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12" | 2013 | DE | Original (Millions of Moments UK)

Release: 2013 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Marbled gold vinyl.

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KingThing

Unity EP

5,99 €*

Release: 2013 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1999 | UK | Original (SUB-lime Records U.K.)

Alan Thompson

Feel Real Good

3,99 €*

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2022 | EU | Original (Warner Music UK Ltd.)

Heather Small

Colour My Life

29,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Used Vinyl

Medium: Mint, Cover: Sealed

7" | 2022 | EU | Original (Plant Age Digital Sound)

Terekke

2 The World / Fandn

Release: 2022 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2011 | NL | Original (Clone Jack For Daze)

Murphy Jax

Kevin Spacy

7,99 €*

Deca Record Store Day 2024 Colored Vinyl Edition

Release: 2011 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is close to VG+!

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Per Se

LP | 2024 | JP | Original (Dystoland Limited / Ac045 Md)

45,59 €* 56,99 € -20%

Terrapath Eco-Mix Vinyl Edition

Release: 2024 / JP – Original

Genre: Pop

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Poetic POP Music DUO per se by Stephen Mok and Sandy lp, who debuted in 2013 and are popular in Hong Kong as a representative of Cantopop. "deca", which was released as a monumental EP to celebrate the 10th anniversary of its debut in 2022, will be released on RSD 2024 as a limited edition split colored vinyl, including the bonus track "The End of Love (Japanese version)”! A 45 rpm high-quality lacquer cut by Tohru Kotetsu (jvc Kenwood Creative Media), who is known as one of Japan's legendary mastering engineer.

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Plantoid

LP | 2024 | UK | Original (Pias/Bella Union Uk)

31,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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CD | 2022 | EU | Original (Repertoire Records (UK) Ltd)

Colosseum

Restoration

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Joan Armatrading

Not Too Far Away

24,99 €*

Genre: Organic Grooves

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Slash

Genre: Rock & Indie

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Donny Osmond

Start Again

Genre: Pop

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Hockey Dad

Dreamin'

32,99 €*

Genre: Rock & Indie

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LP | 2016 | Reissue (Bmg Rights Management (Uk))

Hockey Dad

Boronia

32,99 €*

Release: 2016 / Reissue

Genre: Rock & Indie

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Hockey Dad

Blend Inn

32,99 €*

Genre: Rock & Indie

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The Shires

Good Years

Genre: Rock & Indie

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Feel Good & Whatever Tomorrow

Chet Faker

7" (Bmg Rights Management (Uk))

Genre: Electronic & Dance

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West Bank Songs 1978-1983: A B

The Undertones

2LP (Bmg Rights Management (Uk))

42,99 €*

Genre: Rock & Indie

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2LP (Bmg Rights Management (Uk))

Groove Armada

Edge Of The Horizon

Genre: Electronic & Dance

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12" | 1994 | UK | Reissue (Isla)

Off And Gone

Dr. Orlando Owoh And His Young Kenneries Band Black Vinyl Edition

Release: 1994 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Reissue of the 1994 debut from Phil Western and Dan Handrabur's 'Off & Gone' project. A hallucinating document of the pair's initial jam sessions and what would become the genesis of a fruitful collaboration between two key members of the West Coast electronic music scene of the 90s/00s. Four tracks of deep, psychedelic techno, including the now-classic 'Namlohssa'. Re-mastered from the original DAT tapes. From Dan Handrabur [Dreamdoktor, Shukar Collective & 1/2 of Off & Gone]: I met the late Phil Western in the fall of 1992 on a visit to his record store, Oddysey Imports. There was always good music playing there, so I ended up hanging out for many hours, almost every day. It was very clear we had similar taste in music, be it the new electronic wave at the time or older music like Eighties British guitar pop, and vintage rock, not to mention ambient and world beats. A mutual friend, Robert Shea [Map Music/ Discotext], suggested we get together and jam; there was a trend going on to bring one's favorite synth to a buddy's studio and tweak knobs. We ended up making a couple of tracks which we showed Robert, a man with many connections in the new music business, by that I mean independent, forward-thinking labels from around the globe. His reaction encouraged us to release them. At the time, I was working on making a CD of my own music and tracks I had made with other tech- heads. Somehow the two cuts fitted quite well into the vibe of Outersanctum's "Frequencies From The Edge Of The Tektonic Plate" which we released in April of 1993. Sensing the possibility of a collaboration, we decided to move my equipment to Phil's place [he lived in a more permissive part of Vancouver where it was ok to work at a louder level]. Armed with two Atari 1040st with midi and various synths, samplers, and drum machines, we started crafting what was to become our most important body of work of the mid-nineties, Off and Gone, Floatpoint and others. After a visit to Lopez island where Mike Kandel [1/2 of Exist Dance] had his studio, the three of us decided on the name [Off and Gone] and set a release date for our first EP. Needless to say, we were ecstatic about it since we were both very fond of the music Exist Dance was releasing. This was the incentive we needed and also a psychological push to work on more material. Our sessions were lengthy; there was not much talking and a lot of playing. Programming in Notator (now Logic Audio) was tedious but rewarding; mixes were tracked to DAT tape. Some gear without memory had to stay on for days until we were satisfied with the mixes. Occasional overheating and power outages were our biggest enemies and guests to the studio who carelessly pushed keys on synths, thus ruining arpeggios... We never used limiting or compression. We didn't own any of that gear, relying solely on the power of our sound generating devices. No audio editing was available back then, at least not to us. A few times, we snuck into Skinny Puppy's studio to play with their Pro Tools rig and track guitars and violin through the Eventide, which we resampled and used in tracks. At the time, we had the feeling of doing something important for the Vancouver electronic music scene, inspiring other musicians to build studios and strive to create new, interesting music, away from the industrial sound that defined the city for several years, for which we had the utmost respect. All the music we made together was purely for the joy of sound creation and a sincere love of dance and ambient music; without any desire for affirmation or commercial success. Throughout our relatively short but productive collaboration, there was a feeling of completing each other's ideas very easily, without arguments, in an almost telepathic way, something I personally have never experienced again with another musician.

