Search "the+soul+session+one" 26471 Items

3" Record Uneventful Days

Release: 2019 / Original

Genre: Organic Grooves

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Blindbox set of Vince Guaraldi - 'A Charlie Brown Christmas'

What is a Blind Box?
A Blind Box is a Box or in this case a sleeve with a surprising content, because you don't know which song you will get. It's only one of the four mentioned songs, in any case.

- Christmas is here
- Hark, the Herald angels sing
- Linus & lucy
- Skating

The score for the classic half-hour Christmas TV special "a Charlie Brown Christmas" is a beautiful piece of festive magic. So magic in fact, that it was voted into the Grammy Hall of Fame.

Attention!
Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

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Beck

3" | 2019 | EU | Original (Capitol)

Multiquest Niveau 1: Camoufle

Release: 2019 / EU – Original

Genre: Rock & Indie

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This is a 3" record only playable on the 3" Record Player - RSD3 Turntable which is also available at HHV (HHV ID: 646800). One new song from Beck’s forthcoming album ‘Hyperspace,’ out November 22, 2019. The record is one sided and not made out of vinyl but acetate.

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Ramzi

LP | 2019 | EU | Original (Fati)

Presents: Beauty Now For The Future (Lysergically United)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Grey world seems still. To the untrained eye the very briefest shimmers of light do nothing to break this mirage, they pose little threat to the zombi's sense of reality. RAMZi is moving, unseen. At this stage the workings of it’s plan is cloaked in camouflé.
This time, under the guise of a poodle moth hidden by nimbi, RAMZi continues to shake out sonic spores across the planet, coming to material form for the 4rd release on it’s own FATi records. A battle-talisman for it’s cosmic and spiritual guerrilla war against the zombification of the world, the first in the Multiquest series collects 11 quests, each one taking place on a different landscape, always championing interspecies harmony. Multiquest Niveau 1: Camouflé is the weaponisation of our unconscious creativity, to be used with deadly accuracy before slinking back into invisibility.

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DJ Morpheus

LP+CD | 2019 | EU | Original (Musique Pour La Danse)

CD | 2019 | US | Original (Thees Handz / Empire)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP plus free bonus mix cd plus liner notes by Geert Sermon [The Sound Of Belgium] A timeless collection of unintentional psychedelic, post-everything, and pre-anything music with his one of a kind, unique, selector air, compiled by by Dj Morpheus aka Samy Birnbach, member of post punk / wave band Minimal Compact and responsible for compiling the classic downtempo / ambient late 90s Freezone series on SSR Records (parent label of Crammed).

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Murs & The Grouch

Thees Handz

LP | 2019 | EU | Original (Born Bad)

Release: 2019 / US – Original

Genre: Hip Hop

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When hip-hop fans mention the Living Legends Crew - the 8 member collective from California that kicked open the doors for rap music that highlighted the everyday man - they often think of two members: Murs and The Grouch. While the two built a name for themselves within the crew, and as solo artists, they never collaborated on an official project with each other, until now.

The relationship between the two could be likened to college roommates who once shared living spaces together in their formative years, who went on to become successful in their own paths but remained rooted to their beginnings. After years of collaborating with other Living Legends crew members (The Grouch & Eligh, Three Melancholy Gypsies), and people outside of the crew (Atmosphere, Strange Music, Slightly Stoopid), the two decided to make a full project together - Thees Handz. They have both had success in the live space as well; Murs was the first rapper to have his own festival, Paid Dues, and The Grouch with his annual tour, How The Grouch Stole Christmas. While ruminating on who to tour with for the 12th and final year of the Grouch's Christmas Tour, a light bulb went off and The Grouch reached out to his brother, Murs. After discussing joining him on tour the two also decided to give their fans something they never knew they wanted - a joint album from Murs & The Grouch. Clocking in at 10 tracks - a reference to the title, by way of the number of fingers on two hands - the project is effective in it's succinctness. With tracks that run the gamut from braggadocious to introspective, Thees Handz will touch the listener one or another. The production is handled by The Grouch, Ant of Atmosphere, Eligh, DJ Fresh, DJ Rek, and Brady Watt. The album features Reverie, Rabbitt, Brady Watt, with scratches by DJ Abilities.

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Pleasure Principle

Baby Baby Please / True Destiny

Release: 2019 / EU – Original

Genre: Rock & Indie

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I’m going to say “I” because I think I can’t write about my music other than in the first person. I’ve been playing drums since I was fifteen years old and I’ve always had bands since. Even if I always contribute artistically, to different degrees, my latitude of action, from a creative point of view, has always been limited by the fact that I am a drummer. Like many people, I learned to play very approximately the guitar and keyboard, and I spent years going over obsessions and recurring patterns, in my room and in my head, without doing any of that, and knowing that even though I was and still am extremely involved in my past and present bands (Skategang, La Secte du Futur, Marietta to a lesser extent, and ), the music we were making was only partially representative of me. I’ve always listened to a lot of reggae, dancehall, music from Ghana, Nigeria, Congo, and overall music that is based more on repetition and intention than composition, and that’s something I could never really develop in there.
In 2015 my brother and friend Benjamin Dupont, the human behind Bryan’s Magic Tears, moved into my flat share / Noah’s Ark at 35 rue Clignancourt, in the 18th arrondissement, and it was him who unlocked everything by showing me how to record music by myself ; and one September morning, lying on my back, I saw the light.
It’s really a new world that’s opened up to me, I started recording at a pretty intensive pace, just letting myself be carried away by what I’ve had in my head and fingers for years; I’ve accumulated a lot of material, including a lot of unfinished pieces, and I’ve tried – I’m still trying – to understand for myself what my point really is and to learn how to systematize and channel my obsessions to make it something personal.
Recording a lot, without any constraints of format, group or expectations, by letting myself be totally carried away by what was coming out in the moment, it allowed me to give myself a certain insight into myself; I am not one of the people who compose music by having an idea of where they want to go, but by repeating the exercise, something coherent ends up taking shape. I would say that it oscillates, for the music, between synthetic krautrock, dancehall lo-fi, Manchester sound recorded with toys, rock à la Velvet and Memphis rap for children; and between Les Négresses Vertes and Julien Gracq for the texts. I still write the basis of my lyrics without music, and I attach a lot of importance to it; French has become obvious because I want to say something true and I would not be able to do it otherwise – even if the text of “The Fur” is in English, but it was to seduce a girl (it didn’t work), and it won’t happen again. This is my friend Paula from J.C. Satan and Succhiamo, who sings on “Mariposa” and “Venera 16”, because I had no idea what to do about it; I sent her the songs and she sang on her phone, it was great so we recorded it.
This first album is a kind of best-of from 2015 to 2018, the songs that held up best, the ones I had lyrics on, the best finished drafts, basically. I owe its existence to my friends at the Megattera micro-label who, after hearing my songs at home at night, decided to release them confidentially on tape first; without them, they would still be on my hard drive. Under the spell, Born Bad Records then entrusted Olivier Demeaux de Cheveu/ Heimat with the mission of mixing the “best” tracks to give them the lustre they deserve and make these few crazy and scattered tracks a full-fledged album. I asked Adam Karakos, from Villejuif Underground, Guillaume Rottier, from Rendez-Vous, Nikolaj Boursniev, from Quetzal Snakes, and Milia Colombani, who plays in half the bands in Paris, to play live with me.
Pleasure Principle is located somewhere within a triangle formed by Francis Bebey, Add (n) To X and Ludwig Von 88; it is a solitary race to the outside, an ode to the forward flight, a way to escape in the peaceful expectation of the great liberating flash. I often find myself dancing like a monkey who forgets the world when I record at night in my room, and I hope to provoke the same reaction in people.
Paul Speedy Ramon

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The Unknown Artist

12" | 2019 | EU | Original (Gallery)

15,99 €*

LP | 2019 | EU | Original (General Purpose)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Buy now... be the 3rd person to play it...

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Ex Ponto

Neka Neka

18,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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A download code is included. ‘Neka Neka’ (on General Purpose) is the first solo release by multi-disciplinary artist, Ex Ponto (Ivan Mašic). Coming of age during the mid-90s Melbourne rave scene, Ivan was infected with music by the legendary Kate Bathgate on 3RRR community radio. Hearing music by the likes of Oliver Lieb, Will E Tell, HMC & and other producers of the time, an infection quickly turned into a music obsession that lives on today. In the following years Ivan would go on to manage one of Melbourne’s longest running record stores (Dixons Records) and in 2005 built a recording studio, aptly named The Womb. From 2005-15, he produced and played on over 20 albums for improvisation collective, Council of Elders and experimental, no-wave band, Wunderlust. ‘Neka Neka’ is a nod to ex-Yugoslavian experimentalists of the 80s (Rex Ilusivii, Kozmetika, Miha Kralj etc) and the thriving, late-night hedonism of Belgrade’s Club 20/44.

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DJ Nobu Presents Beyond Space And Time 001

2LP | 2019 | JP | Original (Beyond Space And Time)

12" | 2019 | EU | Original (Public Possession / Cascine)

Release: 2019 / JP – Original

Genre: Electronic & Dance

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Beyond Space And Time is the new record label from Japanese music festival, Rainbow Disco Club (RDC). RDC has been welcoming music loving people to Japan for over a decade. Throughout the festival's history, RDC have been fortunate to constantly encounter performers and DJs who've collaborated with them in establishing a beautiful dance floor year in, year out. These relationships have lead RDC to start their own label, and now gives them the opportunity to reveal one of the best-kept secrets: What is in a DJ's record bag?
This time around, festival regular DJ Nobu kindly opens up his collection and shares the music he loves with us all. On visual duty we welcome Senekt - his representational yet contemporary drawing illustrates the emotion we feel from DJ Nobu.
We have much more music to come in future from artists that we trust and respect.

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Bell Towers

Juicy Blend EP

Zoe Mc Pherson & Rupert Clervaux

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Bell Towers is back for an extra juicy episode in his Oeuvre. Widely appreciated for his Pop sensibility he has been good for more than one surprise already. Having experimented w/ his voice in the past, “Juicy Blend” sees him combine his abilities for creating memorable melodies with his soft touch for lyrics & intonation in a new and exciting way that leaves you eager for more ; ) The EP also includes two stellar remixes by fellow leftfield stalwarts Bullion and Jaakko Eino Kalevi.

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Plafond 5

LP | 2019 | EU | Original (Bakk)

15,99 €*

Phenomenon Of Combination

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Radically shapeshifting and surrealist, as spinning sonic prisms taunting the ears, 'Cercle Vicieux' and 'Cercle Vertueux' channel Fluxus artistry, straying past jazz-licked drones, avalanching low end and blood red scatting. Scenes both condescending and anxious -- this release is carried by its interwoven conflicts, where strange attractors reveal knots at each listen. The fifth Plafond is a special joint project tying the synchronicity of two contemporary minds. Both Zoe Mc Pherson and Rupert Clervaux are known to actively transgress art forms, reconstituting production methods through respective audiovisual and literary pursuits. The listener is relocated in their musical interzone, bordered by avant-garde experimentalism on one side, and bass-heavy club mutations on the other. This ambiguation lays out a gateway, one through which modern producers can re-adopt the revolutionary energy of those who unraveled conventions on music and sound in the first place -- a 'Cercle Vertueux', indeed. Comes in a hand printed sleeve with multiple tints grey and silver, including an Obi-strip, by the BAKK Interzone Alcazar.

