Search "jack+white+blunderbuss" 884 Items

LP | 1976 | UK | Reissue (Be With)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Don't judge a book by its cover. Judge a record by its cover.

And, perhaps, its title.

Cedar Walton's Mobius is as outrageously, disorientatingly brilliant as the stunning jacket design, featuring the legendary jazz pianist morphing into a mobius strip, set against a beautiful sky filled with cumulus clouds. A proper jazz-funk fusion slapfest, Mobius is a stellar electric set from - essentially - one *hell* of a SUPERBAND.

Yes, in addition to Walton's Fender Rhodes wizardry, Mobius is elevated by Ryo Kawasaki's stinging electric guitar, pristinely clear vocals by Adrienne Albert and Lani Groves, rootsy percussion by Ray Mantilla and Omar Clay, alto and baritone from Charles Davis, trumpet from Roy Burrowes, Gordon Edwards on bass and Frank Foster's tenor sax. Oh and did we mention STEVE GADD ON DRUMS?!?!

Gem after gem of looping, bliss-inducing gold, it's an incredibly revelatory album. It presents a thrilling synthesis of R&B, funk, blues and hard bop (with a hint of rock), all driven by an idiosyncratic electronic keyboard. Walton, a giant in the jazz world, got quite the workout every time he played, from piano to arp synthesizer to clarinet to electric piano to mini-moog and back again.

Mobius was Cedar Walton's debut for RCA in 1975. The versatile artist confirmed his abilities as a player, composer, interpreter and arranger with this stunning record, and his own bright compositions offered a springboard for the improvisations of the different soloists. Coltrane's "Blue Trane" is the first classic to be given the funkafied Mobius treatment, Ryo Kawasaki let loose all over neck-snapping Gadd-drum gold before the horns take a fiery turn and subsequently give way to Cedar's virtuosity. A sparkling b-boy break version of Thelonious Monk's "Off Minor" (featuring an absolutely *fire* solo from Walton) really sets proceedings alight. Of the three original pieces, the shuffling, percussive power of "Soho" is just absolutely mind bending Latin-influenced jazzy soul whilst the mellow vibes of "The Maestro" bring elegant, sumptuous soul. And then there's the effortlessly funky "Road Island Red". Just too, too good.

Cedar Walton was born in Dallas, Texas, on January 17, 1934 and began his professional career in 1959 when he began touring for several years with the J.J. Johnson Quintet. He later joined the Art Farmer-Benny Golson Jazztet and then Art Blakey's Jazz Messengers. Pretty solid credentials, right? While based in New York City, Cedar played with such luminaries as Donald Byrd, Eddie Harris, Blue Mitchell, Kenny Dorham, Lee Morgan, Freddie Hubbard, Jimmy Heath and Milt Jackson. Without question, he was one of the most complete and gifted musicians of his time and Mobius provides proof of that. The fresh, danceable tracks, all firmly rooted in the living tradition of blues and gospel, are skilfully presented by a master who enjoyed keeping abreast of contemporary tastes and was always keen to renew his language.

As the album notes state: “Mobius, which is the theoretical shape of the infinite universe, makes use of the most modern recording techniques and synthesizers. We mastered and mixed so that it’s hotter than the competition, which should help radio play and in-store demonstration.” Indeed. Mobius is really gorgeous mid-70s fusion, ranging from the funky to the ecstatic. It's an absolute MONSTER that will completely blow you away; and, yes, it's as wild and hypnotic as the cover. The audio for Mobius has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Alan Tew

Drama Suite Part II

Michael Sarian + Matthew Puttman, Ledian Mola, Federico Ughi

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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The Sea, The Space, and Egypt, Vol. 1

LP | 2025 | US | Original (577)

Natura Morta HHV Exclusive Numbered White Vinyl Edition

Release: 2025 / US – Original

Genre: Organic Grooves

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The great Sun Ra’s magic lives on on the debut album from old friends Michael Sarian, Matthew Putman, Federico Ughi, and Newcomer Ledian Mola. 577 Records’ The Sea, The Space, and Egypt, Vol. 1 is what happened when old friends and a new connection united in the name of music. A heartfelt tribute to the great Sun Ra, the otherworldly album debuts the collaborative gifts of Michael Sarian (on the trumpet), Matthew Putman (on the keys), Federico Ughi (on the drums), and up-and-coming Cuban bassist Ledian Mola. The new band revives the late Sun Ra’s magic in this appropriately named new release. Matthew Putman even plays the same keyboard model as the experimental music icon (the Rocksichord). Even the cover art is a nod to Sun Ra's ancient Egyptian influences, featuring an upside-down pyramid over a galactic setting created by Robert Mirolo. Meanwhile, Ledian Mola adds vocals inspired by Cuban folklore to these incredible improvisations. The album marks Mola’s first time recording with the other artists in the group (and 577 Records), but you would never know it. Their abstract rhythms sound like they’ve been playing together for a lifetime!

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Sven Wunder

LP | 2021 | EU | Reissue (Piano Piano)

LP | 2021 | US | Original (Out Of Your Head)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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HHV, Piano Piano and Sven Wunder team up to bring you this white vinyl edition of three albums only available at HHV. The color was picked by the artist. Each album is limited to 300 copies and numbered.

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Scott Clark

This Darkness

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2021 | US | Original (Out Of Your Head)

Curt Sydnor

Deep End Shallow

Release: 2021 / US – Original

Genre: Organic Grooves

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Asp Nimbus Red Vinyl Edition

Christopher Hoffman

LP | 2020 | US | Original (Out Of Your Head)

Release: 2020 / US – Original

Genre: Organic Grooves

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Klaus Doldinger's Passport / Udo Lindenberg / Max Mutzke / Moses

Motherhood

LP | 2020 | EU | Original (Warner)

Release: 2020 / EU – Original

Genre: Organic Grooves

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8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

Something´s Got A Hold On Me (Complete 1960-1962 Chess & Argo Singles) Gatefold Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

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Etta James

2LP | 2017 | EU | Original (Waxtime)

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 1985 | JP | Original (Verve)

Anita O'Day

Anita

Blame It On The Bossa Nova

Release: 1985 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, no Obi.

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Eydie Gormé

LP | 1987 | JP | Reissue (CBS/Sony)

LP | 2004 | US | Reissue (Thrill Jockey)

Release: 1987 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Original japanese pressing with OBI and insert! Cover with slight wear and yellowing!

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Jeff Parker

The Relatives

LP | 2021 | US | Original (Stones Throw)

Release: 2004 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Golden vinyl deluxe limited edition. 2022 reissue.

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Mild High Club

Going Going Gone

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Green/White Swirl vinyl. Still in shrink, but opened, with hype sticker

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Nicola Conte Presents Viagem

7" | 2008 | UK | Original (Far Out)

Timo Lassy & Jukka Eskola

Release: 2008 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Nordic Stew

LP | 2024 | EU | Original (Dox)

2LP | 2014 | US | Original (Wide Hive)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"A powerful fusion of Scandinavian jazz and New Orleans' rich musical heritage, the upcoming album by Finnish duo Jukka Eskola (trumpet) and Timo Lassy (saxophone) is a remarkable testament to the power of collaboration and connection. Rooted in their long history of playing together, shared love for jazz and their strong individual sounds which become even stronger when combined, the project was born from a desire to explore and create something unique together.

