Search "mobb deep" 466 Items

Ancient Infinity Orchestra

Release: 2023 / UK – Original

Genre: Organic Grooves

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Ancient Infinity Orchestra is a 14-member jazz ensemble led by double-bassist and composer Ozzy Moysey, based in the bustling creative city of Leeds in the North of England – home to one of the most innovative and community-based jazz scenes in the UK. Saxophonist Matt Cliffe who also performs with Matthew Halsall is a key member and the rotating line-up which includes drums, two bassists, keyboards, harp, violin, cello, two tenors, alto, oboe, flute and percussion. "River of Light’ drinks deep from the well of spiritual jazz and is especially inspired by the soulful sounds of Pharoah Sanders, Alice and John Coltrane but also channels a certain Northern sensibility that can be heard in the music of Matthew Halsall or Alabaster de Plume. Melodic, warm and honest this is music that is happy to wear its heart on its sleeve.

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River Of Light Black Vinyl Edition

2LP | 2023 | UK | Original (Gondwana)

33,99 €*

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Roberto Olzer Trio

Dreamsville

58,99 €*

LP | 2023 | EU | Original (Music From Memory)

Release: 2023 / JP – Original

Genre: Organic Grooves

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To the travelers of Gentle November. A transparent time and space that only Olzer can create. The most beautiful autumn that fills your hearts. It is as clear and deep as a lake quietly filled with fresh water in the middle of a forest, and as delicate and graceful as autumn leaves dancing in the wind. Moreover, it is easy to listen to. The quiet passion, like a blue flame, seeps into your heart. Winner of the Jazz Critics Magazine's Jazz Audio Disc Award 2016. The masterpiece of the one and only piano trio led by Italian pianist Roberto Orser is finally available on vinyl!!

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The Habitat Ensemble

27,54 €* 28,99 € -5%

Crisis & Opportunity Volume 4 - Meditations

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschayer.

The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maříž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research.

Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, The Habitat Ensemble became an exciting vehicle for connection and co-creation.

Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual.

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Myele Manzanza

12" | 2023 | UK | Original (DeepMatter)

23,99 €*

LP | 2023 | US | Original (Astral Spirits)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Having gathered up praise from Mary Anne Hobbs, Cerys Matthews, Jamie Cullum, Gilles Peterson, Huey Morgan, The Guardian, Jazzwise and more, for his lauded ‘Crisis & Opportunity’, drummer and composer Myele Manzanza returns with the fourth instalment of his series, titled ‘Meditations’.

On ‘Meditations’, we see Myele revert to a purely acoustic line-up, channeling a focused and razor-sharp return to his Jazz roots. Showcasing an incredible level of musicianship between three musicians at the top of their game - including Matthew Sheens (Ross McHenry, John Patitucci) on piano and Matt Penman (Joshua Redman, Sfjazz Collective) on double bass - the trio exchange motifs over the length of 7 tracks.

Opening proceedings with frenetic rhythmic improvisation, complimented by melancholic and cinematic layers of sound, ‘Crayford’s Room’ is a tribute to Myele’s musical mentor back in New Zealand. Remembering his time as a student in Wellington, Myele shows his deep connection to his origins, manifesting itself as lament on ‘Winter’ and ‘Homesick’. Introducing hypnotic, contemplative melodies take centre stage on ‘Something Old Something New’ (the first single to be released from the project)’ It maintains a sense of tension and intrigue throughout, and intensity rises to a crescendo sending sonic particles sprawling into space.

Intuitive, darker and deeply contemplative, Myele shares his innermost thoughts on ‘Crisis and Opportunities Vol.4 - Meditations’. He divulges:

‘The personal angst and existential frustration I was going through across 2020 - 2022 I believe is well reflected here. The album is deeply informed by the musicianship and sound of my trio, Matthew Sheens on piano and Matt Penman on double bass. Knowing that musicians of their calibre were going to be involved gave me licence to go further in my writing, deploying odd time signatures, sharing the melody roles across the piano and the bass, and delving deeper into the nuances of what the acoustic piano / bass / drums trio can do. The compositions present a challenge even to the best musicians, and I knew that it was essential to have a team on this level to really move the music beyond an academic exercise and draw out the emotion and colour from the material.’

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Maria Elena Silva

Dulce

Wdr Radio, Koln, February 23, 1975

Release: 2023 / US – Original

Genre: Organic Grooves

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Pushing past the submissive qualities of her debut, Silva captures a deep and deliberate pop-forward poignancy in her sophomore Dulce. Written in the wake of her relocation to Chicago, Silva contemplates new love, a listless fate, sobriety, and maternity all the while retaining the patience of her previous release, Eros. Temperate motifs aside, a freer, wilder intensity permeates Dulce. Silva shows her roots in both rock n’ roll and the romantic. The fabric of the album gives palpable hints to her experimental aspirations that make borderline frantic use of the world-class instrumentalists at her disposal. This no holds barred approach results in Silva's most modern statement to date, beginning with the lead single "Love, If It Is So." A perfect avant-pop song that captures Maria in full flight with her studio band featuring the legendary guitarist Marc Ribot and percussionist Stephen Hodges—reunited for the first time since the pair were part of Tom Waits' seminal Rain Dogs in 1985. Ribot enhances Silva's songs with characteristic inspiration, skill, and abandon—jumping between frenzied guitar arpeggios, Philly Soul electric sitar lines, and subtle nylon string acoustic.

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Terry Riley & Don Cherry

LP | 2023 | EU | Original (Whp)

LP | 2023 | EU | Original (Sdban Ultra)

Release: 2023 / EU – Original

Genre: Organic Grooves

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The meeting between Terry Riley the father of American Minimalism and free jazz pioneer Don Cherry. Two contemporary luminaries who always shared an ear for non Western music and philosophies. Joined here by Stein Claeson on violin and el. bass, and Bengt Berger on percussion, these two giants give us an example of deep organic music based on the full integration of various materials. A beautiful example of true extended sonic democracy.

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Azmari

Maelstroem

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Emerging from the heart of Brussels, the captivating five-piece Azmari is set to release ""Maëlström"" on October 20. For Maelström, the follow up to their acclaimed debut album Sam?'? (with raving reviews in Uncut, Songlines, Uk Vibe and Electronic Sound), the group has delved into uncharted musical territories creating a mesmerizing ""azmarian"" identity and melding intricate jazz textures with intoxicating oriental influences, otherworldly ethio grooves, enigmatic dark funk, and the pulsating beats of dub music,

For the creation of ""Maëlström,"" Azmari embarked on an intensive one-week recording journey. During this time, they meticulously honed the sound of their instruments, blending the nostalgic notes of old-school clavinet keyboards with cutting-edge synth sounds, resulting in a distinct and alluring atmosphere. Enriching their traditional instruments with balanced pedal effects and special amplification, the band added new flavours to their sound.

Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, Surprise Chef, Antibalas and Sons of Kemet.

From the band: ""For the third part of our musical journey, we dug into a deeper creative process. We literally immersed ourselves in deep waters during a unique two-week aquatic residency. The tracks on this album are thus directly imbued with distinctive underwater frequencies, the sounds of abyssal creatures, and the beauty of the seabed. Convinced by this creative experience, and guided by captain (and producer) Frederik Segers, we brought this album back to the surface and reveal a resolutely scaly, sandy, and deep soundscape."""

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J Jazz Volume 4: Deep Modern Jazz From Japan - The Nippon Columbia Label 1968 -1981

3LP | 2023 | EU | Original (BBE Music)

48,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Balmat)

Anagrams

Blue Voices

We Jazz Live Plates 23 Ateneum 2019 Lonna 2019

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Balmat co-founders Philip Sherburne and Albert Salinas have been fans of Shy Layers' lilting, Balearic pop for years, so when Shy Layers' JD Walsh asked us to listen to a set of demos he was working up with fellow Atlanta multi-instrumentalist Jeff Crompton, we jumped at the chance. And once we heard their work in progress, the decision was almost immediate: We have to release this. Together, Walsh and Crompton are Anagrams, and their debut album together, Blue Voices, might initially seem like a departure from Balmat's habitually electronic terrain. It's not ambient music, but it's also not not ambient music, at least to listeners in the right frame of mind. The two musicians, who met when Walsh moved from Brooklyn to Atlanta in 2016 and began collaborating a few years later, see the music in similarly ambiguous terms. "I like it because it's not jazz," jokes Crompton, a veteran and credentialed jazz player. "And JD likes it because it's jazz." Crompton is a musician (and former high-school band teacher) with deep roots in Georgia's improvised and experimental music scenes; his credits include shows with Eugene Chadbourne, a guest appearance with Godspeed You! Black Emperor, and a collaboration with Duet for Theremin and Lap Steel's 12-hour drone performance at Knoxville's Big Ears. On Blue Voices he plays alto and tenor saxophone, clarinet, electric piano, and organ. Walsh has been releasing music as Shy Layers since 2015, when he started self-releasing on Bandcamp; the following year, Germany's Growing Bin packaged his first two EPs as a self-titled album, and in 2018, Tim Sweeney's Beats in Space label put out Shy Layers' sophomore album, Midnight Marker. Where those records channeled Walsh's playful harmonic instincts into wistful songwriting with tropical overtones, on Blue Voices he lets his experimental tendencies take the lead. Playing acoustic and electric guitars, electric lap steel, bass, Moog Matriarch, modular synth, and programmed drums, he concentrates his energies on richly textural layers and abstract assemblages of tone color. Across the album's 11 tracks, there are faint echoes of familiar touchstones: the atmospheric twang of Daniel Lanois' pedal steel on Apollo: Atmospheres and Soundtracks; the mercurial modal runs of Ethio-jazz; the late-summer calm of Fuubutsushi; the versatility of players and composers like Patrick Shiroishi and Sam Gendel, who are asking similar questions about where jazz ends and some other, nameless territory begins. Mostly, though, what Blue Voices captures is the quixotic sound of two restless musical imaginations making it up as they go along, two voices discovering a shared language in a hitherto unexplored shade of blue.

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Timo Teppo Mäkynen Lassy

2LP | 2023 | EU | Original (We Jazz)

20,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Supper Club)

Debby Moore

My Kind Of Blues

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 2023 | EU | Original (Sonor Music Editions)

Mark Saddlemire

Sound In The Round

19,99 €*

Wajazz Legends: Jiro Inagaki - Selected By Yusuke Ogawa (Universounds)

Release: 2023 / EU – Original

Genre: Organic Grooves

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We're presenting under our New Tape label Mark's debut release "Sound-In-The-Round", that draws a deep inspiraton by the golden era of Italian Library and Soundtrack Music. Something akin to the legendary Prog-Rock ensemble Goblin and the avant-garde composer Giuliano Sorgini, but with a rich plenty of grooveness. Mark Saddlemire is a multi-instrumentalist, composer, and producer from Philadelphia, passionate about creating instrumental compositions from a blend of acoustical and electronic sounds using analog techniques. An electrical engineer by trade, he's customized and repaired much of the vintage gear used for his recordings - his studio is a collection of unique and rare analog instruments from the 1960s to the 1980s.

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Jiro Inagaki

2LP | 2023 | EU | Original (180g)

36,99 €*

12" | 2023 | US | Original (Rong)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Universounds, HMV Record Shop and 180g team up for an exceptional release in their highly acclaimed WaJazz series, to be out on Jiro Inagaki’s 90th birthday, October 3rd, 2023, celebrating the life and music of one of the most iconic Japanese jazz musicians of the last 60+ years. This is the ultimate collection of music from legendary saxophone player Jiro Inagaki and his Soul Media band, covering their 1968-1980 golden age, releasing as a spectacular gold vinyl double LP with extensive and detailed liner notes by Universounds’ Yusuke Ogawa, comments by Jiro Inagaki, and exclusive pics. 16 tracks of pure gold music spanning jazz, jazz-funk and jazz-rock, including an unreleased version of the track “Express” — first time on vinyl!

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

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Darwin Chamber

Love's The Meditation EP

17,99 €*

Lados B Black Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves, Electronic & Dance

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After an extended disco nap your friends at rong music have awoken from our slumber and just in time to celebrate our 20th year of doing this rong thing. How will we celebrate? The only ways we know how. Put out a bunch of new music, unearth some weirdo classics, and DANCE & PARTY.
For our first new single to be released in celebration of our 20th anniversary, we bring you some bangers for the club, rave, your ride, warehouse, the playa, or home disco. The title track, Love’s the Meditation is a classy piece of melodic acid funk (?@$!wtf) whatever that means, with an epic extended mix by our fearless leader DJ Spun... We could hear some of our favorite new techno DJ’s playing Spun’s mix of SSM and Do You Feel the Love and 303 & me have a classic acid HOUSE vibe that is our type of thin. Enjoy!

Darwin Chamber – Love’s the Meditation EP A1. Love’s the Meditation (DJ Spun Remix) A2. Love's the Meditation (Original)
B1. Sugar, Sex, Magic (DJ Spun Instrumental) B2. Do You Feel the LoveB3. 303 and Me
Darwin Chamber is the alter ego of Mark Greenfield. This legend of the early Rave scene has been making tracks for more than 30 years. Pioneering the West Coast Rave breakbeat and trip-hop sound, he got his start just like many, learning his craft on a cheap keyboard at a friend’s house and then taking his music to the streets. He’s done 100’s of shows from underground raves to The House of Blues, released music on Moonshine and Sony and was one of the first dance acts to embrace the digital revolution with an early exclusive deal with iTunes.

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Daniel Villarreal

LP | 2023 | US | Original (International Anthem)

LP | 2023 | EU | Original (Second)

Release: 2023 / US – Original

Genre: Organic Grooves

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On October 15th & 16th 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they"d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from the sessions made it onto Villarreal"s critically-acclaimed 2022 album Panamá 77, bust most of the music remained unreleased. Lados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation - flow as informed by the Latin soul of Fania Records as it is by the otherworldly trance of Brain Records - while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker"s recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven"s 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.

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Rebecca Nash

Redefining Element 78

37,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP - 180 Gram VinylRedefining Element 78 presents a new work by British pianist-composer Rebecca Nash - a distinct musical voice with a deep musical identity. It got a 4-star review from the Jazzwise Magazine and The Jazz Mann Magazine.

