Search "jack+white+blunderbuss" 884 Items

LP | 2021 | US | Original (Odd Cat)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Jac Berrocal, David Fenech and Vincent Epplay are back with a true gem of an album: Transcodex. Turning more towards pop than in their beginnings, this fourth record follows the footsteps of their previous album, Exterior Lux. The trio seems limitless: they experiment with a large variety of styles (pop, dub, electronica, dark jazz), always colored by their very own touch. Jac Berrocal’s trumpet, richer than ever, plays over an ever-changing sonic landscape engineered by the duet of musicians/producers Vincent Epplay and David Fenech.

For this album, they invited two amazing musicians. Jah Wobble (founding member of Public Image Ltd and collaborator of African Head Charge, Brian Eno, Holger Czukay, Jaki Liebezeit, Evan Parker, Sinéad O'Connor) plays deep bass lines on two tracks. Jean-Hervé Peron (founding member of the German band Faust, and who recorded with Tony Conrad, Nurse With Wound, Pascal Comelade) brings his prowess to two tracks as well. Peron writes lyrics in French, German and Russian — and plays the French Horn like no one else.

The closing track of the A side is a tribute to Christophe Bevilacqua (1945-2020), friend to Jac Berrocal. The song summons the place Bevilacqua used to live in: an Art Deco flat on Boulevard du Montparnasse, Paris.

Even if its intentions are clear, Transcodex does not reveal all its secrets right away. It’s up to you to find the solution, the key, the Transcodex yourself. It must be revisited over and over again for its beauty to be fully revealed.

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Ross Goldstein

Chutes & Ladders

LP | 1975 | EU | Reissue (Musica Per Immagini)

Release: 2021 / US – Original

Genre: Organic Grooves

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The Mellotron has graced songs by some of rock's most important and popular artists: David Bowie's 'Space Oddity,' King Crimson's 'The Court Of The Crimson King,' and the Rolling Stones' '2000 Light Years From Home,' to name but a few. Yet it's always seemed more like a side dish than a main course in these contexts. Ross Goldstein'a rock musician with psychedelic inclinations (see his recordings with Devin Gary & Ross, Fog Window, etc.)'decided to thrust the Mellotron to the forefront with a trilogy of albums that culminates in the riveting new collection Chutes And Ladders, which follows 2018"s The Eighth House and 2020"s Timoka.

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Ugo Busoni

Valvole

LP | 2021 | EU | Original (Okeh)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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Triosence

Giulia

Release: 2021 / EU – Original

Genre: Organic Grooves

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Dezron Douglas & Brandee Younger

Force Majeur

LP | 2020 | US | Original (International Anthem)

LP | 2021 | EU | Original (Byrd Out)

Release: 2020 / US – Original

Genre: Organic Grooves

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In March of 2020 bassist Dezron Douglas & harpist Brandee Younger were nestled in their apartment in Harlem, New York, not long after every live concert in the world was cancelled and most folks in the United States were forced to shelter in place for the covid lockdown. With all their gigs cancelled and their incomes strapped.. the two came up with an idea. They would host a live-stream performance from their living room, where they would perform classic tunes for friends and family to watch online, and folks could send them donations. They called it “Force Majeure: Brunch in the Crib with Brandee & Dezron,” the first part in homage to the ubiquitous contract clause that never seems to have any use (except all of sudden, c/o a covid-induced live music industry collapse). The immense popularity of their first performance roped them into doing it again, and again, until it eventually became a weekly ritual for Douglas, Younger, and their many friends and family who tuned in every Friday morning (ourselves included). Knowing the beautiful, natural sound they made in their living room would be as enjoyable (or more) as a record as it was through a social media stream… we mailed them a microphone to record themselves. What’s heard on this album, Force Majeure, is a collection of highlights from Douglas & Younger’s legendary lockdown livestream brunch sessions. It includes gorgeous interpretations of songs by Alice & John Coltrane, The Stylistics, The Jackson 5, Pharoah Sanders, Kate Bush, Sting, and The Carpenters… plus some solid gold nuggets of their banter between tunes. It’s an uplifting suite of real, soulful comfort music – a spiritual salve, emanating warmth from the hearth of a Harlem sanctuary.

Dezron Douglas & Brandee Younger are long time companions in life and in music. The two East Coast natives met early in life and have accompanied each other, personally and professionally, through their equally prolific careers. Douglas, a bassist who has established himself as a musician’s musician, is known to many for his work with Pharoah Sanders, Ravi Coltrane, David Murray, and Keyon Harold. Younger, a harpist who has distinguished herself as one of the premiere voices in her field, is known for her work with Jack DeJohnette, Charlie Haden, Stevie Wonder, The Roots, Lauryn Hill, and Moses Sumney. To the day Douglas and Younger often accompany each other in many of the ensembles they lead, respectively.

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Coma World

Release: 2021 / EU – Original

Genre: Organic Grooves

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Coma World is a new collaboration between Maxwell Hallett, a.k.a. Betamax (The Comet Is Coming/Soccer96) and Pete Bennie (Speaker's Corner Quartet) bringing together their potent chemistry in an intoxifying debut LP. Betamax drives the duo with his signature 'rhythmadelic' drum rapture as Pete elegantly pummels bass tones into an assortment of wonky pockets. Both layer on a blanket of electronic dark matter to create a sonic womb-like world laid out for the brave listener to explore. This is dub and jazz reduced to the raw fundamentals of experimentation, trance and spontaneity. Inspired by a friend's recollections of being in a coma, the duo delve through the mysteries of consciousness and return with a striking array of colourful sound artefacts. From Cosmic flushes that wouldn't sound amiss on a record by Byrd Out collaborator the late, great Andrew Weatherall, through to drowsy groove meditations and explosive eruptions, the album plays by its own rules but demands attention. The two artists sling their dirty funk through cold clouds of darkness leaving psychedelic trails of bleeping fractal spillage. The sonic experimentation is distilled through analogue studio relics followed by a rugged 'all hands on deck' live mix down performance from 1/4" tape. The result is a spontaneous collection of sonic debris that will be administered to willing participants through 12" vinyl format.

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2LP | 2020 | EU | Original (Mr Bongo)

Visions

Preservation Hall Jazz Band

Release: 2020 / EU – Original

Genre: Organic Grooves

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‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.

Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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A Tuba To Cuba

LP | 2019 | US | Original (Sub Pop)

Jorma Kaukonen And Jack Casady

Release: 2019 / US – Original

Genre: Organic Grooves

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Single-pocket jacket with custom dust sleeve
Includes MP3 coupon

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”

Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.)

About Preservation Hall Jazz Band:

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.

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Reno Road: Unreleased Tracks From The '60's Black Friday Record Store Day 2024 Edition

CD | 2024 | Reissue (Culture Factory USA)

LP | 2017 | DE | Original (Herzog Records GmbH)

Release: 2024 / Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD Limited Run / Regional Focus, Limitation: 500

Twenty-six never-before released-tracks from the original members of Jefferson Airplane and current members of Hot Tuna. These are tracks that Jorma and Jack recorded in the 1960s before Jefferson Airplane. This polycarbonate vinyl-look-alike gold CD includes High-Res remastering that will play in any CD player. The packaging includes a CD carboard Gatefold jacket, printed inner sleeve insert and an OBI side spine.

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Benny Greb

Grebfruit 2

Lionel Martin & Sangoma Everett

Release: 2017 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Signed by artist. White vinyl

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Letter To The World

LP | 2024 | EU | Original (Ouch!)

23,99 €* 31,99 € -25%

2LP | 2012 | DE | Original (Denovali)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The blues will never die out. it's a universal music that will always inspire musicians because it embodies love, sorrow and hope, insists Sangoma Everett. Five years later, the two partners are once again involved in a strange affair recording a story about the blues, the soundtrack of a deported people that became the matrix of twentieth-century music. Once again, this complementary pair doesn’t intend to stick to the original groove, but to produce original variations rooted in their own reality. "The blues will never die out. it's a universal music that will always inspire musicians because it embodies love, sorrow and hope," insists Sangoma Everett.

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The Nest

Music For Drivers

Somewhere In The Stars Cherry Vinyl Record Store Day 2024 Edition

Release: 2012 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl version!

