Search "peaking+lights+936" 6136 Items

OST Cocaine Bear Cocaine & Crystal Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Drift into the celestial embrace of Peter Gilroy's Light Dreams , an otherworldly potion of sonic enchantment. As the album unfurls, listeners embark on a hypnotic odyssey, enveloped in a healing aurora of ethereal vibrations. This atmospheric masterpiece evokes the introspection of Animal Collective's 'Sung Tongs', while guiding souls through the labyrinth of the cosmos. Akin to meandering through hazy cornfields and slumbering meadows, Gilroy's cosmic folk guitar weaves a tapestry of mesmerizing melodies, dream-laden arpeggios, meditative murmurs, and psychedelic panoramas. Rustic field recordings harmonize with subtle, artful instrumentals, breathing life into the evocative soundscape. Embrace the organic rawness as each pluck of the guitar, each breath and hum, and the echoes of the recording space coalesce into a soothing, immersive journey. Traverse the realms of the strange and sublime with this beautifully crafted album – a true delight for the ears of Robbie Basho and John Fahey devotees. Sky blue vinyl pressing in an edition of 100 copies.

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Mark Mothersbaugh

LP | 2023 | US | Original (Waxwork)

Herculean House Of Cards Fools Gold Vinyl Edition

Release: 2023 / US – Original

Genre: Soundtracks

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Waxwork Records in partnership with Back Lot Music is thrilled to release Cocaine Bear Original Motion Picture Soundtrack Music by Mark Mothersbaugh!

Directed by Elizabeth Banks and inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.

About the composer:

Mark Mothersbaugh is a Grammy, Bafta, and Emmy nominated composer, producer, designer, and visual artist whose work has become part of the pop culture consciousness. He started his career as co-creator and front man for the seminal New Wave band Devo. Their Brian Eno/David Bowie-produced debut album “Q: Are We Not Men? A: We Are Devo” was certified Gold before their hit album “Freedom of Choice” went Platinum.

For Cocaine Bear, Mothersbaugh wanted a score that reflected and captured the culture of the ’80s, with a personality that evolved as the decade’s music evolved. “At the beginning of the film, it starts out very pop,” Mothersbaugh says. “But as it goes through it, it gets heavier. The guitars change up from being acoustic and lighter to being distorted and more aggressive and there are synths throughout that provide a pulse that keeps things moving.”

To make it as authentic as possible, Mothersbaugh used the instruments that created some of the most distinctive and memorable sounds of the ’80s music scene. “Once we decided we were going to let it soak a bit in an ’80s sound, I went to the warehouse where I store equipment and my old Devo road cases full of synths,” Mothersbaugh says. “I pulled out old synths that we used on albums in the ’80s and used the same synths and a lot of the same amps and foot pedals.”

Cocaine Bear Original Motion Picture Soundtrack Music Features:

The Complete Score by Composer Mark Mothersbaugh 180 Gram Cocaine and Crystal Clear Colored Vinyl Heavyweight Gatefold Jackets Design and Layout by Matt Needle 12"x12" Insert

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Trey Gruber

2LP | 2019 | US | Reissue (Numero Group)

Untitled Therapy Splatter Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

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Bigneuk

LP | 2024 | EU | Original

LP | 1970 | US | Reissue (Motown)

Release: 2024 / EU – Original

Genre: Hip Hop

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Limited Vinyl to 300 Copies. 200 Black 100 Splatter colored Vinyl.

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Jackson 5

Third Album

LP | 2024 | US | Original (Foreign Leisure)

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Jackson 5 - "Third Album" / Released on the Motown label in 1970, The Jackson 5's appropriately named Third Album featured their fourth consecutive #1 single on the pop charts with, "I'll Be There," and the #2 single, "Mama's Pearl." The album peaked at #4 on the Billboard Top LPs chart and topped the R&B Albums chart. "I'll Be There," also showcased the Jacksons' potential beyond bubblegum pop, with Michael Jackson delivering the ballad with a complexity far beyond his years. Available on red color vinyl. Version Title: [Red LP]

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Clem Snide

Oh Smokey

Release: 2024 / US – Original

Genre: Rock & Indie

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The intersection of hope and resignation can be a disarming place, but also incredibly beautiful. It’s where Oh Smokey, the tenth Clem Snide album, spends a lot of its time. Eef Barzelay, the songwriter behind the name since time immemorial, describes Oh Smokey as “slow, sad songs about God and death,” knowing full well that he’s being technically accurate but wryly incomplete. Like a sleepy late night road trip conversation about a near death experience, the record makes space for some intimate contemplation of what lies beyond. Barzelay wrote these eight songs while upending much of his life. His 25-year marriage dissolved, he parted ways with his longtime manager, and he left his Nashville home after two decades. If you look at it one way, he’s been almost cosmically unlucky in the business, with a big break always around the corner that doesn’t exactly materialize. Seen from another angle, he’s built a dedicated fanbase person by person by creating an improbably timeless body of work, playing living rooms, and even writing personal songs for individual fans. This collection of songs was brought to life with longtime Clem Snide fan Josh Kaufman (Bonny Light Horseman, Craig Finn, Hiss Golden Messenger). Kaufman added color and texture to Barzelay’s compositions, from the gentle sonic shrapnel of album opener “Free” to the organic hum that “At Your Command” rests on to the swelling expansiveness of title track “Smokey,” which was inspired by Eef’s fleeting collaboration with another Clem Snide fan: pop star Yebba. With 30 years now of rising and falling Clem Snide emerges from the ashes, once again, with Oh Smokey. Still committed to loving the unknown, but with a more empathetic and mature appreciation for the bruises that come along with it. Edition of 500 copies on "cool concrete" vinyl.

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Kraus

View No Country

2LP | 2024 | US | Original (ORG Music)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Kraus, a solo project led by Will Kraus, gained attention with the debut album "Path" in 2018 as he makes roaring shoegaze sounds in the form of various layered sounds without an electric guitar. Although the latest album "View No Country" was only released on digital format, it's now available on vinyl for the first time by P-vine.

In the past, Pitchfork did a feature article on Kraus Makes Noise Rock for Anxious People, and his whispery voice coming through the roar is as if a ray of light in the corner of the room.

Today there are many different types of solo shoegaze artists, such as Wisp, Asian Glow and flyingfish, but it all started when Will Kraus decided to make pure noise without a guitar.

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Jeremy & The Harlequins

Abra Cadabra

LP | 2011 | US | Reissue (Smartpunk)

Release: 2024 / US – Original

Genre: Rock & Indie

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Magic materializes in many forms, but it's clearest manifestation in our world would be music. It exists unseen in the ether, yet certainly leaves a physical, emotional, and spiritual imprint. Jeremy & The Harlequins deal in this sort of magic. Finding the crossroads between sun-soaked sixties California harmonies and New York garage rock gutter fuzz, the quintet kickstart a new phase of American rock 'n' roll. Following 2013's American Dreamer, they quietly emerged as a critical and fan favorite with Into The Night [2016] and Remember This [2018]. Along the way, they earned the endorsement of USA Today, Paste, Interview, Wall Street Journal, Nylon, Consequence of Sound, Atwood Magazine, Relix, and Huffington Post who christened them "true originals." Meanwhile, they can be heard loud and clear throughout popular culture with syncs in Edge of Tomorrow: Live. Die. Repeat., Seal Team, Shameless, Vampire Diaries, Royal Pain, Heavy, Life Partners, and a Miller High Life national campaign. On SiriusXM, Little Steven's Underground Garage selected "Starlight" as it's "Coolest Song In The World" and "Trip Into The Light" as the "Coolest Song of the Year." Everything just set the stage for their fourth full-length and 2022 Pasadena Records debut, ABRA CaDaBRA.

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Yellowcard

Lights & Sounds

LP | 2023 | EU | Original (Musica & Entretenimiento)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Black inside Transparent Yellow Vinyl. Combining punchy emo-punk and sweeping, violin-led alternative rock, Yellowcard's distinctive sound has helped make the Jacksonville, Florida band one the more popular acts to emerge from the fertile 2000s pop-punk scene. The group found mainstream success in 2003 after their fourth album, Ocean Avenue, went platinum on the strength of the chart-topping title cut. Yellowcard issued ten albums, including Billboard-charting efforts like Lights and Sounds (2005), Paper Walls (2007), and Southern Air (2012), before ceasing operations in 2016. Returning from a seven-year hiatus, the band issued the EP Childhood Eyes in 2023, followed by the 2024 collaboration A Hopeful Sign with the post-rock duo.

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Los Mac's

Kaleidoscope Men

LP | 2023 | EU | Original (Hummus)

Release: 2023 / EU – Original

Genre: Rock & Indie

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"Kaleidoscope Men" (1967) by Los Mac's is released now on vinyl, from the original IRT masters! - This is the best known and most important LP of the Chilean group Los Mac's. Produced at RCA by Carlos Gonzalez, "Kaleidoscope Men" is a meritorious psychedelic album with phenomenal harmonies and great vocals. It is influenced by the Beatles' "Sgt. Pepper's" and Californian sunshine pop groups.Los Mac's were formed in 1962 in Playa Ancha, initially as a cover band. In 1965 they moved to Santiago, with their experience on their backs, and with their own songs they attracted the interest of RCA, who quickly signed them. In their career the band would record 6 albums, 4 in their heyday in the '60s, and 2 more after their reunion in 2010. "Kaleidoscope Men" is the most important and successful of this Valparaiso quartet, and was produced at RCA by Carlos Gonzalez."Kaleidoscope Men" is a psychedelic album clearly influenced by the Beatles' "Sgt Pepper's", and by the groups of the then called Californian sunshine pop. A mature album, with excellent vocal and instrumental arrangements that flies from the confines of the world to a universal sound with fluidity and elegance.The elegant "Degrees" shines with its own light, psychedelia with vocal touches of great bands of the '60s like The Turtles, The Association or the incomparable Byrds. "El evangelio de la gente sola" is a progressive instrumental cut with the peculiar sound of a church organ, while "Dear Friend Bob" uses the technique that George Martin used with the Beatles in their most experimental stage of using the tapes in the opposite direction, with which the sound of the instruments "upside down" gives the special touch popularized by the 4 from Liverpool but used assiduously by bands of the time. The acid baroque of "A través del cristal" is close to "Strawberry Fields Forever", while "La muerte de mi hermano" enters the anti-war current of the Vietnam War era; a poignant song structurally supported by the Byrds' guitar sound.Origi...

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Quentin Sauve

Enjoy The View

Simple, Sweet, And Smiling Limited Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Hyperactive since his first steps into music at a very young age, he’s always been a defender of the DIY rock scene as he encompasses all sorts of influences. Coming out of an intense period that saw the consecration of Birds In Row, his punk-hardcore band in which he plays the bass, he unveiled, in 2019, “Whatever It Takes”, his debut solo album and most personal work.

Adorned with more elaborate arrangements (percussive components, layers of vocal harmonies…), Quentin Sauvé’s guitar/voice proposal remains above all refined, intimate and sincere. He keeps on diving deeper while expanding his sonic palette working in the studio with Amaury Sauvé (his brother and long-time music producer).

They recorded “Enjoy the View” on real tape, with old-school mics and amps, analog reverbs and delays... This production and all the additional material captured during the process (like 16mm video, film pictures...) make a coherent assemblage that physically transcribes the feeling of nostalgia present in every song.

This new album is a breathtaking immersive experience. Sadness is hidden in plain sight, radiating beneath minimalist performances. Light slink in every breach to join the tale.