The duo traveled to New Orleans, a city that lives and breathes music, with its streets filled with sounds of jazz, marching bands, and local traditions like Mardi Gras. The city's unique vibe and architecture, dating back to the 19th century, made it the perfect backdrop for their musical journey. The decision to work in New Orleans was also influenced by the city's history of connecting with Finnish culture. Around 100 years ago, Finnish immigrants traveled to the United States and later returned to Finland, bringing jazz records and influencing the development of Finnish jazz.

Credits: Timo Lassy: tenor saxophone / Jukka Eskola: trumpet / Herlin Riley: drums / David Torkanowsky: keys / Roland Guerin: bass / Delfeayo Marsalis: trombone / Kirk Joseph: sousaphone / Matt Perrine: tuba / Abdissa Assefa: percussion

Recorded at Esplanade Studios, New Orleans 27-29 Jan 2022 by Misha Kachakachishvili and Abdissa Assefa. Mixed at Ambience Studio in Helsinki by Abdissa Assefa. Mastered at Chartmakers in Espoo by Svante Forsbäck. All music composed and produced by Timo Lassy & Jukka Eskola.

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Roscoe Mitchell

Conversations

LP | 2023 | Original (Alchimie)

Release: 2014 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited Edition for Record Store Day 2014!

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Mina & Age7 Agossi

Lonely Whales

Release: 2023 / Original

Genre: Organic Grooves

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Rahsaan Roland Kirk & The Vibration Society

Live In Paris (1970) (Lost ORTF Recordings)

LP | 2024 | EU | Original (Transversales Disques)

2LP | 2020 | EU | Reissue (Domino)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970).

Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with the full permission and cooperation of the National Audiovisual Institute (INA).

Deluxe edition, Classic Tip-On jacket, including exclusive liner notes and pictures. Mastered from the original master tapes.

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Robert Wyatt

His Greatest Misses

Release: 2020 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Joe White

Smoke From The Chimney

LP (Easy Eye Sound)

Genre: Organic Grooves

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2LP | 2013 | Reissue (Waxtime)

Etta James

At Last!

Release: 2013 / Reissue

Genre: Organic Grooves

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2LP | 2020 | EU | Original (In & Out)

Ramon Valle

Inner State

29,24 €* 38,99 € -25%

Release: 2020 / EU – Original

Genre: Organic Grooves

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In order to realize his Cuban music in a concentrated way for the future, Ramón Valle always falls back on his favorite instrumentation, the trio. With these live recordings, Ramón Valle shows how the music of his homeland is combined with cosmopolitanism to form a new language, how Cuban nest warmth merges with stupendous technical mastery to create truly great sounds.

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V.A. - Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) HHV Exclusive Transparent Red Vinyl Edition

LP | 2024 | EU | Original (180g)

Music For Turkish Theater 1970

Release: 2024 / EU – Original

Genre: Organic Grooves

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After many years working as a buyer for several record stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the legendary Wamono A to Z records guide book together with DJ Yoshizawa Dynamite.

For this brand new chapter in the highly acclaimed Wamono series, our man Chintam goes digging into the vaults of one of the most revered Japanese labels: Trio Records. Established in 1969 by audio manufacturer Trio Electronics, now known as Kenwood, the label - and its subsidiaries such as Showboat and Trash - released high quality music spanning a large variety of genres including rock, jazz, fusion, soundtracks and popular songs, until its end in 1984. Through the eight tracks selected here, Chintam unearths some dope drum breaks, heavy bass lines and funky horns, for an essential selection of jazz funk fusion and rare groove vibes produced on Trio between 1973 and 1981.

Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and boogie music developed throughout the years since the sixties in Japan! 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Trio Records masters.

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Yoxxx.

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Don Cherry & Okay Temiz

LP | 2024 | EU | Original (Caz Plak)

The Los Angeles League Of Musicians

Release: 2024 / EU – Original

Genre: Organic Grooves

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NEVER-BEFORE-RELEASED RECORDING of the Sensational and Banned Turkish Theater Play by James Baldwin and Engin Cezzar, Istanbul 1970
Licensed by Gökhan Akçura, author of Engin Cezzar's autobiography, who was personally entrusted with the original master tape by Engin Cezzar.
"One of the most shocking and daring plays staged in Turkish theaters was banned by the Istanbul Governorship on February 7, 1970. The ban on the play, which was watched by 30,000 people in 60 days, did not last long." - Turkish Press, 1970
Meticulously restored from the original master tape, remastered and cut by Shawn Joseph at Optimum Mastering, Bristol, UK.
Includes liner notes by Zeynep Oral (James Baldwin's assistant and journalist), Gökhan Akçura, Okay Temiz, and record producer Erinç Güzel (Caz Plak İstanbul).
In 1970, Turkish theater owner Engin Cezzar produced James Baldwin's groundbreaking play about gay relationships in a 1970s Istanbul prison setting. In 1969, jazz musician Don Cherry, visiting Istanbul with Okay Temiz to record an album, reunited with Baldwin and contributed music to the production. The recording session followed extensive discussions and featured performances by Cherry and Temiz, heightening the play's tension.
An unearthed free jazz masterpiece from 1970s Istanbul.

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La Lom

LP | 2024 | WW | Original (Verve)

At The Hickory House Volume 1

Release: 2024 / WW – Original

Genre: Organic Grooves

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If you listen to LA LOM's music with your eyes closed, you might find yourself in a world somewhere between shimmering tropical heat and a black and white Hollywood crime thriller. Music with the “twang” of rockabilly, the sensuality of Latin American rhythms and the raw sound of modern independent music, which has already found prominent fans such as Beck and Vampire Weekend. Behind LA LOM, abbreviation for The Los Angeles League of Musicians, are the three LA-born musicians Zac Sokolow (guitar), Jake Faulkner (bass) and Nicholas Baker (drums/percussion). In 2019 they got together to play at the historic Roosevelt Hotel on Hollywood Boulevard, by now they perform concerts in front of thousands of people, released the first digital singles of their Latin and soul instrumentals and attract countless fans to their popular social media profiles. Their album debut on Verve Records was produced by Elliot Bergman (Cage the Elephant, Major Lazer, Wild Belle).

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Jutta Hipp

LP | 2024 | Original (Blue Note)

People Of The Fast Flowing River

Release: 2024 / Original

Genre: Organic Grooves

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German jazz pianist Jutta Hipp is one of the most intriguing yet little-known figures in Blue Note history. Shortly after moving to NYC in 1956 she recorded the charming live trio album “At The Hickory House” with bassist Peter Ind and drummer Ed Thigpen. Vol. 1 presents a set of standards and bebop themes that showcases her hip, lightly-swinging style.
This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Work Money Death

LP | 2024 | UK | Original (ATA)

Doo?S Blues The 1967 Belgian Radio Recordings

Release: 2024 / UK – Original

Genre: Organic Grooves

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ATA Records are proud to announce the new albumPeople of the Fast Flowing RiverfromWork Money Death,following previous albumsuccessesWork Money Death"This album can only be a future classic" – Jazzman Gerald, andThought Action Interaction Reaction"Sounds sublime" – Gilles Peterson.