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Cam & Bert Richard

LP | 2024 | US | Original (Delmore)

23,99 €* 31,99 € -25%

LP | 2017 | EU | Original (Edition)

Release: 2024 / US – Original

Genre: Organic Grooves

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Previously Unreleased Recording Limited to 1200 copies on transparent cherry vinyl Tipon jacket, Download code, Insert featuring LP sized original art by Grungie O'Muck Includes the original recording of Richard Tucker's, "Are You Leaving For The Country", later covered by Karen Dalton,and the only song cowritten by Karen & Richard, "Sleeping In The Garden" "Richard, Cam & Bert seem to have grasped The Great Harmony. That is, ensemble singing that is at once sweet, precise, funky and a bit sardonic..." Mike Jahn / New York Times (1970)

"For a few years in the late sixties and early seventies Richard Cam & Bert ruled MacDougal St. walking a fine line between the increasingly commercialized demands created by groups like Crosby Stills and Nash and the fierce integrity of earlier folk performers, the generation to which Richard belonged. They managed this with great aplomb, producing original tunes of great integrity and obvious folkloric origins, as well as those which expressed the anarchic omnipresent psychedelia of the moment. They also never abandoned the idea of including some traditional material in their performances. But for the usual random application of luck they could have been very big." Grungie O’Muck / Artist, Bluesman, Cover artist for their first album and contributor to this one.

Richard Tucker, Campbell Bruce, and Bert Lee coalesced as a trio in the spring of 1968, and by the end of that year had become regular performers at fabled Greenwich Village nightspots The Gaslight, The Bag I’m In, Cafe Feenjon, among others. But mostly they were street singers, busking regularly in Central Park. Their only LP, Limited Edition, was released in 1970, and sold mainly at gigs and on the street. Somewhere in The Stars compiles earlier, previously unreleased recordings, when all three members were signed with PeerSouthern Music publishers as writers and began using their studio to make demos and experiment musically. Beautifully recorded by house engineer Charlie Mack (supervised by Jimmy Ienner), the demos capture a back room casualness and rustic, homespun quality. For me, listening to their songs and harmonies is like entering a world you always hoped existed but had never experienced.

Some of the songs were rerecorded the following year for Limited Edition, but many are heard here for the first time. Among them is the original demo for Richard Tucker's song, "Are You Leaving For The Country", which Karen Dalton covered on her seminal 1971 release, In My Own Time. Richard and Karen were husband and wife for much of the 1960s, performing as a duo (initially as a trio with Tim Hardin), and navigating their time on the Village scene while alternating living in a small mining town outside Boulder, Co. before splitting up in 1967. Also making its debut, is the only song Richard and Karen ever wrote together, the haunting "Sleeping In The Garden". Also contains two epic songs by Cam ("One Of These First Nights", and "Stockholm") not on their LP, but staples of their live performances, and noted in a gig review by The New York Times, and in a column by future A&R hero, Karin Berg, who was an early champion. Another rarity is the only cover of "Sweet Mama" by Fred Neil we’ve ever heard.

Campell Bruce came to New York in 1967 as lead singer with a band from Washington, DC, The Natty Bumpo. They’d recently signed a record deal with Phillips, but were falling apart. Cam landed in the Village with an acoustic guitar and first started playing and singing in the basket houses, and shortly thereafter at The Gaslight, as the "Cam Bruce Trio” (which included Collin Walcott). After opening for Mose Allison, Cam's hero, the trio went their separate ways, and Cam returned to regular solo gigs at The Flamenco, and the basket houses on Bleecker. Richard and Cam met up on that scene and quickly found a musical kinship as well as becoming best pals.

Bert Lee arrived in New York as a runaway the following winter, and began playing and sleeping wherever he could. His sometime accompanist, Ron Price, introduced Bert to Richard and Cam just as Bert’s own songs were garnering attention from publishers. According to Bert, “I arrived on the New York scene during a time of great change, and it was the notion of change that influenced me. All around me I saw there were two sorts of songwriters, on the one hand dedicated to the traditions that had inspired them, folk, jazz, the American songbook. On the other hand were songwriters influenced by the wave of experimentation that The Beatles were the perfect example of. Mixing genres, writing lyrics that weren't just about ordinary love and loss.

Richard Tucker was a country blues player, with a relaxed and melodic approach to the craft. Cam wrote something more akin to soul songs, with a hint of jazz in the changes. I was writing tunes that sometimes drew on classical structures with a tendency toward what I suppose would be known as progrock. But I was rather adamant about not being pinned down stylistically, and so I would write, for example, a song based on some complex classical chord structure, and then go right ahead and write a simple folk song, like Evelyn. Our band was popular locally, and it was this variety that made it distinct.”

Delmore is excited to present this unearthed treasure, fifteen years in the making. In the words of Richard Tucker, "Tap on your knee, roll on the floor; if you aint free, what's it all for?"

"The trio's singing, playing, and writing have all withstood the test of time. Believe me, because I was there. In 1969 R,C&B, myself, Charles John Quarto, David Bromberg, Ron Price, and Keith Sykes were just a few of that year's crop of songslingers. We were young turks back then, out on the prowl in New York's Greenwich Village for record deals, gigs, and beautiful young women to sleep with and maybe even write a song about. I've lost the names and numbers of those lovelies and I'm not sure what happened to Ron Price, but Richard, Cam, and Bert are back! Loudon Wainwright lll

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Aki Rissanen

Another North

Release: 2017 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (We Jazz)

Say What

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Förlag För Fri Musik)

Andre

Gymnasiearen

Turkish Delight Clear Vinyl Edtion

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Debut album from 18-year old Discreet Music hangaround Andre. Home recorded brilliance mainly based on guitar and occasional synthesizers with a sparse use of environmental recordings. The A-side was recorded in September and October 2022 and is a majestic collage of introspective bummed out music with gloomy drones and almost sacral-sounding segments, in atmosphere close to some of the more melancholic chunks of the past Fffm discography. Recorded in December the same year, the flipside is somewhat more abrasive and loud with its blown-out downer ambient that at times resembles a youngster Ashtray Navigations or something akin to Secret Abuse or late-era Yellow Swans but with its own weird identity. A stellar debut and another new name from Gothenburg to keep track of. Edition of 300 copies, white sleeves with paste-on front and back artwork.

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Oudi Hrant

LP | 1964 | EU | Reissue (Sowing)

Not Real People Transparent Green Vinyl Edition

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 1963 to Paris, Beirut, Greece, America, and Yerevan, Soviet Armenia. He was a teacher of many Armenian-American oudists including Richard Hagopian. He was the pride of the Armenian people, and many consider him to be the most soulful oudist ever to emerge from Turkey. Released in 1964 on jazz label Prestige the record shows the stunning classical inspiration of the musician.

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Oreglo

12" | 2024 | UK | Original (Brownswood)

Freedom Train Record Store Day 2024 Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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oreglo is made up of c-sé (keys), Linus Barry (guitar), Nico Rocco (drums) and Teigan Hastings (tuba), who all met growing up in London. Nico and Linus met at secondary school, before Nico went on to meet Teigan and c-sé through the youth organisation Tomorrow’s Warriors, bringing them all together.
Across the Not Real People EP, oreglo showcase their innovative take on multiple genres: freewheeling through heavy rock riffs to drill-inspired percussion and breezy reggae, the quartet have cultivated a unique sound that acts as a melting pot of all the sounds they know and love from London.
Since officially forming just over a year ago, they've already been hand-selected by Ezra Collective to win the 2023 Lambeth Sounds Emerging Artists x Cross The Tracks competition; played the recent Steam Down–curated World Island event in Leeds; supported Gabriels at Somerset House; composed for The 1975's North American tour; and have seen support from Steve Lamacq, Jack Saunders + more across national radio.

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Feso Trombone

LP | 1984 | EU | Reissue (Lantern)

Raymond Lefèvre, Raymond Lefèvre et son Grand Orchestre

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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A necessary groundbreaking album, originally released on Belgian label Antler in 1984. Fesobi Olawaiye debut is finally been re-issued, showcasing the incredible talent of the African musician, a longtime Fela Kuti associate in the legendary Afrika 70. Ander the moniker Feso Trombone he just prove an authentically brilliance, moving forward the afro-beat dogma while providing incredible white funk harmonies and contagious rare groove. Remastered from the original tapes!

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Live in Japan 1977

2LP | 1977 | JP | Original (Barclay)

LP | 2022 (Diggers Factory)

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing with OBI and insert. Cover with seam split on bottom spine. Promo copy with white labels

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Eddie Cochran

Vinyl Story

23,39 €* 35,99 € -35%

Release: 2022

Genre: Organic Grooves

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LP | 2023 | EU | Original (In + Out)

Ratko Zjaca

Archtop Avenue

23,19 €* 28,99 € -20%

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bluesnik Blue Note Classic Vinyl Edition

Jackie McLean

LP | 1961 | EU | Reissue (Blue Note)

12" | 2023 | EU | Original (Poole Music)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Alto saxophonist Jackie McLean had the blues on his mind when he went into Van Gelder Studio in 1961 to record his hard bop masterpiece Bluesnik with a blazing quintet featuring Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums. The six-song set of bluesy originals brims with immediacy and vibrancy.

