Search "japan" 1097 Items

CD | 2024 | EU | Original (We Release Jazz)

Release: 2024 / EU – Original

Genre: Organic Grooves

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We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

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Mo Kolours

Original Flow

18,04 €* 18,99 € -5%

LP | 1985 | EU | Reissue (Black Sweat)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Moon On The Water

19,99 €*

Moon With Tsuyoshi Yamamoto

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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A mysterious sound aurora on the magical paths of the infinite universe of percussion, originally released in 1985 and then almost completley lost. The well-educated drummer Tiziano Tononi, together with David Searcy and Jonathan Scully, while working at the temple of the classical music Teatro alla Scala in Milano decides to realize a personal compendium of sounds using only purcussion instruments. The recordings offer us an amazing concert of sounds with acoustic purity in perfect balance between wild rhythm and deep relaxation. Ecstatic elements of Japan ambient minimalism dialogue with contemporary music solutions (Varese, Ligeti), in the stream of a harmonious fusion of ancient and modern. It’s a propitiatory ceremony of supernatural things that open portals of blissfulness, tribal and shamanic darkness, timeless jungles. Between amazon fires and African safaris, we float in the Asian rivers of meditation, lost in water games, echoes of caves and rocks in the night, synergies of frogs, birds, snakes, marimbas, chimes, gongs, and tubular woods.

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Midnight Sun

LP | 2024 | JP | Original (Somethin'cool)

44,99 €*

LP | 2020 | EU | Original (WRWTFWW)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Moon haewon, a Korean jazz diva, will release a standard vocal album on LP with the Tsuyoshi Yamamoto Trio! Lacquer cutting is done by the master Toru Kotetsu, making it a must-listen for audiophiles. The latest work from Moon is a collaboration with Tsuyoshi Yamamoto, a leading Japanese pianist who has captivated audiophiles as well as jazz fans, and is also extremely popular in Asia. The album features a selection of classic songs including "Misty," the swinging "Twisted," and the melodious ballad "In the Middle of a Kiss. The album includes 12 tracks, including Moon's original "Look to the Moon". We cannot take our eyes off the birth of this powerful tag team.

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Motohiko Hamase

#Notes Of Forestry

23,99 €*

LP | 1976 | JP | Reissue (Sony Music Japan)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

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Motohiko Hino

Ryuhyo

Mototeru Takagi, Susumu Kongo, Nao Takeuchi, Shota Koyama

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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This is a hot live recording made in Nemuro in the northern land of Japan, which has been loved together with the 'First Album' (Tact). The title track is as epic as an ice floe literally colliding on the ocean floor. (Series supervisor: Koki Hanawa). This is the first release of the "three blind mice premium reissue collection" series, the first commercial LP product from SME under the TBM label.

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Live At Little John, Yokohama 1999

LP | 2021 | EU | Original (NoBusiness)

18,99 €*

Mr.Drum & His Friends With Strings

Release: 2021 / EU – Original

Genre: Organic Grooves

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Improvised & composed by Mototeru Takagi, Susumu Kongo, Nao Takeuchi & Shota Koyama Recorded live on the 25th September, 1999 at Little John, Yokohama, Japan by Susumu Kongo and Nao Takeuchi Mastered by Arūnas Zujus at MAMAstudios Design by Oskaras Anosovas Cover photo by Mitsuo Jofu

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Drums Big Hits 16

LP | 1971 | JP | Original (Columbia)

16,99 €*

LP | 2020 | EU | Original (Ropeadope)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. OBI is missing. Close to VG+.

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N'asawa-Saraca

Another Town

13,49 €* 17,99 € -25%

LP | 1976 | JP | Original (Capitol)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Born in Chiba, Japan, Yasushi Karasawa learned piano from his mother as a young child, and soon began the explorative process in music. His first influences were Yellow Magic Orchestra and the great Ryuichi Sakamoto, leading him to save the pocket money for a Yamaha Cs-15 analog Synth and a double cassette deck for recording. As is the case, musical exploration leads one around the world to Jazz from the US, and in his case it was a borrowed record from Bill Evans that sparked his interest in Jazz piano. Studying at High School and then University, enamored with Evans and naturally Herbie Hancock, the stage was set. He performed at the Tokyo Jazz Clubs and he played in a pop band, but soon he turned to the studio and his own music with the project dubbed N’Sawa Saraca.

The simple story is familiar, but the missing piece is the depth of Karasawa’s musical understanding that comes through on his second album Another Town. One can hear Evans, and the golden age of Jazz interpreted through the lense of an eager Japanese student. And yet the groove is quite modern, with tinges of influences pushing through, like Terrace Martin or Aaron Parks. All of this is done with full respect, crafting the influences to his own discreetly interwoven and dreamlike flow. N’Sawa Saraca manages to capture all of the hefty Jazz solos within a gentle floating frame, enhanced by the flowing vocals of Raphael Sebbag from United Future organization.

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Nancy Wilson

Nancy Wilson Best 20

LP | 1982 | JP | Reissue (Discomate)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Naoya Matsuoka & Wesing

Fiesta Fiesta

16,99 €*

LP | 1968 | JP | Original (Capitol)

Release: 1982 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Nat King Cole

Pretend

LP | 1968 | JP | Original (Capitol)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Red vinyl.