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Dr. Orlando Owoh

LP | 2023 | US | Original (Tidal Waves Music)

17,99 €* 19,99 € -10%

It'll All Be Over Opaque Maroon & Transparent Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Organic Grooves

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A household name in Nigeria, Dr. Orlando Owoh enjoyed a durable popularity that has cut across generational lines in his home country and beyond. Leading groups such as the Omimah Band and the Young Kenneries, Owoh remained popular even as Nigerian tastes shifted to the newer Juju and Fuji styles! Before this transition, the hot style in Nigeria and Ghana was called Highlife. It developed from a traditional Yoruba genre called “palm wine music”, overlaid with danceable guitar rhythms, and, in the hands of many musicians, it also contained a strong element of Trinidadian calypso. Owoh combined this aesthetic with a traditionalist spin on things to make his own brand of excellent sound. His story, like that of many musicians, is a progressive journey in which we can see his choice in musical trends shaping in response to the events in his life. He travelled far in the music world before his passing in 2008 and is remembered to this day even outside of his devoted Nigerian fans. Dr. Orlando Owoh left us with a musical legacy spanning over forty years and he became one of the leading proponents of highlife music with over 45 classic albums to his name, including many hit singles. Owoh played drums and sang with the Kola Ogunmola Theatre Group (one of the most prominent ensembles in the country) when Queen Elizabeth visited Ibadan, Nigeria, in 1956. Performing with several bands, Owoh realized that music in West Africa was developing in a new direction and started taking lessons on the electric guitar. Owoh notched several hits in Nigeria in the 1960s, but his career was slowed between 1967 and 1970 by the country’s civil war. Owoh fought for the Nigerian government against the country’s Biafran rebels. After the war he recorded a major hit called “Oriki Ilu Oke,” and his fame spread to Nigerian expatriate communities. In 1972 he played in London, England and went on to play shows for large audiences featuring South African legend Miriam Makeba. After receiving a doctorate degree in music he was known as Dr. Orlando Owoh. In Owoh’s music, the sophisticated Caribbean-style horn arrangements of Highlife were deemphasized in favor of Owoh’s guttural voice, guitar, percussion, and down-to-earth lyrics. Owoh’s grassroots take on Highlife music and provocative lyrics led him into political realms in the turbulent Nigeria of the 1980s. Orlando Owoh entered each of his decades of performing with his prowess and popularity undiminished. Heard today, his music sounds distinctly more traditional than that of other Highlife bands and strongly evokes the music’s rootsier base. He also generally remained true to the small guitar-band format of Highlife, rather than adapting his style to the huge, kinetic ensembles. He sang mostly in Yoruba, but recorded music in English on occasion. His recordings, like those of other African musicians, consisted of long, dance-suitable medleys of connected pieces; they gave only a small slice of what would occur during an actual Owoh performance, which might last all night. Dr. Orlando Owoh left his mark on the world in multiple ways. To Nigerians and Ghanaians, he will not be forgotten for his contributions to their culture, and his reinvention of existing genres and trends. To the political world, he will not be forgotten for how he stood against the establishment. And of course to the music world, he will never be forgotten for how he united the planet under songs that Africa should be proud of. Like a proud canary, his songs elevated the world to a height that can never leave us. The album we are presenting you today (Dr. Orlando Owoh And His Young Kenneries from 1977) comes swinging right out of the gate with a set of no less than Nine monster tunes. Expect nothing less than some of the best traditional Juju, Yoruba and highlife tracks that will leave you captivated from start to end. This is a quintessential record that every serious collector or fan needs to have in his/her collection. Originally released in 1977 on Decca Records Nigeria, Tidal Waves Music now proudly presents the first official reissue of this seminal album. This is also the first time the album is being released outside of the African continent. This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies worldwide) with obi strip and featuring the original artwork.

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The Supreme Jubilees

LP | 1980 | US | Reissue (Light In The Attic)

2LP | 2021 | US | Original (Dead Oceans)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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New LP Color Edition pressed on opaque maroon & transparent yellow wax
First ever LP reissue

Liner notes by Jessica Hundley interviewing the band, plus rare archive photographs
LP housed in an expanded gatefold jacket
If God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing, in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.

A band of brothers and cousins, the group was founded from two families: brothers Joe and Dave Kingsby plus Dave’s son David Kingsby Jr., and keyboardist Leonard Sanders plus his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders clan grew up singing together in the Witness of Jesus Christ church in Fresno CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and, prophetically, only–album, It’ll All Be Over.

Released in 1980 on the group’s own S&K (Sanders & Kingsby) label, It’ll All Be Over pinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and it’s a feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”

Making the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix, he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day he recorded his part of the album’s title track in a single take.

After the LP was pressed, the group took their music on tour, first in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.

A copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store, where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth Of July barbecue in Fresno in 2004. And he eventually introduced the group to Light In The Attic Records, which now presents the album, restored, remastered, and available to the public for the first time.

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Khruangbin

Mordechai Remixes

LP | 2024 | UK | Original (Time Capsule)

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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“The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named `Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing its first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Sott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' `Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled `White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out." - Bill Brewster

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Izumi "Mimi" Kobayashi

Choice Cuts 1978-1983

LP | 2022 | UK | Original (Mr Bongo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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A luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks.

A star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s studio.

Choice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name.

The compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep.

Alongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows).

Released on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole & and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’.

Capturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.

