HHV Records 154393 Items

LP | 2020 | EU | Original (HHV)

Release: 2011 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Blue and purple vinyl version! Includes the test press EP, a signed photo and a poster! Bonus CD and 7" are missing!

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Lugatti & 9ine

Man Kennt Sich 3.0

149,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Multi-Format Case Player/Mixer

Magma

Pick it PRO - Tonabnehmer

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One Size fits all! Custom designed for the mobile-DJ to hold a CDJ, multimedia players or a 4-channel club-mixer. The included foam strips provide universal fit for all Pioneer DJ, Denon, Allen & Heath, Denon, Rane, Reloop etc. models. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches this case provides ultimate protection for mobile use on the road.

FITS:

• Pioneer DJM-900 NXS2
• Pioneer DJM-900 NXS / SRT
• Pioneer DJM-800 / 700 / 600
• Pioneer CDJ-3000
• Pioneer CDJ-2000 NXS2
• Pioneer CDJ-2000 NXS
• Pioneer CDJ-900 / 850 / 800
• Pioneer XDJ-1000
• Allen & Heath PX5
• Allen & Heath DB4
• Allen & Heath DB2
• Allen & Heath Xone 92 / 62 / 43C
• Denon SC-6000 / SC-6000M
• Denon SC-5000 / SC-5000M
• Denon X-1850 / X-1800
• Denon X1600
• Denon SC3900
• Denon SC2900
• Reloop RMX-90 DVS
• Reloop RM-80 Digital
• Ecler NUO4
• Rane MP2015
• Rane Sixty-Eight / Sixty-Four

BASICS:

• Heavy duty construction of 9 mm vinyl laminated plywood
• Solid aluminum profiles and spring loaded latches
• Additional foam strips to fit various equipment models
• Removable front and rear panel covers
• Full padded interior
• Stackable ball corners

SPECS:

• Outer dimensions: 58 x 40 x 23 cm
• Inner dimensions: 43,8 x 33,1 x 8,4 cm
• Weight: 10 kg
• Color: black/silver (Item-No.: 41003 / EAN-Code: 4041212410030)

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Pro-Ject

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Audiophile MM Cartridge

Lively & robust with a high dynamic range

Intensive research, development and listening tests have been necessary to gain the the desired sound from the new Pick it PRO.

THE DIFFERENCE IN SOUND
Cartridges are electromechanical transducers, where mechanical energy is transformed into an electrical signal. The real difference in sound happens here. The colour and life of the music come from the cartridge.
You cannot judge the cartridge by looking at just one specific part. Experience and the art of fine-tuning make a cartridge unique and special. The perfect combination of components is the key to achieve the great charismatic sound of the Pick it PRO.

Technical Specifications:
• Cartridge principle: MM (Moving-Magnet)
• Output voltage at 1 kHz: 4 mV
• Channel separation at 1 kHz: 22 dB
• Tracking ability at 315Hz: 70 μm
• Frequency response: 20 - 20 000 Hz +/- 2dB
• Stylus type: Elliptical
• Stylus tip radius: r/R 8/18 μm
• Tracking force, range: 1,8 - 2,2 g (mN)
• Tracking force, recommended: 2,0 g (mN)
• Tracking angle: 20°
• Internal impedance, DC resistance: 750 Ohm
• Internal inductance: 450mH
• Recommended load resistance: 47kOhm
• Recommended load capacitance: 150-300pF
• Cartriddge weight: 7,2 g

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Nagaoka

JTS-80LB - Stylus

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Replacement stylus Nagaoka JTS-80LB for the pickup JT-80LB.

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Jetpack

Slim

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Thorens

Stabilizer

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Preorder shipping from 2024-07-19

AT-LP60XUSB

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AT-LP60XUSB
Fully Automatic Belt-Drive Turntable (Analog & USB)

• Experience high-fidelity audio of vinyl & convert records to digital files
• Fully automatic belt-drive turntable with two speeds: 33-1/3, 45 RPM
• Built-in switchable phono pre-amplifier for phono- or line-level output
• Improved tracking and reduced resonance for smoother sound
• Integral Dual Magnet™ phono cartridge with replaceable diamond stylus
• Free download of the Mac & PC compatible Audacity recording software

Turntable
• Drive Method Belt-drive
• Type fully automatic
• Motor DC servo-controlled
• Speeds 33-1/3 RPM, 45 RPM
• Turntable Platter Aluminium
• Wow and Flutter Less than 0.25% (WTD) @ 3 kHz (JIS)
• Signal-to-Noise Ratio >50 dB (DIN-B)
• Output Level Pre-amp “PHONO”: 2.5 mV nominal at 1 kHz, 5 cm/sec Pre-amp “LINE”: 150 mV nominal at 1 kHz, 5 cm/sec
• Phono Pre-Amp Gain 36 dB nominal, RIAA equalized
• USB Function PC or Mac with an available USB port (USB1.1 or higher) Windows 7 or above, or Mac OS X or above
• Power Supply Requirements 115/230V AC, 60/50 Hz
• Power Consumption 3W
• Dimensions 359.5 mm x 97.5 mm x 373.3 mm
• Weight 2.6 kg
• Accessories Included 3.5 mm (1/8") mini-plug (male) to dual RCA (male) output cable 45 RPM adapter Removable hinged dust cover 1.9 m (6.2') USB cable

Cartridge & Stylus
• Replacement Stylus ATN3600L

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AT-VMN95ML

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Der AT-VM95ML ist mit einem nackten
Microlinear-Diamanten ausgestattet, der
durch seinen speziellen Schliff und die für
Line-Contact-Nadeln typischen
geringeren Verzerrungen am Plattenende
(innere Rillen) eine doppelt so hohe
Lebensdauer gewährleistet und sich
zugleich durch einen erweiterten
Frequenzgang und eine bessere
Auflösung der mittleren und hohen
Frequenzen auszeichnet

AT-VMN95ML
VM95 SERIES MICROLINEAR REPLACEMENT STYLUS
Aluminium cantilever
Microlinear Stylus
Nude Square Shank

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

MICROLINEAR STYLUS
Microlinear profile diamond stylus offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli.

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AT-VM95EN/H

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AT-VM95EN vormontiert auf Headshell AT-HS6BK
• Das Tonabnehmer-Set AT-VM95EN/H wird im Audio-Technica Werk in Fukui (Japan) vormontiert, getestet und verpackt.
Gesamtgewicht 15,5 g

Der AT-VM95EN besitzt eine nackte,
elliptische Diamantnadel mit Rundschaft,
die aus einem Stück geschliffen und
direkt in den Nadelträger eingesetzt
wird. Auf diese Weise lässt sich ein
leichteres, steiferes Übertragungssystem
realisieren als mit einer gefassten
Diamantnadel mit Titan-Rundschaft wie
beim AT-VM95E. Die nackte
Diamantnadel ist zwar um einiges
kostspieliger, bietet aber auch eine
hörbar bessere Audioqualität mit
besonders hoher Klangtreue bei der
Höhenwiedergabe und hervorragendem
Impulsverhalten.

Aluminium-Nadelträger
• Ausgangsspannung 3,5 mV
• Gehäuse kompatibel mit allen Abtastnadeln der Serie VM95
• Frequenzgang 20 bis 23.000 Hz

AT-VM95EN
VM95 SERIES ELLIPTICAL NUDE STEREO CARTRIDGE
The AT-VM95EN, features a Nude Elliptical Diamond. The construction of the stylus being a one piece diamond with a round shank inserted in the cantilever creates a lighter and more rigid transmission system than a diamond tip bonded on a round titanium shank such as in the AT-VM95E. Also the use of nude diamond implies a substantial difference in pricing, yet the quality of the reproduction will be immediately noticed, specifically in the fidelity of high frequencies and in the quality of the transient responses.

Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 23,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

ELLIPTICAL NUDE STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95E cartridge is fitted onto the 9g aluminiumdie cast body headshell

Model AT-VM95EN
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 23,000 Hz
Kanaltrennung 22 dB (1 kHz)
Kanalbalance am Ausgang 2.0 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Elliptical
Nadelabmessungen 0.3 x 0.7 mil
Schaftform der Nadel Nude Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 7 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95EN
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

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Concorde MkII SCRATCH Single

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New levels of performance
The Concorde Scratch allows turntablist and scratching DJs to achieve new levels of performance with an unprecedented tracking ability and extra high output.
• The SCRATCH is intended especially for scratching and back-cueing. The SCRATCH uses spherical styli, as they preserve more of the groove over backcueing and scratching.
• For DJs that require increased tracking ability, the SCRATCH is up to the task. The Scratch has a supreme ability to trace the grooves of the records and it is tailored specifically for scratch.
• Due to its very high output 10 mV, it is perfect for scratch of all music with deep bass frequences. With solid bass reproduction and extended highs, the SCRATCH is great for any style, providing energetic sound. Maximum scratch performance guaranteed!

