Search "wood wood champion" 713 Items

Look Into My Eyes / Express

Release: 2019 / EU – Original

Genre: Organic Grooves

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Drummer/producer Teppo Mäkynen's 3TM returns with a new album, "Lake", on 29 November on Helsinki's We Jazz Records. The album is the much awaited follow up to 2017's successful 3TM debut "Form", which was awarded as the "Jazz Album of the Year" in Mäkynen's native Finland. "Lake" was preceded by the ambient electronic album "Abyss" in August, which set the mood for what's to come next: A compact yet far-reaching body of work bringing together the trio's acoustic jazz sound and ideas rooted in abstract electronic music in a remarkably boundless way.

"Lake" is a collection of 9 Mäkynen-penned originals ranging from the looping, hypnotic compositions such as first single "Laws Of Life" to the delicacy of tracks such as "Woods". There is a sense of long form narrative here, evident in glorious, slowly evolving tracks such as "Lake" and "A Pile Of Broken Dreams". The overall sound is swinging, melodic, deep and futuristic. It's acoustic jazz and abstract electronic music understood deeply and used as the base of a new sound, which goes beyond the usual distinctions of "acoustic jazz" or "electronic music". This is music for the present day, moving forward.

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52nd Street

12" | 1982 | EU | Reissue (Be With)

LP | 2021 | EU | Original

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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“Who put the dance into Factory Records?” Be With would like to refer you to FAC 59. Working with founding member Tony Henry, we’re honoured to present the reissue of 52nd Street’s crucial debut single “Look Into My Eyes”, backed with “Express”. Originally released on Factory Records in Summer 1982, this ultra-rare 12″ is a double-sider in the truest sense. Unrivalled Manchester jazz-funk-boogie-soul. Both “Look Into My Eyes” and “Express” came out of a five day recording session in the spring of 1982 at Revolution Studios in Cheadle Hulme, just outside Manchester.

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600v Aka Funk Yeti

Funky Grooves Pt 1

CD | 2021 | EU | Original

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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600v Aka Funk Yeti

Funky Grooves Pt 1

12,74 €* 14,99 € -15%

Acker Bilk With The Leon Young String Chorale

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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Clarinet Mood

LP | JP | Original (Odeon)

LP | 2023 | EU | Original (Lalabeam)

Release: JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.
Red vinyl.

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Ada Morghe

Lost

30,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | US | Original (Out Of Your Head)

Adam Hopkins

Crickets

25,99 €*

LP | 2018 | EU | Original (Nakama)

Release: 2023 / US – Original

Genre: Organic Grooves

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Grounded was initially recorded as the first track of what was to become Crickets II by my NYC-based ensemble Crickets, and the follow up to the album of the same name from 2018. The track was recorded remotely from locations literally across the world in Winter of 2020/2021, which everyone knows was a time of minimal in-person recording opportunity. As the band further spread out over the next year, this consequently was the only documentation of the new material I had written for the group featuring Anna Webber, Josh Sinton, Ed Rosenberg, Jonathan Goldberger, and Devin Gray. Perhaps a reunion is a possibility down the line, but for now I'm thrilled to present this final Crickets track on the 5th anniversary of the original album's release.

Included here in digital format is Crickets (ooyh 001) from 2018 for the first time in HD at 88.2 kHz/24-bit, and the new track Grounded which will release on October 19, 2023. TJ Huff gave the album art a sweet redesign for the 5th anniversary LP release, in line with his more recent Ooyh artwork. TJ also did the awesome single cover for Grounded in the 90s skateboard art style we initially conceived as the look for Ooyh Records. All of the tracks featured on this page are included as part of the 5th anniversary LP release.

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Adrian Løseth Waade

Kitchen Music

16,49 €* 21,99 € -25%

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | US | Original (Astral Spirits)

[Ahmed]

Wood Blues

44,99 €*

LP | 2016 | UK | Original (Be With)

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

an excerpt from Edward George's 10,000+word liner-note 8 page booklet that comes with the double LP: Delay, 1961 (the Story SO Far) "They are, Seymour said, in movement, and in keeping with their claim, their music is, like a Brownian bridge, an A&J Tranean train, a Byrdian plane, or a Blountian space-time myth-machine, a way of playing themselves into the historio-graphical hands, or better yet, the loving arms, or perhaps, to be precise, the metaphysical embrace, of ‘a new creative space’, and playing is a way, the only way, when you think about it, of getting and staying in movement, the only way of staying ahead of themselves. Staying ahead of themselves was always important, and tricky too: they were on the (musical) trail of someone who preceded them, was ahead of himself, or at least ahead of his own epoch, the late 1950s, and theirs, the late 20th and early 21st century, in which he was, before they found him (or he found them, the way music finds you — and finds you out) present as no more than a discographical evanescence. And to complicate things further, the way they talked about what they were doing as they proceeded along that trail, you’d think they were archaeologists (and not anthropologists), or geologists (and not ethnographers), as well as exemplars of whatever discipline it is through which the capacity for inhabiting and transforming the body, the corpus, of another takes place: ‘We excavate and reinhabit documents and fragments of plans and compositions that he left behind to make music that though it originated in the 20th century will speak to the 21st’. They said that, on the back, or the strength, of their first album, and it was enough to make you wonder where in the world it was that they started from, what their point(s) of departure might have been."

