Search "the+soul+session+one" 26478 Items

The Gold & Silver Sessions Blue-Bone Swirl Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Pandemix is back with In Condemnation, a 10 song LP expanding on their political, peace-punk indebted hardcore canon. The band churns out unapologetic outsider anthems in the tradition of Crass Records bands, with flashes of the angular iconoclastic wit of Flux of Pink Indians or Poison Girls juxtaposed against the jarring and heavy guitar textures of Profane Existence style crust punk. It’s the appropriate tone for Pandemix’s incisive social commentary. On the album closer “Column of Light,” they offer a thesis: “May every breath I ever draw be used in condemnation.” Vocalist Shannon Thompson's breath finds well deserved targets at nearly every lyrical turn. In “Can’t Assimilate” for example, she oscillates between a homophobic street harasser and a cop at a pride parade, finding no solace in any corner of the public sphere. The antagonists on In Condemnation are both political and personal. “It’s all about a relationship to violence,” she spits in “Synthetix.” “If it’s constant and random then you can’t politicize it.” This dismal sentiment clashes appropriately against a jagged bass line and harsh militaristic drum lines. In “Oblivion Lullabies,” a catchy rager that barrels ahead at full throttle, she turns her focus inward. “There’s something nameless inside me / Barren and burned / I can’t believe / That I could be the only one / Who feels like a voyeur in her own life.” A culture of constant performance and decentralized surveillance is critiqued not only for its usefulness to authoritarian figures but also for how it shapes the way we think about ourselves. On the soaring penultimate track, “Past Selves,” we are offered the closest thing to optimism that Pandemix is willing to offer. Its melodramatic, goosebump inspiring riff sets the mood for an anthem of finding strength in oneself in the face of a degrading cultural landscape. “Remain steadfastly human in the face of all this dehumanization,” is the coping mantra Thompson offers as the record nears its end. Even at its most uplifting, In Condemnation shines brightness only in contrast to the constant misery and violence of modern life.

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Elder

LP | 2019 | EU | Reissue (Blues Funeral)

LP | 2019 | EU | Original (Anteprima)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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A kinda experimental LP - krautrock-style jams that dramatically expand the Elder sound from its stoner/doom roots! Capturing Elder's expanding dynamic and ongoing progression, The Gold & Silver Sessions is an experimental LP of ranging psychedelic jams that captures their expressive and nuanced development in a way a "regular" studio release wouldn't. This is still the band who put out 2017's crushing "Reflections of a Floating World," but this release seems them following their imaginations down new and unexplored paths. Press Quotes: "One of the very best heavy rock attacks on the planet. One that makes it look so incredibly easy, when, in fact, it's not easy at all." -Paste Magazine / Ben Salmon "One of the most restless and inventive forces at work in their entire wing of the metal underground." -Stereogum / Tom Breihan

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Eric Legnini

Six Strings Under

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bonita & The Blues Shacks

Sweet Thing

LP | 2019 | EU | Original (Rhythm Bomb)

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Switchstance)

Muito Kaballa

Everything Is Broke

24,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Back To Mine Black Vinyl Edition

Jungle

2LP | 2019 | UK | Reissue (Back To Mine)

Release: 2019 / UK – Reissue

Genre: Pop

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LP | 2019 | US | Original (Ropeadope)

BT ALC Big Band

The Search For Peace

37,99 €*

LP | 2019 | US | Original (Hope Street)

Release: 2019 / US – Original

Genre: Organic Grooves

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Since the group's formation in 2011, the BT ALC Big Band, led by trombonist Brian Thomas and trumpeter Alex Lee-Clark, has gained a reputation for hard grooving original compositions featuring the most talented jazz and funk musicians in Boston. The BT ALC Big Band draws from the big band traditions of Duke Ellington, Count Basie, and Thad Jones and infuses music from funk legends like James Brown, Parliament Funkadelic, and The Meters, creating an undeniably unique sound, Big Band Funk. The BT ALC Big Band will be releasing their 4th album, The Search For Peace, on Ropeadope Records in May of 2019. The Search For Peace was recorded live by Alan Evans (Soulive, Iron Wax Studios). Evans research of the recording process, paired with his creativity has yielded an organic, old school sound. Each horn section played into one omnidirectional mic, with the rhythm section in the same room, essentially capturing a live performance. The Search For Peace follows the BT ALC Big Band’s previous 3 albums; Superhero Dance Party (2013), The Herd Sessions Vol. 1 (2016), and The Herd Sessions Vol. 2 (2016). In addition to performances at clubs and festivals, the BT ALC Big Band demonstrates their commitment to education through clinics, workshops and performances with students throughout New England. Their compositions are available for purchase at btalc.com, and have been performed by college and high school jazz ensembles including West Virginia University, UMASS Amherst, Ithaca College, and honor bands in Massachusetts, Rhode Island and Maryland. The BT ALC Big Band continues to push the art of the big band forward by utilizing a process that’s been followed by musicians for years: play the music you love, just in your own way.

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Over Under Away

Over Under Away Volume 1

LP | 2019 | EU | Reissue (Music On Vinyl)

Release: 2019 / US – Original

Genre: Organic Grooves

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Over Under Away - Volume I is the first compilation LP from Melbourne independent label Hopestreet Recordings and is released to celebrate their 10th anniversary. It features 10 tracks from Hopestreet’s first generation of artists: psych-Bollywood SciFi orchestra The Bombay Royale, cinematica pioneers The Cactus Channel, soul queen Emma Donovan and her mighty band The Putbacks and dusty country soul from The Meltdown, plus a couple of rarely heard gems, an afrobeat rap cut by One Sixth and a Marvin Gaye inspired environmental panic anthem by Zillanova feat. Cisco Tavares. Over Under Away is the label’s creation story. The material in Volume I was created in Hopestreet’s infancy, when the same people played in all the bands, and everyone who worked in the office was also making the records. If a compilation put together out of nine different albums sounds unusually cohesive, it’s because the same people performed, wrote and produced all the songs. Putbacks guitarist Tom Martin leads the charge, appearing on 8 out of 10 cuts. All production and engineering duties were shared by label founders Bob Knob and Tristan Ludowyk. These days are past, but the aim of Over Under Away - Volume I is to represent the seed that grew into the label as it is today. The compilation takes its name from a song on Emma Donovan & The Putbacks’ 2014 album Dawn. Over Under Away is a story of struggle, perseverance and, above all else, patience. About growing from small beginnings to “sing and shout and talk up loud.” Hopestreet began as a recording experiment, an afternoon goof between friends in a decrepit factory in Brunswick. The only ingredients were an Otari tape machine, some decent musicians and little bit of goodwill. When the label started, 7a Hope Street was surrounded by a desert of vacant industrial property. Now it’s surrounded by gleaming new apartment complexes. In that moment between decay and gentrification a little magic happened. Now the label, like it’s surroundings continues to evolve, but this compilation celebrates that fleeting point in time and everyth

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Suzan & Freek

Gedeeld Door Ons

28,99 €*

LP | 2019 | EU | Original

Release: 2019 / EU – Reissue

Genre: Pop

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With their ten own song debut album Gedeeld Door Ons, Suzan & Freek make a striking artistic statement, with which they demonstrate that they cannot be caught in one piece musically. From high school on, the duo was already making progress, but from the moment their cover 'Don't Let Me Down' by The Chainsmokers went viral worldwide, the career of the duo went fast. After the release of debut single 'Als Het Avond Is', they are at the top of the Dutch music circuit in one go. In addition to the already released singles, the album contains only self-written songs in a variety of styles, from disco and funk to pop and hip-hop. The result is an extremely strong and varied album, with several hit-sensitive songs.

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Petula

Fuck This Shit

19,99 €*

12" | 2019 | EU | Reissue (Critical Music)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Mit 'Grace' legt das Trio jetzt ein bemerkenswert hochklassiges Werk vor, neun Songs mit hörbaren Einflüssen aus Hip Hop, Electronica, Singer-Songwriter, Indie-Pop, Soul und Minimal Techno-Klangästhetik. Zwei Stimmen, Schlagzeug, Keyboards sowie Samples lassen Musik entstehen, die heimelig wie ein altes Landschaftsgemälde wirkt und gleichzeitig souverän neue Wege beschreitet. Ein Entwurf von zukünftigem Pop, der mit druckvollem und präzisem Schlagzeug-Groove, analogen Synths, klaren Vocals und auch produktionstechnischer und klanglicher Qualität glänzt. 'Indie-Electronica' ist ein viel bemühtes Genrefach, das A Forest ohne Mühen sprengen, mit viel Eleganz, ausgefeilten Details und seinen erzählerischen Qualitäten ist 'Grace' ein Album zum Aufhorchen.

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Halogenix

Gaslight Ep 2022 Repress

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Halogenix raises the bar once more, flipping between the light and the dark of his "Gaslight EP". The exquisite summertime bounce of "Out Of Line" featuring Solah on vocals and the future liquid of "Would You" give the perfect balance to the frenetic paranoia of title track "Gaslight" and "Line B". One of his best releases to date.

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Archive Edits Volume 3 2022 Repress

12" | 2019 | UK | Reissue (Soma Quality)

Guv I & Ii Red, Yellow & Blue Vinyl Edition

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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- 2022 repress -

Slam rework Nitzer Ebb, Silent Breed, DK8, Terrence Fixmer and more for the final installment of their Archive Edit series.

Soma label heads Slam curate a specially designed package of tracks to finalize their Archive Edit project that sees them delve deep into Techno's past to bring some of the genre's best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam's own unreleased material, showcasing the duo's current sound; one that naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

This unique vinyl single release selects 4 of the best from the full Archive Edits LP.

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Young Guv

2LP | 2019 | US | Reissue (Run For Cover)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Young Guv only makes hits, baby. It's what he was born to do. Too many hits, in fact - since last summer, Guv (a.k.a. Ben Cook) moved to Brooklyn from his native Toronto and wrote music, because that's what Young Guv does. This manic pace produced two albums worth of power-pop bliss, psychedelic riffs, and swagger that would make a Gallagher (the British ones, not the watermelon ones) blush. The end result: GUV I and GUV II, two full-length albums available only from Run For Cover Records or from GUV himself. Now, GUV I & II is available for the first time ever as a 2xLP set. Both of Young Guv's releases from this year in one reimagined set on color vinyl. It features new art laid out & illustrated by Braulio Amado as well as two new bonus tracks exclusive to the release. 19 tracks in one set, for your ears only.I'm going to level with you here: 2019 has been the Year of GUV. You're going to feel like a real dweeb if you miss out on this now, with only a few weeks left to be a part of it. This is your chance to relive your favorite GUV moments, which are only getting further away with every word you read here: Signing To RFC, Touring with Culture Abuse, the Sound & Fury Aftershow, Touring with Turnover, Playing Matty Matheson's Fest, The GUV NYC Release show_ he's done it all! Now it's time to cement your place in the GUV legacy with GUV I & II, available November 8th on Run For Cover Records.