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Nikoletta Szoke

Inner Blaze

40,99 €*

Release: 2023 / JP – Original

Genre: Organic Grooves

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New standards for you. The classic songs that change their expression with Nikoletta's voice. Vocal magic that unfolds vividly. Familiar popular music speaks eloquently of its time. The melodies burned into our brains transcend time and instantly transport us back to that era. At the same time, music seems to have an invisible power to inspire our hearts once again. The piano of the virtuoso Lakatosz, with its crystal brilliance, enhances her voice, and the melody is imprinted in your mind again, deeper and deeper.

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Robert Lakatos Trio

But Not For Me

40,99 €*

Jakob Dinsen / Anderschristensen / Lauste Sonne

Release: 2023 / JP – Original

Genre: Organic Grooves

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There is more than one face of a master musician. The Beatles and Bird are revived in a deep and transparent sound. Familiarity and depth come together in Lakatos' piano. Jazz Shinsekai recreates "But Not for Me," a hidden masterpiece from Robert Lakatosh's peak period, from a new aspect. The sound is not flirtatious at all. It has a delicate and mellow touch, as if he were stroking rather than playing.

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Moonlight Drive

LP | 2023 | EU | Original (April)

LP | 2023 | EU | Original (April)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Jakob Dinesen, Anders Christensen and Laust Sonne are three heavyweights of Danish music, united by their all-embracing approach to music making. Their careers have seen them involved with household names of contemporary jazz including Aaron Parks and Kurt Rosenwinkel, afrobeat legend Tony Allen, popular Danish stadium rock band D-A-D and everything in between. A followup to their 2021 release "Blessings", their raw, live, chord-less trio record "Moonlight Drive" is set to release on September 8th on April Records.A coming together of Scandinavian jazz, the avant-garde, chamber music, and rock and roll, Moonlight Drive"s intriguing sound separates the essence of what jazz is from its cliché"s and idioms to create something truly different. The ensemble"s laid back, simplistic, and yet completely immersive playing style is full of groove, lyrical melody, rich harmony, and texture, all without the inclusion of a harmony instrument such as the piano or guitar. Evolving from intimate sparseness and comfort to energetic improvisations that challenge the listener with tension and atonality, what is ever apparent is that these are musicians that play to serve the music, not their own egos. With compositions from each member of the three piece, the record is a collection of musical statements and wordless stories that pay tribute to their greatest muses and strongest relationships. Through "Ingrid" Christensen encapsulates his deep love for his Grandmother, "Yahya" is Dinesen"s tribute to Danish poet Yahya Hassan who tragically passed away too soon, "Aveny T" is Sonne"s musical reminiscence of a performance in Copenhagen"s theatre by the same name, while the final track "New Beginnings" is an ode to the bonds of friendship between the three musicians.

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Jesper Thorn

Dragoer

LP | 2023 | EU | Original (No Format)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Danish bassist Jesper Thorn has come to be known for his deeply personal, introspective, soul-searching sound through which he strives to untangle his innermost thoughts and conflicts. A followup to his award-winning 2020 release "Boy", "Dragor" dives into his complex feelings towards the town by the same name in which he grew up. The third album under his own name, it"s set to release on September 29th on April Records. Rooted firmly in the Scandinavian jazz idiom, "Dragor" is unwaveringly beautiful with a complexity and darkness to it that reflects Thorn"s turbulent emotional relationship to his hometown. His stories he set to music include his strained relationship with his father, overcoming a debilitating case of asthma brought on by being born five weeks early, dealing with feeling that he didn"t belong, and the deep-seated silence and guilt that came from his Catholic heritage. Thorn"s new record carries forward the same lineup as his previous two bodies of work - Marc Méan on piano/electronics and Tobias Wiklund on cornet, with the new additions of Andreas Bernitt on violin and viola and April Records labelmate Cecilie Strange on tenor saxophone.Melancholic harmony and intricate songwriting provide the delicate framework through which each member of Thorn"s quintet can impart their own impressions and feelings on his stories. The arrangements create space for every corner of the quintet to carry melodies, be they written or improvised, and the resulting sound is dynamic, evolving, and highly immersive.The gentle timbre of Strange"s tenor, lamenting cornet melodies, soaring strings, warm synth textures, muted pianos and masterful musicianship all contribute to the realisation of Thorn"s cohesive conceptual and musical vision.

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Asynchrone

Plastic Bamboo

LP | 2023 | EU | Original (Futura Resistenza)

Release: 2023 / EU – Original

Genre: Organic Grooves

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French Jazz sextet Asynchrone reimagine legendary composer Ryuichi Sakamoto"s repertoireAs fans of the maestro"s work, French free jazz/electro collective Asynchrone began to interrogate his oeuvre in 2020, aiming to get inside his music, taking it to unexplored new dimensions. On their debut album "Plastic Bamboo", they achieve that and more. With a wildly eclectic approach in mind, there will be songs that most will be familiar with: "Merry Christmas Mr Lawrence" and Yellow Magic Orchestra"s "Behind The Mask", in particular. And then there are the deeper cuts from Sakamoto"s solo albums from the early eighties that are less famous but that nevertheless helped to expand and augment the genre. With a wildly eclectic approach in mins, they take a varied selection of his music in a direction where free jazz meets electronics, with the sense of liberty and freedom. Asynchrone"s personnel is a link-up between founders cellist Clément Petit, producer and musician Frédéric Soulard (behind Jeanne Added"s Victoires De La Musique-winning album), alongside clarinet/saxophone player Hugues Mayot, flautist Delphine Joussein, pianist Manuel Peskine, and Vincent Taeger (Oumou Sangaré, Tony Allen) on drums. Plastic Bamboo teems with vivacity and possibility, and it"s a record that is future-facing rather than any kind of sombre eulogy. It seeks to continue the musical conversation now that the architect is no longer with us. Asynchrone plays Sakamoto.

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Salenta + Topu

Moon Set, Moon Rise

Stardust Clear Vinyl Edtion

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Two old souls creating music not of this plane, taking you to a dream world...

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John Coltrane

LP | 2023 | EU (Destination Moon)

16,99 €*

LP | 2023 | EU | Original (Hyperjazz)

Release: 2023 / EU

Genre: Organic Grooves

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During the late 1950s, the iconic tenor saxophonist John Coltrane was exploring different milieus with various associates, most notably reconnecting with Miles Davis during a time when the latter was working with pianist Red Garland, bassist Paul Chambers, and drummers Jimmy Cobb and Art Taylor. These players are featured on the 1958 session that would yield Stardust, released by Prestige four years later, and although comprised of four standard cover tunes, Trane’s playing is so supremely emotive and the hard-bop arrangements so subtle and engaging that the LP becomes another deep audio dive that sounds better with every listen.

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Khalab

Layers

20,69 €* 22,99 € -10%

Redefining Element 78 Turquoise Marble Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Every person we meet, every moment we live through, all the love we feel, and the losses we endure, add another layer to the intricate pattern of our lives. Like multicolored threads, these layers twist together to form a complex, vibrant tapestry — a reflection of our life journey until this point. On his new album Layers, Khalab acknowledges and celebrates the encounters that have shaped his ever-evolving musical vision. The record, out on August 25th with his own Hyperjazz Records, represents the culmination of a creative journey that began with his Eunoto EP (Black Acre Records, 2015), evolved with the Afro-Futuristic soundscapes of 2018’s highly acclaimed album Black Noise 2084 (On The Corner Records/!K7), and has since developed further through a series of experiences and deep musical collaborations. Layers summons all the alchemy of Khalab’s live performances, and embodies the transcendental power of music making as a collective art form. Over the past five years, Khalab has shared the stage at Italian and International festivals with many exceptional musicians, an experience which has sharpened the musicality of his compositions and enhanced the depth and complexity of his sound. “Since the release of Black Noise 2084 I’ve increasingly developed the stage and band dynamic, focusing on arranging with the musicians in mind, and this album was almost entirely conceived together with musicians I’ve collaborated with” says Khalab. In a testament to the label’s close-knit and highly collaborative nature, Khalab's live band includes a cadre of musicians from the Hyperjazz family, including David Paulis and Enrico Truzzi of Phresoul, as well Pietro Santangelo, Fabio Sasso, and longstanding creative-partner Nicola Guida. The album’s nine tracks feature an impressive lineup of collaborators old and new, including UK drummer and producer Emanative, Burkinabe singer, guitarist, and m’bira player Gabin Dabiré (passed away a few weeks ago), Italian producer Clap! Clap!, multi-wind instrumentalist Tamar Osborn, drummer and producer Tommaso Cappellato, British-Bahraini trumpeter Yazz Ahmed, Bristol’s vocalist and producer Grove, multi-instrumentalist Tenderlonious, Italian jazz singer Alessia Obino and British-born Nigerian spoken-word artist Joshua Idehen. Layers still revolves around the key components of Khalab’s sound — dark and trancey electronics and his research into Black music and all its evolutions — but with a bigger emphasis on harmonic arrangements. Across the album, Khalab’s productions twist and pulsate into mesmerizing motifs, as the interplay between different instruments coalesce into focused melodies and rich, complex textures. Khalab and his collaborators masterfully blend gloomy and radiant tones, eliciting feelings of both doom and hope. The album will be preceded by three lead singles: “Layers” feat. Joshua idehen, “Tunnel Of Jealousy” feat. Lady Blue Eyes, and “Female Side” feat. Tommaso Cappellato.

For Khalab, Layers represents the end point of a journey that began with the synthesis of ancestral rhythms and electronic experimentation on Black Noise 2084, and has taken him on a meandering route through a Mauritanian refugee camp (M’berra, Real World Recordings, 2021), and deep into the catalogs of legendary Italian labels Soul Note and Black Saint (for the Hyperituals compilations, released on his own Hyperjazz label). In Khalab’s own words: “For me this feels like coming full circle, because everything will be more experimental going forward”. Credits All tracks written & arranged by Khalab Produced by Khalab & DJ Knuf With the vital contribution of these amazing musicians: A1. Yazz Ahmed (flugelhorn, trumpet), Alessia Obino (voice), Nicola Guida (synths), Fabio Sasso (drums) A2. Emanative (drums), Tamar Osborn (baritone saxophone), Grove (lyrics, voice) A3. Lady Blue Eyes (voice) A4. Cristiano Crisci (synths), Pietro Santangelo (tenor saxophone) A5. Joshua Idehen (lyrics, voice), Cristiano Crisci (additional synths) B1. Tommaso Cappellato (synths), Enrico Truzzi (drums), David Paulis (electric bass), Cristiano Crisci (additional synths) B2. Gabin Dabiré (voice, m’bira) B3. Tenderlonious (flute) B4. Magnus PI (percussion), Alessia Obino (voice), Pietro Santangelo (tenor saxophone), Enrico Truzzi (drums) Mix by DJ Knuf at Studio 33, Rome Remix by Khalab at Studio 33, Rome Megamix by Satori Stereo Saiyan Mastered by Frank Merritt at The Carvery, London Visual project design by Marco Klefisch

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Rebecca Nash

2LP | 2023 | EU | Original (Second / Whirlwind)

23,09 €* 41,99 € -45%

An Ever Changing View Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Redefining Element 78" presents a new work by British pianist-composer Rebecca Nash - a distinct musical voice with a deep musical identity. The music emerged following Nash"s encounter with the writings of legendary New York alto saxophonist John O"Gallagher, who joins her on the album, alongside guitarist Jamie Leeming, trumpeter Nick Malcolm, bassist Paul Michael and drummer Matt Fisher. Electronics are provided by Nick Walters and Chris Mapp.

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Matthew Halsall

2LP | 2023 | UK | Original (Gondwana)

32,99 €*

Dinner Party (Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Trumpeter, bandleader and composer Matthew Halsall announces landmark new album An Ever Changing View, an expansive, immaculately conceived project which presents Halsall’s signature blend of jazz, electronica, global and spiritual jazz influences. An Ever Changing View will be released on September 8th on Gondwana Records (the label Halsall founded 15 years ago) ahead of a landmark show at The Royal Albert Hall in London on September 21st and UK and EU tour dates. Halsall who has been hailed as one of the leading figures of the UK jazz renaissance has never seen himself as part of any one sound or scene: he builds his own sonic universe instead. An Ever Changing View finds him at his most experimental yet, once again expanding his sound and production techniques to create his unique brand of deeply meditative music. During the album's creation, he was staying in both a beautiful architect’s house with breathtaking sea views and a striking modernist house, where he composed what he saw “like a landscape painting”. In these new environments, Halsall wanted to capture “the feeling of openness and escapism” and to approach making music again from scratch. “I hit the reset button and wanted to have complete musical freedom,” he says. “It was a real exploration of sound.” It was hearing jazz on the dancefloor as a teenager that first opened up new possibilities in Halsall’s mind, and his music has long-drawn on his love for the spiritual jazz of Alice Coltrane and Pharoah Sanders and contemporary electronica from the likes of Warp Records and Ninja Tune. An Ever Changing View melds those forms in a way that feels heady and, at times, even otherworldly. One of the album’s starting points was Halsall’s ever-expanding box of percussion, from congas and kalimba to various clusters of seeds, bells and chimes, which he sampled and looped to use as a foundation for the songs – a first for him and his band. Elevating, charming, totally modern jazz tracks jostle with deft warm magic realism; and laid back grooves with hand percussion, deep bass and the gorgeous glisten of the Fender Rhodes meet hip-hop beats. Halsall himself sparkles, illuminating his beautiful tapestries of sound with lithe, glistening elegiac trumpet. An Ever Changing View comes in a package as striking as the music, with handmade fonts designed by Ian Anderson of The Designers Republic and the specially commissioned tapestry by artist Sara Kelly is a stunning and harmonious complement to the record's sound. For fans of Bonobo, Phil Cohran and the Artistic Heritage Ensemble, Mr. Scruff, Don Cherry, Alice Coltrane, Pharoah Sanders, The Cinematic Orchestra, Carlos Niño & Friends

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Enigmatic Society

CD | 2023 | US | Original (Empire)

13,99 €*

LP | 2023 | US | Original (Raw Tapes)

Release: 2023 / US – Original

Genre: Organic Grooves

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Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow up to the group’s 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project with the album’s artwork designed by Kamasi Washington’s sister, artist Amani Washington.