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AIR

Air

74,99 €*

Aki Rissanen / Jussi Lehtonen Quartet With Dave Liebman

Release: 2016 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM!

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LP | 2015 | Original (Ozella Music)

41,99 €*

Release: 2015 / Original

Genre: Organic Grooves

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Aksel Røed's Other Aspects

Do You Dream In Colours?

LP | 2023 | EU | Original (Is It Jazz?)

11,99 €*

LP | 1967 | UK | Reissue (Be With)

Release: 2023 / EU – Original

Genre: Organic Grooves

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One of the most interesting young names within the Bergen and Norwegian jazz scene is saxophonist Aksel Røed. He’s playing with many different bands and constellations, including General Post Office and Dag Arnesen, and he is in high demand as a player. With Other Aspects, Aksel Røed has put together an 8-piece ensemble of his friends from different bands, and he draws on his inspirations from the old saxophone recordings of Ornette Coleman, Albert Ayler and Pharoah Sanders, but also in the composing mind of Django Bates and Charlie Haden’s Liberation Orchestra. As he explains himself: Other Aspects allows me to constantly drift into different directions and usually with short notice. The music is composed but not set, meaning it’s perfectly acceptable, and even encouraged to think and play outside the box. Most of the magic within the band lies in the free improvisation. Recorded in Duper Studio in Bergen, “Do You Dream in Colours?” is a massive piece of an album. And as a proper old jazz album, it comes with liner notes from the old Norwegian jazz veteran Knut Kristiansen.

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Al Hirt

Soul In The Horn

Alan Hawkshaw & Brian Bennett

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Full Circle

LP | 2018 | UK | Original (Be With)

Alan Hawkshaw & Brian Bennett

Release: 2018 / UK – Original

Genre: Organic Grooves

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Alan Hawkshaw (piano/Hammond) and Shadow’s drummer Brian Bennett are responsible for some of the slickest, funkiest and most sought-after library records ever made in the UK, particularly ones recorded on the legendary KPM label. Their work has now become the go-to place for sampling in music today. Artists such as Dilla, Nas, and the xx, right through to the billion selling Kanye & Drake have taken Hawkshaw’s and Bennett’s immaculate beat-driven soundscapes for their own usage.

Their new album, in full, iconic KPM cover is a return to the laidback jazz-funk that helped Alan and Brian demonstrate their library chops. The album is classic Hawkshaw/Bennett. It swings, it grooves, moves and thrills with a flair these two have perfected over years.

Standout tracks such as "Hole In One", "In The Clouds", "Interchange", "Oasis", "On The Nile" and "Corcovado" are no mere excursions in nostalgia, for they carry lots of deft studio work that many a producer would give their right arm for. Hawkshaw’s arrangements allow the drums, guitar, bass, strings, Hammond, flute and brass to swirl elegantly around the 12 original tracks; a masterclass in recording.

Cut by Pete Norman, housed in a beautifully designed Richard Robinson sleeve and pressed at 180g by Record Industry in Holland, this release has been afforded the care and attention it rightly deserves. Essential.

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Synthesizer And Percussion

LP | 1974 | UK | Reissue (Be With)

LP | 1977 | EU | Reissue (Be With)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Released in the same year as Synthesis over on KPM, 1974’s Synthesizer and Percussion is its essential companion piece. “This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos” is the even more underwhelming than usual library record sales pitch for Alan Hawkshaw and Brian Bennett’s second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.

This is one of Hawkshaw and Bennett’s wilder joints and aeons ahead of its time. Bennett’s tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw’s deranged clavinet-funk-rock. There are heavenly break loops galore.

Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break. "Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force”, “Home Run” and "Pacesetter" for electroid prog-funk dripped in acid squelch.

All five final tracks are beatless synth workouts, because they can.

As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity.

