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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Behind this work lays the evolution of our idea of the human, with all that it entails in current times. This is an effort to reflect with compassion and to experience feelings of helplessness through loss. The cognitive volitional duality of being a human in 2016 - Where do we belong?

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Billy F Gibbons

7" | 2024 | EU | Original (Concord Music Group)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Gold Leaves/ Lee Hazlewood

Won't You Tell Your Dreams

7" | 2013 | US | Reissue (Light In The Attic)

7" | 2021 | AU | Original (ABC Music Oz)

Release: 2013 / US – Reissue

Genre: Pop

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Limited edition 7" series on "smokey grey" vinyl with custom LITA juke-box style sleeve in a poly bag with custom die-cut sticker. Other artists in the series include Iggy Pop & Zig Zags covering Betty Davis, Mark Lanegan covering Karen Dalton, and Sweet Tea (feat. Alex Maas of the Black Angels & Erika Wennerstrom of the Heartless Bastards) covering Wendy Rene. More releases in the series to be announced. Celebrating Light In The Attic's 10 year anniversary in 2012, we are releasing a series of very special colored vinyl 7"s and digital downloads. The series features contemporary artists covering a track reissued by Light In The Attic on the A-side, plus the original version on the B-side. In 2011, Seattle band Gold Leaves released one of our favorite albums of the year. The Ornament is their debut long player and was released by Hardly Art/Sub Pop. We've been obsessing over their sound ever since and are honored to have the band contributing a track for our 10 year anniversary 45 singles series. For the series, Gold Leaves record a hazy take on Lee Hazlewood's "Won't You Tell Your Dreams." Found on the flip side is Hazlewood's version, which was originally included on his solo album Requiem For An Almost Lady, released in 1971 on his label LHI. A-side is produced by Gold Leaves, engineered by Chris Early, and recorded in Seattle in September 2012. B-side features Lee's original version as remastered by John Baldwin for our recent compilation Lee Hazlewood - The LHI Years: Singles, Nudes, & Backsides (1968-71).

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Custard

Funky Again Summer Lovin

22,99 €*

Release: 2021 / AU – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Sweet Sun)

SLOUCHO

NPC

25,99 €*

7" | 2024 | Original (V2)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arriving as the third album on Supreems ‘Sweet Sun’ label – an imprint gathering a reputation for future-facing, storytelling electronic music – Sloucho's 'NPC' explores the duality of his main character and non-playable lives. With a strong Irish artistic presence featuring Rory Sweeney, EMBY, Curtisy and more, Sloucho navigates through Cloudcore-inspired broken beats, bass-driven percussion, alternative dreamscapes and wubby fuck-steps on his most complete release to date, laying the foundation for an origin-story in the process.

Garnering support from Surusinghe, Roza Terenzi, Two Shell and more; some of the tracks on NPC have already been heard in clubs around the world - from Antwerp to London and Mumbai to Paris. ‘Mind Traveller’ offers an ambient introduction to ‘Athrú’, Sloucho’s home world, as the artist's pitched vocals act as the listeners guide into the island's core. ‘Mutant’ features experimental electronic artist Rhoshi on a track that follows the kaleidoscopic sonic-themes of Sloucho’s previous Cloudcore releases ‘Slow Feet’ and ‘Silver Veil’, before the Rory Sweeney-featuring ‘Come Around’ ignites the dance with its dutty screw-face two-step, balanced by moments of melodic contemplation before evolving into a techno-dancehall hybrid.

‘Brand New’ stays on the steppy aesthetic, and brings MCs EMBY and Zack Oke into the frame with a 3D Meta-human video created in collaboration with respected, exhibiting digital artist Aisling Phelan. Using a motion capture suit, they captured EMBY and Zack’s performance and imported it into Unreal Engine, using different environments scanned from around the Greek Islands as the backdrop. The result is mind-blowing; a complete digital realm, shot like a real-life rap video as EMBY and Zack spit bars across an elasticated garage riddim. Full video is on YouTube.

