Search "twit+one" 29866 Items

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Limited 4LP in gatefold sleeve with OBI strip. Semi-fast cut by Miles Showell at Abbey Road Studios. Includes MP3 downloads. Photography by Miguel Atwood-Ferguson. Layout by Adam Stover.

Miguel Atwood-Ferguson lives in his hometown of Los Angeles and is one of the preeminent musicians, orchestrators, arrangers and composers of our time. "Les Jardins Mystiques Vol.1" is his long-awaited debut album. It presents us with a passionate declaration of love and a realm of beautiful possibilities.

There are plenty of ways to approach Miguel Atwood-Ferguson's music - and there are no limits to where it could take someone. As a composer, arranger, multi-instrumentalist and producer, he has worked on more than 600 albums and soundtracks for cross-genre artists:inside, including Flying Lotus, Thundercat, Anderson .Paak, Mary J. Blige or Seu Jorge. His sonic palette spans jazz, classical, hip-hop, electronica, avant-garde, pop and more. His acclaimed live and recording projects include the innovative orchestral reinterpretation of J Dilla's repertoire, "Suite For Ma Dukes" (2009), his prolific works with longtime friend and collaborator Carlos Niño, including the improvised album, "Chicago Waves" (2020), on International Anthem, and his groups such as Quartetto Fantastico and the Miguel Atwood-Ferguson Ensemble. "Les Jardins Mystiques" is a project that reveals and shares Miguel Atwood-Ferguson's musical universe. It has evolved over a dozen years, largely financed by himself, and showcases his distinctly elegant musicianship (on violin, viola, cello and keyboards, among others) and free-spirited dialogues with more than 50 instrumentalists. Volume 1' is only the first part of a planned triptych that will comprise a total of ten and a half hours of original and refreshingly expansive music. Atwood-Ferguson connected with his guest musicians in a variety of ways: through convivial studio dialogue, through long-distance communication during the pandemic, and through the energy of live performances in his hometown, including at the Del Monte Speakeasy (the delightfully invigorating piano-accompanied "Dream Dance") and the Bluewhale (including "Ano Yo" with the spirited alto sax of Devin Daniels and the cosmic harmonies of "Cho Oyu"). Bennie Maupin, the legendary US multi-wind instrumentalist whose repertoire includes Miles Davis' fusion opus "Bitches Brew", plays bass clarinet on the ravishing opening number "Kiseki". Throughout his illustrious career, Miguel Atwood-Ferguson has worked with artists such as Rihanna, Ray Charles, Lana Del Rey, Lady Gaga, Anderson .Paak, Dr. Dre, Kamasi Washington, Mary J. Blige, will.i. am, Big Boi, Arthur Verocai, Bonobo, Lianne La Havas, Kaytranada, Moses Sumney, Seu Jorge, Common, The Roots, The Cinematic Orchestra, Jamael Dean, Shafiq Husayn, Adrian Younge & Ali Shaheed Muhammad, Carlos Niño, Bilal and many more.

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LP | 2023 | JP | Original (HMV Record Shop)

City Music Tokyo Corner

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / JP – Original

Genre: Pop

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* Music selected by Kunimondo Takiguchi * Sixth installment from the Universal Music 'city Music Tokyo' series * Album art by Yasuyuki Takagi Universal Music is excited to release this compilation series that highlights hidden City Pop gems selected by Kunimondo Takiguchi. This release is the sixth installment following 'invitation' (released in November 2020), 'junction' (released in April 2022), 'signal' and 'tremolo' (released in January 2023), and 'parallelism' (released in March 2023). It is set to include rare tracks from various labels such as Universal Music, Polydor, Kitty Records, EMI, and more. This collection compiles city music that one can imagine from the themes of 'urban life' and 'music' in Tokyo, and it's something that should be listened to right now. Continuing the series title 'city Music TOKYO,' the subtitle for this installment is 'corner.' In the process of the changes in city pop from the 1970s, this subtitle was chosen to emphasize the 80s and 90s tracks as a 'corner' in the transformation. Additionally, it aims to shine a spotlight on tracks that may have been in the 'corner' of the hit charts and not gained as much attention. The concept-representing imagery was captured by photographer Yasuyuki Takagi. Art direction and graphic design are handled by Kunimondo Takiguchi.

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Roberto Olzer Trio

Dreamsville

The Moon And The Bonfires

Release: 2023 / JP – Original

Genre: Organic Grooves

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To the travelers of Gentle November. A transparent time and space that only Olzer can create. The most beautiful autumn that fills your hearts. It is as clear and deep as a lake quietly filled with fresh water in the middle of a forest, and as delicate and graceful as autumn leaves dancing in the wind. Moreover, it is easy to listen to. The quiet passion, like a blue flame, seeps into your heart. Winner of the Jazz Critics Magazine's Jazz Audio Disc Award 2016. The masterpiece of the one and only piano trio led by Italian pianist Roberto Orser is finally available on vinyl!!

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Roberto Olzer Trio

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Transparent and sweet at the same time. Roberto Olzer shows you the answer you are looking for in piano jazz. Yes, if it's beautiful, that's all that matters. If you are so absorbed in the music being played that no one can stop the inner wanderings that begin there, what would you call it but bliss? The music jumps over the boundaries of jazz, classical, pop, and all other kinds of music, and you can only be intoxicated by the connection of the sounds that are like gems. The masterpiece of the one and only piano trio led by Italian pianist Roberto Olzer is finally available on vinyl!!

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Tonu Naissoo Trio

1976

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / JP – Original

Genre: Organic Grooves

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A trilogy of the best of the best, the "White". Revolutionary times revived beyond memory. Flaming piano jazz that ignites the heart! The year was 1967, a time of great change in music. Tonou Naisseau presents the best trio music with a longing for those glorious days! This is the "White" of the trilogy of his best work, which he challenged with a new concept. The album has a wide variety of songs, but the sense of unity as an album is superb. One of his masterpieces is finally available on vinyl!!

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Tonu Naissoo Trio

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / JP – Original

Genre: Organic Grooves

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The "Black", a trilogy of his best work. Rock soul inside gushes out! Solid piano jazz that arouses the heart. Tonu presents a Great Rock Songbook with love from the bottom of his heart. Its beauty and comfort are incomparable. This is the "Black" part of the trilogy, with is a new concept. The album has a rich variety of songs, but the sense of unity as an album is superb. One of his masterpieces is finally available on vinyl!!

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Tonu Naissoo Trio

Fire

2LP | 2023 | JP | Original (Jazz Shinsekai X Atelier Sawano)

Release: 2023 / JP – Original

Genre: Organic Grooves

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A trilogy of the best of the best, the "Red". Gorgeous melodies, vivid performances. The light of piano jazz that makes your heart dance! A fresh and exquisite selection of songs brings the pleasure of piano jazz. Estonian master Tonu Naissoo has a great sense of style. This is the "Red" part of a trilogy of his best work, which he challenged with a new concept. The album has a rich variety of music, but the sense of unity as an album is superb. One of his masterpieces is finally available on vinyl!!

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Vladimir Shafranov

White Nights

Tsuneo Imahori, Hideki Taniuchi And Naoya Mori

Release: 2023 / JP – Original

Genre: Organic Grooves

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This is the origin. "A New Era of Piano Trio" from Northern Europe. Don't talk about jazz piano without listening to Shafranov! It all started here. This is an album that jazz critic Yasukuni Terashima has featured as one of the best albums of the 1990s, and is truly a must-listen for piano fans. The transparency and bouncy swing of this album is impressive. After 24 years, Atelier Sawano's memorable first work is finally available on vinyl!

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Hajme No Ippo: Best Collection Multicolored Vinyl Edition

2LP | 1989 | US | Reissue (Microids)

Release: 1989 / US – Reissue

Genre: Soundtracks

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* Pressed on Silver and Red Double Vinyl * Music to the animated series based on George Morikawa's famous manga * Composed by Tsuneo Imahori, Hideki Taniuchi, and Naoya Mori / Published in 1989 in the 'Weekly Shônen Magazine', 'Hajime no Ippo' by George Morikawa has become over the years a cult sports manga, and remains to this day one of the longest river series, still being published, counting more than 130 volumes. It is only natural that an animated version was born in 2000, produced by Madhouse, under the name of “Hajime no Ippo: The Fighting! of 76 episodes (covering the first thirty volumes of the series). This narrates the beginnings and the rise of a high school student, Ippo Makunouchi, in the world of professional boxing. Find now a selection of the best anime music with rock and jazz accents with the final destination: The ring! Three composers worked for this selection: Tsuneo Imahori (trigun and Gungrave), Hideki Taniuchi (in collaboration with Yoshihisa Hirano on Death Note) and Naoya Mori.

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SolidCutz

X One (Numark PT01)

58,49 €* 64,99 € -10%

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The X One is the substructure of the modular plate concept. The X One is made of aluminum and allows you to quickly change any plate on the PT01 Scratch. This makes it easy to reproduce different styles on a record player using different plates.
The X One, an essential basis for the Plate X One system, consists of two parts: the plate and the X One itself.

Only the turntable is delivered, a Numark PT01 Scratch is not included in the package.