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Alan Hawkshaw

The Road Forward

LP | 1976 | UK | Reissue (Be With)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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This release comes on 180g vinyl and was remastered from the original tapes. Be With have raided the KPM archives to re-issue another of our favourites from the KPM 1000 series. They say: A comprehensive collection of descriptive contemporary scores. We say: Just look at the track titles of The Road Forward and swoon: Strangelands, A Man Alone, Sheer Elegance, Mystique Voyage, Cruising. Don’t you just want to hear those? The maestro Alan Hawkshaw really spoils us on this, one of the most sought after KPM greensleeves. This collection from 1977 is a brilliantly varied blend of silky smooth synths, funk-fuelled clavichord grooves and soft focus space beats. Essential. As with all of our KPM re-issues, the audio for The Road Forward comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We’ve taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM’s brand identity. And don’t worry! Those KPM stickers aren’t stuck directly on the sleeves!

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Alan Tew

Drama Suite Part I

LP | 1976 | UK | Reissue (Be With)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Alan Tew

Drama Suite Part II

Alfred Scholz Und Sein Grosses Tanzorchester, Ensemble Eddy Kaufmann, Willi Horwedel Trio

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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In The Mood For Dreaming

LP | CH | Original (Musical Masterpiece Society)

7,99 €*

Release: CH – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sultan Black Vinyl Edition

Alune Wade

LP | 2023 | EU | Original (Enja & Yellowbird)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Alvin Tyler With Johnny Adams And Germaine Bazzle

Heritage

LP | 1986 | US | Original (Rounder)

5,99 €*

LP | 2021 | EU | Original (Far Out)

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

cut corner

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Amaro Freitas

Sankofa

25,99 €*

LP | 2023 | EU | Original (Musiques En Balade)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP includes 60 x 30cm poster (prints on both sides). From the slums of Recife in Brazil’s North-East to international jazz icon, Amaro Freitas has worked tirelessly to become the artist he is today. His new album Sankofa - a spiritual quest into the forgotten stories, ancient philosophies and inspirational figures of Black Brazil - is his most stunning and sincere work to date.

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Amin Al Aiedy

Shams

32,99 €*

7" | 2021 | EU | Original (Far Out)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Shams is an ode to a captivating region of the world that truly fascinates me: Bilad al Sham “Land of the sun”, or the Levant. Drawing inspiration from this culturally rich and vibrant area, I aimed to create music that radiates brightness and warmth, blending jazz, modes, and Arabic rhythms without constraints. Melody takes central place, flowing through irregular beats and finding freedom in the musicians' improvisations, with whom I immensely enjoy playing. Amin.

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Ana Mazzotti

O Filho Do Homem

18,99 €*

LP | 1974 | CA | Reissue (Return To Analog)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Believed to have been recorded in 1983, ‘O Filho Do Homem’ is a newly discovered and previously unreleased single by the late Brazilian composer and keyboardist Ana Mazzotti. Though it’s her only known studio recording of the decade, ‘O Filho Do Homem’ is one of several unreleased compositions Mazzotti and her band performed on TV Cultura and Programa MPB during the 80s.

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Angellilo Et Hamel

Complicite

21,99 €*

Release: 1974 / CA – Reissue

Genre: Organic Grooves

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Angles & Elle-Kari With Strings

The Death Of Kalypso

2LP | 2024 | EU | Original (Thanatosis Produktion)

39,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Supper Club)

An Evening With Anita

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1979 | JP | Original (Lob)

Angel Eyes

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Reissue (Verve)

Anita

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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LP | 1985 | JP | Original (Verve)

Anita

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Anita O'Day Sings The Winners

LP | 1972 | JP | Reissue (Verve)

Release: 1972 / JP – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Anita O'Day Sings The Winners

LP | 1965 | JP | Original (Verve)

17,99 €*

Release: 1965 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Anita O'Day Sings With Gene Krupa = ジョージア・オン・マイ・マインド

LP | 1979 | JP | Original (CBS/Sony)

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | JP | Reissue (Verve)

Anita Sings The Most

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI.

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LP | JP | Reissue (Verve)

Anita Sings The Most

12,99 €*

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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LP | 1985 | JP | Reissue (Verve)

Anita Sings The Most

Release: 1985 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Time For 2 Limited Edition

Anita O'day & Cal Tjader

LP | 2024 | EU | Original (Supper Club)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1970 | JP | Reissue (Verve)

Pick Yourself Up

11,99 €*

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Sings The Most Feat. Oscar Peterson

LP | 1957 | EU | Reissue (Supper Club)

17,09 €* 18,99 € -10%

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Jazz Stylings Of Anita Oday

Anita Oday

LP (Waxtime)

18,99 €*

Genre: Organic Grooves

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Anne Clark With Daelen, Ulla Van & Ciuche, Justin

Borderland-Found Music For A Lost World

2LP (Stockfisch)

43,99 €*

Genre: Organic Grooves

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Arashi With Takeo Moriyama

Tokuzo

LP | 2024 | EU | Original (Trost)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Arnett Cobb And Eddie "Lockjaw" Davis

Blow Arnett, Blow

LP | 1959 | US | Original (Prestige)

30,99 €*

Art Blakey And The Jazz Messengers With Barney Wilen

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Taped top spine.