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Kacy Hill

LP | 2022 | Original (Supergood)

LP | 2022 | EU | Original (Little Butterfly)

Release: 2022 / Original

Genre: Rock & Indie

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Simple, Sweet, and Smiling is a document of Kacy Hill working through hardship—her dad suffered a heart attack right as she was beginning the album, and her own latent anxiety disorder began to surface. She confronts these feelings of powerlessness in the face of her own mind and mortality, while giving thanks to the partners, friends and family who have helped her through. Simple, Sweet, and Smiling, has many meanings—it's genuinely aspirational; an acknowledgement of gratefulness for those moments in which clarity briefly breaks through mental anguish; and a tongue-in-cheek admission of something which for many of us never quite feels possible.

Born and raised in Phoenix and now living in Los Angeles, Hill got her start in 2014 when her self-released single “Experience,” the second song Hill had ever recorded, started attracting attention online. After touring with Kanye West and Vanessa Beecroft as part of the cast of the Yeezus tour, Hill signed to West’s imprint G.O.O.D. Music. Her debut EP Bloo came shortly thereafter, and she’s since released two albums: 2017’s Like A Woman and 2020’s independently issued Is It Selfish If We Talk About Me Again. Throughout her career, Hill has collaborated and shared stages with Travis Scott, Kid Cudi, Bon Iver, Francis and the Lights, Cashmere Cat and countless others.

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Eté & Los Problems

El Éxodo

We've Been Going About This All Wrong Deluxe Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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If the first album by Los Problems "Malditos banquetes" already introduced Ernesto Tabárez aka E.T as an unique character with a fierceful energy and sound, and second work "Vil" is proof of his skills as a hitmaker that should be mainstream in a more sane world, "El éxodo" appeared as best of both worlds, as a result, an album that was (and is) in a way, an intimate catharsis during a period of changes, expressed throughout songs with lyrical finesse that evoque Tabárez's obessions (from basketball to Steinbeck's work or the religious overtones of The Who-but with Uruguayan poetic identity of Darnauchans, Zitarrosa, Fernando Cabrera- All recurrent references in his work and interviews). Finesse aside, the album is also considered a shamelessly charged in Rock piece, that started to be considered, both locally as internationally, like a Zombie Genre, incapable of expressing anything relevant in these present times. An album that emerged from a personal crisis, climbed on the opposite direction of the intimate and light path of the indie genre, to shout and rasp, even in the single that broke through "Jordan", paradoxically made famous on that same indie audience, with a mix of post-teenage desolation, pop melodies and some Montevidean imaginary, this track helped E.T. Y Los Problems and "El éxodo" album to establish themselves as one of the last standing groups of Rioplatense rock scene.

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Sharon Van Etten

2LP | 2022 | US | Original (Jagjaguwar)

When A Shadow Is Forced Into The Light Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

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Swallow The Sun

2LP | 2019 | EU | Reissue (Svart)

Live Zebulon Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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When A Shadow Is Forced Into The Light, originally released in January 2019, is an album weighty with layers of sorrow. Dealing with the passing of Juha Raivio’s partner Aleah Stanbridge and a personal journey from darkness to the light, it is also essentially tied together with the albums by Hallatar and Trees of Eternity, on which Svart and Raivio worked together.

Thus we saw it fitting to license and release a limited vinyl edition of this very special Swallow the Sun album. It comes with gold foil printing on the cover as originally envisioned by the artist, and is limited to 500 copies on black wax and 500 on special “black smoke” vinyl.

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Bent Arcana

2LP | 2022 | US | Original (Castle Face)

Midwinter Frost - Complete Demo Tapes 1990-1997

Release: 2022 / US – Original

Genre: Rock & Indie

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“Recorded at Zebulon in Los Angeles as a warm-up show for a show I had booked in Holland. What was meant to be a jumping point for the ‘first show’ ended up being a real burning set. A slightly more stripped-down version on the ten piece band [Bent Arcana] (for sake of ease) keeps it nice and concise. Nerves sometimes bring out these little lost jewels of which this recording is full of…gotta love improvisation for fleeting moments.

“Recorded super-hot by none other than our sound person Liza Boldyreva. Selections of songs from Bent Arcana and Moon-Drenched—cockpit stoned space jazz here you come. Mixed by John Dwyer and mastered by JJ Golden. This hunky double disk sports a zoetropic screen-printed animation of the Death’s Head moth circling on its D side that works with a strobe light off yer phone...fucking cool. Fucking hot. Dig in and be well. ” —John Dwyer

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Thromdarr

2LP | 2022 | EU | Original (Svart)

Unlimited Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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he final decade of the last millennium was a significant period for the birth of Finnish extreme metal. In the late 1980s, speed metal found its way into the country, and was immediately followed by thrash metal. Afterwards, death and black metal bands started to pop up in every nook and cranny. Some of those rose to an international fame, while others stayed in the shadows waiting for their turn. Through the years, Svart Records has already brought to light many lost treasures of the Finnish metal scene. This June it will be the turn of Thromdarr from Riihimäki and their old tapes excavated from the band’s archives.

The story of Thromdarr reaches back to 1989, when the band’s guitarist Mika Kyöstilä formed Nymphomaniac, a precursor to Thromdarr, together with Ari “Ave“ Auvinen. When the band went through a lineup change, they changed their name to Necrobiosis and eventually to Thromdarr in 1991. According to the band, they entered the scene with the punk attitude of learning by doing. They followed the steps of their idols and started to make fast and heavy metal in the vein of Sodom, Destruction, Kreator, Slayer, Possessed, Bathory, Celtic Frost, Sepultura, Obituary, Pestilence and Death.

When the demos and recordings started to pile up, the musical taste of the band members started to evolve into a more brutal direction.

-“We played the demo to our friends with great excitement and were often told we sound more like black metal than death metal. We didn’t mind this since we had already embarked on that direction and had face paint on the first band photos. We developed the name Thromdarr ourselves and it was supposed to sound phonetically like thunder”, the band’s frontman Kyöstilä recounts.

Early on in their career, Thromdarr had already played with many renowned metal acts, such as Barathrum, Sentenced, Archgoat and Demigod. The band took a couple of cassette pressings of their first studio demo As a Wind Cries and ended up selling 500 copies.

On their later demos, Thromdarr made more experimental material from the black metal canvas. On the other hand, going through a lineup change led to the band losing its driving force, the recording pace slowing down and the little live activity falling behind partying. In the end of the millennium, the band became active again and signed a contract with Solistitium Records, releasing their debut album NorthStorm Arrives in 1998

Svart Records has now compiled Thromdarr’s early demos into a single package. Kyöstilä and Svart’s producer Olli Hänninen have barely touched the original soundscape, instead remastering the demos the way they were originally made with all their faults and successes.

-“The tapes haven’t been remixed afterwards. Instead, they sound as primitive as when they were originally released. The material has also been copied from original recordings. Pick up a beer and listen to old school metal!”, Kyöstilä urges.

Svart Records will release Thromdarr’s Midwinter Frost – Complete demo tapes 1990-1997 double LP compilation and CD on the 17th of June 2022.

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Bassnectar

2LP | 2020 | US | Original (Amorphous)

Live @ The Granada Theater

Release: 2020 / US – Original

Genre: Electronic & Dance

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Released in 2016 on double splatter color vinyl (one is yellow and the other is light blue), this 15-song album is full of dubstep, EDM, & larger than life electronic beats. Includes "paracosm" with THE Glitch MOB. Stock due in 1-2 weeks.

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The Get Up Kids

2LP | 2005 | EU | Reissue (Vagrant)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Live @ Granada Theater' is The Get Up Kids one and only live album, originally released in 2005. This album is a much-loved gem within the band's discography, combining much of their greatest hits and successfully capturing their impressive live show. This is the very first pressing of this title on vinyl, as part of Hassle Records collaboration with Vagrant Records, in celebration of their 25th anniversary. Record is pressed onto double transparent light blue vinyl with red splatter, and is packaged in a hand-numbered gatefold outer sleeve.

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LP | 2022 | US | Original (Etats-Unis)

Sound

LP | 2021 | EU | Original (Indie)

Release: 2022 / US – Original

Genre: Electronic & Dance

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Sound: An Exhibition of Sound Sculpture, Instrument Building and Acoustically Tuned Spaces opened at the Los Angeles Institute of Contemporary Art in the summer of 1979 (and was also on view later that year at PS1 in New York). Curated by Bob Wilhiteand Robert Smith, the exhibition surveyed the field of sound art. The forty-four participants were painters pivoted toward performance, conceptual artists attracted to time-based mediums, self-styled creators of environments, and musicians (formally trained and otherwise) fashioning new instruments from household items and consumer electronics. They were more or less object-oriented and, at the same time, more or less music-oriented. What brought them all together, as the exhibition catalog gamely asserted, was sculpting in three-dimensional space. The Sound exhibit included installations, recordings played in the exhibition space and a series of live performances, demonstrating instruments that otherwise rested inert in the gallery. For a broader sense of the show than a single visit provided, the curators also produced a compilation album featuring short pieces, or excerpts from longer works, by many of the participants. (Artists in the exhibition, but not on the LP include Alvin Lucier and Mike Kelley.) Selections from bright lights of the 20th century avant-garde – such as composers Bill Fontana, Yoshi Wada and Paul DeMarinis; conceptual artists and performance artists Terry Fox, Tom Marioni and Jim Pomeroy; experimental vocalist Joan La Barbara; and Los Angeles Free Music Society members Tom Recchion and John Duncan – feature alongside the sounds of Jim Hobart's tuned jars, Ivor Darreg's fretless banjo, Doug Hollis' aeolian harp and Richard Dunlap's rubber bands. This first-time reissue is limited to 500 numbered copies. Comes with poster.

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Addiktio

Anthem For The Year 2020

Consolamentum Transparent Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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New album from Norwegian instrumental rock power trio Addiktio! Incredible instrumental trio Addiktio deliver a progressive, blistering sound by mixing elements of rock, jazz, and metal into a unique sonic experience. Their debut album “Verraton” saw the light of day in 2018 and was met with raving reviews from the Norwegian press. “these are top-level musicians making it impossible to give anything but a high score” was the review from Musikknyheter, while the newspaper Fædrelandsvennen wrote “Norway has a new power-trio, creating a mighty mix from rock, jazz and metal”. Addiktio’s new album is a result of two weeks improvisational playing and musical duels in drummer Gallatin’s studio. The three guys have years of experience and are all skilled musicians. The talented trio are all active as session musicians for several Norwegian acts, where the most known internationally are Shining and Ina Wroldsen, and the most known nationally are Gabrielle, Darling West, Marit Larsen, Odd Nordstoga, Ida Maria, Lido ++. But this is much more than a one-dimensional, technical-mastermind band. Catchy parts and strong melodies inspired by open, Nordic landscapes have shaped their sound, resulting in a rock-solid album. As a trio, they create ambient, massive sonic landscapes, filled with mathematical and melodic parts. A brutal, confronting guitar is backed by vintage bass and pure drum magic. The band’s catchy instrumentals manage to capture any listener with their ‘in-your-face’ and chaotic expression.