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Maya Dunietz

Thank You Tree

Count Buffalo & The Jazz Rock Band

Release: 2023 / US – Original

Genre: Organic Grooves

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In their second trio album, Thank You Tree, Maya Dunietz, Barak Mori and Amir Bresler dive deeper into the musical universes they’ve explored on their past album. The music explores textures, colors and abstract lands. The play is wild and free. Dunietz’s new compositions go beyond the conventional song structures, and the improvisation is inspired by the roots of Jazz, while allowing itself to be stimulated by other sources such as voices of birds and trees. The album has several free improvisation pieces, bringing forth a fresh side of this very swingy rhythm section. As a spectral musician and artist, Dunietz tends to focus on the phenomenon and acoustics of sound rather than its potential semantic qualities. Playing trio music from this perspective, created a very crisp and deep sound, beautifully captured in the recording.

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Soul & Rock

LP | 2023 | JP | Reissue (Columbia Japan)

60,99 €*

Kyoko Takenaka + Tomoki Sanders

Release: 2023 / JP – Reissue

Genre: Organic Grooves

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Features Akira Ishikawa, a drummer who led groups such as Midnight Sons, Genchers, and Count Buffaloes
Introducing Count Buffalo! An ambitious work that explores the sound of the next generation with innovative arrangements and outstanding performances. A new era opens here. Akira Ishikawa, a drummer who led groups such as Midnight Sons, Genchers, and Count Buffaloes and has released countless works to the world. This work, the earliest recording under the name of Count Buffalo, features Ken Muraoka, Hiromasa Suzuki, Kiyoshi Sugimoto, Masahiko Sato, and others. Hip jazz-rock 'Cougar' led by disquieting strings, 'Greensleeves' with a hint of avant-garde, his own interpretation of 'Hey Jude', and a dry jazz-rock version of a folk song such as 'Makouta'. , so dense that you don't even have time to breathe. It is one of the most important works in the history of Japanese jazz-rock, not only in content, but also considering the era of 1969. text by Yusuke Ogawa (universound/deep Jazz Reality)

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Planet Q

LP | 2023 | US | Original (Isc Hi-Fi Selects)

29,99 €* 39,99 € -25%

LP | 2023 | EU | Original (GDR)

Release: 2023 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Artists Kyoko Takenaka + Tomoki Sanders team with In Sheep’s Clothing Hi-Fi & Pure Person Press to release their breathtaking debut record as Planet Q.

Gatefold Single LP w/ OBI & Insert

To explore and absorb Planet Q, the new record by artists Kyoko Takenaka + Tomoki Sanders, is to become untethered from structural expectations, to reside in a realm where genre vanishes and a profound musical space remains, where the absence of gravity causes curious things to occur.

It’s a spot where handclaps may not move in time, where sonic gurgles of unknown origin offer texture, where a deep, hooky rhythm can propel a groove into the stratosphere.

At various times the tracks move like Dilla pieces, at others like Terry Riley explorations, like Flying Lotus or Milford Graves or Alice Coltrane meditations. But every time you think you’ve got the sound figured out, it hits from another angle. Though a brief missive at 33 minutes, you exit Planet Q as if leaving an utterly alien spot.

Setting: In 2021, during the covid lockdown in America, Takenaka and Sanders were both living in Tokyo without any gigs or work to be found back home. They met at a mutual friend’s cafe in the Higashi-Koenji neighborhood, and the connection was immediate. “The chances of us meeting not only someone else of the diaspora when the borders are closed, but also queer and non-binary, and also a musician? Pretty slim, and pretty fateful,” Takenaka says.

In early 2022, the Omicron variant prompted a new round of isolation. Returning to New York, they united with kindred musicians by going to private jam sessions, but at the time those evenings didn't tap the magic they were seeking. They decided to quarantine and create together. Takenaka was living alone at the time so they invited Sanders to crash there. Says Takenaka, “We made rice, ate natto, meditated and made music for seven days straight.”

That they would create something masterful does seem somehow predestined. Sanders’ late father is the brilliant composer and saxophonist Pharoah Sanders, their mother a life-long music fanatic who nurtured the same. The younger Sanders, who grew up in New York and Tokyo, has been playing music – drums, saxophone, clarinet, piano – and absorbing profound sound since they had baby teeth. Takenaka is a first-generation Nikkei Japanese American actor, butoh dancer and filmmaker who also grew up with music; their father was a jazz pianist, and by age 7 they were already singing at jam sessions in Boston. Planet Q is Takenaka and Sanders’ debut musical collaboration.

That week together in isolation was pretty ritualized. Their aim, Takenaka says, was to create “a really beautiful, secluded safe space for ourselves as qtpoc folx – a planet where we both belong – and to make music as we created the space. Basking in it. Being inside it.”

They quickly fell into a daily routine that commenced with an improvised spoken meditation, tidbits of which made it onto the record. The layout of Takenaka’s apartment – an open kitchen looking out on the living room – afforded them the chance to mix rituals. They prepped meals and sampled parts of the process. Cooking rice, making curry, eating natto – the sounds simmer throughout Planet Q. Dancing and calligraphy also informed the compositions. Takenaka calls it “embodying the process, the textures.”

Tomoki says, “Before Hip hop, in my dad’s age, the saxophone was where the rapper, or the electric guitar spotlighted. It was only $500 to buy a saxophone in the 50’s...now its anywhere from $3000-$10,000. However, we fortunately are in a current time to have a whole studio literally in our laptops – and you can get a $50 midi device from a music store or online. Time of technology has advanced the music, the sound, the production – I’m challenged to reimagine things in ways never been thought before.”

Though each piece has distinct traits, Planet Q feels more like a suite of tracks, a gathering of waveforms that, despite their differences, when woven together create an utterly striking piece. The intention-setting opening piece was born through their improvised morning meditations. Tomoki uses bells their father gifted them.

“‘My Sweet, My Tender, My Loving, Home’ is dedicated to my dad and his metaphysical and galactic sounds, that is grounding,” Tomoki says. “Every intention I put into the style of music or energy comes from him and the ancestors, or god, ‘subconsciously’ – being a continuation of his DNA but in a completely different generation and time; me matching his point of view in spirituality and raising a level of self-consciousness.”

Borders blur. Rhythms lope and gallop. “竹” is a beat-driven rush featuring Takenaka on guitar. When Sanders grabs their tenor saxophone for “Grow,” the result vibes like a funky film-noir soundtrack, with Takenaka reciting the title.

Their tools: bells, electric guitar, piano, shakers, saxophone, African thumb piano, flute, keyboard, drum programming and voice. Most importantly, Planet Q is the sound of two devoted artists committing in full to exploring the mystic, hellbent on mastering the ways that two mortals can, with focus, desire and ancestral guidance, unite in music to create something that transcends the here-and-now.

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Gala Drop

Amizade

16,99 €*

LP | 2023 | EU | Original (Blue Note)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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**Released at select Portuguese stores in a small initial qty - these are the first copies to reach outside the country**

Life has changed in the eight years since the release of II. In ours, yours and Gala Drop themselves. Most times without noticing it, partly due to those two years of a semi-existence that still resonates and with the ongoing predatory gentrification process changing the landscape and life of Lisbon, home to the band since ever. Close to a decade and a half of existence, with various mutations along the way enacting new perspectives and moments of stillness and reflection to a sound that's been mutating itself to its own internal rhythm and agency under the guiding light of the core duo of Afonso Simões and Nélson Gomes. Now a trio, with Rui Dâmaso transitioning from II after the departure of Jerry the Cat and Guilherme Canhão, Gala Drop sound even more focused as a working band, with their new album title Amizade – friendship in Portuguese – making perfect sense in a celebration of their, by now, patented soundworld of cosmic inspiration: krautrock's endless and hypnotic potential, dub's sense of transient space, the throb of house, balearic dreams, polyrhythms and a communal sense of belonging.

Again, this sprawling sphere of influence opens itself to new shapes and inspirations, but there's a deeper sense of accuracy and direction, with the band channeling those legacies into something we can only grasp as the Gala Drop sound. An organic outcome of working steadily as a trio, made possible by a residency promoted by gnration in Braga, Amizade dwells on the psychedelic nature of the group through seven tracks made up of dreamy synth washes, loads of percussion, echoes, chilled guitars under a radiant aura. Gala Drop have never sounded as openly dubby as on 'Dub da Meia Noite' and 'Areal Dub' or capable of converging different tropes of the hardcore continuum – rave stabs and cut up vocals – on a slow burner as memorable as 'Monte do Ouro'. Or given free reign to electricity as on the narcotic guitars of 'Guitarra Voadora' – excepting the one off with Ben Chasny on 2012's Broda. 'Amizade' points towards all of that with comforting escapism and wrapping things up 'Raio' turns dubstep's original bass weight meditations into a cosmic funk workout. One last hug before we leave. An album that feels like a collective moment of celebration, just when we most need it.

Gala Drop are: Afonso Simões - Drums, percussion and synthesizers Nelson Gomes - Electric guitar and electronics Rui Dâmaso - Electric bass & guitar and synthesizer

Recorded by Budda Guedes at Estúdio Mobydick, Braga Mixed by Gala Drop and Hugo Valverde at Estúdio Cão Andaluz, Lisboa Mastered by Anne Taegert at Dubplates & Mastering, Berlim Cover photo by Sara Graça Design by Nicolai Sarbib

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Cautious Clay

Karpeh

22,99 €*

Max Roach Quintet With Abbey Lincoln

Release: 2023 / EU – Original

Genre: Organic Grooves

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Since 2017, Cautious Clay has been steadily building a devoted fanbase with his heartfelt songwriting and a unique sound that moves fluidly between pop, alternative R&B, and indie rock. On his deeply personal Blue Note debut Karpeh, the New York based singer, songwriter, multi-instrumentalist, and producer also known as Joshua Karpeh takes a giant artistic leap forward with an ambitious yet introspective album about growth, conceptions of intimacy, and lineage that reveals a new side of his artistry by delving deeper than ever into his jazz influences.

Cautious sequenced the album thematically in three sections with interludes throughout containing audio recordings of his family members recounting bits of family history.

Part 1. THE Past Explained

Part 2. THE Honeymoon OF Exploration

Part 3. A Bitter & Sweet Solitude

Part 1. THE Past Explained

My early life going up in Ohio + my family's past experiences being the cornerstone of what shaped me for better + worse. Themes of unwavering self-reliance, the "tides" of family/work life balance, race, + cultural identity are throughout this section.

1. 102 Years of Comedy (Intro) 0:33

2. Fishtown 2:57

3. Ohio 2:51

4. Karpehs Don't Flinch 2:09

5. The Tide Is My Witness 3:39

6. Take a Half (a Feeling We Chase 0:42

7. Another Half feat. Julian Lage 2:29

Part 2. THE Honeymoon OF Exploration

Branching out from my past/family members before me embracing vices, personal gratification, and deep self-reflection - different forms of intimacy, psychedelic drugs, + togetherness are a crucial part of this section.

8. Repeat Myself 2:08

9. Glass Face feat. Kai Eckhardt and Arooj Aftab 3:17

10. Walls & a Roof (Interlude) 0:27

11. Unfinished House feat. Julian Lage 2:33

Part 3. A Bitter & Sweet Solitude

Learning how to be alone with my "thoughts" in order to be the healthiest version of myself when I am around friends, family, etc. No matter where I go in life, being alone is a beautiful + eternal truth. There are themes of greed, death, + speaking for myself/my own needs. While this section lacks alot of lyrical content, sonically it is oscillating between heavier/aggressive and more soft/mellow sonic components.

12. Blue Lips feat. Julian Lage 4:07

13. Tears of Fate 4:33

14. Yesterday's Price feat. Immanuel Wilkins 5:16

15. Moments Stolen 3:57

Cautious Clay (artistic conception, vocals)

Joshua Karpeh (saxophone, flute, guitar, synthesizer, bass, bass clarinet)

Additional Musicians: Alwyn Robinson (drums), Joshua Crumbly (bass), Julius Rodriguez (piano), Julian Lage (guitar), Sean Rickman (drums), Daniel Pappalardo (bass), Kai Eckhardt (bass), Arooj Aftab (vocals), Joel Ross (vibraphone), Immanuel Wilkins (alto saxophone), Ambrose Akinmusire (trumpet), Meryl Cooper, Titee Marion Karpeh, Olivia Howell, William Dingus and Caitlyn Harris (spoken word), Georgia Heers, Sarah K. Pedinotti, William Dingus (additional vocals)

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Live In Paris

LP | 2023 | EU | Original (Whp)

21,99 €*

LP | 2023 | EU | Original (Radio Juicy)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Max Roach, the father of modern jazz drumming, caught in action in Paris - France in 1964. This is one of the few live documents in his 1960's dense activity. Here Roach is at the head of a strong quintet featuring the deep voice of Mrs Abbey Lincoln and tenor sax giant Clifford Jordan. Starting from an almost all standard repertoire (including gems like Duke Jordan's "Jordu" and Ellington's "Sophisticated Lady") Roach along with Eddie Khan drive the music with their solid hard swinging pulse.

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Elmo & Nico Harris

Liquid Fusion

20,99 €*

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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Elmo and Nico Harris present their first album “Liquid Fusion” which can be described as a ride through space, where we discover different planets in an electronic-jazz universe. Visiting planets of different flavors like jazz fusion, R&B, 80s disco, you name it. The ride starts with an orchestral composition: "Liquid Fusion", then further dives into the fun and high-energy jazz fusion tracks like “Mirage”, “Nylon”, “Savannah” and “Where to Go”. Including a taste of side B with “Nocturn Lights” and the dance track “Freeze”, the mood begins to change to a deeper blend of emotions. First with the interlude “Worlds Apart”, before reaching the album's climax with tracks like “Noir”, “Hypnosis” and “Sounds of Flores”. The journey ends with “Out of the Dark” that sends us off on a cinematic type outro. The album has such a well-rounded story and feels like the soundtrack of an adventure. Combining all the fusion styles in one album to make the listeners feel like they are being taken off world into an incredible universe made out of all these musical genres!

There's a very special 200 edition which counts as the first edition. We thought that for this art a black vinyl will be a perfect match and also have the classic feel that the album has.

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Roberto Olzer

Torre Del Lago

44,99 €*

Release: 2023 / JP – Original

Genre: Organic Grooves

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Roberto Olzer's ultimate solo piano album on Giacomo Puccini, one of Italy's most famous composers. Performed on a custom Fazioli piano and recorded and mastered by Italian master Stefano Amerio. While maintaining the storyline of the original source material, the series of well-honed beautiful sounds are painfully beautiful and enthrallingly deep.