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Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Art Farmer with Joe Henderson

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Yama

LP | 1979 | JP | Original (CTI)

Art Farmer With The Great Jazz Trio

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Ambrosia

LP | 1993 | JP | Original (Denon)

2LP | 1993 | EU | Reissue (Be With)

Release: 1993 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Arthur Russell

Another Thought

33,99 €*

CD | 1993 | EU | Reissue (Be With)

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released on CD by Point Music in 1993 it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD re-issue. This is the only place where you can hear some of Arthur’s most recognisable music, like the title track Another Thought, A Little Lost, This Is How We Walk On The Moon, Keeping Up and the woozy disco of In The Light Of The Miracle and My Tiger, My Timing. Though technically a compilation, the whole of Another Thought comes together as a consistent, coherent, wonderful album. Thanks to Janette Beckman for helping reproduce her iconic photograph of Arthur in his newspaper boat hat for the new vinyl sleeve. And thanks also to Tom Lee for giving permission to include his liner notes from the original CD booklet, together with Arthur’s lyrics. Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact it’s essential for any fan of non-obvious pop music.

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Arthur Russell

Another Thought

Ashley Henry / Judi Jackson / Alec Hewes

Release: 1993 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Who We Are

2LP | 2024 | EU | Original (Naive)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Ata Records & The Sorcerers

Kaunas Baltic Connect / Baby, I Don't Care

7" | 2024 | UK | Original (ATA)

No Money No Honey Clear Vinyl Edtion

Release: 2024 / UK – Original

Genre: Organic Grooves

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"Sounds like Lalo Schifrin and Quincy Jones on a night out" DJ Smoove
ATA Records are proud to release their latest 7" single, Kaunas Baltic Connect feat. The Sorcerers/Baby, I Don't Care.
Three albums in, the Library Archiveseries are an honest and forthright homage to the golden age of library recording, and this new release is no exception – a brooding cut of 70s Euro-crime soundtrack for the cognoscenti, backed with a gleeful Hammond romp.
Kaunas Baltic Connect feat. The Sorcerers harks back to the dynamic, brooding menace of Poliziotteschi and Euro-crime movies – popping toms punctuate a martial-sounding 60s beat, with an insistent and recurring piano motif. ATA Ethio-jazz influences are never far from the surface, and this track is chock full of quirky synths and keyboards, as well as the massive-soundingSorcerershorn section. Fans of Ennio Morricone's score to Pontecorvo's Battle of Algiers will also find a lot to enjoy here.
Baby, I Don't Care is reminiscent of shamelessly groovy releases from The Lewis Express, featuring a joyful slice of Hammond organ blues dancing away over the funkiest drums this side of Clyde Stubblefield – replete with congas and bongos from ATA Studios stalwart, Danny Templeman. Intended in the tradition of upbeat Hammond tracks from KPM etc, this track just evolved into pure organ soul.
Baby, I Don't Care has all the hallmarks of a new club favourite – will strongly appeal to all Jimmy Smith/McGriff and Shirley Scott fans, as well as purveyors of the next wave of organ soul from The Filthy Six etc.

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Atilla Engin Group

LP | 2021 | EU | Original (Arsivplak)

LP | 1975 | UK | Reissue (Far Out)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Here an unreleased Turkish Jazz album by Atilla Engin from 1986. I want a special thanks to Mr. Per Meistrup who saved this gem and let us to release it. Limited 500 numbered transparent copies. The album cover was already pressed but wasn't released, since yet...

Atilla Engin was a Turkish Jazz drummer. He moved to Denmark around middle of the 1970's and recorded many traditional Jazz albums there. This album was his last recording in Denmark but unreleased, until now...

"I dedicate this album to Denmark. Ten years ago I came to Denmark. Here I have found my personality, I was allowed to develop-practice my music and the most important thing is that I have learned so much from this vital society for better or worse. And since then, Denmark has been in my heart with growing love, which will probably never disappear. I am who I am; curious, happy, angry, angry, unwise, intelligent, bad diplomat with naughty body and yet I was allowed to play with You I love !!" Atilla Engin

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Azymuth

Azimüth

31,99 €*

LP | 1979 | UK | Reissue (Far Out)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Reissued on 180 gram vinyl in gatefold sleeve!