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Project Gemini

The Children Of Scorpio

22,99 €*

12" | 2024 | UK | Original (Central Processing Unit)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Good things come to those who wait. The album 'The Children of Scorpio' by Project Gemini aka Paul Osborne is a result of his steeped 30-year musical journey that’s seen him dig deep, study his record collection and re-emerge to fine-tune his craft.

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks.

A bass player and musician since the age of 16, the arrival of his first child in 2010 saw Paul move away from live performance and retreat to his home studio, recording a wealth of music that was destined to never be heard. One of the first tunes to be made was a demo entitled ‘The Children Of Scorpio’, inspired by his long-time obsession with Lalo Schifrin’s soundtrack to violent Clint Eastwood cop classic 'Dirty Harry'. Recorded for fun, the track was fated to sit in the archives untouched. However, like a phoenix rising from the ashes, connections to a wealth of inspirational musicians and labels would re-ignite Paul's musical fire and give him the impetus to develop his slept-on ideas into something more concrete. Firstly resulting in releasing two limited 7'' records on Delights Records and now the long-player for Mr Bongo.

Assisting in the recording of the record were several close friends that have helped spark Paul's musical creativity along the way, including well-renowned guitarist and Little Barrie frontman Barrie Cadogan (who contributes killer six-string guitar to four tracks), Delights Records head-honcho Markey Funk (who adds spooked out keyboards to ‘Path Through The Forest’), Kid Victrola, the chief songwriter and guitarist with French psych girl group Gloria who added wild 12-string to ‘Scorpio’s Garden’, Haifa-based multi-instrumentalist and producer Shuzin who brings the heat behind the drum kit, and Paul Isherwood, co-founder of Nottingham’s The Soundcarriers, who mixed the album on his wealth of vintage gear.

We are delighted to be releasing this slowly-brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

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Karsten Pflum

Liars

12" | 2023 | UK | Original (Arkada)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum's work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint's recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'wan1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'wan1's restless brilliance.
After 'wan1', 'lola' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'lola' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'mousfolk' somewhat splits the difference between Liars' A-sides. This track has 'wan1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'lola's zanier energy. As with the other joints here, 'mousfolk' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'balm'. For the first section of 'balm', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
Riyl: AFX, Silicon Scally, DMX Krew, Matmos

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Adj / Adrien D'elzius

Arkada004

17,99 €*

CD | 2022 | UK | Original (Mr Bongo)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Arkada records is excited to announce our 4th release - forthcoming split vinyl EP featuring the sounds of ADJ & Adrien d’Elzius.

We are very happy to present the first part of the EP with the unique sounds of one of the pioneering artists in the UK underground Electro scene, the label owner of Pyramid Transmissions - ADJ

ADJ originates from and is based in London. He has been playing Underground Electronic Music for over 35 years as a DJ, starting in the days of Early Electro and Hip Hop. He has also been producing and releasing music for 25 years, releasing over 200 tracks in this time on a plethora of labels including Touchin Bass,For Those That Knoe, Another Perspective, Ai, Outside, Cultivated Electronics,Yellow Machines, Crobot Muzik, Diffuse Reality, Netlabel ,Digital Distortions and more...has done remixes for Flint Kids, Scanone, LASynthesis, Carl Finlow, Fleck Esc, Arsonist Recorder , Paul Hierophant to name a few.

He has run the Pyramid Transmissions Record label with label partner Pathic for 20 years and also ran the Analogique record label for 5 years from 1995-2000 releasing Techno, Electro and Electronica as 3 Elements. ADJ also performed his first Live set in a few years in March 2020 Mutabor in Moscow.

As a DJ, he has played at many festivals including a Bloc residency, Glastonbury For Bloc, Bestival, Shambala, Infiltrate at WMC Miami. 2019 saw another tour of the US with Silicon Scally,Ben Milstein, Evac, Ion Driver and 214. He also runs the Dodo Club and Frequency Resonate(with Errorbeauty) nights in London and Berlin aswell as playing in Lille, Kiev, Moscow, St Petersburg Berlin,Zagreb,Athens, Napoli, Brussels, Budapest, Vienna, Valencia, Sofia, Paris and many more..

Second part of our EP presents the futuristic glitched-out sounds of the one of a kind Belgium producer Adrien d’Elzius also known under his allies HosmOz.

Adrien d’Elzius was born in the gloomy south of Belgium spending his youth hanging around in a camping and listening to Hip Hop, he started his life in a mess of paradox. At 10, he learned to play drums under his punk’s brother regard, and experimented different kind of rock until 18. That’s where someone showed him a track of Aphex Twin, who blew his mind and made him believe he had finally found the music that suited him. From there, he compulsively spend hours playing around with his computer and slowly made himself a place in the very small community of underground music lover of Brussels under the nickname hosmOz after winning a contest. From his melodic and acidic drill’n’bass beginning, his sound slowed down and got darker, challenging himself to try to create something he couldn’t before. He recently re-released his Lp on Diffuse Reality that make it available on physical form and also his debut album on Burial Soil with remixes by Umwelt and Lloyd Stellar.

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Project Gemini

The Children Of Scorpio

Malagasy At Newport-Paris

Release: 2022 / UK – Original

Genre: Rock & Indie

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Jef Gilson

LP | 1973 | EU | Reissue (Souffle Continu)

25,99 €*

Uneasy Laughter Loser Edition

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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In 1973, Jef Gilson gave new impetus to his already long career by reforming ‘Malagasy’ with young musicians from Madagascar exiled in Paris. The group was very successful and played in clubs and festivals on the same bill as Ray Charles, Sun Ra, Terry Riley, Hal Singer or Chris McGregor’s Brotherhood of Breath. The meeting between two generations and two cultures created a new mix between jazz, traditional music and electric funk. Jef Gilson had reinvented himself yet again, and it wouldn’t be the last time.

