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Psycho 2000 - A dark but funky theme that begins with an occulting Italian echo-oscillator drone that is soon followed by pulsating bass and breakbeat drums, leads to tremolo guitars, an ostinato on electric mandolas, strings climbing eloquent ladders, otherworldly electronics, and a cinematic finale. An evocation of a parade of wooden nutcracker soldiers elaborately dressed in gold-trimmed black uniforms down a wide avenue decorated with mardi gras beads and animal skulls upon golden cobblestones toward a tornado spiralling out purple-hued glissandos and curlicues of elephant smoke. White Spiritual - Head nod action, the twinkling of a late 60’s Vox Continental II with sickly transistors, the noodling matrix of an intergalactic telephone exchange carried on a bed of bouncy bass with a firm backbeat. The Johnny Guitar Watson-esque bite and sting of a ‘67 Teisco guitar preludes slabs of unison dark brown moog and organ giving way to the dance of fingers over the black naturals and white sharps of the Continental II.

4 jazzy cuts.

Cover is super close to NM. Records look flawless. Booklet and original inner sleeves included.

The first release in a new catalog series dedicated to the 7" . Here are two reworks produced between Italy and the United States, inspired by Italian cosmic atmospheres of the late 70s: “Cascades” by Stephen Schlacks (1978) and “Pulsazioni” by Filippo Trecca (1979).

“Cascate Emozionali Volume One” is a tribute to these two composers, and to all others that, just like them, have created immortal melodies and atmospheres. This project is also a work of sound archeology, of careful research of the synthesizers and the sounds that have given life to the original versions, here reproduced with a contemporary luster, honoring their original essence. This music is a container full of emotions, of nostalgia for an era that no longer exists, of faded memories that are suspended in the cosmos, of moments that we miss. All of them connected to our childhood, our family, to our loved ones, and to the objects that were there all along, like the “Selene” chair of Vico Magistretti, redesigned for the cover by French illustrator Alexis Jamet.

Music to remember.

At the time of the film’s release only a 45 rpm single of this OST was issued which contained the song “Can be done”, with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966 Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful western movie “Django”). Only in 1995 Point Records released a CD (PRCD 120) which contained the istrumental score coupled with the OST from “Il grande duello”. For this our very brand new digitally restored and remastered CD, we again had access to the mono master tapes of the recording session that gave us the chance to discover some unreleased takes which we have assembled in a 7:46 suite. In addition a special bonus track (Tr.16) features the very rare stereo-mixed version of the original 45 rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in Titoli di testa in a pop key and with a little Bacharach flavour called “Can be done”, sung by Rocky Roberts and accompanied by a children’s choir (Tr.1). This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini (Tr.2, Tr.3, Tr.4, Tr.5, Tr.9, Tr.11, Tr.14) and alternated with saloon as well as instrumental and choir folk music (Tr.6, Tr.8, Tr.12, Tr.13). This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western and of the music art of the Academy Award winner Luis Bacalov.

I PREDATORI DI ATLANTIDE (AKA Atlantis Inferno) is a post-atomic movie directed by Ruggero Deodato in 1983. It narrates the adventures of Mike Ross (Christopher Connelly), Washington (Malik Farrakhan) and of a group of characters bound to the events revolving around the sinking of a Soviet submarine, close to Florida shores. A series of twists will bring the group on an island, just submerged from the abyss which is the mythical Atlantis. The score, unreleased if we pay exception to a 7” vinyl of the 80s featuring the song BLACK INFERNO, is finally integrally available on CD, displaying a magnificent electronic style in the prevalent mood of many of the De Angelis’ bros scores of that decade such as Alien 2 sulla terra or 2019 dopo la caduta di New York. A much requested title by fans of the composers, we put an end to the waiting thanks to this release featuring a jewel case edition, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and derailing liner notes by eclectic musical critic Fabio Babini.