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Azymuth

Light As A Feather

12" | 1979 | EU | Reissue (Far Out)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Repress on 180 gram vinyl!

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Azymuth

Light As A Feather

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2023 | Original (Be With)

Barbara Moore

Vocal Shades And Tones

Release: 2023 / Original

Genre: Organic Grooves

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Barry Morgan & Ray Cooper

Percussion Spectrum (Themes)

LP | 1979 | EU | Reissue (Be With)

Bassface Swing Trio Feat. Bruno Müller

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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They Say: “Exploring the wide range of moods and sounds produced by percussion”. We say: MPCs at the ready because this does exactly what it says on the tin, to devastating effect. Oh, and the sleeve is stunning. Originally released in 1979, Percussion Spectrum was produced by the legendary percussionists Barry Morgan and Ray Cooper. With dope beats taking in diverse styles, from funk and soul and jazz through to Latin, Brazilian, samba and Afro-Cuban, this is an amazing sample source filled with killer drum-breaks and percussion flares. Unsurprisingly it’s one of the most sought-after records from the Themes catalogue. This library LP is a library in itself, with its mix of short themes of single beats, short breaks.

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Bossa, Ballads And Blues Vinyl Edition

LP (Stockfisch)

32,99 €*

Genre: Organic Grooves

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Open Arms To Open Us Dawn Cherry Vinyl Edition

Ben LaMar Gay

LP | 2021 | US | Original (International Anthem)

Benny Goodman With Harry James / Lionel Hampton / Martha Tilton

Release: 2021 / US – Original

Genre: Organic Grooves

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Ben LaMar Gay's critically-lauded 2018 break out Downtown Castles Can Never Block The Sun was more like a greatest hits than a debut album, as it compiled the best of the prolific but obscurity-prone Chicago native artist's previously unreleased music. Open Arms to Open Us will be our first release of brand new, freshly baked tunes by Gay, a collection recorded entirely at International Anthem studios in Chicago between March-June 2021. Featured artists on the album include: Ohmme singers Sima Cunningham and Macie Stewart, bassist/vocalist/arranger Ayanna Woods, multi-disciplinary Rwandan artist Dorothée Munyaneza, poet A.Martinez, cellist Tomeka Reid, and vocalists Onye Ozuzu, Gira Dahnee, and Angel Bat Dawid.

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The Benny Goodman Story

LP | 2010 | ES | Reissue (Capitol)

9,99 €*

Release: 2010 / ES – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | EU | Original (Fat Cat)

Bessie Smith

Very Best Of

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2001 | EU | Reissue (Fat Cat)

Big Bill Broonzy

Best Of

Release: 2001 / EU – Reissue

Genre: Organic Grooves

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Bill Evans & Monica Zetterlund

Waltz For Debby

LP | 1964 | EU | Reissue (Audio Clarity)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Bill Watrous Quartet With Derek Smith, Linc Milliman And Ronnie Bedford

Roaring Back Into New York, New York

LP | 1983 | US | Original (Famous Door)

8,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2021 | EU | Original (Sam)

Billy Harper Quintet

Antibes '75

32,99 €*

LP | 2021 | EU | Reissue (Sam)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though "Black Saint" is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, "Antibes ’75" shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer. We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

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Billy Harper Quintet

Antibes '75

31,99 €*

Binker Golding & Elliot Galvin

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Produced by François Lê Xuan and Fred Thomas for Sam Records/Saga. Mastered from the original stereo master tapes. Limited edition 2000 copies. Cut by SST (Schallplaten Schneid Technik). 180g vinyl LP pressed by Pallas in Germany. 6-page booklet . Each record has been visually checked to prevent defects.

Sam Records and Saga present:

A never-before released Billy Harper 1975 live recordings.

First official release with the full permission and cooperation of the Billy Harper & INA (Institut National de l’Audiovisuel).

Billy Harper Quintet – Antibes ‘75

Two days after recording the first album ever issued on the Black Saint label, Billy Harper and his quintet were onstage at the Antibes Juan-Les-Pins jazz festival. Though Black Saint is a phenomenal album and is rightfully considered as one of the finest jazz releases of the period, Antibes ’75 shows that Billy and his men gathered momentum to push the boundaries of their studio effort even further.

That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. Never had Harper’s signature tunes “Cry of Hunger” and “Croquet Ballet” reached such a soulful expression, and we only wish that this moment of truth would have lasted a little longer.

We are honored to present to you this concert for the first time on record, a 180g LP including a 6-page insert with previously unseen photos by Gérard Rouy and Thierry Trombert and an essay by Bernard Loupias.