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Arnold Klos

Appreciations

44,99 €*

Dinner Party (Terrace Martin, Robert Glasper, 9th Wonder, Kamasi Washington)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Recorded in 1988, this is Dutch pianist Arnold Klos at his best. The rhythmic surface-skimming groove, block chords, and harmonic sense... too deep in its shadow, sold out CDs more than a decade ago, and now a miracle performance known only to those in the know is back on record.

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Enigmatic Society Marbled w/ Splatter HHV Exclusive Vinyl Edition

LP | 2023 | US | Original (Empire)

Atomic Butterfly Deluxe Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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HHV exclusive vinyl edition on clear / blue marbled vinyl with red splatters, limited to 500 copies.

Enigmatic Society is the next offering from the multi-faceted, Grammy-nominated supergroup Dinner Party. Full of opulently intricate instrumentation and a range of sleek R&B to smooth neo-soul vocals, Enigmatic Society is mesmerizing in its entirety. The album features brilliant performances from the debut Dinner Party crew: Terrace Martin, Robert Glasper, Kamasi Washington and 9th Wonder, with additional help vocalists Phoelix, Arin Ray, Ant Clemons, Tank and producers Sounwave, Hi-Tek and Trevor Lawrence Jr. Enigmatic Society serves as a follow-up to the group’s 2020 debut self-titled album and continues as a celebration of Black joy, life, art, and culture, as it pays tribute to the duality that manifests in both the beauty and adversity in Black America. This deep sense of community and family flows throughout the project, with the album’s artwork designed by Kamasi Washington’s sister, artist Amani Washington.

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Meatball

LP | 2023 | US | Original (Dewolfe Music)

36,99 €*

Southern University Jazz Ensemble

Release: 2023 / US – Original

Genre: Organic Grooves

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One-part groovy fun, another part sixties British Pop, Atomic Butterfly is a hip-shaking toe-tapper of a record from start to finish. Produced by Barry Stoller, the album is a sure highlight in the infamous DeWolfe collection. Featuring Stoller on guitar, the album includes the thematic ("Funky Spider"), cinematic ("Groundunder:), ecstatic ("Boobs"), and erratic ("Mighty Mouse"). With melodic lines from the horn section and deep in-the-pocket drum grooves, the album will have the party dancing from the moment the needle drops. The Deluxe Version LP is on clear/ruby vinyl and includes an Obi-strip.

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Live At The 1971 American College Jazz Festival

LP | 2023 | Original (Now-Again)

LP | 2023 | JP | Original (Silent River Runs Deep)

Release: 2023 / Original

Genre: Organic Grooves

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First ever commercial releases of New Orleans’ legend Alvin Batiste’s Spiritual Jazz albums created with the college band he instructed and led in Baton Rouge - Goes To Africa With Love and Live at The 1971 American College Jazz Festival Originally given away as souvenirs at Southern University, these albums contains deep Batiste originals and, on Live, are paired with excellent John Coltrane, Miles Davis and Freddie Hubbard covers. They are some of the most sought after albums of Americas 70s jazz underground. Each album contains extensive booklet detailing Batiste’s life and his time spent honing and recording this remarkable band of young students. That one of the great Spiritual Jazz albums of the era could be found in duplicate New Orleans thrift store in the 1980s goes a long way in illustrating the lack of acclaim this special and overlooked album maintained, even in a city where the Batiste name is musical royalty. The Southern University albums Alvin Batiste offered the world were novelies, not worthy of serious consideration, a moment captured, but not necessarily worthy of being collected or preserved by anyone not immediately involved in its creation. That changes now. With the release of the two Southern University albums, Now-Again continues a conversation begun with the late Kashmere Stage Band director Conrad O. Johnson and the issue of his high school students’ music as Texas Thunder Soul, and the continued belief that beautiful music created by youth - even under the most adverse circumstances - can always inspire us.

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Steve Shehan

Indigo Dreams

35,99 €* 39,99 € -10%

LP | 2023 | JP | Original (First On Vinyl)

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Simultaneous double release of the percussionist / composer Steve Shehan's legendary albums!! The world's first LP reissue of his 1990 CD album "Arrows" from First on Vinyl, and his 1995 CD album "Indigo Dreams" from Silent River Runs Deep.

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Steve Shehan

Arrows

39,99 €*

Octava Transparent Clear Vinyl Edition

Release: 2023 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Phi-Psonics

LP | 2023 | EU | Original (Gondwana)

29,99 €*

Plays Mobb Deep's The Infamous Live Colored Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Gondwana Records are proud to announce Octava the sublimely beautiful second album from immersive LA deep-jazz masters Phi-Psonics. Phi-Psonics is a meditative, deeply soulful immersive jazz group from Los Angeles, led by bassist Seth Ford-Young and featuring Sylvain Carton on woodwinds, Mitchell Yoshida on electric piano, and Josh Collazo on drums. Their deeply soulful music draws on jazz and classical influences together with Ford-Young"s own musical experiences, relationships, and his introduction to spirituality, yoga and philosophy at a young age, along the way they create something uniquely their own, beautiful landscapes for your thoughts to roam within.

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Benny Reid

LP | 2023 | US | Original (Benny Reid Productions)

29,44 €* 30,99 € -5%

2LP | 2023 | EU | Original (Mono Jazz)

Release: 2023 / US – Original

Genre: Organic Grooves

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Reimagining Mobb Deep's iconic 1995 opus ‘The Infamous’, NYC-based saxophonist and composer Benny Reid's ambitious new project is a collection of acoustic, sample-free renditions, built from the ground up, performed entirely by the multi-instrumentalist auteur. The forthcoming ‘The Infamous Live’ comes on the heels of Reid’s Billboard-charting take of Eric B & Rakim’s ‘Follow The Leader’. From this, Mobb Deep's Havoc discovered his work and authorized him to reconstruct the timeless Mobb Deep album, giving Reid input and working with him in the studio to complete the project. His limited 7" of "Shook Ones Pt. II" previewing the project, sold out quickly upon release in December 2022. Reid is a forward-thinking jazz musician with a bent toward mixing expansive post-bop improvisation with atmospheric contemporary jazz styles. He released his first two albums on the prestigious Concord label and has been working with Fat Beats to create interesting, progressive tributes to the hip-hop albums that defined his youth.

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Francesco Sotgiu

Passing

31,99 €*

Live From The Multiverse (Infinite 2)

Release: 2023 / EU – Original

Genre: Organic Grooves

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“Francesco Sotgiu has forged a unique and very swinging project of songs. WIth a quintet consisting of Luigi Bonafede on piano, Emanuele Cisi and Riccardo Luppi on woodwinds, Salvatore Maiore on bass, Francesco on drums, and with special guest Paolo Fresu on trumpet to cap off this heartfelt collection. There is also a nice diversity of groups within this larger collection. A nice trio piece called “Calm” featuring Paolo Birro sitting in with Marco Micheli and Francesco. And one called “Lotus Blossom” where Francesco shows his considerable skills and soul on violin. But the bulk of the material is straight ahead jazz and is totally swinging and soulful, proving that jazz has no borders and is a worldwide language to wich Francesco has added to that tradition with this project and all the great voices he has included here. Bravo maestro.” This is the comment of Gil Goldstein, American accordion player who won 5 Grammies and collaborated with giants such as Gil Evans, Wayne Shorter and Michel Petrucciani. This record was recorded in the middle of the pandemic times and most of the work for preparing this record took place via the telephone: the selection of the songs on paper, the exchange of ideas on arrangements, staff and instruments, a sort of "phone rehearsal" of the structure of the songs, with the choice of a solo; everything else, everything that will happen in the recording sessions, is the result of a controlled improvisation, a jam session masterfully captured in the studio through the use of well-positioned ribbon microphones. This is why "passing", literally "passing" or "crossing": because the musicians have gone through listening to these songs as teenagers, and find themselves today, as a mature meeting of old friends who create an informal game made of nostalgic fun, great personality, confrontation and deep spirituality. In the classic Caravan by Ellington and Tizol or Afro Blue by Mongo Santamaria, Coltrane toning, the latin accent of the rhythm section supports the interpretation of the theme and the interplay in the solos between the soprano and tenor saxophones by Cisi & Luppi, and the piano by Bonafede. A certain elegance in the execution distinguishes pieces such as Duke Ellington's Sound OF Love, yet another tribute by Mingus to the Duke, with a calibrated solo on the double bass of Maiore and the flute by Luppi, the immortal Take Five by Paul Desmond, with the highlighted soprano by Cisi, Wishes, 7th Street and the eponymous Passing, all pieces composed by Sotgiu, characterized by the precise medium / fast drive of the drums and a certain "cinematic" taste of the main themes. In songs such as Black Bats AND Poles, composed by trumpeter Jack Walrath for the Mingus orchestra, and in Stranatole, an original piece in which Sotgiu writes a theme of Monk’s influence and enjoys overturning the traditional "anatole jazz” structure, the quintet opts for an effective hard bop language, with exciting moments of dazzling virtuosity in Bonafede's solo, while in Coltrane's Wise ONE and McCoy Tyner's Ballad FOR Aisha we enter a modal, mystical and ceremonial jazz, of a cosmic depth, which seems to hover in the sweet volume of the great hall of the recording studio. These are truly magnificent interpretations. A special separate mention for two classics such as MY Foolish Heart by Victor Young, performed in trio by Sotgiu, Maiore and the unmistakable trumpet by Paolo Fresu, and the (unfortunately very short) Lotus Blossom by Billy Strayhorn and Duke Ellington, which in the piano-violin duo of Birro and Sotgiu, in a minute gives a suspended momentary magic, sums up the roots of African-American jazz music, and also referencing an old fashioned Italian musical sensitivity, typical of Nino Rota's music for Federico Fellini’s films.

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Giraffi Dog

12" | 2023 | UK | Original ((Emotional) Especial)

16,99 €*

LP | 2023 | EU | Original (Rrgems)

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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(Emotional) Especial and Giraffi Dog join forces once more to offer up the second installment of their concept EP series. It is focussed on live and studio collaborations and this one comes in two halves: the first half kicks off with '6th Chakra' (feat DJ Deflektorschild) - a fully live deep house and hi-tek soul exploration with mind-expanding synths and Detroit drum sounds. 'King Otn' is a jack dup acid cut ripped with cosmic synth details and 'DX Metero' has sheet metal synths lashing about next to ethereal synths and busted drum breaks. 'Starfather' is a star-facing closer with elegant piano notes dancing over serene grooves. A vital showcase of this essential live artist.

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Organic Pulse Ensemble

Formative Stages

Southern University Jazz Ensemble

Release: 2023 / EU – Original

Genre: Organic Grooves

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Organic Pulse Ensemble approaches adventures in fields of sound as a one-man band. It is music recorded, composed and mixed by Gustav Horneij. But don’t let this fact mislead you, because the way the artist is binding together rhythm, melody and textures is highly inspirational. It is singular but with a spiritual kinship and debt owed to the torchbearers of 60s and 70s independent jazz. Intellectually unpretentious ‘Formative Stages’ takes the listener on a voyage into an organic and deep resonance. Pleasant and simple melodies evoke a unifying and sensitive response. It shimmers with wonder.

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Goes To Africa With Love

2LP | 2023 | US | Original (Now-Again)

33,99 €*

LP | 2023 | EU | Original (Rockoco)

Release: 2023 / US – Original

Genre: Organic Grooves

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First ever commercial releases of New Orleans’ legend Alvin Batiste’s Spiritual Jazz albums created with the college band he instructed and led in Baton Rouge - Goes To Africa With Love and Live at The 1971 American College Jazz Festival Originally given away as souvenirs at Southern University, these albums contains deep Batiste originals and are some of the most sought after albums of Americas 70s jazz underground. Each album contains extensive booklet detailing Batiste’s life and his time spent honing and recording this remarkable band of young students. Goes To Africa With Love was mixed from the original multi-track tapes and is now presented as a 2xLP with never-before-released instrumentals. That one of the great Spiritual Jazz albums of the era could be found in duplicate New Orleans thrift store in the 1980s goes a long way in illustrating the lack of acclaim this special and overlooked album maintained, even in a city where the Batiste name is musical royalty. The Southern University albums Alvin Batiste offered the world were novelies, not worthy of serious consideration, a moment captured, but not necessarily worthy of being collected or preserved by anyone not immediately involved in its creation. That changes now. With the release of the two Southern University albums, Now-Again continues a conversation begun with the late Kashmere Stage Band director Conrad O. Johnson and the issue of his high school students’ music as Texas Thunder Soul, and the continued belief that beautiful music created by youth - even under the most adverse circumstances - can always inspire us.

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KVR

Spam Vol.1

23,99 €*

LP | 2023 | EU | Original (Second)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Step into the world of KVR and enter a musical landscape of fusion, jazz and electronica. We briefly introduce the band members to you. On keys Niels Broos, who you know from Jameszoo, Binkbeats and his own albums. On bass Dries Laheye, who just released his solo debut Deining, and who you know from Stuff. and Selah Sue. Lander Gyselinck on drums completes the trio, who you can also know from Stuff. and from Labtrio, Lander & Adriaan and Pourriture Noble (his project together with Zwangere Guy).

Over mountain and valley, these blond-haired sound magicians together land down in the deep caverns of the beat and there they sculpt air and electricity with the unforeseeably danceable.

On May 19, their debut album "Spam Vol.I" will be released, which can nicely join Thundercat, Hudson Mohawke, The Comet Is Coming and Jameszoo in the record bin.

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Jo Lawry

Acrobats

35,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Australian vocalist Jo Lawry has forged an impressive solo career with a global fan base, while earning deep respect as a "musician"s singer" within and beyond jazz circles. She"s also spent nearly a decade performing and recording with Sting and has worked with Paul Simon and Peter Gabriel. The two albums she released as a singer/songwriter/producer, Taking Picture (2015) and The Bathtub and the Sea (2017) garnered critical acclaim. Now, more than 10 years since her last solo jazz album, Lawry presents "Acrobats", unequivocally returning to the genre alongside globally in-demand bassist Linda May Han Oh and versatile drummer Allison Miller.