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 120 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - SCRATCH

Video: https://youtu.be/hPQNkhzZuBQ

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Concorde MkII DIGITAL Single

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Concorde DIGITAL is designed to extend the life of timecode vinyl and minimize errors in decoding
• At the same time DIGITAL provides optimal output voltage and sound quality for use with conventional vinyl.
• This optimized 10 mV output voltage maximizes the signal-to-noise ratio of the audio being fed to the software, which results in better interpretation of the timecode signal.
• Furthermore, a decrease in the reproduction of frequencies where vinyl wear & crackle occur helps to minimize errors in the interpretation of the timecode signal and helps timecoded vinyl records last longer.

Output voltage at 1000Hz, 5cm/sec. - 10 mV
Channel balance at 1kHz - 1 dB
Channel separation at 1kHz - 22 dB
Channel separation at 15 kHz - 15 dB
Frequency range at -3dB - 20-18.000 Hz
Tracking ability at 315 Hz at recommmended tracking force - 100 μm
Compliance, dynamic lateral - 14 μm/m N
Stylus type - Spherical R 18 μm
Tracking force range - 3 - 5 g
Tracking force recommended - 4 g

Cartridge weight - 18,5 g
Replacement stylus unit - DIGITAL

Video: https://youtu.be/nO6b2q2FqQA

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Magma

Riot DJ-Backpack

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The RIOT DJ-BACKPACK is the latest and most compact model of the RIOT line. It was especially designed for digital-DJs travelling with a basic DVS setup such as 15” laptop, Timecode records and accessories or small controllers.
The clever interior layout of the main compartment includes two padded, removable dividers which allowing for three separate protective compartments and the featured “Zip-Around-Expansion-System” doubles the main compartment’s capacity, providing useful extra space for even more gear or clothing for overnight trips.

FITS
13-15‘‘ Laptop
NI Maschine
NI Kontrol X1
NI Kontrol F1
NI Kontrol D2
Ableton Push 2
12“ Vinyl
Accessories

BASICS
Crafted from durable and 100% waterproof PVC Tarpaulin
PVC-coated (waterproof zippers)
Soft-fleece lining
Lockable zippers on main and laptop compartment
Rubber corner protectors and rubber feet
Main compartment includes two padded, removable dividers
The “Zip-Around-Expansion-System” doubles the main compartment’s capacity, providing useful extra space for even more gear or clothing for overnight trips.
Separate side entry compartment provides quick access to your 15,4’’ laptop
Two internal hanging mesh accessory pockets comfortably fill out the upper area of the backpack
Large front pocket with internal pouches and organizers
Padded back panel with airflow system, ergonomic backpack straps and chest straps
Detachable trolley sling
Hand luggage compatible

SPECS
+ Outer dimensions: (H/B/T): 53 x 33 x 16-22 cm
+ Inner dimensions: : 40 x 31 x 12-16 cm
+ Weight: 2,2 kg

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ATH-M50x

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This is the most critically acclaimed model in the M-Series line, praised by top audio engineers and pro audio reviewers year after year. The ATH-M50x features the same coveted sonic signature, now with refined earpads and detachable cables. From large-aperture drivers to sound isolating earcups and robust construction, the M50x provides an unmatched experience for the most critical audio professionals.

Features:
• Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
• Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• 90° swiveling earcups for easy, one-ear monitoring
• Professional-grade earpad and headband material delivers more durability and comfort
• Detachable cable (3 cables included)

Specifications:
• Type: Closed-back dynamic
• Driver Diameter: 45 mm
• Magnet: Neodymium
• Voice Coil: CCAW (Copper-clad aluminum wire)
• Frequency Response: 15 - 28,000 Hz
• Max Input Power: 1,600 mW @ 1KHz
• Sensitivity: 99 dB
• Impedance: 38 ohms
• Folding/collapsible: Yes
• Weight: 10 oz (284 g) without cable/connector
• Cable - Detachable: Yes
• Cable Includes: 1.2m-3m coiled, 3m straight, 1.2m straight cables
• Connector: Gold-plated stereo 1/8” (3.5 mm) connector with strain relief
• Accessories included: Screw-on 1/4” adapter, pouch

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Numark

M2 BLACK

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M2 is a two-channel DJ scratch mixer with all the essentials to hit the stage in Numark style.

FEATURES

Inputs: two phono/line switchable (RCA), two line (RCA), mic (1/4")
Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)
Three-band EQ and gain on each channel
EQ and gain on mic channel
Replaceable crossfader with reverse and slope-controls
Crossfader-style cueing

Switchable phono/line inputs for turntables, CD players, and other line sources make M2 a superb choice for any DJ setting from weddings to clubs, parties to practice setups. A mic input with dedicated EQ and gain, and a headphone output with crossfader-style cueing complete the plentifully featured package.

Three-band EQ on each channel plus crossfader-reverse and slope controls give you all the tools you need to drive your audience from behind the wheels of steel. M2 is the perfect mixer for any scratch DJ.

Product Dimensions: 11.4" x 9.5" x 3.6"

Manual: http://www.numark.com/images/product_downloads/m2_quickstart_guide_v1_0.pdf

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Numark

M101 USB BLACK

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Get up and running quickly at any gig.

READY FOR DIGITAL OR ANALOG

DJs always need a dependable mixer. M101USB fits the bill perfectly as a highly adaptable two-channel mixer for virtually any DJ. M101USB lets you get up and running quickly whether you’re using a computer, turntables or CDs. M101USB is right at home at weddings, parties, clubs and everything in-between.

MIX YOUR MUSIC YOUR WAY

Beginners and seasoned DJs alike who want a durable USB-equipped two-channel solution will find M101USB a perfect fit. M101USB builds on the two-channel M101 mixer with the addition of an easy-to-use USB audio interface for DJs who want the option of working with their computer as well as traditional analog I/O.

TWEAKABLE TUNES

Beyond simply mixing, M101USB has a built-in EQ so that you can fine tune your mix depending on the room or the tracks themselves. Two pairs of switchable Phono/Line inputs are included along with a crossfader, ¼” mic input and stereo RCA line output for connection to an amplifier, powered speakers or another mixer. M101USB can be rack-mounted and features Numark’s legendary industrial-grade durability.

GET CONNECTED

Connecting M101USB to your computer is a snap using a single USB cable. Once connected you can use your computer as an audio source or record your sets straight to your computer's hard drive. If you're a computer DJ on the move and need solid, dependable two-channel performance, look no further than the M101USB mixer.

FEATURES

Two-channel rack-mountable mixer with USB
USB audio built in for playing from or recording to your computer
Two pairs of Phono/Line inputs
Built-in 2-band EQ for quick, easy sound tweaks
1/4-inch Mic input for voiceovers and announcements
Stereo Output for easy connection to amps, powered speakers or another mixer
Class Compliant: this product is immediately compatible with every current and future version of Mac OS X and iOS and with Windows (98SE and up) operating systems.
INCLUDES

M101USB Mixer
Power Supply
Quickstart Guide

Manual: http://www.numark.com/images/product_downloads/m101usb___quickstart_guide___v1.0.pdf

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Marshall

Major V

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From the explosive Marshall signature sound to the everlasting design, every detail of these headphones has been painstakingly refined. Featuring 100+ hours of wireless playtime combined with a rugged and foldable design, Major V is best paired with your next great adventure.

MAJOR V KEY FEATURES:
• Marshall signature sound
• 100+ hours of wireless playtime
• Rugged and foldable design
• Customisable M-button
• Wireless charging
• Bluetooth LE Audio-ready

MARSHALL SIGNATURE SOUND
We’ve fine-tuned the Marshall signature sound you know and love with custom-tuned dynamic drivers, and reduced distortion meaning you can hear your music with absolute clarity.

100+ HOURS OF WIRELESS PLAYTIME
Packing 100+ hours of wireless playtime, you can be gone for days and never be left without a soundtrack. Major V can be charged using the quick charge option, so you’ll dive back into the session in no time.

RUGGED AND FOLDABLE DESIGN
It takes a lot to wear Major V down thanks to its rugged design. These headphones are also foldable so that you can easily pack them away and be gone for days.

CUSTOMISABLE M-BUTTON
Instantly access your favourite features thanks to Major V’s M-button and the Marshall Bluetooth app. Just press the M-script logo to open the Spotify Tap default function, your EQ settings or voice assistant.

WIRELESS CHARGING
Wireless charging means it’s simple to give Major V a boost when needed. Just rest your headphones on a charging pad and you’re good to go. Major V can also be recharged using a USB-C charging cable included in the box.