After the release of Lo chiamavano Trinità soundtrack, and its 50th anniversary edition we couldn’t miss the meeting with its famous sequel …Continuavano a chiamarlo Trinità, featuring the soundtrack by Guido & Maurizio De Angelis, the two musicians brothers among the most popular authors of soundtrack and other music in Italy. Since a while out of catalogue again available in this super collector’s edition on 180 colored vinyl, white featuring a green stripe in the middle. On the cover Renato Casaro’s artwork, finally complete and uncut on top of Trinity’s horse. The Master assembled by Beat Record’ sound engineer, Enrico De Gemini, features the original tracklist plus some extra bonuses which complete the album. Remastered from the 24 inches master tapes, already for the last Digitmovies edition, it represents one of the best sounding productions in our whole catalogue and fills a void in the two brothers composers discography, with this deluxe edition, that needed to be filled. Trinity stand tall, Remember and all the other iconic themes of the soundtrack of …Continuavano a chiamarlo Trinità in a limited edition you can’t miss by Beat Records and Duse Records.

tiny wear

First time on vinyl, 35th anniversary, pink vinyl limited to 500 copies, includes 7"x10" Japanese mini-poster, newly remastered. Score by Ira Newborn. Contains "The Star-Spangled Banner" (vocals by Leslie Nielsen) and "I'm Into Something Good" (vocals by Petter Noone / written by Carole King).

Dynamite is proud to unlesh, the second Dewolf delight....DYNAM7133 Frank McDonald & Chris Rae
Side One: Night Moves / Side Two: Zero Hour & Bank Job
Next up is Frank McDonald & Chris Rae here are 3 songs from the Night Moves album, Our opening track is Yes "Night Moves" a deep heavy groove, spooky, seductive and dreamy all at the same time, library music just gotta love it.
"Zero hour" - is a mid-tempo, spacey funky groove, just like a scean in a heist film. Tension, just holding the groove with Rhodes chords to thinken the vibe, Perfecto!!!
"Bank Job" – A super funky little mover, Drums Bass & Rhodes holding down another heist feeling.
x 500 vinyl copies only

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

LP 180gr. /// Tip-On Sleeve /// Features two unreleased tracks taken from the original master tapes

If a jewel were to be chosen amongst the more than three hundred soundtracks that Maestro Stelvio Cipriani has composed during his long and prodigious career, that choice would probably not fall on the super classic and hyper known ANONIMO VENEZIANO, but probably on his previous and less celebrated FEMINA RIDENS – perhaps the most iconic of his soundtracks, along with MARK IL POLIZIOTTO. This work is undoubtedly one of those titles that best represents the spirit of Italian golden age film music, and the original LP, published on CAM series SAG – 9017, is at the very top of every collector’s most wanted list.

The film, directed in 1969 by Piero Schivazappa, is a feminist parable that blends eros perversion, black comics, and Pop Art. And its mood, halfway between cold and playful tones, is perfectly underlined by Cipriani with a soundtrack that fits flawlessly to the dreamlike, grotesque, and sentimental images, combining classical music and orchestral pop, baroque jazz, spaghetti western flavors, psychedelic blues and lounge vibes – all emphasized with sumptuous arrangements that still sound contemporary. A jewel like “Mary’s Theme” is an immortal, timeless track that has been recently sampled by hip-hop producers, and is a demonstration of the eternal modernity of the finest Italian cinematic sound.

This reissue fills a serious gap, finally bringing to the forefront an iconic soundtrack that has remained inaccessible on wax far too long. And it does so in the best possible way, starting from the original master tapes preserved in the CAM archives, from where it was possible to locate an unreleased track (added at the end of side B), as well as allow for an enhanced version of “Chorus and Brass Fugato”, whose original edit has been improved and extended here. And if that weren’t enough, for all you discerning collectors, as well as DJs, Four Flies is also releasing an extra 7-inch record which includes the two most danceable tracks on the entire OST!

Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a 7-inch, 45 RPM, presents the premiere vinyl edition of the two key themes composed by Ennio Morricone for the grotesque comedy Crescete E Moltiplicatevi in 1973. The film was directed by Giulio Petroni in 1973 and starred Lionel Stander, Hugh Griffith and Rosalba Neri. Morricone’s unusual score, an explosive mixture of sacred and profane, is a guttural vocal work performed by I Cantori Moderni di Alessandroni and Edda Dell’Orso, with the participation of Oscar Valdambrini’s wonderful flugelhorn. Mastered by Chris Malone, this 7-inch disc is pressed in elegant white, audiophile vinyl.

Record is close to NM.

Hirokazu Tanaka is a Japanese composer best known worldwide for game music such as the "Metroid" and "Mother" series, as well as music for the world-renowned "Pokemon". The LP contains 17 ambient tracks carefully selected from the approximately 400 private demo tapes he left behind over the past 30 years since the 1980s!

The second installment of the "Class of 1983" series from 'pixel games', the video game developer of the highly acclaimed retro-style action game "Donut Dodo", is now available on analog vinyl! "Cash Cow", a bull, runs across the stage at a furious pace to retrieve his stolen treasure! The game is a thrilling one-shot death game, and features 9 songs, including some weird and wonderful western music!