Blue Note Classic Vinyl Edition: stereo, all-analog, mastered by Kevin Gray from the original master tapes, pressed on 180g vinyl at Optimal, padded inner sleeve.

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Jake Meginsky

Trinities

LP | 1975 | EU | Reissue (Dialogo)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-11-01

February of 2021 marked an eventful month for visionary Western Massachusetts electro-acoustic percussionist Jake Meginsky: the birth of his daughter Luce, the death of his friend and mentor (and the subject of his celebrated 2018 documentary, Full Mantis) Milford Graves, and the creation of Trinities. A four-piece suite heavily inspired by Graves’ notion of the primacy of threes as “a fundamental pattern in the universe - and the lowest, strongest and most generative structure in rhythm” the album showcases Meginsky’s adventurous vein of pointillist minimalism: stark, oblique, cerebral, fluid. It’s free music in both form and function, liberated from rhythm, pattern, or expectation. Abrupt flurries of metallic reverberations ping and echo against charged silences like avant-garde morse code. Textures clang and hang in low-lit air. Presence and absence commingling in elusive ballets of resonance and negative space.

Among the many influential teachings of free jazz icon Milford Graves was the idea of three-ness as “the underlying structure… the grounded being of all music.” It’s a concept both dialectical and divine – the sacred geometry of an idea, its opposite, and the synthesis that binds the two. For Trinities, Meginsky developed modular synth patches that allowed him to explore triplet structures in an intuitive way, “the threes as a structural principal, the building blocks, felt rather than heard”. During sleep deprived sessions with his newborn infant listening, he channeled the grief of Graves’ passing in early morning improvisations alternately quiet and questing, inquisitive and defiant.

The outlier is “2521,” a celestial lullaby of suspended frequencies composed on a 4-track in the birthing room of the hospital during a particularly strict phase of quarantine lockdown (no coming or going, or visitors, for a week straight). Meginsky played the piece for his daughter “as she came into this world, and while she slept.” Its harmonic tranquility ebbs and radiates in soft arcs like a soft dawn glowing on the horizon – welcoming those newly here, and waving warmly to those in the hereafter

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Piero Umiliani

Polinesia

LP | 2021 | EU | Original (Space Echo)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.

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Galathea

LP+7" | 2019 | EU | Original (Glamourama)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Galathea is the new project by DJ Massimo Napoli, and the title of his first solo album. Borrowing the name from the homonymous Nereid from the Greek mythology, the album is a deep dive into dub, spiritual jazz and African surroundings. Over 12 tracks, the LP conceals a strong personality. Departing from club culture with particular emphasis on electronic dub, Galathea unfolds into many influences and styles, making it a unique listening experience. Mediterranean culture, afro and cinematic melodies, jazz, spiritual echoes, and soothing beats lead the listener into a subliminal escape, where the fluidity and the convergence of genres freely progress into a dream-like journey. In "Spiritual Wind," the essence of spiritual jazz can be perceived on the central 5/4 rhythm, the deep double baseline, and the vocals. In "Afrique," the melody and the rhythmic Nigerian Afro-funk blend with dub tonalities into a subtle listening experience, enriched by Kadi Koulibaly's vocal performance. In "Dune," the album moves from Africa to the Caribbean; it is a tribute to the Cuban and Puerto Rican culture, sonically achieved with the interplay of Latin rhythms and dub sounds. “Black Sand" is an Afro dub jazz composition; John Lui's poignant vocal performance accompanies the dub sounds and African instruments. In "Scirocco," the warm and hypnotic atmosphere merges with Asian hues; it is reminiscent of the Shurhùq (or "midday wind") - a warm wind that blows from the Southeast over the Mediterranean Sea. The result is an explosive combination of music traditions with the addition of dub timbres. In "Simeto," Asian influences merge with jazz. The delicate sitar blends with dub atmospherics like river ripples gently flowing towards the sea. Simeto (in ancient Greek "Symaithos") is the river flowing into the Ionian Sea from the slopes of Etna. "Sunset Dub" was written in collaboration with musician and producer Salvo Dub; the song starts with a dynamic, percussive session and progresses into minimal dub tonalities and electronica. "Sirens" is an ethereal song composition enhanced by the sounds of the sea and the sea birds, as well as the haunting sirens' voices. "Karma Blues" is an Afro-blues track with impact. The kora and the reggae singing perfectly paint the recording and its gentle and atmospheric progression. "This is African Jazz" is inspired by the Savannah sounds; it carries the listener on a refined journey accompanied by an African dub and percussions. "Amanecer" was conceived as a soundtrack to welcome the sun, with the strings accompanying the sea sounds and the chanting of the sea birds.

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Etta James

At Last!

Ethio Stars, Tukul Band & Mulatu Astatke

Release: 2019 / EU – Original

Genre: Organic Grooves

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Includes 7" Single on Colored Vinyl.

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Addis 1988

LP | 1992 | EU | Reissue (Piranha)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Space Echo)

Galathea

Sacred Love

12" | 1979 | EU | Reissue (Far Out)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Two years after the release of his first self-titled album, DJ producer Massimo Napoli aka Galathea presents the new 'Sacred Love', in which he once again avails himself of the collaboration of his friend producer and bass player Salvo Dub, as well as a combo of respected musicians: singer Kadi Koulibaly - originally from Burkina Faso - already featured on the first album, Giulia La Rosa, author of the lyrics and performer of the title track, pianist Mario Pappalardo, percussionist Sergio Spitaleri and drummer Luciano Cantone. 'Sacred Love' is definitely a more mature, intense and profound journey than the previous album of the same name, which enhances the magical dreamlike and spiritual atmospheres of a certain African culture. The album guides the listener along a path of multi-ethnic contaminations: "Divinité", "Ouaga" and "Koloko", well interpreted by Kadi, touch on the sacredness and mysticism of the African continent and blend well with the Spiritual Jazz sounds that have evolved in the West. "Divinité", through the spoken word of French poet Diego Hernandez, tackles the themes of faith, life and the relationship with one's 'self', with references to French chanson productions, in which Kadi's spiritual song, at times 'Saharan', intersects and expands into cosmic space. The title track, the first single from the album, also released on 7" (45rpm) in two versions, is an Afro-American gospel with a typically afrobeat rhythm, vaguely reminiscent of Nina Simone's 'See-Line Woman'. North Africa is represented by "Equator", while we climb further north into the middle of the Mediterranean Sea with "Medican Blues", to land in Stromboli with the Deep Jazz of "Ginostra", whose title recalls the village of the marvellous island in the Aeolian archipelago. Then we have the Cuban track "Caminito", a sort of Cha-Cha with a romantic piano melody (à la Chucho Valdez) well performed by maestro Mario Pappalardo; and then again "Eos", strongly Balearic with a Brazilian mood; "Impression", a dreamy journey of impact; "Sirens", already present on the first album and here reworked in a new Spiritual-Ambient version produced by Agosta. "Sacred Love" is thus an original and musically borderless album, which expands a certain African sacred culture and naturally blends Afrobeat, Jazz and Blues atmospheres with the Balearic sounds of Mediterranean culture. Enjoy listening!

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Azymuth

Light As A Feather

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Same Old White Vinyl Edition

Vooo

LP | 2023 | EU | Original (Radio Juicy)

LP | 1957 | UK | Reissue (Public Domain)

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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Radio Juicy proudly presents "Same Old" the third solo album by Vooo. The album encompasses the music that Vooo has been writing and recording over the course of 2022. As it was highly anticipated by his fans, it comes as a nice surprise before the holidays. The album is an incredible collection of awe inspiring music that explores multiple genres and concepts. With such tracks as Heartstrings, Character 1 and Wax that are instant classics this album is definitely a contender to album of the year. And it's only the beginning as in 2023 "Same Old" will come out on vinyl with a whooping 3 tracks bonus featuring some amazing artists. The vinyl version will only be available in March 2023 but it's already possible to pre-order it now. So if you love the artist and project feel free to show some support!

Vooo's words about "Same Old", My intention with this record was to refine a collection of the tracks most highly anticipated and requested by fans of my video content where I show the process of recording new songs. I selected each track not only on the basis of its connection with my audience, but also with the goal of curating a record full of emotive instrumental performances, positive moods and pure ear-candy. Many of these tracks were initially written as short-form “beat-video” content, and to transform the demos into full songs, I spent countless hours re-arranging, re-recording, and carefully mixing in a larger studio using high-quality vintage instruments and analog processing methods, particularly 8-track tape. The result is what I consider to be my most elaborate and well-crafted project which has been enhanced by the brilliant talents of the several featured instrumentalists and engineers involved.