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Nat King Cole

Pretend

LP | 1968 | JP | Original (Capitol)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without obi | Record needs proper cleaning, after that the record should be in very good condition | Foxing inside gatefold

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Nat King Cole

Stardust

19,99 €*

Savanna Hot-line = サバンナ・ホットライン

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi. Red vinyl.

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Native Son = Native Son

LP | 1979 | JP | Original (JVC)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing without OBI!

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Georgy Porgy / Let's Stay Together

7" | 2024 | EU | Original (Oonops Drops)

19,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Japanese Jazz'n'Groove-trio Nautilus strikes back again with their first brand new release in 2024 which is a really special one, a label collaboration between Oonops Drops and their Japanese label Urban Discos (Diskunion). If you didn't know, now you know.

About the songs: on the A-side you'll get an incredible cover-version of Yacht Rock classic »Georgy Porgy« by Toto including features by UK-based vocalist and songwriter John Turrell - one half of the founders of Smoove & Turrell as well as German legend Toni-L, one of the founders of rap-formation Advanced Chemistry! On the flipside is found another classic, a sweet cover version of Al Green's »Let's Stay Together«, best known from Quentin Tarantino's movie Pulp Fiction and now new interpretated in Nautilus incomparable way featuring Japanese singer Keyco.

The profits of this release will help us refinancing the tour which is taking place from the 26th July to the 11th August 2024. A new studio album is already in the pressing plant and will be released in a few months, so stay tuned.

Pressed loud and crispy on recycled vinyl. Be quick before they're gone, no re-press!

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7" | 2023 | EU | Original (Jazz Room)

Lady Day & John Coltrane

12,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Japanese trio Nautilus, whose name and style was inspired by the great Bob James turn their attention to Gil Scott-Heron's Jazz tribute and turn it into a broken beat masterclass. Coming soon on London Jazz DJ Paul Murphy's must-check Jazz Room records on vinyl seven-inch. On the B side you will find UK underground Jazz Keyboard Surf Queen Jessica Lauren's much admired funkster "Serengeti".

Already receiving plays on Gilles Peterson's Bbc6 Music and Colin Curtis Latin Jazz Fusion show.

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Tape | 2024 | EU | Original (Oonops Drops)

Pacific Voyage

Release: 2024 / EU – Original

Genre: Organic Grooves

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The brand new album "Pacific Voyage" by Nautilus from Tokyo is a breezy summertime soundtrack which combines sunny Yacht Rock with a touch of cool 80s City Pop.

The Japanese Jazzfusion trio reinterpretates stone cold classics from this era in their typical signature way of playing.

Songs like the heavy sampled "What You Won't Do For Love" by Bobby Caldwell and Toto's "Georgy Porgy" get a completely new coat of paint and fresh interpretation translated into now and tomorrow.
Followed by a who's who of tracks from Donald Fagen, Michael McDonald, Shuggie Otis, Nohelani Cypriano and Toshiki Kadomatsu to name a few.
Guest appearances on this album are from UK soul singer John Turrell (Smoove & Turrell), German rap legend Toni-L (Advanced Chemistry with Torch) and Japanese soul singer Ryuto Kasahara who worked with Grooveman Spot and DJ Mitsu The Beats so far.

Enjoy this pacific voyage.

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Pacific Voyage Black Vinyl Edition

LP | 2024 | EU | Original (Oonops Drops)

23,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Pacific Voyage HHV Exclusive Purple Vinyl Edition

LP | 2024 | EU | Original (Oonops Drops)

Release: 2024 / EU – Original

Genre: Organic Grooves

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HHV exclusive vinyl edition on purple vinyl, limited to 100 copies.

The brand new album "Pacific Voyage" by Nautilus from Tokyo is a breezy summertime soundtrack which combines sunny Yacht Rock with a touch of cool 80s City Pop.

The Japanese Jazzfusion trio reinterpretates stone cold classics from this era in their typical signature way of playing.

Songs like the heavy sampled "What You Won't Do For Love" by Bobby Caldwell and Toto's "Georgy Porgy" get a completely new coat of paint and fresh interpretation translated into now and tomorrow.
Followed by a who's who of tracks from Donald Fagen, Michael McDonald, Shuggie Otis, Nohelani Cypriano and Toshiki Kadomatsu to name a few.
Guest appearances on this album are from UK soul singer John Turrell (Smoove & Turrell), German rap legend Toni-L (Advanced Chemistry with Torch) and Japanese soul singer Ryuto Kasahara who worked with Grooveman Spot and DJ Mitsu The Beats so far.

Enjoy this pacific voyage.

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CD | 2022 | JP | Original (Urban Discos)

Revival

24,99 €*

Release: 2022 / JP – Original

Genre: Organic Grooves

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Nautilus - one of the best new generation rare groove bands in Japan. Long-awaited 7th full album to be released simultaneously on Lp&cd!! The album contains 11 songs including original songs with strong funkiness and covers such as "Caught Up" by Terri Walker with Emi Tawata on vocals.