‘Super Maramu 2000’ is a cut of alien-club beamed directly from ‘Eile’, the afterlife of Sloucho’s Neolithic ancestors. A waltzer-ride through Latin-bass and techno with an oxymoronic blend of maximalist and minimalist futurism, it’s as silly as it is serious, before the stuttering, juke-influence of ‘Make It Work’ brings the album’s rapid first half (and a bit) to a close.

Sloucho seamlessly weaves from front left of the club to dark, fume-filled rooms on ‘Two Thousands’ (featuring EMBY and Curtisy), ‘Rocks’ (featuring Zack Oke, who sounds remarkably like experimental spoken-word artist Coby Sey here, and Chilean artist Vatican Jail) and ‘Lights On’ (featuring Yamagōchi), Sloucho explores a previously unseen side to his sound, meandering through alternative trap and hip-hop laden beats that are both dreamy and nightmarish, bringing NPC to its starry-skied climax.

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Marathon

Mind Fire

Release: 2024 / Original

Genre: Rock & Indie

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7" | 2024 | Original (Tommy Boy)

Queen Latifah

Ladies First

Release: 2024 / Original

Genre: Hip Hop

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Fossora Reimagined Crystal Clear EP Vinyl Box

Björk

Box | 2023 | EU | Original (One Little Independent)

211,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | US | Original (Goner)

V.A.

Split System Volume 2

Aqua X: Super Coracle / Tarzana Split

Release: 2024 / US – Original

Genre: Rock & Indie

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Naarm / Melbourne, Australia has been churning out reliable punk rock since the likes of The Chosen Few and Rowland S. Howard were kicking about in the late ’70s. Split System are a band that carry on this tradition into the 21st century. Cooked up behind the scenes in the Covid lockdowns, they seemingly came out of nowhere but sounded like they’d been slamming beers to Saints and Radio Birdman records together and playing gigs for many years. Their Vol. 2 is unmistakable Aussie high voltage proto-punk.

In their short time on the scene they have demonstrated a knack for combining muscular street punk with classic rock hooks. Their debut album Vol. 1 and follow up 7-inch were described as ferocious and powerful records with amphetamine swagger. They’re high energy and don’t believe in muddy guitar tones. The band are in their element during their raw live shows. They have shared bills with the likes of Amyl & The Sniffers, Cosmic Psychos, Civic, Bad//Dreems, Hard-Ons, Clamm, Cable Ties & C.O.F.F.I.N.

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Tarzana / Sun Araw

12" | 2023 | UK | Original (Keroxen / Discrepant)

22,99 €*

LP | 2010 | US | Reissue (Kranky)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Introducing a super charged split LP featuring the talents of Cameron Stallones aka Sun Araw and Spencer Clark’s duo with Jan Andersen, Tarzana.

What originally started as an Aquapelago inspired residency in the summer of 2021 quickly developed into its own thing. Truth be told, both artists always surfed their own personal waves of musical freedom, so Aquapelagos Vol.2 album became Aqua X, a split offshoot work featuring rehashed Tarzana compositions on one side and a live presentation form Cameron’s residency in the island of Tenerife around Keroxen festival’s 13th Edition. With two artists very dear to us this split LP picks up perfectly on the aquapelagic concept and twists inside out into worlds high and below creating a further testament to both’s artists oeuvres. Here’s an extract of Professor Haywards original liner notes regarding the music:

‘’The tracks on this album reflect the geo-cultural position of Californian-based musicians, Cameron Stallones, (who records here under the Sun Araw moniker), and Spencer Clark and Jan Andersen’s (performing as Tarzana) with oceanic atmospheres and structures of feeling.