"In May 1972, the wave of anger and the thirst for freedom that had swept the world in 1968 arrived in Madagascar. The Malagasy youth took the opportunity to exile in search of a brighter future. Several of them, all jazz musicians and often polyintrumentalists, came to Paris with their afro hair and bellbottoms. Their names were Sylvin Marc, his cousin Ange "Zizi" Japhet, Del Rabenja, Gérard Rakotoarivony and Frank Raholison.

By chance, they crossed paths with pianist and bandleader Jef Gilson, who they had already met as kids during a series of concert and workshops in Tananarive four years earlier. Gilson was far from an unknown on the French jazz scene. He had played with Boris Vian and André Hodeir at the end of the forties, he was one of the first French composers to move away from the New-Orleans style to try his hand at bebop, had launched numerous young stars (Ponty, Texier, Portal...), was a polemical critic for Jazz Hot, had opened for Coltrane at Antibes/Juan Les Pins, and was part of the Double Six... But it was tough to make a living playing personal compositions and Jef, who didn’t have enough money to return to the island and continue mining the seam of Malagasy jazz, saw an opportunity to relaunch ‘Malagasy’.

He had his recording studio in the Les Halles area, at the Foyer Montorgueil, where he was teaching jazz to a choir. He set to work with the new Malagasy group, working on a repertoire and reviving some of his compositions from the 50s/60s ("Requiem Pour Django", "Dizzy 48", "Anamorphose" here renamed "Salegy Jef" as a nod to an ancestral rhythm reworked in a contemporary style...), and also included more recent tunes ("Newport Bounce" which opens this current album is a reworking of a track called "Interlude", recorded in 69 with the drummer from Miles Davis’ first quintet, Philly Joe Jones). The group Malagasy 73 gigged a lot. One of their concerts was recorded on the 14 March in a club, ‘Le Newport’, in rue Grégoire de Tours, Saint Germain des Prés, not far from the ‘Kiosque d'Orphée’ where Gilson worked at the beginning of the 60s when he brought bebop and avant-garde jazz to the attention of a generation of musicians with his records imported from USA.

This meeting between two generations and two cultures created a new mix between jazz, traditional music and electric funk. Jef Gilson had reinvented himself yet again, and it wouldn’t be the last time." --- Jérôme « Kalcha » Simonneau

Album Release

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Moaning

LP | 2020 | US | Original (Sub Pop)

12" | 2024 | UK | Original (Jti)

Release: 2020 / US – Original

Genre: Rock & Indie

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What happens when an abrasive rock trio trades guitars for synths, cranks up the beats and leans into the everyday anxieties of simply being a functioning human in the 21st century? The answer is Uneasy Laughter, the sensational second Sub Pop release from Los Angeles-based Moaning. Vocalist/guitarist Sean Solomon, bassist/keyboardist Pascal Stevenson and drummer Andrew MacKelvie have been friends and co-conspirators amid the fertile L.A. DIY scene for more than a decade. They are also immersed in other creative pursuits - Solomon is a noted illustrator, art director and animator, while Stevenson and MacKelvie have played or worked behind the boards with acts such as Cherry Glazerr, Sasami and Surf Curse. On Uneasy Laughter, they've tackled challenges both personal and universal the only way they know how: by talking about how they're feeling and channeling those emotions directly into their music. "We've known each other forever and we're really comfortable trying to express where we're at. A lot of bands aren't so close," says MacKelvie. Adds Solomon, who celebrated a year of sobriety during the Uneasy Laughter sessions, "Men are conditioned not to be vulnerable or admit they're wrong. But I wanted to talk openly about my feelings and mistakes I've made." Moaning's 2018's self-titled Sub Pop debut featured songs mostly written in practice or brought in already complete by individual band members. It garnered acclaim from Pitchfork, Stereogum and Los Angeles Times, who observed, "Moaning craft anxious music for an increasingly nervous local scene." But Uneasy Laughter is a collaborative breakthrough which significantly brightens Moaning's once claustrophobic sound, again abetted by producer/engineer Alex Newport (At The Drive-In, Bloc Party, Melvins). The trio points to first single "Ego," which features a costume-heavy video directed by Ambar Navarro, as an embodiment of this evolution. Solomon admits Uneasy Laughter could have gone in quite another direction had he not gotten sober and educated himself on such core subjects as gender and mental health. "I did a lot of reading in the tour van - authors like bell hooks, Mark Fisher, and Alain de Botton, all really inspired me. I don't want to be the person who influences young people to go get high and become cliche tragic artists," he says. "What I'd rather convey to people is that they're not alone in what they think and how they feel. 'Ego' specifically and the album overall is about those themes - letting go of your bullshit so you can help other people and be present." "We want to be part of a community," he adds. "I wrote online about being sober for a year, and I had kids from all over writing and asking for advice. One of them said, 'For the first time I can remember, I didn't drink last night.' I thought, for once, maybe we did something besides sell a record. That's a win. That's incredibly exciting."