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Ryuji Takeuchi

12" | 2019 | EU | Original (Depth Request)

8,39 €* 11,99 € -30%

12" | 2019 | EU | Original (Koryu Budo)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Close to a year after its Blasted-fathered, inaugural first EP, Depth.Request operators reveal that the London-based imprint is far from being dead in a cradle and has a pair of legitimately attention-commanding names presented on the sleeve of its sophomore record as a matter of fact: with a career spanning well over a decade, Osaka’s reliable warehouse demolitioner Ryuji Takeuchi needs little in terms of introduction and really so does A1 remix-assigned Swarm Intelligence, whose designer creations are known to provoke thought and action at even degree. Phenomenon Of Combination starts off with Noctambulism, an anxious-to-get-to-it opener whose 6 kicks a tact work nicely to perceivably speed up its tempo of 132 and aren’t halting for bit as the distorted acidic sequence, spinning hats and tides of noise gradually show up to do what reaching crude oil connection would to a wildfire already raging. As percussion in a revised 136-BPM version is approached differently and with more emphasis applied, the signatures remain uneven—as is often the case with Swarm Intel’s offbeat and off-the-wall production; that aside, the roaring digital grinding and vertiginously panning mid-section drones add sinister colors to Takeuchi’s metaphorical picture which wasn’t exactly evoking green pastures and still waters to begin with. While brought down to 124 a minute, one probably wouldn’t want Somnambulism running much faster anyway with a somewhat convoluted drum programming that is involved; a steady rise of distortion and gain of its fluctuating acid bassline also proves to provide enough fortitude to make up for the mid-range tempo and slowly but surely fills up every patch of the spectrum with acute aural intensity. Definitively exhausting the synonyms for this titularly addressed brand of parasomnia, Sleepwalking brings the release to closure through diligently whanging 4x4s alongside a condensing arrangement of 16x16s, paced at 137 and supported in their plight by faintly striking claps with light hats peaking from behind the perpetuating pattern of a deranged acid wall that undoubtedly does to psyche something akin to subtly stirring the sanity meter towards E while drilling a hole in tank to eliminate the possibility of a refill. Maddening in all good senses, second adoptee of Depth.Request is a four-pack of tools forget to inflict hard damage, best recommended to those that regard their local factory-made-a-venue as weekend retreat. – rhetor

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Notzing

Sogi

8,39 €* 11,99 € -30%

Chaos In The CBD & Friends

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Sōgi explores death and Japanese funerary rites from an anthropological point of view. This work reflects a contrast between modern and traditional ideas. It is comprised of four different acts: 1. Seppukku Routes the listener’s heart into the last minutes of the mind of a lost person, with no hope, sank in a sea of modern worries and low self-esteem. The piece is a tunnel of anxiety and desperation that ends in a traditional form of suicide. This act should be listened to from a first person perspective. 2. Sōgi Routes the listener’s mind into the funeral rite of the person who committed suicide. Minimal, contemplative and meditative tendencies. The prayers are full of shame and stupefaction after discovering the corpse. The other people cannot explain reasons of why he put an end to his life. This act should be listened to from a third person perspective. 3. Kasō Routes the listener’s body into the deceased’s soul during the cremation process. The sensation of being trapped inside the coffin, entering the furnace, full of culpability and rage about all those who feel shame, disappearing from the physical world. This act should be listened to from a first person perspective. 4. Onryō Routes the listener’s soul into another metaphysical plane. The purgatory itself as an entity, expels the vengeful soul of the deceased person, who blinded by grief, is coming back to a place between the physical and the astral plane. This act is influenced by the sounds and sensations that can be listened to, experienced and felt during an astral projection, when the person is traveling through different planes of reality.

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Emotional Intelligence / It's Up To Me

12" | 2019 | EU | Original (Neroli)

LP | 2019 | EU | Original (Lounge)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The dynamic NZ brother duo, known from Mule Musiq, Rhythm Section and their own In Dust We Trust, joins Volcov’s NEROLI imprint for a superb collaborative EP of highly emotional music!

‘Emotional Intelligence’ fills the A side seeing them team up saxophonist and fellow kiwi jazz legend Nathan Haines and South London’s own Dave Koor aka. Modified Man. On the flipside they join forces with Chicago’s Lee Pearson Jnr (known for his writing for Larry Heard), K. LaDawn on vocals and rising star Joe Armon-Jones on keys. A blissful experience throughout and another demonstration of Chaos In The CBD’s maturing, amazing production skills. Neroli gearing up for 2020 and its 20th anniversary in style!!!

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Cool Million

Stronger

21,99 €*

Preservation Hall Jazz Band

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Five albums, sixty tracks and still counting. Cool Million are back with a new album!
Ten years ago the euro soul duo Cool Million released their first album 'Going Out Tonight' on UK soul label Expansion Records. The album took the soul crowd by surprise, cause who were these guys that out of the blue, could recreated the soulful sound of the 80's hey day like no other?
The answer to that question is; Rob Hardt and Frank Ryle. One a super musician from Germany with skills you can only dream of. The other a Dj/musicfreak from Denmark with a masterplan – both of them with tons of dedication and passion for thier craft.
Thier passion and ambition have kept them in the came for a decade and they have worked with a long list of artists, some known some not, some forgotten some on their way up! The list include names such as: Jean Carne, Keni Burke, Shirley Jones, Eugene Wilde, Meli'sa Morgan, Rena Scott, Leroy Burgess, Peggi Blu, Yvonne Gage, Marc Evans, Alton McClain, Kenny Thomas, Lisa Stansfield, Tom Moulton, Joey Negro, Dimitri From Paris and John Morales, Glenn Jones, Marc Sadane, Tim Owens, Gavin Christopher, Michael Jeffries.
Cool Million tells that they feel privileged and humble when they look at the list of names they have worked with over the ten years. Futhermore they add; 'Who would have thought that two dudes from northern Europe would be able to create music with people that talented, we hope we could do it, when we started but that we actually done it, is amazing and wonderful'.
Reflecting on the first decade of Cool Million it's fair to say that Rob & Frank are two determined and ambitious gentlemen with extraordinary talent.
So what can Cool Million tell us abouth their new album? 'It's a classic Cool Million album where we work/collaborate with various artists, staying true to our original concept both in terms of genre and how we think a album works best. Having say that we think that our fans will be a little surprised with the fact that this is our slowest album to date. We believe we have more variety than ever and it's a fact that the music on the new album is slowed down in terms of more ballads and mid-tempo songs compared to our other albums'.
'The reason for this development is that we wanted to try something that was a little out of our comfort zone. Also we felt that we wanted to prove that we can do quality slow jams aswell. You could also argue that is's beause we both turned fifty this year.. haha'.

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A Tuba To Cuba

LP | 2019 | US | Original (Sub Pop)

23,99 €*

2LP | 2019 | US | Original (International Anthem)

Release: 2019 / US – Original

Genre: Organic Grooves

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Single-pocket jacket with custom dust sleeve
Includes MP3 coupon

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”

Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.)

About Preservation Hall Jazz Band:

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.

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Junius Paul

Ism

7" | 2019 | US | Original (Slovenly)

Release: 2019 / US – Original

Genre: Organic Grooves

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Ism opens audaciously with the spiritual mic-check "You Are Free To Choose," a track that features bassist Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns). This is by no accident. In many ways, "You Are Free To Choose" captures the spirit of Junius Paul's artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city in 2002. Though he began learning his craft playing in church, Junius's creative voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM. It was iron sharpening iron, the most natural form of knowledge transfer. He explained The Velvet's vibe in 2018: "It's like in Africa.... If you had this society of diviners or medicine people, or you know, sages... The Velvet stuff is not secret; but there are certain aspects of it... if you weren't there, you weren't there." The Velvet Lounge closed in 2010. But, of course, the spirit of the Velvet Lounge is not dead. "Tune No. 6," recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive, bristling with what's yet to come.

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Puppy And The Hand Jobs

I Hate Evrything EP

7" | 2019 | EU | Original (Fruits)

Release: 2019 / US – Original

Genre: Rock & Indie

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The three obnoxious jack-offs known as PUPPY AND THE HAND JOBS are back with another crude EP of filth ridden, barely listenable / tolerable punk called I Hate Everything, and with 7 songs this time around, that’s only a buck a track in as many inches. WHAT A FUCKIN BARGAIN. Never before in the history of recorded music has it been so cheap and effortless to be insulted and assaulted with a swift kick in the genitals by “songs” with titles like “Cocksucker” and “Rocker Hag.” But even a band of total degenerate creeps like this can still muster a touch of class here and there: enter one-time SUN CITY GIRLS collaborator EDDY DETROIT who penned the shitty little ditty “Plan 9"—a catchy track that will have you singing along like a dope before Puppy threatens your puny, worthless existence with “Predator.” WARNING: the actual record cover for this release isn’t nearly as polite as the digital artwork. You’ll be reaching for the dull pencil it was drawn with and stabbing your eyes out upon first glance.

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Time Unlimited

Right Time Come

LP | 2019 | EU | Original (Pelagic)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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We always try to bring something special when it comes to release a single on vinyl. This time, we are pleased to announce the return of one of the most obscure and talented vocal group from the early 80's: Time Unlimited. It's been more than twenty years that Donovan Joseph, Hugo Blackwood and Orville Smith, have been off the musical scene as Time Unlimited. During the recording sessions of the Roots Architects project in 2017, we had the chance to meet Donovan Joseph passing by the studio. Straightaway, we were telling ourselves that we had to see his legendary group name written on black wax again. Here it is, with a deep rub a dub cut backed by the High Times Players remembering the golden years of the group!

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Hypno5e

A Distant Dark Source

LP | 2019 | UK | Original (AE Productions)

Release: 2019 / EU – Original

Genre: Rock & Indie

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HYPNO5E have forged the term "cinematic metal" with their truly epicscompositions, often exceeding not only the 10- but the 20- minutes mark, merging elements of contemporary metal with latin folk and soundtrack-score like sonic landscapes.For fans of CYNIC, BTBAM, GOJIRA, MESHUGGAH, OPETH, CULT OF LUNA, PINK FLOYD,TESSERACT, SOEN, MONUMENTSAfter the acoustic special album "Alba - Les Ombres Errantes" (2018), theSouthern French quartet are now returning with a more "typical" HYPNO5E record, if there is such a thing: their 5th album, "A Distant (Dark) Source", is thesecond part of a diptych album project. Each part will be released separately,starting with the second one. "A Distant (Dark) Source" continues to chase those demons and lost memories which the band has been chasing ever since their debut album "Des Deux L'Une Est L'Autre": the album is an inward journey to the land of the ghosts of the past. At the origin of this distant dark source lies Tauca, an old Paleolithic lake located in Bolivia, where singer and guitarist Emmanuel Jessua has grown up, and continues to find inspiration for his musical endeavors. Lake Tauca disappeared more than 15 000 years ago, leaving behind an arid land and salt lakes, like the Salt Desert of Uyuni or Coipasa, at 4.500m of altitude in the Andes mountain range. "A Distant (Dark) Source" is the musical imagination of a night in this desert, during which the old shores of the lake see the return of the shadows of the people who used to live in this area before its disappearance. A man comes back to the lake to look for the shadow of the woman he loved. The album tells the story of this ephemeral return."A Distant (Dark) Source" is the second part of this story and takes place during one single night...but don't be deterred by such conceptual enthusiasm, as HYPNO5E sound is powerful, visceral and immediate. There are moments that remind you of the expansive technical elaborations of BTBAM, but there is also the careful melancholia of Cynic and...