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Why I Came To California / What You Won't Do For Love

7" | 2024 | EU | Original (Oonops Drops)

16,99 €*

LP | 2024 | US | Original (Drag City)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Right in time before the second European Tour and Nautilus' new studio album »Pacific Voyage« this little secret 45 has landed. It's a pure gem with a song which didn't make it on the album due to time problems and now shines like a jewel in full and mature quality. Backed with a Soul Supreme Remix with consistently highest quality.

The A-side starts with a jazzy version of Leon Ware's soulful masterpiece »Why I Came To California« sung by Californian vocalist, multi-instrumentalist, and physician Eki Shola in her unique interpretated way backed with fresh vocals by German tv actress and singer Denise M'Baye. In harmony with the strongly grooving instrumental framework by Tokyo-based Jazz trio Nautilus, them all together create their own refreshing version of the original and catapult the song into the present.

On the B-side the »Pacific Voyage« album song »What You Won't Do For Love«, an absolutely classic by Bobby Caldwell which was sampled by 2 Pac and Aaliyah gets the Nautilus treatment, in this case a funky forward 90's feel remix with heavy basslines for big soundsystem by Amsterdam-based, keyboardist, DJ & producer Soul Supreme. The vocals are sung by uprising Japanese star R&B and Soul singer-songwriter Ryuto Kasahara who worked together with Grooveman Spot and DJ Mitsu The Beats on this latest releases.

You know the deal: get this limited doubled-sided heat on black and exclusive yellow recycled vinyl before it's gone.

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Nehan

An Evening With Nehan

LP | 1979 | JP | Original (Horizon)

Release: 2024 / US – Original

Genre: Organic Grooves

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nehan is a Japanese free improvisation & avant-garde rock quintet formed in August 2022. Their performances are initiated by a 9hz brain wave emitted from a testee who has been brought into a deep meditative state via either hypnosis or acupuncture - a very relaxed but very alert state. nehan doesn"t begin until the testee has gotten into the state of "nothingness." It is only then that the improvisation can begin.The role of improvisation has been key to all the musical projects of Masaki Batoh. In 2010, as Batoh was winding down the activity of his long-standing "heavy chamber folk" group, Ghost, he became involved in the design of a machine to generate sonic data based on brain waves. An acupuncturist as well as a musician by trade, his interest was spurred by the rhythms of the body and the brain, and a desire to access the "pulses" of brain waves to initiate improvisations. Following the release of Brain Pulse Music, Batoh toured Japan, the US and Europe, making demonstrations of his process using a local volunteer and guest performers, when available. Today, nehan arrive at their performance space prepared with a Brain Pulse testee, bringing a wide array of instruments including gongs, timpani, tabla and other drums and percussion, Crumhorn, bagpipes, mellotron, oscillators and additional sound effects. Their performance is a transformative electro-acoustic display that passes through the prism of music styles, from east to west, from traditional folk and classical to rock, jazz, and avant electronic.While nehan"s performance presentation invokes a sense of ritual, they understand their process as being far removed from any type of spiritual endeavor - it has nothing to do with eastern thinking or any kind of religious ceremony - this is an action of improvisation, occurring in reality between the five musicians on stage, in response to the brain waves of an individual.For the personnel of nehan, Masaki Batoh asked players with whom he had good previous experiences in improvisation: Fu...

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Neil Larsen

High Gear

LP | 1978 | JP | Original (Salvation)

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI! close to NM

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New York Jazz Quartet

In Concert In Japan

CD | 2022 | EU | Original (Mr Bongo)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Nico Gomez

Soul Of Samba

Nicole Henry With Eddie Higgins Trio

Release: 2022 / EU – Original

Genre: Organic Grooves

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Nico Gomez, a Belgian orchestra leader of Dutch roots, has long been a favourite with Latin fans, record diggers, DJs, and collectors alike. His blend of bossanova, latin jazz, and easy listening always turns up a few choice nuggets and surprises; what is perhaps most remarkable is that it was recorded in Europe.

Back in 2013, Mr Bongo re-issued Nico Gomez's sought-after 'Ritual' album from 1971, and now we follow it up with another jewel from his catalogue his 1972 album 'Soul Of Samba'. For this re-issue, we have opted to present it with the cover art originally used on the Trio Records version released in Japan. In the Netherlands and Belgium, the album was released with different cover art under the title 'Bossa Nova’, on Omega International and International Bestseller Company records, respectively. We loved the beautiful psychedelic design of the Japanese version and wanted to use it for this re-issue.

'Soul Of Samba' features several euro-bossa-jazz favourites such as the catchy 'Rio'; which was a firm DJ choice cut at jazz dance nights, including Brighton's 'Jazz Rooms' in the 90s. It also featured in Rainer Trüby's classic ‘Glücklich' compilation series which explored European-Brazilian-inspired music. The beguiling ‘Aquarela', with its engaging latin shuffle, entices feet to the dancefloor and is not one to miss. 'Agua’ has a lazy-quirky latin-funk feel with breathy-stoned vocals floating in the background. The album additionally features numerous breezy latin, Brazilian, and easy listening joints, some of which are ripe for sampling.