Sun Araw’s dedication to producing subtle, flowing, psychotropic compositions can be read as an attunement to the oceanic sublime. Recorded within the disused Keroxen tank in Santa Cruz harbour in Tenerife, The Canary Suite is an extended piece that features a mix of electronic pulses, short synthesizer fragments and distorted guitar bursts. The textures are relatively sparse throughout, with a linear emotional contour sustained by an ongoing melodic play within a defined band of possibilities before settling into a calmer, soothing and floating mood, like an aural floatation tank.

Tarzana’s tracks artfully blend simple synthesizer tones, vocal exhortations, and an assortment of treated instrument sounds to create a pulsing, wandering and restless music. Short rhythmic ostinato fragments push and pull against bold blown pipes and horns while subtle darker colours and shades intermittently move through the soundscape to intensify the mood. This is busy and dense music but with an orderly flow and internal sense of motion that sweeps up the listener in its wake, like a sailing ship propelled through tropical seas.’’

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Low

Christmas

28,99 €*

LP | 2023 | US | Original (Drag City)

Release: 2010 / US – Reissue

Genre: Rock & Indie, Christmas

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First time vinyl release for this classic LOW holiday recording. We would suggest that few bands from an ostensibly "indie rock" background should release Christmas music, if not out of respect for the holiday or material then at least out of a sense of self-esteem. Low, however, were made for this. Their attention to musical detail combined with the heavenly vocal harmonies of Alan Sparhawk and Mimi Parker are perfectly attuned to both traditional carols like “Silent Night” and more contemporary tunes such as “Blue Christmas.” Christmas contains a selection of seasonal songs, including four originals by the band, mostly recorded at Lowʼs 20º Below studio in Duluth, MN. “If You Were Born Today” and “Blue Christmas” were released as a 7-inch single in 1997 on the English Wurlitzer Jukebox label, while “Taking Down The Tree” is taken from a 1998 compilation of live recordings issue by the Dutch Vpro radio station.

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John Fahey

Proofs And Reputations

28,99 €*

Sidibe Featuring Mononeon

Release: 2023 / US – Original

Genre: Rock & Indie

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Recorded in 1995 and 1996, mostly in John Fahey"s room at a Salem, Oregon boardinghouse, the performances on Proofs and Refutations prefigure the ornery turn of the page that marked Fahey"s final years, drawing another enigmatic rabbit from his seemingly bottomless musical hat. Cloaked in the language of dogma - what is he proving? refuting? - this is Fahey dancing a jig in the Duchampian gap, jester cap bells a-jingling. True believers? He"s got something for you: an uncompromising vision that you can sneer at ("guy can"t play anymore and refuses to concede!") or embrace as evidence of his genius ("the reinventor does it again!"). Skeptics? He"s there with you, too: sending up the fallacy of certitudes altogether. Institutions, systems, accepted wisdoms. Heroes. Alternative facts, indeed. Right out of the gate, Fahey re-materializes before us, somewhere between Oracle of Delphi and Clown Prince at Olympus. Mounting a thundering dialectic from on high, "All the Rains" resembles nothing else in his extensive discography - betraying roots in everything from Dada to Episcopal liturgical chant - and contains nary a plucked guitar note. You can"t fool him! When the lap steel of yore appears on "F for Fake," it serves more as soundbed for an extended sequence of vocal improvisations, running the gamut from wordless Bashoian caterwauling to free-form (but decidedly fake) Tuvan, even revealing a burnished falsetto in the process. Fahey takes on a different kind of provocation in the two acoustic guitar-based tracks closing Side 1 - "Morning" parts 1 and 2 - the first of 4 recordings in this session that have him wrestling with the ghost of Skip James, perhaps Fahey"s effort to wrench the "bitter, hateful old creep" (his words) back into the grave. Anchoring Side 2 is the two-part "Evening, Not Night," the second half of his extended cathexis on James (and the latter"s avowed castration complex - another story for another day, perhaps). Bit of a chill in the air - where"s the impish Fahey from earlier? Unmistakably working through some psychic wounds here, we might think: the unheimlich rendered in glistening viscera. Or is he playing with our notions of authenticity, of his reputation as troubadour of raw emotional states, a pilgrim of the ominous, the simmering unconscious? These cards are kept decidedly close to the vest. The opening and closing pieces again feature Fahey"s guitar as drone soundbed - employing distortion, oscillation, and an altogether absurd quotient of reverb to create texture and harmonics that are - if we wanna go there - not dissimilar to the sustained tonic clusters of Tibetan singing bowls, the hurdy gurdy, Hindustani classical music, or La Monte freaking Young. Portions of this material appeared on obscure late "90s vinyl in the 7" or double-78 rpm format, but as a "session" it has lain dormant more than a quarter century now. Taken together, we can now see these tracks as secret blueprints to latter-day Fahey provocations, several years prior to records like 1997"s City of Refuge and Womblife.