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Oxygen

Age Appropriate

2LP | 2019 | EU | Original (Golden Wolf)

Release: 2019 / UK – Original

Genre: Hip Hop

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The mighty Oxygen returns to AE Productions with a highly anticipated full-length album produced entirely by the multi-talented Tea Sea Records owner and producer/MC Tom Caruana.
Anyone familiar with AE Productions releases will know that Oxygen has been rolling with us for many years so we’re hyped to be able to release his debut solo long player. His first AE appearance was on the now classic Phill Most Chill & Paul Nice Fabreeze Brothers album on the track Golden Crown back in 2015, then in 2017 alongside his Soundsci cohorts Audessey (Jack Jones) and U-George featuring on the debut Cut Beetlez 12” single Droppin’ Needles and most recently in 2018 AE dropped his Body Language 7” produced by Paul Nice, which does not appear on the LP.
The aptly titled Age Appropriate was released on download and on physical pre-order on Oxygen’s 50th birthday and the long wait was worth it! This is Hip Hop through the lens of an MC that has a vast experience in the world of Hip Hop and life in general and covers an array of topics, some personal and some of the verbal word play dexterity that we have come to expect from one of the finest and underrated MC’s around today.
Some track titles may be familiar such as ‘Guillotine 16’s’, ‘The Process’ and ‘33.3’ that have previously appeared as single releases but presented here are all brand new versions that had a better fit with the overall soundscape co-ordinated by Tom Caruana so every track on the album is new material.
We’re also treated to some help from Emskee, Dr Becket, Jesus Mason, BusCrates, Apani B, Jack Jones and U-George plus some turntable duties covered by DJ Presyce and Jazz Spastiks. The timeless design by artwork supremo Mr Krum perfectly encapsulates the contents of the album.

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The Adam Deitch Quartet

Egyptian Secrets

32,99 €*

12" | 2019 | EU | Original (Smalltown Supersound)

Release: 2019 / EU – Original

Genre: Organic Grooves

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On the heels of massive successes with his main projects Lettuce and Break Science, celebrated collaborations with jazz guitar luminary John Scofield, and high profile hip-hop production placements with the likes of 50 Cent, Talib Kweli, and Redman, GRAMMY-nominated drummer/producer Adam Deitch finally unveils Egyptian Secrets, the long-awaited debut LP from his Adam Deitch Quartet. A fluid expression of the funkier side of soul-jazz, Deitch and his curated collective hint at the avant-garde, but stay grounded in warm traditions. AD4 adventures through the vibrant forest of late 60’s Verve and Blue Note cool, respectfully mining the essential elements of what makes a great hip-hop break, and then Deitch reimagines them in his own contemporary context.

In December 2013, after a Lettuce show at the Fillmore, Deitch connected with Bay Area organist Wil Blades. They played together for a late night jam at a popular haunt Boom Boom Room in San Francisco, and there was an instant chemistry. Blades had come up in the Chicago blues scene, before relocating to the West Coast. There, he studied and performed with venerable Hammond organ virtuosos Dr. Lonnie Smith and Ronnie Foster, titans of this specific brand of late 60’s/early 70’s B3-bolstered rare groove and jazz funk.

After establishing a rock solid rapport and common goal with Blades, Deitch reached out to his trusty cohorts Ryan Zoidis (saxophones) and Eric Benny Bloom (trumpet), aka The Lettuce Horns. Both players are well versed in the groove-jazz aesthetic with the vocabularies to match; the duo solidified the AD4 lineup and soon the drummer’s long dreamt-of, organ-driven groove quartet was born.
The fledgeling band began by performing exclusively covers, a selection of timeless tunes from Grant Green, Jimmy Smith, Cannonball Adderley and even Michael Jackson, the quartet traversing warm arrangements of familiar classics, songs levitating somewhere between jazz and funk. Firmly ensconced in the rare-groove idiom, AD4 channeled and established a vibe, and then Deitch began to carefully integrate his own masterful compositions to their repertoire; slowly but surely, Egyptian Secrets began to take shape. But not before a superhero would jump into the frey; guitarist and jazz immortal John Scofield, who once tapped a young Deitch to be his co-pilot on his celebrated Uberjam efforts, wanted in on the action. Before long, the prodigious axe-man had contributed to three songs on the LP, and his patented jazz-fusion serenade informs the identity of Egyptian Secrets in subtle, nuanced fashion.

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Prins Thomas

Ambitions Remixes II

Fear Inoculum 2nd Edition

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Earlierthis year PrinsThomasreleased his 6th solo albumAmbitions - and as always with Prins Thomas- the albumisjust the beginning of the journey. Now we are releasingtwo12"s with remixes from thealbum.On the second 12" (STS367) Isolée has remixed the title track Ambitions with a new 12" version ofUrmannen byPrins Thomason the flipside.

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Tool

CD | 2019 | EU | Original (RCA)

50,99 €*

LP | 2019 | EU | Original (My Bags)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Second edition of the latest Tool album. It comes in a Claridge House DVD Rigid Casemade Book. (not a dvd, but a dvd size book). Expanded 56 page booklet with additional artwork. 5 x 3D cards inserted within the back swing pocket. Download card for one video only.

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Sauce Combo

Crash Test

123456789 Baze.DJunkiii & Herr Brandt Remixes

Release: 2019 / EU – Original

Genre: Organic Grooves

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Sauce Combo is a powerful and dynamic jazz trio lead by Marcjean, saxophonist from Bestown (Besançon), sided by the mercenary drummer Tom Moretti and the melodious Victor Pierrel on bass. The trio's music takes place in the modern jazz renewing coming especially from England and the USA. France has now a champion.
Inspirated by vintage african and west indies jazz, 70's jazz funk and fusion but also 90's drum & bass, broken beat and hip hop, the repertoire is a rich jazz bomb exploding to the ears. Each second brings its his new colorful burst to admire. The band's brilliant game makes it a living listening experience. The music is rich and versatile but cohesive and united. Why?
Crash Test came to light in one day during a single 7 hours recording session at the Honey For Bear laboratories. Arnaud Bataillard, the sound's engineer, wanted to try several new tubes and audio gears added in his studio set up. The trio went to test it in a crash test session. All the recordings could have been compromise somewhere but... What was before planned as a try ended into a fantastic album. The mental disposition, while playing when you know that all can be lost in a minute, gave the musicians the proper dimension to express their feelings in a total freedom. They were playing for pleasure and without any pressure. It was for all, but it could have been also for nothing. And we can literally feel that.
This unique record had to be release as soon as possible to transmit the freshness of this beautiful impact to the listeners. Above all, Clément Laurentin's "Equilibre Précaire VI" achieves this album, offering a painting with four figures at the edge of the fall, in a constant imbalance, playing with time and gravity. It's the perfect allegory for the three band's members plus the engineer while making this record.

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No More

7" | 2019 | EU | Original (El Caballo Semental)

Louis Armstrong & His All-Stars

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The legendary Kiel-based (No)Wave / PostPunk band project took the worlds dancefloors by storm with the release of their seminal single “Suicide Commando” in 1981 which was later re-introduced to the Techno / Electro youth of the world, when Munich’s DJ Hell famously reinterpreted the tune in 1998. Still actively touring and releasing on a regular NO MORE are now making their debut on the freshly launched Intrauterin Recordings-offshoot EL CABALLO SEMENTAL.. The labels cat.no. 001 is a first time on vinyl release taken off NO MORE’s “The Return Of The German Angst” digital mixtape and sees one of the bands hit tunes being reworked in a unique, highly captivating manner, pressed exclusively as a limited to 200 copies whitelabel edition on purple / violet vinyl.

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Live In 1956 (Allentown, Pa) Black Friday Record Store Day 2019 Edition

LP | 2019 | US | Original (Atlantic)

2LP | 2019 | EU | Original (Far Out)

Release: 2019 / US – Original

Genre: Organic Grooves

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Limitation: 1000. RSD Limited Run. Unearthed for the first time after the discovery of a “mystery" tape reel, Louis Armstrong's performance in Allentown, PA on November 24, 1956 is one for the history books. Armstrong is joined by his All-Stars, including Trummy Young, Edmund Hall, Billy Kyle, and Velma Middleton. Available for the first time in any format, the historic concert audio has been mastered from the original analog tape and pressed on color vinyl for this limited edition release, exclusively for RSD Black Friday.

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Milton Nascimento

Maria Maria

30,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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180g Double LP released on vinyl only. Recorded in 1974 and unreleased until almost thirty years later, the album was written as the soundtrack to a ballet which dealt with the legacy of slavery in Brazil.Raw, atmospheric and emotionally charged, Maria Maria reveals one of Brazil's greatest ever songwriters at his creative peak

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Various Adepts: Volume IV

12" | 2019 | EU | Original (Hypnus)

2x12" | 2019 | EU | Original (Steyoyoke)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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It's been exactly four years since the previous installment of our Various Adepts series and we're now pleased to present the sequel, presenting three since-then thoroughly initiated adepts and one new addition to the guild.

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Soul Button

Phantom Existence

23,99 €*

When You Died Feat. Sean Martin

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Soul Button proudly presents his debut album, “Phantom Existence”. An expressive, conceptual work revealing a unique musical and artistic approach. Featuring 12 tracks of deep, reverberating tunes; each tells a different story while delivering a synonymous message of freedom. A masterpiece with a blend of melancholic rhythms and captivating vocals by Terry Grant, Mistier, Photographs. and Rebecca Sumner.

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The Dining Rooms

7" | 2019 | EU | Original (Schema)

The Days Of Old / Instrumental

Release: 2019 / EU – Original

Genre: Organic Grooves

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Four years after their latest release – SCEB925LP/CD / “Do Hipsters Love Sun (Ra)?” – the most cinematic duo in town is coming back in Autumn 2019 with a new full-length record called “Art Is A Cat”, anticipated by the first single “When You Died”, released as a 7-inch with two versions of the same song.
Side A contains the album version of “When You Died” and features singer Sean Martin on vocals – yes, the same one that sang on the band’s super classic number “Tunnel” back in 2003! A funk song with a ’70s psychedelic taste, with an emphasized groove typical of some American rock bands such as Black Merda.
Side B includes a rework of the same composition made by Massimo Martellotta (Calibro 35), who transformed the original track into a compelling disco soul midtempo tune.
Are you ready to dance?

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Paris

7" | 2019 | EU | Original (HHV Boombap 45s)

Release: 2019 / EU – Original

Genre: Hip Hop

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Strongly limited edition of 300 copies of the 19th release in our »HHV Boombap 45's« series.

Here's another stone cold Golden Era classic in the series, Paris' anthem "The Days Of Old" from 1992 with production help from a young DJ Shadow. No more introduction needed, this is one of our favorite tracks of that time and should get the 45 spins that it deserves.

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12" | 2019 | EU | Original (WYS! Limited)

V&A EP

9,09 €* 13,99 € -35%

LP | 2019 | EU | Original (Mecanica)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Jacob Husley & Peter Pixzel's WetYourSelf! recordings, drop the fourth EP in their vinyl only limited series WYSL004, from 3 artists who have been regular guests for the infamous WYS! parties at fabric over the years.
On the A side Cesare vs Disorder delivers 'Mad Violão' A minimalistic track with a huge impact, a hypnotic groove with a chunky bassline sprinkled with jazzy stabs, perfectly executed minimalism that will get the dancefloor into a frenzy without doing much.

