Search "japan" 4736 Items

Taifu13Gou / Tsumetaionna

Release: 2021 / US – Original

Genre: Electronic & Dance

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* Unreleased album by Japanese ambient pioneer * Recorded in late 90’s.

Fumio Miyashita’s unreleased last recording is finally here.

We are honor to receive the master audio of Waterfall Symphony from Fumio’s family last year and finally ready to release on both Vinyl & CD."

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Fumio Nunoya

7" | 2024 | JP | Original (Universal Music Japan)

20,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Glossy Mistakes)

Funcionario

Momento Claro

19,99 €*

LP | 1974 | JP | Reissue (P-Vine)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works

Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.

Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.

At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.

Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".

Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.

Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.

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Funkgus

Man With A Gun

41,99 €*

LP | 1980 | JP | Original (CTI)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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The first Funkgus album, with its enigmatic toxic blue jacket design and rare groove elements that will appeal to any perceptive vinyl collector. Several cover songs are played on the album, including an upbeat, passionate version of the funk classic 'Memphis Soul Stew', familiar from King Curtis's version, which is a great achievement. A supremely psychedelic and funky double-sider is available with iconic Japanese obi-strip!

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Fuse One

11,24 €* 14,99 € -25%

LP | 1980 | JP | Original (CTI)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

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Fuse One

LP | 1981 | JP | Original (CTI)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Fuse One

Silk

25,99 €*

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with damaged OBI, with insert. Promo copy with white labels

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Fyyy

Hoves

12" | 2024 | EU | Original (Optimo Music)

Release: 2024 / JP – Original

Genre: Rock & Indie

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The amazing debut album of the artist “fyyy” is released from the independent label Zouen Keikaku! In a place where any expression sounds cliche, the simple songs scatter incomprehensible Japanese lyrics and mix with drone-like guitar sounds to create an eerie magnetic field before the scene. The twisted indie-folk lineage of Neutral Milk Hotel and The Microphones, which fyyy himself claims to have been influenced by, is twisted, twisted, and no longer heartening.

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GǼG

Anarcho Disco Volume 1

Psychic Magic = サイキック・マジック

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Optimo Music excitedly unleashes Japan’s GǼG and their Anarcho Disco volumes 1 & 2 into the world. We thought we were done with 12” single release, at least for now, but then these tracks showed up and it was instantly obviously ESSENTIAL that they get pressed up on big fat twelve inch singles. Every single track here has been tried and tested and caused delirious delight on the dancefloor over the last year. Now it is time to share them with YOU! Truly Anarchic, Psychedelic dance music for the open-minded and genre-free crews.

GǼG say –
DISKO KLUBB boss MONKEY TIMERS, who leads Tokyo’s underground disco scene, and KEITA SANO, who has been gaining attention for his releases on labels around the world, have started the project “GǼG”.

Using a variety of sampling and unique FX, our music has created a unique GǼG sound that is psychedelic and anarchic.

This subversive sound is sure to be the key to shaking the dancefloor.

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G.I. Orange

7" | 1985 | JP | Original (CBS/Sony)

3,99 €*

LP | 1985 | JP | Original (CBS/Sony)

Release: 1985 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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G.I. Orange

Winter Wonderland

LP | 1985 | JP | Original (CBS/Sony)

Release: 1985 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Cover with light foxing.

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G.I. Orange

Winter Wonderland

9,49 €* 9,99 € -5%

Live In Cleveland 1976 Clear Vinyl Edition

Release: 1985 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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Gabor Szabo

LP | 1976 | EU | Reissue (Ebalunga!)

25,59 €* 31,99 € -20%

12" | 2024 | EU | Original (Optimo Music)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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“Hungarian guitarist Gabor Szabo (1936-82) issued only three live recordings during his lifetime. Significantly, the first of these, The Sorcerer (1967), remains the most popular album in the guitarist’s all-too abbreviated discography. But there were also More Sorcery (1968) and Gabor Szabo Live with Charles Lloyd (1974), offering Szabo totally in his element and at his bewitching best. Several more of Szabo’s concert recordings have surfaced in the intervening years, including this one, superbly captured for radio broadcast live in 1976 at the 600-seat Agora Ballroom in Cleveland, Ohio. It is a revelation. There is a sense here that concert patrons may have been hearing an altogether different Gabor Szabo than record buyers.

For one thing, Szabo is heard fronting what is likely his own group, rather than an army of studio musicians. In 1976, Szabo was leading a tremendous quartet with George Cables (or Joanne Grauer) on piano, Tony Dumas on bass and Sherman Ferguson on drums. Szabo had not had a band with this much jazz clout since his famed quartet with Jimmy Stewart in 1967-68 – and it is a union worth savoring: Szabo’s records during this period were light, at best, on jazz.

It’s unclear if any of these musicians are on the Agora date, but as Dumas’s “It Happens” opens the program, it’s a good bet, at least, that the bassist is on board here. But as Szabo’s ’76 quartet is not known to have recorded a studio record, Live in Cleveland is the closest thing to what a mid-seventies Szabo jazz album would sound like. Gone, are the strings, vocals, and concessions to commercial consideration so prevalent on so many of Szabo’s studio records at the time. What is present, though, is fine craftsmanship, tremendous interplay, and the exciting improvisation that good jazz always yields.

This particular concert was part of Sansui’s “New World of Jazz,” a series of 13-hour-long jazz concerts recorded at Cleveland’s iconic Agora Ballroom and broadcast over 40 FM radio stations. The series was sponsored by Sansui Electronics, a Japanese manufacturer of audio and video equipment, which previously sponsored a similar series of rock concerts recorded at the Agora as well. Sansui was promoting its matrix QS 4-channel sound system – offering, what was considered at the time, superior diagonal separation and stereo compatibility. The firm, partnering with Agora Ballroom and Agency Recording Studio owner Hank LoConti (1929-2014), was looking to take advantage of what they rightly felt was the then-current jazz renaissance. Each show’s 16-track master tape was mixed through the Sansui QS 4-channel encoder,” according to an August 1976 Billboard article detailing the arrangement, “for distribution to the 40 FM stations throughout the United States that bought the series” – allowing for three commercial spots for local dealers to advertise.”

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Gaeg

Anarcho Disco Volume 2

12" | 2022 | UK | Original (Gaia Tones)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Optimo Music excitedly unleashes Japan’s GǼG and their Anarcho Disco volumes 1 & 2 into the world. We thought we were done with 12” single release, at least for now, but then these tracks showed up and it was instantly obviously Essential that they get pressed up on big fat twelve inch singles. Every single track here has been tried and tested and caused delirious delight on the dancefloor over the last year. Now it is time to share them with YOU! Truly Anarchic, Psychedelic dance music for the open-minded and genre-free crews.

GǼG say –
Disko Klubb boss Monkey Timers, who leads Tokyo’s underground disco scene, and Keita Sano, who has been gaining attention for his releases on labels around the world, have started the project “gǽg”.

Using a variety of sampling and unique FX, our music has created a unique GǼG sound that is psychedelic and anarchic.

This subversive sound is sure to be the key to shaking the dancefloor.