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Tellin' U

7" | 2023 | US | Original

Release: 2023 / US – Original

Genre: Hip Hop

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Baby, This Love I Have [Fraternity Remix]

Avis

7" | 2023 | US | Original (Feline)

Gustaf Ljunggren / Emil De Waa

Release: 2023 / US – Original

Genre: Organic Grooves

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Feline

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Stockholm Kobenhavn

LP | 2023 | EU | Original (April)

Noise Floor: A Companion Opaque Gold Viny Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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The concept of strict musical genre has arguably been dead for decades, and the latest offering from Danish powerhouses Gustaf Ljunggren and Emil de Waal once again reinforces this notion. Their third collaborative album "Stockholm Kobenhavn", a spacious, cinematic and boundaryless exploration of their shared musical connection is set to release on July 7th on April Records. Emil de Waal has been one of Denmark"s leading drummers for three decades. Gustaf Ljunggren initially studied the saxophone at the Rhythmic Conservatory of Copenhagen, where whispers spread throughout the school that he was the best saxophone player in town and yet never practiced. His career has seen him prove that he can bring grace, musicality and heart to any instrument he touches, from the pedal steel guitar, to the bass, piano, and more. In the words of Danish multi-instrumentalist Kresten Osgood, "Although an instrument may be new to him he is able to play it like he has had a lifetime of experience working with it. Over the years I think the only instrument I haven"t seen him play is the drums." "Stockholm Kobenhavn" has a vast array of influences including Jazz, Americana, Film Music and Electronica. It is full of space, coaxing the listener into a meditative state and inviting them to drift away with their own imagination. The record plays as a series of open-ended sketches or moods, absent of big defining melodies or familiar song-like structures. Each piece evolves over time, providing musical interest in the form of rhythmic ideas, rich harmony, texture, and repetitive melodic patterns from a guitar or rhodes. Imaginative electronic production techniques combine the warm sounds of acoustic instruments with a constantly developing palette of otherworldly textures and effects. Grounded by an unwavering pulse, the combination of programmed beats and acoustic drums provide the hypnotic foundation over which the pair explore and challenge their common musical ground. The album closes with an intimate recording from a performance at Stuk in Belgium, with a comforting guitar-led Americana tune bringing the listener back into the room and sharing in the joy the duo have felt in playing together over the past twenty years.

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Bright Eyes

LP | 2023 | EU | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Give Me A Little Bit Of Time

The Vel-Vettes

7" | 2024 | EU | Original (Tramp)

Peace Is Not The Word To Play Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Sister funk backed with a wonderful ballad. A real treasure for fans of independently produced soul music from the 1960s. Be quick, limited pressing.