BLUETOOTH LE AUDIO-READY
Major V is geared up for Bluetooth LE Audio. This future-proof technology will deliver superior sound quality and open a new world of audio sharing possibilities with Auracast™.

MAKING THINGS LAST LONGER
The in-app battery preservation feature enables you to reduce how quickly your battery ages, so you can get more out of your headphones for longer. 86% of the plastic in Major V is recycled*, made from preloved products including used electronic devices and CDs, extending the lifecycle of these discarded items.
*33% of the product consists of plastic of which 86% is GRS certified post-consumer recycled plastic. Percentage breakdown is based on weight and excludes any plastic that can be found in electronical components due to the lack of detailed material knowledge in every component.

PRODUCT DETAILS:

AUDIO SPECIFICATION:
• DRIVER TYPE: DYNAMIC
• DRIVER SENSITIVITY: 106 DB SPL (100MV @ 1KHZ)
• DRIVER IMPEDANCE: 32 Ω
• FREQUENCY RANGE: 20-20,000 HZ
• DRIVERS: 40 MM

BATTERY:
• PLAY TIME: 100+ HOURS OF WIRELESS PLAYTIME
• BATTERY PRESERVATION: YES
• WIRELESS CHARGING: YES
• QUICK CHARGING: 15 MINUTES CHARGING GIVES 15 HOURS OF WIRELESS PLAYTIME
• CHARGING TIME: 3 HOURS TO FULL RECHARGE

CONTROLS AND CONNECTIVITY:
• WIRELESS CONNECTIVITY: BLUETOOTH 5.3
• WIRED CONNECTIVITY: 3.5 MM INPUT/OUTPUT
• CONNECTIVITY: BLUETOOTH + WIRE
• BLUETOOTH RANGE: 10 M / 30 FT
• CUSTOMISE SOUND: YES
• CONTROLS: CONTROL KNOB, M-BUTTON
• VOICE COMMAND: NO
• CODECS: SBC + MPEG-2 AAC + LC3
• MICROPHONE & REMOTE: YES
• ACTIVE NOISE CANCELLATION: NO

COMPATIBLE APPS:
• APPS: MARSHALL BLUETOOTH APP

PHYSICAL UNIT:
• WEIGHT: 186 G / 6.56 OZ
• WATER RESISTANCE: NO
• COLORWAYS: BLACK
• COLLAPSIBLE: YES
• HEADPHONE TYPE: ON-EAR

INCLUDED IN THE BOX / BOX CONTENTS:
• MAJOR V HEADPHONES
• 3.5 MM AUDIO CORD
• USER MANUAL AND LEGAL AND SAFETY INFORMATION
• USB-C CHARGING CABLE

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Stylus Concorde Music Blue

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Introducing Concorde Music
Developed by music lovers, for music lovers, the Concorde Music cartridges blend premium performance with an iconic design.
Concorde Music, not just a cartridge, but a dedication to the profound impact music has on our lives, turning every listening session
into a captivating journey.

Possibly the world’s most iconic cartridge design
Building upon a rich legacy which began when we launched the original Concorde, the Concorde Music holds a storied history as
one of the most famous cartridges in the world of audio. Originally developed as a solution to the challenge of easy mounting on a
tonearm without screws or wires, the Concorde's unique design earned the Danish Industrial Design Award and became an icon in
the audio industry.

Features:
• Diamond: Each Concorde Music stylus features a diamond polished to the highest standards of the industry. Ranging from
a bonded Elliptical diamond on Concorde Music Red, to a Nude Shibata diamond on Concorde Music Black LVB 250.
• Cantilever: All Concorde Music models have a premium or high-end cantilever. The cantilever material is either aluminium
or boron for the best possible transmission of the vinyl record groove modulations picked up by the diamonds.
• Suspension: Exclusive Ortofon rubber compounds are used for the stylus suspensions, all carefully produced at the in_x0002_house own rubber production, and developed by the research and engineering team at Ortofon for brilliant performance.
• Coil system: Silver-pated oxygen free copper is chosen for the quad-coil system together with four Ortofon split pole pins
delivering a 6 mV output of dynamic, lifelike sound with an exceptional clarity and fidelity, capturing every detail.
• Upgradeability: All Concorde Music styli are compatible with all Concorde Music cartridges. An upgrade path is possible
through the entire series of Concorde Music cartridges, enabling upgrades from Concorde Music Red to Black LVB 250.
• Tool-free installation: Installing a Concorde Music cartridge on a turntable is easy and straightforward, no tools required
making it hassle free and convenient for all users.

It is all about the music
Concorde Music stands as an icon of design and musical dedication, inviting everyone to elevate their journey with the level of
accuracy in sound which has become characteristic for every Ortofon cartridge. Tailored for music lovers, incorporating a
straightforward installation, premium sound, and a timeless design. Concorde Music stands for a commitment to musicality.

Unique in-house rubber production a crucially important and vital part of a phono cartridge overall performance is the stylus
rubber suspension. Ortofon develops exclusive rubber compounds and produce the rubber suspensions and dampers in-house.

Ortofon quad-coil generating system with split pole pins in Concorde Music results in an exceptional channel balance and channel
separation, delivering a precise and dynamic sound image.

Ortofon, we love music!

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Concorde Music Red

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Technics

EAH-AZ40M2

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True Wireless Noise Cancelling Earphones with Multipoint Bluetooth®

Intuitive Smart Features and Elegant Design

Compact yet powerful 6mm drivers and a special acoustic structure with active noise cancellation deliver clear sound wirelessly — wherever your busy day takes you. Seamless device switching and crisp call clarity in a comfortable design – you won't miss a beat.

Elegant & All-Day Comfort Design
Built to last, with a pleasing and reassuring tactile quality for both earphones and charging case.
Low-profile design for comfort throughout the day, and balanced to stay put – even when you're on the go.

Multipoint Connection to 3 Devices
Seamless switching for up to 3 devices* (e.g. PC, smartphone & tablet).
*LDAC playback not possible with 3 devices.

Signature Technics Clear Sound
Clear and detailed sound delivered wirelessly through the unique acoustic chamber, harmoniser, and compact 6mm drivers. Compatible with LDAC™ high-res wireless audio.*
*Delivered in 96 kHz/24-bit LDAC, when connected by Bluetooth® to a compatible device.

Pure Sound Clarity
Enjoy pure sound. The Feed Forward Mic captures environmental sound and Digital Processing removes noise in addition to Passive Noise cancelling with the earplug effect.

Never miss a beat.

Intuitive Smart Features

Beamforming Technology
Clear calls using Beamforming Technology to capture and transmit your voice clearly despite surrounding noise.
*Performance may be affected by external factors.

Long Battery Life
Up to 5.5 hours* playback with ANC on, 18 hours back-up with the case. Quick charge for 15 minutes will give you 60 minutes of playback.
*After a full charge, subject to playback volume and other factors.

Control the Sound Around You
Natural Ambient Mode lets you select how much background sound to hear, while Attention Mode focusses on speech.

Convenient Single Earphone Use
Keep one ear open, or charge one earphone while using the other. Customise touch sensors through the Technics app.

Comfortable and Secure Fit
Low-profile ergonomic design, for a comfortable and secure fit. Ideal for long journeys.

100% Plastic-Free Packaging
Supplied in new compact packaging that dispenses with plastic and other hard-to-recycle finishes.

Technics Audio Connect App
Easy set-up, battery level check, select EQ sound modes, adjust noise cancelling levels and customise touch-sensors with this intuitive app*.
*Requires Android™ 6.0 or higher with Google Play,™ iOS12 or higher.

IPX4 Water Resistance
With IPX4* water resistance for the real-world – with no worries about rain or intensive workouts in the gym.
*IPX4 compatibility for earphones, not charging case.

Choose the best earphones for you
For high-quality listening, you need earphones that can keep up with your pace. Designed with your comfort in mind, Technics True Wireless earphones give you superior sound wherever you are, whatever you’re doing. Use smart features to switch seamlessly from listening to music to taking a call.

Specs:
• Clear rich sound from a unique acoustic chamber, harmonizer, and 6mm drivers.
• Pure Sound from Active Noise Cancelling with a Feed Forward Mic.
• Seamless switching for up to 3 devices (e.g. PC, smartphone & tablet).
• Clear calls using Beamforming Technology to capture and transmit your voice.