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Aviador Dro

Accion Contra El Pasado

23,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Limited edition of 400 copies with a A2 size colour poster. Drawings created by the Polish artist Michał Arkusiński. Aviador Dro are without a doubt the most avant-garde and influential techno-pop band from Spain. They started in 1979 and this year are celebrating their 40th anniversary playing shows, re-releasing some old works, publishing a book and also a new album. “Acción Contra El Pasado” was recorded in Madrid in December of 1980 and is one of the oldest live performances of which there is a recording evidence. This concert is legendary not only for its age, but also for including some unreleased songs, a couple of early covers by Kraftwerk and Sex Pistols and vintage versions of classics tracks. “Aviador Dro y su Maquinaria Humana” (exactly as it was announced on the original flyer) was formed at that time by Biovac N, Fox Cicloide, Placa Tumbler, Derflex Tipo IARR, CTA 102, X, Metalina 2 and Cyberjet. A priceless piece of history restored and remastered from the original cassette recorded directly from the mixing desk.

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Madhattan X NV

Repercussions

Release: 2019 / EU – Original

Genre: Hip Hop

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Tuff Kong info: NY native emcee Madhattan teams up with producer NV to deliver “Repercussions”, one of the most interesting projects of the year. The Vermon native NY-based beat maker managed to tailor a perfect soundscape for Madhattan to deliver some gritty NY raps, perfectly matching the overall vibe given by the artwork and title of the album. Featuring guest appearances by Conway and Fastlife, and executive produced by Icerocks, the two managed to deliver one true masterpiece with that classic NY hip-hop flavor. The record is released on vinyl as a limited edition of 250 numbered copies, 150 on black vinyl and 100 on gold / black marbled.

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12" | 2019 | EU | Original (Counterweight)

Bromance Volume I

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Counterweight started at the end of 2015 as a party-series in Munich (Rote Sonne). It was about pushing the style of techno we stand for and which we couldn’t find easily in our city. During this journey we’ve learnt a lot about what somehow sadly has to be called a business and we met many artists and people involved in the Techno Scene. We even made friends throughout the years and that’s one of the nicest things after all.

The first V.A. release on Counterweight is an installment with some excellent artists we met during this time, we love their music as much as we love them as a person. Four years ago we couldn’t even imagine we would release a record with some of our favourites artists … Now, check this out. Heavy Kick-Drums, destructive basslines, distorted hi-hats, mesmerising melodies and…lots of passion.

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Classics Volume 6 - The MK Mixes

12" | 2019 | EU | Original (4 To The Floor)

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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4 To The Floor continues to champion heritage tracks with Volume 6 of the Classics 12” series, ‘The MK Mixes’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s impressive catalogue of remixes. Kicking off the A-Side MK remixes 4th Measure Men’s ‘4 You’, as his signature 90s-era bumping bassline, sax accents and vocal chop come into play, features typical of all his very best work. Up next the trademark MK sounds continue, as his deep and grooving mix of ‘Free Your Mind’ by Geoffrey Williams powers through the speakers. On the flip MK’s Club Mix of ‘I Never Knew Love’ by house legend Chez Damier rounds off the release, as this 12” package offers a masterclass in remixing from one of dance music’s most loved artists.

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Horace Tapscott

Live At Lobero Volume 1

Release: 2019 / US – Original

Genre: Organic Grooves

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Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody Nov. 12,

1981 in the Lobero Theater, Santa Barbara, California

This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. 'Sketches of Drunken Mary' features some sparkling piano revolving around a most lyrical bass part that is absolutely touching. The piece ends with a long, monstrous drum solo has to be heard to be believed. I recall hearing/seeing the mighty Sonship with John McLaughlin's One Truth band live at Central Park way back in 1979 and being knocked out by his drumming. 'Raisha's New Hip Dance' is a lovely piece that starts with some amazingly powerful and somewhat dark solo piano, with some strong two handed playing going in different directions and then winding down to somber conclusion, then building back up once again. The final piece is called 'Dark Tree' which is a great work that features a colossal, McCoy-like repeating line that is most hypnotic. The trio explodes in waves together, an immensely propulsive circular current at the center of the storm. Roberto Miranda takes an astonishing, fleet-fingered contrabass solo and then Sonship again provides a cosmic gong, cymbals and drum solo. This is a momentous offering from start to finish. It doesn't get any better than this.

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A Love That Never Dies 2 Clear Vinyl Edition

12" | 2019 | EU | Original (A Love That Never Dies)

11,69 €* 12,99 € -10%

2x12" | 2019 | EU | Original (Maeve)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A little mystery goes a long way, but it's fair to say the appetite for unearthing those secret tunes and lost classics has rarely been stronger. A Love That Never Dies give us a peek inside their formidable archive with four wonderful pieces of coveted music, in very short supply in their original form. One super limited, clear vinyl pressing.

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Phil Kieran

Life Cycling

14,99 €* 19,99 € -25%

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kieran has been one of Ireland’s best producers for almost two decades, and when he spoke with Maeve about an album he’d been working on, he sounded a note of caution that, maybe, well, it wasn’t the sort of thing Maeve would like. If this was a shameless attempt at reverse psychology, it worked. Interest was piqued, the conversation continued, and the result was an enchanting, hypnotic album unlike anything heard from Phil, or anyone, before. That album was Life Cycling and it was quickly agreed that this would be the perfect record to serve as Maeve’s first full-length artist release.

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12" | 2019 | EU | Original (Defected)

EP 7

12" | 2019 | EU | Original (Zodiac 44)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The seventh edition of Defected’s vinyl series continues to commit the labels’ biggest digital releases to wax, delivering upfront packages of house heat previously unavailable on vinyl. Italian duo Havoc & Lawn open up the A-Side with their Defected debut ‘Give It Up’, partnering with London vocalist Jinadu on this soulful and atmospheric club cut. Up next rising star of Defected and house music maestro OFFAIAH delivers his signature bass-driven style on ‘Soldier’. On the flip, Endor’s Defected debut and incredible smash hit ‘Pump It Up’ sets the B-Side off to an electrifying start, before the otherworldly Chicola remix of Sandy Rivera & Rae’s ‘Hide U’ rounds off this essential release from the Defected camp.

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Ludgate Squatter

Zcanc

Eddy Current Suppression Ring

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Filthy electro and acid on this new release on Klasse Wrecks' sub-label Zodiac 44! A 'as nasty as it wants to be' four tracker from new producer Ludgate Squatter, the 8th in the labels 12 release only schedule (one for each sign of the Zodiac dummy). ZCANC closely adheres to the labels 'outsider' sound, distorted drums and an atmosphere so dark, demented and paranoid you start to worry a little for the artist after listening to the music. Little is known about Ludgate Squatter and maybe thats for the best, there's an evil genius out there somewhere armed with a broken 707 and he's taking no prisoners. Recommended!!

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All In Good Time

LP | 2019 | US | Original (Castle Face)

7" | 2019 | EU | Original (Urban Waves)

Release: 2019 / US – Original

Genre: Rock & Indie

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“It is impossible to deny no one sounds like Eddy Current. I was hooked from riff one and I was lucky enough to do a full tour of Australia with them years ago—good fucking boys, simple as beer and chips, and that satisfying live. But that’s not to say there aren’t odd complexities to their definitive sound.

“You can smell Mikey Young’s guitar approach like Sasquatch rustling the bushes, every time you think you see the bend ahead, you go into a tunnel or backtrack for a moment, then back to a nice place you can call home. Rob [Solid]’s bass is pub-fuzz groove. It’s shells-on-the-floor and leaning-against-the wall-with-one-hand-while-you-have-a-piss thinking: maybe you can take that guy? Only one way to find out— oh wait, he’s smiling…nice bloke! Danny [Young]’s drums are a clinic in reservedness: 4-on-the-floor. This guy’s Charlie Watts in the looking glass, every hit a necessity—solid, not flashy, like the lead street tough in a ‘70s flick. He don’t say much, but it counts. And then there is Brendan [Huntley], be-gloved lead mensch in this quartet. Singing with earnest street poet confidence, his message coming in on the weird-wire, hard to describe, best to just listen and see: a pub-punk-priest.

“We are very pleased to have these boys back on the streets. It had been far too long.” —John Dwyer

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Wun Two

Casino

Release: 2019 / EU – Original

Genre: Hip Hop

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Wun Two does us the honor of providing the next album in the 777 series with his Casino EP. The sound aesthetic of the project has a very vintage 70's Americana feeling. Wun Two takes us on a time travel on the legendary Strip in Las Vegas, the city that never sleeps. You can easily imagine the old school neon lights quickly moving while you are driving by. And if you close your eyes you can even hear the buzz of the city like you were there. As always Wun Two delivers and keeps surprising. His music is always fresh and heartwarming this is why we are super thrilled to be able to bring this album out.

This is the second EP we are dropping in the 777 series that is inspired by and themed around the world of luck and gambling. The concept is simple and made to please the fans. A series of little collector 7 inches 45rpm vinyls that are of the highest quality while keeping a low price. 7 inch vinyl, 7 minutes of music, 7 euros is what the 777 stands for.

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Mogadisco - Dancing In Mogadishu (Somalia '72-91)

2LP | 2019 | EU | Original (Analog Africa)