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Main Source

7" | 1991 | UK | Reissue (Mr Bongo)

7" | 2024 | UK | Original (Chosen Spokes)

Release: 1991 / UK – Reissue

Genre: Hip Hop

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Official Mr Bongo Hip Hop Reissue We’ll get to the vocal content in a second, but first it’s time to acknowledge what a patchwork tapestry of genius ‘Peace is not the word to play’ is in terms of production. Large Professor being a prodigy on the Sp-1200 is well established, but the way he flips parts of MFSB’s ‘tlc’ and Milly and Silly’s obscure ‘Gettin’ Down for Xmas’ with a sprinkling of Lyn Collins here establishes his credentials in the top tier. Lyrically, it’s a tour de force, with Main Source taking exception with the misuse of the word ‘peace’ by the hip-hop fraternity. With even the most homicidal of gangster rappers dropping it at the end of tracks at the time, time was overdue for some regulation. The album version makes its point pithily in a single verse, while the remix, included on the flip of this first ever 7” release, expands on the topic with new verses and some new samples too. It’s a welcome reminder of the time when remixes were remixes – not just the identical track with the latest hot rappers joining in. Most of all, Main Source once again walk the fine line between lyrical lecture and head-nodding banger – the rare example of a track with a point to make that can still fill a dancefloor and get necks snapping.

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Nick Bike

A Lil Respect

Conductin' Thangs Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Nicholas Bicycle is Nick Bike when in music mode and his next ride takes him deep into the world of the Queen of Soul. Once there he turns out a pair of crucial remixes that will slip right into the upper echelons of your collection. Up first is his take on Aretha's tramp classic 'A Lil Respect' which comes on strong with more heavy and floor-ready drums. Flip it over and you will find 'A Step Too Far Away' which goes from early evening soul to a nice early evening stepper to get the crowd in the groove.

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Maestro Fresh Wes

7" | 1991 | CA | Reissue (Flipnjay)

20,99 €*

Let’s Ride / Bare Witness Feat. Guru Black Vinyl Edition

Release: 1991 / CA – Reissue

Genre: Hip Hop

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Maestro’s Caribbean flavoured jammy from his very dope 2nd album “Black Tie Affair” is on 7” for the first time Ever on standard black vinyl and limited white vinyl. Main Source's K-Cut produced the main version and did the very rare remix on side b too! This is literally the only place to get the K-Cut remix. It is a lost gem that isn't on streaming services. The "Conductin' Thangs" 12" was only released in limited quantities in Canada.

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Choclair

7" | 1999 | CA | Reissue (Flipnjay)

23,99 €*

Release: 1999 / CA – Reissue

Genre: Hip Hop

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Super Seal Giant Robo V.2 (Right Arm)

Skratchy Seal

10" | 2017 | US | Original (Thud Rumble)

29,99 €*

Brat Black Ice Vinyl Edition

Release: 2017 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Aqua blue marbled vinyl. Cover has tiny wear, a bent corner and a thin, long blade cut. Vinyl with scuffs and hairlines and DJ stickers on the runout.

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Charli XCX

LP | 2024 | US | Original (Atlantic)

33,99 €*

Release: 2024 / US – Original

Genre: Pop

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Music, Sweet Music / Forward Motion

The Ellis Hall Group

7" | 2024 | UK | Original (Super Disco Edits)

Lo-Fi Hip Hop Instrumentals

Release: 2024 / UK – Original

Genre: Organic Grooves

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Music, Sweet Music" sounds like a perfect little song with lovely summer vibes, a bit of vocal scatting and lovely organ licks from the multi talented Ellis Hall. We love the feel of this one that sounds like The Crusaders/Blackbyrds, and Stevie Wonder rolled into 2:38 of soulful pleasure. Flip it over and "Forward Motion" kicks off with some pretty generic 70's horn play, boom, rasping drums and melodies kick in with some fun interplay between Ellis , Patty Unitas and Pat Thomas on the background vox. The full line up from these recordings are Ellis Hall Jr (Keyboards/Vocals) Patty Unitas (Vocals) Pat Thomas (Vocals) David Fuller (Drums/Vocals) Michael Thompson (Guitar) Stanley Benders (Percussion)

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Kaito - Ian

7" | 2024 | US | Original (Galaxy Sound)