Double 180g coloured marbled vinyl (Disc 1: translucent sun yellow with red; Disc 2: purple with violet & white) housed in a gatefold cover.Double EP 7" on randomly coloured eco vinyl with four new tracks written for "Risk Of Rain Returns". Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more!Ten years to the day, after "Risk of Rain" was released into the world to become a true classic, the game is revived on November 8, 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it?Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that come with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for 'Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey!With this very special release we're celebrating both, the 10-year anniversary of 'Risk of Rain' and the release of 'Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for 'Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou).

Quirky as fuck!' is the term to describe the latest killer 45 from Paul Elliott & Shawn Lee. Since they crossed paths over a decade ago, Paul (Eleven76/Hot Border Special/The Mighty Mocambos) & Shawn (Ping Pong Orchestra/Young Gun Silver Fox) have collaborated on many impressive projects including the critically acclaimed documentary The Library Music Film. The pair share a love of weird, exotic, otherworldly sounds that can usually only be found in classic library music. However, with their latest release on Farfalla Records, they take the listener on a deep dive into the strange, percussive and unusual world they inhabit! 'Bass Sick Bitch' begins with a glitchy toy rhythm and leads into a voice memo of a wooden 'Jank tone' instrument that Shawn had played and recorded for Paul to hear. Paul's low slung drums and percussion take off and the pair exchange phrases on some of their unusual instruments. This one has a head nod groove and a breakbeat that poppers, lockers and bboys can get down to... 'Honey Roast Nuts' is introduced with a rhythm Paul literally played on an old tin of Honey Roast Nuts, hence the name....Shawn creates the vibe with Polynesian Ukulele, guitar and retro futuristic synthesized sounds, all the while a 70s inspired bass guitar keeps the mood up. The middle of the tune is stopped in its tracks when a voicemail recording from Paul's phone pops up and Shawn's fried brain takes us out with a modulated guitar! Take a trip with Paul Elliott & Shawn Lee, It's all good in the motherfucking hood yo

A high-speed car chase between a Dodge Charger and a Ford Mustang, with super-cop Bullitt at the wheel, who forces the hitman off the road and into a petrol station, which explodes and incinerates him. Prior to that, harsh clashes of metal, hubcaps flying all over the place, and the chief character Steve McQueen, who grimly changes gears and hurtles through the streets of San Francisco, wheels screaming and rubber burning. That was how Hollywood staged one of the longest and most dramatic car chases, long before the days of the Anti-Blocking-System and Anti-Slide-Control.
Very up-to-date and just as exciting as the screenplay is the music Lalo Schifrin wrote for the film, which embeds the characters, places and events in a musical context. For example, "Bullitt": the metrically angular main theme portrays a mysterious, cool character who sums up a situation with keen alertness and then makes his attack with the speed of lightning.
Initially the music travels through easy-going Latin terrain. But gradually the rhythmic texture changes and takes a rougher path, with clicks, knocks and hammering. Legendary flute lines create a compensatory placidness with airy clouds floating above the sharp mix. A really special track is "Shifting Gears": here you can listen to Schifrin tuning the car, how he manipulates a jammed springy bossa to take on the sound of clean, smooth-running rock.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Limited to 400 copies. Two terrific shake signed by Sante Maria Romitelli, and taken from the original soundtrack of TOP SENSATION, also known as THE SEDUCERS. A late sixties giallo erotic cult movie starring Edwige Fenech and Rosalba Neri. Hammond groove a go-go!

For the first time on 7’’, the two grooviest tracks from the soundtrack composed by Riz Ortolani for “Confessione di un commissario di polizia al procuratore della Repubblica” (aka, “Confessions of a Police Captain”), the renowned 1971 crime drama by Damiano Damiani, starring Franco Nero at the peak of his career. A succession of irresistible and elegant jazz-funk breaks, practically tailor-made for sampling.

To complete the the Orgasmo/Paranoia soundtrack set, Four Flies adds two songs to the cake (both not included in the LP version released today). An alternate take of Lydia MacDonald's “Fate Had Planned So”, more rhythmical and dynamic than the one used for the titles sequence, and the soul hit “Just Tell Me”, sung by Wess, and performed by his Airdales. A Fantastic funk-soul stomper, perfect to dance.