Instant Molting 1.0 / Blue Pill

Release: 2019 / EU – Original

Genre: Organic Grooves

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After being blown away by a few tunes – probably just as you will be after listening to this – Samy Ben Redjeb travelled to the infamous capital city of Somalia in November of 2016, making Analog Africa the frst music label to set foot in Mogadishu. On his arrival in Somalia Samy questioned the need for a vehicle full of armed chaperones casually toting Kalashnikovs, deemed necessary to accompany him to the radio station archive every morning, but then began ri?ing through piles of cassettes and listening to reel-to-reel tapes in the dusty archives of Radio Mogadishu, looking for music that ‘swam against the current’. The stars were aligned: an uncovered and unmarked pile of discarded recordings was discovered in a cluttered corner of the building. Colonel Abshir - the senior employee and protector of Radio Mogadishu’s archives - clarifed that the pile consisted mostly of music nobody had manage to identify, or music he described as being ‘mainly instrumental and strange music’. At the words ‘strange music’ Samy was hooked, the return ?ight to Tunisia was cancelled. The pile turned out to be a cornucopia of different sounds: radio jingles, background music and interludes for radio programmes, television shows and theatre plays. There were also a good number of disco tunes, some had been stripped of their lyrics, the interesting parts had been recorded multiple times then cut, taped together and spliced into a long groovy instrumental loop. Over the next three weeks, often in watermelon-, grapefruit-juice and shisha-fuelled night-time sessions behind the fortifed walls of Radio Mogadishu, Samy and the archive staff put together Mogadisco: Dancing Mogadishu - Somalia 1972–1991. Like everywhere in Africa during the 1970s, both men and women sported huge afros, bell-bottom trousers and platform shoes. James Brown, Stevie Wonder, Marvin Gaye and The Temptations’ funk were the talk of the town.In 1977, Iftin Band were invited to perform at the Festac festival in Lagos where they represented Somalia at the Second World Black and African Festival of Arts and Culture. Not only did they come back with an award, but they also returned with Afrobeat. While Fela Kuti’s ‘Shakara’ had taken over the continent and was spreading like wildfre throughout Latin America, it was the track ‘Lady’ that would become the hit in Mogadishu. At the same time Bob Marley was busy kick-starting reggae-mania in Somalia, which became such a phenomenon that even the police and military bands began playing it. Some say that it was adopted so quickly because of the strong similarities with the traditional beat from the western region of Somalia, called Dhaanto. But then suddenly the trousers got tighter as the disco tsunami hit the country. Michael Jackson appeared with a new sound that would revolutionise Somalia’s live music scene. You couldn’t walk the streets of Mogadishu without seeing kids trying to moonwalk. ‘Somalia had several nightclubs and although most use DJs to play records, some hotels like Jubba, Al-Uruba and Al Jazeera showcased live bands such as Iftin and Shareero’ – so ran a quote from a 1981 article about the explosion of Mogadishu’s live music scene. The venues mentioned in that article were the luxury hotels that had been built to cover the growing demands of the tourist industry. The state-of-the-art hotel Al-Uruba, with its oriental ornaments and white plastered walls, was a wonder of modern architecture. All of Mogadishu’s top bands performed there at some point or another, and many of the songs presented in this compilation were created in such venues. Mogadisco was not Analog Africa’s easiest project. Tracking down the musicians – often in exile in the diaspora – to interview them and gather anecdotes of golden-era Mogadishu has been an undertaking that took three years. Tales of Dur-Dur Band’s kidnapping, movie soundtracks recorded in the basements of hotels, musicians getting electrocuted on stage, others jumping from one band to another under dramatic circumstances, and soul singers competing against each other, are all stories included in the massive booklet that accompanies the compilation - adorned with no less then 50 pictures from the `70s and ‚80s. As Colonel Abshir Hashi Ali, chief don at the Radio Mogadishu archive – someone who once wrestled a bomber wielding an unpinned hand-grenade to the ?oor – put it: ‘I have dedicated my life to this place. I’m doing this so it can get to the next generation; so that the culture, the heritage and the songs of Somalia don’t disappear.’

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Atheris

12" | 2019 | EU | Original (Amniote Editions)

Instant Molting 2.0 / Red Pill

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Chose one or ingest both for a wild ride at the Zion Cave #reloaded.

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Atheris

12" | 2019 | EU | Original (Amniote Editions)

7" | 2019 | EU | Original (Cosmonauts)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Chose one or ingest both for a wild ride at the Zion Cave #reloaded.

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Ancient Cosmonauts

More Mess On My Thing

Guido E Maurizio De Angelis

Release: 2019 / EU – Original

Genre: Organic Grooves

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The Ancient Cosmonauts horn-heavy take on funk, soul and jazz fusion somehow manages to be both rooted in the past and pleasingly fresh. With their first release, the band digs into its leader's Michael "Treetop" Voss past with The Poets of Rhyhtm.
A-side "More Mess On My Thing" is the band's take on the 1993 Poets classic, driven forwards by laidback, loose-limbed drumming, rubbery bass guitar, layered hand percussion, a call-to-party female vocal and the twin attractions or rising horn lines and snaking sax solos. "Keepin' On" is based on a forever lost recording of that same 1993 session, with the band adding urgent lead vocal to the ear-catching horn lines of the original version, the song runs up to its climax in a screaming trumpet solo over the collective push of the full band.

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OST Alien 2 Sulla Terra Deluxe Edition

LP | 2019 | EU | Original (Beat)

32,99 €*

LP | 2019 | EU | Original (Altercat)

Release: 2019 / EU – Original

Genre: Soundtracks

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Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie ALIEN 2 SULLA TERRA (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic ALIEN by Ridley Scott, released just a few months prior.
One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the ‘80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from UNO SCERIFFO EXTRATERRESTRE, POCO EXTRA MOLTO TERRESTRE that are used in the first part of the movie to build tension in a particular scene. This LP (black – 180gr) was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum’s archives, printed inner sleeve with liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia. Just 400 copies available! (a mere 100 for the ltd colored version)

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Afrodyssey Orchestra

Under The Sun

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Greece is maybe not the first country that comes to mind when you think of Afrojazz. Afrodyssey Orchestra unexpectedly hit the scene some time ago after the release of In the Land of Aou Tila, their debut album — while that first album was going to the hands of the few lucky ones who managed to discover the band back then, Afrodyssey Orchestra were already booking more studio time in order to start working on further recordings. Three years later, we’re proud to present you Under the Sun, with seven new compositions that reflect the logical evolution the band has experienced during this time, including some fine-tuning in their line-up. A melange of African polyrhythms, jazz, a scent of the Balkans and a fling with Afrobeat that holds hands with their beginnings — all this devised through the prism of the vast Greek musical universe.

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Gary Bias

East 101

12" | 2019 | EU | Original (Nechto)

Release: 2019 / US – Original

Genre: Organic Grooves

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Recorded at City Recorders, 1981
Produced by Tom Albach & Co-produced by Gary Bias
Engineer – Dennis Moody
A beautiful, dreamlike expression of spiritual jazz recorded at a time when the idiom was completely out of vogue, Gary Bias' East 101 remains little known even by cult-classic standards, but its free-flowing approach demands attention from listeners who believe this kind of LP ceased to exist somewhere around the late 1970s. Recorded with a stellar supporting cast including vibist Rickey Kelly, bassist Roberto Miranda, and pianist David Tillman, Bias unspools a suite of deeply soulful and profoundly far-reaching original compositions that vividly evoke the blue skies of the record's Los Angeles origins. His flute and soprano saxophone somehow divine gravitas from weightlessness, creating music that challenges as much as it comforts.

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Unknown Artist

Untitled EP

Release: 2019 / EU – Original

Genre: Electronic & Dance

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As one journey nears its end, another one is just starting. After the final release of her Propaganda label Nastia is back with a new imprint - Nechto. After putting out a modest, but powerful catalogue of vinyl collector’s exclusives, Nastia decided to focus more on dancefloor techno music. The first installment in Nechto catalogue is a perfect example of the concept - four track juicy techno EP from an undisclosed artist. From dreamy pads of N_1 that start the trip, through hypnotized and trance-like states of N_2 and N_3 to tense groove of N_4 the author takes no prisoners and delivers crisp, rich sounding collection of tracks that will light up every party. A solid piece of work from the artist who’s name will purposely remain a mystery. This is about music. So go order a copy now and dance to the sounds of Nechto!

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Britpop Trumps Volume 1

Gazoo

18,99 €*

Daniel Lopatin (Oneohtrix Point Never)

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In the style of the Classic 70s point battling card game, get ready to to pit your

favorite Britpop groups against one another!

Each of the 30 cards features original artwork depicting the great, the good and the ‘meh‘ of 90s Britpop. The pin-ups (Blur, Oasis, Pulp, Suede, Elastica), the barely remembered (Bennet, Salad, Northern Uproar), the bandwagon jumpers (Menswear, Powder), those who bemoan the label (The Auteurs, Gene) and many many more!
With fun facts about each band!

Get down the indie disco and wage war with the categories of ‘Top of the Pops’, ‘NME Darlings’, ‘Swagger’, ‘Staying Power’, ‘Fop Factor’, and ‘We’re Not Britpop!’

A perfect gift for any Britpop fan or just the musically curious.

Professionally printed, 32 card set (inc. instructions), 330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.

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OST Uncut Gems

2LP | 2019 | UK | Original (Warp)

31,99 €*

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Daniel Lopatin has worked on a Safdie Brothers film before - indeed, his music for 2017’s Good Time was widely heralded as one of that year’s best movie scores. As such, it makes sense that Lopatin (better-known as Oneohtrix Point Never) was brought on board by the pair once again to create the soundtrack to their new flick Uncut Gems. Now Warp have issued a standalone edition of the Uncut Gems OST.

Lopatin’s music for Uncut Gems invokes the same balance of electronic prettiness and harsh, abrasive noise that he did for Good Time. At their lushest, some of these tracks read like an updated version of the classic scoring work of Vangelis, Wendy Carlos and Angelo Badalamenti. There is an inviting dreaminess to much of Uncut Gems that comes off like a more maximalist rendering of Badalamenti’s Lynchian aesthetic - although a track such as ‘Back To Roslyn’, with its nocturnal keyboards and ethereal saxophone, is more naked with this influence.

When the noisy tracks come in here they enter with a sense of dread at their core. ‘The Fountain’, for instance, whistles and screeches in a manner that sounds like a harsh take on a Johnny Jewel composition. Elsewhere ‘School Play’ brings the noise more slyly, its breathless bleep-bloop motif tripping over itself to eventually create an unsettling soundscape.

Uncut Gems is another impressive sojourn into the world of film scoring from Daniel Lopatin (Oneohtrix Point Never).

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CD | 2019 | EU | Original (Banzaï Lab)

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In the style of the Classic 70s point battling card game, this is the ultimate Bowie fan tribute!

Each of the 30 cards features original artwork depicting one of Bowie's personas; from longhaired young upstart Davy Jones right though to Black Star's unsettling Button Eyes. Visiting a cast of his most famous characters (Ziggy Stardust, The Thin White Duke, Jareth the Goblin King) as well as some of his lesser known creations (Nathan Adler, Screaming Lord Byron, Boz) along the way.

Battle it out with the categories of ‘Alien Factor’, ‘Pop Sensation’, ‘Outrageous Fashion’, ‘Hedonism’, ‘I'm An Actor!!!' and ‘Bowie Rating’.

A perfect gift for any Bowie fan or anyone just interested in learning more about his fantastical array of characters.

Professionally printed, 32 card set (inc. instructions)
330gsm, laminated, casino quality, Trump size cards (100mm x 62mm), packaged in a printed slip box.

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Too Many T's

La Fam Ill

13,99 €* 19,99 € -30%

Johnny Maestro & The Crests

Release: 2019 / EU – Original

Genre: Hip Hop

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La Fam Ill is a multi genre, alt Hip Hop album, featuring a heavy dose of classic old school beats that weave their way from bouncy dub & upbeat guitar led funk beats, to modern electro infused hip hop underpinned with dirty synth lines. With a different producer on every track there is a plethora of musical styles all tied together with the T’s. Too Many T’s showcase buoyant playful tongue in cheek lyrics teaching us not to take life too seriously with their notorious back-to-back double-time raps, whilst sitting comfortably alongside much deeper and more reflective song writing. This is an album that travels the world both figuratively, and literally. La Fam Ill’s journeys reflect those of the band’s protagonists, Leon and Ross, floating effortlessly through a forest of stories both lived and witnessed – the effects of climate change, class warfare, and the difficulties of maintaining friendships as we grow up. Each track has its own special twist created by the colossal lineup of French Hiphop artists including: Atili, ASM, Chill Bump, Chinese Man, Djar One, Form, Hippocampe Fou, La Fine Equipe, MB14, Proleter, Pumpkin & VinS Da Cuero, Smokey Joe & The Kid and Yoshi Di Original.