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Year Of No Light

2LP | 2021 | EU | Reissue (Pelagic)

Eldovar-A Story Of Darkness & Light

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Transparent Red Single Color Vinyl Edition! Year OF NO Light`s lengthy, sprawling compositions of towering walls of guitars and sombre synths irradiate a sense of dire solemnity and spiritual gravity, and couldn't be a more fitting soundtrack for such grim medieval scenarios. But there is also the element of absolution, regeneration, elevation, transcendence in the face of death. Consolamentum is dense, rich and lush and yet somehow feels starved and deprived. With debut album Nord (2006) and sophomore release Ausserwelt (2010), the band made themselves a name in the European avant-metal scene. Extensive tours of Europe, North America and Russia in 2013 and 2014, including two appearances at Roadburn festival, Hellfest and a spectacular performance in a 17th Century fortress in the Carpathian mountains introduced them to a broader and quickly growing international audience. The cinematic scope of their music implies that Year OF NO Light are a group of artists that pay a great deal of attention to their visual representation, from the classy album artworks and merch designs to the carefully designed lighting design of their live show. With their seminal 3rd album Tocsin, released in 2013, Year OF NO Light reached the peak of their career thus far - a logical decision that Consolamentum was made with the same team again: recorded and mixed by Cyrille Gachet at Cryogene in Begles / Bordeaux, mastered by Alan Douches at West West Side. "We wanted this album to sound as organic and analog as possible", comments the band. "All tracks were recorded live. The goal was to have the most natural, warm and clean takes possible, to give volume to the dynamics of the songs. We aimed to have a production with a singular personality." Consolamentum is huge, poignant, frightening, sublime, smothering and cathartic - and, much like its predecessor, "audacious, memorable and supremely confident." (Decibel magazine).

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Kadavar & Elder

LP | 2021 | EU | Original (Robotor)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Cherry Red)

Hawkwind

Somnia

The Four Trees La Vie En Rose Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Hawkwind have announced a brand-new studio album and tour for the autumn. Somnia follows their critically acclaimed 2020 Hawkwind Light Orchestra album Carnivorous and live album 50th Anniversary Live. Back with a new studio album and live shows in 2021, the band’s 34th album is a superb addition to the space rock genre they created.

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Caspian

2LP | 2020 | US | Original (Dark Operative)

LP | 2020 | EU | Original (Whirlwind)

Release: 2020 / US – Original

Genre: Rock & Indie

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The Four Trees is the first proper full-length effort from Beverly, MA’s Caspian—Originally issued in 2007 on the Dopamine Records label, this formal reissue on Dark Operative marks the first time it has been in print physically in over seven years. Following in their own tradition of a staggering 1-2-3 punch, The Four Trees erupts with “Moksha,” “Some Are White Light,” and “Sea Lawn,” all three being live staples to this day and “Moksha” routinely cracking the top 5 out of all of the band’s output across their entire discography at Spotify. What follows is eight more songs (including audience favorites “ASA,” The Dove,” and “Our Breath In Winter”) meticulously arranged and placed perfectly within the program to create a true, dynamic journey across the sonisphere. If there’s one thing Caspian. accomplishes every time out, it’s to paint pictures or a visual narrative in the mind’s eye as each album unfolds. The dynamics purposefully serve the whole. The refrains create actual shifts in narrative tone. The climaxes and bombast are all toward logical conclusions within a larger story. The Four Trees established the long-standing tradition of entirely great albums from start to finish for Caspian. and still stands as a beacon for music fans that want bands’ records to actually “go somewhere.”

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Brotherly

Analects - Best Of

Release: 2020 / EU – Original

Genre: Organic Grooves

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Ruben Rada & Eduardo Mateo

Botija De Mi Pais

LP | 1987 | EU | Reissue (Little Butterfly)

Release: 1987 / EU – Reissue

Genre: Organic Grooves

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Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadn´t collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released “Cuerpo y Alma” and Rada, “La yapla mata” (which included the classic song ‘Tengo un candombe para Gardel’). 140 gram vinyl with OBI & Insert This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it. This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else. It also contains two additional tracks where you can relish Rada accompanied by Mateo’s guitar and Mateo backed by Rada’s percussion. It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Rada’s solo on vocals and percussion. There are instances when Rada’s band of that moment and “super-group” (with Osvaldo Nolé on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of “El Kinto”. All excellent songs. This album is exceptional and one-of-a-kind, an overflow of talent, musicality, swing, imagination, rhythm, spark, and transcendence. Guilherme de Alencar Pinto

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12" | 2011 | DE | Original (Ostgut Ton)

Berghain 05

LP | 1989 | DE | Original (Rough Trade)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Cover looks almost like new. Vinyl has only light superficial scuffs, not really affecting playback.

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Suicide

A Way Of Life

2LP | 1971 | DE | Original (Warner)

Release: 1989 / DE – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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The Grateful Dead

Grateful Dead

Release: 1971 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover has some lamination peeling, but overall is in great conition. Records have very light scuffs but much play wear.

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3LP | 2017 | EU | Original (Ilian Tape)

A Decade Ilian Tape

Release: 2017 / EU – Original

Genre: Electronic & Dance

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When we started Ilian Tape 10 years ago in 2007, we were both basically kids at the ages of 23 (Dario) and 18 (Marco). There was no plan behind it, no concept, no promotion campaign or any budget, but just an early vision of where it could go. We wanted to build something that lasts. After a few years of playing at parties and producing music, it was the next logical step to start a label. You can clearly see us growing up through the label in terms of artwork, compiling the records and handling things. We made some mistakes along the way and there are surely things we could have done better, but looking back after 10 years now it all makes sense as it was a natural and human development with all its ups and downs.??It was always a very personal project, never about making money, but about creating a platform for music we believe in and building relationships with artists in a transparent and fair way. We really appreciate that we were able to work with so many great artists, who shared the same vision and trusted in us, over all the years. A while ago we moved away from the ordinary release info write ups, because in general writing about music is tricky and who isn't tired of the typical, full of praise for every detail of a record, release texts???But this might be starting to get boring for you too, so just buy this lovely triple vinyl package including a poster and download code, light one up and turn up the volume!??One last thing though – we want to deeply thank our parents for teaching us to live our dreams and find out who we really are, our friends for the vibes and honesty, all the artists releasing on the label, all the supporters & fans for buying vinyl and files, all the DJ's playing out the stuff, all the diggers selling the stuff overpriced on Discogs, all the dancers working out on the dancefloors & all the clubs doing label nights over all the years.

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Aufschwung Ost - Heile Welt - Die Kompilation

2LP | 1997 | DE | Original (Hörspielmusik)

Captain Beefheart And The Magic Band

Release: 1997 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Small ripoff on front cover. Light edge and corner wear.

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Clear Spot

LP | DE | Reissue (Reprise)

LP | 2011 | ES | Reissue (Bang!)

Release: DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Sticker mark on front cover. Light discoloration. Minor scuffs.

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The Gun Club

Lucky Jim

House Of Commando Transparent Blue Curacao Vinyl Edition

Release: 2011 / ES – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs

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Bird's View

LP | 2024 | EU | Original (Drakkar Entertainment Gmbh)

Release: 2024 / EU – Original

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Svart)

Kati Ran

Sala Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Svart Records are proud to release the long-awaited full length album "sála" by Kati Rán in May 2024

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, “sála”. Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, “sála” is an act of ‘soul retrieval’, the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, “sála” is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of “sála” is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources “sála” draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. “sála” closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, “sála” is, as all quests must ultimately be, a homecoming.

Album introduction written by Jonathan Selzer.

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2x12" | 2024 | UK | Original (Above Board Projects)

Optimo 25 (Part 2)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Optimo (Espacio) started life as a weekly club night. It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. Clubs often felt like bastions of male energy. It seemed dance music and culture was going somewhere far, far away from where it was meant to be. The notion of fun had got lost.

It was no longer the world they had devoted ten years of their lives to already, and lots of their friends felt the same. When the opportunity came up to do a Sunday night at The Sub Club it felt like the perfect opportunity to rip it all up and start again. So they did. There was nothing in the city (or possibly anywhere) like it. As the club believed wholeheartedly in what they were doing, there was no pressure from The Sub Club to fill the club. So, they embraced the freedom. Groups of people who had never been in the same room at the same time before came together. A community of kindred spirits started to emerge.

Word spread, slowly. Lots of people checked it out. Many loved it, some hated it. The core of the Optimo idea was to embrace music they loved that might work on the dancefloor from whatever era or genre they thought felt right. It might not seem very radical now but at that time it was revolutionary.

After about a year and a half, the club went from having 100 people attending most nights to suddenly one week having 500 people turn up. It was very weird. It was as if a collective light bulb went off in people’s heads in Glasgow. From that week on, until the very last weekly Sunday night at the Sub Club, in 2010, over a decade later, it was packed.

There were 550 Sunday Optimo nights. A LOT of music was played. So, what was the music? People often find it hard to pin down exactly what Optimo is. This has been a positive but also a negative as we live in a world where people want easily defined “brand identities”. The simplest definition of the music played is “music for dancing”, which of course is a very broad definition. Even better than trying to define it in words, we have these 2 volumes of music that give a hint of what that might be.

This is not a “Best of Optimo” or a “Greatest Hits of Optimo” compilation. For people who come to, or used to come to the nights there are of course “Greatest Hits”. But, over such a long timespan they are “hits” belonging to a certain moment in time and space. Someone who came to Optimo in 1997 would have a completely different notion of the big tracks at the club to someone coming in 2003, or 2010, or today. This compilation is just a snap shot missing several genres that might make up the DNA of Optimo. There is though a broad sweep through lots of music Optimo loves, that they believe is amazing. Music that they know will rock a dancefloor, that they have played between 1997 and 2023. Of course Optimo nights were not all about rocking the dancefloor. The first hour was always a time for them to play music they loved that often was far removed from the dance. Side 1, Volume 1 of this compilation is the kind of music one might hear at the very start of an Optimo night.

Optimo have always loved a good slogan. The most long lived, and fitting Optimo slogan is "We Love Your Ears", which is in essence what it is all about to them.

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2x12" | 2024 | UK | Original (Above Board Projects)

Optimo 25 (Part 1)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Viva El Sabado: Hits De Disco Pop Peruano 1978-1989

LP | 2023 | EU | Original (Buh)

DJ Q-Bert x Shortkut x D-Styles

Release: 2023 / EU – Original

Genre: Organic Grooves

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This compilation brings together for the first time diverse Peruvian musical groups that immersed themselves in dance music following the codes brought by the disco revolution. Include songs by Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar). As a phenomenon of a new culture, the global dissemination of disco music had various variations and reformulations. The way it took root in Peru constitutes a fascinating yet underexplored history, despite the numerous recordings that came to light, mainly in the 1980s, running parallel to the boom of Peruvian tropical music, the emergence of a new pop rock scene, and the widespread use of synthesizers and electronic drums. And even though the groups were eclectic and moved across various musical genres, their dance music hits have now become cult pieces. From Lima to Trujillo, from Iquitos to Tarapoto, this compilation presents a wide range of sounds designed for the dance floor: unrestrained, eclectic, and high-energy. From pioneering groups with brief yet foundational trajectories like Rollets (composed of members from the rock group Laghonia) or Santodomingo Kid (led by experimental musician Luis David Aguilar), who range from boogie to soul disco with electrifying synthesizer sounds. But also, the exotic arrangements of Grupo América and Grupo Cremolada, to the tropical disco pop sound of Grupo San Francisco or Los Roller's de Tarapoto. From the space disco ventures of Grupo Swing to the synthesized pop sound of Pepo Rock, Jaque Mate, or Annie. Viva el sábado: Hits de disco pop peruano (1978-1989) constitutes a fabulous and unique document to delve into Peruvian dance music and initiates a new series at Buh Records that will present in various volumes some of the treasures of disco music in Peru. Compilation and research by Luis Alvarado. The album includes a booklet with extensive information and visual documentation. Mastered by Alberto Cendra. Art and desi...