7" | 2024 | UK | Original (Chopped Herring)

Release: 2024 / US – Original

Genre: Hip Hop

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Kaito, an out cold skater as well, has a couple of self-releases you can find on his Bandcamp page, which are solid & sound at home alongside his pop’s ( Todd Osborn) Ghostly International releases. This 7” EP outing spins at 33 1/3 to pack in as much as GSC can squeeze in & is straight up beatloverz heaven. What is impressive, for this old timer, is how clearly deep Kaito’s musical knowledge goes. He clearly has learned well from his father & all the good music he certainly has had at his fingertips. From Madlib to Os Mutantes to Fela Kuti to J Dilla & other artists who were not afraid to dig deep & unearth beats & melodies to tickle your fancy, Kaito’s tastes are as refined as anyone in the game. I know a number of the original source materials that comprise each track, but that I leave to you to dig out for yourself. Here I encourage you to open your eardrums & listen deep with your fav pair of headphones & let each track wash over you. From straight forward head-nodding hip-hop thumpers to beautiful Brazilian femme fatale vocals that lure you into the loop, to a Afrobeat driver that’ll break ya neck, to a mellow, soulful MPC hopper that will lovingly recall a Arlo Parks joint, to then closes out with a synth-laden spaced-out dreamy loop to end credits.

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Dr. Ooo

Mailman

The Inside Guys / My Friend Heartaches

Release: 2024 / UK – Original

Genre: Hip Hop

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Stoopid dope 4-track 7" EP outta Buffalo, NY.

This one sounds to me a lot like the fabulous MC Paul Barman - It's Very Stimulating EP, produced by my [undisputed] Goat producer, Prince Paul. I know I know, high praise, like smokin a doobie on the roof of the Vatican, but I feel I'm entitled, as I have done sh1t with both of 'em

Just do me a fava, follow Dr Oooo, who is a full time mailman by the way, on his daily rounds, roaming the metaphorical plains and excreting that dopeness. If you need an airmail sticker or require tracking, Ooo is your mf'in man. Backing him up down the Post Office, behind a scratched glass screen and lickin' stamps all day long, is fellow Buff producer and founding Pseudo's member, Tony @, Tommy Quattro & Definition.

Freakin love this [f]ish - pure Eau d'Herring....

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The Soul Interiors

7" | 2024 | UK | Original (Kent)

7" | 2021 | EU | Original (Erste Theke)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The mysterious and oddly named Soul Interiors recorded two terrific sides for Mickey Stevenson in 1972, ‘The Inside Guys’ - a sublime dancer and the deep soul harmony of ‘My Friend Heartaches’.

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Prison Affair

7,99 €*

Carolyn Crawford / Hodges, James, Smith & Crawford

Release: 2021 / EU – Original

Genre: Rock & Indie

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Warning! This EP is full of sociopathic grooviness.

"There is something so familiar and comforting about this unique 4 song EP. That guitar tone; those riffs – as if I’ve heard it before. I went through my entire tape collection. DLIMC? CCTV? Coneheads? Research Reactor Corp? Gary Supply? Gee Tee?

No, but you get what I mean. It has a familiar rock air to it. As soon as I hit ‘publish’ I’ll think of who’s alter ego this is and immediately want to kick rocks for not hitting the buzzer.

Either way, this “Barcelona” band called Prison Affair came ripping through my speakers in the late hours and has been on repeat ever since. It has the quick hi-hat hits and wobbly tape effects that are instantly gratifying to the senses. It’s soothing and anxiety driving. It’s dark and bouncy.

It traps you like a cage and drives you mad in your four wall cell. Or maybe it’s just driving me crazy that I can’t pin down who the fuck this is.

Perhaps it isn’t something I’ve heard before. This is just a new hip band from Spain and they’ve just hit the nail on the head for someone that loves 4-track recordings, middy guitar riffs, lofi bass, and tight drum beats. Prison Affair really contained me in their sound, locked me up in world, and won’t let me go.