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Goldring

G1006 Cartridge

279,00 €*

Time For Change Blue Vinyl Edtion

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The Goldring 1006 is designed for owners who want to get the very best from their systems at a budget price. This cartridge has an elliptical tip for improved high frequency clarity and a powerful magnet to ensure high sensitivity.

This hand-built cartridge features an elliptical stylus; its shape enables it to more accurately trace the highest frequency record grooves giving it the advantage over ordinary spherical types. The lightweight shank also gives the stylus a lower tip mass than cheaper metal bonded types lending the cartridge an improved transient response.

Low Mass Pocan® Body
The 1000 series uses a strong one piece body which holds the fixed parts securely in place. Made from a special type of ultra-rigid, glass reinforced polyester called Pocan, the body can be tightly bolted to the head shell for maximum efficiency and optimum sound quality. The user replaceable stylus carrier slots tightly into the body with a locating pin preventing unwanted vibrations which would otherwise colour the sound. An integral mu-metal can keeps the generator parts shielded from hum-inducing stray magnetic fields. Because Pocan has a high strength-to-mass ratio, the overall mass of the G1000 series cartridges is kept below 6.5 g. Low mass and moderate compliance keep the natural arm/cartridge resonance within safe limits for easy matching to a wide range of tonearms.

High Efficiency Magnetic Circuit
Finely etched mu-metal is laminated to form the pole pieces around which are fitted two formerless coils of four thousand turns each. This unique design reduces mass and also makes for a very efficient magnetic circuit producing a higher than average output. This construction also reduces the loss at high frequencies inherent in conventional designs, making for a smooth and extended frequency response.

Reduced Moving Mass
The 1000 series uses a unique ultra-low-mass, micro-miniature Alnico V magnet made to a tolerance that can be achieved by no other manufacturer worldwide. Welded to the magnet is a gold plated nickel tie-bar which provides an earth path for vinyl static charge build up and stabilses the cantilever in unwanted vibrational modes. The whole ultra-low-mass assembly is then mounted in a special butyl rubber polymer with optimised damping characteristics.

Expert Adjustment
The correct setting of stylus azimuth (or horizontal tracking angle) is essential for the maintenance of a proper stereo sound stage. Azimuth is the term used to describe the angle that the vertical centre-line of the stylus makes with the record surface and this must be exactly perpendicular to the record groove. This is not usually a user adjustable parameter on most budget decks and so it is vital that the cartridge leaves the factory with the azimuth precisely set. Badly adjusted azimuth can cause uneven channel balance and increased crosstalk between channels which would severely degrade the stereo image.

Specifications:
• Frequency Response: 20 Hz -20 kHz ±3 dB
• Channel Balance: within 2 dB @ 1 kHz
• Channel Separation: better than 25 dB @ 1 kHz
• Sensitivity: 6.5 mV ±1.5 dB, 1 kHz @ 5 cm/sec
• Static Compliance: 24 mm/N (lat); 16 mm/N (vert)
• Equivalent tip mass: 0.45 mg
• Vertical Tracking Angle: 24°
• Stylus Radius: Elliptical
• Stylus Type: Replaceable
• Load Resistance: 47 kΩ
• Load Capacitance: 150-200 pF
• Internal Inductance: 570 mH
• Internal Resistance: 660 Ω
• Cartridge Mass: 6.3 g
• Cartridge Mass (inc. fixings): 7.6 g
• Fixing Centre: 0.5" (12.7 mm)
• Playing Weight: 1.5 - 2.0 g (1.7 g nom.)
• Replacement Stylus: 1006 - D0

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Eastern Standard Time

LP | 2019 | US | Original (Jump Up)

Release: 2019 / US – Original

Genre: Reggae & Dancehall

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Washington DC's messengers of ska-jazz are back with their first new studio album since 2010. Their signature sound of bop jazz, Jamaican ska, blended with soul and reggae is intact - and has made them a perennial touring act all across Europe. Includes their cover version of SAM COOKE's "CHANGE IS GONNA COME".

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The World Of Monnom Black II

3x12" | 2019 | EU | Reissue (Monnom Black)

47,99 €*

Everything That Dies Comes Back 15th Anniversary Silver Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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To celebrate its landmark 20th release, Monnom Black invites you to enter The World of Monnom Black II - a return trip to techno's most uncompromising landscape. The triple vinyl release features 14 hand-picked contributions from the label's trusted collaborators alongside cutting-edge artists new to the roster; making this compilation one of the label's most varied and innovative collections yet.

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Uniform & The Body

LP | 2019 | US | Reissue (Sacred Bones)

LP | 2019 | US | Original (Wild Honey)

Release: 2019 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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In celebration of the label's 15th year anniversary Sacred Bones is repressing this second collaborative album on new silver Color Vinyl. Comprised of an amalgam of abrasive influence that spans Swans-y dirge and purge, Whitehouse's clenched-jaw noise, middle-period Ministry's penchant for metallic post-industrial everything, New Order's nose for melodic emotionality, and Juicy J-inspired beats, Uniform & The Body's approach delves deeper down the rabbit hole than before, igniting a sonic world of terror and bliss poised to grip the throats of fans yet again. Much like the collective's bombastic debut, the second album was built over a series of collaborative sessions with Seth Manchester at Machines with Magnets in Rhode Island, mixing industrial-influenced synths, squalls of harsh noise, manipulated guitar, oodles of samples along with hard rock-inspired riffs, saccharine pop, and the alternately antagonistic and harrowing vocals of Michael Berdan and Chip King. The result is nine tracks of ear-bleeding and confrontational fury with defined moments of beauty that bring to mind equal parts No Trend, Merzbow, and Information Society while forging a path that is distinctly their own.

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Freez

Always Friends

15,99 €*

First Light (Mad's Lovers Smooth Mix)

Release: 2019 / US – Original

Genre: Rock & Indie

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They’re wild and young and free, someone would say.
FREEZ are a bunch of italian 18 years old guys that write great garage-pop songs.
They already toured Europe and had a track from their debut made it to a FatCat Records compilation.
Always Friends is a solid alternative rock record, written by Michele Bellinaso in his bedroom in his mother's house and
then recorded it with his bandmates Nicolò and Stefano at Fox Studio (Venice) with New Candys' member Andrea
Volpato. The whole album is split in two parts that reflect two di erent moods: the happier one filled with romantic
choruses screamed in the microphone, adolescences themes and “falling in love” stories, then the more emotional part
with even more distortions on it, that accompanies the sad vibes of the record, based on friends leaving hometown, the
need of having someone beside you and choosing what to do with your life.
FREEZ is an up-and-coming garage rock band from Schio (ITA). Michele, Stef and Nicolò make up one of the youngest
actively touring band from northern Italy. FREEZ sound like they were born and raised on the California coast, unapologetically
taking their echo-drenched, surf-punk vibe straight out of Oakland, San Francisco and Long Beach.
While music magazines hails them as the new voice of Italian Slacker-rock, FREEZ have been hard at work.
With no signs of slowing down they already have done several tours around Italy, France and Switzerland on their “Do
Nothing Club Tour”.

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Yoshiko Goshima

7" | 2019 | JP | Reissue (PolyStar)

Tape | 2019 | EU | Reissue (Hole In One)

Release: 2019 / JP – Reissue

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-22

Repress of Mad Professor's 90s Japanese Mono Lovers remix masterpiece 7" S.S.W. Yoshiko Gotoh is also known as the vocalist of Denki Groove's 'Niji'. This is the first 7" release from '19, coupling the classic "First Light" with a superb dub mix of "Nameless Pierce", and is now being repressed in a limited edition of 300 copies Yoshiko Goshima was described as "a genius female singer with a five-octave voice" in the 1990s and early 2000s. She is a talented artist who is popular for her soulful singing that combines sweetness and toughness, and her 1999 hit single 'Open Up', which was used in a TV commercial, is also memorable. This 7" couples two rare remixes by the reggae dub scene's Mad Professor. The A-side features the 'Mad's Lovers Smooth Mix ver.' from the 'First Light Remixes' 12" single, which was released as a promo-only single in '97 and is now hard to find. A light dub number with dreamy synths and a stretched high-tone voice that feels great, the B-side is the "Mad's Summer Swim Mix" of "No Name Earrings" from the CD single "Swingin' the Swing", also released in '97. " from the CD single 'Swingin' the Swing', also released in '97. It is a moving song with powerful yet melancholy and delicate vocals and a chorus work that builds to euphoria towards the latter half of the song

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SMK

19 Nigga 4

2LP | 2019 | EU | Reissue (Hole In One)

Release: 2019 / EU – Reissue

Genre: Hip Hop

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SMK aka South Memphis King is one of the real godfathers of Memphis rap. He released his first album in 1991 and is still active today. This is one of his early recordings, never released on vinyl before, Straight bangin' underground shit for the streets of your city. Roll a blunt and enjoy the sick madness over here.

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SMK

19 Nigga 4

41,99 €*

LP | 2019 | US | Reissue (Surf Curse)

Release: 2019 / EU – Reissue

Genre: Hip Hop

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Surf Curse

Heaven Surrounds You

Tatiana Dordzhieva & Maria Beltsykova

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Departing from the overblown visceral sound of previous Surf Curse records, 2019's Heaven Surrounds You is a bold step towards Hifi for the Los Angeles DIY scene veterans. The polished orchestral production and driving cinematic moments would feel at home in any of the cult films that inspired the album's coming-of-age stories. Lyrically, the record finds the duo returning to themes of love, loss and mystery veiled beneath more symbolism and mysticism creating their most emotionally poignant record to date. One ingredient the band doesn't change is the earworm guitar melodies and massive hooks that have always fueled their famously raucous live shows.

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Kalmykian Archaic And Soviet Folk

LP | 2019 | EU | Original (Sub Rosa)

18,99 €*

Vibes 3 Remastered Limited Pink Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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In early November 2014 we went to Kalmykia. Our goal was the local “Dzhangar” epic. The epic genre, as one of the most archaic, can be called a basis for Kalmyk music culture. Not so long time ago among Kalmyks there were their own professional epic storytellers - Dzhangarchi who as a socio-artistic institute today are practically absent: repertoire of modern folk singers mostly consists of late folk art of the Soviet era.

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The Deli

LP | 2019 | US | Reissue (Cold Busted)

Release: 2019 / US – Reissue

Genre: Hip Hop

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Vibes 3, the crucial 2016 album from Austin hip hop beatrepreneur The Deli , gained massive attention upon its release — and it continues to grow in appreciation from worldwide hip hop heads. The album’s centerpiece, the delightfully breezy “Flowers,” has racked up 59 million Spotify plays on its own, with the full album cracking an astonishing 75 million and The Deli himself gaining 1.7 million monthly listeners. In The Deli’s case, this success in the digital realm only whets an appetite for the physical. Now Cold Busted has remastered and repressed the out-of-print Vibes 3 LP on vinyl for a 3rd time now...this one is on pink vinyl. The album’s 18 cuts serve up proper old school vibes, dropping beats that’ll make one reminisce while also anticipating the new. In addition to “Flowers,” the album contains other worthy contenders like the smooth “Luv Shxt,” which grooves with gentle jazz guitar and a lonely horn under a snappy beat; “Rain” and its simple introspection; the lovely lazy ride of “4Tina;” and album opener “1b4w” which sets things properly on the smoky late-night-lounging tip. More than just Vibes 3 — this one’s got vibes for days.