PianistRichard Ormrod, bassistNeil Innes, and drummerSam Hobbsprovide a trio backing for tenor saxophonistTony Burkillon this heartfelt and charged excursion into the further realms of spiritual jazz: the four extended-play tracks range in influence from India to Central Africa to the Baptist church, and from the meditative blues sound of Alice Coltrane [The River Becomes The Stream]to the soulful swagger of Galt MacDermot [We Are The People].

Throughout, the quartet is supported by thehornsof Ormrod,Johnny Enright(tbn, tuba), andOlivia Cuthill&Tom Sharp(tpts), the percussion ofDanny Templeman.

Whether it's the harmonium onHeadwaters Of The Soul, the congas and driving shekere onThe Fast Flowing River, the trilling flute behind the sax onWe Are The People&The River Becomes The Stream, or Burkill's impassioned and perfectly-paced tenor explorations throughout the whole, this album is full of nuanced details that will make it a hit with fans of Pharaoh Sanders and Alice Coltrane.

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Dusko Goykovich

LP | 2024 | Original (Sdban)

LP | 1979 | UK | Reissue (Far Out)

Release: 2024 / Original

Genre: Organic Grooves

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Sdban Records is proud to present Doo's Blues, a collection of previously unreleased radio recordings capturing Serbian jazz trumpeter, composer and band leader Dusko Goykovich (1931-2023) at the moment he definitively established himself as one of Europe's most distinctive jazz artists.

Dusko Goykovich was born and raised in Jajce, Bosnia and Herzegovina, at the time part of the Kingdom of Yugoslavia. He studied at the Belgrade Music Academy from 1948 to 1953, playing trumpet in Dixieland bands and joining the big band of Radio Belgrade at the age of 18. After leaving Yugoslavia in 1956, Goykovich spent the next ten years developing his sound. Moving to Frankfurt he first established himself on the West German jazz scene, where he played with the renowned big bands of Kurt Edelhagen and Kenny Clarke & Francy Boland. Then, after appearances at the world's largest jazz festivals such as Comblain-la-Tour in Belgium, Antibes in France and Newport, Goykovich moved stateside where he spent four years studying at the world famous Berklee College and worked with the likes of Woody Herman and Maynard Ferguson.

Returning to Europe in the mid-sixties Goykovich soon introduced the world to his innovative Balkan jazz sound with Swinging Macedonia (1966), an album characterised by the melancholic melodies and sophisticated rhythms reminiscent of his native land. Today Swinging Macedonia still stands as one of the most important and sought-after works of European folk inspired jazz and demonstrates how Goykovich was not merely an excellent instrumentalist, but also a gifted composer and versatile artist in his own right.

Not long after Swinging Macedonia's release Goykovich was invited to record two sessions for BRT (Belgian Radio & TV), which he performed with three different ensembles. For the first session, recorded in late January of 1967, Goykovich was accompanied by Belgian vibraphonist Fats Sadi's quartet. Later that same day Goykovich was also joined by the BRT Jazzorkest, Belgium national radio's in-house jazz orchestra then playing under the direction of alto saxophonist Etienne Verschueren. Less than two months later Goykovich found himself once again ensconced in BRT's Brussels studios, this time heading up an international quintet that also included Bent Jædig (tenor saxophone and flute), Scott Bradford (piano), Jimmy Woode (bass) and Al Jones (drums).

Whilst the metaphor 'jazz with an accent' has been widely used to describe the music that European jazz artists created in the 1950s and 1960s, it fails to do justice to the entirely new language that Dusko Goykovich was developing. No mere dialect Goykovich's jazz was a delicate, multi-layered language, one that owed just as much to the folk music of the Balkans as it did to the modern music of America. And to the blues. For this is Doo's Blues.

Sdban Records is an independent, groove-obsessed record label based in Ghent, Belgium. The label started off as a 60's and 70's compilation and reissue label. The very first release, the acclaimed 'Funky Chicken: Belgian Grooves from the 70's', was a milestone right away. Recent releases include reissues and retrospective compilations from artists like André Brasseur, René Costy, and Jack Sels, as well as the compilations 'The Belgian Soundtrack' and 'Hip Holland Hip', which respectively cover the musical connection of Belgium with cinema and modern jazz in the Netherlands between 1950 and 1970. Doo's Blues was compiled by Lander Lenaerts, a DJ and writer who plays an important part in documenting the rich jazz history Belgium has to offer.

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Azymuth

Light As A Feather

Cedar Walton & Ron Carter & Jack Dejohnette

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Repress on 180 gram vinyl!

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Cedar Walton Ron Carter Jack Dejohnette

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Takesi Inomata & Sound Limited

Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

LP | 1970 | EU | Reissue (Far Out)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Hermeto Pascoal

Hermeto

LP | 1969 | EU | Reissue (Decca)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Far Out Recordings proudly presents Hermeto Pascoal's remarkable self-titled debut album. Recorded in 1970 at A&R studios in New York, the album features certified North American titans including Ron Carter, Hubert Laws, Joe Farrel and Googie Coppola, and Brazilian stars Airto Moreira and Flora Purim (who also produced the album).

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The New Jazz Orchestra

Le Dejeuner Sur L'herbe

LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.

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Jaco Pastorius

Release: 2010 / EU – Reissue

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

Gil Scott-Heron & Brian Williams

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

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Winter In America Record Store Day 2024 Cd Edition

CD | 1974 | US | Reissue (Culture Factory)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Winter in America is the fifth studio album by American Jazz vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in 1974. The album is produced in a stripped-down fashion, relying on traditional African and R&B sounds. The subject matter deals with the African-American community and inner city in the 1970s. “Scott-Heron’s most Righteous & Provocative” – ALL Music. Vinyl has been out of print and unavailable. This deluxe package includes an OBI side strip, gatefold album jacket with one pocket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

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Eddie Harris

People Get Funny...

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (We Jazz)

Uusi Aika

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Nature Sounds)

Roy Ayers

Virgo Vibes

LP | 2024 | Original (Blue Note)

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Long before becoming an icon of funk, acid jazz, and R&B, Roy Ayers was a promising young jazz vibraphonist. Originally released in 1967, Virgo Vibes was Ayers' second album, and his debut for Atlantic. With five cool, funky jazz tracks, the LP features talented musicians like Joe Henderson, Charles Tolliver, Bruno Carr, Jack Wilson and the mysterious pianist Ronnie Clark (Herbie Hancock playing under a pseudonym). A rare treasure infused with the relaxed, sunny vibe that defined Ayers’ stellar career, Virgo Vibes is now available again on vinyl.

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Picture
Coming Soon

Out Of/Into

Motion I

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Enja & Yellowbird)

Yumi Ito

Ysla Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1973 | EU | Reissue (Lipposen Levy Ja Kasetti)

Jukka Tolonen

Summer Games

LP | 1975 | EU | Reissue (Lipposen Levy Ja Kasetti)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen’s 2nd solo album from 1973 reissued in its original gatefold format with insert including new interviews with all key players – Tolonen, Esa Kotilainen, Häkä Virtanen, Måns Grundstroem.