Vooo is a multi-instrumentalist & producer originally from Los Angeles, currently based in Oakland. With a degree in music theory and a background in jazz, he has used his experience to dip into a number of genres, mostly in the world of hip-hop, R&B, and neo-soul. In addition to releasing two solo albums since 2020, he has executive produced a few full-length records for other artists and created sample packs to raise thousands in mutual aid for the Oakland community. Vooo’s music has been featured on NPR’s New Music Friday, Bandcamp’s Best Soul of 2021 and several Spotify editorial playlists.

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Blossom Dearie

No Money No Honey Clear Vinyl Edtion

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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Blossom Dearie was part of the NYC beboppers scene that often gathered at Gil Evans’ apartment, was in the social circle that began developing “Birth of the Cool” and at the same time was a fixture in the Jazz clubs of the 1940’s.

The legendary jazz producer and founder of Verve, Norman Granz, heard Blossom singing in Paris and offered her a contract. She returned to New York to record her debut album produced by Norman Granz in 1956. The LP spotlights Blossom as a chanteuse and pianist.

Miles Davis once said, “she was the only white woman who had soul”, while Bill Evans noted her playing really “knocked him out”.

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Atilla Engin Group

LP | 2021 | EU | Original (Arsivplak)

Feminina Feat. Mauricio Maestro Record Store Day 2022 Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Here an unreleased Turkish Jazz album by Atilla Engin from 1986. I want a special thanks to Mr. Per Meistrup who saved this gem and let us to release it. Limited 500 numbered transparent copies. The album cover was already pressed but wasn't released, since yet...

Atilla Engin was a Turkish Jazz drummer. He moved to Denmark around middle of the 1970's and recorded many traditional Jazz albums there. This album was his last recording in Denmark but unreleased, until now...

"I dedicate this album to Denmark. Ten years ago I came to Denmark. Here I have found my personality, I was allowed to develop-practice my music and the most important thing is that I have learned so much from this vital society for better or worse. And since then, Denmark has been in my heart with growing love, which will probably never disappear. I am who I am; curious, happy, angry, angry, unwise, intelligent, bad diplomat with naughty body and yet I was allowed to play with You I love !!" Atilla Engin

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Joyce

12" | 2022 | EU | Original (Far Out)

LP | 1990 | EU | Original (Antilles)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Record Store day exclusive. For the first time on vinyl! The fabled extended recording.... from the unreleased 1977 Natureza album produced, arranged, and conducted by Claus Ogerman.

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Jack Nitzsche

OST The Hot Spot

Heavy Soul Clear Vinly Edition

Release: 1990 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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Ike Quebec

LP | 1961 | EU | Reissue (Sowing)

The Architecture Of Oppression Part 1 Black Vinyl Edition

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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"Heavy Soul" can be easily considered as one of Ike Quebec's best showcases. Recorded in 1961 by master Rudy Van Gelder and originally released on Blue Note, this fine studio session sounds as a perfect mixture of down-home blues spirit and warm, sensual ballads, with Quebec's big tenor sax voice as the leading force of a hard swinging quartet featuring Freddie Roach - organ, Milt Hinton - bass and Al Harewood - drums.

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The Brkn Record

LP | 2021 | EU | Original (Mr Bongo)

Mildred Rosner w/ Mendelsohn's Orchestra) / Slim Gaillard And His Flat-Foot-Floogie Boys

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Brkn Record is a new project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s foundational deep jazz outfit the Heliocentrics. With fellow Heliocentrics co-founder and legendary drummer Malcolm Catto, Ferguson has been a regular collaborator with globally recognised artists including Archie Shepp, Mulatu Astatke, Melvin Van Peebles, Orlando Julius and many others. The Architecture of Oppression Part 1 represents Ferguson’s debut as a bandleader and orchestrator, and manifests as a committed and soulful response to ongoing and systemic anti-black racism, social oppression and state violence both at home in London and across the globe. Combining poetry, testimony and song with rich and cinematic backdrops, Ferguson has produced a sui generis sound that conjures flavours of Arthur Verocai, Ennio Morricone, classic library productions, Madlib-style deep-jazz beat science, and psychedelic soul. With bandmate Malcolm Catto on drums, Ferguson draws on their long years of collaborative experience in the Heliocentrics to build an album of striking texture and depth. But the album does not only reflect Ferguson’s full-spectrum musical prowess, experience and vision. It is equally a manifestation of his longstanding and high-profile work as a frontline activist for racial justice and social equity in London and beyond. Alongside Malcom Catto, contributors to the album are drawn from the intersecting worlds of community activism, cultural education, politics and music, and include singer and political activist Jermain Jackman, Zara MacFarlane; Chicagoan activist, poet and singer Ugochi Nwaogwugwu; Lee Jasper, longstanding worker for racial justice and former advisor on equalities to the Mayor of London; acclaimed performance poet Dylema; Hackney community leader Janette Collins MBE and Leroy Logan MBE, founder and former chair of the Black Police Association, and the subject of Steve McQueen’s Small Axe episode ‘Red, White and Blue’. The Architecture of Oppression Part 1 is a singular and urgent chronicle of the black British experience, an upful expression of Pan-African creative unity and community solidarity, and a militant and unbending missive from the frontline in the great tradition of The Impressions’ This Is My Country, Irreversible Entanglements Who Sent You?, Max Roach’s We Insist - Freedom Now Suite, or Linton Kwesi Johnson’s Bass Culture. A broken record repeats itself, and never plays through – the music is interrupted or trapped in a cycle by damage to the grooves. But The Brkn Record is a work of healing and protection, and a chance to let the full story be heard – all the way to the end, no skips.

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Gefilte Fish / Matzoh Balls

7" | 2021 | UK | Original (JWM)

LP | 2021 | EU | Original (Space Echo)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Here’s a special melt in the mouth treat for lovers of old-time home cooking, and foot-tapping rhythms that we all know they just don’t make ‘em like this anymore!

The very first 7” single from JWM recordings, who brought you ‘Music is the Most Beautiful Language in the World’, the much-loved compilation of Yiddisher Jazz in London’s East End 1920s to 1950s. On the menu is Gefilte Fish and Matzoh Balls, a double ‘A’ side recipe of two classic dishes that have graced the Jewish luncheon or dinner table for generations.

Ours are the tastiest sounding Matzoh Balls - dumplings made of eggs and matzoh meal (ground unleavened bread) - that we’ve ever heard. A mesmerising musical soup concocted in New York in 1939 by the one and only Slim Gaillard and His Flat-Foot-Floogie Boys. Slim was a hugely popular and influential figure on the jazz circuit for over half a century. He’d riff and scat in his own made-up language ‘voute-o-rooney’ – a hip scatological word play that would be celebrated in Jack Kerouac’s ‘On the Road’. Gaillard’s own background has always been a mystery – an African-American who even claimed Jewish ancestry, hence his love for Jewish food (his repertoire also included the ditty ‘Dunkin’ Bagels’). In his Matzoh Balls, we discover that Slim likes his balls with a kick: “now you put a little horseradish on it, and it knocks you right out...” For the record, accompanying Slim and his guitar on Matzoh Balls were Al Killian (trumpet), Kenneth Hollon (tenor saxophone), Loumell Morgan (piano), William Smith (string bass) and Hubert Pettaway (drums).

Playwright and song writer Isadore Lillian’s Gefilte Fish passionately declares a love affair with this slightly sweet but savoury ancient dish – patties made up of a poached mixture of ground deboned white fish. Served boiled or fried. Yiddish singer Mildred Rosner is backed by Mendelsohn’s Orchestra to deliver the finest ever version of Gefilte Fish on the market. The band put down a roaring and infectious dance tune – they’ve clearly played a Jewish wedding or two. Mildred Rosner’s delivery on her only known record is an utter joy, and listen out for the punky call and response of the tune’s title. All together now Gefilte Fish!

It’s the first ever re-issue of the original 78rpm 10” that was issued for the speciality American Jewish market in 1947 by The Sun Recording Corp. of New York. The Bronx-based label’s motto was “the brightest thing on records” - and it pre-dated a rather more famous Sun label - Sam Phillips’ Sun of Memphis, Tennessee.

We’ve packaged our food-themed single in a glorious card cover with a tasteful tactile matt finish, designed by Will Bankhead. The image on the front shows just how many of us may remember what those portions of boiled Gefilte Fish topped with sliced carrots looked like, laid out for hours on the buffet tables of those functions of yesteryear...

As a special treat for this individually numbered special edition of just 200 copies, we’ve included an illustrated double-sided flyer complete with recipes to make your very own Gefilte Fish and Matzoh Balls to eat while you listen...