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FUGITIVES OF FUNK Algoriddim djay PRO AI Control Vinyl

LP | 2023 | EU | Original (Astigmatic)

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djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" White).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on WHITE on STOKYO Ultra-Thin Press©️ Vinyl (6% Lighter than Orange!)

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

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Tomasz Stanko Quintet

Wooden Music II

Ancient Infinity Orchestra

Release: 2023 / EU – Original

Genre: Organic Grooves

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The discovery of Tomasz Stańko's archive recordings from 50 years ago at Radio Bremen demonstrated the dynamic development of this shrouded in mystery quintet, which was a blank spot in the history of Polish jazz. Released by Astigmatic Records, the album turned out to be a surprise and a huge musical treat for many fans who no longer remember such a fiery period in the career of the outstanding trumpeter. The record received much critical acclaim and sold out in a blink, and Jazz Forum magazine recognised Wooden Music I as the historic album of the year. Now the time has come for the 2nd and final installment of wooden music.

It takes more than one album to fully illustrate the evolution of the band with which Tomasz Stańko, as its leader, recorded Music for K, one of the most important albums in Polish jazz. It is the early 1970s, Zbigniew Seifert gives up the saxophone in favour of the violin, so the band's sound becomes more 'wooden', and around this expression Stańko builds the foundations of a philosophy, which he wrote down on four small sheets of paper, still kept by Bronisław Suchanek, the quintet's bass player: We seek to create the kind of music that, while operating with all the elements of the most genuine jazz, attempts to look at it from a different angle, from a different mental plane. We do not experiment with the material, but with the form. For the form does not have to be a logical and strict construction of the entire piece, it can be free, improvised while playing, resulting from the mood, or atmosphere existing at a given moment, or random things, creating with their free fluidity that specific "magical mood". This, of course, excludes compositions in the traditional sense - Tomasz Stańko wrote at the time.

Wooden Music is therefore like a postcard - not so much of a specific gig, but of the entire period of the quintet's activity. It opens with compositions featured on Jazzmessage from Poland. Wooden Music I recorded in Bremen on 15 June 1972 is its peak - when the band plays free, vigorous music, but more sensitively planned, as the group is more in-tune after hours of joint stage encounters. Wooden Music II, recorded in Hamburg on 9 November 1972, is the conclusion of their vision of free-jazz - the final phase where composed pieces ("Calme" and "6 & 8") begin to emerge from wild improvisation. Some of these would, a few months later, find their way onto an iconic piece in Tomasz Stańko's discography - the Purple Sun album (e.g. "Flute's Ballad")... but with a slightly different line-up. When the band decides to wrap up, they are at the peak of their form, each feeling the need to develop on their own. They know when to step off the stage. They are invincible.

Tomasz Stańko Quintet was one of the most outstanding European free jazz ensembles of its time. The Polish musicians, plus a plethora of individuals such as Brötzmann, Mangelsdorff, Schlippenbach, Vesala or Surman, contributed to a movement which, while co-operating with the American avant-garde, had its own specificity and its own unique audience. Polish jazzmen, newcomers from behind the Iron Curtain, were seen as carrying a message of freedom to the countries of the region. It took many years for this message to come true. Today, European jazz seems to be far more erudite, emotionally restrained, intellectual, seeking links with contemporary avant-garde and ethno music. It's all very beautiful, but sometimes one would like to discard all of this extra wrapping and bring out the essence of jazz - the synergic energy and striving for the limits of expression, even if it poses the risk of a musical explosion - Tomasz Szachowski states in Jazz Forum. Therefore, it is time to see if we are dealing with explosive material in the case of the second installment of wooden music.

Thus, the Wooden Music series culminates with its second part coming from the archives of NDR radio, which recorded the footage in a small club in Hamburg called Jazzhouse. This time, the additional stem-mastering was done by Marcin Cichy, who perfected the sound on the album even more. The infallible Matt Colton is once again responsible for the half-speed cut of the vinyl matrix. Wooden Music II will be released on Astigmatic Records in digital, CD and LP versions, as well as in a limited edition on purple vinyl, with a B2-size poster designed by Natalia Łabędź. The premiere of the album will take place on 27 October, and pre-orders for the disc will start on 6 October 2023.

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River Of Light Clear Vinyl Edition

2LP | 2023 | UK | Original (Gondwana)

Hymn To The Immortal Wind Autumn Grass Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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Ancient Infinity Orchestra is a 14-member jazz ensemble led by double-bassist and composer Ozzy Moysey, based in the bustling creative city of Leeds in the North of England – home to one of the most innovative and community-based jazz scenes in the UK. Saxophonist Matt Cliffe who also performs with Matthew Halsall is a key member and the rotating line-up which includes drums, two bassists, keyboards, harp, violin, cello, two tenors, alto, oboe, flute and percussion. "River of Light’ drinks deep from the well of spiritual jazz and is especially inspired by the soulful sounds of Pharoah Sanders, Alice and John Coltrane but also channels a certain Northern sensibility that can be heard in the music of Matthew Halsall or Alabaster de Plume. Melodic, warm and honest this is music that is happy to wear its heart on its sleeve.

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Mono

LP | 2009 | US | Reissue (Temporary Residence)

Alterazioni Video / Giovanni De Donà

Release: 2009 / US – Reissue

Genre: Rock & Indie

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2xLP Autumn Grass Vinyl.Just in time for their 10-year anniversary, MONO return with their fifth studio album, the absolutely massive Hymn To The Immortal Wind. The music is naturally majestic, with MONO's trademark wall of noise crashing beautifully against the largest chamber orchestra the band has ever enlisted. The instrumentation is vast, incorporating strings, flutes, organ, piano, glockenspiel and tympani into their standard face-melting set-up. While Hymn continues to mine the cinematic drama inherent in all of MONO's music, the dynamic shifts now come more from dark-to-light instead of quiet-to-loud. The maturity to balance these elements so masterfully has become MONO's strongest virtue.

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Lightwaves

LP | 2023 | EU | Original (Koo Editions)

Les Demerle Sound 67 Featuring Randy Brecker

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Together with Photons (2005), released as Koo002, Lightwaves completes the investigation of the electro archetype, documenting the Neosurrationalist* bridge between art and science, that began with a dialogue in a Kreuzberg bar involving Giovanni De Donà, Paololuca Barbieri of Alterazioni Video, and physics researcher Markus Gühr, now professor and lead of the Experimental Quantum Physics group at Potsdam University in Berlin. The dissemination given by the current interpretations made by various artists, reveal the possibility of radical vibrant electro made without synthesizers, in spite of Kraftwerk's tradition. To play directly with neonlights instead of singing them, and to amplify even the invisible infrared of a remote control without fearing a T.V.O.D -television overdose-, it meant entering definitively into the new normality of the bruit, the rauschen, the shum, the záyīn, the new “Arte dei rumori” of the electromagnetic noise of the new millennium, revealing both the inaudible of light frequencies and also the invisible through its raw sound and potential for irreverent, chromatically-limited pulsations. The first pocket-sized Chinese solar panels are turned into photomicrophones, and with an inexpensive set-up made of different light bulbs, neon, remote controls, LEDs, and a dimmer, we experienced the zeitgeist by closing a cycle that involved popular culture and contemporary art. Lightwaves was on tour for some years from No Art Gallery and Mediateca Santa Teresa in Milan to MoMa PS1 and Location One in New York, MoCa and Duolun Museum in Shanghai, Ikra club in Moscow, then in other locations as Kunstlerhaus in Stuttgart, Link in Bologna, Flowers in Catania, Acusmatiq 2.0 in Ancona, Mayr 3 in Milano again, and Breakout music festival featuring Steve Piccolo in Genova in 2009.

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Once In A Lifetime

35,99 €* 39,99 € -10%

2LP | 2005 | EU | Reissue (Ozit)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Infinitely adaptable, DeMerle's power and rhythmic elasticity underlines his bold presence and command of modern jazz drumming. Herb Wong. By the time of "Spectrum," Les DeMerle's dynamic 1969 United Artists debut album, Les was a known, prodigious young drumming talent who had been wowing audiences through club and TV performances since he was a teen. The unheard gems were recorded in 1967 by his band, Sound 67, which was lost in the confusing era at Atlantic Records, never to see the light of day.

The acetates that followed DeMerle around for the last 56 years, reveal a 20-year old dynamo who knew talent, showmanship, and the sounds of his times. With a collection of crack arrangements by Frank Foster and Bob Hammer, channeling the latest grooves of Ramsey Lewis and Cannonball Adderley, balanced with sublime pop hits and burning swingers, Les sculpted his 5-piece band into a musical juggernaut. Featuring Randy Brecker on trumpet - in what would have been his first featured recording - and the voice of rock diva, Genya Ravan, "Once in a Lifetime" is an amazing time capsule find, containing great hints of the career DeMerle would unfurl over the coming decades.

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Joy Division

Let The Movie Begin

The Lower Lights Random Colored Vinyl Edition

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Originally put together by a couple of Belgian Joy Division experts to celebrate the 25th anniversary of the sadly missed Ian Curtis-and the year that the Ian Curtis Movie began to be made. Now the movie is out to much critical acclaim. This album contains extremely rare audio interviews with all members of Joy Division - some of which have never seen the light of day before plus spoken word contribution on one number from Martin Hannett and a rare Martin Hannett interview. The interview sections are interspersed with superb live performances from various venues through the career of the band including rarities from Dutch and Belgian concert performances and a couple of rare alternative studio outtakes. The gatefold sleeve contains lots of Joy Division images and a detailed biographical article on the band.

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2LP | 2023 | UK | Original (Past Inside The Present)

35,69 €* 41,99 € -15%

2LP | 2018 | UK | Original (Warner)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Lower Lights is well known as one of the most emotionally potent ambient records of recent years. It is a collection of 10 tunes from a busy period in which 36 undertook a year-long 'Audio Diary' project. The sounds are immediate and direct, demanding of your full focus and a mix of dark and urgent, cyberpunk-inspired and emotionally charged ambient sounds that bring all new thinking to the genre. Nice work.

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Neil Young

Songs For Judy

35,24 €* 46,99 € -25%

Sala Clear Black Smoke Vinyl Edtion

Release: 2018 / UK – Original

Genre: Rock & Indie

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Songs For Judy is the debut release on Shakey Pictures Records, Young’s own imprint distributed by Reprise Records. Songs For Judy is thoroughly engaging collection of live acoustic performances culled from Neil's November 1976 solo tour and features twenty-two songs recorded at various cities along the tour. This song cycle of live recordings is particularly powerful and unique. Young had spent much of the year traveling around the world on tour with Crazy Horse. When touring on his own, he recharged and focused on songs that would not surface in recorded form for several years. Of the albums many treasures, "No One Seems To Know" would not see the light of day until now and it remains unreleased in any other iteration.

The raw versions of the tracks found on Songs For Judy reflect an artist completely unvarnished and unafraid to allow the songs to breath and to find their own shape when performed in a solo setting. Songs written in that era would come into focus and then seemingly disappear only to re-enter Young's orbit somewhere down the road. "White Line" and "Give Me Strength" are such examples of finding the light in 1990 and 2017 respectively. It's also fascinating to hear Young revisit early gems such as Springfield's "Mr. Soul" ('67), "Here We Are In The Years" ('68), and "The Losing End" ('69) from some of his earliest solo recordings which remain as timeless as ever.