100 copies available only.

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Jukka Tolonen

Hysterica

Circus/Citadel White Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Tolonen's 1975 album Hysterica was nearly an international hit, with the band scheduled to appear on a major international tour. However, things didn't work out and the album remains a cult item. Some songs from it, such as Silva The Cat and Windermere Avenue, are perennial favorites on compilations of Tolonen's best work.

This edition features newly done interviews with Tolonen and other key players such as Esa Kotilainen and Häkä Virtanen. The cover is expanded to gatefold format.

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Antti Lötjönen

LP | 2023 | UK | Original (We Jazz)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Toots Thielemans European Quartet

LP | 2023 | EU | Original (Music On Vinyl)

Live At Fabrik Hamburg 1988 Gatefold

Release: 2023 / EU – Original

Genre: Organic Grooves

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• SLEEVE PRINTED ON HEAVY CARDBOARD WITH LINEN LAMINATE FINISH
• INCLUDES COMPOSITIONS FROM ROGIER VAN OTTERLO, ANTONIO CARLOS JOBIM, DAVE BRUBECK AND PAUL SIMON
• LIMITED EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON WHITE COLOURED VINYL

Toots Thielemans was a jazz harmonica virtuoso from Belgium. Together with pianist Karel Boehlee, bassplayer Hein Van De Geyn and Hans van Oosterhout on drums Toots recorded, as the European Quartet, the album 90 in 2012. The album features two compositions from Antonio Carlos Jobim, "Wave" and "One Note Samba", "Dat Mistige Rooie Beest" from Rogier van Otterloo, "In Your Own Sweet Way" from Dave Brubeck and 7 more tracks.

90 is available as a limited edition of 500 individually numbered copies on white coloured vinyl.

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Eddie Harris Quartet

2LP | 2022 | EU | Original (Jazzline)

Release: 2022 / EU – Original

Genre: Organic Grooves

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At Onkel Pö's Carnegie Hall Hamburg '82

Woody Shaw Quintet

2LP | 2017 | EU | Original (Jazzline)

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Music On Vinyl)

Toots Thielemans

Two Generations

Rob Mazurek / Exploding Star Orchestra

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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LIMITED WHITE 180 Gram Audiophile Vinyl, sleeve printed on heavy cardboard with linen laminate finish, numbered to 750. Toots Thielemans was a jazz harmonica virtuoso from Belgium. Together with guitarist Philip Catherine, pianist Joachim Kuhn and other session musicians, he recorded the 1974 album Toots Thielemans/Philip Catherine & Friends, which was later reissued as Two Generations. The album features some of his best known works such as 'Bluesette' and 'Inner Journey', which were previously CD-only compositions. Two Generations is part of the Timeless Records 45th Anniversary Jazz Series and is available as a limited edition of 750 individually numbered copies on white colored vinyl. The sleeve features the artwork of the 1996 reissue.

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Dimensional Stardust

LP | 2020 | US | Original (International Anthem Recording Company)

Western Reunion London 1965

Release: 2020 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue white splattered vinyl seems unplayed. Gatefold cover with OBI has tiny corner wear. Original inner sleeve. Limited edition.

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The New Jazz Orchestra

LP | 1965 | EU | Reissue (Mad About)

Metti Una Sera Cerri White Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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British Jazz Masterpiece from 1965 featuring Neil Ardley, Ian Carr, Barbara Thompson and John Hiseman

180 gram black vinyl. Reissue for the first time Worldwide In the mid-60’s London scene, the NJO was one of those unavoidable and big-band groups (originally started as Clive Burrows Orchestra), where almost everyone who was anyone on the scene or almost transited through the group, which was normally the vehicle for composer Neil Ardley. You’ll find in the WR album, among others, stellar names like Ian Carr (of RCQ and Nucleus fame), Barb Thompson, Tony Reeves, John Hiseman (all three of future Colosseum fame), Trevor Watts (future Amalgam) plus a bunch more of lesser-known, but no-less gifted musicians like Paul Rutherford, etc. The line-up would fluctuate to include many other household names.

The New Jazz Orchestra was formed in December 1963, its name reflecting both the youth of its members - their average age was only 23 - and their mission to perform the new kind of orchestral jazz that was then developing in America but still to be heard in Britain. The personnel included such (then) non-jazz instruments as flute, horn and tuba in addition to the standard brass, saxes and rhythm line-up of the big band. This is the NJO's first album, recorded in March 1965 before an invited audience to make the young band feel at ease. The NJO was the offspring of a popular weekend jazz club, the "Jazzhouse" based at the Green Man, Blackheath (demolished to make way for Allison Close) where the "house" band was the Ian Bird Quintet (initially comprising Ian Bird, tenor sax; Clive Burrows, baritone sax; Johnny Mealing, piano; Tony Reeves, bass and Trevor Tomkins, drums - Mealing and Tomkins left to join the newly formed Rendell-Carr Quintet and were succeeded by Paul Raymond and Jon Hiseman respectively. The ensemble featured many London-based jazz musicians, such as Harry Beckett, Jack Bruce, Ian Carr, Dave Gelly, Michael Gibbs, Dick Heckstall-Smith, Jon Hiseman, Henry Lowther, Don Rendell, Frank Ricotti, Paul Rutherford, Barbara Thompson, Trevor Tomkins, Michael Phillipson, Les Carter, Tom Harris, Trevor Watts and Lionel Grigson. Ardley, Gibbs, Carter, Rutherford, Michael Garrick, and composer Mike Taylor all contributed pieces and arrangements.

Under exclusive license of Universal Music Portuga

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Franco Cerri

LP | 1973 | EU | Reissue (SAAR)

LP | 2021 | EU | Original (Blue Note)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Franco Cerri is considered by many the best Italian guitarist and one of the best guitarists and 'music stylists' that European jazz has ever produced. He began his long and prolific career in 1945 with Gorni Kramer and in 1949 he accompanied Django Reinhardt. In the '50s he collaborated with great jazz masters. Working with musicians from Chet Baker to Gerry Mulligan, and from Billie Holiday to Lee Konitz, and in modern jazz quartet or quintet, with musicians such as Tullio De Piscopo, Pino Presti, Gianluigi Trovesi, Flavio Ambrosetti and Jean-Luc Ponty, made Franco Cerri a leader in the Italian and European jazz world.

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Norah Jones

I Dream Of Christmas

Release: 2021 / EU – Original

Genre: Organic Grooves, Christmas

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Gil Ok-Yun, Lee Saeng-Gang, Lee Sung-Jin & Ryu Bok-Sung

Spirit Junction: Korean Folk Music Meets Jazz

LP | 2021 | JP | Original (Beat Ball Music)

Mars Williams Presents An Ayler Xmas Volume 4: Chicago Vs. NYC

Release: 2021 / JP – Original

Genre: Organic Grooves

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Lyrical pop / gayo composer and saxophonist Gil Ok-yun was a central figure in Korea's golden age of gayo (1960s to 1980s), and has given us countless gems through his collaborations with greats such as Hye Eun-yi and others. Gil never did let go of his jazz roots, and would occasionally release gayo records in the jazz-tinged kayokoku style with the help of musical colleagues during his time in Japan such as Keitaro Miho and Shungo Sawada. It was through his meeting with Korean classical musician Lee Saeng-gang in the 1980s - an era in Korea that was characterized by experimental crossovers of Eastern and Western styles - that Gil's musical aspirations were finally realized in the form of a 'proper' jazz record.