Virgil Jones (Trumpet) Billy Harper (Tenor saxophone) Joe Bonner (Piano, arranger) David Friesen (Double Bass) Malcolm Pinson (Drums)

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Ex Nihilo

LP | 2019 | EU | Original (Byrd Out)

12,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bob Azzam Et Son Orchestre

Mustapha

7" | 1960 | DE | Original (Ariola)

4,99 €*

Holz-Stathis: Collaborative

Release: 1960 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with many scuffs and hairlines

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Bob Holz

2LP | 2023 | US | Original (MVD Audio)

26,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Night Watch Black Vinyl Edition

Bob Holz

LP | 2024 | US | Original (MVD Audio)

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2022 | JP | Original (Eight Islands)

Bob James & Sam Franz

2080.0

39,99 €*

Bob Kindred With Strings, Bob Kindred Quartet

Release: 2022 / JP – Original

Genre: Organic Grooves

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Jazz fusion maestro Bob James met Sam Franz during the pandemic. Sam learned DJing and music production at Memco (Michigan Electronic Music Collective) while attending the University of Michigan. He spent his school years getting in touch with the historical and underground music of Southeast Michigan. In fact, Bob himself, after graduating from the University of Michigan about 60 years ago, challenged the cutting-edge avant-garde music of the time and became a sensation with his innovative sound. Sixty years have passed since then, and now both of them are challenging the music in the same place and with the same spirit.

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That Kindred Spirit

LP | US | Original (Conawago Records)

3,84 €* 10,99 € -65%

Bobbe Norris & Larry Dunlap

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with cut corner.

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Hoisted Sails (Velas Icadas)

LP | 1984 | US | Original (Palo Auto)

5,99 €*

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

7" | 2012 | UK | Original (Outta Sight)

Bobby Paris

Night Owl

Release: 2012 / UK – Original

Genre: Organic Grooves

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Bobby Shew With The Steve Schmidt Trio

'Round Midnight

LP | 1985 | US | Original (Mopro)

6,59 €* 11,99 € -45%

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Buck Clayton Featuring Woody Herman

How Hi The Fi

LP | 1954 | JP | Original (CBS/Sony)

12,99 €*

Buck Clayton Featuring Woody Herman

Release: 1954 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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How Hi The Fi

LP | 1954 | JP | Original (CBS/Sony)

Buck Clayton Featuring Woody Herman

Release: 1954 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM. With insert. OBI is missing.

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How Hi The Fi (A Buck Clayton Jam Session)

LP | 1987 | ES | Reissue (Columbia)

Release: 1987 / ES – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2012 | UK | Original (Outta Sight)

Bunny Sigler

Girl Don’t Make Me Wait

Release: 2012 / UK – Original

Genre: Organic Grooves

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All The Better For Seeing You

Bushman's Revenge

LP | 2023 | EU | Original (Is It Jazz?)

37,99 €*

CD | 2024 | UK | Original (Far Out)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Norwegian Jazz trio Bushman’s Revenge mixes the energy of Rock with the freedom of Jazz in an exciting and exhilarating way. Formed in 2003, the trio (consisting of Even Helte Hermansen on Guitar, Rune Nergaard on Bass and Gard Nilssen on Drums) has had two decades in which to explore different paths and sounds, and in doing so, succeeding in creating a genre all of their own. With 10 critically acclaimed albums under their belts, and over 300 live appearances throughout the world, Bushman’s Revenge has earned a fearsome reputation, with Jazzwise commenting that they are “Insanely good! As if Jeff Beck was backed by Elvin Jones“, whilst David Fricke of Rolling Stone said that they were “Like a Marshall amp version of John Coltrane’s “Interstellar Space“. All the Better for Seeing You is their 11th album, and 2023 marks their 20th anniversary as a band.

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Caixa Cubo

Modo Avião

LP | 2013 | US | Original (Wide Hive)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A sublime expedition from Brazil to the sky, “Modo Avião” (Airplane Mode) sees São Paulo based trio Caixa Cubo jet further forth from the lineage of Brazilian instrumental music.

Following in the footsteps of heroes like Azymuth, Antonio Adolfo, Cesar Mariano and Marcos Resende, with the tried and tested trifecta of synthesizers, bass and drums, Caixa Cubo have carved out their own idiosyncratic ideal of golden-era Brazilian jazz-funk and samba-jazz. Encapsulating the vitality and experimentalism synonymous with Sao Paulo’s musical history, Caixa Cubo playfully straddle the elegant and the surreal, with masterful songwriting and the consummate musicianship of longtime friends and bandmates Henrique Gomide (keyboards) Noa Stroeter (bass) João Fideles (drums).