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LP | 2023 | EU | Original (Tramp)

Peace Chant Volume 6

Release: 2023 / EU – Original

Genre: Organic Grooves

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** Raw, Deep and Spiritual Jazz 1966-2018 **
The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts.

Volume 6 ululates with a rich flute and Fender Rhodes-rich microtonal fusion called "Cataracts" by Musica Orbis that even comes with some sparkling Afro-harping moments ala Dorothy Ashby; a 5/4 dreamscape conjured by the Fredric Rabold Crew called "Januschka" with enraptured wailing soprano; and a very interesting and likely heretofore unheard version of a tune that, in Dizzy's words, "... has withstood the vicissitudes of the contingent world and rocketed in an odyssey into the realm of the metaphysical...", A Night in Tunisia, with rich vocals and scatting.

With the Peace Chant series, we are reminded to:
Listen with intention...
Let ourselves notice...
Focus our attention...
Feel our surroundings...
Notice when our thoughts take over...
Let ourselves experience our surroundings...

And continue our unending quest for Peace.

May ALL beings be peaceful.
~Joel Ricci
Key selling points: - incl. full album download code - incl. detailed liner notes - ALL but one song appear on Vinyl-LP for the very first-time

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LP | 2023 | EU | Original (Tramp)

Peace Chant Volume 5

LP | 2023 | EU | Original (Worm Discs)

Release: 2023 / EU – Original

Genre: Organic Grooves

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** Raw, Deep and Spiritual Jazz 1966-2018 **
The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts.

Some of the treasures herein include, from Volume 5, a German gospel/modal jazz hybrid replete with flutes and vibes (and even a surprise gospel choir) reminding us not to 'speak when we should be silent' called "Ich Rede Wenn Ich Schweigen Sollte"; Indian jazz/rock fusion outfit Jazz Yatra Sextette's literal peace chant, "Shanti" led by Louis Banks (real name Dambar Bahadur Budaprithi), who worked with Embryo and John Maclaughlin; and Ron Wilson Trio's walking meditation and study on the beauty and rhythm of "Zimbabwe" in 3/4.

With the Peace Chant series, we are reminded to:
Listen with intention...
Let ourselves notice...
Focus our attention...
Feel our surroundings...
Notice when our thoughts take over...
Let ourselves experience our surroundings...

And continue our unending quest for Peace.

May ALL beings be peaceful.
~Joel Ricci
Key selling points: - incl. full album download code - incl. detailed liner notes - ALL songs appear on Vinyl-LP for the very first-time

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Snazzback

Ruins Everything

Natural Information Society

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bristol"s new wave dance floor instrumentalists announce their new album "Ruins Everything" releasing on Worm Discs. Snazzback"s music is a collage, collectively constructed, torn up and glued back together in unexpected ways, bringing a renewed, daring energy to UK dance music. The 7-piece embrace their experimental beginnings to create a sound fusing abstract beats with spiralling improvisation. Their music is soaked in influences including interlocking West African rhythms, rootsy Brazilian flavours, sprawling soundscapes, deep dubstep basslines and flickering arpeggiators. A collaborative instinct runs through the group, and an eclectic choice of vocalists keeps their compositions shimmering with new possibilities.

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Since Time Is Gravity

2LP | 2023 | EU | Original (Aguirre)

32,99 €*

LP | 2023 | UK | Original (Mic)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Deep, contemplating jazz BY this versatile group of jazz musicians, young and old, including Ben Lamar Gay (International Anthem) , Ari Brown (aacm) amongst others!

The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lamar Gay (cornets), Nick Mazzarella & Mai Sugimoto (alto saxophones & flute), Kara Bershad (harp) & Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio & The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado.

Since first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references & the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated & overlaid rhythmic patterns, ostinatos & modality. Its roots, its scale & its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.

George Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form & contemplation, an organism contemplating for us or as us. If that is a possibility, & I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies & harmonies might such music carry, translate & transform in the particulate ecstasy of our own murmuration?

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Bog Bodies

23,99 €*

Bubuj Bulan / Naghm El Uns

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Bog Bodies - the band consisting of Robert Stillman, Anders Holst and Seán Carpio delve into deep time to carve sonic abstractions across their self-titled new album on MIC. Navigating the “liminal territory between noise and signal, chaos and control, form and abstraction,” the trio recorded and mixed the album on an 8-track cassette machine. Bog Bodies is a searching inquiry into the mythologies and magical undercurrents that knit together our existence in the information age. Bog Bodies opens with a leftfield homage to Superman III, exploring the mythical qualities of technology through a series of angular horn lines that dissolve into the mire of feedback noise on the album’s raking, anthemic title track. Reverberating in tectonic sheets of sound on ‘One That Is Reflected In The Image Becomes All’ and Bog Bodies reaches its climax on the 11-minute ‘Cave Painting 2019’ - a subterranean epic of mystic force, drawn up from the earth in sweeping drones. Bringing together their combined experiences playing with the likes of Manuel Göttsching, Luke Temple, The Smile and more recently Coby Sey.

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Rully DJohan / Munif

12" | 2023 | UK | Original (Soundway)

14,99 €*

That You Not Dare To Forget Record Store Day 2023 Opaque Pink Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Following on from Soundway’s 2022 compilation, Padang Moonrise, are two late 1960s tracks from Java, Indonesia. one instrumental psychedelic organ version of Classic Indonesian track ‘Bubuj Bulan’ and the other a raw funk cut sung in Arabic. Rully Djohan recorded this unique, psychedelic instrumental version of Benny Corda’s classic ‘Bubuj Bulan’ for his album of instrumental organ versions of popular Indonesian songs recorded in 1971-72. With echoes of Indian, Ethiopian and Egyptian jazz melded with traditional Javanese music this version is a shimmering, dubbed-out take on a song that has been recorded by many Indonesian vocalists. Djohan is backed by The Galaxies Band, and led by one of Indonesia’s most original band leaders and arrangers Jopie Item, who also plays sitar and guitar alongside Djohan’s electric organ. On the flip-side, Munif Bahasuan delivers a deep funk track sung in Arabic. Munif was a Jakarta-based vocalist who sung mostly in Arabic and English. Jakarta has a small population of Arabic, ethnically Middle Eastern people who settled in Indonesia via connections with Islam and Islamic culture, the dominant religion in Java, Sumatra and many other of the main islands in the Indonesian archipelago.

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M.E.B.

LP | 2023 | Reissue (Legacy)

30,99 €*

LP | 2023 | EU | Original (Sdban Ultra)

Release: 2023 / Reissue

Genre: Organic Grooves

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr is a progressive All-Star ensemble of Miles Davis alumni and players Miles inspired. This never-before-released studio recording captures a multi-generational Who’s Who of acclaimed artists performing new Miles-inspired compositions.

Produced by Miles alumni Lenny White and Wilburn, the album features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield, and two of the five tracks include unreleased trumpet performances by Miles Davis himself.

This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting by Miles Davis associate/artist Mikel Elam. Pressed on opaque pink vinyl, this is the exclusive vinyl release for this title.

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Dishwasher_

LP | 2023 | US | Original (Dewolfe Music)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Dishwasher_ are the latest disciples of yet another new wave of talent in the fertile Belgian groove and jazz scene. It would, however, be a shame to limit them to the constraints of any given musical style. Ever since their formation in 2019, the Ghent-based trio have been experimenting with all possible genres to create a contemporary sound they can now rightfully call their own. With their self-titled debut album, to be released in April 2023 via Sdban Ultra, they are closing off an impressive first chapter, delivering a unique and diverse yet coherent collection of groove-driven cuts.

While labeling Diswasher_ as a jazz band wouldn’t do them enough justice, it is a fact that improvisation and a certain free approach turn out to be key in the creation and performance process of the album’s tracks. Werend, Louise and Arno specifically aim to capture their live energy and synergy on the album by experimenting with structures and textures, playing with song lengths and implementing influences from various other styles — electronic music in the first place, but as well traces from (Middle-)Eastern and Balkan music, next to dance, hip-hop and even metal.

As a result, the record tends to be a pure and honest representation of Diswasher_’s musical identity and artistic quest over the past years — both as individual musicians and as a band. Saxophones drenched in effects, diverse layers of synthesizers, a bass guitar hopping from fingerpicking licks to deep and drone-like bass tones, drums can sometimes sound like drum computers, and sometimes as subtle rhythmic chords: it’s pretty clear how deep this trio have dived to search and find something totally fresh and new.

Members of the band are Arno Grootaers, Werend Van Den Bossche and Louise van den Heuvel. Their debut album is coming out on Sdban Ultra, the innovative label of Black Flower, Echt! and Compro Oro (among others). In 2023 they will fully focus on new talent, by signing Dishwasher_, but also KAU (formerly KAU trio) and Schroothoop. Apart from that, you can expect debut albums or EPs by LũpḁGangGang, Bandler Ching, KVR trio and Adja coming out this year. Stay tuned.

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Meatball

Atomic Butterfly

29,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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12" | 2023 | UK | Original (Tone Dropout)

Tone Dropout Volume 11

11,99 €*

Reflections Vol.1: Let The Moon Be A Planet

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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In this edition we welcome back Samuel Padden and Xotr, and also see first collaboration release on tone dropout from label head honcho Sween and good friend Alphonse , and of course save the best to last a absolute banger from firm dropout fave Kostas G.

That side kicks off with a melodic uplifting breakbeat smasher called Downfall(epic mix), from Sween and Alphonse , lots of stabs and synths and pianos a real gradual classic, then we welcome Xotr- with Oddessey , an absolute stonker of a warehouse banger , real big deep sounds with a real old warehouse and trance feel, sounds great on the dance floor , this side starts with Samuel padden and a great four four bleep bass track called teslas still alive, then finally kostas G tears it up with an absolute breakbeat classic , beats bass and bleeps all make a dance floor filler and round off this quality selection of dance floor trax from the tone dropout crew .

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Steve Gunn & David Moore

LP | 2023 | EU | Original (Rvng Intl.)

Don Cherry & George Gruntz Group

Release: 2023 / EU – Original

Genre: Organic Grooves

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Steve Gunn and David Moore's Let the Moon be a Planet is a volume of improvisatory exchanges between classical guitar and piano, and a meeting place where two artists become acquainted through instrumental dialogue without a single expectation distracting them from the joy and open field possibility of collaboration.A project enveloped by an aura of reciprocity, Let the Moon Be a Planet unfolded from an invitation to connect between two New York-based musicians who admired each other's work but had never intersected: guitarist and songwriter Steve Gunn, whose solo, duo, and ensemble recordings represent milestones of contemporary guitar-guided material, and pianist and composer David Moore, acclaimed for his minimalist ensemble music as the leader of Bing & Ruth.The exchange began remotely as Gunn and Moore responded to one another's solo improvisations, embarking on a synergistic progression of deep listening and connection through musical conversation. "We were both fans of each other's music and this was a chance to try a different process which was much more open," says Moore. "It felt like something I needed personally as an artist, to not be so controlling over the final output, and to truly collaborate with somebody else."Similarly for Gunn, who was exploring new pastures and passages in classical guitar when the dialogue began, the project was an invitation for pure conversation and exchange, creating space for him to revisit foundational forms with his playing: "I was trying to break out of what I was doing, to have something that just pulled away all the elements of usual structured things."Let the Moon Be a Planet intertwines the trajectories of two musicians acclaimed for pushing the boundaries of their instruments, unified by a shift away from what they recall as more "detail-oriented" approaches to composition. Fueled by the magnetism of their call and response exercise, Gunn and Moore set out on a nomadic songwriting venture without an intended destination."We didn't know it was going...

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Maghreb Cantata Live 1969

2LP | 2023 | EU | Original (Whp)

LP | 2023 | EU | Original (Muzikawi)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A marvelous double album as document of the historical collaboration between Don Cherry and Swiss pianist, composer George Gruntz, a central figure in European Jazz who always showed a special interest in extending his solid post bop skills through other languages such as ethnic or even baroque music. This is North- African deep flavoured Jazz recorded live in Tunisia and Germany in May and September 1969, with Cherry (cornet, flute) and Gruntz (piano, celeste) leading a highly mixed line-up featuring multi reeds player Sahib Shihab, bassists Henry Texier and Eberhard Weber and Swiss dummer extraordinaire Daniel Humair, plus four North African musicians on traditional instruments like bendir, ney, bagpipes, tabla and darbouka. A trance inducing Jazz ritual.

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Dawit Yifru

28,49 €* 29,99 € -5%

Bloedneus & De Snuitkever

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Ethiopia’s music company Muzikawi, will on 30 March reissue the self-titled solo instrumental album of Ethio-jazz composer Dawit Yifru, which offers an exceptional occasion to rediscover one of the most important eras in Ethiopia’s music history. The 11 track album features a compilation of songs that were restored and remastered from cassettes released throughout the 1970s. With Ethiopian Chickchika music, Twist, Congolese Rumba, and Waltz music styles converging, the songs reflect the dynamic musical crossroads that were present at the time in the Horn of Africa country. However, it is the inclusion of the violin instrument, which was uncommon at the time, that presents Dawit Yifru as a visionary composer amongst his mates at the time. “These elements have come together to create Ethio-jazz music at its most bold, spiritual and syncretic,” Muzikawi founder Teshome Wondimu said. “With this compilation, Dawit Yifru offers a bright window into the past of Ethiopia’s music scene which is so rich, deep and sophisticated, with a gentle, beautiful story to tell – and we see ourselves as the messengers who are bringing the world this story and sound.” This compilation is the first release of the Muzikawi’s Archive & Research project, which seeks to re-record and re-issue some of Ethiopia’s most celebrated music that never made it outside the country and in the process bring fame and recognition to musicians whose music was never available on the international market. “ Every country has its stars, its loved singers, but there are of course titans of their era and Dawit Yifru is one of the few, ” Wondimu said. “ The reason many will be experiencing his works for the first time is because in the 1970s, the Ethiopian music ‘industry’ thrived only at the capital Addis Ababa with little recording infrastructure in comparison to its neighbours like Kenya and Uganda, where cult record labels and producers captured the countries’ sound and made the recordings available internationally and for the masses.” “Therefore, our Archive & Research project is a guaranteed way to keep these great works of music alive and circulating. Overall, this compilation is an absolutely brilliant and must own recording from one of the most original sounding Ethiopian composers you’ll ever hear. Hopefully this release will open the door for the world to discover more incredible music and culture from Ethiopia.” Dawit Yifru remains a household name in Ethiopia due to his commitment to collaborating with a diverse range of musicians and sharing his musical skills not just to his peers but also with the new generation of musicians. Dawit Yifru will be available on all digital platforms and for purchase on vinyl. "

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Milli Mille

12" | 2023 | EU | Original (Kraak)

LP | 2023 | EU | Original (Zennez)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The first LP by Bloedneus & de Snuitkever, Milli Mille. Finally on wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention and mindfulness that Marsyas the satyr so lacked when he challenged Apollo and his lyre to that ill-fated musical match. But beyond merely resuscitating an ancient cult, De Clerck as Bloedneus gives the aulos a different kind of renaissance where its penetrating qualities are expanded and expounded to effects worth every nosebleed, paving new grounds in these practices of old.