Lee Saeng-gang's ensemble included himself as daegeum flautist and his brother, the janggu percussionist Lee Sung-jin. They were joined by Gil and a member of his jazz ensemble, the percussionist Ryu Bok-sung. Several live performances eventually led to a recording session. This album, which comprises just two tracks recorded in the form of improv jams, has often been referred to the only work of its kind in Korea's jazz scene. The mélange of two woodwind instruments (saxophone, daegeum) and various percussion elements (bongos, janggu, jing, & kkwaenggwari) come together to conjure a ritual-like confluence that is spiritual in nature and transcends the boundary between East and West.

For some reason, the album was initially released only on CD - the present reissue is the first-ever vinyl release. Though Gil was a jazzman through and through all his life, it was only in his later years that he finally got a 'jazz recording' to his name. Rediscover his legacy and gift to Korea's jazz scene, restored here in its full glory.

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Mars Williams

LP | 2020 | US | Original (Astral Spirits)

At Onkel Pö's Carnegie Hall / Hamburg '79

Release: 2020 / US – Original

Genre: Organic Grooves, Christmas

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Split release with Mars Williams' own Soul What Records. Yet another yearly installment of An Ayler Xmas just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams! The vinyl version contains Only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. However, the vinyl version does come with a digital download of the Entire album—and is pressed on limited black and white "Albert Ayler Goatee" swirl vinyl.

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Woody Shaw Quintet

2LP | 2019 | EU | Original (Jazzline)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Soul Clap Record Store Day 2019 Edition

Work Out !

LP | 2019 | EU | Original (TRJ Records)

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Limited Edition 300 vinyl copies 140 grams for "RSD 2019".
The Italian TRJ Records with "Work Out !" wants to show the intention to preserve vinyl and record stores having produced analog master
for "Soul Clap" that will be released for the "Record Store Day 2019". The Work Out ! with "Soul Clap" explore Jazz, Funk and Soul looking
for the roots of the past, trying to build something delight.

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Jaco Pastorius

Word Of Mouth

Eiko Ishibashi / Jim O'rourke / Tatsuhisa Yamamoto

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Word Of Mouth was the second album by virtuoso bassist Jaco Pastorius, released in 1981 while he was still a member of Weather Report. Word Of Mouth focused on his ability to compose and arrange for a larger band than was previously featured on his first self titled album from 1976 [MOVLP136]. The band's all-star cast included Herbie Hancock, Wayne Shorter, Peter Erskine, Jack DeJohnette, Michael Brecker, Don Alias and Toots Thielemans who is featured on harmonica on many of the songs.

180g vinyl.

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Sakuraza Kei Matsumaru / Giovanni Di Domenico

LP | 2024 | EU | Original (Modern Obscure Music)

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1983 | EU | Reissue (Music On Vinyl)

Jaco Pastorius

Invitation

Release: 1983 / EU – Reissue

Genre: Organic Grooves

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Sultan Black Vinyl Edition

Alune Wade

LP | 2023 | EU | Original (Enja & Yellowbird)

Release: 2023 / EU – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Akuphone)

Jac Berrocal

Boîte Boîte

Merry Christmas From Jose James Vinyl

Release: 2024 / EU – Original

Genre: Organic Grooves

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Boîte Boîte is the latest compendium from French trumpeter Jac Berrocal. Composed of rare and previously unreleased tracks, it plunges the listener into the fascinating world of this unclassifiable and timeless avant-garde artist. Recorded between Paris, New York, Berlin and Riga, the works are received like postcards from an unknown sender and enjoyed without moderation. The selection, devised by Jac Berrocal himself, oscillates between experimental tracks such as the eponymous « Boîte Boîte » and electronic pop delusions such as « Amarena ».

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Jose James

LP | 2023 | EU | Original (Rainbow Blonde)

Release: 2023 / EU – Original

Genre: Organic Grooves, Christmas

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Mochilla Presents Timeless: Suite For Ma Dukes Record Store Day 2021 Edition

J Dilla

2LP | 2010 | Reissue (Mochilla)

28,49 €* 37,99 € -25%

Fresh Out Red Vinyl Edition

Release: 2010 / Reissue

Genre: Hip Hop, Organic Grooves

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Record Store Day 2021 Release.

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Eddie Russ

LP | 2012 | UK | Reissue (Soul Jazz)

28,49 €* 29,99 € -5%

Rovanio Signed Limited Edition

Release: 2012 / UK – Reissue

Genre: Organic Grooves

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Eddie Russ was an important figure to emerge from the vibrant underground jazz scene that thrived in Detroit in the early 1970s, existing in the cultural and economic desolation of the city after the departure of Motown in the late 1960s. This scene included the musical collective Tribe (including members Wendell Harrison, Marcus Belgrave, Phil Ranelin, Harold McKinney and Doug Hammond) and Kenny Cox’s Strata Records. Eddie Russ’s Fresh Out was first released in 1974 on the independent Jazz Masters record label.

As well as including the classic jazz dance cut The Lope Song, Eddie Russ’s Fresh Out featured the debut of the group The Mixed Bag who subsequently recorded for both Tribe and Strata Records. Eddie Russ released two further classic jazz funk albums in the late 1970s, See the Light and Take a Look at Yourself.

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Nanny Assis

LP | 2023 | EU | Original (In + Out)

28,04 €* 32,99 € -15%

Release: 2023 / EU – Original

Genre: Organic Grooves

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Ashley Henry / Judi Jackson / Alec Hewes

Who We Are

2LP | 2024 | EU | Original (Naive)

Release: 2024 / EU – Original

Genre: Organic Grooves

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12" | 2024 | Original (Week-End)

Dinosaur

Kiss Me Again

Live In Paris 1971 Lost Ortf Recordings

Release: 2024 / Original

Genre: Organic Grooves, Electronic & Dance

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Arthur Russell first visited The Gallery in 1976 with his then boyfriend Louis, who introduced him to Nicky Siano. Arthur became a regular at the space and one night as Siano was playing “Turn the Beat Around”, which had just been released, Arthur waved at him from outside the booth and asked to come in. Nicky opened the door and Arthur suggested they make a record like this together. This ended up being a huge step for Siano as it marked the first ever production by a DJ making a record from scratch.

Arthur had written a song and had an arrangement for it so they assembled a band featuring Wilbur Bascomb who was one of Nicky’s favorite bassists, as well as, Allan Schwartzberg, David Byrne, Miriam Valle, Peter Gordon and Peter Zummo who were all friends of Arthur’s. Russell played the cello and piano – and that was the band. They recorded throughout 1977 and the “Kiss Me Again” 12 inch was finally released in 1978 on Sire Records selling more than 300,000 copies.