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Teach Me Tonight

2LP | 2005 | JP | Reissue (Venus)

82,99 €*

Release: 2005 / JP – Reissue

Genre: Organic Grooves

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2LP | 2023 | JP | Original (Terashima)

Niels Lan Doky

Yesterday's Future

64,99 €*

Release: 2023 / JP – Original

Genre: Organic Grooves

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The best of European jazz piano, Niels LAN Doky's new album of all original compositions is now also available in analog on a Japanese spec vinyl version! A live recording of one of the finest European jazz pianists, Niels LAN Doky, at the prestigious Louisiana Museum of Modern Art in Denmark, in the spring of 2022, just after the end of the lockdown in Denmark. Needless to say, everyone needed hope and a daily signpost, and the emotional trio performance sounds impressive as it soothes people's hearts and illuminates tomorrow. All original compositions. This is a piece to rediscover the charm of Niels LAN Doky, a gifted pianist as a composer, and to savor the beauty of melody with the realism that only a live performance can provide.

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Ciao Tokyo: Nini Rosso In Concert

LP | 1972 | JP | Original (Globe)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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LP | 1976 | JP | Original (Globe)

In The New World

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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LP | 1972 | JP | Original (Globe)

Super Deluxe

5,99 €*

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+!

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Theme From The "Exorcist"

LP | 1974 | JP | Original (Globe)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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2LP | 1972 | JP | Original (Globe)

Twin DeLuxe

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing.

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2LP | 1972 | JP | Original (Globe)

Twin DeLuxe

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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Twin Deluxe Trumpet Nini Rosso

2LP | JP | Original (Globe)

5,99 €*

LP | 1970 | EU | Reissue (Amercia)

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Noah Howard

Space Dimension

41,99 €*

Nobuo Hara and His Sharps & Flats Plus All-Stars

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Noah Howard was born in 1943 in New Orleans and, like many of his contemporaries, first played music in church as a child. In his 2010 book, 'Music in My Soul', Howard reflected upon his childhood in New Orleans and the influence the city had on him: “Growing up in New Orleans was like receiving a steady diet of music, and my taste in music became increasingly more sophisticated. In the neighborhood where I grew up kids around me were listening to Rhythm and Blues and Jazz; Rock came only much later. One of the great moments of my life was when I was around 13 years old and heard Duke Ellington with Paul Gonsalves playing a twenty-some minutes chorus solo on tenor sax at Newport. We had never heard anything like this before; a saxophone player doing so many choruses, this was years before Coltrane opened up. That experience meant there was no turning back; my ears were open and my desire was burning for music.”
He first learned to play the trumpet before moving on to alto, tenor and soprano saxophone. And his musical journey initially took him to Los Angeles where he worked with Dewey Johnson and then later moved to New York to join the Sun Ra Arkestra. Like most forward thinking saxophonists of the time, Howard was influenced by the evolving expressionism of John Coltrane and Albert Ayler and it wasn't long before he became a key member of the mid-60s free jazz movement, a stepping stone to his elevation into one of the world’s most notable saxophonists.
Howard's debut LP as leader, 'Noah Howard Quartet' was recorded in 1965, and the follow up, 'Noah Howard at Judson Hall', in 1966 but not issued until 1968, both for the groundbreaking ESP Records label (incidentally, both albums featured British trumpeter Ric Colbeck). However, Howard's view of ESP was not positive, calling it “ a monster of deception... I am aware of ESP's adventures...they continue to make money off the artists and they refuse to pay any royalties.”

Like many of the black jazz musicians of the 60s, Howard left the USA and settled in Europe (making the permanent move to Paris in 1972). In an interview in 2005, Howard explained his move: “When I first came to Europe it was 1969 and I came to play in a big festival and after that we had a lot of concerts, recalls Howard. "Then we left and we came back to the States, I was based in New York at that time. About six months later, we had some more concerts, we came back and this went on for years, going back and forth and back and forth and back and forth... I decided that instead of going back and forth all the time, it was more advantageous for me to stay over here and live and work.”
It was in Paris that Howard took part in sessions for the Frank Wright albums 'One For John', cut for the leading French free jazz label BYG Actuel and another Wight session, 'Uhuru Na Umoja', for the America label. Another album on America that featured Howard was Archie Shepp's 'Black Gipsy'. This session also featured , among others, Sunny Murray on drums and Clifford Thornton on trumpet.
America Records was to be home to Howard's third album, 'Space Dimension'. On this album, Frank Wright was reunited with Howard once more, and Wright also composed one track, 'Church Number Nine' (Wright would also do his own version as the title track on his 1970 album, initially only released in Japan. That album would also feature Howard.) 'Space Dimension' also features bop drummer Art Taylor on three tracks, with Muhammed Ali (brother of Rashid), on one. They're joined by alongside pianist Bobby Few, longtime member of Frank Wright's group and an alumnus of Archie Shepp's band.
'Space Dimension' has never seen an official reissue since its original release in 1970 and remains, among a few aficionados, one of the most in demand - and little known - albums in Howard's discography. The blend of free improvisation with a tough rhythmic foundation make for an edifying listening experience. The spectral disjointed afro-blues of the title track, with Howard's soaring, searing horn, introduces an exceptional album of weight and significance, a real statement piece. 'Viva Black' starts as a lush groove, rich with texture and tone. Bobby Few's piano is sparse and disciplined, allowing space for the interweaving angles of the horns and drums to cross and jostle and build in intensity, with Muhammad Ali's drum solo acting as a cathartic release.
'Song for Poets' is blistering in its attack, an intense assault from the whole group – urgent and imperative, a call to action that seemed to resonate with the tumult of the late 60s and early 70s and, perhaps, still resonates now. The album closes with the extended piece 'Blues for Thelma'. It starts like a sort of angular, shattered New Orleans first line march band; Howard visceral horn and Few's piano joust and punch like fighters in a ring; Ali's drums hammer a solid undertow of power and energy, relentless in its fire.
All in all, 'Space Dimension' announced Howard's arrival into a new decade, a decade that was to see not just jazz but music and wider society undergo profound change.
Howard's third record was the widely acclaimed 'Black Ark', which featured Arthur Doyle on his first recording. 'Black Ark' soon became a landmark free jazz recording and elevated Howard into the first division of globally renowned free jazz players.