Milli Mille hints at mysteries universal to humans of yore, present and morrow, like a Joseph Campbellesque recounting of transcendental journeys through drones and extra reverb. Elegiac modes encounter pastoral vibes that are punctuated by sly baroque flourishes, all pointing to the timelessness of the aulos’s sound - one can easily imagine its power of enlightenment through many ages. Yet in Milli Mille, an insistence on the fickleness of the instrument surfaces through disorienting, perception-shifting blasts and a compulsion to push the aulos to its fullest and most destabilizing potential. This is the flavor that Bloedneus & de Snuitkever imbues into that dormant canon, one that permeates the atmosphere long after the last note puts an abrupt end to these vibrations. The satyr’s song rings on, leaving the air abuzz with a timeless pulse that holds the promise of sounds still to be unearthed.

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Gallowstreet

Laaglands

29,99 €*

LP | 2023 | EU | Original (Sub Rosa)

Release: 2023 / EU – Original

Genre: Organic Grooves

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This year Gallowstreet celebrates its 10th anniversary. With three albums in their backpack, that decade turned out to be a triumphal procession along stages and festivals, both within home country the Netherlands as well as abroad.

The ensemble consists of seven wind players and a percussionist who take the British tradition of brass bands and that of New Orleans as a starting point for new adventures and explorations.

While their previous album “Our Dear Metropolis” was a portrait of and a commentary on the changing city (overtourism, rising rents, the privatization of public spaces in Amsterdam), with their new release “Laaglands” the band embraces the landscape and nature.

Thanks to the pandemic and increasingly postponed performances, the band found time and space to explore deeper layers in its compositions, step out of the comfort zone of studio and stage and record an album in the great outdoors of the Netherlands.

This time the tracks lean more on neo-classical and cinema music. A strong contrast to the previous “high energy” albums. “Laaglands” is the perfect music for a relaxing, a quiet evening at home..

Gallowstreet

Abe van der Woude, Peter Keijsers, Dirk Zandvliet, Lucas van Ee, Jeroen Verberne, Mart van Baalen, Bo Floor & Luc Janssens

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Cusack Toop

Alterations

Release: 2023 / EU – Original

Genre: Organic Grooves

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Pharoah Sanders Live At Oyster Club Nice 1971

Pharoah Sanders

LP | 2023 | EU (Whp)

2LP | 2023 | EU | Original (Holidays)

Release: 2023 / EU

Genre: Organic Grooves

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This is tenor sax giant Pharoah Sanders caught live in France in summer 1971, when the man was still in full post-Coltrane mood. At the head of a strong quintet featuring: Lonnie Liston Smith - piano, Cecil McBee - bass, Jimmy Hopps - drums, and Lawrence Killian - congas, Pharoah delivers two very intense yet serene versions of his milestone piece "The Creator Has A Master Plan" and "Let Us Go In The House Of The Lord", a traditional gospel hymn arranged by Lonnie Liston Smith. This is deep spiritual music kissed by the sun of a splendid southern France summer.

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Delivery Health

Superdeluxe!

LP | 2023 | CZ | Original (Anti)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For more than a decade, Giovanni Di Domenico, Jim O'Rourke, and Tatsuhisa Yamamoto have been coming together in various combinations - duos, trios, and larger ensembles - slowly becoming one of the most noteworthy, understated collaborations in the landscape of experimental sound. In 2015, the trio recorded a brilliant LP entitled “Delivery Health” for Silent Water, laying the groundwork for an enduring project that adopted that album’s title as its name, debuting properly in 2017 with the stunner “Hard Off”. Over the years since, we’ve encountered Di Domenico, O'Rourke, and Yamamoto playing together in Bonjintan, their project with Akira Sakata, and in further collaborations with Eiko Ishibashi and Joe Talia, not to mention O'Rourke and Di Domenico’s prolific work as a duo.

Of course, O’Rourke needs little introduction. Initially emerging in Chicago during the late 80’s and based in Japan since the mid-2000s, for more than three decades he has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Slightly younger but nearly as prolific, Di Domenico - Italian born and Brussels based - has constructed a striking solo practice over the last two and a half decades, bridging numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and an endless stream of collaborations. Among the most noteworthy drummers currently working in Japan, over the last decade and a half Tatsuhisa Yamamoto, in addition to his many efforts with Di Domenico and O'Rourke, has collaborated steadily with noteworthy figures like Otomo Yoshihide, Phew, Eiko Ishibashi, Sakaguchi Mitsuhisa, and Akira Sakata, as well creating a body of solo works.

Like its predecessors, “SuperDeluxe!” rides a beautiful line between striking singular creative ambition and accomplishment, and simply feeling like a free-wheeling conversation between friends who have relinquished their egos and presumptions out of a deep sense of mutual respect. The album is a kind of retrospective rewind, comprising five documents recorded live - between 2012 and 2014 - at the legendary SuperDeluxe, Tokyo, by Masahide Ando, then mixed by Giovanni Di Domenico, and finally mastered and cut by Frédéric Alstadt at Angstrom Mastering, Bruxelles. Taking us deep into the very beginnings and previously unheard activities of Di Domenico, O'Rourke, and Yamamoto, the trio weaves a knotted tapestry unfurling as sheets of sound, that sidesteps signifiers and the expectations that one might have of each of these artists on their own. Ranging from brisling ambient passages drawing on latent melodic flirtations, heavy jams on guitar, drums, electronics, and keyboards, and outright, full throttle noise, each moment represents a visionary excursion into the depths of experimental, improvised sound, revealing a shocking sense of real-time dexterity from each player, as much as the collective whole experiments in improvised sound.

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James Brandon Lewis

Eye Of I

LP | 2023 | EU | Original (Akuphone)

Release: 2023 / CZ – Original

Genre: Organic Grooves

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James Brandon Lewis is a New York-based jazz tenor saxophonist, composer, and bandleader. His instrumental voice marries the emotional power of gospel and the grit and groove of blues and R&B to the modal and vanguard influences of Albert Ayler and John Coltrane, and Sonny Rollins" expressive melodic and tonal discipline. Moments, his 2010 debut, was followed by two outings for Sony Masterworks" revived OKeh imprint: Divine Travels in 2014 and the widely celebrated Days of Freeman the following year. After working American stages and clubs, he toured European and Asian festivals. Radiant Imprints, a duo outing with drummer Chad Taylor, appeared in 2018 and was followed by the quintet offering An UnRuly Manifesto a year later. In 2021, after he was selected as the "Rising Star Tenor Saxophonist" in the Downbeat International Critics Poll, Lewis issued The Jesup Wagon, his debut for Tao Forms.Along the way, Lewis drew the attention of many improvising artists, most notably the saxophonist and jazz deity Sonny Rollins, who doesn"t offer effusive praise very often. Moved by Lewis" deep, spirit-seeking sound, Rollins said "When I listen to you, I listen to Buddha, I listen to Confucius ... I listen to the deeper meaning of life. You are keeping the world in balance."Eye of I opens with 44 seconds of gritty, high-throttling low-down groove, an ear pulverizing opening designed to cleanse all traces of ordinary from the palette. From there, Lewis offers a prayerful cover of Donnie Hathaway"s "Someday We"ll All Be Free" and then the first of his disarmingly addictive originals, "The Blues Still Blossoms" in addition to many others.

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Leviot

Sharav

LP | 2023 | EU | Original (Akuphone)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Akuphone is proud to present the Jerusalem-based improvisational trio Leviot and its hypnotizing debut album. Leviot (Hebrew for “Lionesses”) is the brainchild of the multifaceted musician and composer Yael Lavie. She is accompanied by classically trained percussionist and music teacher Cnaan Canetti, and synth enthusiast Yishay Seroussi. The project is a result of Lavie’s explorations beyond the restraints of classical kanun and her fascination for electronic sounds and modern composition. The project initially started after Yael performed and recorded with the Spiritczualic Enhancement Center. With Leviot, she favors improvised sets over rehearsed pieces, revolving around virtuous interpretations by Cnaan and Yishay. The three musicians have been active since 2019, playing their immersive shows in a wide variety of settings, venues and festivals.

The trio’s debut release is a live session recorded in late 2020 at the Mazkeka Studios (Jerusalem), for the lockdown edition of the annual Zikuk Festival. It’s a meditative improvised piece in five parts that melts boundaries between traditional and experimental music, combining primal and futuristic sounds. Lavie’s graphic melodies are a road map for the piece, as Leviot takes off on a cosmic journey with deep drones, whispering chimes, mesmerizing Arab melodies, pulsating rhythms and iridescent ambient patterns.

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Fuji-Yuki

One Butoh

A Time Between Birth And Chaos

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Akuphone is proud to present Fuji-Yuki’s last masterpiece, One Butoh. A musical immersion into the most exciting avant-garde dance style of the past century. Created in Japan in the 1960s by Tatsumi Hijikata, butō is the "dance of the obscure body". It broke with the traditions of classical Noh and Kabuki Theater, which, at the time, seemed outdated in the national context. Nourished by a European artistic avant-garde, butō stands out as a mirror of the socio-political turmoil of a post-World War II Japan. One Butoh resonates as a perfect acoustic introduction to this subversive art and propels the listener deep into his own soul.

Fuji-Yuki is a Japanese vocalist who uses her voice like an instrument. With special vocal techniques, glossolalia and electronic pedals, she creates a wide variety of sounds. Inspired by the spirits of Buddhism and Shintoism, she creatively transforms her vocals into an ambient drone or prayers resonating in a church-like space. Her live performances are always different, depending on the place and space they take place in. She is also known as the vocalist of the experimental band Sarry.

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Symo Reyn

LP | 2023 | EU | Original (Ciel Rose)

39,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Is it a celebration? A reappropriation? A revolution? Symo Reyn has perfectly mastered the qanun, a 78-string zither invented by the Persian philosopher and musician Al Farabi circa 872. A virtuoso, Symo Reyn reinvents this instrument in his work, even revolutionizing it. And how can the sound produced by the only polyphonic instrument in oriental music, the qanun, be approached anew? A new language needs to be conceived for it. its vocabulary needs to be enriched. This process also requires the instrument itself to be transformed: a special sensor manufactured by Symo Reyn himself is attached to the bridge at four points (bass, midrange, treble). It captures the sound waves and converts them into magnetic signals that run through electric wires. A dozen or so pedals control the whole device. This qanun is modified, transfigured. Both on his own and multiplied, Symo Reyn experiments, invents new sound combinations to create a subtle musical tapestry, a tense ow of calm, refined, distended notes. There is a lot of tension in this music that draws from several sources (Henry Purcell, Michael Nyman, Steve Reich, Nils Frahm, Brian Eno, Björk) to be able to tread its own path. It’s quite organic, giving structure to its chaos. Beautiful in its gesture, with rhythmic precision and melodic richness, Symo Reyn’s music is precisely composed and spontaneous, deep and luminous, dense and clear, intense and intimate, delicate and mysterious, unique and familiar. A Time Between Birth and Chaos is as much a statement on the qanun as a purely poetic act. it is a space for possibilities, a place for reinvention. In the aftermath of the founding chaos, now comes the time of metamorphosis, rebirth.Franck Médioni

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WaJazz Volume II The King RCDS Masters HHV Exclusive Sun Yellow Vinyl Edition

2LP | 2023 | EU | Original (180g)

43,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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This edition is limited to 500 copies worldwide and is only available at HHV. Following the highly acclaimed first volume in the series, Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more!

Gatefold 180g heavy double vinyl LP, reverse board print. Comes with extensive track-by-track liner notes by Yusuke Ogawa.
All tracks licensed by King Record Co., Ltd., Tokyo, Japan.
Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
Artwork by Nker.

TEXT:

“It is my great pleasure to introduce you to the second volume of the “Japanese Jazz Spectacle” series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels having an extensive archive of jazz music - we may be able to glimpse a part of its allure and essence. This time again, I have made the music selection with this idea in mind. The music in this compilation was recorded between 1962 and 1985 and is a brief history of Japanese jazz on King Records. Listening is believing, so I hope these tracks will capture your heart and that you will enjoy the charms of Japanese jazz.” - Yusuke Ogawa

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

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WaJazz Volume II The King RCDS Masters Black Vinyl Edition

2LP | 2023 | EU | Original (180g)

38,99 €*

Redefining Element 78 Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Following the highly acclaimed first volume in the series, Japanese jazz expert Yusuke Ogawa continues the WaJazz exploration with another essential collection of music that contains something uniquely Japanese — focusing this time on the King Records catalog. Featuring timeless music by Isao Suzuki, Toshiaki Yokota, Akira Miyazawa, Takeru Muraoka, Yasuaki Shimizu, Masahiko Togashi, George Otsuka, and more!

Gatefold 180g heavy double vinyl LP, reverse board print. Comes with extensive track-by-track liner notes by Yusuke Ogawa.
All tracks licensed by King Record Co., Ltd., Tokyo, Japan.
Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.
Artwork by Nker.

TEXT:

“It is my great pleasure to introduce you to the second volume of the “Japanese Jazz Spectacle” series. Following the first compilation which focused on recordings from the Nippon Columbia catalog, this time we are digging into the King Records archives. It is almost impossible to capture the whole picture of Wa-Jazz in a couple of compilation albums since it is such a broad and deep genre, however, by extracting tracks from the Nippon Columbia and King Records collections - both labels having an extensive archive of jazz music - we may be able to glimpse a part of its allure and essence. This time again, I have made the music selection with this idea in mind. The music in this compilation was recorded between 1962 and 1985 and is a brief history of Japanese jazz on King Records. Listening is believing, so I hope these tracks will capture your heart and that you will enjoy the charms of Japanese jazz.” - Yusuke Ogawa

Yusuke Ogawa has been running the Universounds store in Tokyo since 2001, specializing in jazz and second-hand, rare, and collector records. He is also a reissue supervisor, label manager, DJ, and music writer. Known for his vast musical knowledge, eye for detail, and archival skills, Ogawa has worked on more than 250 reissues and compilations – including the highly praised Deep Jazz Reality and Project Re:Vinyl series. He is the co-author of the Wa-Jazz Disc Guide and the Independent Black Jazz of America books.