Week–End Records is proud to release the first ever reissue by this outstanding disco production. Remastered from the original tapes. With liner notes by David Byrne, Nicky Siano, Peter Gordon and Peter Zummo.

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Ahmad Jamal Trio

LP | 2022 | EU | Original (Transversales Disques)

LP | 2024 | UK | Original (Gondwana)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Transversales Disques proudly presents Ahmad Jamal Trio, Live in Paris 1971. Never heard before Ortf recordings performed live at studio 104, Maison de la Radio, Paris. This is the first official release with the full permission and cooperation of the National Audiovisual Institute (ina) coming in a Deluxe Edition - Classic Tip-On Jacket. Including exclusive pictures. Mastered from the original master tapes. « While be-bop musicians practise one-upmanship in terms of speed, Ahmad Jamal develops a crystal-clear touch and praises silence: "I was an angel among devils! The boppers made notes explode. I let them resonate until the end of their lives". A reputation as an artist on the fringes perhaps explains this lack of fame he suffered at one time. But despite the great whirlwind that is his life, Ahmad Jamal declares that he is searching for peace: "The quest is that of musical and internal peace. I cannot acknowledge that I am at peace, it would be dangerous to show it. A man at peace with himself doesn't say so". If you cannot say it, you can hear it, especially during his first concert in Paris in a trio. Here we are transported to the upper echelons of the art of the trio: the master of the piano, in studio 104 of Broadcasting House, is surrounded by brilliant accomplices, Jamil Nasser on double bass and Frank Gant on drums... » (Jérôme Badini, France Musique)

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Paradise Cinema

Returning, Dream

Cloud 10 Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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"returning, dream" is the second album from Paradise Cinema - the "Fourth World" inspired project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves). While Wyllie"s other projects move between tightknit electronica, widescreen minimalism and improvised ambient sounds, "returning, dream" contains nods to Jon Hassell, Terry Riley, Don Cherry and Midori Takada as well as more contemporary electronic, ambient and non-western music and even draws inspiration from physics and science fiction.

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Chip Wickham

LP | 2022 | UK | Original (Gondwana)

Terrain Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date

Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.

Originally from Brighton, Chip studied in Manchester and became involved in the 00's UK jazz, soul. trip-hop and funk scenes, working with the likes of The Pharcyde, The New Mastersounds and Nightmares On Wax as well as playing with Matthew Halsall's Gondwana Orchestra. And his relationship with Gondwana Records goes right back to the very beginning as he played on Halsall's 2008 debut Sending My Love.

Cloud 10 is his debut album for Gondwana Records (following a 12" of Lonnie Liston Smith covers in May) and it is a wonderful, timeless, lyrical, slice of hard-hitting, soulful, spiritual jazz and modal hard-bop with a distinctly UK flavour - driven by Chip's deftly funky flute work and hard-hitting tenor. Underpinned by Chip's restless energy and driven by his desire to connect with the listener on a deeper level.

"My albums are my legacy. Each one is a statement to the world of music and my contribution to its growth, its energy and ultimately its history."

Cloud 10 features pianist Phil Wilkinson, vibes player Ton Risco, bassist Sneaky and drummer Jon Scott (all veterans of previous albums) together with harpist Amanda Whiting and percussionist Jack McCarthy whom Chip met touring in the Gondwana Orchestra, and rising star Irish trumpeter Eoin Grace who also doubles on flugel horn. The album was recorded at the legendary all analogue Estudios Brazil in Madrid, with the band spending a week at Chip's house in the mountains just outside the city, eating and drinking together, listening to music till the small hours and recording all day. It was a magical time and the positivity seeped into the recording.

"It was a beautiful week of pure music and joy, I think you can hear it in the recording and that's the inspiration for the title: Cloud 10 is a place of a great happiness, way out beyond Cloud 9!"

And it is that purity, energy and joy, that makes Cloud 10 such a life-affirming recording and makes Chip the perfect addition to the Gondwana Records family. Lean in, you'll be on Cloud 10 too!

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Portico Quartet

LP | 2021 | UK | Original (Gondwana)

LP | 2018 | EU | Original (Act Music)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas

When Duncan Bellamy and Jack Wyllie – the driving force behind Portico Quartet got together in their East London studio in May 2020 and started work on the music that would become their new album, the world, or most of it, was in the midst of the first lockdown. The unique impact of the events of 2020 became the backdrop to their time composing and recording; causing them to take stock, re-think, and plot a new musical path.

Indian novelist Arundhati Roy expressed the sense of grief and rupture from the pandemic as "a portal, a gateway between one world and the next", and as they created the music that would become Terrain they were drawn towards longer, slowly unfolding pieces, which are perhaps the most artistically free and also the most beautiful they have ever made.

These are compositions more in the lineage of Line and Shed Song (Isla/2009), Rubidium (Portico Quartet/2012) and Immediately Visible (Memory Streams/2019). Wyllie expands: "We've always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we've really dug into it and explored that form. I suppose there are obvious influences such as American minimalism, but I was particularly inspired by the work of Japanese composer Midori Takada. Her approach, particularly on 'Through the Looking Glass', where she moves through different worlds incorporating elements of minimalism with non-Western instruments and melodies were at the front of my mind when writing this music".

Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. There is a sense of a shared journey to all these pieces, they move through different worlds, with a sense of horizontal movement that lends the music real momentum. Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section, strings. For Bellamy "It felt more like filmmaking than music making, a bricolage of conflicting, shifting signs, subtle tension and multiple narratives. Andrei Tarkovsky's 'Mirror' and British artist John Akomfrah's incredible 'Handsworth Songs' were pivotal points of reference for me." Wyllie expands the point. "There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations."

It is this sense of dialogue, both between the composers, and between tranquillity and a subtly unsettling melancholy, that makes Terrain such a powerful statement. One that speaks to both our interior and exterior worlds, to our own personal landscape, to our Terrain.

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Ida Sand

My Soul Kitchen

Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Omar Sosa's 88 Well-Tuned Drums

Omar Sosa

LP | 1988 | Reissue (Ota)

Release: 1988 / Reissue

Genre: Organic Grooves

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I'll Give You Something To Remember Me By White Vinyl Edition

John Hicks Trio

LP | 1988 | US | Reissue (Tidal Waves Music)

LP | 2023 | EU | Original (Akuphone)

Release: 1988 / US – Reissue

Genre: Organic Grooves

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* Rare Jazz Classic From 1988 * Featuring an All-Star Line-up * First ever vinyl reissue * Released for the first time in The UK & North America* 180g Black vinyl limited to 500 copies (w/obi strip)
In the late 1980s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights. The ‘John Hicks Trio’ had several line-up changes over the years that included greats such as Clifford Barbaro (Strata East, Blue Note, Sun Ra Arkestra, Charles Tolliver), Clint Houston (Prestige, Nina Simone, Roy Ayers, Azar Lawrence), Ray Drummond (Freddie Hubbard, Art Blakey, Lalo Schifrin), Marcus McLaurine (Muse, Verve, Weldon Irvine, Kool & The Gang) and Victor Lewis (Steve Grossman, Stan Getz, Charles Mingus, Cedar Walton, Chet Baker).