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The Prisoners

Morning Star

Release: 2024 / UK – Original

Genre: Rock & Indie

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Some things are worth waiting for… "Morning Star" is the first all-new album by The Prisoners since 1986. It
features the original line-up of
Allan Crockford – bass, vocals
Graham Day – vocals, guitar
Johnny Symons – drums
James Taylor – Hammond organ, vocals
After a phenomenally successful series of gigs in December 2022 marking the 40 th anniversary of their debut album 'A Taste of Pink', the band decided to make some new music. The recording was completed in two days, one of them in Studio 2 at Abbey Road. Their preference for recording quickly hasn't changed since they recorded that first album as teenagers, also in two days, in 1982. To celebrate, they play The Roundhouse in London on May 24th, their biggest headline gig
Biography
The Prisoners formed when they were still at school in Rochester, Kent. Between 1982 and 1986 the band released four albums plus several singles and EPs. Inspired by the local Medway DIY music ethic, their debut 'A Taste of Pink' and 'The Last Fourfathers' appeared on their own label, Own Up Records whilst "The WiserMiserDemelza" was released on Big Beat (Ace Records) and "In From The Cold" on Countdown (Stiff Records).
They earned a reputation as an incendiary live act as they plied their trade around the UK and Europe, building up a dedicated following and unknowingly inspiring a generation of future musicians. Their unique sound, based on instantly memorable and melodic songs surfing on a seething wave of brutal guitar, attention-grabbing, up-front Hammond and head-pounding rhythms, made for an explosive evening of entertainment. It was a unique combination of the sonic assault and danger of The Who and 60's garage-punk, the soulful vocals and dynamics of the Small Faces plus the groove and danceability of Booker T & the MGs. Throw in the intensity, drive and insolence of punk rock, as well as an unabashed love for instrumental TV themes and you had a wonderfully off-kilter version of where the real cool kids were at in the early '80s…
Despite some brushes with 'success', the pressures of hard living on the road took their toll and they quit in September 1986. They left behind a legacy and a sound that was inspirational to many that followed. Not many under the radar bands of the 80's would merit chapters dedicated to them in biographies of such luminaries as Steve LeMacq and Tim Burgess as well as being name checked as Brit-Pop forefathers. Their original albums make regular appearances in 'Great Lost Albums' lists and continue in print to this day.
James Taylor subsequently went on to gain huge success as the best pure Hammond player of his generation with his jazz and funk quartet (jtq). His playing and sound undoubtedly played a massive part in restoring the popularity of his chosen instrument.
That work started in The Prisoners.
Graham Day and Allan Crockford, both together and apart, continue to the present playing music that has ploughed a similar furrow to The Prisoners in such combos as The Prime Movers, The Solarflares, The Gaolers, The Galileo 7 and The Senior Service.

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2LP | 1998 | EU | Reissue (Matador)

27,99 €*

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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THE EXPANDED 2011 EDITION OF QOTSA"S DEBUT ALBUM- BACK ON CD AT LAST!- THE FIRST RELEASE SINCE QOTSA"S NEW ALBUM FROM "23, "IN TIMES NEW ROMAN..."- FEATURES ORIGINAL LOOSE-GROOVE COVER ARTWORK

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Tuxedo IV Colored Vinyl Edition

LP | 2024 | US | Original (Funk On Sight)

Release: 2024 / US – Original

Genre: Organic Grooves

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Bonding over a shared love of Parliament, Zapp and other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus), collectively known as Tuxedo, return with their fourth studio album, Tuxedo IV. Their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance floors in 2024. Roll the Windows Down and turn the volume up. Tuxedo is Back 4 More so Don’t Think Twice.

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Tuxedo IV Black Vinyl Edition

LP | 2024 | US | Original (Funk On Sight)

29,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Reissue (Interscope)

Lullabies To Paralyze

25,99 €*

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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2LP | 2017 | US | Reissue (Stones Throw)

Tuxedo II

27,99 €*

Indo Tribe, Smart Systems, Yage

Release: 2017 / US – Reissue

Genre: Organic Grooves

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“The only time you wear a Tuxedo is when it’s time to party.”

So says legendary West Coast player Snoop Dogg on the opening track of “Tuxedo II”. The blessing of the Doggfather is of special importance to Mayer Hawthorne and Jake One, whose second album as a duo finds them at the forefront of a new wave of gangster boogie - one that owes as much to G-funk as P-funk.This is the territory of pre- and post-hydraulic low riders: a mélange of Cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

Bonding over a shared love of Chic, Parliament, and the other signs in the greater funk Zodiac, Mayer Hawthorne (Aquarius) and Jake One (Taurus) were early predictors of the sea changes that American music would undergo in 2016. Their first release of 2015 debuted at #1 on iTunes America’s RnB charts, christened as “Dance Floor Catnip” by the Boston Globe, and “Pure disco-funk hot fire” by Okayplayer. Considering their individual successes (Mayer’s four solo albums, Jake’s production work for the likes of Drake, Future, The Weeknd, and De La Soul) and five Grammy nominations between the two of them, it’s no surprise that their powers combined have yet again yielded a bevy of absolute slappers that are packaged perfectly for dance parties in 2017. The material here, while wholly original, is an exercise in honoring its forebears. “Tuxedo II” recalls the future funk wobble of Zapp, Gap, Jam/ Lewis and Junie Morrison, while nodding lyrically to Mtume, Jodeci and Cameo.The crystallization of the album’s concept comes courtesy of its message of universal love; thanks to the signature combination of soul and pop sensibility that have come to define Mayer’s hooks.

“You gotta do what you love...” says Mayer in a recent interview with Nordstrom’s style blog, one of the many fashion outlets to cover Tuxedo’s rise. After all - the transcendental ritual of the party and the rippling self affirmation of the funk are of one spirit: the spirit of self love...of self expression. “Tuxedo II” is a modern testament to unity and positivity in trying times. It is a reminder that the dance floor will always be there to welcome you, whoever you are.

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The Pulse Ep Volume 3

12" | 1991 | UK | Reissue (Jumpin' & Pumpin')

Hits 1990-2000 Red Vinyl Edition

Release: 1991 / UK – Reissue

Genre: Electronic & Dance

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First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. “Calcium” transcendental and otherworldly, “Owl” described as ‘one of the greatest breakbeat hardcore tracks ever created’. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.

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Die Braut Haut Ins Auge

LP | 2024 | Original (Trikont)

Release: 2024 / Original

Genre: Pop

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Musical Ambassador / Money Could A Buy

Eek-A-Mouse, King Kong

7" | 2024 | EU | Original (Irie Ites)

11,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2015 | US | Reissue (Stones Throw)

Tuxedo

36,99 €*

The Scan Aka Mathys Lenne

Release: 2015 / US – Reissue

Genre: Organic Grooves

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The mysterious Tuxedo Funk Crew drops it in full length in 2015!