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Simon & Garfunkel

Bookends

LP | 1968 | WW | Reissue

Funkcronomicon Red Vinyl Edition

Release: 1968 / WW – Reissue

Genre: Pop

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A Timeless Reflection on America and Ourselves: Simon & Garfunkel’s Searching Bookends Searches and Asks Big Questions, Includes “Mrs. Robinson” and “A Hazy Shade of Winter”

Mastered on MoFi’s Renowned System and Limited to 4,000 Numbered Copies: Mobile Fidelity’s 180g SuperVinyl 33rpm LP Magnifies the Brilliance of the Original Recording Sessions

1/4" / 15 IPS analog copy to DSD 256 to analog console to lathe

Concept album, career-making moment, industry-defying creation, years-long pursuit of perfection: Simon and Garfunkel’s Bookends adheres to all those descriptions and more, the record at once a defining statement of the late 1960s and salient reflection on relationships, identity, society, and mortality whose enduring relevance attests to its exceptional merit. Ranked by countless sources as one of the greatest records of all time, the 1968 work transcends styles, trends, and generations.

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Axiom Funk

3LP | 1995 | EU | Reissue (Regrooved)

Release: 1995 / EU – Reissue

Genre: Organic Grooves

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Regrooved Records proudly present the ultimate reissue of Axiom Funk's legendary album, Funkcronomicon! This psychedelic and funkalicious masterpiece continues to amaze listeners with its eclectic variety, thanks to the impressive roster of artists under the name Axiom Funk.

At the heart of this project is legendary producer and bassist Bill Laswell, whose artistic vision and skills seamlessly unite the album. Funkcronomicon features appearances by many (former) members of Parliament-Funkadelic, making Funkcronomicon a de facto release of this legendary band. Among the featured musicians are the p-funk legends George Clinton, Bootsy Collins, Bernie Worrell and Jerome “Bigfoot” Brailey, and it features the last studio recordings from guitarist extraordinaire Eddie Hazel. Nex to that it also features contributions from icons such as Sly Stone, Maceo Parker, Fred Wesley, Bobby Byrd, the dynamic duo Sly & Robbie and Herbie Hancock and many, many others.

Funkcronomicon masterfully combines funk with the mythical Necronomicon by H.P. Lovecraft Lovecraft's cosmic horror stories, which radiate liveliness despite the ominous title. The cover art by the legendary Pedro Bell, this was one of his last projects before his vision was tragically lost, adds to the album's enigmatic allure and is reminiscent of Lovecraftian rituals.

Now it's time for a high-quality vinyl reissue of this cultural phenomenon. Remastered and pressed onto three discs, this new batch of Funkcronomicon now comes with extensive artwork and now offers you the ultimate listening experience for this classic album. Don't miss your chance to own a piece of funk history. Get your funk on with this must-have reissue!

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Pacific Breeze Volume 3 Japanese City Pop, AOR & Boogie 1975-1987 HHV Exclusive Tropical Love Trip Vinyl Edition

2LP | 2023 | EU | Original (Light In The Attic)

Release: 2023 / EU – Original

Genre: Pop

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Limited to 500 copies, worldwide, exclusively available at HHV. The latest chapter in the acclaimed Pacific Breeze series!

Artwork by renowned illustrator Hiroshi Nagai

Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)

Newly remastered audio

2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI

Extensive artist bios by Yosuke Kitazawa

Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering, with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto, while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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20 Years Of Shogun Audio Slipcase Edition

4LP | 2024 | UK | Original (Shogun Audio)

Orf 1968-1971 Feat. Carmell Jones, Slide Hampton & Art Farmer

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-15

The ‘20 Years Of Shogun Audio’ LP consists of 10 remixes of Shogun’s most legendary tracks and 10 groundbreaking new cuts from a selection of drum and bass’ most exciting talent. Featuring new music from Friction, DJ Marky, Break, Pola & Bryson, Monrroe, Emily Makis, Technimatic, Icicle, S.P.Y, Lens, GLXY, Sustance, Duskee, Javeon, Flowdan, SP:MC, Document One, Deadline, GEST, Watch The Ride, Total Science, Lenzman, Particle, Levela, Emperor, Subwave, Dynamite MC, IYAMAH, Note and many more, this is the ultimate collector's piece for any drum and bass fan.

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Erich Kleinschuster 6tet

2LP | 2022 | EU | Original (Wallen Bink)

Hudson River Wind Meditations Coke Bottle Clear Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Formed in 1966, the Erich Kleinschuster Sextet substantially enriched the continental jazz landscape. The band supported the early careers of some of Europe’s best jazz soloists, and attracted exceptional U.S. expatriate musicians seeking shelter from the trials and tribulations of life in America. These long-lost recordings, set across three volumes, give some insight into Kleinschuster’s singular talents and the Sextet’s significant contribution to modern jazz in Europe. The recordings in this series, many only recently discovered and presented for their first time on these vinyl editions, provide an illuminating and long overdue testament to one of the unsung forces of modern jazz in Europe.

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Lou Reed

Takanaka Clear Red Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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“I first composed this music for myself as an adjunct to meditation, Tai Chi, and bodywork, and as music to play in the background of life, to replace the everyday cacophony with new and ordered sounds of an unpredictable nature. New sounds freed from preconception. …over time, friends who heard the music asked if I could make them copies. I then wrote two more pieces with the same intent: to relax the body, mind, and spirit and facilitate meditation.” - Lou Reed

Lou Reed’s final solo album, Hudson River Wind Meditations, is one of his most personal musical works, combining Reed's love of creating drone music with his passion for Tai Chi, yoga, and meditation. The album's ambient soundscapes have been described as a counterpoint to his intense Metal Machine Music album—but they are similar outliers in Reed's 40+ year exploration of drone music and feedback harmonics. It's for a certain time and place of mind.

The album has been remastered by the GRAMMY®-nominated engineer John Baldwin with vinyl pressed at Record Technology Inc. (RTI). The Double LP and CD releases are designed by GRAMMY®-winning artist, Masaki Koike and feature new liner notes by renowned Yoga instructor and author, Eddie Stern, who guided Reed’s practice for years. Also included in the physical editions is a fascinating conversation between author/journalist Jonathan Cott (Rolling Stone, The New Yorker) and Reed’s wife, artist Laurie Anderson, who discusses the album, as well as her husband’s devotion to Tai Chi – one of the album’s primary inspirations.

Hudson River Wind Meditations marks the latest release in LITA’s Lou Reed Archival Series. Launched in 2022 in tandem with the late artist’s 80th birthday, the ongoing series has celebrated one of America’s most influential songwriters through such acclaimed collections as Words & Music, May 1965 featuring many of Reed’s earliest (and previously-unreleased) recordings, including the earliest-known versions of “I’m Waiting for the Man” and “Pale Blue Eyes.”

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Masayoshi Takanaka

LP | 1971 | JP | Reissue (Universal Music)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Blue Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Pop

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Pressed on clear red vinyl
180g weight
Remastered by Alex Wharton at Abbey Road 53 years after his debut! The remastered popular works of Masayoshi Takanaka, one of Japan's leading super-guitarists, are now available on limited edition colored vinyl! Alex Wharton of Abbey Road Studios, London, has remastered and cut this can't miss album from the original master tapes of ""SEYCHELLES,"" ""TAKANAKA,"" ""AN INSATIABLE HIGH,"" and ""SUPER TAKANAKA LIVE!"

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

Music For William Eggleston's Stranded In Canton Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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J Spaceman & John Coxon

LP | 2024 | US | Original (Fat Possum)

Whiz Limited And Hiroaki Shitano

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2015, J Spaceman, John Coxon, and friends performed a new original score for William Eggleston's Stranded in Canton live at a special film screening at the Barbican Gallery in London. The recording sat on a shelf for 10 years, and is finally unveiled through this release. Housed in gatefold jackets with matte varnish and UV spot outer printing. Includes an 8-page booklet. Limited white vinyl edition features alternate artwork. Spaceman and Coxon will perform the work in London, New York, Los Angeles, and Eggleston’s hometown of Memphis, on the invitation of the photographer’s son Winston Eggleston.

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Whiz Limited: The Finest Of Tokyo Street

Rizzoli

Directions To See A Ghost

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The first monograph on the Japanese streetwear brand Whiz Limited, this book showcases the last 20 years of the brand’s design and collaborations with streetwear’s most iconic players.

Whiz Limited is a Japanese streetwear brand estab-lished in 2000 by Hiroaki Shitano. With a following in Japan as well as Hong Kong and mainland China, Shitano has become something of a cult figure, as one of the new generation of streetwear designers influ-enced by Hiroshi Fujiwara. Consisting originally of handmade, printed tees, the label has since expanded to include a complete range of streetwear infused with an eccentric Japanese flair. Shitano was raised in the entertainment district of Shinjuku, and this is reflected in the clothing’s distinctly downtown urban vibe and predominantly dark color palette. Chronicling the history of the brand, alongside some of Whiz’s most prolific projects to date, this book features beautiful, newly shot photographs of a long list of collaborations with streetwear icons, including Hiroshi Fujiwara/Fragment, Mastermind, Stüssy, A Bathing Ape®, Bristol, Bountyhunter, M&M, Kappa, New Era, Disney, Hello Kitty, G-Shock, Peanuts, Porter, The North Face, Marmot, First Down, and the estate of Keith Haring. This book also features an impressive archive of the brand’s iconic sneaker designs, boasting collabora-tions with heavy hitters like mita sneakers, Adidas, New Balance, Asics, Puma, Reebok, Mizuno, Converse, and Ugg, making it a must-have for sneak-erheads and lovers of streetwear style alike.