Caixa Cubo have been playing together for over 14 years - and that’s ‘playing’ in the truest sense of the word. As bassist Noa Stroeter explains:

“A story, a joke, images, invented words, people we met on tour, places, fictitious or not, have always been part of our creative process. And they are precious materials beyond the musical work itself. This dynamic has stayed with us to this day, and for me it is the characteristic that guarantees that no matter what, we will have fun working.”

Presenting a contemporary reimagining of Brazilian grooves from the 1970s, Modo Avião marks an evolution for Caixa Cubo’s music which delves deeper into the tradition of Brazilian instrumental music, while continuing to develop its rhythmic and harmonic possibilities. Utilising an extensive understanding of Brazilian music history and Brazilian rhythm in particular, the group explore the seemingly endless possibilities of fusing carnaval marches, frevo and Baião, with jazz, MPB and funk.

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Calvin Keys

Electric Keys

21,99 €*

Release: 2013 / US – Original

Genre: Organic Grooves

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Somewhere In The Stars Cherry Vinyl Record Store Day 2024 Edition

Cam & Bert Richard

LP | 2024 | US | Original (Delmore)

23,99 €* 31,99 € -25%

Camille-Alban Spreng's Odil Feat. Nina Kortekaas

Release: 2024 / US – Original

Genre: Organic Grooves

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Previously Unreleased Recording Limited to 1200 copies on transparent cherry vinyl Tipon jacket, Download code, Insert featuring LP sized original art by Grungie O'Muck Includes the original recording of Richard Tucker's, "Are You Leaving For The Country", later covered by Karen Dalton,and the only song cowritten by Karen & Richard, "Sleeping In The Garden" "Richard, Cam & Bert seem to have grasped The Great Harmony. That is, ensemble singing that is at once sweet, precise, funky and a bit sardonic..." Mike Jahn / New York Times (1970)

"For a few years in the late sixties and early seventies Richard Cam & Bert ruled MacDougal St. walking a fine line between the increasingly commercialized demands created by groups like Crosby Stills and Nash and the fierce integrity of earlier folk performers, the generation to which Richard belonged. They managed this with great aplomb, producing original tunes of great integrity and obvious folkloric origins, as well as those which expressed the anarchic omnipresent psychedelia of the moment. They also never abandoned the idea of including some traditional material in their performances. But for the usual random application of luck they could have been very big." Grungie O’Muck / Artist, Bluesman, Cover artist for their first album and contributor to this one.

Richard Tucker, Campbell Bruce, and Bert Lee coalesced as a trio in the spring of 1968, and by the end of that year had become regular performers at fabled Greenwich Village nightspots The Gaslight, The Bag I’m In, Cafe Feenjon, among others. But mostly they were street singers, busking regularly in Central Park. Their only LP, Limited Edition, was released in 1970, and sold mainly at gigs and on the street. Somewhere in The Stars compiles earlier, previously unreleased recordings, when all three members were signed with PeerSouthern Music publishers as writers and began using their studio to make demos and experiment musically. Beautifully recorded by house engineer Charlie Mack (supervised by Jimmy Ienner), the demos capture a back room casualness and rustic, homespun quality. For me, listening to their songs and harmonies is like entering a world you always hoped existed but had never experienced.

Some of the songs were rerecorded the following year for Limited Edition, but many are heard here for the first time. Among them is the original demo for Richard Tucker's song, "Are You Leaving For The Country", which Karen Dalton covered on her seminal 1971 release, In My Own Time. Richard and Karen were husband and wife for much of the 1960s, performing as a duo (initially as a trio with Tim Hardin), and navigating their time on the Village scene while alternating living in a small mining town outside Boulder, Co. before splitting up in 1967. Also making its debut, is the only song Richard and Karen ever wrote together, the haunting "Sleeping In The Garden". Also contains two epic songs by Cam ("One Of These First Nights", and "Stockholm") not on their LP, but staples of their live performances, and noted in a gig review by The New York Times, and in a column by future A&R hero, Karin Berg, who was an early champion. Another rarity is the only cover of "Sweet Mama" by Fred Neil we’ve ever heard.

Campell Bruce came to New York in 1967 as lead singer with a band from Washington, DC, The Natty Bumpo. They’d recently signed a record deal with Phillips, but were falling apart. Cam landed in the Village with an acoustic guitar and first started playing and singing in the basket houses, and shortly thereafter at The Gaslight, as the "Cam Bruce Trio” (which included Collin Walcott). After opening for Mose Allison, Cam's hero, the trio went their separate ways, and Cam returned to regular solo gigs at The Flamenco, and the basket houses on Bleecker. Richard and Cam met up on that scene and quickly found a musical kinship as well as becoming best pals.