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I'm Stepping Out Of The Picture / Afraid Of Love

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Treibender Teppich)

Jamhed

Gelee Royal

Release: 2019 / EU – Original

Genre: Rock & Indie

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2LP | 2019 | UK | Original (Honest Jon's)

Company

Trios

Combat Feat. Nat Lover / The Lovers Revenge Black Vinyl Edition

Release: 2019 / UK – Original

Genre: Organic Grooves

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A typically eclectic collection of guests joined Derek Bailey for Company Week in 1983: saxophonists Evan Parker and Peter Brötzmann; cellist Ernst Reijseger, mainstay of Dutch new jazz (ICP Orchestra, Clusone Trio); American wind virtuoso J.D.Parran, veteran of the Black Artists’ Group and Anthony Davis and Anthony Braxton ensembles.
The French bassist Joëlle Léandre is equally at home playing free or performing works by Cage and Scelsi, while Vinko Globokar is an acclaimed composer as well as a trombonist of monstrous virtuosity.

British electronics pioneer Hugh Davies served time alongside Globokar with Karlheinz Stockhausen. Percussionist Jamie Muir was with Davies on the very first (Music Improvisation) Company outing in 1970, before a brief stint with King Crimson.

Is there an ideal number of musicians for free improvisation? Bailey once described playing solo as a “second-rate activity” – though he did it spectacularly well – while at the other end of the spectrum, large improvising ensembles can descend into an unwieldy racket.

Three may be a crowd for some, but for Pythagoras it was the perfect number, and trios work surprisingly well in improvised music. Sometimes one instrument takes centre stage, like Parker’s circular-breathing soprano at the beginning of Five, but knowing when to lie low, as he does in the brief austere Three, is just as crucial to the success of the whole. Muir makes sure he doesn’t get in the way of Globokar and Parran’s leisurely exchanges on Four, but the trombonist is all over the place on One, with Léandre racing up and down her bass and Davies all spikes, squeaks and squiggles.

With a touch of Bailey’s dry humour, two of these seven recordings aren’t trios at all: Trio Minus One is his duo with Reijseger, running the gamut from crazed polyrhythmic strumming (imagine Reinhardt and Grappelli playing Schoenberg and Nancarrow simultaneously) to what must be the fastest cello pizzicati ever recorded. And on the closing ecstatic nonet, Brötzmann and trumpeter John Corbett prove that more cooks don’t necessarily spoil the broth but sure as hell can spice it up.

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Dirty Hairy

7" | 2019 | EU | Original (Soul Dynamite)

Bozkir Neon Orange Vinyl Edition

Release: 2019 / EU – Original

Genre: Hip Hop

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After a welcome return from a lengthy hiatus, Dirty Hairy is back behind his MPC with a brand new release on Soul Dynamite records.
For those not in the know, London born scallywag (Mr) Dirty Hairy is a seasoned underground veteran on several jazz rap and funk 45 DJ circuits around the globe.
Whilst backpacking through New Zealand from 2003 - 2005 he was acquainted with a Maori rapper with a fondness for drum breaks by the name of Nat Lover.
10 years later ( and a few beats in between) Hairy moved to New Zealand and set up a recording studio in the lower North Island city of Palmerston North and the 2 began making music together.
After a few small, but nicely packed local gigs it was evident that the vibe they enjoyed creating was an up tempo funky feel with devastating flows and cuts.
Offered up on this 45 is new edition of a track called " Combat "( You might find a very old version of this on You Tube made with an MPC3000) This time around Hairy chops up busy drum break
saved on the trusty MPC 60 floppy disks with some pianos and horns and cuts in between the spaces.
For the flip side the tempo steps up a bit more alongside even funkier flows from Nat. His nod of respect to the early party rockers of Hip Hop is apparent whilst Hairy dips into
some more regional breaks and layers of jazz samples and cuts. A double sided dance floor burner
comprising of two funky joints giving you ' them early early Hip Hop ' feels. This 45 showcases the first of many collaborative efforts between the two ' once dubbed Dirty Lover '.

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Congulus

2LP | 2019 | EU | Original (Nasoni)

33,99 €*

12" | 2019 | EU | Original (Nothing Is Lost)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The psychedelic rock trio, named after the scary folk stories being told in Anatolia, was founded in the spring of 2016 in Istanbul by Cihan Önder on guitars and synthesizer, Emre Açıkgöz on bass guitar and Tayfun Gür on drums.
Bringing Anatolian motifs together with psychedelic elements, the band enjoys multiple partition broad compositions, long drones and fluid riffs taking you on an eclectic journey.It invites the audience to a dynamic atmosphere with experimental multi layered themes, live loops, hypnotical visuals and lively stage performance.
In the short time since the band started its musical journey, they played in various venues and finally at the end of 2016, published their eight track demo, titled “Kış Ayının Kabusu”. Following this, they went on playing in numerous festivals and
concerts, namely in Istanbul, Ankara and Eskişehir.
Playing in many local stages and festivals, they are also well received by music critics abroad and their songs got played on both national and international radio shows. In 2017 they published
online a three part video series, titled “Demirci Sessions”. Their intensive work in 2018 brought their 11 track album, titled “Bozkır”.
The vinyl release includes two new tracks.

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DJ Romain

Nothing Is Lost Volume 1

LP | 2019 | US | Original (Now-Again)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Kicking off a brand-new WOLF offshoot label, celebrating the soulful sound of house music from the late 90’s & early 00’s, two DJ Romain classics get the remastered treatment straight from the DATs!
‘It’s The Spirit’ became an instant classic when released in 2004 - it’s eyes closed business with a weighty bassline, buzzed stabs, spiritual organs and Darryl D'Bonneau’s impassioned vocals. A track that still holds up today, regularly played by the likes of Floating Points, Ben UFO, Kerri Chandler and others in the know, fetching up to £40 on the cogs.
While digging through the racks in A1 Records in New York a few years ago, the WOLF duo came across 'Piano Man' nestled on the B side of a Romain release from 1998. A peaktime burner, that never fails to ignite the dancefloor and one that always gets named checked whenever they let it loose.
After contacting DJ Romain, who to their surprise knew of WOLF and was keen to work together, they set about giving these jams a new lease of life, digging back in the archives to recover the DATs from the original projects.
This one’s not for the gurning fly catchers, it’s specifically for those that like to get down.

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Lloyd Miller

Oriental Jazz

26,99 €*

Tape | 2019 | US | Original (Jagjaguwar)

Release: 2019 / US – Original

Genre: Organic Grooves

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an
intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection,
and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually
lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah.
Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world
music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other
cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more
and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran
in 1958 to head to Europe to see if he could make a living from jazz music.
Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz
legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in
Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which
had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition,
specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.”
Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in
a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during
his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the
school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this
music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud
and Turkish saz music.
Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of
record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually
hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last
however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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Angel Olsen

All Mirrors

12" | 2019 | EU | Original (Panzerkreuz)

Release: 2019 / US – Original

Genre: Rock & Indie

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The descent into darkness is a trope we find time again across history, literature and film. But there’s also an abyss above. There’s a winding white staircase that goes ever upward into the great unknown — each step, each turn, requiring a greater boldness and confidence than the one before. This is the journey on which we find Angel Olsen.

Olsen's artistic beginnings as a collaborator shifted seamlessly to her magnificent, cryptic-to-cosmic solo work, and then she formed bands to play her songs, and her stages and audiences grew exponentially. But all along, Olsen was more concerned with a different kind of path, and on her vulnerable, Big Mood new album, 'All Mirrors,' we can see her taking an introspective deep dive towards internal destinations and revelations. In the process of making this album, she found a new sound and voice, a blast of fury mixed with hard won self-acceptance.

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Datasmok

7" | 2019 | UK | Original (Izipho Soul)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Intense minimalist industrial acid tekno mantra beats by Albert van Abbe as Datasmok. A 'mini-concept-album' full heavy-hitting, brutal mean-and-lean, 'dirty-brown-and-miserable' psychotic visions. The Datasmok project was kickstarted by default when Guy Tavares and Albert decided to release archived tracks from Van Abbe on Tavares' Bunker Records. All tracks of this second volume of back-catalog material got special treatment in Tavares' subterranean master studio... Datasmok is one half of Penik Ettek.

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Jason Anthoney Wright

Reset To Zero

15,99 €*

12" | 2019 | EU | Original (Physical Education)

Release: 2019 / UK – Original

Genre: Organic Grooves

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IZIPHO SOUL RECORDS are thrilled to be releasing JASON ANTHONEY WRIGHT’S 2008 masterpiece, RESET TO ZERO on a 7’’ single!
Produced by Absolute’s Paul Wilson and Andy Watkins, RESET TO ZERO is one of the finest pieces of U.K. retro soul.
The soaring lead vocals, layered over a soulful groove has made this a respected song on the musically knowledgeable rare soul scene, whilst still maintaining that wider reaching appeal a feat only achieved by very few compositions. On the B side is the Pete and Steve Lewinson produced Motown flavoured LOOKING THROUGH THE WINDOW

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Lee Renacre

Phat Girl EP

12" | 2019 | UK | Original (Diggers With Gratitude)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Lee Renacre’s Phat Girl EP was originally released in 1996, boasting four seriously groovy techno cuts emblematic of those times. It is Lee’s first solo release and it came out on his own Format Records, which was started the same year. While back then you could probably buy it as a white label from the back of his car, you can now finally get it as a reissue. Physical Education is Baldo’s new label, coming in strong with this as the first release, and one of the many upcoming must have tech house/techno classics.

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E.Q.

They Can't Cope EP

15,74 €* 20,99 € -25%

Release: 2019 / UK – Original

Genre: Hip Hop

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In 1990 Vancouver’s E.Q. dropped their one and only 12”, "Put Your Body In It”, on Infinite Beat Records. The A-side is a fairly formulaic hip-house affair but the B-side cut, “They Can’t Cope’, is a much better reflection of what this crew were all about. In contrast, the 1990 cassette release of "They Can't Cope" is currently, somewhat optimistically we might add, available on Discogs for a cool $350! This E.P. comprises three of the tracks from that cassette release, together with previously unreleased instrumentals, as well as two additional never before heard vocal tracks that didn't fit (both literally and artistically) on our Swellsville Sessions E.P. Of particular note, "Too Much For The Mental" is as good as anything from the early 90's and leaves you wondering how this crew never blew up. This is not only a great record but also Vancouver and Canadian hip-hop history!

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London Is The Place For Me 8: Lord Kitchener In England, 1948-1962

2LP | 2019 | UK | Original (Honest Jon's)

7" | 2019 | EU | Original (Pirates Press)

Release: 2019 / UK – Original

Genre: Organic Grooves

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First there is the hooligan chantwell, up for anything in the hurly-burly of carnival proper; and then the casual reporter, firing off postcards to Trinidad about taxis, flashy booze, fast women and football in Manchester, with homesickness and grievance nestled just behind the optimism, pride and tentative senses of belonging.
There is the bearer of news from home, in detailed accounts of murders, tales of stupid local coppers, and reminiscences about food and particular mango trees; the political thinker, considering racism and Africa; and the diarist, with his vivid tales of infidelity, and disclosure of the break-up of his marriage, and his desire to get away.

One foot in the UK, the other in Trinidad; but the man himself somewhere in-between. Kitch In The Jungle, nobody around. A ‘diasporic explorer’; a key twentieth-century witness, alongside such hallowed figures as Samuel Selvon and Edward Kamau Braithwaite.

Though in frustration Kitch would sometimes take over double-bass duties himself, the musicianship of Rupert Nurse, Fitzroy Coleman and co is top-notch. The original glorious sound is down to Denys Preston, recording for Melodisc, often at Abbey Road Studios (where we transferred and restored the 78s compiled here).