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Elsewhere LVI 2022 Repress

2LP | 2019 | EU | Reissue (Emotional Response)

29,99 €*

Herculean House Of Cards Fools Gold Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Emotional Response is delighted to present elsewhere LVI. The 4th of soFa's compilation series, this double LP takes us to the darker side of the elsewhere ouvre, via another 12 artist / 12 track travelogue. With certain future-retro feelings, this is club music for the open minded. An album that roams from dreamy ambient territories to rhythmic patterns - internationalism for the adventurous DJ. Rusty slow-mo bangers and post-industrial synth-wave kidnap the listener to a dystopic and shady wasteland. Elements of ethnic folk, vintage vocoders and Gamelan samples all united on one homogeneous selection. With artists now known to welcoming new brethren, this is an audio trip to leave reality behind. Exotic, hypnotic, tactile, trance-inducing meditations, washed down with a spoonful of magick.

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Trey Gruber

2LP | 2019 | US | Reissue (Numero Group)

35,99 €*

12" | 2019 | EU | Reissue (Arts)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Trey Gruber's posthumous debut double LP Herculean House of Cards. A compilation of early demos, studio demos, and live recordings. A tortured songwriter and struggling addict who jolted the tired Chicago DIY scene with his own brand of primal despair, Trey Gruber and his band Parent were on track to join the ranks of Twin Peaks, Mild High Club, and Whitney. His death in 2017 at the age of 26 brought it all to a halt. In his final years Trey wrote and recorded hundreds of previously unheard demos, dandelions in the cracked concrete of 21st century disconnect, an alphabet's worth of which have been compiled by his family and friends for his only album: Herculean House Of Cards. The 26-song 2xLP covers years of material, from home tape recordings, sessions at Mathew Roberts (Mild High Club) & Paul Cherry's home studio, to a studio session with Charles Glanders (Whitney) at Chicago's Foxhall Studios, along with audio taken at The Hideout during his last live performance, among others. Though Gruber was an unrelenting perfectionist who was constantly self-deprecating about his best demos, Herculean House of Cards is a wholly comprehensive and accurate reflection of his infectious charisma and raw songwriting. He had a charmingly distinct way with words but also could be disarmingly vulnerable. Like he was in life, Gruber never shied away from being open with his struggles with alcoholism and addiction. On the vivid opener "Eisenhower to the West Side," he sings in painstaking detail of, "A jail-skin cell, a junkies fight/Corner-boys full of grace/And Jesus Christ full of spite." He told then-future bandmate flautist Rebecca Ridge, "It's not some Lou Reed glorification of drugs _ `makes me feel like a man'_ I talk about the disconnect and the ugliness. They're sad pop songs." But even with the pain and the darkness in his lyrics, Gruber's songs had an unmistakable sense of hope and catharsis.

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Earwax

Club 25

Kokoroko HHV Exclusive White Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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2023 repress -

Knowledge is a tool, and like all tools, its impact is in the hands of the user.

Arts White presents the debut of one of the brightest artists in the Italian scene, 'Earwax' is a project that aim on highly energetic techno, inspired by the good old habits, this EP showcases a variety of ways to destroy floors in dusty Raves. Club 25 represents the modern key to non-sense underground rave music.

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Kokoroko

12" | 2019 | UK | Reissue (Brownswood)

17,99 €*

White Souls Lost (Part II)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Limited to 500 copies on white vinyl!

Inspired by Fela Kuti, Ebo Taylor, Tony Allen and the sounds of West Africa, London 8-person collective Kokoroko presents its first EP. The four tracks reveal a musical vision of Afrobeat, soul, West African roots and inner-London jazz nuances. The wonderful "Abusey Junction" was already included on last year's Brownswood sampler "We Out Here", which was frenetically acclaimed by the trade press (Wire, Monocle, New York Times, etc.) and named compilation of the year 2018 by the London Rough Trade stores.

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Isaac Basker

12" | 2019 | US | Original (Play It Say What)

4,99 €* 9,99 € -50%

12" | 2019 | UK | Reissue (Rhythm N Vibe)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Play It Say What Records and Isaac Basker return after a 5-year hiatus with White Souls Lost (Part II), providing 4 styles of Isaac’s distnict, “thumping” take on American house music designed for dancefloors, headphones, or contemplating human existence. Never shy of controversial track titles and themes, a trend that can be traced back to previous collaborations with Public Enemy as a hip-hop DJ and turntablist, Isaac cuts right to the chace again focusing on the state of the “soul” in post-Trump America.
On the title track, A1 “White Soul’s Lost (Part II),” a play on words of Nas’ “Black Girl Lost,” Isaac calls into question the state of some white folks’ souls in an appropriately emotive banger that starts with Afro house- oriented congas and layered deep pads until guitar solo-like chord riffs build to a layered crescendo. From this point on, to its conclusion, the track keeps the listener on high.
A2, “So Lonely Here” brings a definitive Isaac sound influenced by his experience growing up dancing in clubs to vintage NYC deep house. The track provides a deep, dusty, almost lo-fi-esque vibe geared to be a perfect track for an early set or afters. Isaac’s love of simple vocal drops in part from his background as a turntablist comes into play again as a lone, sexy female voice casually reminds us of their feelings of isolation, and is a double entendre on the state of lost souls everwhere.
B1, “Noisy Neighbours,” evokes that “thump” Hard Wax once labeled some of Isaac’s tracks. Created in response to noise complaints, a coded reference to Trump supporters, and even Isaac’s world football allegiances it could be categorized “deep house techno” but this ain’t no tech house. Heavy kicks bump over choped up live percussion as a lone pad keeps it deep, and then an analog bassline reveals the underground, grooving along to vocal drops that demand the listener to “Stop, look and listen.”
Lastly with B1, “A Paradox Now!” Isaac’s love for titles derived from word play refers this time to Francis Ford Coppola’s classic film “Apocalypse Now!” The track teases with mellow keys laid over strong 909 drums and a prominent minimal bassline as it builds slowly over panned high hats. However, it then flips from chill to bumping as a live percussion sample arrives along with a repeated Terre Thaemlinz influenced vocal that proceeds to drive the track to its peak.

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DJ Perception

Phenomenal EP

15,99 €*

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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Here comes a welcome reissue of a rather in demand classic by the widely revered - and rightfully so - DJ Perception. Opener 'Reverse' taps into a US garage vibe - dusty low slung drums with a four to the floor pattern, plenty of swing and a well treated vocals all finished off with a melodic bassline. 'Flyby' (feat Opus) bumps along to a crips broken beat and sub bass that needs to be heard on a loud system. 'Loose Ends' is raw warehouse music with irresistible bounce and then the soulful vocal smoothness of 'Gonna Make You' might just steal the show at the end. Timeless tackle.

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12" | 2019 | IE | Original (House Of Disco)

Home Turf EP

7,79 €* 12,99 € -40%

12" | 2019 | UK | Reissue (Brownswood)

Release: 2019 / IE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

It’s no secret that the Irish know how to party. That energy is epitomised in the bubbling scene of homegrown talent rising through the ranks all over the island. House of Disco, having recently moved back to the Irish shores, let loose their first 4 track sampler EP in 7 years, ‘Home Turf’, showcasing the best in under-represented young Irish producers.
Taking the first slot, Dublin’s LPM hones in on that signature HoD sound with some expertly interlaced late ‘70s samples, reworked and repackaged into a bomb of a filtered, disco house, hand-raiser that’s got sunshine stamped into it’s very core. Newbridge locals, Mix & Fairbanks then offer up a deep, synth-laden gem, drenched in weighty stabs, analogue melodies and squiggling top lines.
On the flipside, the young gun from Killarney, Shee gets soulful for ‘Me You Us’ with low-slung vocal samples and hazy pads layered over the top of swirling disco loops. Lastly, Wicklow native Purple Ice signs off this killer Irish EP with a blissful, piano infused groover that’s eyes closed ecstasy from start to finish.

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Kokoroko

24,99 €*

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Seafaring Strangers: Private Yacht

LP | 2019 | US | Reissue (Numero Group)

Shackitistan 20 Years HHV Blue Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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The Numero Group's dive into the deep end of America's private press continues. Having battled the witches and wizards of Darkscorch, the outlaws of Cosmic Americana, and traveled alongside Ladies From the Canyon and their Lonesome Heroes, it's time to take it easy.With pop music's volume knob adjusted for deflation in the early 80s, softness begat smoothness. Crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. A sound that was buoyant, crisp, defined. Sometimes classified as West Coast-and, later, Yacht Rock-the compass points of our Private Yacht expedition are the blue-eyed harmonies of Hall and Oates, the cocaine-dusted Fender Rhodes of Michael McDonald, and the combover strums of James Taylor. Here, at the glassy apex of rock's softer side, 20 strong swimmers are gathered together. An album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

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Shacke One

LP | 2019 | DE | Reissue (Nordachse Cashgroup)

Attarazat Addahabia & Faradjallah

Release: 2019 / DE – Reissue

Genre: Hip Hop

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Limited edition of 300 copies on blue vinyl, only available at HHV! Only 2 copies per customer!

20 years HHV: our team has selected an album from each of these years that is particularly relevant and precious to us. On a monthly basis we release exclusive and limited pressings of these records in collaboration with some of our favorite labels.

Shacke One has been a rotation favorite at HHV since 2014. His third solo album Shackitistan is not an exception. 10 underground hits, produced by the usual suspects Klaus Layer and Achim Funk.

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Al Hadaoui

LP | 2019 | EU | Reissue (Habibi Funk)

22,99 €*

2LP | 2019 | EU | Reissue (Mule Musiq)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Habibi Funk is back with another album from Casablanca. Completely unreleased album which was recorded in Morocco in 1973 by three generation family band. A unique blend of Gnawa, Funk and Rock. Traditional Moroccan music meets electronic guitars and dense layers of percussion by a band that used to run in the same circles as Fadoul (And actually wrote one of his songs).