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Gaia Tones

Dream

12" | 2019 | EU | Original (Shapes Of Rhythm)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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"Vengeful abstractions and pagan patterns filling the subconscious with loose, biotic rhythms locked in sync by distant chants and and faint echoes of percussion from the ether. Dream contains the jazz-minded YIN, building borderless walls of ambience with rich analog sounds recalling water and air. On the flip side, 11+ minutes of land-filled, mechanical dub-beatings act as spiritual steps through the deep, intricate maze of consciousness that is Gaia Tones."

Jeez, this time round, the GTs take us on a motorik trip down the Mariana Trench - Japan Blues

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Gaijin Blues

11,99 €*

LP | 2019 | EU | Original (Shapes Of Rhythm)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Gaijin BluesisNaphtaand band matePlaystation Yoga Music's tribute to Japanese pop culture, manga and video games. This EP is the result of tours to different regions of Japan and spending time in record shops, as well as playing classic RPGs.Gaijin Bluesis a blend between Japanese and Western music with live studio instruments. It's a feeling, an expression and a time and space vehicle. Secret of Manaexplores live percussion and bass with strings, live flute and dreamy vocals, whilstCafe LeBlancreferences a peaceful location in JRPGPersona 5and features more soothing strings and is inspired by manga soundtracks.
Metal Gear Rexis string-lead and features complex melodies and vocal chops. Another tribute to Japanese gaming culture, this one has a driving, hypnotic bassline and an eye on the dance floor.Guardia Castleopens with a 4/4 disco beat before introducing unexpected layers of blissful, melodic female vocals, acoustic guitars and flutes.

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Gaijin Blues

Gaijin Blues II

Mirrors Of The Cosmic Cinema

Release: 2019 / EU – Original

Genre: Rock & Indie

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Musicians and gaming nerds Gaijin Blues (Naphta and Playstation Yoga Music) continue to leave their controllers aside and pay respects to the greatest video games ever made...but this time they're going one step further into the adventure..with a full-length 8 track concept LP.
Inspired by Japanese Role Playing Games and a love of all things Super Nintendo and of course Japanese pop culture, Gaijin Blues brought you their debut EP in early 2019. After touring in the Far East and some serious hours playing games such as Dragon Quest V, Chrono Trigger, Final Fantasy VI, VII and IX, the Shin Megami Tensei series and Phantasy Star IV, the boys concocted an EP of samples, live instrumentation and programming as a love note that you'd never find inside a game box...until now.
Gaijin Blues II takes you a step further. With this LP the guys have created their own fictional JRPG and then devised an end to end narrative with the music weaved around it all. You can buy the disk but what you don't get is a controller...you'll need to use your ears instead.
In the words of the creators themselves: "This is a sequel to a story you've never experienced. You are the protagonist who is coming back home to see his world completely changed by seemingly harmless technology. Each track is a chapter in this tale. Collect the items, gather a party and use your wit and imagination to find out the truth. Because technology usually comes at a price…"
This about as conceptual as it gets: where a brand new story matched with an audio narrative meet together in a fictional world. In terms of electronic music that doesn't happen often. Gaijin Blues II is a truly unique record whether you've ever owned a console or not.

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Gaisma

12" | 2022 | EU | Original (Treibender Teppich)

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | JP | Original (Jvckenwood Victor Entertainment)

Gaki Ranger

Upper Jam

52,79 €* 87,99 € -40%

12" | 2021 | US | Original (Detroit Underground)

Release: 2024 / JP – Original

Genre: Hip Hop

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A classic in Japanese hip-hop history, released in 2001, is now available on analogue for the first time to celebrate the 25th anniversary of its debut!

The first major full-length album from Kumamoto, Kyushu's land of fire, which suddenly swept the scene and made a name for itself in the national arena, is now available on 2LP!

The first major full-length album "upper Jam" was released in 2001 by the core of the Japanese hip-hop world, Gakki Ranger, and received high acclaim from all quarters. The album features 21 thrilling tracks, with the 2 MCs Potemkin & Yoshi using the skills they have cultivated in their live shows to deliver unpredictable lyrical raps, and GP & DJ High Switch a.k.a. HIRO's ear-piercing, thick-boned backing tracks. Guest artists include Ken-1-raw from Volcano Posse, M.O.S.A.D. from Nagoya, Rappagaria, Fukuoka Yutaka from Pink, RYO the Skywalker from the reggae world and many more. It is a timeless classic with an uplifting feel brought about by the combination of unexpected and irregular rapping and the exquisite pauses that are meticulously orchestrated!

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Galcid

Hope And Fear

10,49 €* 14,99 € -30%

LP | 2022 | UK | Original (Dying Victims)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Galcid - Hope and Fear is the long awaited sophomore album of Japanese techno-artist galcid. Although completed in 2019, the release date of the album was delayed by Covid-19. This was due to both practical and artistic reasons—the titles and identity of each composition reflect various ways in which galcid reflected upon the pandemic. Music is by galcid Produced by Hisashi Saito In the 4 years that have passed since galcid’s debut album hertz (2016), galcid worked on various EPs and albums as Saito. Juxtaposed to the black and white minimalism of hertz, the palate of Hope and Fear is decidedly more colourful, laden with emotional undertones. The depth of the sound created by galcid’s exclusive reliance on analogue machines invites the listener to follow their own journey along the resulting soundscape.

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Gallower

Eastern Witchcraft

12" | 1987 | IT | Reissue (Best)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Dying Victims Productions is proud to present a new EP from Gallower, Eastern Witchcraft, on CD and 12” vinyl formats. As ever, Gallower have stayed true to their power-trio format – Nocturnitier rips the guitar, Speedfire bangs the drums, and Tzar gives his sepulchral voices and bulldozing bass – and they’ve reached something approaching ripping perfection with their latest Eastern Witchcraft EP. With a sound seeking the ultimate revenge and squarely located around 1985 (maybe even 1986), Gallower incite a riot of violence that skillfully melds the Teutonic legendry of Destruction, Sodom, Kreator, and Violent Force with the first-wave black magick of Bathory, Hellhammer, Venom, and Japan’s Sabbat. No more but definitely no less, Eastern Witchcraft is a five-song/17-minute spell of destruction sure to entrance diehards and genre borderlanders alike.

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Galvanica

Nightlights In Japan

Nightlights In Japan Black Vinyl Edition

Release: 1987 / IT – Reissue

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. 2022 italian reissue

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Galvanica

12" | 1987 | EU | Reissue (Best Record Italy)

Nightlights In Japan Curacao Blue Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

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Galvanica

12" | 1987 | EU | Reissue (Best Record Italy)

14,39 €* 17,99 € -20%

Higgs Boson (With Slightly Damaged Cover)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Limited edition of 300 copies on curaçao blue wax.

Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition, and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

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Gammelsæter & Marhaug

LP | 2022 | EU | Original (Ideologic Organ)

24,99 €*

LP | 2023 | EU | Original (Morphine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Runhild Gammelsæter and Lasse Marhaug are two Norwegian musicians/sound artists. Both started in the early 1990s music underground and have worked in many constellations with a wide range of collaborators. Despite knowing each other for a long time, Gammelsæter and Marhaug’s first collaborative work was the “Quantum Entanglement” LP in 2014. The album ignited a collective spark that both wanted to pursue further. Still, other commitments got in the way, and the project lay dormant until Stephen O’Malley, and Greg Anderson invited them to open for Sunn O))) for a special gig in the St. James Church of Culture in Oslo in the autumn of 2019. The two gathered for a long series of rehearsals, and after the successful performance, it was clear that it was time to start working on new compositions and recordings. That process initiated in late 2019 and continued to early 2021, encompassing before and after the world went through the lockdown. The result of this long development to be heard accumulated upon their new album “Higgs Boson” on Ideologic Organ Music.