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Original (Light In The Attic)

The Cabinet Of Dr. Caligari Limited Edition

Release: 2008 / US – Original

Genre: Rock & Indie

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"The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost (Light In The Attic). Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in 'Never/Ever.' 'They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone

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Karl Bartos

LP | 2024 | EU | Original (Bureau B)

Den Of Iniquity "Clear And Ghostly" Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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Musician and writer Karl Bartos has long been admirer of Weimar-era culture. During his time in Kraftwerk, he helped create the stunning track "Metropolis", directly inspired by a band viewing of the classic1927 Fritz Lang film of the same name. The original orchestral music composed for The Cabinet of Dr. Caligari by Giuseppe Becce had long been lost and in 2005, after watching the film, Bartos imagined what it would be like to create an entirely new one in the 21st Century in his home studios in Hamburg. Now with crystal clear images, digitally restored by the Friedrich-Wilhelm-Murnau-Foundation, the film is visually the best quality it has ever been, and now, wit...

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Integrity

2LP | 1993 | US | Reissue (Organized Crime)

Masayuki Takayanagi / New Direction Unit

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Den Of Iniquity was originally released on Dark Empire Records in 1993 to combine their demos and rare vinyl releases on one CD. Organized Crime is pleased to bring back this early, rare-track anthology and more than double the amount of tracks included. Spanning from the very start of the band in 1988 through 1998, Den Of Iniquity brings together 23 rare tracks as a double LP now available on “clear and ghostly” green vinyl limited to 265 copies. Includes layout by Dwid Hellion along with liner notes by Aaron Melnick.

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Mass Hysterismin Another Situation

2LP | 2023 | US | Original (Mass Hysterismin Another Situation)

All One Tonight (Live At The Royal Albert Hall) Limited Crystal Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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Black Editions presents Mass Hysterism in Another Situation remastered and cut to double 45rpm 12" vinyl. Mass Hysterism in Another Situation captures Masayuki Takayanagi's New Direction Unit in its final incarnation, at an apex in its development; it also finds Takayanagi, one of Japan's great iconoclastic artists, at a moment of crucial artistic transformation. Recorded in August 1983 as part of his "Another Situation" concert series, the album features one of the last performances of Takayanagi's revolutionary and perhaps most famously violent piece, "Mass Projection." By this date, New Direction's line up had been distilled to a compact, searingly hot trio of Takayanagi joined on electric guitar by Akira Iijima and Hiroshi Yamazaki on drums/percussion. Over the course of 40 minutes, the group sustains an uninterrupted, highly charged attack propelled with unrelenting energy. The music is rife with noise and dissonance intruding from both sides; a vortex of sound and fury that begins to slip from even the expansive bounds of free jazz into something almost purely electronic. The trio would perform only four more times, completing the "Another Situation" series with its 24th edition in November 1984. Eleven months later Takayanagi would debut an entirely new modality, one he called "Action Direct." It completely transformed his approach to guitar and sound in general by embracing an entirely abstract, solo noise music projected through massive, complex sound systems of his own design. Mass Hysterism is perhaps the most powerful link in this part of Takayanagi's history—a perfect realization and farewell to one of his greatest forms en route to territories even further afield and radical. Pressed to high quality vinyl at RTI. Housed in a heavy tip-on gatefold jacket with Pantone spot colors, spot ink pigment foil on gloss film laminate finish as well as printed inner sleeves. Featuring photographs by Tatsuo Minami and newly translated notes by Takayanagi scholar Yoshiyuki Kitazato . Deluxe double LP gatefold.

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Marillion

4LP | 2023 | EU | Reissue (Earmusic)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

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Norio Maeda And Tin Pan Alley

Soul Samba

LP | 1977 | JP | Reissue (Lawson)

4LP | 2020 | EU | Original (Mercury)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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* Originally released in 1977 * Featuring covers of 'The Girl from Ipanema' and 'The Look of Love' * Pressed on Black Vinyl A masterpiece of samba released in 1977, featuring Norio Maeda, a major pianist and arranger in the jazz world, and Tin Pan Alley by Haruomi Hosono, Shigeru Suzuki, and Tatsuo Hayashi. This album features several of the greatest Bossa Nova numbers such as 'Wave', 'One Note Samba', 'The Girl from Ipanema', 'Summer Samba', and famous songs such as 'The Look of Love' by Burt Bacharach. This is an album full of highlights.

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Elton John

Jewel Box: Deep Cuts

57,66 €* 72,99 € -21%

Release: 2020 / EU – Original

Genre: Pop

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Air Analog Collector's Edition "Tori No Uta / Farewell Song"

Lia & Visual Arts / Key

LP | 2024 | JP | Original (Ookami Koubou)

Shades Of... Black Friday Record Store Day 2020 Edition

Release: 2024 / JP – Original

Genre: Pop, Soundtracks

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One of the most difficult-to-obtain titles for ani-song/game music records!! Event-only, ultra-rare analog record “Tori No Uta”, a masterpiece so honored that it is even called the “National Anthem”, is finally being reissued! This legendary work, released in 2006 in a limited edition of 500 copies for event sales only, is finally being reissued! The jacket is a faithful reproduction of the original jacket drawn by Itaru Hinoue, which can only be seen on this title. The original version was a picture vinyl without obi, but the reissue version is a black vinyl 180g heavy-weight vinyl with obi! B-side includes remixes!

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Gray

3LP | 2013 | US | Reissue (Ubiquity)

The Lucky One Opaque Gold Vinyl Edition

Release: 2013 / US – Reissue

Genre: Organic Grooves

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Famed painter Jean Michel-Basquiat was one of the co-founders of the band Gray. This anthology features reissue of their previously limited self-release plus unreleased material, and remixes from: Todd Rundgren, Hank Shocklee, King Britt, Sal P (Liquid Liquid), Deantoni Parks, Tewz, Free The Robots, and The Gaslamp Killer, along with features from Amir Yaghmai and Kool Keith. 1979, Downtown New York, Gray was making industrial music with sound. Jean-Michel Basquiat played the guitar with a metal file, Michael Holman played masking tape and steel ball bearings, Justin Thyme abstracted the keys, as Nick Taylor played his guitar with historical restraint.

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Cory Wong (Vulfpeck)

2LP | 2023 | EU | Original (Diggers Factory)

56,99 €* 59,99 € -5%

Release: 2023 / EU – Original

Genre: Organic Grooves

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OST Glass Onion Clear Vinyl Edition

Nathan Johnson

2LP | 2023 | CZ | Reissue (Mondo)

LP | 2022 | US | Original (Now-Again)

Release: 2023 / CZ – Reissue

Genre: Soundtracks

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Audiences who were lucky enough to have seen the film during its special theatrical sneak preview have already discovered that this highly anticipated sequel is nothing short of epic - and much of that is due to the gorgeous, sweeping score by Nathan Johnson. Johnson keeps intact the delicate balance that made Knives OUT such a clever score, never undermining the danger that is around every corner, but also brings an intoxicating romanticism to every gorgeous landscape. It’s playful, and sinister all at once. “I’m thrilled to announce the release of my score for Glass Onion on vinyl, but more specifically, I’m over the moon to be able to join forces again with the wonderful folks at Mondo,” says Johnson. “Everything they do is one-of-a-kind, but with this release they’ve gone above and beyond. We’ve mastered this version specifically for vinyl so that it retains all the orchestral dynamics I’ve written into the score, and I can’t wait for people to get their hands on the artwork and peel back all of the beautiful layers. I know we live in a world of digital ephemera, but I’ll say it again and again: thank God for Mondo.” The package, carefully constructed by Jay Shaw and Mo Shafeek, pays homage to the film's central mystery in multiple ways. Pressed on 2x 140 Gram Crystal Clear vinyl, and housed in a die-cut jacket, with an acrylic o-card, and multiple inserts.

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Denny Zeitlin

The Name Of This Terrain

2LP | 2022 | JP | Original (P-Vine)

Release: 2022 / US – Original

Genre: Organic Grooves

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At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting’s ultimate finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin’s discography, a wonderful and weird fusion of avant-classical, jazz, funk, rock and electronic music. The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 –and it so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its creator’s blessing and guidance. You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard Feather called, “the most versatile young pianist to come to prominence in the early sixties,” and who took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion, intellect, and humor in turn. The Name Of This Terrain found its way out of the depths – wonderful and having aged well, like well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood, redolent of the tastes and textures of a different time, one we pine for and that we won’t often see again, but can happily, momentarily, indulge. Now-Again’s Eothen Alapatt and Zeitlin-chonicler Andrew Gilbert collaborate here to tell the story of this amazing album. Never-before seen photos and ephemera appear in the oversized book. Download card for WAV files for all vinyl tracks, as well as bonus tracks, included.