JWM Recording’s Gefilte Fish c/w Matzoh Balls Is compiled by Alan Dein and Howard Williams, the very same team behind ‘Music is the Most Beautiful Language in the World’:

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The Invisible Session

Echoes Of Africa

Release: 2021 / EU – Original

Genre: Organic Grooves

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After almost 15 years of silence, Schema Records co-founder Luciano Cantone in collaboration with Gianluca Petrella and a new group of musicians, present The Invisible Session’s second album "Echoes of Africa", published on the newly created Space Echo label and distributed by Schema Records. The impeccable rhythmic execution of the Ethiopian drummer and percussionist Abdissa "Manba" Assefa, the Finnish bass player Jukka Kiviniemi, the guitarist Riccardo Onori, the multi-instrumentalist Gianluca Petrella with the spiritual contribution of the Gambian kora player Haruna "Jalimansa" Kuyateh, as well as the Afro-American Joyce Elaine Yuille, give rise to a unique emotion and sense of landscape. The points of departure are afrobeat, the recordings of Africa 70 and Tony Allen's drumming. Other influences come into play, with melodies centred on Eastern pentatonic scales, as well as funk, afrobeat, psychedelia, modal and Ethio jazz, plus forays into pop and cinematica. This is an album to be absorbed in its entirety!

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12th January Orange Black Friday Record Store Day 2020 Edition

LP | 2020 | US | Original (Mr Bongo)

LP | 2020 | EU | Original (La Sape)

Release: 2020 / US – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release. "January 12th, 2020, a Sunday night in Toronto - Matthew Tavares and Leland Whitty (of Badbadnotgood fame) are reunited at Burdock for a live improvised Jazz session. The pair are joined on stage by bassist Julian Anderson-Bowes and drummer Matt Chalmers as part of Burdock’s Piano Fest, an annual event at the city's brewery and music hall. Two days later an email from Matthew hits Mr Bongo's inbox... ""I think it turned out amazing, brought some really nice recording gear and it sounds almost like a studio record, thought I'd share. Moments definitely get to the jazzier side but there is some spiritual moments that are so far out"". The Bongo office were all blown away by this free-flowing session, one which sounded like a well-rehearsed set at the end of a long tour, rather than a one-take improvised assembly. The chemistry between the musicians is magical. The tight friendship and musical connection between Tavares and Whitty are self-evident, however, Chalmers and Anderson-Bowes have a great contribution to make too. They act as the solid foundation that leaves Tavares and Whitty free to roam and explore moments of darkness and light, intensity and beauty. From the first time of hearing this intimate session, we knew this had to be shared. The same quartet feature on Matthew Tavares & Leland Whitty's 2020 album 'Visions'. The plan to promote 'Visions' was to tour, with each night comprising a uniquely improvised set. Sadly due to world events, this couldn't happen, but for now 'January 12th' is a snapshot of the wizardry that would have been from four amazing musicians at the top of their game. "

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Jk Group

The Young Ones

Release: 2020 / EU – Original

Genre: Organic Grooves

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JK Group are a powerhouse nu-jazz band fronted by Melbourne saxophonist Josh Kelly, best known for his work with future soul-jazz collective, 30/70, and being the 2019 PBS Young Elder of Jazz. They sit in the crossover of raw, live jazz and electronic/dance production. At times synth-heavy, effected and soundscapey, while at other times hard hitting groove laden with spiritual jazz overtones and no-holds-barred improvising. Their sound nods respectfully to classic jazz traditions, whilst carving a path that unashamedly looks towards the future, embracing modern influences and production techniques. The album received a 5* review from Melbourne's own Mike Gurrieri, and has garnered radio play on PBS, RRR, Worldwide FM, NTS and more. The debut LP 'The Young Ones' is due out on La Sape March 27th.

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Visions Red Vinyl Edition

2LP | 2020 | EU | Original (Mr Bongo)

LP | 1975 | EU | Reissue (Mr Bongo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Germany exclusive Edition on Red Vinyl. ‘Visions’ is a new collaborative album from BADBADNOTGOOD co-founders, Matthew Tavares and Leland Whitty. The Grammy Award winning, multi-platinum producers have been performing and writing music together for 10 years. They have achieved international acclaim with BADBADNOTGOOD and Tavares’ recent solo single ’Self-Portrait’ has been championed by tastemakers such as Gilles Peterson and Benji B. ‘Visions’ is the latest upshot of their incredibly fruitful partnership.
Recorded in Toronto, it was produced by Tavares and Whitty - with Tavares also mixing the album and arranging strings. After a three-week writing period it was played in its entirety in one continuous studio session; almost all the tracks on the album are the first take. Tavares is on piano and guitar, Whitty on saxophone and flute. The rhythm section of Julian Anderson-Bowes on bass and Matthew Chalmers on drums completes the players. They make an impressive collective and are performing at the peak of their powers.

Conceptually the album is a canvas for a combination of composition and group free-form improvisation. Tavares and Whitty are the sole composers, but with some tracks collectively improvised, there is also a group dynamic running through the album. The outcome is a sublime melting pot of modern jazz, impressionist classical music and Arthur Verocai-esque arrangements. It is a sound that is hard to date; it is certainly of the now but is also reminiscent of a lost classic. Similar to the process of its creation, the optimal listening experience for ‘Visions’ is in its entirety. As a coherent body of work it draws the listener in with waves of intensity and crescendos that release back into tranquility - there is both darkness and light in the album’s narrative arc. There is also rawness and honesty to the music, which makes it feel like an intensely personal and intimate offering.

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Akira Ishikawa

Back To Rhythm

The Pawnshop White Cover Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Ultra-rare jazz-funk/fusion album by Japanese drummer, Akira Ishikawa. Featuring percussion-heavy versions of ‘Let's Start’, ‘Bongo Rock’ and ‘Pick Up The Pieces’.
'Back To Rhythm’ was the final recording in Ishikawa’s African-influenced period. He cut this record with his band ‘Count Buffalos’, featuring Kiyoshi Sugimoto, Takeru Muraoka, Larry Sunaga and arranger Hiromasa Suzuki. Includes excellent cover versions of The Beatles, Simon & Garfunkel, BT Express, Stevie Wonder, Average White Band, Incredible Bongo Band and Fela Kuti.
Originally released in Japan in 1975 by Columbia, this is now extremely difficult to find in its original format, and very pricey indeed!
Official Mr Bongo reissue. Licensed from Nippon Columbia Co., Ltd.

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Braen / Raskovich / Kema

12" | 2018 | EU | Original (Four Flies)

Jukka Eskola Orquesta Bossa

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies.

The obscure early 70s combo formed by Alessandro Alessandroni, Giuliano Sorgini and Giulia De Mutiis is finally back to the light with this amazing 12'' EP with all their works, including an unreleased gem buried in the archives until today and recorded in the same session of the legendary "Telegraph is Calling" and "My Shade".

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Jukka Eskola

LP+CD | 2013 | EU | Original (Schema)

LP | 2024 | Original (Treader)

Release: 2013 / EU – Original

Genre: Organic Grooves

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This album is not about presenting Jukka Eskola as a virtuoso trumpet soloist but it's more an album about good music, melodies and atmosphere.

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Spring Heel Jack

Masses

Chikara Ueda & The Power Station

Release: 2024 / Original

Genre: Organic Grooves

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‘Masses is an utterly unexpected, and utterly gripping, collaboration between the East London duo, Spring Heel Jack, and a group of top-flight improvisers, drawn largely from New York’s ascendant free jazz network but also including Evan Parker and microtonal violinist Matt Maneri.

‘If there are precedents for this particular mix, in which studio-processed audio environments are played back in real time as the triggers for, and fixed components in, a series of group improvisations, they feel few and far between. George Rusell’s 1967 Electronic Sonata For Souls Loved By Nature, Bob Ostertag’s Say No More Project, and some of Evan Parker’s explorations in the realm of synergetic electroacoustics provide three possible and very different models. But as Matthew Shipp points out, Masses ‘creates its own space and time’.

‘Masses opens a tunnel on a space where matter and anti-matter can co-exist without the vernacular power of either state being compromised or diminished. It is a total triumph.’
(The Wire).
Recorded in 1999 in NYC, with Matt Shipp, Roy Campbell, Matt Manieri, William Parker, and co.

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Super Fusion For Super Boy

12" | 1980 | JP | Original (Denon)

LP | 2016 | FR | Original (No Format)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. promo Japanese pressing.

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Ala.Ni

You & I

John Surman, Eddie Louiss, Daniel Humair

Release: 2016 / FR – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl. Original inner sleeve. Tiny wear.

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Our Kind Of Sabi

LP | 1970 | EU | Reissue (Endless Happiness)

LP | 2017 | LU | Original (Ni-Vu-Ni-Connu)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Recorded in Japan during a tour in 1970. Featuring famous French musicians Eddie Louiss on organ and Daniel Humair on drums. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

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Sven-Ake Johansson

Hudson Songs

Release: 2017 / LU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Buck Clayton Featuring Woody Herman

How Hi The Fi

LP | 1954 | JP | Original (CBS/Sony)

LP | 1959 | JP | Reissue (MCA)

Release: 1954 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM. With insert. OBI is missing.