They’ll take you on a journey from processing to the wardens office and straight to their isolation cell in just under 5 minutes. Before you know it you’ll be out on the streets and ready to commit a crime, just to be arrested to get a chance to hear more from Prison Affair."

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It Takes A Lotta Teardrops / I'm In Love

7" | 2024 | UK | Original (Kent)

Get Up And Move / Sugar Boy

Release: 2024 / UK – Original

Genre: Organic Grooves

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We follow up Carolyn Crawford’s recent big selling Kent 45 ‘Get Up And Dance’ with another top class Mickey Stevenson production on ‘It Takes A Lotta Teardrops’.

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Carolyn Crawford

7" | 2024 | UK | Original (Kent Dance)

7" | 2020 | EU | Original (Static Shock)

Release: 2024 / UK – Original

Genre: Organic Grooves

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This Kent single has been eagerly awaited for some time. Plays at the 100 Club and other venues of ill-repute, has made it a must-play, dancefloor-filling track.

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The Times

Red With Purple Flashes

6,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Show Ya How To Mc / Let's Be Clear

Fokis

7" | 2024 | US | Original (Loyalty Digital Corp.)

Release: 2024 / US – Original

Genre: Hip Hop

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LP | 2024 | UK | Original (Chopped Herring)

Hahyeem & Karbine

Far From Home

29,99 €*

Konk Party / Hold On To Your Mind

Release: 2024 / UK – Original

Genre: Hip Hop

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And we're back. Sorry about Monday night - site issue - now fixed!!

It's been 7 years since the last 12" drop by Hahyeem on Herring and here we have a stunning new album produced exclusively by NYC beatmaker, and some say, protégé of Extra P, Karbine. Cats might know Karbine from his day job, working at A1 Records in NY.

This record will most definitely take heads back to Hahyeem's first release Silence. Drums are something horrible, horrible! Ooo weee. To me,it sounds a lot like Finesse's production, so what's not to like?

Hahyeem has been developing his rhyming style and overall artistry since we dropped Silence back then and this record is one of the nicest projects I've heard in a minute. Packaged in a full colour cover reminiscent of a Blue Note jacket and all on purple wax as requested by H, this one is crazy tasty. Don't sleep...you will regret it!

There are 300 copies on Purple Wax in Full Colour Jacket.

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Mr. K

7" | 2022 | US | Original (Most Excellent Limited)

7" | 2022 | UK | Original (Chopped Herring)

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Mr. K transports us to the golden era of the Loft with two disparate, but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.

First up is an edit of a track that embodies the spirit of early ’80s downtown New York City. Released in 1982, “Konk Party” was the band’s calling card and first hit, and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a sly nod to Wild Sugar’s breakbeat classic “Bring It Here” that the Beastie Boys would later sample. A Loft staple — the video was even filmed there — “Konk Party” was also played widely across the influential clubs of the day, becoming an instant staple at Danceteria, Mudd Club, and other hot spots. The easy-going groove, heavy on the percussion and low-slung bass, complimented by bilingual lyrics from Angel Quiñones, has dated well, and sounds especially ready for action in this new edit from Mr. K, largely inspired by the original 12-inch’s choice Uptown Breakdown Mix. This is the first time “Konk Party” has been available on 7-inch.

The heavy percussion backing is perhaps the only similar element that links our A-side to its flip, but that only goes to show the breadth of styles that coexisted in the audio landscape of the Loft. “Hold On To Your Mind,” first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force that more than lives up to its cautionary, heady title. Mr. K has outdone himself with his new mix, a supercharged blend of extended percussion breaks — absent on previous 7-inch mixes — driving vocals, and fuzz guitar. For those who have never been able to track down the original single, an expensive proposition, and even for those who have, this new edit is certainly the definitive version.

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Pseudo Intellectuals

Reclining Pt Deux