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Kuniyuki

All These Things

So Divine Bone Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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originally it’s released on only cd in 2007. it was his 2nd album but it’s substantially his first album because the first album was a col-lection of kuniyuki’s early productions.

the first track “the guitar song” is one of our most favorite song of kuniyuki,it’s like a real good mixture of jazz, fusion, world music and electronic music.

the second track featuring african vocalist and percussionist “omar guaindefall”,we still love amazing henrik schwarz remix.

the third track “you get me” featuring our favorite singer “josee hurlock”,we’ve knew about her from the fantastic album “residue” by hefner in 2000. she is featured to the fourth track “all these things” too. we’re hoping to repress an amazing joe claussell remix.

the fifth track “flying music” featuring our good friend “alex from tokyo” as poetry reading and shuichiro sakaguchi( a popular trumpeter in tokyo) as a trumpeter. this long version was put to single cut release on 12inch.

the sixth track “the session” is a collaboration of song with henrik schwarz. they have met at mule musiq’s party in tokyo and clicked immediately.

the seventh track “touch” sounds very nostalgic african jazz or spanish fusion which is popular these days as balearic music.

the last track “rain of ocean” is a primitive african minimal deep house.this song is put to the single cut from this album(not put to the album) and we almost forgot this song but when we’re compiling the vinyl edition of album, we noticed how this song is beautiful.

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Horse Jumper Of Love

LP | 2019 | US | Reissue (Run For Cover)

LP | 2019 | EU | Reissue (Phantom)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Memory looms large on Horse Jumper of Love's hypnotic sophomore album, `So Divine,' but it remains elusive. Throughout the record, tiny snapshots from the past float to the surface, baring themselves for brief moments before diving back into the ether. Like abstract collages, the Boston-based three-piece's songs jumble richly detailed scenes and vivid imagery, papering over one moment with the next until each string of seemingly unrelated thoughts coalesces into a breathtaking work of art, one that reveals deep truths about ourselves and our psyches."A lot of these songs are about making small things into huge deals," says guitarist/singer Dimitri Giannopoulos. "They all start with these very specific little memories that, for some reason or another, have stuck in my mind. Memories morph and change over time, though, and they become freighted with all these different meanings. We're constantly adding to them."The same could be said of Horse Jumper of Love's music. Giannopolous wrote much of what would become `So Divine' as a teenager, carrying the tunes with him as skeletal demos for years before bringing them to his bandmates (bassist John Margaris and drummer Jamie Vadala-Doran) to flesh out in the studio. Even then, the songs continued to grow and mutate, with the group recording multiple iterations of the album as they experimented with tempo and technique."I'd dropped out of college and was living at home when I first started writing these songs," Giannopolous remembers. "I was staying up all night recording in the basement because I didn't feel like I had any other options. It was either make music or feel terrible about my life."Giannopolous found kindred spirits in Margaris and Vadala-Doran, and after moving out on his own, he officially launched Horse Jumper of Love in 2013, taking the group's moniker from a Latin phrase that had gotten more than a little lost in translation. The band would spend the next three years refining their studio craft and live show, garnering a devoted follow...

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Gym Tonic

Good Job

17,99 €*

Stress Relief Osunlade Remix 2023 Repress

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Gym Tonic are an international four-piece (living in Berlin) and talk of the town when it comes to hyped-up synth punk. In some parallel universe, Devo, Half Japanese and The Residents grew into one and decided to channel their energy into songs about nuclear catastrophes, vitamin injections, car sickness and deadly events. Throw melody lines straight out of the Twillight Zone on top and you have an all-around gem. This is a reissue of the 2019 release on Et Mon Cul C'est Du Tofu?

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CoFlo

12" | 2019 | US | Reissue (Ocha)

CD | 2019 | EU | Reissue (Ostgut Ton)

Release: 2019 / US – Reissue

Genre: Electronic & Dance

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COFLO gets a remix assist from OSUNLADE on the powerful â€œSTRESS RELIEFâ€, a percussive bass heavy dancers delight. OSUNLADE'S YORUBA SOUL MIX features strong underground house vibes. DJ support from KARIZMA, ATJAZZ, DJ SPINNA, KAI ALCE & many more!

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Barker

Utility 2023 Repress

Kaikki Tiet Vievät Peltolaan 180g Black Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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“We all dance away our lives to the tune of the sovereign pleasure-pain axis.” – David Pearce, The Hedonistic Imperative

Pleasure-seeking and pain-avoidance as a rave metaphor fits the music of Sam Barker. The Berghain resident and Leisure System co-founder has spent the last few years exploring the euphoric potential of altering key variables in dance music formulas.

This was especially true on his 2018 Ostgut Ton debut EP Debiasing, which was flush with unconventional rhythmic chord stabs, melody and percussion but devoid of kickdrums. What seemed like an experimental exercise on paper was in reality equally geared towards the club: tracks that worked for the floor but resisted the genre categorizations that kick drums often provide. This has come to define Barker’s sound.

Now, on his debut solo LP Utility, Barker turns his focus toward melding experimentation and dancefloor pragmatism with the psychology behind the musical decision making process. In his own words: “After ‘Debiasing’ it occurred to me that my musical decisions were often unintentionally utilitarian, following an instinct to maximize pleasure in one way or another. It’s sort of unfashionable to admit, but by removing elements that have strong genre associations, this became a natural consequence.”

Accordingly, Utility is a playful but non-ironic musical approach to a whole spectrum of utilitarian and transhumanist ideas: from models for quantifying pleasure and “gradients of bliss” to abolishing suffering for sentient beings (not just people) through the ethical use of drugs and nanotechnology. Over nine tracks, Barker’s vision ebbs and flows through waves of deeply psychedelic musical vignettes; free-floating and futuristic melodies and rhythms as targeted brain stimulation. The sound draws heavily on modular synthesis, as well as self-built mechanical instruments and plate reverbs to create atmospheres that are at once alien and emotionally recognizable, functional and utopian.

Utility is by no means a concept album. Instead, it is an honest take on music as both pleasuremaximizer and consciousness-expander.

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Maustetytöt

LP | 2019 | EU | Original (Is This Art!)

LP | 2019 | UK | Reissue (Hyperdub)

Release: 2019 / EU – Original

Genre: Rock & Indie

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"Kaikki tiet vievät Peltolaan" is the debut album of the Finnish band Maustetytöt, released in 2019. The album reached the number one spot on both the official Finnish album chart and the physical album chart in its opening week. The 2,000-copy vinyl edition of the album had already sold out before the chart rankings were announced. In December of the release year, the album achieved gold certification and was the second-best-selling domestic album of the year.The album's title is a reference to the area where various psychiatric departments of Oulu University Hospital are located.

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Loraine James

For You And I

LP+7" | 2019 | EU | Reissue (Sub Pop)

Release: 2019 / UK – Reissue

Genre: Organic Grooves

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Raised in the multicultural and mind-broadening London borough of Enfield, Loraine James grew up hearing everything from steel pan music to Metallica, from jazz and electronica to drill and grime, and the results of this exposure can be heard on 'For You And I'.In part the album explores the complexities of being in a queer relationship in London - "I'm in love and wanted to share that in some way _ to make songs that reflect layers of my relationship." - and as a whole 'For You and I' is rhythmically free flowing and sprawling, with melodies that evolve into rippling keys, feeling like a live jam session with a jazz mentality, contrasting the delicate and abrasive.Opener 'Glitch Bitch' is a warm ear-worm, brandishing swirling textures with undulating keys and compressed percussion, with an introspective theme revisited soon after on third track 'So Scared', whose glitched percussion and syncopated dub bassline build to a frantic meltdown melody. On 'London Ting // Dark As Fuck', inspired by Dizzee Rascals's 'Boy In Da Corner', James explores the darker side of her production with her frequent collaborator Le3 BLACK laying verses over the skeletal track. 'Hand Drops' is an instrumental, about public displays of affection in a queer relationship. 'Sensual' reflects on intimacy with vocals by UK singer Theo, who's lyrics capture love and gentleness over a soft, minimal production of ethereal keys and scattered glitches. The albums' title track is also the most colourful, it's ecstatic and effusive chaos driven by fervent synths expressing elation and the joyful side of her relationship, while 'My Future' is a more reflective moment, where warping synths wash in and out with compressed kicks, as the artist considers the dangers that may come with her relationship : "I wanna tie the knot / But the rope is dangerous".'For You And I' is a deeply intimate and personal offering, expressing happiness, anxiety, joy, sensuality and fear through a vivid sound palette and an experimental sense of rhythm.

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Metz

Automat Loser Edition

LP | 2019 | US | Reissue (Silrbreeze)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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This Sub Pop Loser edition is clear vinyl LP plus 7" including bonus tracks.METZ, our own widely-adored and delightfully noisy 3-piece punk band from Toronto (ON, CANADA), have been laying waste to stages around the globe for over 10 years. During that tumultuous chunk of time METZ, comprised of Alex Edkins, Hayden Menzies, and Chris Slorach, have cemented their reputation as one of the planet's most exhilarating live acts and trusted providers of bombastic outsider rock. Along the way, they've earned enthusiastic support from The New Yorker, Mojo, NPR, The New York Times, KEXP, Pitchfork, Stereogum, The AV Club, Q, Uncut, Exclaim, and a bunch of others. Referring to the trio's tireless tour regime and unquenchable thirst to bring their music to the people, John Reis (Hot Snakes, RFTC, Drive Like Jehu) once said, "your ambition is really unflattering, chill out." They did not listen. In...

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Yuzo Iwata

Daylight Moon

Not For Sale: Live '78/'79

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Daylight Moon is Yuzo Iwata’s first outing since his debut, Drowning In The Sky, got the green light in 1999 on the legendary Org label. While Yuzo’s been living stateside for a couple of decades, his roots, style and fluidity harken back to the Kichijoji Minor days of the late seventies Tokyo underground scene. He also put in some time as a member of Tori Kudo’s Maher Shalal Hash Baz early on and there’s no one else in Philadelphia who can make that claim. His pedigree is legit. As is his playing. For fans of Kousokuya and Hallelujahs especially and PSF and Org label output overall. Limited re-pressing of 300.

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Scientists

2LP | 2019 | US | Original (Grown Up Wrong)

Rice Field Silently Riping In The Night

Release: 2019 / US – Original

Genre: Rock & Indie

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The Scientists’ pre-Swampland days in Perth are brilliantly encapsulated on this collection of mostly unreleased live material from ’78 and ‘79. These were the days when former Victims and future Hoodoo Gurus drummer James Baker led the band alongside guitarist/singer Kim Salmon, and when their poster read “Rock ‘n’ Roll in the tradition of The Groovies and The Heartbreakers”. The Perth-based line-up recorded the brilliant “Frantic Romantic” single and self-titled EP highlighted by “Last Night.” They also recorded a posthumously released LP—the “pink album”—which came as a massive disappointment due to bad production and a reduced line-up. Not For Sale: Live’ 78/79 is a collection of live and rehearsal tracks that captures the band making the same noises as on those 45s, and presents live versions of the fan faves and vastly superior versions of most of the LP tracks as well as coughing up a bunch of hitherto unreleased originals and covers to boot. This is “The Legendary Scientists”—as they were dubbing themselves within months of forming—as they should be heard.
The main set comes from late 1979: a live-to-air broadcast from Melbourne’s 3RRR. The same line-up is also present on a handful of primitive live recordings, made by a friend at one of the group’s regular haunts, the Governor Broome Hotel in ‘79. Play this really loud and it sounds like right there in the pub, shitty PA and all. Packaged with rare and unseen images, an original 1979 Roadrunner magazine feature by Kim Williams (of the Summer Suns, and co-writer of Swampland) and additional notes by Grown Up Wrong’s Dave Laing. This collection provides a thrilling glimpse into what an album by the “Legendary” Scientists might’ve sounded like if it had been recorded in 1979. With the current incarnation of the band touring the US again and performing the likes of “Last Night” and “Frantic Romantic”, this is an essential listen for all Scientists fans, no matter which line-up they prefer.