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Bootsy Collins

The Power Of The One

Release: 2022 / JP – Original

Genre: Organic Grooves

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2LP | 2021 | US | Original (Now-Again)

Morgen

Boy From Michigan Deluxe Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Morgen’s self-titled 1969 album is the sole release by the NYC band led by songwriter / vocalist Steve Morgen. Now-Again’s Reserve edition of the release pairs the album with previously-unreleased songs and alternate takes to create denitive double LP reissue of the album. That casual listeners have never heard of this late 60s masterpiece is by any measure a musical injustice. Morgen offers a portal to a dream space where the expansive, artful touches never prevent the band members from pummeling their instruments like their lives depended on it. Paul Major, perhaps the first Morgen evangelist, likens the album’s immediacy to that of Hendrix, stating “Morgen was one of the records that came closest to giving me that same kind of thrill on that level. It blew my mind!” Geoffrey Weiss, Now-Again’s nomination for World’s Greatest Record Collector, states “…unlike 95% of the rare psychedelic records that people celebrate it sounds like they were good musicians who were well rehearsed and had worked out this sound very intentionally. Morgen has a kind of power – you really can’t compare it to anything.” The band, and Morgen’s arc were – cribbing Kurt Vonnegut – unstuck in time. It took 50 years for Steve Morgen’s belief, for instance, that an alternate, superior version of his stellar “Purple” was recorded in 1968. It sees release here, alongside other takes of songs from the album, including a version of “Beggin’ Your Pardon (Ms. Joan)” on which Morgen’s fiery guitarist Murray Shiffrin sings lead and songs the band recorded as possibilities for the album, before settling on their dense, hazy vision and etching an indelible entry into the psychedelic canon. The set is rounded out with the inclusion of extensive liner notes by Jeff “Chairman” Mao as well as never-before seen photos and ephemera in an oversized book. Download card for WAV files for all vinyl tracks and additional bonus tracks.

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John Grant

2LP | 2021 | UK | Original (Bella Union)

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Now-Again)

Mike Nyoni & Born Free

My Own Thing

LP | 1969 | US | Reissue (Now-Again)

Release: 2018 / US – Original

Genre: Organic Grooves

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The latest release in Now-Again’s deluxe Reserve Edition series: the first ever anthology of Zamrock musician Mike Nyoni’s funky, psych-rock and folkloric 1970s recordings, plus bonus tracks on DL card for WAV files.
Zambian guitarist and singer/songwriter Mike Nyoni’s music is Zamrock only because he came of age during the country’s rock revolution. His preferred wah-wah to fuzz guitar, James Brown to Jimi Hendrix. His 70s recordings – often politically charged, and ranging from despondent to exuberant – are amongst the funkiest on the African continent. He was also one of the only Zamrock musicians to see his music contemporaneously issued in Europe. This anthology collates works from his three 70s LPs – his first, with the Born Free band, and his two solo albums Kawalala and I Can’t Understand You – and presents a singular Zambian musician on par with celebrated artists Rikki Ililonga, Keith Mlevhu and Paul Ngozi. The package also features an extensive, photo-filled booklet contains an overview of the Zamrock scene and Nyoni’s story. Includes a download card to WAV files, including bonus tracks.

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Hunger

Strictly From Hunger

Mingus Blue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records. They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version! Download card for WAV files and bonus tracks – including the full Public! Records version of the album and 7” single tracks – included.

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Joni Mitchell

LP | 1979 | EU | Reissue (Elektra)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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2LP | 2023 | FR | Original ([Pias] Le Label)

Jean-Louis Murat

Best Of

OST Godzilla Vs. Mothra: Battle For Earth Eco-Colored Vinyl Edition

Release: 2023 / FR – Original

Genre: Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. Clear vinyl Limited edition.

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Akira Ifukube

2LP | 2023 | UK | Original (Death Waltz)

Release: 2023 / UK – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Super Takanaka Live! Clear Vinyl Edition

Masayoshi Takanaka

LP | 2024 | JP | Original (Universal Music)

Broke Again Record Store Day 2024 Red Vinyl Edition

Release: 2024 / JP – Original

Genre: Pop

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" Pressed on clear vinyl
180g weight
Remastered by Alex Wharton at Abbey Road 53 years after his debut! The remastered popular works of Masayoshi Takanaka, one of Japan's leading super-guitarists, are now available on limited edition colored vinyl! Alex Wharton of Abbey Road Studios, London, has remastered and cut this can't miss album from the original master tapes of ""SEYCHELLES,"" ""TAKANAKA,"" ""AN INSATIABLE HIGH,"" and ""SUPER TAKANAKA LIVE!"

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Bob Frank

LP | 1972 | US | Reissue (Real Gone Music)

Director's Cut 2018 Remaster Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Originally released in 1972 on Vanguard Records, Bob Frank’s self-titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson and filtered it thru a pot-smoked haze and the infusion of Frank’s long-time friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual admiration that ran so deep that on Dickinson’s own 1972 debut album Dixie Fried (released on Atlantic Records), he recorded one of Bob Frank’s songs “Wild Bill Jones.” But despite the Dickinson/Memphis connection, Bob Frank’s only LP for Vanguard became a forgotten, hard to find relic - until Light in the Attic reissued it to great acclaim in 2014. Now, from Real Gone comes more 1972 Vanguard Bob Frank recordings (all previously unreleased studio songs) coupled with a live set from the Old Quarter in Houston 1973 (the first-ever vintage live Bob Frank recordings to be released). Includes an insert with extensive liner notes detailing Frank’s career self-sabotage by Pat Thomas and the director of the documentary Within A Few Degrees: A Little Gest of Bob Frank, Isaac Pingree. 20 tracks, all unreleased, pressed on stems ‘n’ seeds “marijuana” vinyl.

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Kate Bush

2LP | 2011 | EU | Reissue (Fish People)

Anna Maria Castelli / Gianni Coscia / R. Sellani

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g. Director's Cut is Kate's 9th studio album and was released on 16 May 2011 on Kate's own label Fish People.

On Directors Cut Kate revisits a selection of tracks from her albums The Sensual World and The Red Shoes.

Kate has re-recorded some elements whilst keeping the best musical performances of each song - making it something of a director's cut but in sound, not vision. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Something To Remember Natural Sound Recording

LP (Foné)

Genre: Organic Grooves

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Crosstown Rebels - 20 Years Of Madness, Magic And Music - The Book

Joe Muggs

Crosstown Rebels

3LP+DVD | 2023 | UK | Original (Happy Happy Birthday To Me)

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“20 years ago, I dreamed a dream of creating a family of like-minded, crazy individuals from all corners of the planet. That dream was Crosstown Rebels. Over these years, I have forged beautiful friendships, discovered very talented artists and tried my best to help, advise and support some of the most colourful characters in dance music. It’s been 20 years of madness, magic and music. Now it’s been distilled into our own book to mark this milestone. I’m honestly surprised at how much I remembered!” - Damian Lazarus

For 20 years Crosstown Rebels has forged a path as one of the world’s leading electronic music labels.

Established in 2003, Damian Lazarus’ label manifesto has not changed. Discovering and nurturing new talent has always been the beating heart of the label, with a mission to soundtrack the future of the dancefloor and beyond. Introducing the world to the likes of Jamie Jones, Seth Troxler, Maceo Plex and Art Department was just the beginning. Today the roster is gloriously international, showcasing the truly global scene that Crosstown has shaped over the years.

Of course, there’s the parties too. The early Slash & Burn and Rebel Rave parties paved the way for Damian to create two of the world’s most cherished experiences, Get Lost and Day Zero, and in turn setting a benchmark for electronic music events worldwide.

Now the Crosstown Rebels story is told in a new 240 page book. 20 years of madness, magic and music. Starting right back before the beginning and taking us through to the present day, acclaimed electronic music writer Joe Muggs dives into the label’s history, interviewing Damian at length and revealing Crosstown’s story as never told before. The book brings together countless unseen photographs and artwork taken from the last two decades. It tells the story of how the dance underground battled and triumphed. This is a unique publication, not only for fans of Crosstown Rebels and Damian Lazarus, but also for anyone with an interest in independent label culture and the evolution of dance music over the last 20 years.