He spent much of the next decade or so exploring new ideas and places to work, including Europe and Africa, moving to Nairobi in 1982 and finally Brussels, where he had a studio and ran a jazz club.
In his autobiography, Howard described going to Africa: “It was a Sunday morning with bright blue skies and I reached down and grabbed a handful of earth, holding it in my hands. It was red earth. As the first of my family to make this voyage back to my community, I was filled with emotion and started to cry – thinking about all those before me who didn’t survive the middle passage and slave trade. I thanked the few strong survivors of which I’m a descendant and was grateful to be a live and to make it back to Africa in my lifetime. The feeling of coming back home, after generations had gone through abuse and suffering, was upon me. I would put some of this into music later on when recording with James Emmanuel, the poet on 'Middle Passage'”
He recorded steadily through the 1970s and 1980s, mostly with his own label AltSax and continued to expand his repertoire, exploring a range of sounds from ethno-funk to world music in his latter decade. He returned to his free jazz roots in the 90s, mixing the myriad of influences and styles he had encountered throughout his journey.
Noah Howard recorded 35 albums, and their styles reflect the ceaseless musical searcher he was: blues, free jazz, world music. He covered it all.
Noah Howard died on September 3rd, 2010 while on holiday in the South of France. He died a day before finishing the first draft of his autobiography.

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Operation Glenn Miller

LP | 1967 | JP | Original (King)

Nobuo Hara And Sharps & Flats +1 (Takehiko Honda)

Release: 1967 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. Gatefold cover has some foxing on the inside.

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Electronics!

LP | 2022 | JP (Columbia Japan)

45,99 €*

Nobuo Hara And Sharps & Flats

Release: 2022 / JP

Genre: Organic Grooves

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Japan's leading big band, Sharps & Flats, created a unique work featuring 22-year-old up-and-coming pianist, Takehiko Honda. The sound of an electric piano rolling comfortably over the powerful big band sound is absolutely incredible! In addition this record features covers of some of the the latest rock hits at the time, such as Jethro Tull's 'Bule', BS&T's 'Spinning Wheel', and The Beatles' 'Come Together'.

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Little Giant

LP | 1969 | JP | Reissue (Victor Entertainment Japan)

45,99 €*

Nobuo Hara Meets Hozan Yamamoto

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Sharps and Flats, led by Nobuo Hara, has been a driving force in Japan's big band jazz scene with its diverse activities and distinctive musicality. Among the many works produced throughout their long career, 'Little Giant' stands out as one of their most iconic albums. Originally released in 1970 as part of Victor's Japanese Jazz series, this album is notable for the participation of renowned composers and arrangers such as Masao Yagi, Kiyoshi Yamaya, Norio Maeda, and Masahiko Sato. In addition to their original compositions, the album features unique arrangements of pieces by Oliver Nelson, who had a close connection with Sharps and Flats.

The album's intricate and adventurous arrangements, combined with the band's high-level performance quality, are truly remarkable. You'll be captivated by the hipness of "Little Giant," the strength of "Dark Horse," the cutting-edge sound of "Orbit 8:11," and the sophistication of "Flexibility." This dynamic performance, marked by a perfect balance of tension and relaxation, showcases the full potential and allure of Sharps and Flats. This album is a masterpiece that brings out the best in the band.

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New Jazz In Japan

LP | 1968 | EU | Reissue (Le Très Jazz Club)

Dream Cruise Clear Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

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Noriki

LP | 1984 | JP | Reissue (Universal Music Japan)

Release: 1984 / JP – Reissue

Genre: Organic Grooves

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LP | 1983 | JP | Reissue (Universal Music Japan)

Noriki

Noriki Clear Sky Blue Vinyl Ediiton

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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First vinyl reissue since original 1983 release
Japanese pressing

This is the first reissue of the first album 'noriki' by the fusion group Noriki, which was formed in 1983 by keyboard player and arranger Kanekazu Nogi, who has played on the albums and tours of famous musicians such as Tatsuro Yamashita and Yasuko Agawa

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Noriki

LP | 1983 | JP | Reissue (Universal Music Japan)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Rock Communication Yagibushi

Norio Maeda & All Stars

LP | 1970 | EU | Reissue (Wewantsounds)

LP | 1978 | JP | Original (ABC)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the reissue of Norio Maeda"s cult classic "Rock Communication Yagibushi" released in Japan in 1970. The album has since become a Japanese Jazz Funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping Jazz Funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors" wantlist. "Rock Communication Yagibushi" is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler.