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Rebecca Nash

LP | 2023 | EU | Original (Second / Whirlwind)

32,99 €*

Japanese Jazz Spectacle (Deep, Heavy And Beautiful Jazz From Japan) (1962-1985) (The King Records Masters)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

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Yusuke Ogawa

2LP | 2022 | DE | Original (180g)

38,99 €*

LP | 2022 | CA | Original (Spectral Sound / Ghostly International)

Release: 2022 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Limited Sun Yellow Vinyl Edition.

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Dreamcastmoe

Sound Is Like Water

22,99 €*

Taped Heart Sounds 2023 Repress

Release: 2022 / CA – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. tiny wear

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Jesper Munk

LP | 2022 | EU (Billbrook)

20,79 €* 25,99 € -20%

LP | 2022 | EU | Original (Enja & Yellowbird)

Release: 2022 / EU

Genre: Organic Grooves, Pop

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Since Jesper Munk's debut album in 2013 the German singer-songwriter has made a name for himself as multi-

instrumentalist , "in the paths of Jack White and Dan Auerbach," as the Rolling Stone Magazine puts it, playing

music that ranges from Blues and Soul to heartfelt Pop and indulging Jazz, all this with a very unique, post-Punk

edge. His new album Taped Heart Sounds offers an evolution of Munk's sound: warm, gentle and soft vibes that

go deep. "If there is a way to give you a hug in form of an album, this is how I'd attempt to do so," says Munk.

Recorded in an offbeat band room in Berlin with The Cassette Heads, the album brings together classics reaching from Blues to Rock'n Roll. Twelve songs of legendary artists who have influenced and inspired Munk since his early days, including Tom Waits, JJ Cale, Etta James, Hank Williams, Willie Dixon, Jacques Brel, and Mocky.
The entire album was recorded with a Tascam Portastudio 8-Track Cassette Recorder which brought an original and authentic sound to each song: "The technical limitations immediately liberated all other aspects of the recording," Munk says. "It shows how much of making music is just listening and without a screen to catch your eye, you really have no choice but to do so." All Songs face realness and live from these volatile moments that reveal vulnerability and musical generosity. The outcome of this analogue experiment is a very personal album, both inspiring and consoling.
Taped Heart Sounds courageously opens with Donnie & Joe Emerson's Baby; a song so iconic that it actually cannot be enhanced. However, Munk's interpretation stands out and has a presence that gives the song a life of its own - made for walking. Smoke Gets in Your Eyes, All the World Is Green, I'd Rather Go Blind, Head in the Clouds - what follows is a journey through Blues and Soul that is so vital and "now" that End of the Line may be the final track but certainly not the end of the story.
The album wouldn't be what it is without collaboration and partnership. Munk's special thanks go to his fans who helped to crowd-fund the recording. "On top of having had a real fun learning experience it all felt like a community project with real support from friends, the Cassette Heads, incredibly inspiring guests, and from Miles Deico, a wonderfully open and able engineer," so Munk about the making of the album.
Taped Heart Sounds is Jesper Munk's 4th album, following acclaimed debut album For in My Way it Lies (2013), CLAIM (2016), and Favourite Stranger (2018). Released via Billbrook Records, Hamburg-based Distributor Wordandsound's new label, the album is available for pre-order now - for purchase on vinyl and CD. The first single 'Baby' is going to be released on November 19, 2021.

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Jens Düppe

Ego-D Black Vinyl

30,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Shook Ones Pt.II + Remixes Black Vinyl Edition

Benny Reid

7" | 2022 | CZ | Reissue (Benny Reid Productions)

14,99 €*

LP | 2022 | UK | Reissue (An'archives)

Release: 2022 / CZ – Reissue

Genre: Organic Grooves

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Multi-talented jazz composer Benny Reid once again realigns with Fat Beats Records for the 7-inch release of an instrumental jazz rendition of, “Shook Ones Pt. II.” The release finds itself three years removed from Benny’s #1 Bilboard charting album, Follow The Leader, a re-imagining of Eric B & Rakim’s classic work. Due to its success and the subsequent collaboration with Rakim, the continued alliance with the indie hip-hop powerhouse was a no-brainer.

The only way to reimagine a classic such as “Shook Ones” is to do so with the utmost care and integrity. Fortunately, Reid found himself immersed in the absolute majesty of the source material, some of which was directly performed by his idols (Herbie Hancock), as well as teachers (Barry Harris). The brilliance of the original record created a dichotomy of sorts. The material is so desirable to replay, but how to do so in order to warrant a rebirth? The answer lied in stretching the boundaries of his acoustic instruments and jazz background. Seven days later, Reid emerged from his solitary examination of Mobb Deep with his breathtaking rendition of “Shook Ones”; a six minute journey consisting of lush sonic landscapes, imaginative twists and turns, and fantastic grooves, all while transforming Havoc and Prodigy’s original lyrics to instrumental melody.

Havoc became aware of Reid’s work and an immediate partnership was formed. He authorized Reid to re-record an entire instrumental cover album of Mobb Deep’s The Infamous - the first of its kind - in an entirely live acoustic, sample free interpolation completely arranged and performed by Reid himself. The result is the appropriately titled, Benny Reid Presents: The Infamous Live.

With the full length offering set to drop top of 2023, Benny is eager to release the limited 7-inch pressing of Shook Ones, Pt. II, + Remixes, which comes equipped with two non-album remixes; Pyrmds Remix and an Extended Jazz Remix.

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Mai Mao

Ricshari

31,99 €*

LP | 2022 | EU | Original (Challenge)

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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An’archives are thrilled to announce the release of Ricshari, the first LP from Japanese free improvising duo MAI MAO. Consisting of Shizuo Uchida of Hasegawa-Shizuo, Albedo Gravitas, Archeus, Kito Muzukumi Rouber, Terror Shit, UH, etc. on bass, and Kyosuke Terada, of HUH (who have their own release due on An’archives soon), Terror Shit, Bay City Rolaz, Praymate, The Obey Unit, etc. on guitar, they’ve previously released two wild cassettes, Curvature Improvement Plan (Haang Niap, 2020) and Folk Dope Rally (2021), both documenting one-take improvisations from live gigs. Ricshari was recorded by Nobuki Nishiyama in January 2021, and is proof, if any was needed, that this duo is one of the most fiercely unique, out-there units currently extant – in Japan, or anywhere, for that matter.

The music of MAI MAO seems to proceed by opposites and juxtaposition, shifting from frantic, hectic runs of splattering note spray to moments of granular stasis, where Uchida and Terada coax their instruments into and out of deep wells of silence, or rest, temporarily, in a lagoon of fermenting fuzz. Spiralling kinetics are largely the order of the day, though – the opener, “Chew a flying flash prayer”, skitters here and there, guitar and bass jumping over one another in games of leapfrog and Twister, finding new ways to perplex and puzzle the listener, and perhaps each other in the process, Uchida and Terada fully committed to the short-circuiting spirit of the moment.

The energy here is hyperactive, but it also speaks of a curious and committed attention to improvisatory responsiveness, one that’s just as likely to fork off into different directions in a split second – it’s real edge-of-the-seat stuff, as though the hands are moving too fast for the mind to follow. That’s all the better, then, to let the gush of genuinely free-thinking, devoted duo improvisation to fly at its most playful and intelligent. File next to the likes of Davey Williams & LaDonna Smith and their TransMuseq companions, or the wickedly perplexing bass-synth/trombone duets of Dave Dove Paul Duo, and you’ve some idea of what’s going on here, provisionally at least, ‘cos this one’s an enthralling, yet welcoming, head-scratcher of the highest calibre.

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Juraj Stanik Trio

Deep

21,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Crisis & Opportunity Volume 3 Unfold

Myele Manzanza

LP | 2022 | EU | Original (DeepMatter)

22,79 €* 23,99 € -5%

Blood In My Eye (A Soul Insurgent Guide)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Having established himself as one of the most energetic and exciting Jazz musicians within the already thriving worldwide scene, New Zealand born, London based Drummer & Producer Myele Manzanza has made a major impact upon the global music landscape.

A founding member of Electric Wire Hustle, Myele has released five solo albums, and racked up tours and collaborations with Jordan Rakei, Theo Parrish, Miguel Atwood-Ferguson, Recloose and Amp Fiddler amongst others . Myele has developed a strong live presence in his new London base; his quartet has shared stages with the likes of Hiatus Kaiyote, The Bad Plus, Alfa Mist, and drawing packed houses to top venues such as The Jazz Café and Ronnie Scott’s. Last year, the first two instalments of his 'Crisis & Opportunity’ record series saw him garner praise from Mary Anne Hobbs, Cerys Matthews, Jamie Cullum, Huey Morgan, The Guardian, Complex, Jazz FM, Lefto, Worldwide FM, Jazzwise and more.

Following the release of his last offering, a chance conversation between Myele and a young Barista at a local coffee shop occurred - their topic (centred around the trials and tribulations of following your musical passions) sent Myele down a spiralling path of internal reflection, spawning a new lease of creative energy and examination of new ways to approach his craft. The third addition to the heralded series, ‘Crisis & Opportunity Vol.3 - Unfold’ sees Myele change his approach from drummer / improviser, altering his sonic output to a more electronic dance music output, opting for a more producer / beatmaker focussed role. Sharing production duties with Lewis Moody (Zeitgeist Freedom Energy Exchange) and taking a more producer / beatmaker focussed role. His initial instinct was to create music that could be played in a club, but also incorporate elements music of the Jazz and technical musicianship he’s renown for.

Articulating his thoughts on the record’s genesis, Myele explains: ‘‘As the process developed, I was also drawing a lot of inspiration from vocal driven soul, RnB and songwriter-driven music to a point where I had lit a new creative fire. Reconsidering the direction of the album, I was left with the creative question “What broader ranges of emotion might my music be able to access, and what kinds of art could be made possible if I were to open up my music to hold space for singers and for stories?”

First single ‘Silencing The Sun’ features the vocal talents of fast-rising fellow Kiwi artist Wallace, whose spectral tones glide gracefully over the pulsating rhythm section and twinkling keys. On second single ’Therapy’ UK Soul royalty Omar weaves his trademark magic over a solid 4/4 beat, soulful key stabs and lush synths, bottling lightning into dancefloor alchemy. Final single ‘Unfold’ sees Rachel Fraser deliver a delicate and introspective vocal performance over stripped back instrumentation as cold, angular electronics juxtapose the warmth of piano keys and sweeping strings. With a wealth of additional incredible talent (such as China Moses and Rosie Frater Taylor) enlisted to further compliment the record’s grainy synth textures, emotive chord changes, driving low end sonics and expressive percussion, the scene is set for a beautiful, shifting and engaging listening experience.

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Konjur Collective

2LP | 2022 | US | Original (Astral Spirits / Creative Outlets And Works)

40,99 €*

Juntos Ahora Blue Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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The long-awaited release of Blood In My Eye (A Soul Insurgent Guide), the debut release of Baltimore’s own Konjur Collective. Blood In My Eye is a super special record for many reasons. One, the roots of this LP stem from the ever-expansive creative process of percussionist Bashi Rose. A long-time creator in many mediums, Bashi is probably responsible for leading many Baltimore youth into various forms of expression via mentorship, performing arts, and deep conversation. Bashi has been one of my biggest influences over the years. Two, the record is the foundation on which cow: Music sits. It was during the height of the Covid-19 pandemic that Bashi shared with me the record in its unmastered form. After giving it a few listens I knew that Astral Spirits would be a great place to release this masterpiece. After a few initial meetings with Nate Cross and the various members of the Collective, my dream of cow: Music was born. Though Chris Williams Quintet’s ‘Live’ was the first release, it was Blood In My Eye that made our start possible. Three, Baltimore, Maryland has always been a hotbed of musical activity. Legends such as Chick Webb, Billie Holiday, Stanley Cowell, Lafayette Gilchrist, Vattel Cherry, and Gary Bartz have all called the city home at some point in time. Blood In My Eye is not only an album that works as a dedication to political prisoner / revolutionary George Jackson but a new chapter in Baltimore’s recorded musical history. For far too long the city has quietly created while other cities have flourished. Well, that is about to change. The 2xLP suite is a rollercoaster ride of Black Empowerment and emotional expression like nothing else available today. The first release on the Astral Spirits subsidiary, cow:Music.

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Nair Mirabrat

LP | 2022 | EU | Original (Little Butterfly)

34,99 €*

LP | 2022 | EU | Original (Pingipung)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Martín Ibarra and his Nair Mirabrat ensemble bring a garden variety of electrifying rhythms with "Juntos ahora", fusing together elements of candombe fusion, jazz, and pop. Deep in the Montevideo music scene, Nair Mirabrat effortlessly transcends genres and local tradition bringing forth a new era of influence as they revel in the bliss of Ibarra's soaring vocals over tropical rhythms. Ibarra and crew are a modern-day mixture of Jaime Roos, OPA, Hugo Fattoruso and Eduardo Mateo with their explorative, forward-thinking passion of keeping it 100% Uruguay.

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Y Bülbül / Yumurta

Not One, Not Two

LP | 2022 | EU | Original (Beat Machine)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Y Bülbül is back on the controls accompanied by Yumurta, a percussionist from Istanbul. Pingipung introduced the London based artist in 2020 with his psychedelic, synth-laden debut “Fever”.

“Not One, Not Two” is based on a one-way transmission of improvised drum recordings from an industrial estate in Maslak, Istanbul to another one in Tottenham, London, where Y Bülbül laid down fragmented layers of bass, synths, guitars and field recordings over Yumurta’s singular drum takes. The result is a free-form deep listening album for fans of dub, ambient and kosmische music, where the groove and harmonies are mystically interwoven, yet somehow manage to stay on the brink of collapse. Although the sessions were non concurrent and scattered over two continents, the collaboration evokes scenes of a telepathic communion where individual perspectives, circumstances and stories are exchanged between the two.