Technical Data:
GENERAL
• Driver Unit (mm): 6 mm (1/4 in)
• Frequency Response: 20 Hz - 40 kHz (LDAC 96 kHz/990 kbps)
• Mic: Monaural, MEMS Mic

• Playback Time with Battery (LDAC)
Earphones:
- Approx. 3.5 hours (NC ON)
- Approx. 4.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 12 hours (NC ON)
- Approx. 14 hours (NC OFF)

• Playback Time with Battery (AAC)
Earphones:
- Approx. 5.5 hours (NC ON)
- Approx. 7.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 18 hours (NC ON)
- Approx. 24 hours (NC OFF)

• Charging Time (25°C/ 77°F)
- Earphones: Approx. 2.0 hours
- Charging case / USB: Approx. 2.5 hours
- Charging case / Qi *With certified Qi charger: -
- Earphones with Charging case / USB: Approx. 3.0 hours
- Earphones with Charging case / Qi *With certified Qi charger: -

• Quick Charge (15 minutes, AAC)
Earphones:
- Approx. 60 minutes (NC ON)

• Standby Time
Earphones:
- Approx. 9.5 hours (NC ON),
- Approx. 20 hours (NC OFF, Auto power off does not work)

• Dimensions (W x H x D)
Earphones *with Earpiece M size:
- Approx. 22 mm x 26 mm x 24 mm
- Approx. 7/8 inch x 1 inch x 15/16 inch
Charging case:
- Approx. 68 mm x 33 mm x 28 mm
- Approx. 2-11/16 inch x 1-5/16 inch x 1-1/8 inch

• Weight
- Earphones (one side only: L and R are the same): Approx. 5 g (0.18 oz)
- Charging case: Approx. 35 g (1.2 oz)

• Supplied Accessory
- USB charging cord: Approx. 0.2 m (0.66 ft) (Input Plug : USB Type-C Shape, Output Plug : USB Type-C Shape)
- Earpieces set : XS, S, M, L (M attached)

Advanced Function
• Bluetooth® Wireless Technology
- Version: 5.3
- Supported Profiles: A2DP, AVRCP, HSP, HFP
- Codec: SBC, AAC, LDAC
- Operating Distance: Up to 10 m (33 ft)
- Multi-point: Yes(Connect up to 3 devices at a time.)
- Multi-pairing: Yes(Connect up to 10 devices.)
• Water Resistance: IPX4 Equivalent (Earphones only)
• Dual Hybrid Noise Cancelling: Yes(Feed-Forward only)

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Technics

EAH-AZ40M2

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Technics

EAH-AZ40M2

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Pro-Ject

Maintenance Set Premium

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2M 78

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The 2M 78 features an improved engine, which provides a high level of sonic accuracy. The stylus' tip is a Spherical diamond that is perfect for playback of 78 rpm shellac records, which require a larger stylus profile. The cartridge body is manufactured from Hopelex, which ensures high rigidity while eliminating unwanted resonances.

2M 78 uses a strapped output to deliver the same output signal from both sets of pole pins. This effectively eliminates the need for mono-specific equipment, making it possible to enjoy true mono reproduction on any stereo playback system.

The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

2M 78 Technical data:
• Output voltage at 1000 Hz, 5cm/sec. - 4 mV
• Frequency response - 20-20.000 Hz + 3 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force - 70 µm
• Compliance, dynamic, lateral - 18 µm/mN
• Stylus type - Spherical
• Stylus tip radius - R 65 µm
• Tracking force range - 1.6-2.0g (16-20 mN)
• Tracking force, recommended - 1.8 g (18 mN)
• Internal impedance, DC resistance - 700 Ohm
• Internal inductance - 350 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 150-300 pF
• Tracking angle - 20°
• Cartridge colour, body/stylus - Black/Grey
• Cartridge weight without screws - 7.2 g
• Premounted cartridge weight - 16.7 g
• Replacement stylus unit - 2M 78 (interchangeable with 2M Mono)

Stylus lifetime: with proper care we find that up to 1000 hours is possible without degradation of performance.

2M Series styli interchangeability:
The 2M Series' engines, coils and magnets configurations are not identical: Red and Blue are identical, so are the Bronze and Black and so are the true mono variants 2M Mono and 2M 78. Likewise, 2M series styli are interchangeable within the below combinations:
- 2M Red, 2M Blue and 2M Silver
- 2M Bronze and 2M Black
- 2M Mono and 2M 78

Compatibility with Rega brand TT/TA:
REGA brand cartridges’ height from stylus tip to the top cartridge mounting surface is lower than standard. Therefore you would need spacers to ensure the correct set-up of the Ortofon cartridge.
Adjusting the height of your Rega tonearm is easy with Acoustic Signature's Spacer Set. It allows you to adjust the height from 0.5 mm to 3.5 mm in precise steps of 0.5 mm - without removing the tone arm. Simply loosen the screws, insert the AS-spacer, then lock the screws back down, and you're tonearm is ready to play.
3.2 - 4 mm spacers should be enough for 2M cartridge.

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Sumiko

Pearl MM-Tonabnehmer

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VNL Premounted x SH-4 Headshell Black

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Get ready to Plug’n Play

Designed to fit any standard DJ turntable. Features high quality tonearm terminal connections.

Ortofon VNL cartridge – a model tailored uniquely to the unrelenting demands of modern
turntablists and portablists.
The plug'n play solution has become an expected and necessary asset for the user, and
with the new VNL Premounted, it’s not getting easier!
The VNL has been paired with our popular black SH-4 Headshell, which securely frames
the VNL cartridge to deliver its absolute best. The VNL Premounted fits any standard DJ
turntable and tonearm and features high quality tonearm terminal connections. We've
created the perfect kit, where you'll have the high standard of the VNL matched with our
favorite headshell to deliver superb convenience and great value.

Just the stylus VNL II is product content!

Features:
• Mounted on Ortofon SH-4 Black headshell with universal mount.
• Extra resistance to hardcore scratching and back spinning
• High tracking performance for both DVS usage and real vinyl
• Optimal balance of output and of sound quality

Technological improvements have been applied for the benefits of all users:
- Ultrasonic welding of the components ensures high rigidity and freedom from resonances.
- Robotic assembly of stylus assembly offers high precision and uniformity of industrial production.

VNL II compliance, dynamic lateral 15 μm/m N - Rigid

DJs can easily identify which stylus type best suits their individual DJ style and enables their absolute best performance capability.

VNL technical data:
• Stylus Type: Sperical
• Tracking Force: 4,0 g
• Output Voltage: 6mV
• Frequency Range: 20-20.000 Hz
• Output voltage at 1000Hz, 5cm/sec. - 6 mV
• Channel separation at 1kHz - 20 dB
• Frequency response 20 Hz - 20 kHz -2/+4 dB

• Tracking ability at 315 Hz at recommmended tracking force:

VNL II 90 μm

VNL II 15 μm/m N

• Tracking force range - 3 - 5 g
• Tracking force recommended - 4 g
• Antiskating - for best backcueing performance use “0”
• Internal impedance, DC resistance - 750 Ohm
• Internal inductance - 450 mH
• Recommended load resistance - 47 kOhm
• Recommended load capacitance - 200-600 pF
• Cartridge weight - 6,5 g

Exclusive features
The VNL features a spherical stylus which is perfect for tough groove handling. Furthermore, it reduces record wear when scratching and back-cueing to an absolute minimum.

The broad stance of the VNL features solid and robust design elements characteristic to Ortofon, with colors meticulously selected to emphasize sturdiness and DJ aesthetics: the cartridge body has been designed to provide easy mounting and alignment on a variety of headshells.

The VNL provides excellent compatibility when used in an assortment of playback systems, ensuring it stays in the groove under the most demanding conditions.

VNL Userguide: https://www.ortofon.com/media/151234/5-800161-12_vnl_userguide_08_20_web.pdf

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Pro-Ject

Align it PRO

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FLUX-Sonic Nadelreiniger (Limited Edition)

Flux Hifi

149,00 €* 169,00 € -11%

Box Set | 2023 | EU | Original (Mecanica)

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Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

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Deutsch Nepal

Vol. 1

Robot Hive / Exodus (Heavy Metal Series) Black Friday Record Store Day 2022 Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Peter Andersson, aka Lina Baby Doll, is the man that sustain the heavy structure behind Deutsch Nepal. A legend in the scene of industrialism, avant-garde, music and art in general. He is capable to re-create and re-design old school industrial and electronica, taking elements from apparently dissimilar concepts such as Dadaism and Tribalism, or “contradictory” ideas such as Heathenry and Christianity and converge them into a typical cocktail blend that characterises a unique and now famous style. Manic rhythmic redundancies, strange indefinable samplers, metallic sounds, distorted guitar chords are common elements found in all his works. His main goal?. Mesmerize the listener to subjugate the mind and put the spirit into reverberation mode.

It is difficult to reduce his works to a simple description. All of them seem to be the evolution of an early idea, a baby that grows old, getting monstrous and divine while doing so. The music itself is a never ending universal paradox in where beats and rhythms have a primary role. Deutsch Nepal is surreal landscapes strongly conducted and cut through with the violent and precise pounding of the repetitive aspect of percussion. It’s a black and white obsession, changing shapes and tonality.