On the album we are presenting you today (I’ll Give You Something To Remember Me By from 1988) the trio consists out of some of the biggest and best players in the jazz, funk and soul scenes:

On piano we have the Atlanta based trio’s bandleader John Hicks (1941-2006). He served as a leader on more than 30 albums and played as a sideman on more than 300 other recordings. After being taught piano by his mother, Hicks went on to study at Lincoln University of Missouri, Berklee College of Music, and the Julliard School. After playing with a number of different artists during the early '60s (including Oliver Nelson and being part of Pharoah Sanders’s first band) he joined Art Blakey & The Jazz Messengers in 1964. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist. Next to his many solo recordings for labels such as Strata East and Concord, Hicks would collaborate with all the big names in the scene, including Archie Shepp, Mingus and Alvin Queen. In 2014 & 2015, J Dilla paid homage to John Hicks by sampling two of his songs.

On drums we have the legendary Idris Muhammad (1939-2014) who to this day is still considered as one of the most influential drummers covering a multitude of genre-transcending styles. Born in New Orleans, he showed early talent as a percussionist and began his professional career while still a teenager, playing on Fats Domino’s ‘Blueberry Hill’. He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. Next to his landmark solo recordings for Prestige Records, Idris would collaborate with iconic musicians and acts from the likes of Manu Dibango, Ahmad Jamal, Melvin Sparks, Charles Earland, Walter Bishop, Ceasar Frazier, Roberta Flack, Gato Barbieri, Nathan Davis, Sonny Rollins, Lou Donaldson, Galt MacDermot, Lonnie Smith…and countless others. Idris Muhammad’s work was sampled by renowned performers such as Drake, Beastie Boys and Fatboy Slim.

On bass we have Curtis Lundy (born 1955) who originates from Florida. Lundy is a well-respected bass player (and a master of his instrument), choir director, arranger, composer and producer who was part of performances and recordings of renowned acts and artists such as Pharoah Sanders, Frank Morgan, Cole Porter, Chico Freeman, Khan Jamal… and many others!

On I’ll Give You Something To Remember Me By (recorded at the legendary Dutch Studio 44 in March 1987 and released on Limetree Records in 1988) the listener is treated to eight majestic tracks of the highest caliber (including an excellent Thelonious Monk cover-tune) and features a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album.

These recordings sound as successful, young and vibrant as ever! Expect supercharged ragtime Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Curtis Lundy. This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector.

Tidal Waves Music now proudly presents the First ever vinyl reissue of this classic jazz album (originally released in 1988). This reissue comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip…also present are the exclusive pictures shot by legendary Dutch photographer Frans Schellekens (known for his work with artists such as Chet Baker, Alice Coltrane, Freddie Hubbard and Sonny Rollins). This will also be the the first time the album is being released in North America and in the UK.

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Fuji-Yuki

One Butoh

LP | 2022 | EU | Original (Innovative Leisure)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Akuphone is proud to present Fuji-Yuki’s last masterpiece, One Butoh. A musical immersion into the most exciting avant-garde dance style of the past century. Created in Japan in the 1960s by Tatsumi Hijikata, butō is the "dance of the obscure body". It broke with the traditions of classical Noh and Kabuki Theater, which, at the time, seemed outdated in the national context. Nourished by a European artistic avant-garde, butō stands out as a mirror of the socio-political turmoil of a post-World War II Japan. One Butoh resonates as a perfect acoustic introduction to this subversive art and propels the listener deep into his own soul.

Fuji-Yuki is a Japanese vocalist who uses her voice like an instrument. With special vocal techniques, glossolalia and electronic pedals, she creates a wide variety of sounds. Inspired by the spirits of Buddhism and Shintoism, she creatively transforms her vocals into an ambient drone or prayers resonating in a church-like space. Her live performances are always different, depending on the place and space they take place in. She is also known as the vocalist of the experimental band Sarry.

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Leland Whitty

Anyhow

Release: 2022 / EU – Original

Genre: Organic Grooves

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Hardy's Jet Band / Orchestra Klaus Wuesthoff / Jan Troysen Band / Orchestra Gary Pacific

Blue Butterfly

LP | 1971 | EU | Reissue (Be With)

Jazz Orchestra Of The Concertgebouw

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

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Threnody

2LP | 2023 | EU | Original (Joc)

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2020 | UK | Original (Young Turks)

Kamasi Washington

OST Becoming (Score)

Adrian Younge & Ali Shaheed Muhammad

Release: 2020 / UK – Original

Genre: Organic Grooves, Soundtracks

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Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on 11th December 2020.

Recorded at Sunset Sound Studios, LA. Engineered by Tony Austin. Mixed by Randy Emata. Mastered by Kevin “Daddy Kev” Moo. Kamasi Washington – Soprano, Alto, Tenor Saxophnone Rickey Washigton – Flute, Alto Flute Ryan Porter – Trombone Dontae Winslow – Trumpet Sean Sonderegger – Contra Bass Clarinet, Bass Clarinet, Bb Clarinet Matt Haze – Guitar Cameron Graves – Piano, Rhodes Kenneth Crouch – Organ, Keyboards, Piano Miles Mosley – Electric Bass, Upright Bass Tony Austin – Drums and Percussion Jen Simone, Yvette Devereaux, Reiko Nakano, Tylana Renga - Violin Michael Whitson, Chad Jackson – Viola Artyom Manukyan – Jared Snyder – Cello

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Marcos Valle

LP | 2020 | US | Original (Jazz Is Dead)

Night Watch Black Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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The third release from Jazz Is Dead records is features Marcos Valle, one of the greatest and most important composers, arrangers, writers and performers in Brazilian history. A jack of all trades, Valle has produced works in many musical styles, including bossa nova, samba, and fusions of rock, soul, jazz, and more.

Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio.

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Bob Holz

LP | 2024 | US | Original (MVD Audio)

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Blue Note)

Jackie McLean

Destination... Out!

LP | 2023 | EU | Original (Supper Club)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. 2022 reissue.

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Anita O'Day

An Evening With Anita

Release: 2023 / EU – Original

Genre: Organic Grooves

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Jackie Mclean & Freddie Redd

The Connection

LP (Jazz Images)

Genre: Organic Grooves

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Genre: Organic Grooves

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The Eddie "Lockjaw" Davis Cookbook Volume II

Eddie "Lockjaw" Davis

LP | 1959 | US | Original (Prestige)

27,19 €* 33,99 € -20%

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Original US pressing. Stain / Waterdamage on cover.