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Wedding Present

24 Songs

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Wedding Present 24 Songs is a 3LP w/ DVD collecting all the 2022 7" singles in one spot. A. o. featuring a duet with Louise Wener of Sleeper, full lenght versions of songs, a bonus Utah Saints remix and more extra tracks! Throughout 2022, The Wedding Present's '24 Songs' series saw the legendary indie band release two new tracks a month as double A sided 7"s, ultimately creating a much-sought-after box set. David Gedge has now re-curated full-length versions of all twenty-four tracks for a new compilation album that will also comprise five bonus recordings including one featuring The Wedding Present's first guitarist, Peter Solowka. '24 Songs' was a doff of the cap to The Wedding Present's 'Hit Parade' project of 30 years previous. That series proved to be a real milestone for the band with them becoming only the second-ever artist to achieve twelve Official UK Top 40 hits in a calendar year - at the time something that only Elvis had achieved! David Gedge says: "When it came to compiling the '24 Songs' album, I decided not to sequence the tracks in chronological order. With six sides of vinyl, you have six 'beginnings' and six 'ends' to play with, and I felt that the opportunity to build some kind of a musical journey was too good to miss! Listening back to this collection, I have to say that I genuinely believe that, for this project, The Wedding Present have recorded some of the best tracks in our history." Classic black vinyl, the DVD includedThe Wedding Present playing live during the `24 Songs Launch' event in January 2022 plus a fascinating `fly-on-the-wall' documentary filmed as the songs were being written, arranged and recorded and the video for the December single.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 1976 | EU | Reissue (Speakers Corner)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Charles Mingus

Mingus At Antibes

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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You can be sure that jazz fans in the year 1960 were unfamiliar with Charles Mingus’s LPs "Blues And Roots" or "Mingus Ah-Um" when they poured into the Pinède Gould Arena at the Antibes Jazz Festival held in Juan-les-Pins, France on 13 July. At any rate, as can be seen in a short video clip, all the seats were occupied. In addition, a really good trumpeter was there, whose name would later resound throughout Europe: Ted Curson. What is more, the legendary Bud Powell, who lived in France, was invited as a special guest for one number that required a pianist.
The Jazz Workshop – which was how Mingus called his working ensemble – presented repertoire that was familiar to all the musicians: "Better Git It In Your Soul", "Wednesday Night Prayer Meeting" and Dolphy’s wonderful solo on the bass clarinet in "What Love?". Besides this there was "Cry For Freedom" as "Prayer For Passive Resistance" was also named, and "Folk Forms", also known as "Ummh". As a mark of respect towards the guest musician, it was decided to perform the evergreen "I’ll Remember April", with Powell’s improvisation being applauded enthusiastically by the audience.
Charles Mingus was to play in numerous concerts in the 60s and 70s; he recorded more than two-dozen official LPs, accused several concert organizers and tour managers of extortionate robbery, and trampled on illegal recording tapes. But the present live recording was made by the ORTF and released officially later by Atlantic Records. It is now re-released after many years and is a rare document in the annals of music history.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: July 1960 live at the Antibes Jazz Festival, Juan-les-Pins, France, by Dannie Richmond
Production: Neshui Ertegun

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3LP | 2023 | EU | Original (Waxwork)

Dawn Of The Dead

Battle Mode Double-Sided Playset 2-Pack - ReAction Figures

Release: 2023 / EU – Original

Genre: Pop

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George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack. This expansive three LP set features the complete De Wolfe library cues from Romero’s 1978 cut of the zombie classic for the first time on vinyl. This special release of the iconic Dawn Of The Dead soundtrack features the U.S. theatrical soundtrack, including “Cause I’m A Man” by the British band Pretty Things, as well as fan favorite “The Gonk” by composer Herbert Chappell.

George A. Romero’s Dawn Of The Dead is considered to be one of the greatest and most compelling zombie films ever made by blending horror, gore, and social commentary on material society. Roger Ebert gave the film four out of four stars and called it “one of the best horror films ever made.” The film was selected as one of The 500 Greatest Movies of All Time by Empire Magazine in 2008. It was also named as one of The Best 1000 Movies Ever Made, a list published by The New York Times.

Waxwork Records is proud to release George A. Romero’s DAWN OF THE DEAD Original Theatrical Soundtrack loaded with features including 3xLP colored vinyl, deluxe heavyweight triple gatefold packaging with matte satin coating, artwork by Ruiz Burgos, a four-page booklet, and extensive liner notes by Living Dead film music archivist and historian Jim Cirronella.

FEATURES:
◊ The Complete De Wolfe Library Theatrical Cues
◊ 3xLP Colored Vinyl
◊ Artwork By Ruiz Burgos
◊ 4-Page Booklet with Liner Note

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Czarface

Super7

55,99 €* 69,99 € -20%

Ballads (Acoustic Sounds)

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When Czarface and Impostarr go head-to-head for control of the galaxy, an epic showdown is sure to follow! Set the stage for battle with Super7’s new Czarface ReAction Battle Mode Double-Sided Playset, featuring metallic editions of both Czarface and his nemesis Impostarr! Measuring 12.8”H x 8”D x 12”W, the Czarface ReAction Playset features a red plastic base featuring metallic accents and a reversible backdrop that lets you switch between urban apocalypse and cosmic chaos scenes as you pit Czarface and Impostarr against one another! Who will win? You can decide once you’ve secured your Czarface ReAction Figure Playset!

Accessories And Features:
• Inspired by Czarface album and comic book artwork
• Includes exclusive 3.75” metallic ReAction Figures of Czarface and Impostarr
• Double-sided backdrop allowing you to switch between two different scenes
• Displayed playset dimensions are 12.8”H x 8”D x 12”W
• Weight: 6.9 lb

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John Coltrane

LP | 2020 | UK | Original (Verve)

Release: 2020 / UK – Original

Genre: Organic Grooves

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2LP | 1975 | EU | Reissue (Speakers Corner)

Herbie Hancock

Flood

LP | 2024 | AU | Original (Warner Australia)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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In the summer of 1975, the Herbie Hancock Sextet made a hugely successful tour of Japan, which made people aware of a 'new' Hancock. The last LP that the keyboard virtuoso had recorded, "Thrust", was already one year old, and the film music for the Charles Bronson classic "Death Wish" was received negatively by his fans. At his concerts in Tokyo, Herbie Hancock reached back to his hits: "Maiden Voyage", "Chameleon", and the famous, soulful "Watermelon Man" made the fans at his concert hall and open-air appearances go wild with enthusiasm. Forty years later I have the courage to confess that I couldn’t have cared less about this music at the time; in Europe there was enough that was new and exciting to see and listen to. However, this re-release in its original format has given me the opportunity to check out whether this music has withstood the test of time. And I must say: it has passed the test! Just listen to Herbie at his best!
Dr. Michael Frohne

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Speed

Only One Mode

Release: 2024 / AU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Southside Johnny And The Asbury Jukes

Live At The Capitol Theater December 30. 1978 Yellow Vinyl Edition

3LP | 2024 | WW | Original (Renaissance)

Release: 2024 / WW – Original

Genre: Organic Grooves

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2LP | 1981 | UK | Reissue (Pure Pleasure)

Pharoah Sanders

Rejoice

OST Twin Peaks: Fire Walk With Me

Release: 1981 / UK – Reissue

Genre: Organic Grooves

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A two-LP set on Theresa, "Rejoice" features Pharoah Sanders in excellent form in 1981. Sanders sounds much more mellow than he had a decade earlier, often improvising in a style similar to late-'50s John Coltrane, particularly on "When Lights Are Low", "Moments Notice", and "Central Park West". The personnel changes on many of the selections and includes such top players as pianists Joe Bonner and John Hicks, bassist Art Davis, drummers Elvin Jones and Billy Higgins, vibraphonist Bobby Hutcherson, trombonist Steve Turre, trumpeter Danny Moore, a harpist, and (on "Origin" and "Central Park West") five vocalists. The music always holds one's interest, making this one of Sanders' better later recordings. Scott Yanow

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Angelo Badalamenti

2LP | 2017 | UK | Original (Death Waltz)

Belafonte At Carnegie Hall

Release: 2017 / UK – Original

Genre: Soundtracks

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Fire Walk With Me is an altogether more brooding affair than the Twin Peaks series soundtrack. Badalamenti won a grammy for the title track of this LP and it's not hard to see why- it's dangerous, and bursting with smokey jazz thanks to Jimmy Scott. We went back to the master tapes in the Warner Archives and had this recut to fit across two LPs as the score clocks in at 51 minutes. It sounds incredible and punchy, but super nuanced too.

From the brooding opening bars of the main Fire Walk With Me Theme, Angelo Badalamenti's gorgeous, eerie score introduces us to a cinematic experience which significantly begins with the smashing of a television screen. Just as the Main Title from Blue Velvet echoed the Hitchcockian hues of Bernard Herrmann, so here we have just the slightest touch of Taxi Driver, as Jim Hynes' plaintive, keening trumpet soars above a landscape of melancholy keyboards, drawing us into a world which is at once alien and familiar.

This release is housed in a 425-gsm gatefold sleeve inside a bespoke black die cut outer jacket with black spot varnish finish, complete with obi strip and sleeve notes by film critic Mark Kermode (approved by David Lynch and Angelo Badalamenti The artwork got fully approved by the director as the audio got approved by the composer
The 180-gram „Cherry Pie“ vinyl 2LP got remastered by Tal Miller at Warner Archives, while laquers were cut by David Cheppa at Plush Vinyl.

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Harry Belafonte

2LP | 1959 | EU | Reissue (Speakers Corner)

LP | 1984 | DE | Original (Not On Label)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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To perform in Carnegie Hall must surely be the greatest ambition of every artist, regardless of his or her style of music. But it also presents an enormous challenge, because on such an evening 'good' isn’t good enough. The artist is not merely expected to perform to his or her usual high standard – the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfil such expectations, as is testified to by the present double album, which has retained its place as a best-seller at the top of the charts over many years.
This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favourites are there such as "Jamaica Farewell", "Day-O" and "Mama Look A Boo Boo", making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). With this double album you too can sit in the audience and enjoy this great event.

Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson
Production: Bob Bollard

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Magica

People

Beautiful Rivers & Mountains Blue Black Splatter Vinyl Edition

Release: 1984 / DE – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Shin Joong Hyun

2LP | 2011 | US | Reissue (Light In The Attic)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Beaux Gris Gris & The Apocalypse

Hot Nostalgia Radio Colored Vinyl Edition

2LP | 2024 | Original (Cadiz - Grow Vision)

LP | 1977 | JP | Reissue (King)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Beaux Gris Gris & The Apocalypse are happy to announce the release of their 3rd studio album, 'Hot Nostalgia Radio', alongside the release of the first single, 'Satisfy Your Queen', to digital platforms worldwide.The California-based Roots-Rock band have been gaining momentum across the UK and Europe for their acclaimed genre-bending music and epic one-of-a-kind live shows. Beaux Gris Gris expand their eclectic nature once again with this14 track album, celebrating and paying homage to classic songwriting and crossing the genre's that inspired their development as artists.Kicking the party off with a bang, BGG&TA presents their scorching rock single, 'Satisfy Your Queen'. A classic Rock n' Roll underpinning, bluesy riffs and an empowering chorus, the song kicks up a heavy fuss out of the gate, and doesn’t let up till the final note.True to form the album might be hard to categorize, but as the title suggests, it never strays away from being easily accessible. Front woman and songwriter, Greta Valenti explains: 'We've had over 4 years to write this album. The last album was recorded in 2019, pre-pandemic and then we had to sit on it for two years. I had over 100 song ideas waiting to go, but I really wanted this album to represent classic simple songwriting that strikes a chord within your soul. Every song should be a banger in some way, and these songs are really an evolution of who I am and who we are as a band. They're not complicated on the surface, but I hope these songs make you feel and are added to the soundtrack of your life - fitting seamlessly with the songs you already know and love.' Greta adds, 'So even though the songs may veer from Rock to Blues to Soul to Americana-Country to Singer-Songwriter, they are still essentially 3 to 4 minute pop songs. Our fans aren't genre-specific and neither are we. They just like good songs and wanna have a good time. And so do we.''I think our approach harkens back to when bands like the Beatles would write a bunch of different style songs, be it country, or psychedelic, or whatever they did they would always sound like the Beatles', guitarist Robin Davey adds. 'We certainly don't sound like the Beatles, but I hope that no matter what we do we are still easily identifiable as Beaux Gris Gris'.A deluxe double coloured vinyl set with LP sized booklet. Plays at 45rpm for higher fidelity! Side 1: 1. Oh Yeah (2:33) / 2. Wild Woman (2:47) / 3. Satisfy Your Queen (4:18) / 4. I Told My Baby (2:05). Side 2: 5. Middle Of The Night (3:21) / 6. Sad When I'm Dancing (3:21) / 7. All I Could Do Was Cry (3:22). Side 3: 8. The Runaway (4:36) / 9. Harder To Breathe (3:43) / 10. Don't Let Go (3:51). Side 4: 11. Penny Paid Rockstar (3:18) / 12. Marie (4:19) / 13. Let's Ride (3:23) / 14. Mama Cray (3:30)

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Piranha Gundan

2x12" | 1996 | DE | Original (Space Teddy)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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The "Piranha Gundan" was established in 1975 by Toei actors. The actors, who support the Toei production by playing roles in movies and TV dramas, naturally gathered for booze ups. Masaru Shiga, a member of the group, named them "Piranha Kai" with a dream to one day playing main roles in movies.

The gang benefited from the positive publicity generated by Takuzo Kawatani and Hideo Murota's appearance in the drama "Zenryaku Ofukuro-sama," broadcast from October 1975. This gradually brought the other corps members to the attention of the public. The release of "Violent Panic: The Big Crash" and "A Savage Beast Goes Mad" (both released in 1976), in which corps actors played major roles, contributed to the continued growth of the Piranha Gundan boom. In 1977, the movie "The Smart Aleck Ten" was released, starring all members.

This album was released in April 1977. Folk singer Kan Mikami, who was also active as an actor, conceived the idea of producing a Piranha Gundan record at a party with Tsunehiko Watase. With the exception of M-2 "Mura Uta ~Washashiranbushi~" and M-4 "Ore (Re-o)," 11 songs were written and composed by Kan Mikami. The album was arranged by Jun Sato and Ryuichi Sakamoto, who also played keyboards. Other musicians who contributed to the album include Shuichi Murakami, Tetsuro Kashibuchi, Tsugitoshi Goto, Nobu Saito, and others.

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Holy Language

Choose Your Own

Hudson River Wind Meditations Glacial Blue Vinyl Edition

Release: 1996 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Price tag.

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Lou Reed

Iain Matthews & The Salmon Smokers

Release: 2024 / US – Original

Genre: Electronic & Dance

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Fake Tan

LP | 2020 | NO | Original (New Noise)

Ross Tregenza / Wes Keltner & Jim Bonney

Release: 2020 / NO – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Limited Edition.
Clear Vinyl.
Record is close to NM.
Includes original inner sleeve.

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OST The Texas Chain Saw Massacre / Remains Bundle

2LP | 2023 | US | Original (Waxwork)

When I Hit You You'll Feel It Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks

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Waxwork Records is thrilled to release THE Texas Chain SAW Massacre Original Game Soundtrack LP by Ross Tregenza and Remains Additional Game Music LP from THE Texas Chain SAW Massacre by Wes Keltner and Jim Bonney!

From Gun Interactive, creators of the global hit Friday THE 13th The Game, comes a terrifying follow up that has been developed by horror fans for horror fans. Take on the role of one of the notorious Slaughter family, or their victims, in The Texas Chain Saw Massacre®, a third-person asymmetrical horror experience based on the groundbreaking and iconic 1974 horror film. Experience the mad and macabre for yourself in The Texas Chain Saw Massacre®.

This very special double album bundle features the complete video game soundtrack music to The Texas Chain Saw Massacre pressed to "Chain Saw Motor Green & Rust" colored vinyl, housed in deluxe heavyweight gatefold packaging with matte satin coating, composer liner notes, and all new artwork. The composers of the game music all have a dedicated love for the original 1974 film. Recordings of sheet metal, spoons, tuning forks, furniture, and the instrument, the Apprehension Engine, were mangled, manipulated, and ran through several vintage reverbs, distortions, tape delays, and other effects to create a haunting, sonic cacophony that envelopes the listener and transports them directly to a killing floor in the sweltering Texas summer heat.

Ross Tregenza Bio: Ross Tregenza is a Bafta nominated Cornish composer, known for his work on video games including The Texas Chain Saw Massacre, Deathloop, Forza Horizon 5, Cyberpunk 2077, Wolfenstein: Youngblood, Wolfenstein: Cyberpilot, Team Sonic Racing, Timesplitters 2 & 3, Crysis 1-3, Hotshot Racing, Homefront: The Revolution, Star Citizen, Gears of War, Haze, Star Wars, Aliens Vs Predator and BBC Online.

Jim Bonney Bio: Jim Bonney is a Bafta award-winning composer/music director specializing in interactive music, credited in numerous video games including titles from the Mortal Kombat, Mafia, and BioShock series. Along with his game credits, Jim has also created music for everything from Burger King children's toys, to collaborations with Nasa; and has also scored numerous trailers, short films, documentaries, commercials, and television programs, including Buffy the Vampire Slayer, Chicago Hope, and The Weekenders. His concert works have been performed in over 25 countries, with ensembles as large as 1,400 musicians, located in venues ranging from New York City's Carnegie Hall to the Great Wall of China.

Wes Keltner Bio: Wes Keltner is the CEO and Studio Director at Gun Interactive. He has been a part of the video game industry since 2005 and consulted on video games including Doom, Splinter Cell, Star Wars, Madden, Skyrim, Ghost Recon and several others. With an inclination towards marketing and advertising his work has appeared in Fast Company, Forbes, The NY Times, Wall Street Journal, and Ad Age. During the pandemic he took it upon himself to learn a new musical instrument that could deliver the sound of Texas Chain Saw Massacre. He found this sound within the Apprehension Engine and he spent countless hours discovering and recording horrifying sounds that ultimately became the soundbed of the game.

The Texas Chain Saw Massacre The Game Original Soundtrack Features:

The Complete Soundtrack Game Music by Ross Tregenza Remains LP: Additional Soundtrack Game Music by Wes Keltner & Jim Bonney "Chain Saw Motor Green" Colored Vinyl (tcsm LP) "Rust" Colored Vinyl (Remains LP) Artwork by Jake Kontou Heavyweight Gatefold Jackets with Matte Coating Composer Liner Notes

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Leslie Winer

2LP | 2021 | US | Original (Light In The Attic)

55,79 €* 61,99 € -10%

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

55,09 €* 57,99 € -5%

Release: 2023 / US – Original

Genre: Rock & Indie

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Ortofon

OM 5E

55,00 €*

High Flying Clear Purple Vinyl Edition

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Optimal fit and sound reproduction
If your tonearm has a standard headshell or a cartridge mount, then step up to optimal sound reproduction with OM’s. A glance at anyone of these cartridges will reveal Ortofon's answer to perfect tonearm matching. Ingeniously tucked into the top of the mounting bracket is a tiny, removable weight-plate.