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Reiko Kudo

LP | 2019 | EU | Reissue (TAL)

LP | 2019 | US | Original (Light In The Attic)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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Reiko Kudo first debuted on the Tokyo underground music scene in 1980 with Noise, a duo which apart from herself under her then maiden name Reiko Omura on voice, guitar and trumpet featured Tori Kudo on organ. Their only album Tenno (1980 on Engel) is probably one of the most outstanding and uncompromising records of all time.

Like other pioneering female producers from Japan such as NON (of NON Band), Phew and Haco, who had all begun their startling careers in the early days of the japanese Punk era, Reiko Kudo can surely be regarded as one of the most unique, uncategorisable and daring voices in the entire field of electronic and experimental music ever.

Rice Field Slowly Riping IN THE Night was Reiko Kudo's second album under her own name. It features Tori Kudo (maher Shalal Hash Baz) and Saya and Takashi Ueno (tenniscoats) on various instruments. The recordings took place in 2000 at Reiko' s and Tori's house in the rural surroundings of Shikoku island.

All recorded music on this album sounds like it originates in a parallel dimension where time and key signatures simply don't exist, Some might describe this as outsider music, but this doesn't really begin to do justice to the quality of the tracks, there is nothing accidental or forced here, this is simply music created in a very different way. Yet again Reiko Kudo had conceived of something utterly beautiful.

"After producing the album "Souvenir de mauve" with Maher Shalal Hash Baz which we released on our label Majikick, the idea came to us, to release Reiko Kudo's work. For Reiko's work, we brought our recording equipment from Tokyo to Shikoku and recorded the entire album at her house.

The piano was positioned in a room with a high ceiling. We would set up our small recording equipment in the room and started to record. The basic tracks were recorded without any rehearsal and just a few overdubs were added on top of it. To have a distant sound on the recording, Tori played trumpet in the next room. The choir was standing outside the house, singing "Enya-totto, enya-totto" through the open window. It was early spring, I remember that it was still a bit cold and the members of the choir were freezing outside.

Reiko plays only at certain times of the day, so that we were able to complete only two or three recordings a day. Therefore we had plenty of free time. We went to a hot spring, to a cafe, or we tried pottery on a spinning wheel at Tori's workshop. It was a very rewarding time.

When this album was finished, we brought it to her to listen to. She said happily "I think this is the best work I have ever done." We felt that all our efforts were richly rewarded. Secretly, we thought the same, so we are delighted that this album will be re-issued." - Saya and Ueno (Tenniscoats), Tokyo 2018

Originally released on Majikick Records, Japan, 2000 Restauration and mastering by Detlef Funder at Paraschall Mastering, Düsseldorf. Vinylcut at Calyx, Berlin Translation by Miki Yui and Claus Laufenburg. Many thanks to Reiko Kudo, Tori Kudo, Saya and Takashi Ueno, Satoru Higashiseto.

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Jim Sullivan

If The Evening Were Dawn

12" | 2019 | EU | Original (Emotional Rescue)

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear/Gold vinyl. Still in shrink, but opened, with hype OBI

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Furniture

On Broken Glass

12,99 €*

LP | 2019 | UK | Reissue (Lewis)

Release: 2019 / EU – Original

Genre: Pop

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Emotional Rescue returns to the music of British "pop" band Furniture, with an EP of the band's own extended versions, remixes and unreleased takes of their particular output. Taken from three 12"s that followed When The Boom Was On (ERC072), the songs included cast a light on their development from 3 to 5 piece, adding Sally Still (bass) and Maya Gilder (keyboards) and the new male/female frontline. The subsequent broadening of their line-up and sound meant they could start to address the kind of pop music they wanted to play. After the early releases garneered radio play and reviews, Furniture were launched into the melee of '80s pop. An anomaly, the band found they attracted a specific kind of "intense" follower, who were often beguiled by Furniture's freaky normality. This was addressed on the 1984 release, 'I Can't Crack'. A more urgent version of the sound Furniture had debuted with 'Why Are We In Love', the track, sung by Tim, was based around a sequencer-like rhythm played live by drummer Hamilton Lee, and a clarinet part played by Tim's brother, Larry Whelan. A mix of bleakness and euphoria, the song was and is a favourite of the band and considered one of their best self-productions, as well as becoming a latter day club play. This is followed by the studio experiment 'Throw Away The Script', where the band wrestled with sequencers and synth-pop, but then countered it with a free-jazz sax solo. Found on the flip of the double A -side of 'Love Your Shoes' 12", this instrumental version too became an underground club hit, including a cult play at Fran Lenaer's influential Valencia club, Spook Factory. Played loud, the studio mastery, trickery and oft-accidental discoveries come to the fore, with tissue-damaging frequencies giving extra sound system shaking bottom end. The B-side continues the band's love of making extended mixes with 'Dancing The Hard Bargain'. Co-produced with Tim Parry (formerly of Blue Zoo), they threw everything at these 12" versions. Able to relax and focus on the sounds they really liked, rather than the ones thought more commercial, this can be clearly heard on this compelling, percussive mix, a stop-start breakdown becoming a band hallmark. To close this collection is the mammoth 'Bullet'. Again sung by Whelan, an edited version of which debuted on the 1986 Survival compilation of Furniture tracks called 'The Lovemongers', here this previously unreleased original take is centred on a mesmeric tape loop, live drums and a guest appearance by violinist Helena Bjorelius.

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DJ Yoda

Home Cooking (Deluxe)

21,24 €* 24,99 € -15%

Christel & Goldmaster All Stars

Release: 2019 / UK – Reissue

Genre: Hip Hop

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Deluxe edition LP featuring a bonus 7” with remixes from Double Dee & Steinski & The Still Brothers. Deluxe edition CD featuring 2 bonus tracks of remixes from Double Dee & Steinski & The Still Brothers. Featuring: Nubya Garcia, Joel Culpepper, Omar, Eva Lazurus, Andrew Ashong, Henry Wu, Theon Cross (Sons of Kemet), Edo. G, Baby Bam (Jungle Brothers). “A lovely mood piece” - Lauren Laverne BBC 6 Music // “Boundary breaking’ ****” Mojo // Remastered version of ‘Home Cooking’, the album that cemented Yoda as a versatile producer and not just a deejay. It now serves as a snapshot of the jazz and soul scene at the time with artists like Nubya Garcia, Eva Lazarus and Theon Cross going on to break out. Recorded between his own studio and the world-famous Abbey Road, ‘Home Cooking’ keeps one foot in the Hip-Hop old school with collaborations and the return from Jungle Brothers and Boston bastion Edo. G. Two key singles have been remixed for a bonus 7”. ‘Roxbury’ featuring Nubya Garcia and Edo. G has been given the golden treatment by the legendary Double Dee & Steinski while ‘London Fields’ featuring Joel Culpepper is reworked by label mates The Still Brothers.

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Government Man (Alt Cut) 2023 Repress

7" | 2019 | UK | Reissue (Partial)

16,99 €*

Frankie Knuckles & Eric Kupper

Release: 2019 / UK – Reissue

Genre: Reggae & Dancehall

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A classic UK roots reggae outing, originally appearing on the Goldmaster label in 1998 and fast becoming a collector’s item.

Originally reissued by Partial in 2019, this swiftly sold out.

Includes two previously unreleased mixes, vocal and dub.

Featuring Southend On Sea–based Goldmaster All Stars, with the cream of the crop of hot-shot reggae musicians featuring female singer Christel, on her one and only release, who was only 14 years old at the time of this recording.

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The Director's Cut Collection Volume 2 Red Vinyl Edition

2LP | 2019 | UK | Reissue (SoSure Music)

Girls In The Grass 2024 Repress

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson. Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in a many of Frankie’s productions. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations. Together they re-produced and re-purpose classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music. It includes the Director’s Cut reworks of Frankie’s classic cuts such as ‘Your Love’ and ‘Take You There’ with Jamie Principle, alongside Frankie’s first #1 single - ‘The Whistle Song’ on which Eric shares writing credits. Within a multitude of classic reworks, highlights include a previously unreleased version of Ashford & Simpson’s ‘Bourgie Bourgie’ and a huge Director’s Cut Retro Signature mix of Marshall Jefferson’s 'The House Music Anthem (Move Your Body)' featuring Curtis McClain. The Director’s Cut Collection is a fitting tribute to commemorate the fifth anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.

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Steve Hiett

LP | 2019 | EU | Original (Be With / Efficient Space)

Daniel Casimir & Tess Hirst

Release: 2019 / EU – Original

Genre: Pop

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2024 Repress

Previously unreleased material from Steve’s private recordings, remastered from the original masters, 140g vinyl, 4 page photography insert with liner notes. Three emotional years in the making, Be With and Efficient Space finally present Steve Hiett’s Girls In The Grass. Pressed alongside the long awaited reissue of his one-shot masterpiece Down On The Road By The Beach, these ten balearic soul instrumentals are of equal necessity; unrivalled beauty rescued from the fashion photographer-guitarist’s Paris Tapes (1986-1997).

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These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

18,99 €*

The Collections Of Mr. Nice Guy Teal Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

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Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

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Grieves

LP | 2019 | US | Reissue (Rhymesayers)

Skratch Practice Vol. 2 Highlighter Yellow Vinyl Edition

Release: 2019 / US – Reissue

Genre: Hip Hop

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Following the release of his Running Wild album, Grieves let loose a flurry of new music, surprising and delighting fans with fresh new singles each week. He was able to express his growth and hunger in this new work, as the content and production ranged from light-hearted and jazzy to intense and introspective. After releasing a string of five standalone singles he compiled them all onto one sensational project with three additional unreleased tracks, and introduced it as The Collections of Mr. Nice Guy.The Collections of Mr. Nice Guy showcased a wide range of Grieves lyrical expression, as well as his production talents. On "Perspective", Grieves waxes about the hypocritical standards musicians often face, while "Let The Devil In" addresses the demons he grapples with personally, rapping: "That shadow on my shoulder weighs a ton, y'all pretend like my experience with hell was just for fun (nah)." On the lighter side, Grieves invites Chris Webby to trade bars back & forth on "Man Down", where the pair go on to skewer less-than-stellar MCs holding space in the industry. Meanwhile, "I'll Be Better" delivers a melancholy reflection on the tropes of heartbreak, letting go of the old and making room for the new. At once, The Collections of Mr. Nice Guy stands at the intersection of all things fans that have historically drawn fans to Grieves-truthful and relatable lyricism over soulful synths and drums.