Throughout the profound process of creating “Higgs Boson”, Gammelsæter and Marhaug drew inspiration from various subjects and artists. For Marhaug, it was concepts informed by the structuralist experimental cinema of Japanese directors Takashi Ito and Toshio Matsumoto, futurist worlds of French comic book artists Philippe Druillet and Jean Moebius Giraud, landscape photography of Fay Godwin, Kåre Kivijärvi, and Tamiko Nishimura, amongst others.

It became a metaphysical juxtaposition involving Gammelsaeter’s research and lyrical ideas based on several seemingly unrelated principles. A process of association inspired by “the Glass Bead Game” by Herman Hesse. The discovery of the Higgs Boson as a confirmation of the physical universe. The work of Ernst Schrödinger on the uncertainty principle. The four forces of physics. The Force. Helplessness under armed forces - as the war sailors in World War II. The influence of magic as expressed in tarot. Gammelsæter experiments with a boundary involving the thresholds amongst various states of focus and legibility by forensic experimentation with techniques such as exclusive expression of consonants, syllabic repetition, retrograde text vocalisations and multi-lingual layering. Her vocal inspirational sources include Sidsel Endresen, Diamanda Galas, Natacha Atlas, the choral works of Rachmaninov, and the bands Carcass and Grave.

Two worlds coming together, making the music special. Mixing hard facts with science fiction helps create a kaleidoscopic cross point between the complex realities of the past and a possible future. “Quantum Entanglement” featured two long-form pieces centred around a prepared piano and layered voice, while “Higgs Boson” developed a much more elaborate and ambitious compositional work. Across eight parts, the two artists brought a broad palette of instrumentation and sound. Electronic and acoustic, objects and field recordings, and pipe organ define the structures of which the centre is Gammelsæter’s magnificent voice. She has become known for her legendary voice, with her vast and unique range of inflective techniques and affective colour through her 30 years creating music. In the mix, Lasse approached the instrumental elements like landscapes, then Runhild’s vocals as characters that inhabit those worlds. Often, Gammelsæter multiple characters fused with the landscape. Make them occupy space, sometimes blend into it, sometimes dominate it. Constructing and setting visual guidelines helps set focus and open possibilities.

As an album, “Higgs Boson” is direct and focused, drawing on song structures. Within these tracks are vast strata of sound, an immersive multi-dimensional depth of music. Creating a feeling of depth while working with a flat two-channel stereo format - and how dimensions of texture and distortion can help develop the illusion of a space. The album structure is a storylike arc, a malleable subjective path, set as the album traverses oblique and suggestive areas, opening the concepts for the listener to unpack as they like.

– exclusive consultation with Gammelsæter & Marhaug, edited by Stephen O’Malley, June 2022

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Gamut Inc

Sum To Infinity

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Excellent works here, do not miss! TIP!

The sum to infinity of a sequence is the sum of an infinite number of terms in the sequence. It is only possible to compute this sum if the terms of a sequence converge to zero. “Sum To Infinity” is also the second release from Gamut Inc, the retro-futuristic ensemble around composers and curators Marion Wörle and Maciej Śledziecki.

This second album by Gamut Inc combines custom-built autonomous music machines with haunting classical synthesiser sounds to create a dense musical kaleidoscope.

The core of the album is formed by Risset rhythms – cyclic accelerations and decelerations, in which rhythmic layers repeatedly fade in and out, setting in motion a seemingly endless process of rhythmic movement. The motifs are taken from geometric and arithmetic series that create urgency and restlessness. The rigour of the construction is obscured by an orchestra whose timbres are reminiscent of a retro-futuristic indigenous ensemble. Gamut Inc translate strategies of electronic music like pulse-width modulation to music machines such as automated accordion, automated percussion or glockenspiels and create an intense atmosphere that is idiosyncratic, original and modern at the same time.

Gamut Inc build their music machines, play electronic music festivals internationally, curate the Aggregate festival for automated pipe organs and composes for film, radio drama, and theatre. Their first opera, “Rossums Universal Robots”, premiered in 2022. Since 2011, at the intersection of electronic club culture and experimental music, they have produced live music, music theatre, film and theatre scores (including for the Junge Staatstheater Berlin) with their specially developed musical robots. They composed for ensembles like the Rias chamber choir or the robot orchestra Logos Foundation and received invitations and commissions from international festivals and venues such as Sónar, CTM, Berghain, Sonic Acts, Technosphärenklänge or Numusic (no). Gamut Inc has received numerous scholarships, including the Villa Kamogawa scholarship from the Goethe Institute in Kyoto, Japan, 2022. Their first release, “Ex Machina” was produced exclusively with music robots and released in 2014 in cooperation with Bôłt Records.

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Gamvetta

LP | 2023 | EU (Foad)

LP | 2021 | EU | Original (Iikk)

Release: 2023 / EU

Genre: Rock & Indie

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After awakening from the crypts pioneering Japanese Death/Thrash hordes such as Messiah Death, Crucifixion and early Voidd – it’s the turn of Gamvetta, the evil entity that preceeded Transgressor in 1989. Savagely rough and awkward grinding death inferno… The first band of Takashi Tanaka (Transgressor, Necrophile, Anatomia etc..) This release includes all their existing recordings: two ultra rare demo/rehearsals + bonus CD with soundboard live recordings. This stuff is so scarcerly circulated that you’ll barely find it mentioned on a footnote on Transgressor’s page on Metal Archives. Gamvetta mention as their early influences Sodom, Kreator, Destruction and Bathory even if they quickly moved to more extreme territories, on this collection you will also hear covers of “Scum” era Napalm Death and “From the past comes the storm” by Sepultura. Includes insert with photos, scans of the original tapes and biographical notes by Takashi Tanaka.

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Gareth Davis

In Vivo

24,99 €*

LP | 2019 | EU | Original (WRWTFWW)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"In Vivo" is the result of the photographic work of Klavdij Sluban at the Fleury-Mérogis Young Offender Institution (France) from 1995 to 2016 [Beds] in addition to his work from Izalco prison, located in El Salvador, from 2008 [visiting rooms] connected to the music of Gareth Davis.

Gareth Davis is an artist, composer and musician living in Amsterdam. He plays clarinet(s), the result of a somewhat impulsive purchase whilst window shopping in Covent Garden, London, around ten years before the turn of the century. The serendipitous location of a rather wonderful (and equally important, rather cheap) second hand record shop less than 10m from the bus stop required for seven years of schooling, combined with delivering newspapers on a daily basis, lead to a somewhat eclectic, dusty and generally unclassified taste in music.

The result. Activity covering sonic art and contemporary classical music through rock, improvisation and noise with collaborations that have included the premiering of new written pieces by composers such as Bernhard Lang, Peter Ablinger, Toshio Hosokawa and Jonathan Harvey, soloist with orchestras including the SWR Symphonieorchester, Warsaw Philharmonic and Orquesta de la Comunidad de Madrid, performances with groups and performers ranging from the Neue Vocalsolisten and Arditti Quartet through to improvisers Elliott Sharp and Frances Marie Uitti, electronic artists Robin Rimbaud and Merzbow and multimedia work with artists including Christian Marclay and Peter Greenaway.

"In Vivo" is his second solo release after to have recorded a bunch of collaborative albums with artists such as Scanner, Machinefabriek, Steven R. Smith, Kleefstra Brothers, Frances-Marie Uitti, Merzbow, Adain Baker, Duane Pitre and more...

Klavdij Sluban, winner of the European Publishers Award for Photography 2009, of the Leica Prize (2004) and of the Niépce Prize (2000), main French prize in photography, is a French photographer of Slovenian origin born in Paris in 1963.

He develops a rigorous and coherent body of work, nourished by literature, never inspired by immediate and sensational current affairs, making him one of the most interesting photographers of his generation. The Balkans, the Black Sea, the Baltic Sea, the Caribbean, Central America, Russia, China and the Antarctic (first artistic mission in the Kerguelen islands) can be read as many successive steps of an in-depth study of a patient proximity to the encountered real.

His images have been shown in such leading institutions as the Metropolitan Museum of Photography of Tokyo, the Maison Européenne de la Photographie in Paris, the Rencontres d’Arles, the Museum of Photography in Helsinki, the Fine Arts Museum in Canton, the Musée Beaubourg, the Museum of Texas Tech University. His many books include East to East (published simultaneously by Actes Sud, Dewi Lewis, Petliti, Braus, Apeiron & Lunwerg with a text by Erri de Luca), Entre Parenthèses, (Photo Poche, Actes Sud), Transverses, (Maison Européenne de la Photographie) and Balkans -Transit, with a text by François Maspero (Seuil). Since 1995, Sluban has been photographing teenagers in jails. In each prison he organizes workshops with the young offenders to share his passion. First originated in France, in the prison of Fleury-Mérogis with support of Henri Cartier-Bresson during 7 years, as well as Marc Riboud and William Klein punctually. This commitment was pursued in the disciplinary camps of Eastern Europe –Serbia, Slovenia, Ukraine, Georgia, Moldavia, Latvia – and in the disciplinary centres of Moscow and St Petersburg as well as in Ireland. From 2007 to 2012, Sluban has been working in Central America with imprisoned youngsters belonging to maras (gangs) in Guatemala and Salvador. In 2015, he started photographing imprisoned teenagers in Brazil. In 2013, the musée Niépce showed a retrospective of K.Sluban’s work, After Darkness, 1995-2012. In 2015/16, he was awarded the Villa Kujoyama Residence in Kyoto, Japan. K.Sluban is member of national and international jurys, such as prix Niépce, prix de la Jeune Photographie de Niort, prix Leica, All About Photo…

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Gareth Quinn Redmond

Laistigh Den Ghleo

23,99 €*

LP | 2023 | EU | Original (WRWTFWW)

Release: 2019 / EU – Original

Genre: Organic Grooves

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WRWTFWW Records is very happy to announce the release of Irish ambient/minimalist producer Gareth Quinn Redmond’s Laistigh den Ghleo, a companion album to Satoshi Ashikawa’s Still Way (Wave Notation 2). The album, available on vinyl and digipack CD for the first time, comes with liner notes by Midori Takada and Gareth Quinn Redmond. "Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listener’s surroundings, an Environmental Music." - Gareth Quinn Redmond

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Gareth Quinn Redmond

Umcheol

28,99 €*

Gary Burton / Chick Corea

Release: 2023 / EU – Original

Genre: Electronic & Dance

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WRWTFWW Records is proud to announce a brand new album by Irish producer Gareth Quinn
Redmond, following his amazing Satoshi Ashikawa-Inspired Laistigh Den Ghleo released in 2019.
Umcheol, his ambient-meets-Irish-traditional-music soundscape is available as a limited edition LP
(500 copies worldwide) housed in a 350gsm gatefold sleeve with a superb triptych of paintings by
Irish artist Conor Campbell. The album comes in digital format as well.
A splendid pairing of Irish folk instruments (harp, tin whistle, fiddle, harmonium) with synthesizers,
Umcheol tells the tragic yet beautiful tale of two legendary figures of Irish mythology, Cú Chulainn and
Ferdiad. The 40+ minute ambient narrative is a subtle and touching alliance of past and present,
tradition re-contextualized and retold with a modern approach.
Gareth Quinn Redmond explains: "For the longest time, I have desired to blend elements of both
ambient and Irish traditional music. Umcheol - Cú Chulainn agus Ferdiad, is the first in a series of
works that seeks to coalesce these two palettes of sound. The primary focus of this album was to
begin using traditional instruments such as the harp, tin whistle, fiddle and even the harmonium,
which in recent times has become commonly used in Irish folk music. By pairing these instruments
with synthesizers, I hope to create a soundscape that gives new agency for the stories of my culture
to be realized and retold."
Very personal and delicately visceral, Umcheol is a contemplative journey that will resonate with fans
of Japanese environmental music, minimalism, folk experimentations, and mythological soundtracks.
Gareth Quinn Redmond’s previous album, Laistigh Den Ghleo, an ode to the work of Satoshi
Ashikawa is still available on WRWTFWW Records - perfect time to re-visit!
Points of interests
- For fans of ambient, Irish folk music and history, minimalism, synth, Satoshi Ashikawa, Midori
Takada, Brian Eno, beautiful paintings, single LPs in gatefold sleeves, well hidden treasures.
- Limited edition (500) vinyl of Gareth Quinn Redmond’s brand new album, with an artwork by Conor
Campbell.

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Crystal Silence

LP | 1973 | JP | Original (ECM)

Gary Burton / Chick Corea

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Copy closer to NM

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Crystal Silence

LP | 1980 | JP | Reissue (ECM)

21,99 €*

Gary Burton / Chick Corea

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert (with big stains). Vinyl close to NM and cover to VG+

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Lyric Suite For Sextet

LP | 1983 | JP | Original (ECM)

23,99 €*

Tape | 2022 | CA | Original (Inner Ocean)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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Gas Lab & Kazumi Kaneda

Trans Pacific

18,99 €*

LP | 2022 | CA | Original (Inner Ocean)

Release: 2022 / CA – Original

Genre: Hip Hop

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Gas Lab (Argentina) and Kazumi Kaneda (Japan), having never met in person, collaborate across an ocean and blend their unique styles to make pure magic. Trans Pacific is one of those moments in time when two amazing producers come together to create something incredibly special. Gas Lab with his undeniable funky bass guitar and loose beats, mixed with Kazumi’s incredible piano playing stemming from the Japanese school of jazz. Combined with their favourite collaborators (David Lavoie on Trumpet, Andrew Gould on Saxophone, Hector Mario on Flute), this recipe is an entirely new flavour!

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Gas Lab & Kazumi Kaneda

Trans Pacific

35,99 €*

LP | 1973 | JP | Original (Flying Dutchman)

Release: 2022 / CA – Original

Genre: Hip Hop

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Gato Barbieri

Under Fire

12" | 2023 | EU | Original (Apnea)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: VG

Japanese pressing without OBI, but with insert. Cover close to VG+

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Gedankenexperiment

Experiment Defined

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2023 | UK | Original (Editions Gravats)

Geins't Nait

Archives 2/3

26,99 €*

LP | 2023 | JP | Original (Tonofon)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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More abstract cinematique than the roiling rhythms gathered on the first instalment, this next volume breaks down between passages of atmospheric filmic dialogue and feral no-wave industrial that cuts layers deeper into Geins’t Naït’s uncompromising oeuvre. Vacillating between chilling vignettes and rowdy churn, it portrays more disturbed and oblique aspects of an artist whose 30-odd years of work links the most errant ends of french industrial musick to soundtracks for Wim Wenders, to collaborations with Scanner - with a big fan in Vladimir Ivkovic, whose Offen Music also issued a key retrospective ‘Make Dogs Sing’ in 2019. ‘Archives 2-3’ is defined by its restless variegation and asymmetric juxtapositions. The set veers from short form shots of film-like cues such as the excellent ‘Georgette’ answer machine ruckus and the cold, ceramic ambience, or the shattered rhythms of his ‘Casse’ parts, to proper ruthless gobs of industrial gristle in the likes of ‘J’Ai Apprise Hier’ and more full bodied works to get your teeth into. We’re talking a queasy fever dream scene in ‘Inkel’, and the GRM-on-a-budget soundscaping of ‘Jévus’, thru to crazed pieces resembling cyberpunk soundtracks in what could be the German- language dubbing of Tetsuo Iron Man on ‘Hans’, and, for the crankiest nuts, a sweltering nine minutes of atonal clang and motorik drive like Vivid Oblivion jamming with a Japanese noise beast on ‘Chiken Kitchen’.

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Gellers

The Best

51,99 €*

LP | 1986 | JP | Original (Victor)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Gellers is pleased to announce the release of its first best-of album on LP, featuring songs selected by various musicians and music writers from Gellers' past releases!

Formed by childhood friends (Yukihisa Tashiro, Kenichi Kawazoe, Shugo Tokumaru, Hinata Okubo, Shingo Shinmachi), Gellers is an alternative rock band that has performed at Fuji Rock and Boro Festa Western Auditorium. The band's music is influenced by US indie rock/alternative rock and Japanese alternative rock. The influence of US indie rock/alternative rock and Japanese alternative rock can be felt in this album, and it is a piece that conveys the charm of Gellers' songs, which are sometimes junky, strange, somewhat sad, and friendly.

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Gene Loves Jezebel

Discover

29,99 €*

LP | 1984 | JP | Original (Vertigo)

Release: 1986 / JP – Original

Genre: Rock & Indie

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Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert.

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Genesis

LP | 2023 | EU | Original (Glossy Mistakes)

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing without OBI!

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Genji Sawai

Sowaka

34,99 €*

12" | 2023 | EU | Original (Coymix Ltd)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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* First official and remastered reissue
* Featuring Midori Takada and Bill Laswell
* Sought after cult Nippon avant-garde album * Includes liner notes

Genji Sawai’s classic LP “Sowaka”, featuring Midori Takada and Bill Laswell, reissued for the very first time. Sowaka, recorded in 1984, displayed an innovative sound that went beyond genre – mixing dub, world, jazz, electro, hip-hop and avant-garde. A perfect match of some of the most experimental artists of that time resulting in an extremely sought after and singular piece of music of the golden Japanese era. A talented crossover. In 1984, working with Bill Laswell, Michael Beinhorn and Midori Takada would be unlike working with anyone else Genji Sawai had before, pulling him out of the J-jazz experimental scene he was based on. Rather than work off written music, they’d build songs like cooks. Genji might supply the ingredients, perhaps the tonal choices – sax, FM synths, drum machines, and Bill would task himself to do the “cooking”, creating the overall image of the song. It’s the use of imagery to have a conversation with each other, musically, that just felt so different to Genji. Unlike the other musicians who contributed to Sowaka, musicians of impressive, rarefied technique like Midori Takada, Shuichi “Ponta” Murakami, and Kazuhiko Shibayama, notation or sheet music wasn’t a part of Genji’s vocabulary with Bill. With him, drawings were how songs were built from the ether. Whatever image a demo conjured up – that’s where the song had to go. You hear it on songs like “Hikobae” that predicted the chopped and screwed sound that would revolutionize hip-hop years later. On this track what started with a mental picture, of some kind of tree shoot, metastasizes a vision full of no-wave sax skronk dosed with pointillistic dub affectations. Although, Sowaka wasn’t tied inherently to it’s original meaning – the final utterance from the Buddhist Heart Sūtra – it’s philosophical meaning wasn’t too divorced from the true meaning (or at least, his truest meaning) Genji placed on it here: getting things done. Simply put, all his high-minded ideas wouldn’t have come to fruition unless all involved put some serious work into getting the project over the finish line. In five cracking days the album was put on tape and was then jettisoned off to NYC for Bill to put its final touches. What’s fascinating about Sowaka, or at least what will make it so, is just how it perfectly captures a certain atmosphere, somewhat alien to overground Japanese music at the time. Forget about a starry-eyed, futuristic, technopolis. The Japan heard in songs like “1969 (The Real)” is found in its iconic back alleys and constantly changing cityscape. It would use hip-hop, jazz, folk, and world music, to drop its sonic graffiti. That pull of “tradition” trying to co-exist with increasingly hypermodern ideas is palpably heard in music defined by its mix of organic and synthetic instruments paired with hard-nosed melodies. Genji’s Japan, as heard in Sowaka, pulls no punches, it wants you right in the middle of that public maelstrom. It wants you to sonically be there. Behind the mysterious chopped-and-screwed-with jazz of songs like “Hikobae” or the no-wave, nu wave-fried jazz of the titular track, there was a new kind of fusion being presented. Moving beyond world music, there was territory to be uncovered that was even more unplaceable. Somewhere, between the mind, body, and spirit, closer to one’s neck and booty, was this music urging you to simply move elsewhere, further, until you’re closer to where Genji’s music would land. Somewhere between history and his story, there’s still room to rewrite our story by absorbing this spectacular music that remains completely, forever, out of time.

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Geo Taguchi

Coy005

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Coymix makes its long-awaited return following a 2-year break, with Geo Taguchi serving up 4 floaty and Balearic prog tunes for Coy005, simultaneously marking the English-Japanese producer's debut release.

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LP | 1985 | JP | Original (Warner)

20/20

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. close to NM

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LP | 1986 | JP | Original (A&M)

A&M Gold Series

18,99 €*

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert

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LP | 1976 | JP | Original (Warner)

Breezin'

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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LP | 1976 | JP | Original (Warner)

Breezin'

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert

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LP | 1980 | JP | Original (Warner)

Give Me The Night

21,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing.

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Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing, comes with Obi and inserts.

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Release: 1983 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Original inner sleeves. OBI is missing.

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Release: 1983 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Release: 1983 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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The George Benson Collection

2LP | 1981 | JP | Original (Warner)

10,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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The George Benson Collection

2LP | 1981 | JP | Original (Warner)

19,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts. Record is close to NM.

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The George Benson Collection

2LP | 1981 | JP | Original (Warner)

17,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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2LP | 1978 | JP | Original (Warner)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Copy closer to VG+

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2LP | 1978 | JP | Original (Warner)

17,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing without OBI! Vinyl is close to NM!

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2LP | 1978 | JP | Reissue (Warner)

56,99 €*

Release: 1978 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing. With insert. Few paper scuffs. Cover is close to NM. 1981 reissue.

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2LP | 1978 | JP | Original (Warner)

LP | 1984 | JP | Original (Epic)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original Japanese pressing with OBI and insert!

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George Duke

Rendezvous

2LP | 1992 | EU | Reissue (BMG Rights Management)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Original Japanese pressing without OBI!

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George Harrison

Live In Japan

44,99 €*

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1985 | JP | Original (Palo Alto Jazz)

George Howard

Dancing In The Sun

19,99 €*

George Kawaguchi Big Four

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with obi, includes insert |

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George And Sleepy

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

George Lewis & Kid Shots Madison

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-12-06

In the 1950s, the Big Four, led by George Kawaguchi, was a pioneering force in Japan's modern jazz scene, gaining immense popularity. Despite changes in its lineup, the group continued to make a significant impact on Japanese jazz. The album 'George & Sleepy' was originally released in 1969 as part of Victor's Japanese Jazz series. While the original liner notes described it as an attempt to recreate the nostalgia of the George Kawaguchi Big Four, this album is far from just a retrospective. Tracks like "Lover" and "Charade" nostalgically evoke the classic Big Four, offering pure enjoyment. Meanwhile, the album also impresses with more contemporary elements, such as the refined groove of "Tuesday Samba" and the exotic, beat-driven "Vietnam." This thrilling album masterfully showcases the timeless appeal of jazz, blending the past and present through the deep, skillful performances of these jazz veterans.

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George Lewis & Kid Shots

LP | 1973 | JP | Original (DAN)

Rock In Rio 2 Clear Vinyl Edition

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert

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George Michael

2LP | 2024 | UK | Original (Parachute)

34,99 €*

LP | 1980 | JP | Original (Windham Hill)

Release: 2024 / UK – Original

Genre: Pop

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SUPERB GEORGE MICHAEL PERFORMANCE AT THE WORLD’S BIGGEST MUSIC FESTIVALIn January 1991, George Michael began his Cover To Cover Tour, comprising 30 shows across the UK, Brazil, Japan, Canada and the USA. The tour was not billed specifically to promote his new album but was more about Michael singing covers of his favourite songs, mixed with a smattering of new tracks, and a selection of oldies. On 27th January ’91, George performed at the second Rock In Rio Festival in Brazil’s second city, where he gave one of the tour’s very finest performances. The show included an unexpected appearance from George’s old Wham! partner, Andrew Ridgely, for a three-track encore to conclude the concert which included versions of Careless Whisper, I’m Your Man and Freedom. Recorded for live TV and Radio Broadcast, the full concert is now available on this new double LP set, which features this magnificent performance in its entirety. SIDE A:1. Killer / Papa Was A Rolling Stone 10:282. Father Figure 5:443. Fame 3:56Total side length – 20:08SIDE B:4. Ain’t No Stopping Us Now 5:275. Calling You 6:136. Back To Life 5:23Total side length – 17:03SIDE C:7. Everything She Wants 8:028. Baby Don’t Change Your Mind 3:149. Don’t Let The Sun Go Down On Me 5:2810. Ain’t Nobody 4:29Total side length – 21:13SIDE D:11. I Knew You Were Waiting For Me 4:1312. Careless Whisper 7:0013. I’m Your Man 6:0114. Freedom ’90 7:10Total side length – 24:24

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George Winston

Autumn

The Best Of Georges Moustaki

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI.

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Georges Moustaki

LP | 1974 | JP | Original (Polydor)

8,99 €*

LP | 2024 | UK | Original (EM)

Release: 1974 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. Japanese pressing. With insert. close to NM

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Georgia Dove

Air From Air

28,99 €*

LP | 2019 | US | Original (Dark Entries)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The poetry of the human voice encounters the magic of contemporary electronic musical technology. Heart, mind and spirit, conveyed by the word, are augmented and altered, enhanced and embraced, by electronic sound.

Air from Air is a collaboration between Japanese vocalist/producer Dove and American electronic duo Georgia. This singular partnership is a collection of audio poems in which words breathed by Dove are modified and expanded, cradled and celebrated, syllable by syllable and phrase by phrase. Georgia thoughtfully highlight Dove’s voice, transforming breath and air through the ether of circuitry, dismantling meaning, yet paradoxically revealing new meaning, both verbal and musical.

Part of the magic here is that Japanese-speaking listeners will find clouds and constellations of meaning in these atmospheres, while those who do not understand Dove’s native language will nevertheless find pure pleasure in these same atmospheres. While some listeners may perceive it as a brand new extension of the attempts of contemporary music pioneers to explore the possibilities of human voice sound in sound art and electronic music, Air from Air will be rather a foray into the unexplored territory of new music, yet difficult to be named, extended into modern bass music and other fields. Disc is made of environmentally friendly new material BioVinyl. Cover art by Sakura Kondo.

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Ghosts Of Dance

Walking Through Gardens

20,99 €*

Gianluca Petrella / Cosmic Renaissance

Release: 2019 / US – Original

Genre: Pop

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We are proud to release a compilation from British post-punk/Futurist group Ghosts of Dance formed in North Devon in 1981. The members were Yvette Norris (vocals), Kevin Maynard (drums), Daryl Hunt (bass), Mark Butcher (keyboards), and Pete Heaton (guitar). Ghosts of Dance took their name from the song 'Ghosts' by David Sylvian which appeared on the first Japan album. After playing an early gig in Barnstaple, a gentleman in the audience named Richard Newman expressed his interest to start a record label and release their music. Richard scheduled a recording session for the band at Otter Studios in Georgeham with producer Harry Williamson, son of Henry Williamson, member of progressive rock band Gong. The debut single ‘Ghosts of Dance’ was released in 1982 on Plastic Canvas Records to mixed reviews as it was very different from anything being released at the time. Our compilation includes their debut single along with 9 bonus tracks recorded between 1981 and 1983 on vinyl for the first time. The band call themselves “Vocal Trance Music” on the 7” sleeve credits and it’s accurate. We call it melancholic pop with gloomy atmosphere and dream-like melodies. The final track shows the band moving in a New Romantic direction with Mark taking over the main vocals. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a jacket featuring original artwork by John Hurford and includes an insert with photos, lyrics and liner notes by Pete Heaton.

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Universal Language

CD | 2022 | EU | Original (Schema)

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Universal Language

LP | 2022 | EU | Original (Schema)

27,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gigatic Khmer

A Fetus - Demo 1989

LP | 2023 | EU (Foad)

Kiwi Synthesis Diary Volume 2

Release: 2023 / EU

Genre: Rock & Indie

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Official reissue of the band’s only demotape (1989) remastered from the best sounding source available after an accurate selection approved by the band. Gigatic Khmer is a hidden gem of tight, progressive Thrash blended with a taste of ’80s Crossover HC and a solid guitar work that holds the banner of Japanese Metal high! Formed in 1988 in the Saitama Prefecture, G.K. are only known for their split flexi disc with Hellchild (1990) and this self-released demo. They often performed live at the cult “Thrash live in savagery” events managed by members of Genoa, sharing stage with bands like Hellchild, Shellshock, Warpigs, 666, Des-Poz and Excrow. Members of G.K. also played in Shellshock, Lawshed and Cocobat. Some early Shellshock songs were originally written by Gigatic Khmer. If you’re into powerful Japanese thrash blending precision with intensity, you definitely need to check this hidden treasure, that finally gets its deserved quality treatment on F.O.A.D. Records. LP with OBI strip and insert with band photos, flyers, scans of the original cassette and band history in both Japanese and English..

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Gigi Fm

12" | 2023 | EU | Original (Sea~Rène)

2LP | 2020 | EU | Original (Time Capsule)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Closely following a busy 2023, GiGi FM announces her brand-new record label, offering “Kiwi Synthesis Diary Vol. 2” to mark the debut. Sea~rène takes aim at dreamlike and ethereal electronic music to reconnect the subconscious and the cosmos through immersive storytelling. As the identity quote of the label says itself “We are Sea~rène swimming in-between supernatural tides, forever following the emotional waves of the universe”.

Already quite accomplished in her milieu through an acclaimed release on Bambounou’s Bambelabel, where she explored the relationship between bodily technologies and music, as well as through her residency on NTS Radio where she explores inter-dimensional sounds and shares her own musical palette, GiGi also continues to perform at strings of performances in the past years in settings like Berghain, Rural Japan, Draaimolen, Fabric, De School, Primavera, The Bunker New York, and Sustain Release. The French/Italian artist takes her productions further with this first release of her imprint. A continuation of her first self-released project, “Kiwi Synthesis Diary 21k,” in 2021, GiGi FM celebrates the exchange between her, as the owner of the journal, and its reader through euphoric soundscapes and vibrant psychedelia. Taking a step back from lockdown introspections, blurred lines between dream and reality like ambient and drony atmospheres, GiGi gives us a bent club record full of colors and life.

GiGi FM guides us through dreams of sonic environments and the adventures to be had through them. Some are characterized by evolving fractals and shifting landscapes like in the healing mushroom journey of ‘Amadamushies’ and the mythical Japanese Heron ‘Tsuru’. Combining steady rhythm and immersive ambiances, the result intends to soothe into a state of openness through kindly familiar territories. Sifting through the tracks, we find ourselves traveling fast through cosmic ecosystems like in the spiritual and cosmic teaching that “Tevora'' represents, as well as ‘Househopping (Keroppi)’ and “Sly Xupete Di Barcelona,” conveying the urgency to feel and create, even within difficult circumstances, while “Spazio Teletrasporto'' takes us on a hypnotic whirlwind trip into the depths of the cosmos and our inner consciousness. Through these chapters of a journey, a connection between the mind and the beyond is implied, and its importance is highlighted.

Deeply influenced by astrology, philosophy, and the cosmos; for GiGi, music is both a tool for expression and introspection. As a multi-hyphenate artist, she continues on her quest to push artistic boundaries and hold space for unique audience experiences. Whatever medium she may adopt, the result is a rich embodiment of the interconnectedness of sound, color, movement, and metaphysics.

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Gigi

Illuminated Audio

21,99 €*

Gigi Masin / Charles Hayward

Release: 2020 / EU – Original

Genre: Electronic & Dance

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The third release of Kay Suzuki's Time Capsule imprint rejuvenates Bill Laswell's dub reinterpretations of Ethiopian singer Gigi. Following reissues of Japanese fusionist Yuji Toriyama and Italian new age visionary Il Guardiano Del Faro, the third Time Capsule is a body of dub reinterpretations by celebrated producer Bill Laswell of Ethiopian singer Gigi. Curated by Tokyo record collector, music researcher and seasoned reissue supervisor Ken Hidaka, it is the first time Illuminated Audio is pressed to vinyl after its CD release in 2003.

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Les Nouvelles Musiques De Chambre Volume 2

LP | 1989 | JP | Reissue (P-Vine)

36,99 €*

LP | 1971 | JP | Original (Seven Seas)

Release: 1989 / JP – Reissue

Genre: Organic Grooves, Classical Music

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The two emerging explorations of aquatic themes on 1989’s Les Nouvelles Musiques de Chambre Volume 2 were a unique insight into the respective compositional approaches of its two central figures. The split album featured the Italian composer Gigi Masin on side-a with delicate piano movements rippling above undulating electronics. Its second track ‘Clouds,’ has become an ambient standard with Bjork, Nujabes and cloud-rap duo Main Attrakionz all sampling its rich and euphoric tones.

Side-b belonged to Charles Hayward and the twenty three minute sound portrait ‘Thames Water Authority’. A founding member of post-punk and avant groups This Heat and Camberwell Now, Hayward’s natural inclination towards percussive instrumentation is highlighted by shape-shifting cymbal recordings that trace the expansive systems that meander beneath Greater London. The track later appeared on his tribute album to Mark Rothko, fusing its symmetry with artistic abstraction.

P-vine is thrilled to reissue Les Nouvelles Musiques de Chambre Volume 2 on limited edition vinyl with an iconic Japanese obi strip attached.

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Gigliola Cinquetti

The Best

Gil Ok-Yun, Lee Saeng-Gang, Lee Sung-Jin & Ryu Bok-Sung

Release: 1971 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Japanese pressing.

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Spirit Junction: Korean Folk Music Meets Jazz

LP | 2021 | JP | Original (Beat Ball Music)

28,99 €*

LP | 1977 | JP | Original (Odeon)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Lyrical pop / gayo composer and saxophonist Gil Ok-yun was a central figure in Korea's golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean classical musician Lee Saeng-gang in the 1980s - an era in Korea that was characterized by experimental crossovers of Eastern and Western styles - that Gil's musical aspirations were finally realized in the form of a 'proper' jazz record.

Lee Saeng-gang's ensemble included himself as daegeum flautist and his brother, the janggu percussionist Lee Sung-jin. They were joined by Gil and a member of his jazz ensemble, the percussionist Ryu Bok-sung. Several live performances eventually led to a recording session. This album, which comprises just two tracks recorded in the form of improv jams, has often been referred to the only work of its kind in Korea's jazz scene. The mélange of two woodwind instruments (saxophone, daegeum) and various percussion elements (bongos, janggu, jing, & kkwaenggwari) come together to conjure a ritual-like confluence that is spiritual in nature and transcends the boundary between East and West.

For some reason, the album was initially released only on CD - the present reissue is the first-ever vinyl release. Though Gil was a jazzman through and through all his life, it was only in his later years that he finally got a 'jazz recording' to his name. Rediscover his legacy and gift to Korea's jazz scene, restored here in its full glory.