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obiJoe Sample

Rainbow Seeker

Okihiko Sugano Presents Pierre Buzon

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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La Vie – Piano Ballade

2LP | JP | Original (Audio Lab.)

LP | 1978 | DE | Original (pläne)

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI. Vinyl closer to NM

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Open Music

Relaxing Waves

Release: 1978 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

small writing on cover

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LP | 1973 | JP | Reissue (Fontana)

Blues Etude

13,99 €*

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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LP | 1974 | JP | Reissue (Fontana)

Blues Etude

13,99 €*

Oscar Peterson / Erroll Garner / Art Tatum

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert. Copy close to VG+

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Great Jazz Pianists Of Our Time

LP | 1972 | JP | Reissue (RCA)

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

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2LP | 1976 | JP | Original (Mercury)

Essence Of Jazz Piano

Release: 1976 / JP – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

Japanese pressing with OBI!

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2LP | JP | Original (Victor)

Flaming Youth

17,99 €*

Release: JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Japanese pressing without OBI. Cover with seam split on top spine

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LP | 1976 | JP | Reissue (Musik Produktion Schwarzwald)

Girl Talk

15,99 €*

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert.

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LP | 1974 | JP | Original (Musik Produktion Schwarzwald)

Great Connection

12,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Japanese pressing, no Obi.
Sleeve has seam-split and foxing.

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LP | 1969 | JP | Reissue (Musik Produktion Schwarzwald)

Mellow Mood

18,99 €*

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Medium: VG, Cover: VG+

1975 Japanese reissue.

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LP | 1979 | JP | Reissue (Musik Produktion Schwarzwald)

My Favorite Instrument

22,99 €*

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert.. Cover closer to NM

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LP | 1968 | JP | Original (Musik Produktion Schwarzwald)

My Favorite Instrument

Release: 1968 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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LP | 1979 | JP | Original (Musik Produktion Schwarzwald)

The Way I Really Play

12,99 €*

LP | 1979 | EU | Reissue (Holy Basil)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing without OBI

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Oscar Rocchi Quintet

Alchemy In Jazz

LP | 1985 | JP | Original (Blue Note)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Besides being a leading session musician in Milan's jazz scene between the 60s and 90s, Italian pianist Oscar Rocchi created a number of exquisite library albums in the pop-jazz genre. These include among others "Erbe Selvatiche", "Pop-Paraphrenia" and "Woman's Colours" (the latter co-written with his friend Giancarlo Barigozzi) as well as "Alchemy in Jazz", which is now available in digital format for the first time ever. Originally released on Ring, an imprint of Edizioni Minstrel, the album was recorded by a quintet featuring Rocchi on piano plus long-time collaborators Hugo Heredia (sax and flute), Sergio Fanni (trumpet), Gianni Cazzola (drums) and Furio Di Castri (double bass), and has since become a cult record in countries from the US to Japan, where it was released for the first time on CD in 2013. With a palette ranging from frenzied post-bop echoes("Gold-Fast", "Nigredo") to sentimental nocturnal ballads ("Solution", "Rubedo") to cheerful modern-jazz vibes ("Mercury", "Silver-Bop", "Sulphur"), here Rocchi paints an elegantly syncopated musical fresco that, like the magical, alchemical process referred to in the title, transmutes the harsher aspects of jazz syntax into a graceful and more euphonic style that is approachable for jazz neophytes and yet enjoyable for seasoned jazz lovers.

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Out Of The Blue

17,99 €*

Pak Yan Lau / Vica Pacheco

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI! Cover with slight wear and some yellowing!

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Aquapelagos Volume 3 Pacífico

LP | 2024 | EU | Original (Keroxen / Discrepant)

22,99 €*

2LP | 1979 | JP | Original (MCA)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Presenting the third thematic volume on the “Aquapelagos" series - a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities. After the initial release of the Anthology compilation Aquapelago in 2022 (Discrepant ,Crep91) and the split LP Atlantico by Lagoss & Banha da Cobra (Keroxen, Krxn027) as well as the direct collaboration LP Índico by Mike Cooper & Pierre Bastien we proudly introduce an the third volume in the series in the shape of no other than two inspiring artists, Vica Pacheco and Pak Yan Lau. Two different sound journeys inspired by the majestic and peaceful Pacific Ocean, the vastest, largest and deepest ocean of our planet. Vica Pacheco’s composition takes a calm meditation approach where water flutes and synths brush shoulders to cre-ate a ever expanding mind journey whereas Pak Yan Lau’s ambitions Neo classical piece, The Ocean in Us, talks about that grand overwhelming feeling, that vast space deep under, on the bottom of the Pacific. Both compositions were recorded and created with the particular wet acoustics of the Tank in Santa Cruz de Tenerife in mind. From Philip Hayward and Matt Hill’s liner notes: ‘’The Pacific is a complex space, comprising a third of the Earth’s surface. A cascade of islands runs along its eastern flank, down from the Kamchatka peninsula, through Japan, Taiwan, The Philippines, Melanesia and on to Australasia. In its watery heart the islands of Micronesia and Polynesia stretch across huge distances, north-east to the Hawaiian archipelago, south east to Rapa Nui and south west to Aotearoa and Chatham island. Closer to the shores of the Amer-icas lie Tierra del Fuego, the Galapagos Islands, Haida Gwaii and the Aleutians. This is a space that resists easy char-acterisation. The Pacific laps the shores of Japan and Chile, the beaches of Australia’s East Coast and the cold, damp coasts of British Colombia and Alaska alike. Indeed, the space is so vast that it is a world in itself and one rarely navi-gated in its entirety. In this manner, strands of genres and the songs that reflect them are components in an intricate mesh of associations.‘’ Philip Hayward and Matt Hill, April 2022