Producers Besso0 and GlitchxCity team up and put a fresh spin on 10 tracks from the Kirby series into nostalgic lo-fi hip-hop bops — perfect for study sessions, powering through the workday, or just chilling out with our favorite pink puff. Video Game LoFi: Kirby includes music from Nintendo’s Kirby's Adventure, Dedede's Drum Dash Deluxe, Kirby Super Star, and more, covering fan favorites from Green Greens (from “Kirby and the Forgotten Land”) to Butter Building (from "Kirby's Epic Yarn") and a feature from Save Point on Cookie Country (from “Kirby's Return to Dreamland”), just to name a few. With styles ranging from warm nostalgic lo-fi hip-hop to bass-heavy and piano-centric chillhop, and more, Besso0 and GlitchxCity’s style blends seamlessly with the series' most iconic tunes.

WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.

Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.

Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."

Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

For the first time ever, Record Kicks is pleased to announce the release of the long lost soundtrack by Whatitdo Archive Group to the Italian Cinematic Masterpiece "The Black Stone Affair'' on beautiful gatefold vinyl, CD and digital format on April 09 2021. Long thought to be lost alongside the movie itself by the production studio, the soundtrack's master reels were recently recovered and its audio meticulously restored and remastered by J.J. Golden in Ventura, CA.

The movie itself was understood to be unusual for its time: a globetrotting adventure/western-noir written and directed by aspiring visionary, Stefano Paradisi. Unfortunately for Paradisi, the tragic loss of his masterpiece during a fire also meant the end of his short lived career in movies. People who worked on the film have been cited as saying this film was very ambitious, set to be a turning point in Paradisi’s carrier putting him on the map alongside the likes of Sergio Leone and Antonioni.

While the movie never saw the light of day, the soundtrack by obscure band Whatitdo Archive Group has thankfully been recovered. The music itself is staggering to hear, each track evoking all the senses almost all at once. "The Black Stone Affair (Main Theme)" sets the story with its dizzying bassline

underneath a Morricone-esque harpsichord melody eventually all digressing into a psych-freakout of guitars swirling over what is the overarching motif groove of this iconic soundtrack.

We then get taken into the giallo-steeped melody of "Blood Chief". What can only be the theme of the antagonist, this cut offers crunchy drum breaks, reverb-drenched bongos and a sinister baritone guitar line that seems to be indicative of its character. "Ethiopian Airlines" transports the movie into exotic lands with its afro-centric rhythms and mysterious horn melody. The search is on for the elusive Black Stone, an artifact so coveted it had been hidden for decades for its fatal power of seduction. For fans of KPM and De Wolfe Music, "Il Furto Di Africo" definitely delivers a similar 'library' flavor popular at the time. Our ears are treated to an ambiguous sense of center. What were Whatitdo Archive Group thinking? There almost seems to be two key centers at once and a slithering flute line blending between both. We can only imagine that the Black Stone was successfully stolen from the small Italian village of Africo with this track.

What movie really is complete without a lounge-y Bossa number? "Italian Love Triangle" delivers that sun-soaked Mediterranean romance. Our cunning female lead, Lola, decides the only way she can acquire the Black Stone is to pit the trio of characters against each other with an erotic love triangle she carefully crafts to exploit the vulnerability of Blood Chief and Beaumont Jenkins. "Last Train to Budapest" finds our two male leads in a gun-wielding, high-stakes train chase through the dizzying mountains of Bosnia racing to Hungary's capital city. The music brilliantly calls upon the soundtrack's multiple melodic motifs to all collide into a single stressful heart-racing track sure to put a knot in your stomach. Probably the most unusual song appearing in this soundtrack is the French infused "L'amour au Centre de la Terre", an obvious yet tasteful homage to the composers' musical hero, Alain Goraguer. A lilting monologue is recited by who seems to be Lola, the tragic female lead in "The Black Stone Affair". Her passage speaks of the entangled romance she shares with the other two male leads and her plan to acquire the elusive Black Stone for herself. It's every man (and woman) for themselves! Paranoia and deceit has crept into the minds and motives of our conniving trio. No one can be trusted and false alliances are crumbling from within.

"The Black Stone Affair (Reprise)" evokes the characters' gut-wrenching feeling with its ever-rising key center. "Farewell Lola" is the saddening funeral dirge and exit of the aforementioned Lola. Sworn enemies Beaumont and Blood Chief stand silently outside the church and watch as Lola's casket is lowered into her untimely grave. This is merely an armistice between the remaining opponents, only to resume after paying their respects to their former 'lover'. A gory fight leaves Blood Chief standing. Beaumont is nowhere to be seen and only a cloud of dust slowly settles into the landscape as the mournful guitar and harmonica of "Beaumont's Lament" plays quietly in the distance. All is not lost. Triumphantly, Beaumont Jenkins stands tall, throws one last devastating blow to Blood Chief leaving him incapacitated. "The Return of Beaumont Jenkins" plays loudly in the face of Blood Chief desperately reaching for the stone only to realize it's a false! Our new hero, Beaumont Jenkins, sustained by Alessandro Alessandroni Jr.'s cinematic whistle, rides away victoriously into the night sky... the Black Stone hidden cleverly in his hat. End credits.