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DJ T-Kut

7" | 2019 | EU | Original (Play With)

12,34 €* 12,99 € -5%

Live At Roadburn 2003 3-Color Striped Vinyl Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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Dj T-Kut presents Volume 2 of SKRATCH PRACTICE, a
very complete vinyl for scratch practices, two vinyl will
come out one of 12 "and another of 7", in the 12" you can
find several Skip Proofs at 133 BPM to be able to play
with the ultrapich of the plate, very used right now in
scratch practices, 2 beats perfect for practicing scratch,
drum kits and bass line and on the B side you will find
several skip proof at 100 BPM, 1 beat for practice scratch
and 2 powerful basses perfect for playing with them.

Also from this version will be a 7" vinyl for portables in
which you can find 6 skip proof of 133 BPM for Side A and
6 skip proof of 100 BPM for Face B.
These vinyls are designed so that you can flow as soon as
you put them on the plate!

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Fu Manchu

LP | 2019 | US | Reissue (At The Dojo)

40,99 €*

2LP | 2019 | US | Reissue (Thin Wrist)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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For the 20th anniversary of the festival's performance, At The Dojo Records will be re-releasing Fu Manchu's complete incendiary show at the 2003 edition of the Roadburn Festival Netherlands on limited edition LP.The band unearthed the original professional recordings that were taken direct from the soundboard and had them specifically mastered for this release. Scott Hill, lead vocals/guitar of Fu Manchu comments: "Playing Roadburn back in 2003 was a blast! It was the year before we put out "Start The Machine" and we played a couple of songs from it live for the first time on that tour. One of the songs that's on this live record, "I Wanna Be," is a different arrangement than what ended up on the final studio release" This is a legendary Fu set including classics "Squash That Fly," "Hell On Wheels," "Boogie Van" and "King Of The Road."Pressing 2023 is 3 Color Striped Vinyl with Red/White/Blue.

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75 Dollar Bill

I Was Real

51,99 €*

Release: 2019 / US – Reissue

Genre: Rock & Indie

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75 Dollar Bill is one of the essential groups at the heart of NYC's underground. Driven by the telepathic union of CHE CHEN's microtonal electric guitar and Rick BROWN's odd metered percussion their long-form sound is unmistakable and compelling. On their third album I Was Real, the group expands in bold new directions, embracing brilliant fuller orchestrations, joyous rockers and entrancing new textures. The album is 75 Dollar Bill's third, featuring new directions accompanying the band's previously established interest in sprawling, unusual grooves and microtonal melodies. The record is enhanced by the presence of eight additional players in various combinations over its nine tracks—but also shows off the duo's strength when stripped down to the core. Requiring a variety of approaches, the album was recorded over a four-year period, in four different studios, with the band's closest associates and collaborators in a range of different ensemble configurations. The album also features several "studio as instrument" constructions that harken back to the collage-experiments of the band's early cassette tapes, while at the same time pointing to territories altogether new.

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12" | 2019 | EU | Reissue (30d Close Encounters)

Second Contact EP

9,99 €*

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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4 new artists on the rise for this new VA. 3 from Spain and one from Berlin creating the new axis of modern techno. Techno quality without concessions for the dance floor that is having the best reviews by professional DJs. An indispensable release for the first half of 2019.

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Look At My Soul: The Latin Shade Of Texas Soul

LP | 2019 | EU | Reissue (Nacional)

Release: 2019 / EU – Reissue

Genre: Pop

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John Diva & The Rockets Of Love

Mama Said Rock Is Dead

3LP | 2019 | EU | Original (Steamhammer)

32,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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That's The World Black Vinyl Edition

Anti-Lilly & Phoniks

LP | 2019 | EU | Reissue (Don't Sleep)

LP | 2019 | US | Original (Birs)

Release: 2019 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

"That's The World" from Houston emcee Anti-Lilly and Portland, Maine producer Phoniks is the third installment of their hip-hop trilogy which featured 2014's "Stories From The Brass Section" and 2017's "It's Nice Outside". After going from exchanging beats over email in 2014 to now touring the world together the chemistry between the two has never been more evident than on their latest release.

Once again Anti-Lilly is laying his therapy sessions on record, speaking on his substance abuse, trust issues, relationships and coping with his parents divorce. But despite the negativity he touches on, the young Houston poet embraces the duality of life—taking the good with the bad and trying to find a ray of light in dark times. His outer pressures help craft the jewels he lays over Phoniks jazzy production as he showcases his mature, honest perspective across the albums 12 tracks.

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EJS

Decades A Part To Play

LP | 2019 | US | Original (Exploding In Sound)

Release: 2019 / US – Original

Genre: Rock & Indie

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"Take one part sonically conjured by EJS with the Ill Chemist himself: an Ageless Turning Carousel with a steady humming beat so sedan it glides for a quarter an hour. Add the Suite From Saturday Night Sonnets, with ThunderChucker hitting the pistons and maximum torque captured 'nearly live' by producer Babi Pal. Top dead center with tenor sax and diction by master poet EJS, and you have five fantastic classic rolls for your joint. Some bump, some glide, some long jump."

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Maneka

Devin

A Dobritch Did As A Dobritch Should

Release: 2019 / US – Original

Genre: Rock & Indie

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Maneka is the musical project of Devin McKnight. A familiar presence in music circles for much of the past decade, McKnight has made appearances in projects like Grass Is Green and most prominently as the guitarist in Speedy Ortiz, with his lead parts underpinning their 2015 breakthrough Foil Deer. He amicably left Speedy Ortiz in 2017 with the intention of developing his own voice as a songwriter, and quickly released his first EP under the Maneka name which was praised by publications like Billboard, Stereogum and DIY. Now McKnight is releasing his debut full length as Maneka, an album entitled Devin, a deeply personal release that encapsulate the musical experience of one of the more distinct and multifaceted performers currently making guitar music. The album, which nods to genres as varied as grindcore, jazz, shoegaze, hip hop, new wave and post-punk, is a celebration of McKnights identity as a musician and a person. Thematically the album digs deep into the corresponding territory of McKnights experience as a musician and a person of color in America, exploring a perspective that is rarely represented in indie rock. His embrace of this thematic direction is reflective of the lessons learned over the course of his career so far. The results are consistently engaging, and surprising. The album is an incredibly personal document that succeeds in communicating, with depth, clarity, humor and emotional directness, the experiences that make Devin McKnight who he is.

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The Hackles

LP | 2019 | US | Original (Jealous Butcher)

LP | 2019 | US | Original (Arrowhawk)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Hackles are Kati Claborn and Luke Ydstie, both core member of the band Blind Pilot, but it's in the Hackles where they are put on full display showcasing their abundance of talent, focusing on their highly refined songwriting and awe-inspiring harmonization, both the result of countless hours honing their craft at their kitchen table. A Dobritch Did As A Dobritch Should contains the same smart, melodic, moving songwriting that made Twilight such a beautiful debut, but this round they brought in drummers and fleshed out the songs with Luke's trademark melodic bass lines, Kati's textured melodic instrumental hooks, plenty of tape delays and studio shenanigans and a whole slew of gorgeous instrumentation courtesy of their talented friends. The album starts with a stunner in Seven Lies which features lush strings reminiscent of the 70s artists such as Nick Drake and Judee Sill. It's a haunting song, one that draws you in and ensures the needle is here to stay for the duration.

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Shepherds

Insignificant Whip

17,99 €*

LP | 2019 | US | Original (Outside Music)

Release: 2019 / US – Original

Genre: Rock & Indie

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RIYL: Protomartyr, Preoccupations, Shame, Bambara, Algiers

Past praise from Afropunk, Stereogum, and more.

The healing hand and surgeon's scalpel are intertwined on Shepherds' new album Insignificant Whip. The art-rock masterpiece encases the band's vulnerable wisdom in flighty melodies that burn with intimacy and fragility as singer/lyricists Jonathan Merenivitch and Adrian Benedykt 'wito' address everything from toxic masculinity and Catholic guilt to Youtube comments and Tupac Shakur. Since their 2011 EP Holy Stain, the band have received accolades for their taut analyses of social ills and the resulting strain on body and mind, but even the skeletal no-wave that defined their early sound was bound with, in the broadest sense of the word, soul. The band's ability to confront their deepest insecurities and doubts is more than simple catharsis, it serves to illuminate deeper questions of existence and identity, and frame them in context of systemic oppression, discrimination, and isolation.

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Walrus

Cool To Who

Quilting & Other Activities

Release: 2019 / US – Original

Genre: Rock & Indie

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Walrus are here to play for the sake of the song. The Halifax based band's signature sound is a fuzzed-out electric blanket of soul with a few unrepentant strands of authentic heaviosity. Extensive studio experimentation can be heard throughout their sonically unique music, from varispeed warble to Spacemen-3 style saucer drone-attacks. Live, their low-key manner belies a depth and dedication to the craft. This band could be thrown on a bill betwixt Love and Sabbath and not embarrass the present.

Acclaim for Walrus:

'Long, languid stretches of spacey meanderings eventually wind themselves up into tight knots that beg to be undone, to be free again' Walrus bring about a magnificent explosion of noise and heat.' // CONSEQUENCE OF SOUND

''thumping, synthing wonder' mixes the best influences of the genre with the band's own studio experimentation' (4/5) // STEREOGUM

'The band somehow mix gentle, Brian Wilson vocal melodies and orchestrations with out-of-the- blue punk thrash parts that keep listeners guessing. The high, winsome vocals and chiming 12- string Rickenbacker certainly conjured late '60s cloudy folk-pop, but the rest of the band infused the songs with sharp edges. Some of it recalled the Sadies, and the musicians in Walrus are certainly in the same league.' // EXCLAIM!

'Best bet for an acid flashback' // NOW

'Pristine, fuzzed-up jams' // CLRVYNT

Outside Music will support the release with a full marketing and PR campaign. Big Hassle on board for US PR; Starkult for German PR.