If your tonearm is an standard tonearm, just leave the weight-plate. If your tonearm is one of the low mass types, then simply remove the weight. The mass of your OM cartridge is now a mere 2.5g.

OM 5E features Elliptical stylus that provides balanced and distortion-free playback. Elliptical diamonds are able to follow the groove oscillations more accurately than spherical diamonds due to their contoured shape. This results in better tracking and less distortion.

• OM 5E Technical data:
• Output voltage at 1000 Hz, 5cm/sec. - 4 mV
• Channel balance at 1 kHz - 2 dB
• Channel separation at 1 kHz - 22 dB
• Channel separation at 15 kHz - 15 dB
• Frequency response - 20-20.000 Hz + 3 / -3
• Tracking ability at 315Hz at recommended tracking force *) - 60 µm
• Compliance, dynamic, lateral - 20 µm/mN
• Stylus type - Elliptical
• Stylus tip radius - r/R 8/18 µm
• Tracking force range - 1.5-2.0 g (15-20 mN)
• Tracking force, recommended - 1.75 g (17.5 mN)
• Tracking angle - 20°
• Internal impedance, DC resistance - 750 Ohm
• Internal inductance - 450 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 200-500 pF
• Cartridge colour, body/stylus - Black/Black
• Cartridge weight incl. extra weight - 5 g
• Cartridge weight excl. extra weight - 2.5 g
• Replacement stylus unit - Stylus 5E
*) Typical value

Styli types and interchangeability
By adopting a wide range of replacement styli, the OM 5 Series can provide an optimum match for your home system, application and budget.
In the development of OM cartridges, a major objective was to provide the music lover with the opportunity to optimize sound reproduction without having to replace the entire cartridge. Instead of being merely intended for replacement purposes following wear or damage, the OM 5 Series allows you to step up to better sound by simply upgrading the stylus. Depending on your preference, styli for the OM 5 Series are easily interchanged and include: styli 3E, 5E, 10, 20, 30, 40 & 78 and D 25 M.

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Hiromasa Suzuki

LP | 1976 | JP | Reissue (Nippon Columbia)

Jiro Inagaki & Soul Media

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Hiromasa Suzuki is a composer, arranger, and keyboardist who has worked in many genres, including jazz, pop, movies, TV, and commercials. From the late 1960s to the mid-1970s, he worked with Terumasa Hino, Akira Ishikawa, and Jiro Inagaki, who were at the forefront of their time. This 1976 album is the result of his innovative work, which was always one step ahead of the times. This pre-fusion/crossover album also features Shuichi "Ponta" Murakami, Akira Okazawa, and Masayoshi Takanaka.

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Head Rock Clear Blue Vinyl Edition

LP | 1970 | JP | Reissue (Nippon Columbia)

Smile Clear Sky Blue Vinyl Edition

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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This is a work by the legendary Jiro Inagaki that represents Japanese jazz-rock. Jiro Inagaki was one of the key musicians in the development of jazz rock in Japan. Inagaki, who felt the limitations of existing jazz music at the time, quickly turned his attention to jazz rock with this work, recorded in 1970. From the opening track, "The Vamp," to the closing track, "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock showcase that leaves no time to exhale. This is a masterpiece that has an overwhelming presence in the history of Japanese jazz.

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Takeo Moriyama

LP | 1981 | JP | Reissue (Nippon Columbia)

Na Rua Na Chuva Na Fazenda

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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The famous song “Watarase,” full of Japanese flavor, is recorded for the first time on this album. Takeo Moriyama, a renowned jazz drummer, has been a prominent figure in the free jazz scene since the late 1960s, first with the Yosuke Yamashita Trio and more recently with the Kyoto Jazz Sextet. Moriyama's music has garnered a devoted following among both old and new fans. This album, recorded in 1980 with a quartet featuring his close friend Fumio Itabashi, is one of the most famous works in the history of Japanese jazz music. It features a large-scale performance in which stillness and movement are organically intertwined.

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Hyldon

LP | 2024 | BR | Original (Discodelia / Polysom)

2LP | 2006 | US | Reissue (Laced)

Release: 2024 / BR – Original

Genre: Organic Grooves

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"Na Rua, na Chuva, na Fazenda" is a classic of Brazilian music, released by Hyldon in 1975, one of the 20 best sellers of that year, it marks the debut of the singer and composer from Bahia, it is a seminal work of Brazilian soul, reflecting the musical effervescence of the 1970s and the influence of the black power movement in the country alongside Tim Maia and Cassiano. Born in Salvador and passionate about music from an early age, the singer developed his music in the 60s alongside dance bands in Rio de Janeiro and even recorded with some of them. Hyldon was influenced by the mix of rhythms that permeated the city, from MPB to soul and funk. He worked as a support guitarist for artists such as Wilson Simonal, Os Diagonais (Banda de Cassiano) and Tim Maia. He composed and produced several artists with Odair Joé and Erasmo Carlos. The title of the album, "Na Rua, na Chuva, na Fazenda", is also the title of its most iconic track, but the album has other successes such as: "As Dores do Mundo", "Vamos Passear De Bicicleta", "Meu Patuá", among others. The album is an ode to simple and pure love. This song became a romantic anthem, and its soft melody combined with Hyldon's sweet and soulful voice captivated the audience.

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Jesper Kyd

OST Hitman: Blood Money

Door Open At 8 AM Orange Vinyl Edition

Release: 2006 / US – Reissue

Genre: Soundtracks

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IO Interactive and Laced Records signed a contract in blood to bring Jesper Kyd’s incredible Hitman scores to (frighteningly sharp) vinyl.

As the Hitman development team continued to evolve the tone of the games, so too did Jesper Kyd evolve the music. Hitman: Blood Money saw Jesper write a masterful score performed by the Budapest Symphony Orchestra and Hungarian Radio Choir, adding numerous electronic elements to create a perfectly blended hybrid soundtrack.

On electronic cues — such as the deeply groovy “Vegas” — his percussive-yet-melodic signature sound shines through; while his symphonic and choral writing are highlighted on cues including “Apocalypse”, “Hunter” and “Silent Invasion”. Blood Money’s score was nominated for an MTV VMA Award and won IGN’s Best Original Score Award.

All music has been specially remastered and will be pressed to heavyweight vinyl discs. These will be housed in a deluxe gatefold sleeve with brand new illustrations.

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Merzbow

LP | 1999 | MX | Reissue (Aurora Central)

Underground King III Splatter Vinyl Edition W/ Camouflage Obi

Release: 1999 / MX – Reissue

Genre: Electronic & Dance

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We are proud to announce a new edition of Door Open at 8 AM, Masami Akita's powerful masterpiece of melted jazz/noise, on red colored vinyl. This will be a limited edition of 300 copies Worldwide. Regarded as one of Masami’s best work, Door Open at 8 AM combines the harsh noise world into a jazz sample driven world, creating a blueprint of what experimental compositions could achieve.

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Recognize Ali

LP | 2024 | WW | Original (Greenfield Music)

Hideki Taniuchi And Yoshihisa Hirano

Release: 2024 / WW – Original

Genre: Hip Hop

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After almost a year of sitting on this gem Recognize Ali is finally ready to drop the part 3 of his Underground King series.The album features heavyweights such as Vinnie Paz Lord Goat ILL Bill Lil Supa Rj Payne Estee Nack and more.Preorder and await greatness as usual! The Underground King will need all the support on this one Peace!!

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OST Death Note Volume 3

2LP | 2023 | EU | Original (Microids)

LP | 1976 | JP | Reissue (P-Vine)

Release: 2023 / EU – Original

Genre: Soundtracks

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Light Yagami, a gifted young student, one day picks up the "Death Note", a notebook previously kept by a shinigami (God of death), Ryuk, who apparently was bored in his world. Just write the name of a person in this notebook, and this one dies (according to certain conditions that the shinigami will explain to Light during their meeting). Thus, with the "Death Note" in hand, Light decides to rid the planet of all criminals to make it a just world, a perfect world. However, who is he to judge people? He therefore becomes the worst wanted criminal on the whole planet.. Two composers and arrangers composed for this work: Hideki TANIUCHI (HAJIME NO IPPO, NANA) and Yoshihisa HIRANO (FINAL FANTASY, HUNTER X HUNTER).

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The Topics

Giving Up

Nathan Davis & Georges Arvanitas Trio

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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The current market price is over 3000 dollars?! P-vine reissues the TSG version LP of The Topics again for over 20 years! Aaccording to producer Bruce Clark, TSG's LP is bootleg as well as Ultimates' one

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Live In Paris

3LP | 2018 | EU | Original (Sam)

Gimme Some Truth. Limited Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Style is not a given. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style.
His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries.
This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention - the man was on fire!
These live sessions demonstrate the limitless invention of Nathan’s solos. Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. Harold Land, Jimmy Heath, John Gilmore, Paul Gonsalves, Charlie Rouse, George Coleman, Booker Ervin, Clifford Jordan ... Jazz is made of such giants and Nathan Davis was one of them.