Resembling Moondog, Holy Tongue or Luis Paniagua in the sense that they favor the raw over the polished, holistic presence over conceptual perfection and questions over answers, the duo’s focus on bare sounds and repetition guides the listener throughout the album. The ride cymbal opening the minimalistic “I’m This”, for instance, briskly disarms the listener who might have been looking for more traditional songwriting or production clues. There are plenty of immediately rewarding moments too in “Not One, Not Two,” like the organic acid bassline in “Maurin Quina”, the euphoric drum fills of “Big K” and the intoxicating groove of the hypnotic vibe-setter “Jah Oto”.

Bülbül is Turkish for a singing bird while Yumurta simply means egg. Which one is first? Who is to follow? It’s this enigmatic entanglement between the two artists which creates the lurking tension, emphasized by the Zen Kōan-like title. The beauty in this album is a peculiar one, and it certainly is a rabbit hole too. Dissonance is fluid as everything moves, and whenever two sounds collide, a third one emerges.

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Karu

An Imaginary Journey

LP | 2022 | EU | Original (Komos)

Release: 2022 / EU – Original

Genre: Organic Grooves

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An Imaginary Journey is the latest album by the double bass player Alberto Brutti along with his contemporary jazz project, Karu. The deep interest in ancestral rhythms and tribal cultures have transformed their studio sessions into adventurous jams, that impress for a sound that is as sophisticated as it is primal. Karu embarks on a psychedelic trip across uncharted territory in jazz composition: Alberto orchestrates vibrating bass passages livened up by the sparkling sax, evocative percussions and melodies that wander across the record. Connecting the dots between joyful celebrations and fearless catharsis, this album crates a spiritual atmosphere where we experience multiple cultures through chants, rituals and the power of imagination.

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Cheick Tidiane Seck

Kelena Foly

20,99 €*

Night Lands Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Cheick Tidiane Seck placed his hands on a keyboard for the first time in the late 60s, on a harmonium of the Catholic convent in Sikasso, where he was a boarding pupil preparing his junior high diploma. From the age of 12 onwards, he would compose pieces by singing them to his mother, a,famous singer. Realizing he had talent, one of the nuns instructed him in music theory during his 3 years at school there. Diploma in hand, he that studied fine art at the Bamako National Arts Institute, tinkled the keys at night, playing with the Rail Band at the Buffet de la Gare hotel, moonlighting like his idol, Jimmy Smith,. He also made the most of his free time by playing on the Art Institute’s piano when the music students had gone home. He was swiftly adopted by the musical community of the Malian capital, and set off on Africa-wide tours with Les Ambassadeurs. He set up shop in Abidjan before arriving in France in the mid-80s. Since then, he has multiplied collaborations with jazz artists (Randy Weston, Dee Dee Bridgewater, Ornette Coleman ...), African musicians (Manu Dibango, Salif Keita...) and even pop singers (Daman Albarn, Carlos Santana...) After the international success of Sarala, a record he arranged and co-directed with Hank Jones, Cheick released 5 albums under his own name which saved a lot of room for the science of electric keyboards, from the Hammond to the Moog. Kelena Fôly (‘expressing oneself only in music’ in Bamana) is his first solo record in a career spanning almost fifty years. There is no artifice here, just his deep voice and the Steinway grand piano of the Studio Pigalle. Cheick plays pieces anchored in the Mandinka tradition like Kana Kassi, which recounts an episode in the life of the founder of the Wassoulou empire, Samory Touré. He also takes us on American adventures with 56 Walker Street, a theme written at this Manhattan address, where, in the early 2000s, he held legendary jam-sessions with attendees such as Dr Lonnie Smith, Roy Hargrove and Vernon Reid. Kelena Fôly plays out around a poignant tribute to Aimé Césaire. On the track, Cheick Tidiane Seck narrates an extract from the poem Souffles, penned by another great proponent of négritude, Birago Diop. Here, he remembers an invitation from the Martiniquais poet to play in Fort de France, to celebrate the 120 th anniversary of the abolition of slavery. The only cover on the record is his version of Sometimes I feel Like a Motherless Child to which he has added a verse in bamana dedicated to his own mother. The album ends with a piece improvised in just one take. Corona contains a Message of Love for humanity by a musician who survived Covid 19. Hospitalised in Bamako in December 2020 and placed on a respirator, Cheick felt himself leave this world before coming gradually back to life. Today, back on track, this ‘warrior’ has embarked on new cross-continental musical endeavours with this record where he has summoned jazz, blues, Mandinka folk sounds and sources of African music to come together, unified by his exceptional playing style and a voice gorged on soul.

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Sunda Arc

2LP | 2022 | UK | Original (Gondwana)

36,99 €*

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / UK – Original

Genre: Organic Grooves

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Sunda Arc are brothers Nick Smart and Jordan Smart, best known as two-thirds of jazz-influenced minimalists Mammal Hands, and on the 18thNovember, they are set to release their sophomore album 'Night Lands' via Gondwana Records, home to such artists as GoGo Penguin, Portico Quartet, Hania Rani and Forgiveness.

Releasing their debut EP 'Flicker' in 2018, Sunda Arc have performed live at AB Brussels, Blue Dot Festival, The Roundhouse, Jazz Café, Reworks Festival, the Royal Albert Hall and Albert Hall, Manchester with GoGo Penguin. Their debut album 'Tides', released in 2020, received high praise from numerous tastemaker media including DJ magazine who described their music as "sounding like John Hopkins' long-lost sibling".

Sunda Arc channels Nick and Jordan's love of electronic and dance music, without losing any of their deep musicality. Drawing on techno, electronica, neo-classical and post-rock influences, Sunda Arc compose and perform using both electronic and acoustic instruments, including analogue synthesisers, home-made software patches, piano, saxophones and bass clarinet – all finessed and channelled through their own unique creative strategies. Integrating electronic elements and experimentation with the expressiveness and energy of acoustic instruments and live performance, Sunda Arc's music is expansive and compelling. "We wanted 'Night Lands' to be an exciting listen, deliberately keeping some elements under control and having other elements of the tracks feeling like they were on the edge of tipping over into being pretty chaotic. There was also the idea of generally keeping the drums and bass pretty heavy sounding when they kick in, imaging how they would sound over a big system and then holding back and focusing on melody and texture when they weren't needed."

From the warm, melodic textures of 'Distant Siren' and 'Beacons' to the ethereal rumblings of 'Endless Fields' and 'Night Lands', Sunda Arc immerse and engulf the listener, expanding simple melodies into bold rhythmic patterns, allowing the acoustic sounds to submerge with the electronic for maximum emotional and dramatic effect. A common theme for 'Night Lands', the duo's enthusiasm to incorporate digital and analogue sounds seamlessly and blur the line between the two, results in a sound world that has both the warmth of analogue sounds and the cold, crispness of digital. "We wanted to manipulate acoustic instruments to make them sound more like samples or older recordings at points, like with the Turkish Ney flute on 'Neon Forest' that we pitch shifted and saturated to sound more like we'd sampled an old 70s recording."

Elsewhere, 'Static Waves' and 'Forgotten Dream' use familiar and foreign sounds with an emphasis on tone and atmosphere to create a soundscape that feels like home and alien at the same time. ""We were trying to make sure the ambient moments felt really alive on this record, like a living, breathing sound world, trying to avoid things sounding too placid. We wanted them to feel just as engaging as the tracks with heavy beats so were always looking at ways to inject as much life and character into them as we could, often recording things to tape and using real tape delays to add a bit of character and fuzzy warmth to things and combining that with more cold, clinical elements."

At times, Sunda Arc create a harsh, brutal world allowing the sound to manipulate the listener's emotional response to each track. "We were talking about dystopian themes a fair bit when we were writing the tunes and I think being in London during the lockdown definitely had an impact on our mindset at the time. The two radio samples on 'Neon Forest' and 'Static Waves' are both just random stations we found on fm radio and recorded some short sections but I both were talking about Covid related stuff. We definitely didn't feel like making a celebratory or joyful record at that point, it was much more of an introspective and moody set of tracks we were focusing on and I guess the feeling of missing being able to go out or see friends and family played a part in this."

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Universal Language

CD | 2022 | EU | Original (Schema)

15,99 €*

Bugge Wesseltoft & Henrik Schwarz

Release: 2022 / EU – Original

Genre: Organic Grooves

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Mermaids really do exist, and I discovered this a few days ago. I came across the fantastic story of the Ama, literally the women of the sea. They live in Toba Bay, Japan, and have a long-established custom that has been passed on from one generation to another for more than two thousand years. Not so few. What do they do? They jump into the sea half-naked to fish for seaweed, octopus and, above all, for pearls. They are the real pearl fisherwomen. They reach a depth of just under 30m, with only the strength of their lungs. They are as beautiful as the sun. When they ascend, due to a strange play of sounds and noises coming from their hyperventilating lungs, they emit a kind of whistle that sounds like the cry of dolphins. Or more precisely, the song of mermaids. They go down into the deep sea and search for pearls. When out of the water, they train all their lives and help each other passing on practices and secrets, confiding in one another to stay united. And they are cohesive, never envious of one another, just a great sense of belonging. With his new work Gianluca seems to have drawn from this ancient hunt, made up of memories and traces. He submerged and searched in the remotest memories and ancestral sounds of skins, streets, eras and styles. With his appreciation he has connected black ghettos, slums, townships, ‘the bronx’ of all over the world and explored them with the curious sounds of contemporaneity. Gianluca also has a very cohesive community of musicians around him, he is proud of this, and with them he finds his element, his peace. ‘Anyone who doesn’t get along with musicians has an unresolved problem,’ he tells me. And that’s why he makes a point of letting it be known that each of the five well-known members of his Cosmic Band and the many valuable guests who populate this new record, contributed decisively to the creation of these crazy tracks. In what way? By using the words of their instruments, generating a language that serves precisely to connect past and present, useful for finding the thread of dialogue. A continuous back-and-forth between generations. To speak of the best in the field is an idle exercise: all have striven in the realisation of the composition, all deserve full praise, none excluded. Ovations for all. If you think you are only listening to jazz, you are sadly mistaken. There are exotic ghosts, promises of evasion. There is a celebration of the human condition. There is a life in here. A plunge into the heart of music and its many languages. A record about confrontation on words, about memory, about being true to oneself. But it is also a work on how complicated it is to come to terms with what we call identity, and Gianluca rewrites this identity in his own way. A work made of whispers, murmurs, in which music and language try to invent a new encounter. That takes us down into the abyss of the sea and up to the sky. Federico Scoppio

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Duo II

LP | 2022 | EU | Original (Jazzland)

Gianluca Petrella / Cosmic Renaissance

Release: 2022 / EU – Original

Genre: Organic Grooves

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Wesseltoft Schwarz return with a new selection of tracks, DUO II, demonstrating that while neither acclaimed jazz composer and keyboardist Bugge Wesseltoft nor electronics maestro and producer Henrik Schwarz could be described as predictable, as a duo they are absolutely mercurial. Their natural affinity and symbiotic musical relationship seem to provide both with equal amounts of inquisitive, experimental and creative energy, and all without sacrificing their accessibility.
This second collaboration album (or third, if you also include the equally superb "Trialogue" where the duo was joined by bassist Dan Berglund - of EST, Tonbruket and RYMDEN fame) travels the sonic landscapes of their imaginations, in all directions. Like its predecessor, the album retains that organic quality that allowed the music to breathe and expand, blurring the distinction between electronic and acoustic, and between live and sampled performance. However, that is where the similarities end, as this time their stylistic mutations have followed different paths, and they have augmented their sound with guest musicians and vocalists, conjuring different vibes, sounds, methods and moods - all while remaining distinctly Wesseltoft Schwarz.

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Universal Language

LP | 2022 | EU | Original (Schema)

LP | 2022 | EU | Original (Dope Noir)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Waldeck / The Sextet

Kind Of Blues

Release: 2022 / EU – Original

Genre: Organic Grooves

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Akira Ishikawa & Count Buffaloes

Uganda (Dawn Of Rock)

CD | 2022 | UK | Original (Mr Bongo)

14,99 €*

Cloud 10 Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress. A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches. For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka. The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag. We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.

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Chip Wickham

LP | 2022 | UK | Original (Gondwana)

LP | 2022 | UK | Original (Heinen)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date

Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporary sounds of Jazzanova, Kyoto Jazz Massive and Robert Glasper.

Originally from Brighton, Chip studied in Manchester and became involved in the 00's UK jazz, soul. trip-hop and funk scenes, working with the likes of The Pharcyde, The New Mastersounds and Nightmares On Wax as well as playing with Matthew Halsall's Gondwana Orchestra. And his relationship with Gondwana Records goes right back to the very beginning as he played on Halsall's 2008 debut Sending My Love.

Cloud 10 is his debut album for Gondwana Records (following a 12" of Lonnie Liston Smith covers in May) and it is a wonderful, timeless, lyrical, slice of hard-hitting, soulful, spiritual jazz and modal hard-bop with a distinctly UK flavour - driven by Chip's deftly funky flute work and hard-hitting tenor. Underpinned by Chip's restless energy and driven by his desire to connect with the listener on a deeper level.

"My albums are my legacy. Each one is a statement to the world of music and my contribution to its growth, its energy and ultimately its history."

Cloud 10 features pianist Phil Wilkinson, vibes player Ton Risco, bassist Sneaky and drummer Jon Scott (all veterans of previous albums) together with harpist Amanda Whiting and percussionist Jack McCarthy whom Chip met touring in the Gondwana Orchestra, and rising star Irish trumpeter Eoin Grace who also doubles on flugel horn. The album was recorded at the legendary all analogue Estudios Brazil in Madrid, with the band spending a week at Chip's house in the mountains just outside the city, eating and drinking together, listening to music till the small hours and recording all day. It was a magical time and the positivity seeped into the recording.

"It was a beautiful week of pure music and joy, I think you can hear it in the recording and that's the inspiration for the title: Cloud 10 is a place of a great happiness, way out beyond Cloud 9!"

And it is that purity, energy and joy, that makes Cloud 10 such a life-affirming recording and makes Chip the perfect addition to the Gondwana Records family. Lean in, you'll be on Cloud 10 too!

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Bruno Heinen Trio

Out Of Doors