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Pat Boone

The Best Of Pat Boone

12,34 €* 12,99 € -5%

Zero Tolerance For Silence

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Pat Metheny

LP | 2022 | US | Original (Coq Au Vinyl)

40,99 €*

2LP | 1977 | JP | Original (Epic)

Release: 2022 / US – Original

Genre: Organic Grooves

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We at Coq Au Vinyl are proud to present for first time on the vinyl format Zero Tolerance For Silence by legendary American jazz guitarist PAT Metheny! Previously only issued on the compact disc format in the year 1994, the album is often described as the jazz equivalent to Lou Reed's Metal Machine Music. To say Ztfs was "a departure" for Metheny is like saying "Jaco Pastorius liked cognac." Loud, dissonant layers of electric guitars and overdriven amplifiers were in stark contrast to the smooth melodic guitar jazz Metheny had built his fanbase and legend upon. At the time, some theorized that this was Metheny's "fuck you" to his label Geffen and perhaps a way of purposely ending his contract on a sour note. Others close to Metheny disputed those claims and instead describe the album as a pure expression of sounds Metheny had dreamt of making for some time. Metheny himself in 2008 said of the album, "That record speaks for itself in its own musical terms. To me, it is a 2-D view of a world in which I am usually functioning in a more 3-D way. It is entirely flat music, and that was exactly what it was intended to be." While generally panned by critics at the time as "unlistenable", once the album made its way to the ears of listeners less ::ahem:: discernible than the typical Downbeat subscriber, it was widely hailed as a masterpiece of free improvisation. If there is any doubt as to the albums greatness: It was described as "rubbish" by notorious Frank Zappa apologist Ben Watson in his 1994 The Wire review. Coq Au Vinyl is proud to present a one-time only vinyl pressing of Ztfs in a hand-stamped edition of 333 copies (worldwide) in handmade sleeves with audio digitally mastered from an original Japanese CD copy found at a church boot sale in a suburb of Antwerp.

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Paul Anka

Golden GrandPrix 30

LP | 1975 | JP | Reissue (RCA)

Release: 1977 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi and insert.

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Paul Desmond

Glad To Be Unhappy

59,99 €*

LP | 1983 | JP | Reissue (CTI)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Copy with light wear.

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Paul Desmond

Skylark

21,99 €*

LP | 1976 | JP | Reissue (RCA)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert..

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Paul Desmond

Take Ten

37,99 €*

Paul Desmond With Strings

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI

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Desmond Blue

LP | 1974 | JP | Reissue (RCA)

21,99 €*

LP | 1974 | JP | Original (Philips)

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert..

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Paul Mauriat

Papillon

LP | 1974 | JP | Reissue (P-Vine)

Release: 1974 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. OBI is missing.

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Penny Goodwin

Portrait Of A Gemini

36,99 €*

Percy Faith & His Orchestra

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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“What might’ve been, is dead and is done,” so begins the opening track on Penny Goodwin’s ‘Portrait of a Gemini’. The words are surprisingly somber for an album as beautiful as this, but oddly prophetic. Despite Goodwin’s unmistakable talent, her sole album “Portrait of a Gemini” only ever received a private pressing of 2000 copies, and she quickly faded into obscurity afterwards.

Yet, one listen is enough to make it immediately obvious why original pressings of this album have attracted expensive premiums. From the orchestral string arrangements on “Today Is The First Day”, to the heavenly Hammond organ playing on album closer, “Amazing Grace”, the immense talent of Goodwin and the musicians supporting her is constantly clear. Even when they take on covers of songs such as Marvin Gaye’s “What’s Goin On” and Gil Scott Heron’s “Lady Day & John Coltrane”, the singular voice of Goodwin seems to make the songs her own. Perhaps the greatest testament to this album’s timelessness is rapper and notorious crate digger, Tyler, the Creator’s sampling of the latin-jazz infused “Slow Hot Wind” on his most recent album.

Don’t miss this pinnacle of 70s soul, available for the first time in over a decade on limited edition vinyl, now with an iconic Japanese obi-strip!

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Bossa Nova De Luxe

LP | JP | Original (CBS)

LP | 1970 | JP | Original (CBS/Sony)

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Vinyl with foxing and marks. Cover with seam split on top spine. Japanese pressing with OBI and insert.