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John Lennon

Box | 2020 | EU (Universal)

Release: 2020 / EU

Genre: Rock & Indie

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Director's Cut 2018 Remaster Hazy Red Vinyl Edition W/ Obi-Strip

Kate Bush

2LP | 2011 | EU | Reissue (Fish People)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Director's Cut is Kate's 9th studio album and was released on 16 May 2011 on Kate's own label Fish People.

On Directors Cut Kate revisits a selection of tracks from her albums The Sensual World and The Red Shoes.

Kate has re-recorded some elements whilst keeping the best musical performances of each song - making it something of a director's cut but in sound, not vision. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

Street date for the first batch is set at 20 November.

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Sun Ra & His Arkestra

Jazz In Silhouette

2LP (Cosmic Myth)

Genre: Organic Grooves

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Remastered with extra tracks - extra disc also includes Sound Sun Pleasure LP. Features the original space nymph cover art, which only appeared in cropped and washedout reproductions on an early 60s version. Cosmic Myth Records is dedicated to issuing remastered and fully authorized out of print titles from Sun Ra's independent Saturn Records catalog. Sun Ra's Jazz in Silhouette was enshrined in the Penguin Jazz Guide's "Core Collection" as an album that "will someday be recognized as one of the most important post-war jazz records." Jazz in Silhouette is the quintessential record of Sun Ra's late 1950s Chicago period. Recorded and issued in 1959, it marks a coda for the bandleader's bebop/hard-bop stage, as his interstellar traveller persona began to transform the band (and the music). It also charts the future, showcasing the brilliant tenor sax stylings of John Gilmore, and introduces the iconic playing of Arkestra mainstays Marshall Allen, Pat Patrick, and Ronnie Boykins. Many of the early works on these recordings would remain staples in Arkestra set lists for the rest of Sun Ra's life. This expanded edition includes the complete, contemporaneous Sound Sun Pleasure, rare stereo mixes, and bonus tracks.

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Dp Black Friday Record Store Day 2024 Edition

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For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

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Daniel Powter

LP | 2024 | Reissue (Real Gone Music)

The Window Of Life Colored Vinyl Edition W Inserts

Release: 2024 / Reissue

Genre: Rock & Indie

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Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 900

Had a bad day? Well, news of this 1995 smash album (also known as Daniel Powter) finally receiving a vinyl release should turn it around! Yes, it does indeed include the #1 hit “Bad Day,” which is one of those songs that has so fully infiltrated pop culture that most people don’t even know who the original performer was!
But this RSD Black Friday reissue should remind them: it’s a model of finely-crafted adult alternative pop, produced (but not overly polished) by Mitchell Froom. DP went Top Ten not just in the US, but in the UK, Japan…and, of course, was a huge hit in Powter’s native Canada.
Includes a color printed inner sleeve…reissued with the full support of the artist himself! Highlighter Yellow Vinyl limited to 1250 copies worldwide!

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Pendragon

2LP | 2024 | EU | Original (Pendragon - Toff)

Wingspan (Original Video Game Soundtrack) Record Store Day 2023 Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The follow up to The World album, 1994’s The Window Of Life secured Pendragon as one of the main progressive rock contenders.Mixed by world renowned musician and conductor Gavin Greenaway [Gladiator, Spirit and dozens of other Hollywood films].This amazing CD is packaged in a reworked booklet by the original illustrator, Simon Williams.The release also includes a reworked live version of The Last Man On Earth.The double vinyl is packaged in a luxurious soft touch gatefold with colour card inner sleeves with further artwork by Simon Williams and rare photos from the 1994 Window Of Life tour. The Walls Of Babylon GhostsBreaking The SpellThe Last Man On Earth NostradamusAm I Really Losing You? The Last Man On Earth [live reworked]

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Pawel Gorniak

LP | 2023 | US | Original (Winylowa)

LP | 2022 | US | Original (Good Felons)

Release: 2023 / US – Original

Genre: Soundtracks

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This unique soundtrack was created under the direction of the award-winning Paweł Górniak, one of the most talented composers of the young generation (Love, Death + Robots, Escape Attempt, Supernova). Feast your ears with gentle music inspired by the beauty of nature, and listen to the soothing sounds of a string quartet accompanied by delicate chords of classical guitar. Crafted for a game full of bird songs, this original soundtrack provides many minutes of blissful relaxation and immersion into the natural world of birds. Sunset colored vinyl housed in trifold die-cut cover.

Listen: https://youtu.be/3OK2zO8swEs

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Jon Rogers

Fly Flaco

Chaingvngxrs Red Vinyl Edition

Release: 2022 / US – Original

Genre: Hip Hop

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Goodfelons is proud to present the latest and greatest from Jon Rogers, Fly Flaco. 17 songs, entirely self-produced, with guest appearances by Rochester legend, P.A. Knit; frequent collaborator Mr. Brady; and Toronto rapper/producer extraordinaire, Crucial The Guillotine (of Novela fame).

Rumor has it that Roc Marci heard some demos of what would become this record and wanted to sign Jon, and you can definitely hear why on this album. Beyond the obvious comparisons to Marci on the raps and beats or the influence of Dilla and Madlib on the beats, we think you'll enjoy this record from top to bottom. Vinyl also includes 4 bonus tracks. Limited to 210 copies, this will not be repressed.

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K.Burns X Dirtydiggs

LP | 2022 | US | Original

LP | 2022 | EU | Original (Spikerot)

Release: 2022 / US – Original

Genre: Hip Hop

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K.BURNS (Team Fame Gvng) & DirtyDiggs link up for OGB’s 6th official album “chaingvngxrs”, released under Planet Asia’s imprint Gold Chain Music. Fully scored by GCM’s production duo DirtyDiggs; K.Burns brings his lyricism to another level over a pure hip-hop soundscape.

The title of the album ChainGvngXRZ (pronounced Chain Gangers) pays homage to both; Gold Chain & Team Fame Gvng movements. As he plans to take both movements to higher heights with in what he calls the “New Golden Era”. Album artwork by Dirty Diggs own NoyOne, showcases an original sigil.

Featuring hip-hop legend Planet Asia, Piff James & Lenox Hughes; this is a must have for today’s hip-hop connoisseur and collector. Exclusive physical formats available now.

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Solefald

In Harmonia Universali

Live At Carnegie Hall 1969

Release: 2022 / EU – Original

Genre: Rock & Indie

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20 years after its recordings, Solefald’s fourth album ‘IN Harmonia Universali’ will be finally available on vinyl for the first time ever. Solefald are a wilful and truly unapologetical one-of-a-kind band, defying all known genre definitions with each release. ‘IN Harmonia Universali’ is one of their most complex works to date, layered and eclectic, it stems from the band’s obsession with Progressive Rock, making its way through art, history and philosophy with lyrics touching five different languages. An unheard-of blend of Extreme Metal with bombastic passages, Gothic mystique, acoustic interludes, and the fearless use of instruments like saxophone, hammond and piano, make this album a crucial step in the band’s career. «In Harmonia Universali» says Lazare «is one of the most ambitious albums we have created together. And more than anything it’s a statement of what happens when ambition meets possibility. The world has changed since its release, but ‘In Harmonia…’ still rises above convention and keeps on being itself.» This long awaited release comes on Double Black vinyl limited to 400 copies worldwide , housed in a deluxe gatefold sleeve with exclusive and extensive liner notes by Cornelius and Lazare, and including a 4-panel insert with lyrics.

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Joni Mitchell

3LP | 2021 | EU | Original (Rhino)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bear's Sonic Journals: Johnny Cash At The Carousel Ballroom, April 24, 1968 Limited Deluxe Box-Set

Johnny Cash

2LP | 2021 | EU | Original (BMG)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hiroshi Fujiwara: Fragment, #2

Hiroshi Fuijwara

Rizzoli

OST Star Wars: The Force Awakens

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The continuing adventures of Hiroshi Fujiwara, "godfather of streetwear."

Commanding the hothouse environment of Harajuku, the street fashion and culture district of Tokyo, Hiroshi Fujiwara is recognized the world over as a pioneer in streetwear, music, and art and is the ultimate arbiter of cool. Known internationally as one of the founding fathers of the 1990s Tokyo scene, Fujiwara exerts a disproportionate influence over contemporary design culture. With recent and highly successful collaborations with Louis Vuitton and Moncler, and with his mainstay work at Nike and Medicom, Fujiwara refines an aesthetic immersed in punk, hip-hop, and skate culture and translates it into pure luxury. A musician and producer originally from western Japan, Fujiwara is one of the most prolific of sneaker designers, and his kicks remain some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with major Western brands, he has long associations with Japanese disruptors like Jun Takahashi of Undercover and is head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents his current preoccupations, with chapters on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects, giving readers a unique glimpse into one of the most influential tastemakers of our time.

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John Williams

2LP | 2016 | EU | Original (Walt Disney)

Release: 2016 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Great copy. Booklet and original inner sleeves included.

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Suicidal Tendencies

One Finger Hoodie