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Kati Ran

2LP | 2024 | EU | Original (Svart)

35,14 €* 36,99 € -5%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Heavenly Remixes Volumes 8

2LP | 2023 | UK | Original (Heavenly)

35,09 €* 38,99 € -10%

Release: 2023 / UK – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (First On Vinyl)

Lars Bartkuhn

Images & Anthems

35,09 €* 38,99 € -10%

First Light Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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As a young child Lars Bartkuhn started out writing his first piece of music with a syn-thesizer and sequencer. In the mid 90s Lars became fascinated with the deep and soulful side of House musicand formed Lamaya Productions and now legendary record label Needs (not wants)together with his older brother Marek Bartkuhn and DJ Yannick. Many of Lars Bartkuhn’s productions have been played, charted and loved to deathby DJs around the globe. Lars also played countless regular sessions and concerts of freely improvised music inFrankfurt together with some of Germany’s most innovative musicians, combiningelectronic music and Jazz in a very fresh and organic way.

In 2021 Lars started to work intensely with Rush Hour. After a couple of singles RushHour released a vinyl-retrospective of the Needs era which sold out at light speed.

Many more releases are already in the pipeline ranging from abstract electronic, newage jazz, Fusion to epic deep house anthems associated with his work during the Needs days

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Makoto Matsushita

LP | 1981 | JP | Reissue (Warner Music Japan)

2LP | 2020 | US | Original (P.W. Elverum & Sun)

Release: 1981 / JP – Reissue

Genre: Pop

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"Makoto Matsushita's ""First Light"" will be reissued on clear color vinyl for the first time! Guitarist Makoto Matsushita is known for his participation in the fusion funk group AB's with Fujimaru Yoshino, and for his involvement in pop hits. The photo front cover by Kaoru Ijima has been faithfully reproduced exactly as it was on the original."

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The Microphones

The Microphones In 2020

2LP | 2024 | Original (Transgressive)

Release: 2020 / US – Original

Genre: Rock & Indie

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A new Microphones album consisting of one long song.

The old smell of air coming faintly through the spring crack in the snow above a hibernating bear’s winter den, the smell of long self-absorption, burrowing into one’s own chest, re-breathing the exhales of one’s own breath, the smell of squinting in the dark ruminating in dreams beneath layering years, the snow still falling.

In the dark smoldering slowly burning through all the old clothes, sifting through the ash, wiping old shedded fur from the eyes nosing out into the light.

In that brief moment when the airs of the past and present meet, at the mouth of the open bed, egoic solidity burns away in the spring wind, self becomes fuel, there is only now and the past is a dream burning off. Fragments arranged along the trail, crumbs consumed, dust blown, no route back.

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Waeve

City Lights

Release: 2024 / Original

Genre: Pop

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2LP | 2024 | UK | Original (Counter)

LP Giobbi

Dotr White Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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L'Ecole Du Micro D'Argent

IAM

3LP | 1997 | EU | Reissue (Warner)

2LP | 2024 | EU | Original (Classic)

Release: 1997 / EU – Reissue

Genre: Hip Hop

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Finally an all official reissue of THE french rap classic by almighty IAM sees the light of day. Essential pick!

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Floorplan

The Master's Plan

Keep Me On Your Mind / See You Free Pink & Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Robert and Lyric Hood deliver their acclaimed fourth studio album The Master’s Plan on vinyl. This one-of-a-kind pressing features gold foiling on the sleeve and contains two transparent, red-coloured records, loaded with the remaining tracks from the LP that have not yet seen wax. Spanning 14 crafted house and techno tracks, Robert and Lyric playfully juxtapose the light and dark of their signature sound, navigating a spectrum of genres and styles on the revered body of work. The father and daughter duo demonstrate their unparalleled outlook on electronic music, operating on a divine level of blood harmony with their generational gap only strengthening their breadth of musical inspiration. From the dreamy house soundscapes of single ‘Feel It’, to features from Detroit artists Dames Brown, Earthtone and Lowell Pye, The Master’s Plan is an album with its sound deeply rooted in Floorplan’s Motor City home. With Classic remaining the duo’s home for some time since their solo debut on the imprint in 2021, it seems only right that label-mate Honey Dijon would also feature, adding her signature allure to ‘Fake & Unholy’. Described by Robert as “an invitation to eternal salvation”, Floorplan’s faith remains at the forefront of what they do, cementing this special vinyl edition of The Master’s Plan as a must-have for house and techno lovers globally.

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Bonny Light Horseman

2LP | 2024 | US | Original (Jagjaguwar)

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 1983 | JP | Reissue (P-Vine)

The Entertainers

2LP | 2018 | UK | Reissue (World Of Echo)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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The Entertainers, a Miami soul band led by singer Earl Dawkins, released their debut single "Livin' For The Summer" in 1980, which became a smash hit. The Entertainers' first album, "Livin' For The Summer," was released three years later in 1983, and is being reissued in analog format with a Japanese obi. The album features an exquisite selection of soul-freaks' favorite covers, including "Hot On A Thang" by Chai Lights, "I'm in love with you" by Bobby Patterson, and "I won't cry anymore" and "What are we gonna do" by Turley Richards, as well as the aforementioned "Livin' For The Summer, The original songs, including the aforementioned "Livin' For The Summer," are also excellent blue-eyed soul music.

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Naoki Zushi

Brown Acid - The Nineteenth Trip Colored Vinyl Edition

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Double LP - gatefold, tip-on sleeve, black vinyl - edition of 500 worldwide. RIYL: Hallelujahs, Nagisa Ni
Te, Roy Montgomery, Grouper, Manuel Gottsching. With IV, World Of Echo inaugurates a series of reissues by Japanese guitarist,
Naoki Zushi. Perhaps best known for his stellar guitar contributions to psych folk group, Nagisa Ni Te, Zushi has had a parallel career,
for several decades, slowly releasing solo albums that spotlight his exultant guitar playing. Originally released to CD only by Shinji
Shibayama of Nagisa Ni Te’s Org imprint in 2018, IV has Zushi playing and writing at a peak, its six songs slowly unfurling with a kind
of paradoxical understated grandeur. This is psychedelic guitar music at its most paced and considered, yet given to flights of
inspiration, and in this respect, Zushi sits within a lineage of guitarists who’ve used their instrument both as textural anchor and
improvisatory tool – think of figures like Phil Manzanera and Robert Fripp, but also Roy Montgomery, Liz Harris of Grouper, even Tom
Verlaine on his instrumental solo albums. Like those artists, Zushi locates moments of deep emotional resonance amidst luxuriant
textural and melodic exploration. Zushi’s history stretches back to the mid 1970s. While for many, he first appeared on the scene as a
founding member of noise legends Hijokaidan, alongside Jojo Hiroshige, his musical contributions predate that encounter. He started
out playing progressive rock and improvised music, making home recordings of when he was in high school. He was a member of
Rasenkaidan (Spiral Staircase) alongside Hiroshige and Idiot (Kenichi Takayama), the group that soon mutated into Hijokaidan
(Emergency Staircase). Zushi and Takayama would soon form Idiot O’Clock, in 1982; Zushi also led his own Naoki Zushi Unit, starting
in 1983. But for many, Zushi’s first significant appearance on record was as a member of Shinji Shibayama’s mid-eighties psych-pop
group, Hallelujahs, whose sole album was recently reissued on vinyl. That group mutated into Nagisa Ni Te, and Zushi has played a
significant role as their lead guitarist for several decades. His own solo music has appeared sporadically – Paradise (1987),
Phenomenal Luciferin (1998), III (2005) and IV, with a few recent, meditative offerings, For My Friends’ Sleep (2021) and Nocturnes
(2022). With IV, though, Zushi achieved something remarkable, a kind of extended exploration of the time-altering properties of
echoplexed, hypnotically spiralling guitar interplay. The opening ‘Mirror’, “a song about the mirror inside me,” Zushi explains, starts out
as a lush psych-folk song, slow and gentle, but soon takes to the skies with a cat’s cradle of Fripp-esque guitars, before thick, droning
chords sweep the song to a drowsy coda. ‘Nocturne’ weaves silver skeins of guitar melody around a cyclical chord pattern; it gathers
energy and quiet intensity through insistent repetition. The rest of the album explores the nuance Zushi can draw out of simple
elements, building on what ‘Mirror’ and ‘Nocturne’ offer – the profundity of a chord change; the melancholy of a few quietly sighed
words; the exhilaration of a guitar solo bursting out of the speakers; the subtle shifts in emotional register offered by tone and touch.
Throughout, there’s something quiet, yet ineffable, shading the contours of the songs, such that it makes perfect sense when Zushi
says, “What I want to express through music may be ‘sense of mystery’.” A few of the songs had their basic parts recorded at LM
Studio and Studio Nemu with Shibayama and Masako Takeda joining on bass and drums, respectively; much of the album, however,
was tracked at Zushi’s home studio. That seems appropriate for a collection of songs that are expansive in their intimacy. Asked what
drove the sessions, Zushi answers, “I thought I’d make IV an album that particularly focuses on the guitar play.” And focus it does, as
Zushi’s sky-scraping, soaring, elemental tone is front and centre throughout. But these are no guitar heroics; rather, Zushi uses the
guitar as conduit and diviner, a tool for spirit location, and IV is his most eloquent expression yet of such singular magic.

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V.A

LP | 2024 | US | Original (Riding Easy)

LE Akai Professional MPK Mini Plus

Release: 2024 / US – Original

Genre: Rock & Indie

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There is NO Light at the end of this tunnel! Brown Acid: The Nineteenth Trip fires ten more savage nails deep into the coffin of ‘60s psychedelic idealism. This series is THE premier top dog journey into the rarest and most wasted early local eruptions of heavy rock, unleashed at a time when harsh reality, human nature and disillusionment drove prevailing underground rock glimpses of a ‘better’ world into ever darker selfabsorbed comedowns. Mind expanding ’60s love energies transform into toxic aggression right before your ears! The great thing is that these moves are totally justified, ‘we are all one’ is cosmically good in theory but ‘get it while you can’ ends up perhaps better advice in the light of human history. Both of those angles of awareness can coexist, some of these bands deliver unrelenting sideways positive energy but they aren’t over-thinking it, they are youthfully driven by hunger for life and satisfying the undeniable urges their DNA thrusts upon them. Sonically, the results in the Brown Acid series never fail to breathe hot and heavy, the guitars kill it every time, the variety of approaches these tracks take keep the scenery shifting into new places. The key element that makes this stuff so potent is that They (the bands) are in control. Captured genuinely with no compromise, right out of the gate. No doubt they had ambition with high hopes for the future when they laid down these primal efforts, the fact that they captured their energy so vividly at a moment in time when the only direction imaginable was UP creates a hard hitting life affirming subtext to the proceedings. That is the core energy of blues and rock and roll, dealing with the struggles of existence by flipping a gigantic ‘what the fuck’ high energy bird right in the face of the moronic defective reality these bands were born into. If you take this stuff too ‘seriously’ you are utterly missing the point, it is beyond analysis, it is life itself! No amount of thinking will get you there quicker! Brown Acid: The Nineteenth Trip is scary... the bottomless pit of deranged vintage heavy rock the series presents continually expands over time... one deadly dose too many and you might be trapped in the bad trip loop forever... enjoy it or lose your mind!

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Decksaver

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Maurice White

Manifestation 3

Special Black Vinyl Edition

Release: 2024 / JP – Original

Genre: Organic Grooves

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Maurice White, the founder and leader of Earth, Wind & Fire and an undisputed soul legend, left us in 2016, leaving behind a treasure trove of unreleased recordings. Teaming up with producer and singer-songwriter Preston Glass, Maurice White's hidden gems come to light in the form of the collection "Manifestation." Although he only officially released one solo album during his lifetime, it turns out that he had recorded numerous wonderful tracks. The third volume of Maurice White's collection of unreleased demo material focuses on songs that actively tackle the sound approach typical of the 1990s. It is a work that demonstrates not only his appeal as a musician, but also his great sense of smell as a sound creator or producer.