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Eddie Costa

The House Of Blue Lights

LP | 2020 | US | Original (Out Of Your Head)

Release: 1959 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

1982 reissue. Cover is close to NM. With insert. OBI is missing.

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Curt Sydnor

Deep End Shallow

Pass The Soup / Miles Day Blues

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

slight seam split.

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Thiiird Place

7" | 2024 | US | Original (Jet Set)

Release: 2024 / US – Original

Genre: Organic Grooves

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10" | 2014 | Reissue (Expansion)

Eddie Russ / Incognito

Zaius

Release: 2014 / Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Ictus)

Andrea Centazzo

U.S.A. Concerts

LP | 2023 | DE | Reissue (Blue Note)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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The Italian Ictus imprint was founded in 1976 by percussionist and composer, Andrea Centazzo, and his wife Carla Lugli. Running for just under a decade, until relaunching during the mid-2000s, the label produced a couple of dozen highly celebrated releases, the majority of which loosely fall under the banner of free jazz. Ictus’ second batch of releases from the label’s historic archives logically begins with Andrea Centazzo’s “U.S.A. Concerts”, originally issued in 1978 and out of print on vinyl for the majority of the time since.

“U.S.A. Concerts” draws on the same rough period when Centazzo was working in the United States at “Environment for Sextet”, which was reissued in the previous batch, and features many of the same players - Polly Bradfield on violin, Eugene Chadbourne on guitar, Tom Cora on cello, and Toshinori Kondo on trumpet, and John Zorn on saxophone - in different configurations. In fact, the first, second, and seventh tracks - “Sextet Improvisation”, “Duet Improvisation # 1”, “Duet Improvisation # 4” - were all recorded on the same day at the same location - Wkcr Radio in New York on November 7, 1978 - as the aforementioned album.

Beginning with the brilliant textural and tonal explorations of the full ensemble encountered in “Sextet Improvisation”, the album quickly moves toward quieter and more restrained investigations of roughly similar ground, moving through a series of duo improvisations between the percussionist and Eugene Chadbourne, Tom Cora, and the under-celebrated saxophonist, Jack Wright, whose howling horn is transformed to otherworldly effect by the reverberance of the space within which he works.

From here Centazzo embraces the trio form with an improvisation with two more under-celebrated figures from the American scene - Davey Williams playing guitar and banjo, and LaDonna Smith on violin, viola, and voice - capturing a performance in Jackson, Mississippi on November 19, 1978, during which the three fire responsive statements that hang like barbs in the spacious air, before conceding the LP with a brilliant suite of duos with Toshinori Kondo, Williams, and Smith.

Offering incredible insight into Centazzo’s unique sensibility, as well as into the work of a new generation of stunning improvisers as they emerged at the tail end of the 70s, before going on to help define the 80s free jazz sound, “U.S.A. Concerts” is a crucial artefact of free music at the juncture; fire on the boundaries of outright noise. An endlessly surprising journey between shifting between airy open passages that feature striking combinations of players, it’s sure to knock the socks off more than a few well-seasoned fans.

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Ike Quebec

Heavy Soul

Release: 2023 / DE – Reissue

Genre: Organic Grooves

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Portico Quartet / Hania Rani

LP | 2024 | UK | Original (Gondwana)

22,79 €* 23,99 € -5%

The Architecture Of Oppression Part 1 Red Splattered Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Limited to 500 copies on black bio vinyl.

'Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration. The idea was simple, each artist would rework one of each other's tunes. The result is a beautiful collaborative work that feel less like straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place. The first track to be shared is Hania Rani - Nest (Portico Quartet remix), which finds Portico Quartet reworking a track from Hania's most recent album Home. Portico Quartet saxophonist and keyboardist Jack Wyllie says: "We've been fans of Hania since her first album album Esja, so it was a pleasure to get to work with her. Our remix took fragments of her voice and piano, and from that we extrapolated and composed an almost entirely new piece of music. The result was (hopefully) that her sound world became another instrument in the band…"

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The Brkn Record

LP | 2021 | EU | Original (Mr Bongo)

22,49 €* 24,99 € -10%

Etta Cameron & Nikolai Hess With Friends

Release: 2021 / EU – Original

Genre: Organic Grooves

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Etta Vinyl Edition

LP (Stunt)

Genre: Organic Grooves

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Okay Temiz's Oriental Wind Live At Montreux Jazz Festival 1982

Okay Temiz

LP | 2023 | TR | Original (Caz Plak)

Release: 2023 / TR – Original

Genre: Organic Grooves

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Steve Gadd / Eddie Gomez / Ronnie Cuber / Wdr Big Band

Center Stage

2LP | 2022 | EU | Original (Leopard)

Release: 2022 / EU – Original

Genre: Organic Grooves

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On The Way To Eden White Vinyl Edition

Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

Turkish Delight Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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Matao With Atilla Engin

LP | 1979 | EU | Reissue (Arsivplak)

LP | 2013 | US | Original (Wide Hive)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Some hard-hitting rhythm section blending into a prime example of the swingin' sound of the cool influences of Jazz, Funk and Folk music, with a Turkish flavor.
It's fantastic funk jazz groove built on a titanium synth bassline!
An instrumental library of traditional Turkish Jazz session reaching a great climax in drums and percussion sets + electro-bass break with moog and synthesizers from the beginning to the end.
Traditional Turkish songs are based on drums and synth bass over moody 5/8 fuzz guitars...
Album recorded & released in Denmark, 1979, and it has never been released in Turkey.

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Calvin Keys

Electric Keys

Release: 2013 / US – Original

Genre: Organic Grooves

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Okay Temiz's Oriental Wind Live At Montreux Jazz Festival 1982

Okay Temiz

LP | 2023 | EU | Original (Caz Plak)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Xxim)

Ed Carlsen

Grains Of Gold

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2022 | CA | Original (Telephone Explosion)

Badge Epoque Ensemble

Clouds Of Joy

Yuri Honing Acoustic Quartet

Release: 2022 / CA – Original

Genre: Organic Grooves

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The Badge Époque Ensemble return to Telephone Explosion Records with a new LP, Clouds of Joy. Featuring three vocal-led compositions, three instrumentals and three choral arrangements, this new album presents the Ensemble’s most ambitious, mature and engaging material to date. Clouds represents a shift from the group’s previous sonic excursions into the worlds of vintage soundtrack grooves and early electric jazz towards a more era-ambiguous, complex and all-encompassing approach to arrangement & production.

Undergoing a major shift of consciousness upon learning that he was expecting twins, BÉE leader Maximilian ‘Twig’ Turnbull found the spark to initiate the album within his reflections upon the nature of human joy. This shift in mindset also helped shape the record from an operational standpoint: Turnbull stepped away from his fixture on keys, leaving all of the musical performance on this record to his cast of collaborators. With Max assuming a more “directorial” approach to production and arrangement à la Barry White, David Axelrod, or Fagen & Becker, this album finds the Badge Époque Ensemble in its most collaborative mode to date. Vocalists Dorothea Paas, James Bailey and guitarist Chris Bezant all have co-writing credits here with Bezant contributing significantly to three compositions, including the album’s title track. The album was mixed collaboratively as well, as another joint effort between Turnbull, Steve Chahley and Tony Price, a trio who have teamed up behind the mixing desk for all previous BÉE albums, as well as U.S. Girls’ Heavy Light LP.

For the most part, the Ensemble on this record is made up of names familiar to anyone following the Badge cosmology: drummer Jay Anderson, bassist Gio Rosati, flautist Alia O’Brien, saxophonist Karen Ng, percussionist Ed Squires and guitarist Chris Bezant, with the new addition of young jazz pianist Edwin De Goeij, a perfect surrogate for Turnbull’s ideas on keys. (This in-demand collection of musicians represent a scattering of key cogs from a clutch of other premium Canadian exports; The Weather Station, Andy Shauf, U.S. Girls & Marker Starling). Clouds’ emphasis on the sound of the human voice finds its perfect outlet in vocal arrangements by labelmate Dorothea Paas and a return from lead vocalist James Baley. Their contributions find compliment by a choir composed of session vocalists, (including singers from Bernice and Bonjay) who come together to provide a series of show-stopping harmonic acrobatics.