Steeped in obscurity, a cult following of crate-diggers and musical oddity collectors has been brewing over the mysterious releases of the Whatitdo Archive Group. Surfacing in 2009 from the high deserts of Reno, NV, USA, this recording collective focuses solely on curating, performing and preserving esoteric soundtrack, library and deep-groove collections. The personnel of the group consist of three musicians; each of them avid composers, recording engineers and obsessive record collectors. Alexander Korostinsky, Mark Sexton and Aaron Chiazza met in college and have been working together on producing music for over 10 years. (Both Korostinsky and Sexton also happen to write and perform in

critically-acclaimed soul group “The Sextones”). In 2015 they quietly released a small batch of lo-fi deep-groove demos recorded exclusively to cassette in an old garage. This became their first full length offering, Shit’s Dope, and it began to quickly spread across the internet piquing the interest of record collectors and DJs all over the world—a record Fleamarket Funk describes as “Falling in between some Headhunters and Lunar Funk 45s” and becoming a bestseller on Bandcamp of that year.

During this time, the Whatitdo Archive Group also began what is often hailed as a vital turning point in Reno music history; by hosting their famous “Whatitdo Wednesday” residency at a local venue. These packed performances drew the attention of not only live music-goers, but also the most accomplished jazz musicians in the area, often joining them on stage. Eventually, these shows stumbled into the arena of obscure performance art, where the band would facetiously distribute written and multiple choice tests during their performance for the audience to participate in.

After their residency came to a bittersweet end, the Whatitdo Archive Group refocused their attention on the wonderful world of 1970’s soul-jazz, where they wrote and recorded what would be their follow up 7” release, Crocker Way / Steve’s Romp. This limited edition 45rpm became a hot ticket item for UK record collectors who had been previous fans of WAG’s older lo-fi work. Crocker Way was also a featured track on BBC Radio 6. Shortly after producing Crocker Way / Steve’s Romp, the group again started production on their crown jewel of a record, a concept album that had been tossed around for several years beforehand but never executed. As band member Mark Sexton explains “We wanted to create an album that encompassed everything we love and admire about old Italian soundtrack scores, and bring that energy back into the spotlight”. The group spent 9 months of research, digging through their personal collections of dusty LP’s scrutinizing the work of Piccioni, Torossi, Roubaix, Alessandroni and of course Morricone, recording, mixing and working with over 24 skilled musicians. The Whatitdo Archive Group finally completed what would be their finest work to date, The Black Stone Affair. Recorded entirely in Korostinsky’s home studio, this record is a labor of love, dedication, appreciation and respect for the golden age of Italian Soundtrack and Library music.

Mary Poppins: The 60th Anniversary Collection [7 LP Boxset] LPX Special Pkg:180g Heavy / Celebrate the 60th anniversary of Walt Disney’s cinematic masterpiece “Mary Poppins” with this beautiful collection consisting of 7 LPs on 180gram vinyl. Housed in a sturdy flip-top box showcasing Academy Award-winning artist, Peter Elleshaw’s matte painting of the London Skyline painted for the film. Also included is a reproduction of the vocal lead sheet of "Feed the Birds (Tuppance A Bag)," and two 12"x12" collectFEATURES:A reproduction of the vocal lead sheet of “Feed the Birds (Tuppence A Bag)”Two 12”x12” Collectible PostersWalt Disney Records’ Legacy Collection - Mary Poppins (2014) 5LPs for the first time on vinyl* The Legacy Collection: Mary Poppins 2LP Restored and Expanded Soundtrack* The Legacy Collection: Demos and Lost Chords 1LP* The Legacy Collection: The Story Meetings and Interviews 2LPMary Poppins Original Cast Soundtrack 1LP – The 1964 original cast soundtrack album complete with gatefold sleeve. Fully restored from the original album master. Available for the first time in over 30 years.10 Songs from Mary Poppins 1LP - The 1964 original children’s album featuring Marni Nixon, Bill Lee, and Richard M. Sherman pressed on colored vinyl. Fully restored from the original album master. First time available in over 30 years.Mary Poppins: The 60th Anniversary Collection - 7 Album Box set

Record Store Day 2021 Release.