This boxset compiles the first five albums released by Deutsch Nepal throughout the 90’s (“Deflagration of Hell”, “Benevolence”, “Tolerance”, “¡Comprendido!… Time Stop! …And World Ending” and “Erosion”) plus an extra record (“Dystopian Selection”) with a selection of tracks taken from old compilations. Limited edition of 535 copies with six vinyl records on individual sleeves, three postcards set, numbered certificate and a sticker.

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Clutch

2LP+7" | 2022 | US | Original (Weathermaker Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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Stage Fright 50th Anniversary Limited Deluxe Boxset

The Band

5LP | 1970 | EU | Reissue (Capitol)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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4LP | 1983 | Reissue (Universal)

The Police

Synchronicity Box

Release: 1983 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

Box | 2023 | EU | Original (Virgin)

Peter Gabriel

I/O Limited Edition Box

Release: 2023 / EU – Original

Genre: Pop

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Mingus Takes Manhattan - The Complete Birdland Dates

Charles Mingus

4LP | 2023 | EU | Original (New Land)

Release: 2023 / EU – Original

Genre: Organic Grooves

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FLUX-Sonic Nadelreiniger (Limited Edition)

Flux Hifi

148,72 €* 169,00 € -12%

Box | 2024 | EU | Original (Sony)

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David Gilmour

Luck And Strange

147,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Preorder shipping from 2024-09-06

Tokyo Tapes Revisited - Live In Japan Box Set

Uli Jon Roth

Box Set | 2016 | EU | Original (Alpha Experium)

147,99 €*

Love For Sale Limited Numbered Lp Box Set

Release: 2016 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-05

The lid-off shell box contains 4 heavyweight vinyl LPs of Roth's 2015 Scorpions Revisited release which has never been released on vinyl. It comes with an 80-page, gatefold hardcover 12" book which will house 8 discs - 1 BluRay concert main-feature, 1 bonus BluRay Disc (which contains the original footage from the first Japanese Scorpions Tour 1978, shot personally by Uli on his Super 8 Camera), 2 audio CDs of the main Tokyo concert and 4 bonus audio CDs of Roth's Osaka and Nagoya dates on the same Japanes tour. The set also includes an Uli Jon Roth replica guitar key-ring and a signed certificate of authenticity, numbered and signed by Uli himself.

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Tony Bennett & Lady Gaga

LP | 2021 | EU | Original (Universal)

Release: 2021 / EU – Original

Genre: Pop

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OST Shenmue III - The Definitive Soundtrack Volume 2 Niaowu

Ys Net

6LP | 2021 | EU | Original (Brave Wave)

Gisbert Zu Knyphausen & Kai Schumacher

Release: 2021 / EU – Original

Genre: Soundtracks

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6LP Colored Vinyls : Brown, Yellow, Ocean Blue, White, Dark Green, Red Liner notes and archival artwork booklet by Yu Suzuki Download code

The 20th milestone release in the Generation Series lineup, this 5-lp abridged set features 82 tracks that play in the first half of Shenmue III, which takes place in Bailu Village. Comes in a top lid box (similar to recent Generation Series releases from Brave Wave) with liner notes, archival artwork and a digital download code for all 196 tracks.

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Lass Irre Hunde Heulen Limited Deluxe Box

Box | 2021 | Original (Neue Meister)

Release: 2021 / Original

Genre: Pop

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Forever Jan - 25 Jahre Jan Delay Limited Signed Fan Box

Jan Delay

Box | 2024 | EU | Original (Vertigo Berlin)

Box | 2023 | EU | Original (Mercury)

Release: 2024 / EU – Original

Genre: Hip Hop, Pop

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"Forever Jan" packs 25 (!) years into the most comprehensive compilation possible - and, despite all the stylistic diversity, makes the common thread of this extraordinary career recognizable in every respect. Jan Delay himself has become an icon of German pop: He has shaped how music sounds in this country, and he has inspired entire generations to listen to their raveheart and consistently do their thing.

But above all, he has always remained a fan. Anyone who has shared a dancefloor with Jan at five o'clock in the morning or discussed the latest Soundso record with him, indeed anyone who has experienced him on stage even once, knows what music means to him, how it drives him, how it defines his work. The beats, the bass, the whole boom, that's his element. And he has always transferred this passion very directly into his own projects. Anyone who hears "Forever Jan" knows that this fire will burn forever.

"Forever Jan" comes with 2 new tracks, classics, rarities and floor fillers.

Limited hardcover book in vinyl format incl. 2 new tracks: 5-fold vinyl (colored, 180g) and 2 CDs with glued-in 20-page booklet and signed DIN A5 photo

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The Teardrop Explodes

Culture Bunker 1978-82

Release: 2023 / EU – Original

Genre: Pop

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Box | 2023 | EU | Original (Mercury)

Rush

Signals Super Deluxe Box

Release: 2023 / EU – Original

Genre: Pop

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Multi-Format Turntable Case

Magma

146,00 €*

4LP | 2023 | UK | Original (Rocket Girl)

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One size fits all! The new MULTI-FORMAT TURNTABLE CASE is a heavy-duty road case that was especially designed to fit the popular Technics SL-1200/1210 Turntable. It includes several foam pads to accommodate various new models such as a Pioneer PLX-1000 and other models from Stanton, Vestax, Reloop, American Audio, Numark etc.

Fits Technics 1200/1210 MK2 /MK5, Pioneer PLX-1000, Reloop RP-8000/7000/6000/2000, Stanton ST-150, Vestax PDX 3000, Numark TTX, Audio Technica LP120-USB/LP1240-USB, American Audio Power Drive 2.2 etc.

Incl. adjustment foams to accommodate various turntable models

Heavy duty construction of 9 mm vinyl laminated plywood

Solid aluminum profiles and spring loaded butterfly locks

Secure stacking due to stackable ball corners

Outer dimensions: (B/H/T): 43 x 52 x 22 cm /internal: (B/H/T): 36,5 x 45,5 x 7,5 cm

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A.R. Kane

A.R. Kive

145,99 €*

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Clearaudio

Twister Plattenklemme

145,00 €*

Box Set | 2022 | EU | Original (Onderstroom)

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Record clamp.
LP-clamping unit with resonance absorbing locking unit and stainless steel grip.
Weight: 190 g

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Aroma Di Amore

Zwarte Doos

2LP+Book | 2021 | EU | Original (Magazine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Richard Ojijo

Mo_Ro_20

In Search Of Sunrise 6: Ibiza

Release: 2021 / EU – Original

Genre: Electronic & Dance

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20 Years OF Music FOR Marcel Odenbach

Richard Ojijo’s music for the films of german video artist Marcel Odenbach not only underscores and accentuates the imagery and motion, but also serves to propel the narrative too. The compositions are auditory distillations of the visual and create a synergy between music and image that draws the observer ever deeper.

With Odenbach’s and Ojijo’s collaboration now entering its 3rd decade, Ojijo was recently inspired to revisit and remix some of the themes contained within the extensive body of work.

Matt Karmil, Aug 2021

Die Musik von Richard Ojijo für die Videoarbeiten des Künstlers Marcel Odenbach sind eindrucksvolle Beispiele dafür, wie Klänge Filmbilder nicht nur untermalen oder deren Wirkung atmosphärisch verdichten können, sondern neben dem Visuellen ein gleichberechtigtes Eigenleben entwickeln, das auf das Gesamterlebnis des Films zurückwirkt: plötzlich auftauchende innere Bilder oder Assoziationen, die das Gesehene mit noch größerer Komplexität und Mehrdeutigkeit versorgen.

Wenn sich etwa in „Innerer Sicherheit“ oder „In stillen Teichen lauern Krokodile“ sphärische Flächen und Soundeffekte ausbreiten, erinnert dies zuweilen an elektronische Stimmungen der späten 90er Jahre, obwohl die Thematiken der Filme in gänzlich andere Richtungen weisen. Dabei wird nie der Spannungsbogen der filmischen Dramaturgie vernachlässigt. Vielmehr kommt es zum Wechselspiel von dienender und freier Funktion, in dem die Musik nicht nur ihre schöne, sondern – den Themen der Filme angemessene – beunruhigende Wirkung ausbreiten kann. So tauchen wie aus dem Nichts Stimmen auf oder Geräusche, etwa von Stiefeln in „Beweis zu nichts“, die parallele Narrationen auf die Audiospur legen, um die zum Teil bedrohliche Wirkung der Bilder zu verstärken und womöglich Bereiche des Unterbewussten zu berühren.