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Callgroove

12" | 2023 | EU | Original (Blue Hour)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Blue Hour Music welcomes French artist Mathys Lenne for his debut EP as ‘The Scan’ - his go to alias for classic techno. Titled ‘Callgroove’ the record features four functional and highly seductive DJ tools aimed at darkly-lit dance floors. Each track is stripped to its essential layers, holding its own unique tension with hints of pre-pandemic club moments, lead by bold rhythmic groove manipulation, classic drum programming and immersive atmospherics.

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2LP | 2019 | EU | Original (Interscope)

Songs For The Deaf

47,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Ibmcs 7 Inch 5 Blue Vinyl Edition

Phi-Life Cypher & Ed O.G

7" | 2024 | US | Original (IBMCs)

Tom Holkenborg aka Junkie XL

Release: 2024 / US – Original

Genre: Hip Hop

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The 5th 7 inch in the series. Limited to only 200 copies.

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Mad Max: Fury Road

2LP | 2024 | EU | Original (Music On Vinyl)

38,99 €*

Release: 2024 / EU – Original

Genre: Pop

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In Times New Roman Limited Red Vinyl Edition

2LP | 2023 | EU | Original (Matador)

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (Edits Collection)

Lello Di Franco Aka Ldf

Edits Collection #2

Release: 2022 / UK – Original

Genre: Electronic & Dance

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This second collection of edits from Italy's matter-of-fact Edits Collection label offers another quarter of superbly feel-good disco sounds. 'Slow Luv' has lush strings and plenty of Philly vibes, while 'Stranger Beat' layers up the jumbled percussion, sliding hi-hats and funky bass. Flip it over for 'Xpress Yourself' which is sure to weave its way into your soul with its hip-shaking groove and more funky bass frets than you know what to do with. 'Xpress Yourbeats' is a more raw and drum focused sound for amping up those energy levels on the floor.Edits Collection #2

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Villains Opaque White Vinyl Edition

2LP | 2017 | EU | Reissue (Matador)

Y2C, Curses & Younger Than Me

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Queens of the Stone Age’s redefining, 2017 album Villains produced by Mark Ronson and co-produced by Mark Rankin is reissued in a special, 5 Year Anniversary package with etching, obi-strip, and a limited-edition poster by Boneface.

Featuring: Josh Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita, Jon Theodore

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Still There

12" | 2022 | EU | Original (Live At Robert Johnson)

LP | 2022 | UK | Original (Before Zero)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Are you still here? Or are you still there? Berlin-based/Italian warehouse-rave warrior, Younger Than Me, and Italo-American romantic goth-wave prince, Curses are There. They're there where it's at! It was the bond of bold friendship that brought these guys together - and of course a shared history of subgenre juxtaposition and meshing. Both grew up on Punk, Rap, and of course the early days of Techno. »Still There« is their first EP together and thus of course their first for Live At Robert Johnson. It's a venture into the euphoric, psychedelic power of early Trance and Breaks mixed with the attitude and energy of EBM and Electro. Starting with the moody slow beats of the title tune »Still There«, Y2C takes you on a journey to a faraway chill-out room in some dark yet warm and cozy cellar. Or is this place to be found in synth heaven? It could well be if you listen to those dreamy melodies. Melodies as beguiling as the song of the Sirens that seduced good old Ulysses. Y2C pick up on that dreamy vibe but throw in that slight and subtle Trance-factor, taking up speed with »Romantic Squat«, dragging you into their very own romantic squat. Next up is »Love Your Enemy« - oh yes, shouldn't we all? Icey claps with lots of reverb and a bass line draw you onto the dry ice flooded aluminum floor and there's no way back - especially when that strange break with that crazy sound makes you stop for a second and think, why did I stop dancing? Get back on the floor y'all! The last track »Lullapaluza« is indeed some kind of a lollapalooza ride, a very special ride. And no, it does not lull you to sleep because the beat created by Y2C here is a demanding one, a special which gets you going all over its eight and a half minutes. It's sheer bliss, you gotta believe it. This is not a one-off novelty EP, it's a kinetic collaboration. Y2C is a force of nature, a force of Rave/wave energy, with many more to come, a force to reckon with.

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Akae Beka & Zion I Kings

Portals

21,99 €*

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Akae Beka's inimitable style, developed over decades performing with St. Croix based band Midnite. At the point of his untimely passing in 2019, he had released over 70LP's. His prolific output coupled with his uniquely rich, deep, multilayered songwriting and uncompromising devotion to RasTafari has earned him a place amongst the reggae legends.
The production trinity, Zion I Kings have been involved collectively and individually in co-creating some of the most highly regarded contributions to the vast Akae Beka catalogue.
Now available on 12" vinyl courtesy of Before Zero Records, Portals was originally released on CD and Digital in 2016. It garnered critical acclaim and held position in the billboard charts top 10 for 2 weeks. Produced collaboratively between Zion I Kings and Vaughn Benjamin (Akae Beka), who co-produced & arranged 5 of the 13 songs himself, alongside the ZIK players in St. Croix's Aqua Sounds Studio. The album's sound continues a trajectory of textural, guitar-driven roots reggae that Zion I Kings and Padraic Coursey first explored on the track "Weather the Storm" on 2014's Beauty for Ashes.
Now available on 12" vinyl courtesy of Before Zero Records.