Presented in a lovely gatefold sleeve, with a full-size booklet containing superb, specially-commissioned sleevenotes by Kitch biographer Anthony Joseph, and fabulous, previously-unseen photographs

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Ramoms

Teacher's Pet

9,99 €*

2x7" | 2019 | EU | Original (Pirates Press)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Following up their incredible Pirates debut in the springtime, these badass Philly ladies are coming at ya with three more!! This is the second of three planned 7” releases, with a lot more in the ol’ purse yet to come. Whether it‘s playing for kids in a group of library, herds of families at a backyard barbecue, or being the soundtrack to drunken mayhem at a late night bar show, these girls know how to rock! This stuff is primed and ready for anyone with a soft spot for the Ramones, and an appreciation for wit. Lace up your chucks, break out your leather, and drop this one down on the ol’ turntable!

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Landfill Crew

12" | 2019 | EU | Original (Underground Quality)

Release: 2019 / EU – Original

Genre: Rock & Indie

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The Landfill Crew 4 song EP is a fictional animated punk rock band set in the 1980’s. I play one of the characters named Bagga and my friend Tippa Lee plays the character Hux. Tippa Lee is one of my favorite Jamaican vocalists that has been recording reggae music in Kingston since the early 80’s. J Bonner animated the videos and helped develop the characters. Hope you guys enjoy it as much as we do. - Tim Armstrong (Rancid / Transplants)

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Natahlie Capello

Diggin U

Blue Lines By Ian Bourland

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Nathalie Capello Berlin based DJ/Producer 1st release.
5 tracker From soulful R&B house. Garage to Straight big room banger! This unique 90ty's infused sound is amazing!

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Massive Attack

33 1/3

Completion Of The Amphoras Table

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In 1991, a loose-knit collective released a record called Blue Lines under the name Massive Attack, splicing together American hip-hop and soul with the sounds of the British underground. With its marauding bass lines, angular guitars, and psychedelic effects, Blue Lines built on the Caribbean soundsystems and nascent rave scene of the 1980s while also looking ahead to the group's signature blend of epic cinematics and lush downtempo. In the process, Blue Lines invented an entirely new genre called trip hop and launched the career of a rapper named Tricky.

Ultimately, Blue Lines created the sonic playbook for an emerging future: hybrid, digital, cosmopolitan, and rooted in the black and immigrant communities who animated the urban wreckage of the postindustrial city. Massive Attack envisioned an alternate future in sharp counterpoint to the glossy triumphalism of Brit Pop. And while the group would go on to bigger things, this record was both a warning shot and a definitive statement that sounds as otherworldy today as on the day of its release. As Blue Lines's iconic flame logo spun on turntables the world over, Massive Attack and their spaced-out urban blues reimagined music for the 1990s and beyond.

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Heinrich Dressel

12" | 2019 | EU | Original (Envlp Imprint)

Tape | 2019 | CA | Original (Inner Ocean)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Heinrich Dressel was an archaeologist, epigraphist and numismatist, creator of a table, still in use, for the cataloging of Roman amphorae. For over ten years, one of the founders of MinimalRome, Valerio Lombardozzi, has embraced the name of the German scholar, becoming both the guardian of a dense collection of sounds from the past and the creator of new brilliant electronic ones. Completion Of The Amphoras Table, originally released on cd by Legowelt's Strange Life Records, was the final chapter of the so-called 'Studium Amphorae Trilogy', a triptych of albums which tried to 'evoke' in notes not only the discoveries and the studies of Monte Testaccio's fragments made by the former pupil of Theodor Mommsen.
The first vinyl release of Completion Of The Amphoras Table, curated by Souterraine.org and Envlp_Imprint, fills not only a recording void, but also gives posterity a remarkable album to rediscover, worthy successor of Mons Testaceum (2007 ) and Escape From The Hill (2008),
which reconstructs one more time the ghostly atmosphere of a Rome at the dawn of the 20th century. Heinrich Dressel adopts the stylistic features of gloomy soundtracks and, above all, relies on a set of polyphonic synthesizers that, starting from the rare Elka Syntex, favor the composition of abstract textures, punctuated by some appropriate variations, and harmonies which, net of the
deep bass, make every single track even more magnetic.

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Kazumi Kaneda

Morpheme Tone

17,99 €*

Disco Mondo / In The City

Release: 2019 / CA – Original

Genre: Hip Hop, Electronic & Dance

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Limited to 100 copies.

Tokyo's own beat maker and multi-instrumentalist, Kazumi Kaneda, brings us another Jazz opus full of dazzle and wonder. Following up his 2017’s album Hardlight, Morpheme Tone sets a new bar in original jazz & hip hop production, continually refining his particular flavour and style. Kaneda presents his work as gritty and complex, smooth and subtle with equal parts bebop and hip hop, coalescing into a project of ultimate coolness.

Jazz heads and Hip Hop heads worldwide are keeping tabs on Kazumi Kaneda, watching and waiting for those next brilliant moves. Morpheme Tone is one of those moves.

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Gw & Henry

12" | 2019 | EU | Original (A&R Edits)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.
Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.
Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.

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OST Mega Man 1-11: The Collection Box Set Edition

6LP | 2019 | US | Original (Laced)

172,99 €*

12" | 2019 | EU | Original (Pleasure Of Love)

Release: 2019 / US – Original

Genre: Soundtracks

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152 Tracks
X6 180g Mega Man Vinyl
Includes full scores from first three NES titles
6 Deluxe 3mm Spined Sleeves in Luxury Rigid Board Slip Case

The box set features brand new original artwork by illustrator ultimatemaverickx onto six ‘Mega Man blue’ 180g vinyl LPs, packaged in deluxe spined inner sleeves, and housed in a luxury ridged board slip case. Music includes the full soundtracks to Mega Man, Mega Man 2 and Mega Man 3, as well as a large selection of fan favourites from Mega Man 4 through to Mega Man 11.

For the first time, hear pulse-pounding Mega Man music on wax, with tracks drawn from across the last 32 years of games. Relive the essential Famicom/NES chiptune scores in full, as we present the entire tracklist from Manami Matsumae’s Mega Man OST, Takashi Tateishi’s seminal music for Mega Man 2 (featuring the legendary “Dr. Wily's Castle 1”), and Yasuaki Fujita and Harumi Fujita’s fan favourite Mega Man 3 OST.

Composers also include Minae Fujii (MM4), Mari Yamaguchi (MM5), Yuko Takehara (MM6, MM7), Makoto Tomozawa (MM7, MM10), Toshihiko Horiyama (MM7), Shusaku Uchiyama (MM8), Ryo Kawakami (MM9, MM10), Yu Shimoda (MM9), Ippo Yamada (MM9, MM10), Hiroki Isogai (MM9), Akari Kaida (MM10), Hiroki Isogai (MM10), and Marika Suzuki (MM11).

Across 32 years and 152 games, the Mega Man (aka Rockman in Japan) series has sold over 35 million units, with The Blue Bomber having become one of the most beloved and recognisable characters in all of gaming history.

Artists:

Mega Man - Manami Matsumae

Mega Man 2 - Takashi Tateishi, Manami Matsumae

Mega Man 3 - Yasuaki Fujita, Harumi Fujita

Mega Man 4 - Minae Fujii, Manami Matsumae

Mega Man 5 - Mari Yamaguchi

Mega Man 6 - Yuko Takehara

Mega Man 7 - Yuko Takehara, Makoto Tomozawa, Toshihiko Horiyama, Manami Matsumae

Mega Man 8 - Shusaku Uchiyama, Manami Matsumae

Mega Man 9 - Ryo Kawakami, Yu Shimoda, Manami Matsumae, Ippo Yamada, Hiroki Isogai

Mega Man 10 - Ryo Kawakami, Manami Matsumae, Akari Kaida, Makoto Tomozawa, Yasuaki Fujita, Hiroki Isogai, Ippo Yamada

Mega Man 11 - Marika Suzuki, Manami Matsumae

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The Patchouli Brothers

Pleasure Of Edits 6

Anfang Verpasst (1992-1999)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The sixth edition of the Pleasure of Love edit series features the Toronto based Patchouli Brothers (GAMM, Basic Fingers, Barefoot Beats, Tugboat). The duo have a long running disco & house party called Beam Me Up and have a proven track record of slicing up and distilling rare, underappreciated cuts into peak time dance floor gems.
The A1 is a raw, driving Côte d'Ivoire disco revision with excellent celebratory vocal loops and synth leads. Next up is a smooth italo, tip-tap, jam re-edited to perfection, highlighting the sophisticated horn and lead synth interplay.
On the flip is a rubbery synth bass led soca jam that will set off just about any party with its catchy vocals and tension/release re-arrangement. And rounding out the release is a dutch disco call and response re-edit detailing a common thread in the dancer-DJ relationship. Dance floor tested and approved!

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Die Sterne

7CD | 2019 | EU | Original (Tapete)

71,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Ashikibaya Ft. Tamar Collocutor

Siti Muharam

7" | 2019 | Original (On The Corner)

Release: 2019 / Original

Genre: Electronic & Dance

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Buddy Hank & The Shine Band

Dust To Diamonds

LP | 2019 | EU | Original (Time Capsule / Super Disco Edits)

19,94 €* 20,99 € -5%

12" | 2019 | EU | Original (Pura Vida Sounds)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Following on from Buddy's debut single 2 years ago we bring you Buddy Hank & The Shine Bands previously unissued lp called "Dust to diamonds".
It comprimises of the previous hit single "Try you love" along with 3 new discoveries from the same session.
"Lets get down tonight"/""Sugar baby" plus "Your'e so special". All 3 are infectious disco boogie tunes with that recognizable sound Buddy Hankerson helped create for Young & Company on Brunswick records.
Also contained on the lp is an instrumental verison of "Lets get down tongight" plus two instrumentals from the 1981 sessions they never got around to laying vocals down to.
"im so glad i found you" and "Sham".
We really hope "Dust to Diamonds" wipes the dust away you.

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iZem

Remixes EP

Release: 2019 / EU – Original

Genre: Organic Grooves

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GUTS is creating a new 12inch vinyl series with his in-house label Pura vida Sounds. Several EP will be released with a generic sleeve designed by Mambo.
iZem «Remixes» is the second episode of the series.

France, Spain, Brazil, Argentina, Ireland and finally Portugal. After a musical journey rich in miles traveled but especially in experiences, IZEM (for In Ze Early Morning) found a new creative situation in Lisbon.
In constant connection with lusophone music from South America and Africa, and after Hafa, his first album released on Soundway Records, IZEM has added the second reference to the series of MAXI 12inch EP directed by GUTS on its Pura Vida Sounds label.

First introduced into Les Fères Smith Afrobeat base camp, iZem stole “Ecolo Assiko” from them. How do we get out of here without arousing the vigilance of the Cerbers? By getting rid of his combat suit to put on another outfit: a jerky rhythmic to shake the bodies, brass jewelry and, most importantly, an irrepressible afro-tropical guitar groove. By the time Les Frères Smith find out, "Ecolo Assiko" will have burned every dance floor in his path. With one slogan: “Toujours plus loin, toujours plus fort !” (Always farther, always stronger!)

On the B-side, IZEM is focusing on Guts' newest “L’Origine du Monde”.The adventure in the brass jungle in pursuit, mutates into an atmosphere where the bass drum pulsates over all time. The female voices call for comfort, if not more, in a call and response with a flute heated by the Afro-funk groove and visibly rushed to get serious. It seems to be reciprocal.