Bert Lee arrived in New York as a runaway the following winter, and began playing and sleeping wherever he could. His sometime accompanist, Ron Price, introduced Bert to Richard and Cam just as Bert’s own songs were garnering attention from publishers. According to Bert, “I arrived on the New York scene during a time of great change, and it was the notion of change that influenced me. All around me I saw there were two sorts of songwriters, on the one hand dedicated to the traditions that had inspired them, folk, jazz, the American songbook. On the other hand were songwriters influenced by the wave of experimentation that The Beatles were the perfect example of. Mixing genres, writing lyrics that weren't just about ordinary love and loss.

Richard Tucker was a country blues player, with a relaxed and melodic approach to the craft. Cam wrote something more akin to soul songs, with a hint of jazz in the changes. I was writing tunes that sometimes drew on classical structures with a tendency toward what I suppose would be known as progrock. But I was rather adamant about not being pinned down stylistically, and so I would write, for example, a song based on some complex classical chord structure, and then go right ahead and write a simple folk song, like Evelyn. Our band was popular locally, and it was this variety that made it distinct.”

Delmore is excited to present this unearthed treasure, fifteen years in the making. In the words of Richard Tucker, "Tap on your knee, roll on the floor; if you aint free, what's it all for?"

"The trio's singing, playing, and writing have all withstood the test of time. Believe me, because I was there. In 1969 R,C&B, myself, Charles John Quarto, David Bromberg, Ron Price, and Keith Sykes were just a few of that year's crop of songslingers. We were young turks back then, out on the prowl in New York's Greenwich Village for record deals, gigs, and beautiful young women to sleep with and maybe even write a song about. I've lost the names and numbers of those lovelies and I'm not sure what happened to Ron Price, but Richard, Cam, and Bert are back! Loudon Wainwright lll

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Unheimlich

LP | 2023 | EU | Original (De W.E.R.F.)

13,19 €* 23,99 € -45%

LP | 2023 | EU | Original (Vita Productions)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Swiss-born pianist Camille-Alban Spreng, who has resided in Brussels for over a decade, has been active since 2010 in a diverse range of bands and projects within jazz, improvised (electronic) music, art performance and theater. He can be seen on stages all over Europe and trained at various conservatories with renowned players such as Emil Spanyi (hemu, Lausanne), Eric Legnini and Kris Defoort (crb, KCB, Brussels). Together with his regular band Odil, he has already released two records: 'Something' (qftf Records - 2016) and 'reson' (qftq Records - 2019), with the collaboration of Leïla Martial, and Valentin Ceccaldi on the latter album. Odil operates from Brussels but, with in its ranks a pivotal figure with Swiss roots, a French drummer and an Irish saxophonist, is a band with international allure. Nina Kortekaas' unique voice is also an absolute asset.

His third album, titled "Unheimlich," will be released on W.E.R.F. records, one of Belgium's finest jazz not jazz labels. The new album sprung from Camille-Alban's fondness for Allen Ginsberg and the beatnik movement. Poems by Ginsberg are provided with music, notably "Pull My Daisy" (co-written by Jack Kerouac and Neal Cassady at the time) and "White Shroud," with the approval of the rights holders/heirs.

The lyrics that Camille-Alban himself wrote for the album exude the same beatnik vibe. In that sense, the new work is also an homage to Allen Ginsberg. "I love his way of writing: it's funny, twisted, quirky ánd spiritual," Camille-Alban said. "I couldn't think of a better title for the new album. 'Unheimlich' doesn't translate. The black cat in the lobby of a creepy hotel in 'The Matrix,' I think of that image, that atmosphere." Odil's music has a narrative character and in terms of form, the compositions are not ordinary. Impro plays a role and the music is unmistakably characterized by a contemporary jazz aesthetic but at their core the compositions are also songs, a unique feature. 'Unheimlich' is a jazz album that can be listened to just as well as a pop rock album.

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Camille Bertault

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Release: 2023 / EU – Original

Genre: Organic Grooves

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Cannonball Adderley With Guest Stars Nancy Wilson & Lou Rawls

Together

LP | 1984 | US | Reissue (Tall Tree)

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Cannonball Adderley with Miles Davis, Sam Jones, Hank Jones, Art Blakey

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LP | 1973 | US | Reissue (Blue Note)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Cannonball Adderley With Milt Jackson

Things Are Getting Better

LP | 1958 | EU | Reissue (L.M.L.R.)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1984 | DE | Original (WATT)

Carla Bley

Heavy Heart

8,99 €*

Release: 1984 / DE – Original

Genre: Organic Grooves

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Carol Sloane with Joe Puma

Carol Sloane Live

LP | 1984 | JP | Original (Baybridge)

17,99 €*

LP | 1975 | UK | Reissue (Be With)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Cedar Walton

Mobius