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Text Logo T-Shirt

Jacka, The (Of Mob Figaz)

Available Sizes: L, XL

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The Queens Of The Stone Age Text Logo Tee is equipped with the following features:
• rib crew neck with interior tape
• Text Logo artwork printed on front
• regular fit
• 100% cotton single jersey

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Tear Gas Record Store Day 2022 Tear Gas Smoke Vinyl Edition

2LP | 2021 | US | Original (Empire)

24,99 €*

Release: 2021 / US – Original

Genre: Hip Hop

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Tear Gas Smoke Vinyl. Released in 2009, Tear Gas is the fourth and arguably most notable studio album from The Jacka. Peaking at #93 on the Billboard Top 200, the 19-track album is packed with features from both Bay Area and national legends, such as Andre Nickatina, Matt Blaque, E-40, Mistah F.A.B., Cellski, Zion I, AP.9, Dubb 20, J. Stalin, Devin The Dude, Paul Wall, Masspike Miles, Planet Asia, Cormega, Ampichino, and Freeway. The album features the hit singles, "All Over Me feat. Matt Blaque," and "Glamorous Lifestyles feat. Andre Nickatina"

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LP | 2019 | PL | Original (Interscope)

Rated R

31,99 €*

Release: 2019 / PL – Original

Genre: Rock & Indie

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Freddie Cruger Aka Red Astaire

Soul Search

2LP | 2006 | US | Original (Ubiquity)

Manuold, Asquith, Yard & UC Beatz

Release: 2006 / US – Original

Genre: Hip Hop, Organic Grooves

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13 tracks feat. Linn, Desmond Foster, Anthony Davis, ...

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803 Crystal Grooves Collective Cuts Volume 4

12" | 2020 | EU | Original (803 Crystal Grooves)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Cinthie launched the Collective Cuts imprint 2019 with a VA from Kettama, Asquith, 9th House and S3A and has since gone on to release a follow up EP from the latter and a split EP from Anaxander and Azuni. As the name would suggest the label was built as a platform for Cinthie to showcase the music of her peers. Here we see this continue with a four track package welcoming back Asquith while introducing three new acts to the roster. Up first is Manuold with his ‘Classic Paradise’ cut, a disco-tinged house track employing soaring diva style vocals, bright keys, choppy bass hits and sweeping pad sequences throughout. Lobster Theremin’s Asquith then takes thing in a rave driven direction with bumpy breaks, heavy doses of sub bass and a hazy, resonant atmospheric pad. UC Beatz steps up next with ‘Picnic On A Roof’, laying down a smooth deep house feel via warbling Rhodes, cinematic strings, wandering jazz tinged bass and organic drums before Yard One round out the release with ‘Disjoint’, fusing a dynamic drum workout with gritty bass hits, bright synth sequence and emotive atmospherics.

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LP | 2019 | PL | Original (Interscope)

Era Vulgaris

Release: 2019 / PL – Original

Genre: Rock & Indie

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Deaf Songs T-Shirt

Available Sizes: S, XL, 2XL

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The Queens Of The Stone Age Deaf Songs Tee is equipped with the following features:
• rib crew neck with interior tape
• Deaf Songs artwork printed on front
• regular fit
• 100% cotton single jersey

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LP | 2013 | US | Original (Matador)

...Like Clockwork

Release: 2013 / US – Original

Genre: Rock & Indie

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2LP | 2013 | EU | Original (Matador)

Like Clockwork

Release: 2013 / EU – Original

Genre: Rock & Indie

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Standard 2LP on 150 gram vinyl with download code.

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LP | 2000 | UK | Reissue (Interscope)

Rated R

Release: 2000 / UK – Reissue

Genre: Rock & Indie

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Southside Movement And Jackie Ross

Picture
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You Are The One That I Need

7" | JP | Reissue (P-Vine)

21,99 €*

Yasuko Love-Bird = Yasuko Agawa

Release: JP – Reissue

Genre: Organic Grooves

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The collaboration between Chicago funk band Southside Movement, who released a total of three albums between 1973 and 1975 on Wand and 20th Century Records, and female soul singer Jackie Ross, also based in Chicago and left many records for Chess and Brunswick. The fabulous collaboration is forgotten so long as it hasn't been released officially though a few test pressing copies only exist. In 2023, P-vine reissued their only full-length on vinyl for the first time. And now, the most highlighted song "You Are The One That I Need" is finally available on 7inch vinyl!

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Sunglow = サングロウ

LP | 1981 | JP | Original (Invitation)

7,99 €*

Miles, Pete Melba, Iro Aka

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI

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Luminescence Va

12" | 2024 | EU | Original (Real Interactions)

Gene Hughes Aka Bluemoon Productions

Release: 2024 / EU – Original

Genre: Electronic & Dance

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5th release for Real Interactions, another release with a diverse selection of tracks. A side featuring 2 Housey 4 to the floor tracks from Pete Melba & Miles, whilst the B side boasts more electro / break driven beats courtesy of Iro Aka & Miles.

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Track Show Volume 2

12" | 2024 | EU (Hotmix)

11,89 €* 13,99 € -15%

Release: 2024 / EU

Genre: Electronic & Dance

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Airgoose Aka Rockers Hi-Fi

That Was No Martian

12" | 1995 | EU | Reissue (Personal)

Vanilla Aka Daniela La Luz

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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That Electro Banger from Airgoose aka the Rockers Hi-Fi aka Original Rockers gets a 45 feel with a fresh 2024 Version of "That Was No Martian" on the flipside.

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Global Transformation

12" | 2024 | EU | Original (Chiwax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In Times New Roman Limited Blue Vinyl Edition

2LP | 2023 | EU | Original (Matador)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Jorma Kaukonen And Jack Casady

Reno Road: Unreleased Tracks From The 60's Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (Culture Factory USA)

54,99 €*

Release: 2024 / Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 2000

Twenty-six never-before released-tracks from the original members of Jefferson Airplane and current members of Hot Tuna. These are tracks that Jorma and Jack recorded in the 1960s before Jefferson Airplane. The double vinyl package includes an OBI side spine, gatefold jacket and printed inner sleeves with never-before-seen photos of Jorma and Jack from the 1960s. Pressed on Gold Nugget vinyl.