Die Zusammenarbeit von Ojijo und Odenbach dauert mittlerweile über 20 Jahre an. Ojijo hat nun seine Arbeiten für die Filme Odenbachs neu zusammengestellt und neu gemischt. Die Platte erscheint im Herbst 2021 aus Anlass der großen Odenbach-Retrospektive im Düsseldorfer K21-Museum. Dort werden auch sieben Videoarbeiten zu sehen sein, von denen fünf in Zusammenarbeit mit Richard Ojijo entstanden sind.

Michael Kerkmann, Aug 2021

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DJ Tiesto

2x12" | 2007 | NL | Original (Songbird)

Release: 2007 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2014 | DE | Original (Dial)

Efdemin

Decay Versions Pt. 2

2LP | 2002 | US | Original (Star Trak Entertainment)

Release: 2014 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with slight wear and some small tears on the front!

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Clipse

Lord Willin'

Release: 2002 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

RZA As Bobby Digital In Stereo

RZA as Bobby Digital

2LP | 1998 | US | Original (Gee Street)

LP | 2019 | EU | Reissue (Legacy)

Release: 1998 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy! Cover corners slightly dented.

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Prefab Sprout

Steve McQueen Acoustic

Release: 2019 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

3LP | 2024 | EU | Original (Karisma)

Arabs In Aspic

I-III

3LP | 2024 | EU | Original (Karisma)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-07-26

Hailing from Trondheim in Norway, Arabs in Aspic has been mid-Norway’s flagship of 70s inspired progressive rock and proto-hardrock for the past 15 years. They’ve been described as a sweet mixture of loud, heavy guitars and drums, 12 string acoustics, funky bass and percussion, screaming Hammond organs, soft Rhodes, Mellotrons and 70s Synths, topped with plentiful vocal harmonies. The bands first three albums have been re-mastered by Jacob Holm-Lupo, and are collected in this limited box set on exclusive “Aspic Colored Vinyl”. The box also contains a 12 page booklet about the early years of the band, and a slipmat with their Crown logo. The booklet and slipmat will be exclusive to this box set.

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Arabs In Aspic

IV-VI

The Asylum Albums (1973-1977) Record Store Day 2024 Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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“IV – VI” continues where the previous Arabs In Aspic box set left off, and collects remixed / remastered / re-worked versions of the 4th, 5th and 6th albums from this now legendary Norwegian prog band. “Pictures in a Dream” and “Victim of your Father’s Agony” have been mixed and edited from scratch by Jostein Smeby, with additional overdubs. And “The Magic of Sin” is a brand new English version of the album “Syndenes Magi” – the way the album was originally written. This has also been mixed again from scratch, resulting in a very different sounding version of the six year old Norwegian album. All three albums have been meticulously mastered by Jacob Holm-Lupo (White Willow, Opium Cartel, Solstein) in Dude Ranch Studios. All three albums are presented on limited Colored Vinyl (also available seperately). While “Pictures…” and “Victim...” have regular gatefold covers, the limited first pressing of “The Magic of Sin” comes in a special tri-fold cover revealing more of Julia Proszowska’s striking cover art made for the album – and if combined with the first version of the “Syndenes Magi” LP, all five panels of the painting will be visible. This box set also contains an exclusive 12-page booklet loaded with pictures and stories about the albums.

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Linda Ronstadt

4LP | 2024 | Original (Rhino Elektra)

The Beginning And Then Some: The Album Of The 80's Record Store Day 2024 Vinyl Edition

Release: 2024 / Original

Genre: Pop

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4 LP box set featuring all of Linda's '70s Asylum albums. The first album, Don't Cry Now, is celebrating it's 50th anniversary in 2023. Don't Cry Now (1973) Prisoner In Disguise (1975) Hasten Down The Wind (1976) Simple Dreams (1977)

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Dwight Yoakam

LP | 2024 | Original (Rhino Warner)

2LP+CD | 2017 | EU | Original (Bmg Rights)

Release: 2024 / Original

Genre: Pop

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The Dwight Yoakam Rarities Box Set series is a collection of the artist’s early work, packaged neatly in exclusive sets spanning the eighties and early nineties. The 80's Box set includes the prolific singer, songwriter and accomplished musician’s debut album Guitars, Cadillacs, Etc., Etc., alongside his other successful 1980’s releases. Each box set also includes an exclusive full disc of rarities from that decade, curated by the artist himself.

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Kontra K

Gute Nacht

| 2004 | UK | Reissue (Polydor)

Release: 2017 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Copy is close to NM!

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The Who

The First Singles Box

LP | 1979 | EU | Reissue (Swan Song)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed boxset!

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Led Zeppelin

In Through The Out Door

12" | 2004 | DE (Not On Label)

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl is close to NM. With insert and brown paper bag outer sleeve.

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Isaac Hayes / Kikrokos

Ron's Edits #1

Release: 2004 / DE

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

8x12" | 2011 | EU | Reissue (Sony Music)

Depeche Mode

Exciter The 12" Singles

144,89 €* 160,99 € -10%

Release: 2011 / EU – Reissue

Genre: Pop

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PT01 Scratch x 7" Control Vinyl (Pair) HHV Bundle

Numark x Serato

144,00 €*

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The New Era of Scratch
It’s a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut—anywhere. Built with Numark’s exclusive Adjustable Scratch Switch™, PT01 Scratch enables you to grab your favorite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you’re outdoors with your friends.

While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records.

Transform, Cut, and Scratch
Yes! There’s an Adjustable Scratch Switch™ that gives you the perfect way to scratch, plus it’s adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it’s user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records.

Battle anybody—we don’t care who you tell!
Connect your phone or any audio source to play a background beat through the 1/8” stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening.

Record digitally to your laptop
In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software).

Portability and Battery
PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It’s enclosed in a hard case for protection and has a sleek red handle to carry it anywhere.

FEATURES:

• Built-in adjustable Scratch Slide Switch
• User-replaceable scratch slide-switch keeps the action going
• Protective dust cover and integrated carrying handle
• Wall-powered with included AC adapter or six batteries(not included)
• Built-in speaker
• Cartridge included
• Removable slip-mat
• Class-compliant USB connection for PC recording
• 33 1/3, 45 and 78 RPM settings
• RCA line and headphone outputs
• 1/8" Aux input with adjustable volume
Aufgrund der überwältigenden Nachfrage aus der Serato Community hat Serato die neue Performance-Serie 7" Control Vinyl released. Diese Control Vinyl wird als Pärchen in der beliebtesten Farbe schwarz ausgeliefert und beinhaltet auf beiden Seiten das neuste Serato NoiseMap Control Signal in einer neu gemasterten Form. Dieses Signal ist nun 6dB lauter als zuvor, was ein deutlich präziseres Tracking und angenehmeres Vinyl-Feeling zur Folge hat.

Features

• 2x 7“ Control Vinyl (CV 2.5) in schwarz
• Control Vinyl zur Steuerung der Serato DJ und Serato Scratch Live Software
• A-Seite und B-Seite mit 4 Min. Control Signal
• Das bewährte Serato NoiseMap Control Signal, remastered und 6dB lauter als bisherige Control Vinyls
• „Vinyl Select“ Funktion ermöglicht das Steuern der MP3 Files in der Library
• Durchgehendes Steuersignal auf der Control Vinyl erlaubt ein problemloses exaktes Scratchen und mixen
• Innovatives Positionierungssystem für ein schnelles und genaues Positionieren der Nadel (Needle Droping)
• Sichtbare in Minuten unterteilte Zeitmarkierungen auf der Control Vinyl

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Sennheiser

HD 25

144,00 €*

2LP | 2023 | JP | Original (Commons)

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Due to their low weight and the option of one-ear listening, the HD 25 headphones are indispensable for mobile monitoring. The closed-back HD 25 are purpose-designed, professional monitoring headphones offering high attenuation of background noise.

Capable of handling very high sound pressure levels and of extremely robust construction, these headphones perform exceptionally well in loud environments, e.g. ENG, sound reinforcement, studio monitoring and audio equipment testing. Ideal monitoring headphones for cameramen and DJs, these are a pair of true sound professionals’ working headphones.

FEATURES

High sensitivity due to lightweight aluminium voice coils

Capable of handling very high sound pressure levels

Very lightweight and comfortable, even if used for long periods of time

Tough, detachable, single-sided cable

Rotatable capsule for single-ear listening

WHAT'S IN THE BOX?

1 HD 25
1 Screw on jack adapter 3.5 to 6.3 mm

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Ryuichi Sakamoto

12 Black Vinyl Edition

Nimrod 25th Anniversary Edition

Release: 2023 / JP – Original

Genre: Electronic & Dance, Classical Music

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The original album "12" released on January 17, 2023, is now available in analog form! Encore Limited pressing of the standard version is now available!