The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

Record Store Day 2020 Release.

BANDAI NAMCO Entertainment Co., Ltd. presents a worldwide project with the theme “Join the PAC – Come and join us” to commemorate the 40th anniversary of Pac-Man ’s birth.

The memorable 40th anniversary official theme song “JOIN THE PAC” was produced by ‘Ken Ishii’, the techno god of the Orient. The video clip of his masterpiece “Extra” (directed by Koji Morimoto also known as the drawing director of the movie “AKIRA”) was awarded “MTV Dance Video of the Year” in UK, which brought him as one of Japan’s most proud producers to the world.

A special music video for “JOIN THE PAC” is directed by Yuichi Kodama, who is renowned as a chief video director of flag handover ceremony at the 2016 Rio Olympics closing ceremony, and his “UNICLOCK” online ad campaign (2008) for UNIQLO, which won grand-prix of three biggest advertisement awards, the Cannes International Advertising Awards, the Clio Awards, and the One-Show.

Prior to the release of the upcoming album, 7inch EP is released by the collaboration of iam8bit and U/M/A/A Inc. exclusively for RSD2020!

"King Khan is that fiery arrow shot into the night sky which no one knows how high or far it will travel, however we do know that as that fiery arrow streaks across the heavens, along the way its flames will light up dark places. King Khan's music can become the voice of many around the world, some who have never been heard from before." - John B. Smith (Leader of The Invaders) Documentary film The Invaders (2022) follows the rise and fall of a militant black power group based in Memphis, TN in the late 1960's, from its creation, to their final negotiations with Martin Luther King Jr. minutes before his assassination. Filmmaker Prichard Smith's striking documentary features all new music composed by the legendary King Khan, which is now being released as a beautiful 18-track double LP featuring contributions from Adan Jodorowsky, Saba Lou (Khan's daughter), Ian Svenonius and more. From full throttle rock tracks to haunting string pieces and propulsive instrumental grooves, these songs also mark a return to the rock world after Khan's adventurous and acclaimed pair of instrumental jazz/soul albums (2003's The Nature of Things and 2020's The Infinite Ones). A handful of these tracks have previously appeared on limited and now out of print 7"s during the filmmaking process, often in alternate versions, but this mark's the first time all of Khan's contributions to The Invaders will be available in one place (and many for the first time). On his musical contributions herein and the film in general Khan waxes: "The Mighty Hannibal taught me an amazing lesson about blindness. When the doctors told him that he would go blind if he didn't take his glaucoma meds he responded simply "Ugh, I've seen enough'"Hannibal then sent me a gospel song he wrote about how lucky he was to have gone blind because he could never judge anyone based on what they looked like - rather it was now by their actions. When he told this to me I decided to do the entire soundtrack "blind. This meant I made the music without seeing the images. Any beautiful synchronicities that would occur between the celluloid and my music would be magical. This simple approach made the film give me shivers upon seeing it completed, a feeling I rarely get these days from films let alone documentaries. I never got to thank Hannibal for his sage advice, but I feel like he guided me in so many ways that he is always above me watching what I do. He taught me to be a better father and husband and listener. The struggle of the Invaders never ended, in the same way the hidden agenda of fascists is still very strong and we see hints of it in every police commissioner or government official that wishes death upon the poor huddled masses rather than trying to help them have simple basic human rights. He continues: "The Invaders film is not just a documentary it's a hard core lesson to all activists to put in the work and find out what every community needs, addressing these individual needs and simply caring for the wounds that rot when ignored. Before you wallow in self pity and misery, take a deep breath and learn to breathe. Just a simple act of inhalation and exhalation is what brings us back to reality and calms our nerves and prepares us for the task at hand. Never forget what Malcolm said... "When the "i" is replaced by "we" even "illness" becomes "wellness." Add to it Mike Stand Up's version... "When the "I" is replaced by "One" even illness becomes "Oneness." Follow the Mohawk 10 commandments and meet me on top of that mountain."

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend... Four Flies is honored to had access to the original C.A.M. master tapes, so to present here, just your pleasure, the complete session for the first time! Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers!

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The Maestro Piero Piccioni is in a rare groove mode here, lost between acid jazz breaks and deep funk rhythms in what is the first ever vinyl reprint of a minor classic. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate reminds us of the compositions of the late 60's of the master; memorable sessions that would lead to the publication of the classic posthumous 'Camille 2000'. The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines.