Search "japan" 1331 Items

LP | 1983 | JP | Original (A&M)

Release: 1983 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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38 Special

Tour De Force

LP | 1982 | JP | Original (Mercury)

Release: 1983 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI! Vinyl is close to NM!

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ABC

The Lexicon Of Love

11,99 €*

LP | 2022 | EU | Original (Billbrook)

Release: 1982 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Aboriginal Voices

Instant Music

LP | 2021 | JP | Original (P-Vine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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For a quarter of an hour, Zürich was the navel of the world. Let's look back: at New York's CBGB's, pre-punks were shredding away, Malcolm McLaren, as a man with a fine-tuned taste for the hip, imported the sound to London, where his sweetheart Vivienne Westwood dressed the test-tube band The Sex Pistols. A few pop magazines later (we are in an analog world!) punk bands sprouted everywhere, like shiny pimples on poorly fed teenagers. Contrary to legend, even back then, it was often those with a musical background who were the most successful. One such example, Henrich "Wüste" Zwahlen, who had learned the violin, attended a jazz school and went into prog-rock before joining the Nasal Boys, one of the first punk bands in Zürich. The scene included the female band Kleenex (cover: Fischli of art heroes Fischli/Weiss), whose minimalism was praised by the London music press, while the world's most important rock theorist, Greil Marcus, wrote an ode highlighting Zürich's role as the birthplace of Dadaism. A fertile ground for the militant youth movement that exploded in 1980 and stirred up the city of banks, protestantism and boredom with raw wit and expressive violence. Gathering at concerts of local bands and fueled by endogenous and artificial substances - they paid homage to exuberance and self-indulgence. The mantra of "everything-is-possible" was driven forward on the musical front by progress in terms of means of production: analog electronic instruments were no longer reserved for hippie nerds, who sat in front of large plug-in boards like autistic-psychedelic switchboard operators connecting cables for their sound carpets. Now snazzy stage personnel elicited fast-paced sounds from handy devices often made in Japan. Kraftwerk was fashionable, the Zurich duo Yello experimented with new synthetic sounds, and the groundbreaking album "Alles Ist Gut" by the Düsseldorf based duo D.A.F. (Deutsch Amerikanische Freundschaft) was released, which chanted its program of provocation times danceability with lines such as "Tanz den Jesus Christus, tanz the Mussolini, tanz the Adolf Hitler." In England meanwhile, electronically backed New Romantic bands were replacing New Wave. The Human League, Heaven 17, Duran Duran, OMD, Depeche Mode or Visage stormed the charts. In Zürich's underground, the duo Aboriginal Voices caused a stir at that time. A couple, good-looking, styled, looking cool into the cold neon light, with a danceable beat and sequenced electro sounds, to which Micheline gave a very unique touch when she sang in French and English. Micheline had a classical piano education, had left home early, worked as a lighting technician in a strip joint and at Booster, the hottest boutique in town (one of the relicts that still exists). Voilà: a musician who was as stylish as she was tough. She was already playing with Wüste in the band "Doobie Doos", a band where everyone played an instrument they didn't master. In 1980 the Aboriginal Voices were formed, initially with vocalist Magda Vogel (of later UnknownmiX fame), who was trained as a classical singer.

Frustrated by organizational friction and constant hassles with band lineups, Wüste and Misch decided to do everything as a twosome: self-mixed, self-styled, self-produced. With the top-of-the-line Linn drum machine clocking the beat, Wüste's guitar and Micheline on the Yamaha synthesizer created a unique sound of danceable electronic music. Whereby the Aboriginal Voices acted as a kind of proto-influencer, receiving the latest equipment to try out, especially since they made it a point not to work with tapes, but to design everything for live shows. They had an interface built for the legendary Roland Mc-4b, who sequenced the modular Roland System 100m but where one output controlled a light show synchronized with the sound. A pioneering act that fit well into the DIY spirit of punk, with its self-distributed tapes and fuck-you attitude towards the cretins of the music industry. Consequently only two cassettes and an EP were released. There was something futuristic about the sound, the vestiary style and the electronics, while the attitude remained rebellious. Of course something so deeped in the Zeitgeist wasn't meant to last. Wüste moved to New York, Micheline stayed in Zurich, both still active in the music scene to this day.

Sven Regener, head of the band Element of Crime and one of Germany's most successful pop writer said a few years ago when asked if he knew of any Swiss music: "Of course! In 1983, a Swiss band called Aboriginal Voices played with us at a festival in Zurich. Great, avant-garde electro-pop. That was my first encounter."

If you ever saw them live, you never forgot them, and so over the years you belonged to a teeny-tiny circle of insiders, happy to be joined after all these years by new aficionados who appreciate the sound of that quarter-hour, when Zurich was ravishing, creative and exciting.

- Thomas Haemmerli

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Aburadako

Adk

43,99 €*

LP | 2023 | JP | Original (P-Vine)

Release: 2021 / JP – Original

Genre: Rock & Indie

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Abradako was formed in 1983 by Hirotomo Hasegawa. In the punk / hardcore scene of the time, it has attracted attention as a completely different personality compared with other bands and gained cult popularity. In 1985, released the 1st album "Aburadako". Since then, he has released seven albums by the time he stopped their activity in 2009. All album titles are "Aburadako". P-vine presents parts of their discography as LP for the first time. All titles come with OBI-strip. "adk" is their early stadio recordings which including the tracks before their music style are getting more avantgarde, more proressive. some tracks is come from compilation albums from Tokuma Japan.

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Aburadako

Adk Picture Disc Edition

38,99 €*

12" | 2022 | JP | Original (Yokujitsu)

Release: 2023 / JP – Original

Genre: Rock & Indie

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Compiling Japanese hardcore punk band Aburadako’s earliest recordings, this collection of rarities and early singles is absolutely brutal! With songs taken from their earliest self-released flexi-disc, a Tokuma Japan punk compilation (Greatest Punk Hits (1983)), and their 1984 mini album, ADK is 14 songs of pure, unrestrained punk spirit! Hirotomo’s vocals are at times incomprehensible, and the recording quality isn’t the best - but who needs those when you have some of the heaviest basslines and brutal drum grooves to come out of Japan? Pressed on a limited edition picture disc, this compilation of Aburadako’s earliest recordings is a must-have for all fans of Japanese hardcore!

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Aburadako

Kerosene

29,99 €*

Does The Cosmic Shepherd Dream Of Electric Tapirs?

Release: 2022 / JP – Original

Genre: Rock & Indie

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Aburadako's "Yokujitsu" (The Day After), a masterpiece that will remain in the history of Japanese punk/rock, was performed at Shimokitazawa Shelter on May 12, 2002, for 23 minutes and 56 seconds, and is now available in analog form for the first time after 20 years!

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Acid Mothers Temple

LP | 2004 | Reissue (Space Age)

42,99 €*

Kings Of The Wild Frontier

Release: 2004 / Reissue

Genre: Rock & Indie

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Solid green coloured heavyweight 180 gram audiophile vinyl double LP reissue with the new 2019 artwork layout. Re-mastered by John Rivers at Woodbine Street Studio especially for vinyl release.Does The Cosmic Shepherd Dream Of Electric Tapirs? is not only a question deserving of an answer, but also the title of Acid Mother Temples first ever release on Space Age Recordings. As a Japanese soul collective, Acid Mothers Temple and The Melting Paraiso UFO are something of an enigma to the western world, and most likely to eastern ears too. Their music can be described as acid-rock, experimental, psychedelic or a whole host of genres dependent on the listeners' mood. Having been out of stock for some time, the long anticipated repress of this wild offering from AMT, comes as double solid green vinyl with the seductive, uncensored artwork of the original sleeve. Limited to 500 copies ww.

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Adam And The Ants

LP | 1981 | JP | Original (Epic)

19,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Greatest Hits

13,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing withOBI!

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LP | 1980 | JP | Original (Arista)

Lost In Love

3,99 €*

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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LP | 1981 | JP | Original (Arista)

The One That You Love

7,99 €*

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert. Vinyl is close to NM.

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LP | 1981 | JP | Original (Arista)

The One That You Love

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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LP | 1981 | JP | Original (Arista)

The One That You Love

Album | 1980 | JP | Original (RCA)

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Airplay

11,99 €*

Akira Ishikawa & Count Buffaloes

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Uganda (Dawn Of Rock)

CD | 2022 | UK | Original (Mr Bongo)

Akira Ishikawa & Count Buffaloes

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress. A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches. For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka. The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag. We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.

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Uganda (Dawn Of Rock)

Box Set | 1972 | UK | Reissue (Mr Bongo)

40,99 €*

LP | 1977 | JP | Reissue (CBS/Sony)

Release: 1972 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Al Stewart

Orange

Release: 1977 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without obi, includes insert |

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Albert Hammond

Your World And My World

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Albert Hammond

Your World And My World

LP | 1979 | JP | Original (A&M)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Albert Lee

Hiding

Live Sentence (No Parole From Rock 'n' Roll)

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert.

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Alcatrazz

LP | 1984 | JP | Original (Polydor)

22,99 €*

LP | 1983 | JP | Original (Epic)

Release: 1984 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Japanese pressing with OBI and insert.

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Aldo Nova

Subject

LP | 1985 | JP | Original (Portrait)

Release: 1983 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanse pressing without OBI!

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Aldo Nova

Twitch

16,99 €*

LP | 1980 | JP | Original (A&M)

Release: 1985 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Ali Thomson

Take A Little Rhythm

LP | 1973 | JP | Reissue (Express)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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Alice

アリス III

12" | 1983 | JP | Original (Warner)

Release: 1973 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Reissue. Cover is close to NM.

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Allan Holdsworth

Road Games

LP | 1972 | JP | Original (Odeon)

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Amália Rodrigues

Amalia Canta Portugal

LP | 1973 | JP | Original (Warner)

Release: 1972 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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America

Hat Trick

LP | 1979 | JP | Original (Capitol)

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.

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America

Silent Letter

LP | 1982 | JP | Original (Capitol)

Release: 1979 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI. Vinyl with a scratch on A1.

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America

View From The Ground

LP | 2022 | UK | Original (33:33 Records)

Release: 1982 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Amosphere

More Die Of Heartbreak

30,99 €*

LP | 1985 | JP | Original (Myrrh)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The seductive first full-length from electronic composer and multi-disciplinary visual artist Amosphère. Born in China, partly educated in Japan and now residing in Paris, her work came to the attention of a wider circle of listeners when she was invited by Laurel Halo to perform as part of a 10-hour durational ambient concert at London's Mode Exchange in 2019. Amosphère uses a careful selection of vintage electronics, sophisticated harmonic sense, and keen compositional intelligence to invite listeners into a meditative sonic space. Time expands and contracts, simplicity reveals complexity, and repetition becomes patient transformation. Spreading out over six expansive yet self-contained tracks, more die of heartbreak serves as a perfect introduction to Amosphère's warmly enveloping approach to analogue sound. Developed from scores (contained in the accompanying booklet) using techniques from concrete poetry and graphic notation as well as fragments of traditionally notated material, these six pieces take in a broad sweep of moods and approaches, from the gently burbling layered monophonic patterns of the opening 'circuit of unconsciousness', reminiscent of the sun-drenched synth figures of 70s Alvin Curran, to the haunted gliding tones and reverberating pops of the closing 'melting a piece of cadmium'. At times starkly minimal and making bold use of the stereo field, Amosphère's production approach keeps the grit and grain of her analogue gear intact, at times calling to mind the work of pioneers like Delia Derbyshire and Eliane Radigue.

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Amy Grant

Unguarded

11,99 €*

LP | 1980 | JP | Original (Capitol)

Release: 1985 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert.. Cover with light stains, closer to VG+

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Amy Holland

LP | 2021 | JP | Original (P-Vine)

Release: 1980 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI!

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Analogfish

Kouya On The Wild Side

23,99 €* 31,99 € -25%

2LP | 2020 | EU | Original (Morr Music)

Release: 2021 / JP – Original

Genre: Rock & Indie

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Ten years ago, Analogfish charmed Japanese audiences with infectious vocal harmonies, jazzy rhythms and intricate guitar needle-work that patched together a full-bodied work of adventurous Japanese indie-rock, and to welcome its tenth year anniversary P-vine will be pressing Kouya On The Wild Side for the first time on vinyl. There's something for everyone here in a release that will captivate fans of Japanese post-rock bands like Mono and Toe just as much as arena-filling western acts like Interpol or Yeah Yeah Yeahs. Analogfish have a knack for picking out melodies and doubling up vocals to deliver anthemic lines for the masses, and "phase", "Hybrid" and "Fine" all feature guitarist Akira Shimooka teaming up with bassist Kentaro Sasaki to punch home vital pockets of sound.

Analogfish formed in 1999, and having one foot in the 90s lives on healthily in their releases with clusters of the era's shoegaze and electronica written into the mix. Shimooka and Sasaki debuted on a major label in 2005 and were joined by Shuichiro Saito on drums who completed the three piece line up. Now veterans of the Japanese indie rock music, they have produced ten albums together as a unit and continue to release and tour as energetically as ever. Kouya On the Wild Side serves as both a great introduction to their work and a slice of the vibrant sounds coming from Japan at the tail end of the 00s.

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Andersens

There Is A Sound

33,99 €*

What's Wrong With This Picture?

Release: 2020 / EU – Original

Genre: Rock & Indie

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“There Is A Sound” is a compilation of blissed-out psych-folk songs by Andersens, a Japanese independent pop group who were led by Tsuby, aka Kiyokazu Onozaki, and were active throughout the 00s. A lovely set of intimate revelations, with some widescreen, bold pop moments, dreamy guitars meeting brass, electronics and sitar, it’s really the first time listeners outside of Japan have had the chance to take in the full spread of Andersens and their gentle pop songs. Released on the heels Morr Music’s Minna Miteru compilation of Japanese indie-pop, “There Is A Sound” is the first in a series of artist compilations that dig deeper into Japan’s musical underground. Co-compiled by Tsuby and Markus Acher (The Notwist, Spirit Fest), the collection sheds much-needed light on a unique songwriter, one part of a vital and energetic scene that is largely unrepresented outside of Japan.

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Andrew Gold

LP | 1977 | JP | Original (Asylum)

22,99 €*

LP | 1966 | JP | Original (CBS)

Release: 1977 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. OBI is missing.

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Andy Williams

De Luxe

LP | 2024 | US | Original (Slovenly)

Release: 1966 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Angel Face

21,99 €*

I Can't Go Back / New Generator

Release: 2024 / US – Original

Genre: Rock & Indie

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Angel Face, a super new group featuring Fink (Teengenerate, Firestarter, Raydios), Toyozo (Fadeaways), wild woman skin basher Rayco on the pummel, and a freak who calls himself Hercules handcuffed to the mic! Our favorite new Japanese band has taken Tokyo by storm one live house party at a time, and these two limited edition vinyl slabs are already sought after by those in the know... Snag a copy of each while you can!" Edition of 666 copies.

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Angel Face

7" | 2024 | US | Original (Slovenly)

15,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 1991 | JP | Reissue (Alchemy)

36,99 €*

Release: 1991 / JP – Reissue

Genre: Rock & Indie

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Released in 1991, Angel’in Heavy Syrup’s self-titled debut LP ensured that they would be remembered as one of the greatest all-female Psych-prog-rock bands ever. With only one CD reissue to its name, this album has become one of the most sought after albums of Japan’s early-90’s underground rock scene. Make sure not to miss the first-ever reissue of this phenomenal album on vinyl, available only from P-vine Records and Alchemy Records’ Alchemy Records Essential Collection.

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LP | 1993 | JP | Reissue (Alchemy)

Angel'in Heavy Syrup II

34,99 €*

Release: 1993 / JP – Reissue

Genre: Rock & Indie

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Although there were not that many psychedelic rock bands made up of all females in the world of the 1980s, "Angel'in Heavy Syrup" was the rarity one emerging from the Japanese noise rock scene, they were influenced by krautrock bands such as Amon Düül II, but drew primarily from psychedelic and progressive rock, resulting in their characteristic ethereal neo-psychedelic sound. Following reissuing the debut album last year, P-vine proudly presents their succeed releases on vinyl for the first time! This is still highly acclaimed 2nd album released in 1995 featuring their well-known tunes such as 'naked SKY High' and 'Kitto Aeruyo', which were played frequently as standard songs at their live shows. Also includes a cover of the mega-hit song by Sonny & Cher 'I Got You Babe'.

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LP | 1995 | JP | Reissue (Alchemy)

Angel'in Heavy Syrup III

34,99 €*

Release: 1995 / JP – Reissue

Genre: Rock & Indie

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Although there were not that many psychedelic rock bands made up of all females in the world of the 1980s, "Angel'in Heavy Syrup" was the rarity one existing in the underground scene of rock and punk in Kyoto / Osaka area along with SxOxB, Outo, Nightmare and Hijo-Kaidan etc. Following reissuing the debut album of Japanese female psychedelic rock band "angel'in Heavy Syrup" last year, P-vine proudly presents their succeed releases on vinyl for the first time! Their third album, with its brilliant psychedelic cover artwork, is regarded as the greatest work of their career. Compared to their previous albums, the sound production is even more progressive rock-oriented, and includes songs such as 'Boku Dakega...', which encompasses a sad melody like that of Morita Doji, and the instrumental 'Water Mind', which develops into a spectacular piece of music. The album is the most fantastic of the entire works of their career.

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Boku To Kankou Bus Ni Nottemimasenka / Haru Rannman

7" | 2022 | JP | Original (Alchemy)

19,99 €*

LP | 1975 | JP | Original (Capitol)

Release: 2022 / JP – Original

Genre: Rock & Indie

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Jojo Hiroshige’s famed Alchemy Records is well known for releasing some of the most loved Japanoise releases from the likes of Hijokaidan, Merzbow and Masonna. The label also showcased some of the most exciting music coming out of the Kansai region from artists who didn’t necessarily fit in with its notorious noise. Osaka band Angel’in Heavy Syrup were a four member female group whose psychedelic impulses twisted and turned through luscious space rock and heavy distortion. This limited edition 7 inch release from P-vine features two covers of the legendary psych-folk songwriter Doji Morita - a perfect pairing of Japanese melancholy and experimental fuzz.

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Anne Murray

Together

2x7" | 2024 | EU | Original (Anode/Cathode)

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With inserts.

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Anode Cathode

Punkanachrock

LP | 1968 | EU (Survival Research)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Preorder shipping from 2024-11-01

Heavy Nerd Tip!

Limited edition 2x7" edition of a wildly experimental and unique gem from 1981 (originally released in an edited single 7" form on Japan's Pinakotheca) .

Spread over two records packaged in a bubble wrap outer sleeve - the set features unreleased full length takes and unheard material from the band's master cassettes. All transferred and mastered with the blessing of the original musicians.

The record features heavy involvement from Morioka based musician, Onnyk (key member of the near mythical The Fifth Column group) an underground behemoth who's music has appeared on seminal labels such as Vanity Records (jp), Insane Music (be) & Thirdmind (uk) & Omega Point (jp) to name a few.

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Apryl Fool

17,09 €* 18,99 € -10%

LP | 1968 | EU (Survival Research)

Release: 1968 / EU

Genre: Rock & Indie

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The story of Japanese psychedelic band Apryl Fool and their eponymous debut album is simply extraordinary. It was the vehicle by which bassist Haroumi Hosono first came to prominence, years before he became known as the “Godfather of Japanese electronica” as the founding member and leader of Yellow Magic Orchestra, though this musical titan had work released prior to the group’s 1968 founding, such as the song “The Sea Of Summer Day,” recorded with Yuko Okuyama and released by King Records the year before. Drummer Takashi “Rei” Matsumoto was a Beatles maniac that had covered songs by Them and Sam & Dave in his earlier group, Burns, while pioneering prog-rock keyboardist Hiroyoshi Yanagida and guitarists Chu Kosaka and Eiji Kikuchi had all been part of a group called The Floral, formed in 1967 through the Japanese wing of the official fan club of The Monkees (whom they supported during a Japanese tour enacted in October 1968). In September 1969, Apryl Fool played behind musical theatre group Tokyo Kid Brothers, the recording issued in minute quantity as the Love & Banana EP, issued on Columbia Japan’s Musicolor subsidiary; Apryl Fool’s own LP, also issued on Musicolor that year, had extended spacey psychedelic freak jams in the form of “Tanger” and “Pledging My Time,” marathon blues-rock tracks such as “April Blues” and “Honky Tonk Jam,” with the employed English sounding fairly credible, though both parts of epic opus “The Last Mother Land” feature Japanese lyrics. Of course, the day that the LP was actually released is reportedly the day that Apryl Fool announced their termination, giving this scarce release another level of legend for connoisseurs.

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Apryl Fool

20,99 €*

2LP | 2021 | EU | Original (Pelagic)

Release: 1968 / EU

Genre: Rock & Indie

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Arabrot

Norwegian Gothic

38,99 €*

The Promise (Extended Remix)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Årabrots`S 9th Full-Length Album Norwegian Gothic Sees The Band Collaborate With Lars Horntveth (Jaga Jazzist), Cellist Jo Quail, Tomas Järmyr (Motorpsycho), Anders Moller (Turbonegro, Ulver) And Massimo Pupillo (Zu). A Stellar Production By Jaime Gomez Arellano (Black Eyed Peas, Paradise Lost, Hexvessel, Oranssi Pazusu) Makes This The Quintessential Årabrot Record, As Guitarist And Vocalist Kjetil Nernes Confirms:"Norwegian Gothic Is The Culmination Of Everything Årabrot Has Done Musically The Past 10 Years. It Is Not Only The Climax Of The Band So Far, But Also A Good Indication Of What To Come. It Is Basically An Amalgamation Of All Of Our Influences Here In The Church Where We Live. Musically It Is Inspired By All The Albums Of Our Record Collection And Thematically By The Books We Have In Our Shelves. More Specifically It Is Our Special Brand Of Rock'n'roll Music Mixed With Fin-De-Siecle Decadence, Surrealism And Even A Pinch Of Old German Philosophy To Boot."While The 20 Years History Of The Band Is A Story Of Change And Correlation, It Would Be Too Simple To Break This Creative Duality Down To The Stereotypical Dichotomy Of The Yin And The Yang_ And If One Attempted To Do So, It Would Turn Out To Be Quite Difficult To Determine Which Of These Forces Would Be Represented By Which Individual.A Chubby Child From A Christian Family, Growing Up In A Small Swedish Village And Years Spent In A Missionary School In Japan Made Karin Desperate To Break Away From Narrow Thinking. And She Used Her Only Advantages To Do So; Her Unique Voice And Personality. By The Age 15 She Had Moved Away From Home To Find Her Place In Music. After Studying At Stockholm Music Conservatory, A Norwegian Poet Took Her To Norway Where She Started Her Pop Career, This Was Followed By A Move To London To Write Songs, And Working As A Model.After Five Albums, A Few Grammys, Writing A Eurovision Entry For Norway And Hits For Other Artists And Performances With Lana Del Rey And David Bowie, Karin Returned To The Vil...

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Arcadia

12" | 1986 | JP | Original (EMI)

56,99 €*

7" | 2024 | JP | Original (P-Vine)

Release: 1986 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI and insert. Tiny wear. few scuffs.

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Arisa Nakano

Aoi Sakana (Blue Fish)

20,89 €* 21,99 € -5%

LP | 1973 | JP | Original (CBS/Sony)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Arisa Nakano is a talented young Japanese actress who recently appeared in Wim Wenders' latest film Perfect Days, which was nominated for Best International Feature Film at the 96th Academy Awards. She sings Sachiko Kanenobu's song 'Blue Fish' which is also played in the film, and P-vine have the honour of releasing the cover as a 7" single. Produced by Seiichi Yamamoto, also known as a former member of the Boredoms, her dignified singing voice combined with Yamamoto's sound arrangement creates a musical chemical reaction.

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Art Garfunkel

Angel Clare

Release: 1973 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Art Garfunkel

Scissors Cut

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Original japanese pressing with obi (torn).

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Art Garfunkel

Scissors Cut

8,99 €*

2LP | 2003 | JP | Reissue (Monchént)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Art-School

Love/Hate

67,99 €*

2LP | 2002 | JP | Reissue (Monchént)

Release: 2003 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The band's sound textures are post-grunge and shoegazing, with a slow and steady progression of roaring guitars and beautiful melodies. The second album by Art-school, which confirms their position as a one-of-a-kind band through the fragile and dangerous worldview of vocalist Riki Kinoshita, is now being released on LP for the first time in their career, as a double-vinyl!!

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Art-School

Requiem For Innocence

67,99 €*

LP | 2021 | EU | Original (Sfera Entert)

Release: 2002 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The major label debut album by Art-school, which shocked the scene with its sweet melodies and sharp, dynamic, roaring guitar sound that creates a sense of intoxication and a sense of speed, has been released on LP for the first time in their career as a double-vinyl!!

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Arti & Mestieri

Essentia Live In Japan

33,99 €*

7" | 2024 | JP | Original (Universal Music Japan)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Asako Toki

A Night In New York

20,99 €*

LP | 1983 | JP | Reissue (Geffen)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Asia

Alpha

10,99 €*

Live At Conquest 2023 Glitter Green Tape Edition

Release: 1983 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM

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Asphalt

Tape | 2024 | JP | Original (Coaltar)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Cassette tape of ASPHALT's live performance during Cockney Rejects~the Last Japan Tour 2023~ at Club Conquest, Hiroshima on February 23, 2023. Available in a new glitter green color!

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LP | 2022 | UK | Original (Kitchen Label)

A Little Fable

30,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Tape | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

15,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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CD | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

25,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

30,99 €*

LP | 2021 | EU | Original (ESP Disk)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Attitude

Pause & Effect

27,99 €*

LP | 2022 | EU | Original (Plaisphere)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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This extraordinary NYC trio combines free jazz and post-punk with pointed commentary about issues of race, gender, the pandemic, and political autonomy. Rose Tang, a Mongol from Sichuan, sings/recites and plays guitar, piano, and percussion. Tenor saxophonist Ayumi Ishito, from Japan, plays in a plethora of bands along the jazz/rock spectrum. Drummer, composer, and educator Wen-Ting Wu, from Taiwan, combines jazz drive and classical rigor.

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Ausgang 256

Essai 256

LP | 1983 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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On this first record, entirely self-produced, the Parisian trio Ausgang 256 joyfully offers us pop songs that would have been melted in experimental junk like sugar in water, overtly inspired by bands like Broadcast, Animal Collective or by the composer Sonic Boom. Indeed, the music of these young dreamy electronicians slips through our fingers but flows gently into us. Carefully, patiently, meticulously assembled in a small living room in the 18th arrondissement of Paris, the debut album of these devoted disciples of the Japanese magician Cornelius works like a pointillist painting. Too close and it's completely abstract. From too far away, you lose the flavour and the craftsmanship. But at the right distance, all the details come together as if by magic.The ten fragments of the album oscillate between experimental pop, space rock, theremin folk ballads and other unstructured melodies. The Essai 256 will be released on 21 October on Planisphère.

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Auto-Mod

Requiem

34,99 €*

LP | 2023 | JP | Original (Forlife Songs)

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Auto-Mod is known as a pioneer band in the Japanese positive punk scene, and their aesthetic and theatrical songs influenced many artists who followed in their footsteps. Their debut album was released in 1983 by Telegraph Records, which runned by a legendary photographer Yuichi Jibiki. Tomoyasu Hotei also played in Auto-Mod as a guitarist about 20 years before his name became famous with his work for Kill Bill's main theme. This is the first time the album is reissued on vinyl!

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Ayane Yamazaki

Serenade Of The Wind

39,99 €*

LP | 2019 | JP | Original (Universal Japan / Dessinee)

Release: 2023 / JP – Original

Genre: Rock & Indie, Pop

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Japanese indie artist Ayane Yamazaki, who has been heard on college radio and Internet radio in Europe and the United States by young indie music listeners, especially college students, releases her new album "Serenade of the Wind" on Record Day. Electronica + City Pop + Folk Songs. Colorful whisper voice and unforgettable melodies will make you want to sing once you hear this impressive album. A new city pop masterpiece!!

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B.J. Ward

Vocal Ease

57,99 €*

10 Babymetal Budokan - Crystal Clear Vinyl Edition

Release: 2019 / JP – Original

Genre: Rock & Indie

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Japanese import

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Babymetal

LP | 2014 | UK | Reissue (Cooking Vinyl)

27,99 €*

LP | 1976 | JP | Original (Island)

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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Bad Company

Run With The Pack

16,99 €*

LP | 2022 | JP | Original (P-Vine)

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert.

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Baku Furukawa

Seascape

36,99 €*

Release: 2022 / JP – Original

Genre: Rock & Indie

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Baku Furukawa is precise in the intimacy expressed by his music, reaching into the depths of his imagination to create a sonic world unlike anything else. Born in California and raised in Japan, his music draws influences from genres as varied as bossa nova, traditional folk music, jazz, classical music, and pop, to create music quite unlike anybody else. From lush string quartets, to jangly guitar chords, to even the melancholy finger-picking of a nylon string guitar; there’s no sound that Furukawa cannot master. With a who’s who of the Japanese alternative scene appearing on the album, this album is a classic! Baku Furukawa’s second album “Seascape” (2018) is finally getting its long-deserved analog release, available only from P-vine Records.

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LP | 1978 | JP | Original (Arista)

Even Now

4,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert.

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LP | 1978 | JP | Original (Arista)

Even Now

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Cover and vinyl are close to NM.

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LP | 1978 | JP | Original (Arista)

Even Now

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert. Cover with light wear.

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Greatest Hits Vol. II

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Greatest Hits Vol. II

7,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl is close to NM. Japanese pressing. OBI is missing.

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Greatest Hits Vol. II

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with OBI and insert.

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Dedication

4,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Dedication

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Dedication

7,19 €* 7,99 € -10%

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with obi and insert.

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LP | 1977 | JP | Original (Arista)

It's A Game

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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LP | 1977 | JP | Original (Arista)

It's A Game

11,39 €* 11,99 € -5%

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese Promo.
Includes OBI and insert.

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LP | 1977 | JP | Original (Arista)

It's A Game

3,99 €*

Release: 1977 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert.

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Once Upon A Star

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing

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Once Upon A Star

10,99 €*

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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Rock N' Roll Love Letter

4,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert.

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Rollers Collection

7,99 €*

Release: 1976 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Rollin'

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Wouldn't You Like It?

LP | 1979 | JP | Original (RCA)

Release: 1975 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Becky Hobbs

22,99 €*

Bedsore / Mortal Incarnation

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with insert.

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Split Black Vinyl Edition

LP | 2022 | US | Original (20 Buck Spin)

26,99 €*

Bedsore / Mortal Incarnation

Release: 2022 / US – Original

Genre: Rock & Indie

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Italy’s Bedsore and Japan’s Mortal Incarnation, two bands separated by continents of distance, come together for a split release packed with fresh and intense Death Metal energy, with each band contributing a single epic length track.

Bedsore seamlessly melds astral Black Metal, technical Death Metal and 70s Progressive straight out of a planetarium laser show. Witness the rapid evolution of a band with a seemingly infinite trajectory of creativity and imagination. On the 16+ minute journey of ‘Shapes From Beyond The Veil Of Stars And Space’ Bedsore continuously twist into unconventional new directions of cinematic cosmic vastness .

On the B side Japan’s Mortal Incarnation present ‘In The Perpetual Torment Of Recurrence’ a massive 14+ minute track of bludgeoning inventive Death Metal with shards of Doom despondency that rivals and sits equally beside the best bands of the style worldwide. Simply one of the best pure Death Metal tracks that will be heard in 2022.

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Split Ultra Clear Vinyl Edition

LP | 2022 | US | Original (20 Buck Spin)

27,99 €*