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Lizzo

LP | 2022 | EU | Original (Atlantic)

Release: 2022 / EU – Original

Genre: Pop

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Fine Line Black & White Splattered Vinyl Edition

Harry Styles

2LP | 2020 | EU | Reissue

Release: 2020 / EU – Reissue

Genre: Pop

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2LP | 2022 | EU | Original (Cosmic Disco Machine)

Sexopolis - The Sequel

2LP | 2009 | US | Reissue (P.W. Elverum & Sun)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Sexopolis “The Sequel” is the second release of this successful series. An accurate selection of Lounge, Jazz-Funk, Easy Listening music, still related to the world of old tv movies, not exclusively "sexy" as in the first volume, but still keeping and even intensifying the "cool" musical vibrations that comes to you while listening to these 26 songs. These 70s musical art works are pressed on limited number of copies double yellow vinyl. "Breathing the light that makes passion bloom" perfectly conveys the idea that listening to this collection immediately creates a magical and hypnotic atmosphere, never banal and definitely for true connoisseurs only.

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Mount Eerie

Wind's Poem

Release: 2009 / US – Reissue

Genre: Rock & Indie

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A repress of the densest Mount Eerie album. Some songs are maximal. Others less.
It is a long album that drifts through atmospheres:
“black metal” some people have thought, “Twin Peaks” others have thought.
Looking at the lights of town through the trees on the walk home in the evening
and thinking “what is that dream world to me?”
It’s pretty long. 12 songs. Fancy copper foil stamped heavy gatefold jackets. Full color lyrics poster.

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Maurice White

Manifestation 2

Mary Lattimore And Walt Mcclements

Release: 2024 / JP – Original

Genre: Organic Grooves

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Maurice White, the founder and leader of Earth, Wind & Fire and an undisputed soul legend, left us in 2016, leaving behind a treasure trove of unreleased recordings. Teaming up with producer and singer-songwriter Preston Glass, Maurice White's hidden gems come to light in the form of the collection "Manifestation." Although he only officially released one solo album during his lifetime, it turns out that he had recorded numerous wonderful tracks. The second volume of the unreleased demo recordings by Maurice White compiled songs with pop melodies from his archives that were never released to the public. Three bonus tracks from the version released on Omnivore Recordings are also included on this release. The songs are like diamonds in the rough, proving that his talent as a songwriter had not withered even his late career.

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Rain On The Road Blue Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

A Weird Exits Emerald Green Vinyl Editoin

Release: 2024 / US – Original

Genre: Rock & Indie

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Mary Lattimore and Walt McClements are two of contemporary music"s most renowned innovators. Each has managed to expand the perception of their instrument"s capabilities. Lattimore inventive harp processing and looping has brought the instrument to a new audience. Her prolific run of celestial solo albums and evocative film scores have redefined the instrument in the modern consciousness. Her genre-agnostic collaborations include work with Kurt Vile, Steve Gunn, Jeff Zeigler, Meg Baird, and Thurston Moore. McClements, who tours as a member of Weyes Blood, is an acclaimed composer in his own right, sculpting glacial atmospherics from the accordion. The Los Angeles based duo became quick friends on overlapping tours, sharing both a drive to push the sonic possibilities of their instruments and roots in North Carolina. Mary Lattimore and Walt McClements debut collaboration Rain on the Road blossomed out of that time spent on the road together, capturing the liminal existence of touring life in deeply cinematic compositions. Recorded in the cozy setting of McClements" apartment during a rainy December in LA, Rain on the Road unfurls as a series of sonic vignettes, rolling landscapes hewn from longform improvisations for harp and accordion. Embellished with additional instrumentation such as the shimmering constellations of hand bells on "Stolen Bells" that glisten like lights on wet pavement, or the stately piano figures on "The Top of Thomas Street"; their pastoral pieces manage to paint vivid images.

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Thee Oh Sees

2LP | 2016 | US | Reissue (Castle Face)

Face Stabber Blue Nebula Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Received a 7.5 rating from Pitchfork. Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines. The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality. With amazing visuals (including a side-D etching by airbrush-van-art maestro Robert Beatty) and packed in vape-proof goatskin, it’s a beast and, come August 12th, it can be yours should you so choose.

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Oh Sees (Thee Oh Sees)

2LP | 2019 | US | Reissue (Castle Face)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Hey there, human kids, lift your face out of the feed trough and pluck that feculence from your ears. Hark! A sonar blip from beneath the pile of bodies—the latest Oh Sees, Face Stabber! Boop, blip, ughhh….people churning like a boiling swamp. Man, this din is nauseating. The screen flickers for the first time this year with a transmission from two months in the future: “the internet has deemed guitar music dead and you are free to do whatever the fuck you like ….long live the new flesh!” This album is Soundcloud hip-hop reversed, a far flung nemesis of contemporary country and flaccid algorithmic pop-barf. No songs about money or love are floating in the ether. Just memories, echoes, foggy blurs, blip-blop goes the scope, heavy funk, dystopia-punk canons, long jams, bloated solos dribbling down your caved-in chest. Human cattle like a beef avalanche, right on your burned out face hole. Spider-legs fuzz crawling in your brain. Lots of curse words for your mom. You’ve gotten the over-population blues, so let’s have some art for art’s sake. What else are you gonna do? Stare at the sky? Please…fifty carbon copies of you look back at you as you walk the streets. Take a breath, you’re going to need it. Take drugs, you’re going to need those just to stand in line at the air and water reclamation center soon enough. There’s no fruit, buddy. You’re at the bleak-peak. They will squeeze you till you’re all squeezed out. For fans of fried prog burn-out, squished old-school drool, double drums, lead weight bass, wizard keys (now with poison), old-ass guitar and horrible words with daft meanings. If you don’t like it then don’t listen, bub. Back to the comments section with you! Easy—over and out.

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Royal Flush

Hot Spot

A Bad Donato Verve By Request Edition

Release: 2023 / JP – Original

Genre: Organic Grooves

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Hot Spot" is the only album released by Chicago funk band Royal Flush on a local Texas label called Lucky in 1980. It was later released on GEC, the label of former Shy Lights producer Clarence Johnston, who also worked with The Imaginations, Heaven And Earth and many artists. Although it may not be so famous even among funk music fans, it is an underrated album which has traditional funk sound and good qualities that sometimes even approaches that of P-Funk. The original vinyl copies of this album are now scarce and sell for much higher prices in the used market than when P-vine released the CD in 1994. We are very proud to be the first in the world to reissue this album on vinyl!

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Joao Donato

LP | 2023 | EU | Reissue (Verve)

2LP | 2017 | Reissue (Light In The Attic)

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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The White Stripes' Elephant Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 200-gram 45 RPM double LP limited to 10,000 copies! Mastered from the original analogue master tapes by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12-page booklet featuring liner notes from Ben Blackwell (co-founder and minority owner at Third Man Records and the official archivist of The White Stripes) and never-before-seen session photos by David Swanson Purest possible pressing and most visually stunning presentation and packaging!

The fourth studio album by the American rock duo the White Stripes was an extraordinary success. It peaked at No. 6 on the Billboard charts and topped the U.K. Albums Charts. To date it's sold 4 million copies worldwide, achieving platinum-sales certification from the Recording Industry Association of America and 3x platinum from the British Phonographic Industry. It spawned the hit single "Seven Nation Army," the band's signature track that's become a sports anthem, plus the hits "I Just Don't Know What to Do with Myself," "The Hardest Button to Button" and "There's No Home for You Here." Elephant has received critical acclaim and it's often cited as the White Stripe's best work, including receiving a nomination for Album of the Year and a win for Best Alternative Music Album at the 46th Grammy Awards in 2004.

Rolling Stone ranked the album No. 449 on its 2020 list of the 500 Best Albums of All Time. The Stripes, it said, exploded out of Detroit with a minimalist garage-blues attack: just Jack White on guitar and Meg White on drums, taking on the world.

Hybrid Stereo Sacd release from Analogue Productions! Mastered direct to DSD by Ryan K. Smith at Sterling Sound Plays in all CD and Sacd players Includes 12-page booklet featuring song lyrics and credits

Jack and Meg insisted they were a brother and sister, even after people learned they were secretly a divorced couple. But against all odds, the low-budget duo became a global sensation for their sheer rock power. Rolling Stone says Elephant "seethes with raw desperation and lust" in "Seven Nation Army," "Hypnotize," and "The Hardest Button to Button." Jack plays guitar hero in the seven-minute jam "Ball and Biscuit."

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Acetone

1992 - 2001

Unicorn Blood Chrome Colored Vinyl Edition

Release: 2017 / Reissue

Genre: Rock & Indie

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* New vinyl pressing on black wax * First time band anthology * Includes 9 unreleased tracks * Audio restored and remastered from original tapes * Double LP housed in a gatefold jacket * Liner notes by Sam Sweet / “Acetone are into it for what they get out of it. Their music reflects who they are, and that's so rare in music today. It's a soul music thing.” - Jason Pierce (Spiritualized) 'Acetone are one of my all time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” - Hope Sandoval (Mazzy Star)

'A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” - Richard Ashcroft (The Verve) This fall, the independent literary press All Night Menu will publish Sam Sweet’s _Hadley Lee Lightcap_, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22. Counting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, _Rolling Stone_ ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press. Between 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country. They rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music. “I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”

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Gunship

2LP | 2023 | EU | Original (Horsie In The Hedge)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Ohhki

Impression

2LP | 1973 | DE | Reissue (Warner)

Release: 2024 / JP – Original

Genre: Organic Grooves, Pop

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Preorder shipping from 2024-11-22

"Isayahh Wuddha," an artist acclaimed for his unique dreamy funk sound crafted using cassette tape MTR, was none other than a personal project by musician Taku Hayashi residing in Kyoto. There is hardly anyone who would feel uneasy about his second album under the psychedelic project "ohhki", another activity of him, being released by P-vine. His music style, which shows no intention of conforming to mainstream music, is a strong expression filled with solid originality.

The songs recorded with analog equipment are treated with lo-fi sound production, successfully creating a unique pop world that delicately combines elements of psychedelia, dub, funk, and disco. While experiencing a sensation of floating gently in space, the undulations, akin to the brushstrokes of an impressionist painting layered with reverberations and echoes, are drawn onto the canvas of the sky along with the resonance of electric guitars, old keyboards resonating with cheap tones, and enchanting voices, accompanied by the repetitive beats of a drum machine. Beginning with an ode to birds, invoking surprises and casting small spells, after being struck by intense rain between night and dawn like a flowing stream, this world is embraced, lingering within me, entranced by the blues, and ending with "Well... just like a banana ripening... you're amusing." Simply there is light and the wind blows. It exists as literally alternative music, vividly presenting another world, rich in color.

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The Grateful Dead

Live/Dead

LP | 2023 | UK | Original (Steadfast)

Release: 1973 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Slight crease close to bottom right corner. Light edge wear. Records are close to NM.