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Percy Faith

Plays Latin Themes

Perez Prado And His Orchestra

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Perez Prado In CD-4

LP | 1973 | JP | Original (JVC)

Perez Prado And His Orchestra

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Prado In Japan

LP | 1965 | JP | Original (Victor)

Petra Magoni / Ferruccio Spinetti

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split. OBI is missing

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Musica Nuda (Little Wonder) Japan Edition

LP | 2024 | EU | Original (Foné)

76,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Phil Woods And His European Rhythm Machine

Alive And Well In Paris

LP | JP | Reissue (Odeon)

Phil Woods And His European Rhythm Machine

Release: JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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At The Frankfurt Jazz Festival

LP | 1971 | JP | Original (Atlantic)

24,99 €*

LP | 1976 | JP | Reissue (RCA)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Vinyl is close to NM. Die cut cover.

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Phil Woods

The New Phil Woods Album

22,99 €*

LP | 1975 | JP | Original (Atlantic)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Japanese pressing. With insert. Vinyl is close to NM. 1981 reissue.

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Phineas Newborn Jr.

Solo Piano

LP | 1978 | JP | Original (Shelter)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with Obi.

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Phoebe Snow

13,99 €*

LP | 1978 | JP | Original (Shelter)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI. Few paper scuffs. With insert

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Phoebe Snow

Phoebe Snow = Phoebe Snow

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl close to NM

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It Looks Like Snow = 雪模様

LP | 1976 | JP | Original (CBS/Sony)

LP | 1976 | JP | Original (CBS/Sony)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Cover close to VG+

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Phoebe Snow

Second Childhood

LP | 1983 | JP | Original (Elektra)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Japanese pressing, no Obi.
Sleeve has foxing and heavy wear.

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Pieces Of A Dream

Imagine This

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing, comes with Obi and inserts.

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LP | 1978 | JP | Original (Planet)

Energy

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+. Japanese pressing without OBI, with insert.

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LP | 1974 | JP | Original (Blue Thumb)

That's A Plenty

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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LP | 1978 | JP | Reissue (ABC Blue Thumb)

That's A Plenty

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with OBI is close to NM Vinyl seems unplayed. Japanese reissue from 1978. Limited edition.

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LP | 1977 | JP | Reissue (ABC Blue Thumb)

That's A Plenty

Terrain Black Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Portico Quartet

LP | 2021 | UK | Original (Gondwana)

27,99 €*

LP | 1979 | JP | Original (LAX)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas

When Duncan Bellamy and Jack Wyllie – the driving force behind Portico Quartet got together in their East London studio in May 2020 and started work on the music that would become their new album, the world, or most of it, was in the midst of the first lockdown. The unique impact of the events of 2020 became the backdrop to their time composing and recording; causing them to take stock, re-think, and plot a new musical path.

Indian novelist Arundhati Roy expressed the sense of grief and rupture from the pandemic as "a portal, a gateway between one world and the next", and as they created the music that would become Terrain they were drawn towards longer, slowly unfolding pieces, which are perhaps the most artistically free and also the most beautiful they have ever made.

These are compositions more in the lineage of Line and Shed Song (Isla/2009), Rubidium (Portico Quartet/2012) and Immediately Visible (Memory Streams/2019). Wyllie expands: "We've always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we've really dug into it and explored that form. I suppose there are obvious influences such as American minimalism, but I was particularly inspired by the work of Japanese composer Midori Takada. Her approach, particularly on 'Through the Looking Glass', where she moves through different worlds incorporating elements of minimalism with non-Western instruments and melodies were at the front of my mind when writing this music".

Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. There is a sense of a shared journey to all these pieces, they move through different worlds, with a sense of horizontal movement that lends the music real momentum. Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section, strings. For Bellamy "It felt more like filmmaking than music making, a bricolage of conflicting, shifting signs, subtle tension and multiple narratives. Andrei Tarkovsky's 'Mirror' and British artist John Akomfrah's incredible 'Handsworth Songs' were pivotal points of reference for me." Wyllie expands the point. "There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations."

It is this sense of dialogue, both between the composers, and between tranquillity and a subtly unsettling melancholy, that makes Terrain such a powerful statement. One that speaks to both our interior and exterior worlds, to our own personal landscape, to our Terrain.

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Pressure

LP | 2024 | JP | Original (Soul Garden)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Q.A.S.B.

Will

12" | 2024 | UK | Original (The Quiet Village)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Three years have passed since the previous album "Candy Dream", and the sixth album "Will"

Shuya Okino, who leads Kyoto Jazz Massive and Kyoto Jazz Sextet, and is not only a DJ / composer / song selector but also a lyricist who is active in a variety of fields such as writing and sound branding, demonstrated his multi-faceted skills as a lyricist.

The emperor of Japanese funk, Osaka = monorail, which has already been made into 7 inches and has been well received, JB funk "The Jet Leg" featuring Ryo Nakata of the monorail, Nancy Wilson's singing and Mellow dancer "I'm In Love" cover song known for Mr./Ms. singing in Eryka Badu's "Honey" Seoul / The album containing all 9 Q.A.S.B. sounds, which develops a wide range from funk tunes to city pop, has finally been completed after 5 years of production!

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Quiet Village

Reunion

15,99 €*