Familiar Badge motifs are present through this album’s nine tracks: extended sections of dusty drum & conga breaks, swirling saxophone and flute flourishes, fleet-fingered guitar excursions, hazy Rhodes chords and lashing Clavinet stabs, but where Clouds excels is in its ability to weave tremendous vocal performances and choral arrangements into its dense tapestry of sound. The lilting melodies and multidimensional harmonies on tracks “Conspiring With Nature” and “All Same 2 Each, Each Same 2 All” bear the hallmarks of late sixties baroque AM-radio pop, while James Baley’s ecstatic, Stevie-esque lead vocal performance on “Zodiac” could light up the midnight sky, turning a nearly eight minute jazz-funk instrumental odyssey into a sure-shot dancefloor hit. Lyrically, Turnbull’s interest in an aphoristic spiritual mysticism condenses reflections on the complexity of human emotion into bold, succinct phrases, a quality most clearly communicated on the album’s three choral pieces, “The Greatest Joy”, “Let Breath Be The Sum”, and “Joy Flows” (upon first hearing these works Turnbull’s partner Meg Remy remarked that they sounded like “radio hits on the planet Dune”).

Clouds of Joy comes serendipitously as catalog number Ter0100 - the hundredth release for Telephone Explosion, the rapidly burgeoning Toronto label. It is the group’s third proper full length of five total releases for the imprint in only 4 years. It represents the Ensemble’s most fully realized presentation of a founding vision to create music as human, organic and alive as it is synthesized, produced and designed; music that transcends the notion of linear time, pulling in influences and ideas from the past and taking them far into the future.

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Goldbrun White Vinyl Edition

LP (Challenge)

Genre: Organic Grooves

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CD | 2021 | EU | Original (Blue Note)

Norah Jones

I Dream Of Christmas

Release: 2021 / EU – Original

Genre: Organic Grooves, Christmas

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2LP | 2020 | EU | Original (Trost)

Brom

Dance With An Idiot

LP | 2020 | EU | Original (Okeh)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Anton Ponomarev - alto saxDmitry Lapshin - bass guitarFelix Mikensky - guitar, electronicsYaroslav Kurilo - drumsA fresh new studio album by the powerful Russian Free jazz band, now with a fourth player (guitar and electronics)Press about their last album (Sunstroke, Trost):Jazzandbluesblogspot: It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion.Jazzwise: Moscow based power jazz trio BROM are a group that push against musical boundaries and allow suchdiverse genres as rock, noise, free jazz and improvisation to leak into their ever evolving sound.Jazzword: The antithesis of polite Chamber Jazz, this fiery Sunstroke should provide pleasure for those who prefer theirJazz (Rock) blistering without succor, no matter the temperature.TracklistingA1 DemonsA2 A Simple StoryA3 Dance With An IdiotA4 Goodbye, White Rhino!B1 Iron HairB2 The Saltiest PeanutsB3 PanaceaB4 This Is A Good Club Though Bad Music Is Played Here

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Camille Bertault

Le Tigre

LP | 1974 | CA | Reissue (Return To Analog)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Auf "Le Tigre" zeigt Sängerin Camille Bertault neben brillanter Vokalvirtuosität viel Emotion. Die Französin beeindruckt, wie auch schon bei ihrem Erfolgsalbum "Pas de géant" von 2018, mit ihrer Vielseitigkeit und ihrem abwechslungsreichen Spiel mit den verschiedenen Genres von Brazil, Chanson bis Funk und Jazz. Sie komponierte alle Songs auf "Le Tigre", schrieb die Texte und die Arrangements. Begleitet vom Pianist Jacky Terrasson, wechselt sie zwischen bewegenden Balladen zu Songs über Inspiration und Träume ("There is a Bird", "Je vieillis") weiter zu dynamischen Tracks, die mit Elektro flirten ("Todolist", "Le Tube") und Stücken mit anregendem Groove. Alle vereint Camilles Bertaults farbenfrohe und subtile Stimme, aber auch das großartige Spiel von Christoph 'Disco' Mink am Kontrabass, Minino Garay am Schlagzeug und an der Trompete und am Flügelhorn Michael Leonhart, der das Album auch produzierte.

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Angellilo Et Hamel

Complicite

Release: 1974 / CA – Reissue

Genre: Organic Grooves

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LP | 1980 | EU | Reissue (Out-Sider)

Tony Branker

For The Children

Nino Nardini / Eddie Warner / Roger Roger

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this Spiritual / Modal Jazz private album from 1980, originally released on the RPC custom label from the US. Including top modal tracks like “Do Dat” or “Circles”, the terrific jazz-funk of “Unicorn” and more.
"For The Children" was written and produced by Anthony "Tony" Branker while he was a senior in the Princeton University Department of Music in 1980. It features Branker on trumpet, a young Stanley Jordan on guitar (this is his earliest recorded work), Glenn Cashman on alto, soprano and tenor sax, Gary Monhein on piano, Dan Krimm on bass and Jeff Penney on drums.
Remastered sound, original artwork.

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Space Oddities 1972-1982

LP | 2016 | EU | Original (Born Bad)

LP | 2015 | US | Original (Wide Hive)

Release: 2016 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Soundtracks

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During the '60s and '70s, three distinguished gentlemen who had built their careers playing French-made exotic jazz (Roger Roger, Nino Nardini and orchestra leader Eddie Warner) met each evening in the Ganaro recording studio. They mainly experimented -or simply played- with keyboards that looked like prototypes of spaceships. Flying high on whimsical and joyful inspiration, the improbable trio used their strange instruments to sketch out the beginnings of something that, at that time, resembled the future of music. This collection presents some of the highlights that resulted from their light-hearted, electronic pop sessions.

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Throttle Elevator Music

Jagged Rocks

Release: 2015 / US – Original

Genre: Organic Grooves

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Sun Ra Arkestra Under The Direction Of Marshall Allen

Lights On A Satellite -Digipak

CD | 2024 | EU | Original (In + Out)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

LP | 2020 | UK | Original (Black Focus)

Ratgrave

Rock

Let Freedom Ring Yellow Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

White labels. Test Pressing

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Jackie McLean

LP | 1963 | UK | Reissue (Ermitage)

Release: 1963 / UK – Reissue

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Mr Bongo)

Visions

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1967 | US | Original (Atlantic)

Brother Jack McDuff

Tobacco Road

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Domi & Jd Beck

Not Tight

CD | 2022 (Universal)

Release: 2022

Genre: Organic Grooves

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LP | 2003 | EU (Trading Places)

George Benson

Irreplaceable

LP | 2023 | EU | Original (Pip Den Haag)

Release: 2003 / EU

Genre: Organic Grooves

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Jazz guitar legend George Benson began his career unfeasibly young, recording for RCA aged nine. After a spell with organist Jack McDuff, he went solo in the early 1960s, cutting volumes of jazz and soul before belatedly scoring hits as a lead vocalist. Irreplaceable dates from 2003, when Benson had embraced the slick grooves of urban contemporary, working with Robert Bell’s son Hakim, Joshua P Thompson and fellow Babyface collaborator, Joe. This gatefold sleeve reissue comes complete with three songs that appeared on certain later editions, namely ‘Softly, In A Morning Sunrise,’ ‘Take You Out’ and ‘Arizona Sunrise.’

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Mega Wega

Haunted

21,74 €* 28,99 € -25%

Jazz Orchestra Of The Concertgebouw

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Fate is a funny old thing. One day in 2011, DJ/producer Tom Trago found himself sharing a train journey with Steven Van Lummel, a DIY musician, artist and co-founder of PIP, an underground nightclub and cultural hub in The Hague. Over the course of a rambling, open-ended conversation, the idea of making music together came up; a few weeks later, Trago travelled to van Lummel’s place – a former industrial unit that was now home to a rotating cast of artists and musicians – and didn’t leave for a month.

Cossetted away from the outside world in van Lummel’s loft, with multi-instrumentalists Janneke Nijhuijs and Wieger Hoogendorp joining them to create a musical four-piece, Mega Wega was born. Over the course of four weeks, the quartet embarked on an almost continuous creative session punctuated only by impromptu parties and mixing sessions. Life-long bonds were made and over 70 tracks recorded before the mundanity of day-to-day life came calling.

For one reason or another, the project never saw the light of day, with tracks sat gathering dust on hard drives for the best part of a decade. During the madness and loneliness of the Covid-19 pandemic, Trago rediscovered the tracks. Delighted by what he heard, a collective decision was made to add finishing touches and release the resultant album on van Lummel’s PIP Records imprint. Further instruments and vocals were added over two days at Hoogendorp’s studio, before mutual friend Tom Ruig got on board to mix the album.

So, what can you expect from Haunted, Mega Wega’s debut album? First and foremost, it’s the sound of pure creative expression – the distillation of a freewheeling, no-holds-barred, spontaneous musical journey variously inspired by the do-it-yourself ethos of musical counterculture, shared inspirations and influences, epic jam sessions, distant stars (Wega, sometimes known as Fidis or ‘the harp star’, is one of the brightest in the night sky), imaginary journeys across dusty deserts, and the comradeship of four new friends.