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Nems

Fuck Your Love

32,99 €*

Statik Selektah & Paul Wall

Release: 2019 / EU – Original

Genre: Hip Hop

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Written over a 4 months time frame while Nems was going through a rough period of his life, “Fuck Your Love” is definitely the rapper’s most personal piece of work. Released 2 years after his previous solo project, the record takes a deep intimate look into the trials and tribulations of the FYL president. Stand-out track on this project is definitely “I Got You”, featuring sultry songstress Arinn Aldo and entirely dedicated to his mother, the only person who has stuck by him through all of lifes ups, downs, trials and tribulations. The Coney Island mayor has poured his heart out on this record and has proven to be a good songwriter and killer rapper alike. The record is now available on vinyl as a limited edition of 300 numbered copies: 100 on red/black vinyl, 200 on black vinyl. This is the black one.

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Give Thanks

Micall Parknsun & Giallo Point

Release: 2019 / EU – Original

Genre: Hip Hop

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During the course of 2019 boom-bap ambassador Statik Selektah has provided the masses with several collaborations with southern legends such as Bun B and Curren$y and now ends the year with a collaboration with the People’s Champ and H-Town O.G. Paul Wall. The extraordinaire producer provides a brand new soundscape for Paul Wall to spit to, his classic boom-bap trademark and soulful vibes characterise these seven songs which also see guest appearances by B-Real, CJ Fly, Benny The Butcher, Nems, Haile Supreme, Termanology and Mia Jae. Delivering thiscollaboration on thanksgiving the two have given life to an unlikely but incredible collaboration.

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The Magnum Opus

12" | 2019 | DE | Original (Beat Art Department)

Release: 2019 / EU – Original

Genre: Hip Hop

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The latin word “magnum opus” literally translates into “masterpiece”, and what this UK dream team has put together on this fulllength is exactly that. MC Micall Parknsun and producer Giallo Point’s collaboration “The Magnum Opus” has been elaborated on the three or four colour model by enumerating a variety of chemical steps to be performed. This was often arranged in groups of seven or twelve stages, this consistency is crafted within 13 solid forms. The process of transmutation, weaving their entire narrative with alchemical symbolism. The full-length boasts collaborations with Ric Branson, SmooVth, Jehst, Confucius MC, The Jones Bros, Juga-Naut, SonnyJim, Phybaoptikz, Napoleon Da Legend and Da Flyy Hooligan. Limited edition of 250 numbered copies, 100 on yellow vinyl w/ black splatter and the remaining 150 on black vinyl. This is the black one.

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Tribez. X Maniac

Paragon Collection 1

Release: 2019 / DE – Original

Genre: Hip Hop

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Tape | 2019 | DE | Original (Beat Art Department)

Edward Sizzerhand

A Taste Of Honey

Release: 2019 / DE – Original

Genre: Hip Hop

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LP | 2019 | EU | Original (Belgian Waffles)

Hubble Bubble

Reflection Of Self: The Head Trip

Release: 2019 / EU – Original

Genre: Rock & Indie

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One of the undisputed European Punk classics, Hubble Bubble's 1977 debut LP is back on vinyl again for the joy of all true KBD punk rock conosseurs. A true legend for the few, featuring a very young Plastic Bertrand on drums Hubble Bubble formed in 1973 and released their first album on Barclay. This long awaited 'Belgian Waffles' label reissue also comes with repros of two promotional posters from those days. Punk rock!

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Stalley

LP | 2019 | US | Original (Nature Sounds)

20,99 €*

Run DMC Clear Vinyl Edition

Release: 2019 / US – Original

Genre: Hip Hop

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Ohio rapper Stalley burst onto the scene in 2010 with his breakthrough mixtape “Lincoln Way Nights”. In the years since, he's seen his stock rise further after signing with Rick Ross and Maybach Music Group, contributing to chart-topping albums, and releasing acclaimed solo projects featuring artists like Scarface, Nipsey Hussle, Migos, 2Chainz, Ty Dolla $ign, Meek Mill, Curren$y, and more. Now going the independent route, Stalley is back with the new project “Reflection Of Self: The Head Trip”. The collection is entirely produced by Jansport J, the California beatsmith responsible for tracks by Snoop Dogg, Ab-Soul, Dom Kennedy, Freddie Gibbs, Kool G Rap, Planet Asia, and many more. With Jansport’s raw, soulful instrumentals setting the tone, "Reflection Of Self: The Head Trip" is Stalley’s most introspective project to date. "With this music it’s more spiritual - it’s my story," he explains. "By being independent and having total control of my career, I now have the freedom to create freely and bare my whole self to my true supporters."

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Run DMC

LP | 2019 | US | Original (Get On Down)

28,99 €*

CD | 2019 | EU | Original (Saigon Supersound)

Release: 2019 / US – Original

Genre: Hip Hop

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Future archaeologists will discuss two periods in 1980s: before Run-DMC and after Run-DMC. It’s no exaggeration to say that the group changed the course of music in the ‘80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic. Coming up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as “Son of Kurtis Blow”) and Blow’s bassist and burgeoning super-producer Larry Smith, the trio – Joseph “Run” Simmons, Darryl “DMC” McDaniels and Jason “Jam Master Jay” Mizell – learned from the best, but created their own path. 1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, “Sucker M.C.s (Krush-Groove 1)” was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The song’s lyrics are a mandatory memorization assignment to this day by MCs learning their craft. “Two years ago, a friend of mine…”
The group’s sound, which was laid out muscularly on Run-DMC, had a harder approach than their peers, thanks to producer Larry Smith’s use of live musicians who laid down grooves but didn’t soften the edges. Lyrically the group wasn’t just about brags either, with songs like “Hard Times,” “It’s Like That” and “Wake Up” (the first two were singles). Run’s and DMC’s overlapping tag-team approach to lyricism was powerful and immensely influential.
“Rock Box,” another single and arguably the centerpiece of the album, was a nod to their hard edge, and a foreshadowing of their first worldwide smash, 1985’s “King Of Rock.” Jam Master Jay’s DJ work was stellar, knowing exactly when to jump in and put listeners’ ears in a headlock.
The album was the first rap full-length to achieve Gold status, and as fans know, the group was just getting started – their next two LPs would take them to even higher status in the music world, critically and sales-wise. But this is where it all started, and it’s a classic that still sounds
fresh today as it did more than 30 years ago.

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Saigon Soul Revival

Hoa Am Xua

7" | 2019 | EU (Rise Above)

Release: 2019 / EU – Original

Genre: Organic Grooves

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In the 1960s and ‘70s, unbeknownst to most, Saigon (today named “Ho Chi Minh City”) had become a fertile environment for a flourishing music industry which produced countless recordings of beautifully crafted songs.
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honoring the original composers, singers and the golden era from which this music (Nhạc Vàng) came, while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam, and accompanied live the two release tours to the Saigon Supersound Compilation releases.
While spending the last three years studying and playing this music, Saigon Soul Revival teamed up with producer Jan Hagenkötter (Saigon Supersound / INFRACom!) and finally in January 2019, they started to create own compositions in the same vein for their debut album Họa Âm Xưa. The album was recorded in Vietnam with additional guests during one week in May this year.
The album focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.

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Giuda

Interplanetary Craft

12" | 2019 | EU | Original (Cr2)

Release: 2019 / EU

Genre: Rock & Indie

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Outer space has always seemed like a pleasing alternative to the relentless shitstorm of planet Earth. As a result, rock ’n’ roll has regularly ventured into the stratosphere, often with mind-bending results. With 2019 coming to its end, only one band can guarantee you a safe and sensational intergalactic trip. Interplanetary Craft will make your head vibrate like Woody Allen’s Orgasmatron. Imagine New Age-era Blitz (Manchester’s raw early 80’s Skunk Punks during their electro/synth pop phase) colliding with Planet Earth-era Duran Duran and you might find yourself on the correct galactic path. Backed with a connoisseur’s cover version Life’s Too Long by cult UK indie-glam legends, Earl Brutus, this 45 is an absolute must. Grab it while you can!

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Paul Rayner & Fevasoul

Seek & Find

Thomas Mars, Deck D'arcy, Laurent Brancowitz & Christian Mazzalai (Phoenix)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Hitting the label's 15th year anniversary, Cr2 unleashes it's first of many releases to celebrate the occasion. Paul Rayner & FevaSoul's collab recorded in the 1990's 'Seek & Find' leads the campaign perfectly - 'Seek & Find' is a UK garage track laced with neatly done percussion shuffles, slick bass-lines backed by a leaning house vibe to sweep clubs off their feet.
After 20 years unreleased and stored on DAT, 'Seek & Find' has suddenly surged into a club powerhouse that has so far been championed by the likes of Prospa and the Slapfunk Records crew' Julian Alexander, Samuel Deep, Anril Aras - MC Feva, known for his work with the likes of Jeremy Sylvester and Acetate celebrates the release, saying It's 'Great for this to finally see the light of day. The reactions on the dance floors speaks for itself!'
With a career spanning for more than 25 years, MC Feva is joined by household name Paul Rayner, a veteran electronic music producer known for his remixes of a multitude of artists including Visage, Ysa Ferrer, Mel Merio, Spagna.

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Phoenix: Liberté, Égalité, Phoenix!

Rizzoli

49,99 €*

2LP | 2019 | EU | Original (Silver Bear)

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The first book from the French band Phoenix, who helped define the sound of an era.

With one foot in the French electronic music sound of the late 1990s and the other in the world of indie Rock, Phoenix have evolved from an edgy French band to one of the most influential and beloved indie acts of the last twenty years.

The book draws on the band's personal archives, including photography of everything from their instruments to the notebooks in which every lyric and chord change were carefully notated. Accompanying this is an oral history of the Phoenix's journey in their own words. The book is a superfan's chronicle of the evolution of a band.

Published to coincide with a series of anniversaries for the band -- thirty years since their formation as teenagers in 1989; twenty since the release of their debut record in 1999; and ten since Grammy Award-winning Best Alternative Album, Wolfgang Amadeus Phoenix, in 2009 -- and with original interviews conducted with the band throughout, this book is an intimate celebration of a group whose particular brand of indie rock has struck a chord on both sides of the Atlantic.

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O'Flynn

Aletheia

31,34 €* 32,99 € -5%

12" | 2019 | US | Original

Release: 2019 / EU – Original

Genre: Electronic & Dance

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London based producer and DJ O’Flynn has announced his debut album ‘Aletheia’, to be released 6th September 2019 on Silver Bear Recordings, and shared the second single ‘Painted Wolf’, out 21st June 2019.

His latest release follows a series of acclaimed productions which explored his wide-ranging style: from squelchy acid on Ninja Tune to loose and luscious jazz on Blip Discs, as well as the high-octane 12” released on his own Hundred Flowers imprint earlier this year.

With standout 12” debuts ‘Tyrion’ and ‘Desmond’s Empire’ in 2015, O’Flynn quickly established his reputation as “one of dance music’s most prosperous newcomers”, as put by Boiler Room.

Having gained support from Four Tet, Gilles Peterson, Bonobo, Denis Sulta, James Blake and Hessle Audio and his debut album forthcoming, he continues his musical evolution to become a resonant force within dance music.

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Beatconductor

Cuvam Noc Od Budnih