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Pearla

12" | 2019 | US | Original (Egghunt /Clandestine)

12" | 2019 | US | Original (Fire Talk)

Release: 2019 / US – Original

Genre: Rock & Indie

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"This collection of songs is about attachment, illusion, and acceptance. It is my attempt to take pieces from my past and use them kind of like patches of a quilt; weaving them together as an activity meant for distraction, but also for comfort and healing, and eventually, a transformation into something bigger than the sum of the parts. I imagined once it was done it could exist autonomously, and lift the weight from the lingering effects of the past. This exploration surrounds an ending relationship, the death of a loved one and a general feeling of disillusionment. Writing each song allowed me to accept myself and my emotions as valid; and recognize that pain is just as beautiful and important as the good stuff. It's a catalog of me, maybe messily, trying to figure out how to deal with certain new and overwhelming emotions, and learning how to be okay with letting things go." - Pearla

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Gold Dime

My House

Blume Black Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Sometimes we can only come to know ourselves best when we let others in. Such can certainly be said of NYC multi-instrumentalist and artist Andrya Ambro, and her band Gold Dime, on the eve of their second full-length My House. See, she's played these instruments and crafted these songs her entire life, having honed her decisive sit/stand style of transfixing drumming and provocative singing to a degree of perfectionism. Coming from her previous, highly acclaimed noisy rock duo Talk Normal, Gold Dime's first release, 2017's Nerves, was the first time Ambro has had no one to answer to but herself. My House sees a new, more collective effort being made, with Ian Douglas-Moore on bass and John Bohannon (Ancient Ocean || J.R. Bohannon) on guitar. And it very much shows. Walking a tightrope between unapologetic art rock and disarming intimacy, she integrates triumphant doubled guitars whose distorted fuzz winks at the mayhem of Les Rallizes Denudes, deep floor toms that quick pivot to galvanizing beats on a bed of dead spinning cymbals, to sometimes spoken, sometimes sung Laurie Anderson-esque words that uplift into a many voiced choir. And the warm bass lines, well they would make Holger Czukay from CAN very proud.

My House, according to Ambro, is intended to be something of a gruff father's declaration at dinner, fist slamming on the table, but rather than the stubborn, undying manners that would come with 'living under my roof,' she only demands that everything be done with the same degree of tireless dedication and authenticity. 'I want every beat to be played with intention. 'Cause why play if you don't mean it?' Every moment of this album acts as just that'a demand to own something, whether it be self or art or place in this world. We have no choice but to listen, to respect it. This is her house... well Gold Dime's house.

Produced by Andrya Ambro recorded and mixed by Ernie Indradat, mastered by Sarah Register with artwork and layout by Eric Copeland.

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Nérija

2LP | 2019 | EU | Original (Domino)

21,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Frankie Knuckles & Eric Kupper

The Director's Cut Collection Clear Vinyl Edition

2LP | 2019 | UK | Reissue (SoSure Music)

Fatal Vision Picture Disc Edition

Release: 2019 / UK – Reissue

Genre: Electronic & Dance

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Inculter

LP | 2019 | EU | Reissue (Edged Circle)

39,99 €*

LP | 2019 | EU | Original (Young Heavy Souls)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Staying true to their sound whilst pushing their own limits, here on Fatal Visions do Inculter exhibit more finesse and flair, more magic and mastery. If Persisting Devolution leaned more on the raw side - understandably so, given the band's youth at the time - then the self-produced Fatal Visions sees the now-quartet getting to the heart of their sound and, with mastering by Enslaved's Herbrand Larsen, leaving a more powerful and timeless document for the ages. That expansion to a four-piece is immediately felt; the attack is tighter and more urgent, the dual-riff interplay dazzling with darkness and ever-twisting memorability. Indeed, these Fatal Visions cut quickly and sharply, their locked-in slash 'n' surge sounding almost criminally accomplished. No more red-eyed and bleeding-raw belligerence here: rather, a spiked landscape of classic heavy metal majesty rendered wild and wondrous. If anything, one could say Inculter are taking cues from cult-institution forebears Aura Noir but accelerating up the evolutionary chain far quicker...or simply that Fatal Visions is THE Now Sound of Inculter.

Recommended if you like: Aura Noir, Nifelheim, Obliteration, Nekromantheon ETC.

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Lord Raja

Amadeus

Hoy Como Ayer Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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One of the fortes of Carlton's "1634 Lexington Ave." LP is that it flows along as an entity but also revels in the strengths of its individual parts. This fourth single brings out another stylistic strain from Carlton and Cold Diamond & Mink's repertoire. After the tight intro and the vibraphone licks have set the scene there are twists and turns plus some classy action from Jukka Eskola on trumpet, did we mention the instrumental on the flip side?

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Hermanos Gutiérrez

LP | 2019 | EU | Reissue

29,99 €*

The Age Of Immunology Pink Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Two brothers, two guitars, two distinct identities, who become one soul when they compose music. Stephan and Alejandro, are the Hermanos Gutierrez, an instrumental music band with an unmistakable genre that is rooted in Western and Latin American sound. Born from an Ecuadorian mother and a Swiss father they grew up being forged by both cultures, bridging between two worlds, both of which are home.

Their mix of identities, that constant search across different countries clearly emerges in their songs. Their music takes the audience on an intimate journey through time evoking remote spaces. A magical sound that touches the heart, that sparks passion and nostalgia. An open invitation to a constant dialogue of melodies and instruments.

Playing together since their early childhood, a profound musical and interpersonal symbiosis ties the two brothers. If one of them has a melody, the other one completes it with harmony. There is a deep understanding between the two of them, without any need for words.

Active as a band since 2015, they have recorded four albums: “8 Años” (2017), “El Camino De Mi Alma” (2018), “Hoy Como Ayer” (2019), and the newly released LP “Hijos Del Sol” (Children Of The Sun). A body of work that has been inspired by their journey through the vast natural landscapes of Mexico, the silence of the desert, the sun, and their love for this country that made them feel “like going home”, as they affirm. Out came a soundtrack of the sceneries they’ve been exploring.

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Vanishing Twin

LP | 2019 | EU | Reissue (Fire)

Fatal Vision Red Vinyl Edition

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Vanishing Twin’s seminal LP, The Age Of Immunology, receives a LTD edition pressing on None ‘Pink’ and Sine ‘Teal’ vinyl, limited to 500 units each and paired with matching sleeve art. As essential take on psych-pop futurism and a must for fans of Broadcast, Sun Ra and Ennio Morricone. Establishing the band as innovators in their field, the record was declared “a masterpiece” by The Line Of Best Fit, while The Quietus asserted Vanishing Twin as “one of the most original and exciting acts of the moment”. This was the group’s first LP for Fire Records, at the time of recording the band’s evolving lineup consisted of songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion. The album was produced by Lucas in a number of non-standard, non-studio settings. ‘krk (At Home In Strange Places)’ summons up the spirit of Sun Ra’s Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio and was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk. The magical Morricone-esque lounge of ‘You Are Not an Island’, the blissed-out Jean-Claude Vannier style arrangement of ‘Invisible World’ and burbling sci fi funk ode to a 1972 cult French animation, ‘Planète Sauvage’, were all recorded in nighttime sessions in an abandoned mill in Sudbury.

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Inculter

LP | 2019 | EU | Reissue (Edged Circle)

39,99 €*

LP | 2019 | EU | Original (BMG)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Staying true to their sound whilst pushing their own limits, here on Fatal Visions do Inculter exhibit more finesse and flair, more magick and mastery. If Persisting Devolution leaned more on the raw side - understandably so, given the band's youth at the time - then the self-produced Fatal Visions sees the now-quartet getting to the heart of their sound and, with mastering by Enslaved's Herbrand Larsen, leaving a more powerful and timeless document for the ages. That expansion to a four-piece is immediately felt; the attack is tighter and more urgent, the dual-riff interplay dazzling with darkness and ever-twisting memorability. Indeed, these Fatal Visions cut quickly and sharply, their locked-in slash 'n' surge sounding almost criminally accomplished. No more red-eyed and bleeding-raw belligerence here: rather, a spiked landscape of classic heavy metal majesty rendered wild and wondrous. If anything, one could say Inculter are taking cues from cult-institution forebears Aura Noir but accelerating up the evolutionary chain far quicker...or simply that Fatal Visions is THE Now Sound of Inculter.

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Mike + The Mechanics

Out Of The Blue

Release: 2019 / EU – Original

Genre: Pop

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Floating Being Splatter Vinyl Edition

Earth Tongue

LP | 2019 | UK | Reissue (Stoeln Body)

LP | 2019 | Original (Trouble In The East)

Release: 2019 / UK – Reissue

Genre: Rock & Indie

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Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying. That’s the space that Earth Tongue occupy. At times, their songs are shrill and disorientating, other times their reverb-washed textures and instantly- familiar hooks can wrap you in a warm, loving embrace. The one consistent thread through their music, however, is the thick and all encompassing fuzz. Guitarist Gussie Larkin has become a master of the fuzz-smothered riff, and along with Ezra Simons’ off-kilter drumming, they’ve been sending punters into transcendental states since they began gigging in their home town of Wellington, New Zealand in 2016. The album was pieced together throughout their travels of Australia and Europe, with the finishing touches being added in their hometown. The album contains songs they’ve been playing live for the past year, and it captures the raw, primitive energy that exists within their live performance. Earth Tongue embrace the imperfections in their playing and recording - drawing influence from early 70s psych and prog rock. The last thing they wanted was to create a shiny, over-produced record - with that in mind, they recorded the drums to an old 8-track Tascam reel-to-reel in a friend’s garage in Melbourne. The result is a punchy, raw and fuzzy journey into psych-rock with songs that weave between melodic and jarring. Unexpected twists and turns leave the listener in a disorientated yet satisfying haze.

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Aki Takase / Rudi Mahall

Fifty-Fifty

Release: 2019 / Original

Genre: Organic Grooves

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Room 41 Orange Swirl Vinyl Edition

Paul Cauthen

LP | 2019 | US | Reissue (Lightning Rod)

Woodstock Sunday August 17, 1969

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Cauthen first earned his reputation as a fire-breathing truth teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, ‘My Gospel,’ that he truly tapped into the full depth of his prodigious talents. Rolling Stone called the album “a triple-barreled blast of Texas country, soul and holy-roller rockabilly delivered by a big-voiced crooner,” while Vice Noisey dubbed it “a somber reminder of how lucky we are to be alive,” and Texas Monthly raved that Cauthen “sound[s] like the Highwaymen all rolled into one: he’s got Willie’s phrasing, Johnny’s haggard quiver, Kristofferson’s knack for storytelling, and Waylon’s baritone.” The album landed on a slew of Best Of lists at the year’s end and earned Cauthen dates with Elle King, Margo Price, Billy Joe Shaver, and Cody Jinks, along with festival appearances from Austin City Limits and Pickathon to Stagecoach and Tumbleweed. He followed it up two years later with ‘Have Mercy,’ an EP that prompted Rolling Stoneto dub him “one of the most fascinating, and eccentric, new voices in country music” and NPR’s Ann Powers to proclaim it “the year of Paul Cauthen.”