Enchanting and alluring, it’s an album that gleefully denies lazy categorization and ploughs its own eclectic, atmospheric musical furrow in vivid sonic detail. It’s a collective exploration of heady musical eclecticism unified by saucer-eyed vocals, low-slung bass, loose-limbed beats, sweaty percussion workouts and hazy electric piano motifs.

Haunted begins with the woozy and hallucinatory slow-burn soundscape of ‘Get Things Done’ – an effects laden shuffle akin to lying flat on your back tripping under an intense desert sun – and ends with the creepy, mind-mangling post-punk funk of ‘Brain Carpaccio’; in between, you’ll find spaced-out, low-tempo lo-fi soul (‘Move Around’, ‘Haunted’), deep and off-kilter opioid jazz (‘Copenhagen’), intoxicating psychedelia (‘Last Night on Earth’), piano-laden dream-pop epics (‘Shake Or Fall’), and Latin-infused, percussion-powered hedonism (‘Chopping Heads’).

Born out of spontaneous collaboration and immersive, almost endless recording sessions, Haunted is an album shot through with imagination and boundless energy, captured for posterity by four friends and collaborators at the top of their game.

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Crossroads

2LP (Joc)

21,59 €* 26,99 € -20%

Genre: Organic Grooves

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III Colored Vinyl Edition

Alder Ego

LP | 2021 | EU | Original (We Jazz)

21,59 €* 23,99 € -10%

LP | 1972 | EU | Reissue (Wah Wah)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Helsinki quartet Alder Ego, led by drummer/composer Joonas Leppänen, returns with their new album "iii" on 9 April on We Jazz Records. A follow up to their successful 2018 We Jazz album, "iii" finds Leppänen and his bandmates extracting more depth and punch out of their tenor sax + trumpet + double bass + drums setup, which echoes the greats in the game, such as Ornette Coleman, yet adds a readily identifiable edge to it all. Leppänen's writing is evolving, becoming more and more of a signature of the band and sounding delightfully angular yet easily flowing. On "iii", Alder Ego features Leppänen on drums, Jarno Tikka (of OK:KO) on tenor sax, Tomi Nikku (of Bowman Trio) on trumpet and the new addition Nathan Francis on bass.

Kicking off with a key track introducing the band's deep sound, "Love And Maladies", "iii" moves through a sonic landscape which is constantly surprising yet identifiable as Alder Ego guided by Leppänen's musical vision at all times. This is true even during moments when the composer himself steps aside, namely in the Tikka–Nikku duo cut "Impermanence" and Nathan Davis's highly memorable solo outing "Nathan's World".

The album's many highlights include singles "November Ghost" and "I Saw It In a Dream", plus the stunning closing track "Ephemeral", featuring Natalia Castrillon on harp.

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Neil Ardley

A Symphony Of Amaranths

Time For 2 Limited Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in musicians such as Mike Gibbs (trombone), Harry Beckett and Henry Lowther (trumpets) or even Jack Bruce (bass), some of them also contributed with the writing of some original compositions, making the NJO the root from which the UK's 70's jazz scene was to blossom.

The Wah Wah reissue features newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions. Limited to only 500 copies.

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Anita O'day & Cal Tjader

LP | 2024 | EU | Original (Supper Club)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Miss Etta James Orange Vinyl Edition

Etta James

LP | 1961 | EU | Reissue (Second)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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LP | 2023 | UK | Original (Amp Music &)

Wako & Oslo Strings

Modes For All Eternity

Release: 2023 / UK – Original

Genre: Organic Grooves

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John Dwyer, Ryan Sawyer, Greg Coates, Wilder Zoby, Andres Renteria

Gong Splat

LP | 2021 | US | Original (Castle Face)

LP | 2021 | EU | Original

Release: 2021 / US – Original

Genre: Organic Grooves, Rock & Indie

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What’s this? Today’s holiday gift? One final transmission from the core of the planet! Cresting slabs of concrete and powdered bone, rich soil—improvisation freak flag flitters atop a gutted highrise: Gong Splat. Featuring Ryan Sawyer on drums, Greg Coates on upright bass, Wilder Zoby on synth and mellotron, Andres Renteria on conga, bongos and hand percussion, and John Dwyer on guitar, synths, pan flute, cuíca, hand percussion, space drum and effects. This one is spitting fat and neon night-light city drives, white in the corner of the pilot’s mouth. Furry, fuzzy and frenetic, motorik and full of blood-rich ticks…maggots unite! There’s a show tonight! Welcome back humans.

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600v Aka Funk Yeti

Funky Grooves Pt 1

Jac Berrocal, David Fenech, Vincent Epplay

Release: 2021 / EU – Original

Genre: Organic Grooves

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All the instruments composed, played, recorded and arranged by 600v. No loops or any samples from other tracks. all the studio job, mix, mastering by 600v.

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Exterior Lux

LP | 2021 | EU | Original (Akuphone)

LP | 2021 | EU | Original (We Jazz)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an eccentric and unstoppable trail across the underground throughout the ‘70s and ‘80s, both solo and as part of the Catalogue group he co-founded. During this time his uproarious performances routinely wound up jazz and rock audiences alike, but earned the admiration of many musicians: Steven Stapleton invited him to perform on two Nurse With Wound albums, and other notable collaborators in his career include Sunny Murray, Lizzy Mercier-Descloux, Lol Coxhill, Yvette Horner and James Chance. In the 90s his protean achievements were celebrated on the Fatal Encounters compilation, but far from slowing down in the autumn of his life, Berrocal has maintained an extraordinary work-rate, keeping studio dates with Pascal Comelade, Telectu and Jaki Liebezeit, among others.

Now Berrocal has found the perfect foil in David Fenech and Vincent Epplay, two fearlessly inventive improvisers, composers and catalysts who create challenging, acutely modernist yet historically aware settings – wrought out of synthesis, guitars, computer processing, field recordings and unorthodox percussions – for Berrocal’s unmistakeable voice and breathtakingly lyrical horn sound to flourish.

Fenech cut his teeth in the mail-art scene of the early ‘90s, leading the Peu Importe collective in Grenoble. His 2000 solo debut was recently reissued by Felix Kubin’s Gagarin label, and he has also worked as a software developer at Ircam, and played with Jad Fair, Tom Cora, Rhys Chatham and James Plotkin; in 2011 he formed a trio with Berrocal and Ghedalia Tazartes for the Superdisque LP.

Epplay is a highly regarded sonic and visual artist with a particular interest in aleatory composition and autonomous pieces, concrète, and the puckish reappropriation of vintage sound and film material, with dozens of published works to his name on labels like Planam/Alga Marghen and PPT/Stembogen. Exterior Lux is the third part in the series of albums and was again mastered by the legendary Noel Summerville.

"It’s like The Bonzo Dog Band meeting Scott Walker, with Codona booked for the interval music" (Brian Morton - The Wire)

"Jazz, Dub, Musique concrete and a Gallic punk spirit, coalesce into a sound so potent it is a wonder it hasn’t been done before" (Rewind Forward)

"An eclectic mix of folk anarchy, West Coast jazz cool, African kalimba, French poetry and studio dub. All the beauty and terror of jazz at its most lawless." (Andrew Male - Mojo)

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Alder Ego

III Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Mr Bongo)

12th January

Toshio Matsuura Presents HEX

Release: 2020 / EU – Original

Genre: Organic Grooves

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January 12th, 2020, a Sunday night in Toronto - Matthew Tavares and Leland Whitty (of Badbadnotgood fame) are reunited at Burdock for a live improvised Jazz session. The pair are joined on stage by bassist Julian Anderson-Bowes and drummer Matt Chalmers as part of Burdock’s Piano Fest, an annual event at the city's brewery and music hall. Two days later an email from Matthew hits Mr Bongo's inbox... "I think it turned out amazing, brought some really nice recording gear and it sounds almost like a studio record, thought I'd share. Moments definitely get to the jazzier side but there is some spiritual moments that are so far out". The Bongo office were all blown away by this free-flowing session, one which sounded like a well-rehearsed set at the end of a long tour, rather than a one-take improvised assembly. The chemistry between the musicians is magical. The tight friendship and musical connection between Tavares and Whitty are self-evident, however, Chalmers and Anderson-Bowes have a great contribution to make too. They act as the solid foundation that leaves Tavares and Whitty free to roam and explore moments of darkness and light, intensity and beauty. From the first time of hearing this intimate session, we knew this had to be shared. The same quartet feature on Matthew Tavares & Leland Whitty's 2020 album 'Visions'. The plan to promote 'Visions' was to tour, with each night comprising a uniquely improvised set. Sadly due to world events, this couldn't happen, but for now 'January 12th' is a snapshot of the wizardry that would have been from four amazing musicians at the top of their game.

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Hello To The Wind EP

12" | 2019 | FR | Original (Menace)