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Wamono A To Z Presents: Blow Up Trio - Japanese Rare Groove From The Trio Records Vaults 1973-1981 (Selected By Chintam) Black Vinyl Edition

LP | 2024 | EU | Original (180g)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Wamono A To Z Volume II - Japanese Funk 1970-1977 Black Vinyl Edition

LP | 2021 | EU | Original (180g)

Ibio-Ibio Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Following the highly acclaimed Volume I, dig further into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more!
Tracks selection by Japanese super diggers and Wamono specialists DJ Yoshizawa Dynamite and Chintam
Mastered and cut at Timmion Cutting Lab
Artwork by Yoxxx (Tokyo)
180g heavy vinyl pressing, reverse board jacket

Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene. After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves.
He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa
In this second volume of the acclaimed Wamono series, Yoshizawa and Chintam dig into some of the best and rarest funky tunes produced in Japan during the seventies. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Camilla George

LP | 2022 | US | Original (Ever)

Idris Ackamoor And The Pyramids

Release: 2022 / US – Original

Genre: Organic Grooves

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Saxophonist, composer, bandleader and innovator Camilla George makes a stunning return with her third album 'Ibio-Ibio' - a rich, cultural journey dedicated to her Ibibio tribe of south eastern coastal Nigeria, out on Ever Records / !K7. The album is a heady mix of afrobeat, hip hop and jazz coproduced by Camilla George. Across eight tracks, Camilla's virtuosic alto saxophone performance collaborates with a stellar line-up of some of the hottest players in London's jazz scene including Daniel Casimir (bass), Shirley Tetteh (guitar), Winston Clifford (drums), Sheila Maurice-Grey (trumpet), Rosie Turton (trombone), Renato Paris (vocals), Sarah Tandy (keys), plus Senegalese kora player Kadialy Kouyate, acclaimed US drummer Daru Jones (Jack White, Pete Rock, Talib Kweli), and Birmingham's finest MC Lady Sanity.

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Shaman!

2LP | 2020 | EU | Original (Strut)

LP | 2020 | EU | Original (Rune Grammofon)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Influential jazz collective Idris Ackamoor and The Pyramids retu rn with an epic new opus, 'Shaman!', released on 7th August featuring a fresh line-up including original 1970s Pyramids member Dr. Margaux Simmons on flute, Bobby Cobb on guitar, longterm associate Sandra Poindexter on violin, Ruben Ramos on bass, Gioele Pagliaccia on drums and Jack Yglesias on percussion. The band transitions from the political and social commentaries of 2018's acclaimed 'An Angel Fell' into more introspective themes. "I wanted to use this album to touch on some of the issues that we all face as individuals in the inner space of our souls and our conscience," explains Ackamoor. "The album unfolds over four Acts with personal musical statements about love and loss, mort ality, the afterlife, family and salvation."

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Master Oogway

Earth And Other Worlds

LP | 2020 | US | Original (Sony Legacy)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Håvard Nordberg Funderud - guitar Lauritz Lyster Skeidsvoll - saxophone Karl Erik Horndalsveen - double bass Martin Heggli Mellem - drums It is with great pleasure we can introduce a new name to our roster. Master Oogway are four young musicians aged between 23 and 26. They met at the Norwegian Academy of Music in 2015 with a common desire to play vibrant, improvised music with strong themes and room for spontaneity at a high energy level. Like many players on the young, Norwegian progressive jazz scene their instrumental skills are already highly developed but never used to show off. "Earth And Other Worlds" is the quartet's second album, their debut was released on the Clean Feed label in 2018. Their new effort is more dynamic and varied and shows more mature and accomplished songwriting, not to mention the stronger group interactions and the impressive solo stretches from sax player Skeidsvoll and guitarist/composer Funderud. While it's fair to say that they operate in much of the same musical landscape as Bushman's Revenge or Kokofant, it's equally fair to note that their general approach and attitude comes with a slightly stronger emphasis on jazz. Håvard Nordberg Funderud finished his bachelor at the Norwegian Academy of Music in 2018 and has also studied in Gothenburg and Copenhagen. He is involved in several projects, but Master Oogway is his priority. Lauritz Lyster Skeidsvoll and Karl Erik Horndalsveen have both finished their education at the same academy as Funderud. Martin Heggli Mellem is currently finishing his bachelor at the jazz program at NTNU in Trondheim.

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Miles Davis

Tribute To Jack Johnson

Release: 2020 / US – Original

Genre: Organic Grooves

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2LP | 1980 | UK | Reissue (BBE Music)

Ralph Thomas

Eastern Standard Time

LP | 2023 | US | Original (Out Of Your Head)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Following hard on the heels of BBE delving into the archives of
Detroit’s Strata Records and delivering their widely acclaimed
and hugely in-demand exploration of J-Jazz, comes another
crate digger’s delight- Ralph Thomas’ ‘Eastern Standard Time’,
which dropped the USA back in in 1980, on the obscure Zebra
Jazz imprint.
This is the is the kind of “spiritual’ jazz gem that appears on You
Tube and upon checking it out on Discogs reveals a price well in
excess of £150.00. To have it widely available in its original
vinyl format, as well as digitally and on CD, is a real treat. So,
who is Ralph Thomas?
The self-produced ‘Eastern Standard Time’ features Thomas on
baritone, alto and tenor saxophones as well as flute and
percussion. He describes himself as a practicing ethnomusicologist
who’s musical vision evolved during the Sixties and
it’s Thomas’ multifaceted, global approach that gives the music
on Eastern Standard Time’ an engaging and distinct flavour.
"My music has always been open to different cultures and
sounds Afro-Cuban, Brazilian, Mexican, Peruvian, American,
Hebrew, Turkish, African, Indian and Japanese,” declares the
Chicago born musician. While attending the Chicago
conservatory of music in 1969 he became a member of the
Chicago A.A.C.M, studying with master musicians Phil Cohran
and Richard Muhal Abrams. He also recorded with well-known
blues legends, Howlin' Wolf and Mighty Joe Young for the Cadet
imprint of Chess records.
In 1974, he moved to Los Angeles and was employed as a
session player with both 20th Century Fox and Motown – where
he recorded with Marvin Gaye, Jermaine Jackson, Smokey
Robinson and Rick James. In the early Eighties he was working
for Quincy Jones Productions appearing on the soundtrack of
Roots and The Color Purple but a passion for reggae music led
him to Jamaica where he recorded with producer Jack Ruby and
artists like Augustus Pablo and Gregory Isaacs.
In ’86 he moved to NYC where he collaborated with Boogaloo
legend Johnny Colon and played with like-minded musical
explorers Sun Ra, Don Cherry and Olatunji. However, by 1993
his restless spirit carried him to Paris where studied
Ethnomusicology and performed with trumpeter Mra Oma and
film-maker Ranaivo-Rajaona Hery. There were also gigs with
percussionist Trilok Gurtu as well as drummer Sunny Murray
and saxophone legend Archie Shepp. Upon moving to the
South of France Thomas ran an art gallery and initiated his
MusArt project – which has since toured in the US, Canada and
Japan
After a productive stint in Chiang Mai, Thailand – where he
immersed himself in Issan culture – Ralph Thomas recently relocated
back to the US to live and work.

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George (John Hollenbeck)

Letters To George

LP | 2022 | EU | Reissue (Not Now)

Release: 2023 / US – Original

Genre: Organic Grooves

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Limited 12" (400 printed) of George - Letters to George (ooyh 018) on black vinyl (180g), featuring original artwork by TJ Huff

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Etta James

Very Best Of