On January 17, 2023, we released our first original album "12" in 6 years since the release of "async" in 2017. This is a collection of 12 songs selected from the musical sketches he created as if he were writing a diary while he was still fighting an ongoing illness, and compiled them into a single album. The jacket was drawn by Lee Ufan, an international artist representing the "Mono-ha" school. The first limited edition analog version sold out immediately and became a mirage! This is an encore pressing in the standard specification. (The "Self Sketch | Music Score Print" from the limited first pressing will not be included, and the vinyl will be black instead of color vinyl.)

Tracks are same as Rzjm-77655-6

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Green Day

5LP | 1997 | EU | Reissue (Reprise)

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Muswell Hillbillies Everybody's In Show-Biz Box

The Kinks

Box | 2022 | EU | Original (BMG Rights Management)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Studio Albums 1996-20045 Box

Dio

6LP | 2023 | EU | Original (BMG Rights Management)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 1996 | UK | Original (Rephlex)

Squarepusher

Feed Me Weird Things

143,44 €* 150,99 € -5%

Handsome / Roundhouse / Jackson Box Set

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM

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Tar

4LP | 2022 | US | Original (Chunklet)

142,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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TAR were an uncompromising prolific Chicago four piece band from 1988 to 1995 who put out many records and toured the US and Europe frequently with the likes of The Jesus Lizard, Arcwelder, Unsane, Surgery, and Jawbox. Over thirty years since the original releases, Tar’s first three 12" records are being reissued. Co-released by the band’s No Blow Records and Chunklet Industries, the Handsome EP and full length LPs Roundhouse and Jackson are being rediscovered. All three records were remastered and cut to lacquer by BOB Weston at Chicago Mastering Service. The artwork was painstakingly reimagined and recreated by the band’s drummer, Mike Greenlees. This music has withstood the test of time. With the stunning remastering and 180gm pressing at Chicago's Smashed Plastic pressing plant, this is no regular reissue. With exacting detail, the highest quality and attention to detail, the listener and fans are invited to truly re-experience these releases anew. It’s time to celebrate Tar. Again. Includes the Handsome EP, the Roundhouse and Jackson LPs, and the previously unavailable Holding Fast Hitting Long album—an incendiary live set recorded at Lounge Ax in March 28, 1992. The band had just returned from multiple tours and was in top tour shape, tearing through a 55 minute set comprised entirely of songs from that era. This record includes a recreated flyer from the show and your very own copy of the set list. The live record is only available with the Box Set. Numbered edition of 240 boxes. Handsome - Green w/dark blue swirl vinyl / Roundhouse - natural w/ metallic blue swirl vinyl / Jackson - clear with Red swirl / Holding Fast, Hitting Long - white vinyl.

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Marshall

Emberton Jubilee

142,99 €*

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Preorder shipping from 2024-07-05

Emberton is a compact portable speaker with the loud, lively sound for which Marshall is so known. Emberton uses True Stereophonic, a unique form of Marshall's multidirectional sounds. Experience absolute 360° sound that is optimal from every point of view. In addition, the IPX7 speaker is waterproof and offers over 20 hours of portable playing time: ideal for all your adventures.

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Marshall

Emberton II

142,99 €*

2LP | 2017 | EU | Reissue (OBE)

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Emberton II produces a sound much larger than its size. Two 2’’ full range drivers and two passive radiators bring you the heavy Marshall sound you know and love. Experience absolute 360° sound with True Stereophonic, a unique form of multi-directional sound from Marshall. Weighing in at only 0.7 kg (1.5 lbs), this speaker is tough and resilient.

EMBERTON II KEY FEATURES
• Marshall signature sound
• True Stereophonic (360° sound)
• Iconic & rugged design
• 30+ hours of portable playtime
• Dust & waterproof (IP67)
• Multi-directional control knob

MARSHALL SIGNATURE SOUND
Emberton II delivers sound that is rich, clear and loud, like the artist intended. Two 2’’ full-range drivers and two passive radiators bring you the heavy Marshall sound you know and love. Its custom-tuned audio components enhance the multi-directional sound by providing brilliantly powerful and clear sound throughout the entire frequency range.

TRUE STEREOPHONIC (360° SOUND)
Experience absolute 360° sound with True Stereophonic, a unique form of multi-directional sound from Marshall – where every spot is a sweet spot. By separating out the spatial content of stereo recordings, Emberton II produces a sound much larger than its size.

ICONIC & RUGGED DESIGN
Boasting an extremely durable and easy-to-use design, Emberton II is a must for any occasion. The textured silicone sleeve arcs back to the classic vinyl that encased the original amplifiers. The signature details, such as the solid metal grille and iconic Marshall script, echo the legacy of rock ’n’ roll.

30+ HOURS OF PORTABLE PLAYTIME
Emberton II offers 30+ hours of portable playtime on a single charge. Its compact size, rugged durability and reliable playtime, make it perfect to take with you. When you’re out of battery, Emberton II won’t keep you waiting long – plug in your speaker and return to full battery in 3 hours.

DUST & WATERPROOF (IP67)
Emberton II is tough and resilient. It has an IP67 dust and waterproof rating so you can submerge Emberton II in 1 m (3 ft) of water for a period of up to 30 minutes. This is a speaker that won’t let rain or dirt get in the way of your music.

MULTI-DIRECTIONAL CONTROL KNOB
Emberton II is simple and easy to use. Control it with the multi-directional control knob. You can play, pause, skip tracks and adjust the volume of your speaker, as well as turn it on or off.

APP COMPATIBLE
Download and connect to the Marshall Bluetooth app to access Over-the-Air (OTA) updates and additional controls. If you want to adjust your sound, you can choose between different equaliser settings. The dedicated app gives you control where you want it but won’t slow you down with a complicated set-up.

PRODUCT DETAILS
• PLAY TIME: 30+ HOURS
• WIRELESS CONNECTIVITY: BLUETOOTH 5.3 LE
• ACTIVE NOISE CANCELLATION: YES
• DIMENSIONS: 68 X 160 X 76 MM / 2.68 X 6.30 X 2.99 IN

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Anderson .Paak

Malibu

142,49 €* 149,99 € -5%

Wembley Empire Pool, London, England 4/8/72 (Live) Record Store Day 2022 Vinyl Edition

Release: 2017 / EU – Reissue

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Green translucent vinyl.

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Grateful Dead

5LP | 2011 | US | Reissue (Grateful Dead)

OST Ys VI: The Ark Of Napishtim Black Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Limited to 8000 copies.

Breakout of 2011' s Europe '72: The Complete Recordings. Celebrating the 50th anniversary of the legendary 1972 tour. Mastered by Dave Glasser at Airshow Mastering.

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Falcom Sound Team JDK

4LP | 2003 | US | Reissue (Streaming Arrow)

OST Ys VI: The Ark Of Napishtim Blue Vinyl Edition

Release: 2003 / US – Reissue

Genre: Soundtracks

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* Pressed across four 12" 180gram vinyl records * 8 Page Art booklet * Translate lyric sheet insert for "Release of the Far West Ocean - I'm Here for You (Opening)" * All housed in two heavyweight 350 gsm gatefold jackets enclosed by an LP boxset slipcase

Streaming Arrow Records is excited to present the release of the soundtrack to Ys VI: The Ark of Napishtim.

Released back in the far-away year of 2003, Ys VI reawakened the then long-dormant series with a gorgeous 3D entry that successfully paved the way for gameplay styles of future entries in the series and the beautifully varied soundtrack that captures the beauty of nature, dangers of exploring the unknown, and of course, heavy metal guitar riff-laden boss themes that serve as the musical foundation for the Ys series to this day.

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Falcom Sound Team JDK

4LP | 2003 | US | Reissue (Streaming Arrow)

4LP | 2020 | US | Original (Spectrophonic Sound)

Release: 2003 / US – Reissue

Genre: Soundtracks

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N.A.S.A.

Spirit Of Apollo Box Set

2LP | 2024 | CA | Original (2xhd)

Release: 2020 / US – Original

Genre: Hip Hop

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Limited edition box set to celebrate the 10-year anniversary of The Spirit of Apollo. Designed by Julian Gross, The box set will include 4 vinyl discs (the original album with four unreleased tracks and remixes), a 24 page booklet (a re-imagining of the original CD booklet), a 48 page picture booklet of photos of N.A.S.A. throughout the making and touring of the album, and a private streaming link to the N.A.S.A. documentary. The set will feature art from Sage Vaughhn, Marcel Dzama, Gonz, The Date Farmers and many more.