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Liars Academy

Ghosts Red Vinyl Edition

William Tyler & The Impossible Truth

Release: 2023 / UK – Original

Genre: Rock & Indie

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First new studio album in 20 years, produced by J. Robbins & Liars Academy. Indie Exclusive opaque red vinyl. Limited edition of 100. After two decades on pause, Liars Academy return with Ghosts their most massive album to date. Unofficially a followup to 2004's Demons, Ghosts is an evolutionary step forward for the band and testimony to the timelessness of rock music. The swirling energy of 70's guitar rock and the anthemic swagger of 90's radio rock inform the 11 song trip packed with massive riffs, razor-sharp hooks, and scream-along chest beaters--a spectacular come-back album by a band at its peak. Steadfast Records is proud to present the brand new album from Liars Academy. Ghosts is a relentless cache of rock hits from the post-Demon's powerhouse quartet of Ryan Shelkett, Chris Camden, Fred Fritz, and Eric Fauver. Produced by J. Robbins and Liars Academy, mastered by Adam Boose, and vinyl masters cut by Bob Weston.

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Secret Stratosphere

LP | 2023 | US | Original (Merge)

A Place To Bury Strangers

Release: 2023 / US – Original

Genre: Rock & Indie

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Recorded live at Yellowhammer Brewing in Huntsville, Alabama, in May 2021, Secret Stratosphere finds William Tyler and fellow psychedelic dreamers The Impossible Truth refashioning prime cuts from the Nashville guitarist's rich catalog, casting new light onto once-familiar songs. Featuring the crackling combo of Jack Lawrence (Raconteurs, Dead Weather), Brian Kotzur (Silver Jews, Country Westerns), and Luke Schneider (solo, Margo Price), the quartet stretch the dynamics of Tyler's compositions to their fullest interdimensional potential, exposing a deep undercurrent of kosmische and post-rock influences (with the right amount of grit from the nitrous corner of the Dead Lot).In teasing these influences out on favorites and new songs alike-he cheekily calls closer "Area Code 601" a "Hawkwind meets Charlie Daniels B...

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See Through You: Rerealized 1 Record Store Day 2023 Red & 1 Blue Vinyl Edition

2LP | 2023 | Reissue (Dedstrange)

Nashville Ambient Ensemble

Release: 2023 / Reissue

Genre: Rock & Indie

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This Record Store Day, the Dedstrange Rogues’ Gallery of Remix Producers joins forces with renowned Danish Electronic Composer Trentmøller, Andy Bell of legendary shoegaze band Ride (as Glok), post-punk anti-heroes Xiu Xiu, the luminescent Annie Hart of hypnotic synth trio Au Revoir Simone (Twin Peaks: the Return), psychedelic guitar genius Sonic Boom (Spacemen 3, Spectrum), UK Post Punks TV Priest, Tampa Goth band Glove, UK emerging shoegazers bdrmm and many more to tear down the walls between Oliver Ackermann’s dreams on the remix album See Through You: Rerealized, an RSD-exclusive 2xLP set featuring twenty-one brand-new, spicy hot takes on songs from the sixth APTBS album, See Through You.
Sonic Boom stretches the epic “Love Reaches Out” across the galaxy, taking APTBS over the event horizon with boundless, infinite energy and pulsar repeat percussion fuzz guitar radiating from every molecule in the solar system.
In Annie Hart’s somber re-imagining of “Nice of You to Be There for Me,” delicate musicbox synths shine like stardust while her sparse production captures Oliver Ackermann’s isolated vocal in soft focus, flickering in headphones like light through a lonely projectionist’s lens.
Wah Together pull “Hold On Tight” onto the dancefloor with an extended acid house remix which transforms APTBS’ breakneck punk-industrial cacophony with looped basslines, buzzing TB-303 synths and near-Nile Rodgers guitar licks while layering enough danceable percussion to coax even the stickiest wallflowers onto the floor.
The dystopian shadow figure Lunacy pours salt in “My Head is Bleeding,” wrapping the song’s existential plea for sanity in ethereal droning electronics and tattered sheets of damp, gauzy reverb, struggling to contain the desperation and hurt.
Grimoose reimagines “Let’s See Each Other” as a rolling, gritty electro two-step, warping the beat with a pulsing synth-bass treatment and a mesmerizing gridwork of interlocking electronic rhythms guaranteed to wake your ass up.
And on their lucid deconstruction of “Love Reaches Out,” psychedelic NYC quintet GIFT take a spiritual journey through the pearly gates of new age 4AD heaven, floating across the speakers on delicate, softly filtered tufts of reverb.
Set an alarm, stay up all night—do whatever you have to do—but don’t sleep on See Through You: Rerealized, only available Record Store Day 2023—only on Dedstrange.

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Light And Space

LP | 2023 | US | Original (Centripetal Force)

Garden Party Clear With Purple Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Centripetal Force is excited to release Light and Space, the second full length recording from the Nashville Ambient Ensemble. The Nashville Ambient Ensemble is led by Michael Hix, an electronic composer and keyboardist whose artistic vision focuses on the spirit of collaboration and the art of improvisation. The group plays a unique form of music that has become loosely defined as ambient country or ambient Americana. Light and Space is the group’s follow up to 2021’s Cerulean, an album that received a number of accolades from critics, fans, and fellow musicians. In early 2022 Michael Hix had just completed writing the material for the group’s sophomore release when the Frist Art Museum in Nashville, Tennessee reached out and asked the Nashville Ambient Ensemble to record a series of compositions to be featured in the exhibition, Light, Space, Surface: Works from the Los Angeles County Museum of Art. Inspired by eight artworks from the exhibit, Hix composed eight completely new compositions and immediately headed into the studio to record. Intended as an alternative to a traditional guided tour, museum patrons were able to pair their journey through the exhibit with the ensemble’s sounds, a feature for which the Nashville Ambient Ensemble and the Frist received overwhelmingly positive feedback, so much so that it was decided the songs deserved a traditional release as the group’s new album. The exhibition ran from June to September and was highlighted by a live performance from the Nashville Ambient Ensemble in the main gallery of the museum, directly in front of the stunning Norman Zammitt painting, Untitled, 1984, which adorns the cover of Light and Space. Edition of 350 copies.

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Rose City Band

LP | 2023 | US | Original (Thrill Jockey)

Romantiq Red Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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On Garden Party, Rose City Band"s country psychedelic rock evokes the wide-open spaces of the American west and free spirits who call it home. Led by acclaimed guitarist and vocalist Ripley Johnson, Rose City Band are some of the best players in contemporary rock: pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg, bassist Dewey Mahood (aka Plankton Wat), drummer Dustin Dybvig, and features Sanae Yamada of Moon Duo on Synthesizer. Garden Party is both a celebration of summer and all it brings: friends gathering at backyard BBQs, cold beers on a hot porch, 12-foot sunflowers, and an exaltation of the value and respite of a moment of calm; the pleasures of time in the garden to appreciate the beauty of a contorted carrot, or a morning on a stoop watching a hummingbird. Freedom, contentment, and joy were the sources for the songs; they certainly bring the listener right there. From the soaring guitar solos to the driving rhythms, the elegant pedal steel lines to the organ grooves, Garden Party has a live band"s energy captured in exquisite detail. Garden Party is an invitation, a welcoming hand extended, and a joyous ride. Like all great music, the album taps into the listeners" emotional center and takes them to their happy place - their sunny spot. Recorded at Center for Sound, Light, and Color Therapy in Portland and mixed by John McEntire, the band"s sounds surround and embrace you. Garden Party"s last two tracks feature special guest Sanae Yamada (Moon Duo) who added some synth magic to the final two tracks. Ripley says it best "I always like when an album starts in one place and ends in another" What a beautiful journey it is!

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Oval

LP | 2023 | US | Original (Thrill Jockey)

2LP | 2023 | EU | Original (Be With)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Markus Popp is endlessly curious and his music as Oval is delightfully inventive. Since pioneering albums in the 90s systemisch and 94diskont., Oval has continually excavated new spaces in electronic music, leaving an indelible mark on the landscape. New album Romantiq finds Popp delivering his most light and delicate tones to date. Like the plucking of harp strings, Popp"s organic and playful approach to sound is warm and bright. Oval continually, confounds with his ability to conjure such lithe, evocative sonics from software. Romantiq evolved from an audio-visual collaboration with digital artist Robert Seidel for the grand opening of the German Romantic Museum, where a huge outdoor projection covered the museum building. Popp sought a more expansive definition of the romantic, conjuring flickering images that glitch, evolve and collapse in on one another - opulent neo-chamber music lit by the paradoxically heartwarming screen glow of social media flirtations. Popp crafted dozens of short vignettes that each sought to evoke a specific mood or emotion. Processed period instruments trace luxuriant spaces that shift from low-lit chambers to glistening palatial grandeur, glitching through past, present and future. Swelling atmospheres emerge like perfume, rich scents flooding the senses before evaporating on the breeze. Romantiq"s musical oxytocin is made from ancient instruments processed and edited by a modern electronic master with the utmost deftness and delicacy.

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Coastlines

Coastlines 2

Release: 2023 / EU – Original

Genre: Organic Grooves

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Balearic believers rejoice! Japanese tropical-fusioneers Coastlines are back with the worldwide vinyl release of Coastlines 2. The follow-up to their classic debut, this is the sound of Coastlines's global influences. If the dedication to intricate sonic details is particularly Japanese, the overarching feel captures the sprawling grandeur of the international balearic community. As they put it, Coastlines 2 presents "a more precise and beautifully polished magic hour." If that isn't Balearic, we don't know what is.

Takumi Kaneko and Masanori Ikeda don’t radically alter their sumptuous template with this second LP; and we wouldn't want them to. Yet with a more focused flow from first track to last, both Coastlines and Be With feel this is an even stronger album than their first. One thing that hasn't changed is the use of instrumentals instead of words to express their themes; namely, "the emotional expression of being soaked."

Opener "Tenderly" is appropriately titled, a gentle Latin shuffle easing you back into the Coastlines sound. An organ-heavy synthy exotica that's in step with Lovelock's contemporaneous "Washington Park". Their über-horizontal take on Hawkshaw & Bennett's "Mile High Swinger" (from Synthesiser And Percussion, reissued by Be With!) evokes cocktails-by-the-pool as the sun slowly sets. The blunted deep jazz-funk swing of "Alicia" is a rearranged reimagining of the Gabor Szabo song from his classic Jazz Raga LP. This here sounds like an outtake from The Chronic.

As the sun goes down, "Combustione Lenta" soundtracks the relaxing slow burn of an idyllic bonfire on an isolated beach. Displaying a beautiful new side of Coastlines, we're treated to Moments In Love vibes and melancholic guitar arcs. The piano-laden early morning wonder of "Night Cruise" started life as a completely different song, but the duo found a particularly good loop from the initial sketch and reconstructed it into this sophisticated 80s instrumental soul groove. "Waves And Rays" is all undulating acid waves and lighthouse light. A chopped and screwed steel drum G-Funk with soaring synths and nods toward the squelchy machine soul of Mtume and Jam & Lewis. Yes, *that* good.

The bouncy futureboogie cosmic chug of "Sky Island" represents the beginning of the sunrise, casting images of 80s Japanese fusion and definitely one to play out early doors to get the crowd stepping. "Area Code 868" is the strutting staccato sound of Joe Sample waking up in the Caribbean to craft his piano funk drenched in sunshine. Accordingly, the tentative, naive melodies of "Sand Steps" represent that vivid feeling first thing in the morning, as you step on to the sandy beach in the sunshine and take a deep breath. The world is yours.

The emotional, organ-piano-steel drum-driven "Song For My Mother" is a slo-mo show of sincere gratitude to all the great mothers. "Yasmin's Theme" is Coastlines's Brazilian homage, recalling for them that early summer feeling. It's propelled laconically by the carnival beat of batucada`s big bass surdo drum and complimented by sweeps of warm keys and radiant vocal harmonies. Blissful beatless closer "Asafuji" conjures a scene from a wonderful morning spent with the people of Shizuoka, the symbolic mountain of Japan, Mt Fuji and its inhabitants. It sounds like Dâm-FunK jamming with Sabres Of Paradise.