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Sly & The Family Stone

LP+LP+All Media | 2019 | US | Reissue (Epic)

29,99 €*

Release: 2019 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP+LP+All Media | 2019 | US | Reissue (Temporary Residence)

Explosions In The Sky

How Strange, Innocence

39,99 €*

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Radio Verde (Compiled By Americo Brito & Arp Frique) 2024 Repress

2LP | 2019 | EU | Reissue (Colorful World)

28,99 €*

12" | 2019 | US | Original (Deathwish)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Arp Frique returns with a brand new release on his imprint Colorful World Records in collaboration with Rush Hour. A compilation of 12 Cape Verdean gems assembled with the help and knowledge of Americo Brito, there is a very special story behind it. Americo Brito, who
features on Arp Frique’s original Nos Magia, is a proud and important member of the Cape Verdean community in Rotterdam. His story reveals the historical connections between radio, vinyl, Cabo Verde and Rotterdam’s international music scene in the 70s and 80s.

Cape Verdean insiders say “we export all they have to other countries, only to import it back again”. Cape Verdeans have migrated all over the world, mainly to cities with big harbours, like New York, Boston and Rotterdam (Holland). Rotterdam became one of the main destinations
(next to Portugal) on the European mainland. When Americo, like many of his friends and relatives moved to Rotterdam, he quickly became infected with the music virus. Surrounded on a daily basis by Cape Verdean music in Portuguese pensions and small hotels, this was where sailors ingested a dose of “sodade” through the interpretations of their beloved music by the local Cape Verdean artists. Americo took to the stage with his band Djarama in the 70s and 80s. The live music scene was buzzing and the Cape Verdean community had their own infrastructure for arranging shows, often in nightclubs where the band had to bring their own soundsystem. Interestingly, Americo didn’t stick to performing and recording music. He found another way to help spread the Cape Verdean magical secret of music across Rotterdam, Holland and beyond: “There was this spot in Rotterdam where all foreign radio stations were housed, all these different nationalities together, Surinam, Cape Verdean, Hindustani…Guy Ramos and some of my other friends made radio in the 80s there. I got involved in their radio activities. Later on I started to work as a technician and eventually as producer and radio DJ for “Radio Voz De Cabo Verde”. Radio became bigger and there were around 4 different Cape Verdean stations active at one point in Rotterdam. instrumental in the development of this was the attic of a Dutch friend, where “Radio Babalu” came to life. Radio has always held a special place in my heart.” Americo’s music collection stems from this era, also aided by his many travels across Europe to cities with Cape Verdean communities. Alongside Rotterdam local, Arp Frique, Americo unveils some of these songs: dancefloor hits and beloved radio gems known in the Cape Verdean scene by younger and older generations alike, and so far undiscovered by a “bigger” audience. The compilation showcases the worldly view of Cape Verdean music, incorporating knowledge from their travels in their compositions. It ranges from the obvious funana and coladeira, to the more unexpected influences of deep disco, new wave, uptempo reggae, jazz-funk and Brazilian pop music; demonstrating just the tip of the iceberg, but what an amazing t(r)ip it is!

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Hesitation Wounds

Chicanery

19,99 €*

Seventy Nine Alternate Art Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear w/ Black & White Splatter vinyl version! Cover with slight wear. Original inner sleeve is damaged on one comer!

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Planet Asia & DJ Concept

LP | 2019 | US | Reissue (Coalmine)

11,99 €*

Shimmy Shimmy Ya / Incarcerated Scarfaces

Release: 2019 / US – Reissue

Genre: Hip Hop

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This special edition repress of Planet Asia & DJ Concept’s collaborative LP, ‘Seventy Nine’ is released in commemoration of the album’s three year anniversary. Limited to just 300 Units, this repress is manufactured with an alternate NYC-themed cover on classic black vinyl, to contrast with the LA-themed artwork/gold vinyl, akin to the original pressing which has long since sold out. The LP boasts a strong line-up of guest features which include DJ Revolution, TriState, Marvelous Mag, SmooVth, John Robinson, Blu, Agallah, and the late Sean Price. 'Seventy Nine' has been co-signed by DJ Premier, who refers to the merger of Planet Asia and DJ Concept as a 'Win-Win.' The album has been featured through several top tier webzines such as NOISEY, Ambrosia For Heads, VIBE, HipHopDX, XXL, and more."

In commemoration of the three year anniversary of Planet Asia & DJ Concept's collaborative LP, 'Seventy Nine,' Coalmine Records is pleased to release a special edition repress with a NYC-themed alternate cover, pressed on classic black vinyl. Since debuting nearly 20 years ago, Planet Asia has continued to cement himself as one of the best to ever touch the mic. And that’s become especially apparent these past few years as the Fresno, CA rapper has dropped one distinguished project after the next. That trend has continued with ‘Seventy Nine,’ a tightly constructed and ambitious concept album from Planet Asia and Long Island producer, DJ Concept. This special edition repress is limited to just 300
copies

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El Michels Affair

7" | 2019 | US | Reissue (Fat Beats)

13,99 €*

Twelve Dreams Of Dr. Sardonicus

Release: 2019 / US – Reissue

Genre: Hip Hop, Organic Grooves

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Off of the backs of the 2006 release a pair of 7-inch singles called the Shaolin Series, El Michels Affair would eventually drop the LP “Enter the 37th Chamber” in 2009, which covered classics by the Wu-Tang Clan. To commemorate the 15th anniversary of the landmark full-length, Fat Beats Records is not only re-releasing the original 45s in the Shaolin Series, but will be adding to the series with choice cuts from the LP. First up is “Shimmy Shimmy Ya,” a hauntingly unforgettable take on ODB’s classic single, with blaring horns and a chorus of children to sing the iconic hook. The b-side features a darker, moodier interpretation of Raekwon’s “Incarcerated Scarfaces,” perfectly representing El Michels Affair’s slow-riding style dubbed “Cinematic Soul.”

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Spirit

LP | 2019 | EU | Reissue (Music On Vinyl)

7" | 2019 | US | Original (Ubiquity)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Numbered. White Vinyl. Cover has one small corner bump.

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The Soul Surfers

Tribute To J.B.'S

13,99 €*

Grup Ses & Ethnique Punch

Release: 2019 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear

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Deli Divan

LP | 2019 | EU | Original (Souk)

19,99 €*

If The Evening Were Drawn Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Last year we welcomed Grup Ses to our sister label Sucata Tapes with “Program #01”, a mystically mixed soundtrack of far-out new age and film sountracks from Turkey circa 1986. A new set of Turkish delights were prepared for this year's release. “Deli Divan” it’s a two-part record with incredibly crafted beats that tell a different story depending on the version you chose to listen. A side captivates by its voracity. Hi-tech and fierce beats drop with the sharp voice and flow of Ethnique Punch, delivering 14 – yes, f-o-u-r-t-e-e-n – short and punchy tracks. The diggin’ liveliness of Grup Ses is well present in the samples used, manufacturing beats that serve well the fast paced and nocturnal voice of Ethnique Punch. The first part of “Deli Divan” is pretty much a straight story. A good one.

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Jim Sullivan

LP | 2019 | US | Original (Light In The Attic)

22,99 €*

How Much Longer Must I Wait? Singles & Rarities 1965-1972 Red Transparent Split Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Near Mint

OBI is missing!

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Lee Moses

2LP | 2019 | US | Original (Future Days / Light In The Attic)

10,99 €*

Montserrat / Closer 2024 Repress Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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The definitive collection of Lee Moses’ legendary non-album tracks available together for the first time
Contains three previously unreleased songs, plus the Southern soul classic "Bad Girl” (both versions)
Remastered audio
LP housed in a deluxe Kraft board jacket with insert
CD housed in a tube pocket digipak with booklet
Digital mockups are not an exact representation of the colors After reissuing his much sought-after Time and Place LP, many questions still remained (Lee was a mysterious man!) – but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic – arguably the song Lee Moses’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. You know – the tunes! And what tunes they are.

How Much Longer Must I Wait? Singles & Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. As for the unreleased recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.

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WhoMadeWho & Artbat

12" | 2019 | DE | Reissue (Watergate)

LP | 2019 | EU | Original (Munster)

Release: 2019 / DE – Reissue

Genre: Electronic & Dance

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Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.

Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.

Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!

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The Silver Thunders

Me Gritan Melenudo

13,49 €* 17,99 € -25%

Guns Gold Splatter Vinyl Ediiton

Release: 2019 / EU – Original

Genre: Rock & Indie

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Along with Speakers, Flipper's, Beatniks, Ampex and Streaks, The Silver Thunders were responsible for one of the most exciting chapters of the early rock years in Bogotá, Colombia.Eccentric and volcanic, the quartet recorded an album in 1968 which wasn't released at the time. Rescued from old cassette tapes, that recording finally comes out five decades later, displaying the rebel spirit of a group influenced by Mersey beat, surf and garage."Me gritan melenudo" contains 'Alma agobiada', their only original composition, plus raw covers of The Beatles, The Monkees, The Troggs, Lovin' Spoonful, Miriam Makeba and The Ventures. It also includes two more Beatles songs and a couple of covers from the Wild In The Street soundtrack recorded in 1970 by Los Yoguis, as the group was known at the end of their short-lived career. Plus many photos, a family tree and the detailed story of the band.More details?In 1968, The Silver Thunders enjoyed a good reputation within the Bogotá rock circuit. Whether it was for the crazy and insolent image they projected or for the flair they exuded on stage, the four young musicians were regulars on radio and television programs, at youth dances and legendary discos like La Fiebre, The Ship, La Caverna, La Jaula, La Bomba, Panauto and El Diábolo de Oro. All they needed was a record to consolidate their popularity.Today, none of the three living members of the band remembers where they got the money from to invest in the recording, but they got together three or four hours a week over several months in 1968 at the studio Suramericana de Grabaciones. The details of the sessions are hazy and nobody knows who sat behind the mixing desk. However, Jorge López (lead guitar) and Orlando Córdoba (bass guitar) both say that the studio was uncomfortable and precarious. This didn't undermine the group's upbeat spirit. That's how things were back then: no editing tricks and no option of doing several takes, as reels of tape were very expensive. The Silver Thunders, with Ed...

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Quelle Chris

LP | 2019 | CZ | Reissue (Mello Music Group)

29,99 €* 39,99 € -25%

Release: 2019 / CZ – Reissue

Genre: Hip Hop

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Quelle Chris' album "Guns" uniquely blends diverse sounds and themes, focusing on the concept of weaponization in various forms, from literal to metaphorical. The album's production features a mix of traditional hip-hop and experimental elements, creating a distinct auditory experience that complements its thematic depth. This work marks Quelle Chris's evolution as an artist, offering a fresh, engaging listening journey. This one time pressing of Quelle Chris "Guns" for the Mello Music Group Artist Series "24 for '24" features limited edition oil painting cover art by KipDaFog Featuring Mach Hommy, James Acaster, Eldar Djangirov, Jean Grae and more

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Long Distance Love Affair Record Store Day 2019 Edition (with Damaged Sleeve)

2LP | 2019 | EU | Original (Super Disco Edits)

26,59 €* 27,99 € -5%

To The Mesosphere And Beyond

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A few copies arrived with a corner bump on the cover. We're therefore selling it on a reduced price.

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

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Misha Panfilov Septet

LP | 2019 | US | Original (Funk Night)