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Jaco Pistorius

Truth, Liberty & Soul

Release: 2024 / CA – Original

Genre: Organic Grooves

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4LP | 2024 | US | Original (Cuneiform)

Soft Machine

Hovikodden 1971

Release: 2024 / US – Original

Genre: Organic Grooves

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Sgt.Pepper's Lonely Hearts Club Band Limited Super Deluxe CD Box

The Beatles

Box | 2017 | EU (Universal)

Release: 2017 / EU

Genre: Rock & Indie

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Rihanna

140,00 €*

2LP | 2009 | US | Original (Eleven Seven Music)

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Rihanna invites you into her world with this stunning visual autobiography

"It's a piece of art that I am really proud of..." —Rihanna

From her Barbados childhood to her worldwide tours, from iconic fashion moments to private time with friends and family, the book showcases intimate photographs of her life as an artist, performer, designer, and entrepreneur. Many of these images have never before been published.

This large-format book is 504 pages with 1,050 color images on 3 paper stocks and 7 single- and double-page gatefolds, 9 bound-in booklets, 1 tip-in sheet, and a double-sided, removable poster.

Rihanna (b. 1988, Barbados) is a nine-time Grammy Award–winning recording artist, songwriter, actress, philanthropist, and entrepreneur. She has sold 60 million albums and 215 million digital tracks worldwide, making her the top-selling digital artist of all time. Rihanna launched her beauty line Fenty Beauty in 2017, her lingerie line Savage X Fenty in 2018, and most recently her luxury fashion line, Fenty in 2019.

Specifications:
Format: Hardback Size: 420 × 320 mm (16 1/2 × 12 5/8 in)
Pages: 504 pp
Illustrations: 1050 illustrations

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Mötley Crüe

Greatest Hits

Release: 2009 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Copy is still in shrink! Inner sleeve has a small seam split.

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Decksaver

Arturia Polybrute

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OST Rambo: The Jerry Goldsmith Multicolored Vinyl Collection

Jerry Goldsmith

5LP | 2023 | EU | Original (Quartet)

Release: 2023 / EU – Original

Genre: Soundtracks

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* Pressed on 5-lp 180 gm transparent color vinyl * Remastered from original master tapes * 12-page full color booklet * Exclusive hard box set * Limited edition of 1000 units

40th anniversary of the blockbuster First Blood with Rambo: THE Jerry Goldsmith Vinyl Collection, a mammoth 5-lp box set that includes Jerry Goldsmith’s powerful music for the original Rambo trilogy, presented for the first time in expanded form on vinyl!

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Reloop

120 Trolley Record Case

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The 120 Trolley Record Case can be pulled anywhere easily, thus resting ones back. A comfortable telescope handle and a convenient pulling height offer maximum comfort. The show-stopper: the case can also be used without the removable trolley frame. Simply unlatch it via the easy-click system. Three manageable handles facilitate wearing transport.

FEATURES
• Classic record case with trolley frame
• Removable trolley frame
• Rolls on two wheels
• Telescope handle
• Fold-away carrying handles
• Robust construction made of coated wood
• 50/50 division
• Lockable low profile butterfly locks
• Foam padding
• Removable top
• Rotund angles
• Protective rubber feet mounted on top and bottom

TECHNICAL DATA
• Dimensions: 383 x 483 x 253 mm
• Weight: 6.4 kg
• Holds approximately 120 records

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Reloop

DSM-3 BT

Ultimate Pick Foam Flight Case Multi Format L

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VERSATILE MONITOR LOUDSPEAKER
The Reloop DSM-3 BT Smart Desktop Monitor system is the perfect solution for DJs and producers. Being so compact, it is ideal for small DJ setups and home studio environments. A powerful and balanced sound makes professional DJing and producing a real pleasure!

WIRELESS INPUT
Developed especially for this purpose, the DSM-3 BT system can connect all your Bluetooth devices with clear audio quality and a rich sound. Regardless of whether you are using a tablet, smartphone, or computer – a foolproof connection means you can immediately enjoy listening to your productions and music in optimal quality.

RICH & POWERFUL SOUND
The bass reflex design enables powerful bass and reduced air resistance. The optimised tweeters also provide a broad stereo sweet spot for producers. Last but not least, the built-in class A/B amplifiers deliver a clear, low-distortion and rich sound.

CONNECTIONS & CONTROLS ON THE FRONT
The sound of the DSM-3 BT can be perfectly adapted to every environment using the practical controls on the front. Controlling volume, bass/treble EQ, Bluetooth pairing or connecting headphones is all done with a single touch. As well as the RCA input on the rear providing further options for connecting DJ or production setups, there is also an additional mini jack for connecting an optional subwoofer.

DESIGN
The DSM-3 BT fits seamlessly into any environment with its classic and timeless design. The magnetically shielded drivers also ensure interference-free operation, even in close proximity to other equipment. Maximum stability as well as a powerful, clear sound thanks to the rugged, matt black surface and the curved edge design round off the smart, flexible system for DJs and producers.

FEATURES
• Professional 2-way active monitor system with wireless input
• Powerful, balanced sound for DJing and producing
• Smartphones and tablets can be connected wirelessly via Bluetooth®
• Bass reflex design for rich bass sound and reduced air resistance
• Optimised tweeter for a broad stereo sweet spot
• Class A/B amplifier for crisp sound with low distortion
• Front control unit to quickly control volume, bass/treble EQ, Bluetooth pairing, and for connecting headphones
• RCA inputs for connecting DJ gear or studio interfaces
• Output jack for connecting an optional subwoofer
• Magnetically shielded drivers allowing positioning near other equipment without any problems
• Rugged, matt black finish and the curved front edge design for stability and clean sound reproduction

TECHNICAL DATA
• Type: 2-channel bass reflex, active monitor speaker system
• Tweeter: 0.5'' tweeter (1.30 cm)
• Woofer: 3.5'' bass (8.89 cm)
• Frequency range: 80-20,000 Hz
• Amplifier power: Class A/B amplifier: 2 x 20 W RMS
• Magnetic shielding
• Inputs: 1 x line (RCA), 1 x wireless Bluetooth®
• Outputs: 1 x headphone monitor (3.5 mm jack), 1 x subwoofer (3.5 mm jack)
• Dimensions: 140 x 222 x 152.5 mm
• Weight: 6 kg (pair)
• Incl. loudspeaker cable (to connect from the left/right channel), mains cable, operating instructions

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UDG

Ultimate Pick Foam Flight Case Multi Format L

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We, at UDG have further fined-tuned already a great design concept of our flight case into one specially for the most discerning DJ/producer. Constructed from aluminum thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick &
pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They’re compact and lightweight yet tough enough to keep your gear safe.

FEATURES:
• Fits: NI S2 MK3, Pioneer DDJ-400/ RB/ SB3, Akai MPC X/ Renaissance,
Roland DJ-707M
• Lighter weight than traditional flight cases
• Black Diamond finishing surface
• Corrosion resistant aluminum profiles with strong rounded corners
• Fully-lined with high density foam protective padding
• Ergonomic & sturdy carry handle
• Pick & pluck foam with two separate layers
• Replacement pick & pluck foam is available to purchase
• Removable front access panel
• Fully lined interior egg-crate foam on lid
• Two side strong butterfly lock and solid metal hinges
• Rubber feet at the bottom for support in standing position
• Several rivets for more solid

DIMENSIONS:
(Width x Height x Depth)

Outer: 56 x 49 x 21 cm
Inner: 55 x 48 x 20

Weight:4,3 kg | 9,5 lbs

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UDG

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Phase

Remote

2LP | 2011 | IE | Original (All City Dublin)

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Expand your Phase setup with additional Remotes for non-stop performances in any situation!

The MWM Phase Remote is an accessory item that you can purchase in addition to your existing Phase device. To use Phase Remote, you need a receiver like Phase Essential. The package consists of 1x Phase Remote and an additional free set of 4 magnetic stickers.

MWM Phase Remote - Features:
• Compatible with all phase receivers
• Easy to use: intuitive connection system
• Standard size, fits any turntable
• Operating time of up to 10 hours
• Individually adjustable LED

Included in delivery:
• 1x Phase Remote
• 1x set of magnetic stickers (4 pieces)

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Onra

Chinoiseries Pt 2

139,99 €* 174,99 € -20%

Release: 2011 / IE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

myVolts

Step Up Explorer's Kit

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8x12" | 2011 | EU | Reissue (Sony Music)

Depeche Mode

Exciter The 12" Singles

Release: 2011 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

The Vinyl Collection, Vol. 1

Billy Joel

9LP | 2021 | US | Reissue (Legacy)

12" | 1994 | UK | Original (Entity Records)

Release: 2021 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Original inner sleeve with seam splits. Box with slightly bumped corner

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System X

Got To Believe

The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record has a few hairlines, label with minor spindle wear.
Plays with faint surface noise in the run-ins before the music starts.

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Picture
Coming Soon

Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-07-12

Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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MF DOOM

Throw Sweatpants