Coastlines 2 was painstakingly crafted, across the pandemic, at Masanori's rented place in Tokyo and then brought back to his home studio and worked on slowly and repeatedly. With limited time to see each other, the duo became more united in their "consciousness with natural progress."

Mastered by Simon Francis and cut by Cicely Balston at Air Studios, this magnificent double LP has been pressed by the good people at Record Industry.

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Tadashi Kumihara

Moji

2LP | 2023 | UK | Original (Sound Pollution / Threeman)

Release: 2023 / JP – Original

Genre: Electronic & Dance, Pop

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A central member of Japanese freeform noise band Gunjogacrayon, Tadashi Kumihara released an album in 2007 titled Hyoi. What people didn’t know is that those same sessions produced another album, which had never seen the light of day - until now! The recently uncovered album from Kumihara, titled Moji, is as good - if not better - than Hyoi, with the freeform noise guitarist and Ryuichi Sakamoto collaborator (b-2 (2008)) in top form. Kumihara draws alien noises from his guitar, pushing against easy definitions of what defines music. The record is undoubtedly not easy to listen to, but repeat listeners will surely find themselves discovering new dimensions of noise with each listen. P-vine is proud to release Tadashi Kumihara’s Moji, available with an obi-strip on limited edition vinyl!

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Fredlös

2LP | 1996 | UK | Reissue (Capsule Freak)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Fredlös came together in the Spring of 2021, rising from the ashes of previous musical adventures, based in the country around Nortallje, northeast of Stockholm. United by a deep sense of their historical roots and a love of dark sounds, they create a truly epic landscape, blending heavy guitars with more traditional instruments and a need to relate history true to the facts. The result is a brooding yet effortlessly melodic sound where the listener can survive and thrive in the dark. Fredlös' self-titled debut album will be released in the Spring of 2023 and contains 9 dark, heavy, intense songs. Lyrically the album is a journey through the late Middle Ages, recounting the historical events from the perspective of the common people. Musically it's a tour de force that defies any one description, weaving metal, rock, folk, and traditional music themes into a rich and varied tapestry. Before the album, Autumn 2022 will see the release of the band's first single Warm Wet Soil - 7 minutes 22 seconds of swirling, dynamic, beautiful heavy music introducing the first chapter of Fredlos, where you are implored to reject the light and embrace the wet warm soil.

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Soul Oddity

Tone Capsule

2LP | 2022 | EU | Original (Candomble)

Release: 1996 / UK – Reissue

Genre: Electronic & Dance

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The story of IDM in the USA begins in Miami’ - Fact Mag

Control Freak Recordings are thrilled to be launching its new reissue sub-label with Soul Oddity’s Tone Capsule - a seminal electro/IDM classic from mid-90s Miami.

Originally released as a series of 3 EPs, the reissue compiles these into an album, newly remastered by Keith Tenniswood (Radioactive Man) - available digitally and, for the first time, on 2x12" LP album.

Soul Oddity marked the first outing for a pair of musicians who were instrumental in bringing the UK's post-rave IDM scene to the US. Having bonded over a love for the Warp output at the time, the pair fused this influence with the sound of their native Miami, where hip-hop, breaks and bass soundtracked a lively party scene.

A masterpiece of machine-driven, emotionally abstract storytelling, Tone Capsule rivals some of the best of 90s leftfield electronica. Twitchy beats and gloopy synth-funk are melded into jams that make for a seriously otherworldly listen - as forward-thinking now as it was in 1996.

This record kickstarts our new reissue sub label Capsule Freak - marking the beginning of our dive into the rich past of dance music history which has brought the scene we love to where it is today. We can’t think of a more fitting time capsule to begin this journey with - over two years in the making, we hope you find this release as wild and intriguing as we do.

All tracks written and produced by Romulo Del Castillo and Joshua Kay Originally released on Astralwerks [1996] Remastered by Keith Tenniswood (Radioactive Man)

Licensed courtesy of Universal Music Operations Limited All tracks published by Light of Man

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LSW

Mir Tut Alles Weh

Release: 2022 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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We’ve patiently waited after LSW’s 2019 debut “Life Style West” and it was more than worth it. The Düsseldorf group is blessing us with their sophomore work “Mir Tut Alles Weh” — Everything Hurts. But why does it feel so good?

This 11-track double LP is guaranteed to be a hit in your local Stammkneipe. Packed with forward-thinking nostalgia, poetic impressions of western decadence, LSW are certifying that punk remains posh in the Federal Republik of Germany. In an undeniably candombléan set up, Leonard Horres, Sebastian Welicki, Gregor Darman and Aki Vierboom continue their weird world building with a more mature sound. A holistic, detailed production that leaves you finding new elements at every listen.

Broken only by occasional melodic whispers, Horres introduces us to his city with ecstatic reiterations of his deepest, most deconstructed and sarcastically self-depreciating narratives. Dampened, forward-moving, industrial rhythms, orchestrated upon with live instrumentation and spherical synths pull us back and forth between dirty streets and the light clouds above. All with that chique nonchalance we cannot withstand.

Is this the new Deutsche Welle? Or eclectic Angstwave at its finest? Whatever,

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Shin Rizumu

Musica Popular Japonesa

2LP | 2018 | EU | Original (Vendetta)

Release: 2023 / JP – Original

Genre: Pop

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Multi-instrumentalist, singer-songwriter, arranger, and all around musician extraordinaire ShinRizumu (real name Rizumu Shin) is returning with his first album in over half a decade!

After releasing his debut album New Rythm in 2015, and garnering heavy airplay of hit single "Shinri no Mori" across Japan, Shin would follow that up with Have Fun (2017) before spending time studying music at a prestiguous music university. Five years later, he returns with his latest album!

Inspired by the music of Tom Jobim, Milton Nascimento, and other Brazilian legends, the sound of the album is undoubtedly MPB-esque (Música Popular Brasileira, lit. Brazilian Popular music), yet interpreted through a uniquely Japanese lens. Samba rhythms and instrumentation are infused with the sounds of contemporary J-pop and city pop, creating a sound that’s quite unlike anything else. Lead single “lady” (the 7” single is out on Oct. 5th!) highlights this sound, featuring the brass and tropical flutes of Brazil, along with a samba-esque groove that would be at home on any MPB album. Yet combine that with the pop sensibilities of one of contemporary J-pop’s greatest song-writers, and you get a song that even Haruomi Hosono would be proud of.

Light grooves are apparent throughout, perfect for whether you’re listening, lounging, or leaping around dancing. Pressed on limited edition vinyl, ShinRizumu’s long-awaited third album is filled to the brim with tropical hits - a refreshing summer breeze, even if it's the middle of winter.

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Ultha

Converging Sins

Release: 2018 / EU – Original

Genre: Rock & Indie

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The Silver Lining Black Vinyl Edition

Soul Asylum

2LP | 2022 | EU | Original (Blue Elan)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Words & Music, May 1965 8-Track Tape Edition

Lou Reed

8Track | 2022 | US | Original (Light In The Attic)

Arroyo Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

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Jon Porras

LP | 2022 | US | Original (Thrill Jockey)

Creator Controller Universal Audio Apollo Twin MK2 Hardcase

Release: 2022 / US – Original

Genre: Rock & Indie

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Jon Porras draws a staggering array of atmospheres out of even the simplest instrumentation. Across his work as one-half of psych-drone duo Barn Owl and his solo releases, Porras welds monoliths and ether into propulsive music that is deeply felt. Arroyo, named for the Spanish word for "stream" in a nod to Porras' heritage as a first generation Colombian?Japanese American, drifts gently from one tributary to the next in unhurried contemplation and euphoria. The portentous weight and abrasive textures of Porras' previous work give way to the trickle of richly detailed acoustic instruments slipping in and out of the fold. On Arroyo, Jon Porras evokes a distinct sense of resplendent anticipation and calm with a fathomless flow and softly gorgeous colors. For Porras, Arroyo became a rumination on simplicity and simple truths, a work of complete immersion and continuous motion where separate elements coalesce into an ever-changing whole. Porras spent the year leading up to 2020 living nomadically across Europe where he was able to soak in a deep appreciation for the effortless beauty of overgrown gardens, the basic principles of classical architecture and a more transient sensibility. The album was written and recorded in a time of even more change for Porras: after the birth of his daughter. Like a stream's steady glide across bedrock that waxes and wanes with each gradual turn, the music of Arroyo exhibits a transportive stillness. The compositions take on a light, gaseous buoyancy as discreet drones swell with measured fluctuations and ripples of piano rest atop the surface. Arroyo borrows harmonic concepts from modal jazz to create a unique sense of ease and endlessness. Each of the four pieces on the album centers around a single suspended chord, a chord most commonly associated with devotional music which embodies a space between harmonic tension and resolution. Porras embellishes that liminality with arrangements that feel less like distinguishable layers of instruments and more like one undulating nebula of sound. In the past decade of Porras' solo work, his music has grown increasingly engaged with elaborate synth textures and detailed processing. With Arroyo, Porras consciously takes a step back from those more intricate compositions and focuses on more organic, unadorned textures and places each sound with the same precision. Stark piano and guitar patiently hover over modest currents of Hammond organ and Yamaha DX7 with the sustain of each chord and phrase acting as a natural guide to the album's subtle rhythm. The four pieces that comprise Arroyo each encompass their own idyllic channel, slowly weaving their way in and out of the album's elegant stir. Porras' reflections on simplified elements take shape in gorgeous arrangements that impart clarity amidst a tranquil mist. Arroyo is an album that unearths splendor in a unified feeling of space, serenity in perpetual renewal

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UDG

Creator Wolfmix W1 Hardcase

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A Digital DJ looking for a professional, durable case solution for your Universal Audio Apollo Twin / MKII controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Universal Audio Apollo Twin / MKII controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Weight 0,47 kg / 1.034 lbs
Outer Dimensions cm: 16 x 15.8 x 6.8 | inch: 6.29 x 6.22 x 2.6
Inner Dimensions Not Applicable
Material Durashock molded EVA foam
Protection Soft fleece interior
Extra's Heavy-duty handle
Convenient carry handle
Easy grip zipper puller
Fits Universal Audio Apollo Twin
Universal Audio Apollo Twin MKII

Features:

• Durashock molded EVA foam
• Fits Universal Audio Apollo Twin MK2 controller
• Heavy duty handle
• Easy grip zipper pulls

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UDG

Creator Universal Audio Arrow Hardcase

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A creative performer looking for a professional, durable case solution for the Wolfmix W1? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Wolfmix W1, this case is perfect for the travelling creative performers that needs to protect their equipment.

FEATURES:
• Fits Wolfmix W1
• Cover main material 600D polyester with 5 mm EVA durashock
molded body
• Mesh compartment for power adapter, extra cables
• Water repellent laminated nylon exterior
• Black soft fleece interior
• Protective egg-crate foam prevent damage from vibrations & shocks
• Heavy duty handle
• Easy grip zipper pulls

• OUTER DIMENSION WIDTH HEIGHT DEPTH: 22.9 25.4 11.7 CM / 9.0 10.0 4.6 INCH
• INNER DIMENSION WIDTH HEIGHT DEPTH: 19.9 22.4 6.2CM / 7.8 8.8 2.4 INCH
• WEIGHT: 0.5 kg 1.1 lbs

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