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Gilbert Bécaud

Olympia 77

44,99 €*

LP | 1978 | JP | Original (MAM)

Release: 1977 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Vinyl closer to NM. Cover with light wear on edges

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Gilbert O'Sullivan

Himself

LP | 2022 | US | Reissue (Acrophase)

Release: 1978 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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Ginger Root

City Slicker

68,99 €*

Tape | 2024 | US | Original (Ghostly International)

Release: 2022 / US – Reissue

Genre: Pop

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Preorder shipping from 2024-11-15

What would it sound like if Ginger Root was asked to make the soundtrack to an American adaptation of a fictitious Japanese film from 1981 entitled, (Machi No Yatsu)? You'd get their new EP, 'City Slicker'. While the previous Ginger Root albums have had themes of introspectiveness and observations on past personal experiences, this upcoming release is the first collection of songs written from an outside perspective. The first collection of songs that live in a fabricated world. A short 19 minute escape to a metropolis that never was. Following a protagonist whose neighbors call him the 'City Slicker'. On this EP, Ginger Root continues to pioneer their self-proclaimed genre: 'Aggressive Elevator Soul'. By blending the bones and blueprints from the works of Yacht Rock and City Pop, with textures from the ever evolving Bedroom Pop scene, glueing them all together fruitions something uniquely Ginger Root.

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Ginger Root

Shinbangumi

LP | 1985 | JP | Original (Disques Dreyfus)

Release: 2024 / US – Original

Genre: Rock & Indie

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Step inside the world of Ginger Root. Cameron Lew makes it easy to do so; every considered detail is his own manifestation, written, designed, and executed as an all-encompassing diorama of sound and sight. A multi-instrumentalist, producer, songwriter, and visual artist from Southern California, Lew has crafted his project steadily since 2017, inviting a fervent and growing legion of fans into storylines drawn across mediums: captivating albums with accompanying films and globe-spanning tours. The Ginger Root sound _ handmade yet immaculately polished synth-pop, alt-disco, boogie, and soul _ takes shape through Lew's lens as an Asian-American growing up enamored by 1970s and '80s music, specifically the creative and cultural dialogue between Japanese City Pop and its Western counterparts from French Pop to Philly Soul to Ram-era McCartney. He spins his retro-minded influences and proliferates savvily in the present, synthesizing a songwriter's wit, an editor's eye, and a producer's resource into something singular and modern. SHINBANGUMI, his long-awaited third LP, and Ghostly International debut set for physical release in 2024 with a visual album component, translates roughly to a new season of a show. It finds Lew more poised, idiosyncratic, and intentional than ever in a new chapter of life, unlocking "exactly what Ginger Root should sound and feel like," he says. "In terms of instrumentation and musicality, it's the first time that I felt very confident and comfortable with what everything should be comprised of. On the more personal side, I'm coming out of the last four years of writing, touring, and living as a different person; SHINBANGUMI is a platform to showcase my new self."

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Gino Vannelli

Black Cars

LP | 2010 | UK | Reissue (Jet Set)

Release: 1985 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. With OBI and insert.

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Giovanca

While I'm Awake

59,99 €*

Release: 2010 / UK – Reissue

Genre: Organic Grooves

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Dutch soul singer GIOVANCA's second album "while I'M Awake" (2010).
Japanese reissue in 2LP with obi strip.
Produced by Benny Sings.

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LP | 1975 | JP | Original (Buddah)

2nd Anniversary

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, but with insert.

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LP | 1973 | JP | Original (Buddah)

Imagination

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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LP | 1973 | JP | Original (Buddah)

Imagination

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1972 | JP | Original (Tamla Motown)

Standing Ovation

20,99 €*

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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The Best Of Gladys Knight & The Pips

LP | 1976 | JP | Original (Columbia)

12" | 2023 | EU | Original (Room 126)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI and insert.

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Glass Coat

Ghostlines

12" | 2022 | EU | Original (Samosa)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Glass Coat is a solo project from a Parisian producer who has been living abroad for more than ten years, in Copenhagen, Atlanta, Seattle, Taipei, and presently Shanghai. Inspired initially by 90’s electronic giants from the Warp label (Apex twin, Autechre) and the trip hop school of Bristol as well as Scandinavian electro-pop from The Knife to Djuna Barnes and Royksopp, the project has taken a new direction over the course of the last two EPs, inspired now by experimental and drone music. The new sound is based on static, pieces of found sounds and digital glitches processed through analog equipment. The name of this sophomore EP, «Ghostlines» refers to the ghost culture in Taiwan (the EP was recorded between Paris and Taipei) as well as ghost notes, and the ghost lines, i.e. lines that a writer will not fully complete in an unfinished text. The EP is also inspired by environmental disaster and the weight human presence has exercised on our common planet. The works of JG Ballard (particularly «The drought») have been an inspiration for this record. The cover photography is by Taiwanese artist Yehlin LEE, from his book «Raw Soul», published by the Japanese publisher akaa-sha.

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Gledd

The Difference EP

LP | 1975 | JP | Original (Capitol)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Samosa Records continue their hot streak with ‘The Difference EP’ - a superb four tracker from a producer who is all about the funk, Gledd. This wonderfully constructed EP kicks off with the first track on the A-side - ‘I Don’t Know’. From the get go, this is a slinky, catchy funky number. The warm, all consuming bass line jogs along, aided by subtle guitar riffs that light up the melody. The chugging train suddenly breaks for an outrageous blues vocal - deep growls and female backing singers take control before the track launches straight into the stratosphere. A guaranteed dance floor bomb. Next up on the A-side is ‘Amapola Sunrise’, a latin infused 125bpm slice of heaven. Gledd knows these rhythms inside out - and this hypnotic ‘love dance’ of a track proves it. You can only imagine the sunrises and sunsets this will provide the soundtrack to. It’s a deep, glorious journey into hedonism - let the lead guitar and sax take you by the hand to the rug-pull breakdown. Gledd at his incomparible best. Meanwhile, over on Side B, De Gama is setting out the party stall early with his ‘Re-Groove’ of Muni. When De Gama masters the grooves in the ‘Re’Groove’ workshop, the flames can be seen for miles. African horns, organ stabs and Mali-inspired guitar riffs combine with the superb vocals. It’s a tribal, ethereal and very spiritual funk dream, which is De Gama’s trademark. Closing off this excellent EP is B.2 - ‘Japan Lips’. In no time, we’re off around the seedy back street bars where gifted but washed up bass players hang out to find work. The bass line is as clean as a whistle as it kicks against the snares and cymbals of the beat, and the melody wraps around you instantly with rhythm guitar, jazz flute and breaks. Another mesmerising piece from a man who knows how to mesmerise. The perfect topper to this thoroughbred release. ‘The Difference EP’ is a welcome Samosa debut for Gledd and is sure to be a hit with lovers of the groove. This has to be in your collection. Ste Hendry [Black Light Disco]

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Glen Campbell

Coming Home

LP | 1975 | JP | Original (Capitol)

Release: 1975 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI!

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Glen Campbell

Coming Home

3,99 €*

The Best Of Glen Campbell

Release: 1975 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Glen Campbell

LP | 1970 | JP | Original (Capitol)

5,99 €*

LP | 2024 | JP | Original (P-Vine)

Release: 1970 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Glen Check

Bleach

37,99 €*