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2x12" | 2013 | Original (Matador)

...Like Clockwork

22,99 €*

Release: 2013 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Like Clockwork Opaque Red Vinyl Edition

2LP | 2013 | EU | Reissue (Matador)

29,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Yasuko Love-Bird = Yasuko Agawa

Sunglow = サングロウ

LP | 1981 | JP | Original (Invitation)

9,99 €*

New Jack Hustle (Giant Panda)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI

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New Shades / Make Moves / Saturday Night

12" | US (TR)

10,99 €*

Release: US

Genre: Hip Hop

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DJ Plant Texture A.K.A. A662

Just EP

12" | 2023 | EU | Original (Kaos)

11,19 €* 15,99 € -30%

LP | 2023 | EU | Original (We Are Busy Bodies)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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DJ Plant Texture's latest EP, "JUST EP", is a heartfelt tribute to the 90s rave era. With its heavy influences from the Early Acid House and Hardcore hip hop movements, the EP features infectious beats and classic synthesizer riffs that will transport listeners back in time. Each track on the EP is a testament to DJ Plant Texture's skill in production and composition, creating a sound that feels both fresh and nostalgic. Whether you're a long-time fan of the 90s rave scene or just discovering it for the first time, "JUST EP" is a must-listen for anyone who loves electronic music.

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New Age Doom & Lee Perry

Remix The Universe

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tribulation Flute Part 1 / Part 2

Echo Boy Ft. Don Fe

12" (Solway Dub)

17,99 €*

Genre: Reggae & Dancehall

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Ludwig Oehlenschlaeger Jeyaratnam Dnso Wicki

Hollywood Gala

LP | 2023 | EU | Original (Euroarts)

Release: 2023 / EU – Original

Genre: Classical Music

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Jack Harlon & The Dead Crows

Hail To The Underground Transparent Orange Vinyl Edition

LP | 2023 | EU | Original (Blues Funeral)

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Truth Universal Aka Stokely Ture

The Ruler's Back

7" | 2022 | US | Original (Truth Universal Music)

Release: 2022 / US – Original

Genre: Hip Hop

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Tom Holkenborg aka Junkie XL

Godzilla Vs Kong Ost Blue Orange Multicolor Vinyl Edition

2LP | 2022 | US | Original (Waxwork)

27,99 €*

Roland Kirk With Jack Mcduff

Release: 2022 / US – Original

Genre: Soundtracks

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Waxwork Records is excited to present Godzilla VS Kong Original Motion Picture Soundtrack by Tom Holkenborg aka Junkie XL (Army of the Dead, MAD MAX Fury Road)! Godzilla vs Kong marks the fourth in Legendary Pictures’ titan universe. Godzilla & King Kong are back and they’ve led us to the center of our hollow Earth. In this movie, directed by Adam Wingard, tech mogul “Apex” and a band of conspiracy theorists, tech moguls, and scientists try to harness the power of the center of the earth to defeat a suddenly violent Godzilla and return King Kong to his original home.

Junkie XL delivers a score that convinces you that this coalition of outcasts from across the world has to be correct. Huge orchestral arrangements perfectly match the intensity level of the multi-level coverup that hides the truth about the hollow earth theory. The composer complements awesome battles with sweet flashes of humanity from the two monsters, leaving hearts both racing and breaking for the creatures.

Waxwork Records is thrilled to present the official double LP score with 180 gram “Godzilla” & “King Kong” colored vinyl, deluxe packaging, heavyweight gatefold jackets with matte coating, 12x12 art print, and more!

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Kirk's Work Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)

24,99 €*

Duct Tape Project Aka. Tripmastaz

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Roland Kirk was one of the most creative, extravagant figures in jazz history. A master multi instrumentalist with no boundaries in terms of language, style and technique. Here we find him co-leading a strong studio session with organ specialist Brother Jack Mcduff. Backed up by Joe Benjamin on bass and Art Taylor on drums, Kirk and McDuff give voice to a soulful post-bop set full of groovy riffs and highly inventive instrumental ping pong. Recorded by Rudy Van Gelder and released in 1961 by Prestige Records, this is a fine early step in Kirk's varied and intense career.

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Volume One

2LP | 2022 | EU | Original (Tripmastaz)

Bane Capital & Koncept Jack$On

Release: 2022 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Four years in the making, Duct Tape Project is the new brainchild of Tripmastaz in the realms of Trip-Hop and Downtempo. And it's a project that makes perfect sense to anyone familiar with Andrei's background (making Hip-Hop beats since his teenage years), musical capabilities and decades-long experience. Duct Tape Project joins Andrei with a troupe of stellar musicians not only from many different corners of the world but also from acutely distinct genres - Guti, Argenis Brito, Mad Dim, Denis Kaznacheev, Krussia, Damien Vandesande of DOP, Sarkis Ricci, Andrey Orenstein, and vocals by Inga.

Featuring all sorts of live instruments, drum machines, synthesizers and modular systems, Duct Tape Project brings forward a complex work brimming with musicality. Using Hip-Hop, not only its rhythmic structures but also its sampling techniques, as a foundation, Tripmastaz created a vibrant and fascinating ecosystem with enough sonic texture to leave one captivated, enraptured and lost at the edge of words. There are 13 musical compositions in total that explore all things Hip-Hop, Downtempo, Trip-Hop, Chill Pop and Lounge, forming a cohesive and deeply soulful album.

The double LP is available on the main run of regular black vinyl and two limited editions of 30 copies on splatter vinyl and blue marble vinyl.

Exquisitely mastered at Tripmastering and distributed worldwide by another.round, the new sub-division of BRT Distribution.

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Good Product Cassette + Enamel Pin

Tape | 2022 | US | Original (Bane Capital Productions)

40,49 €* 44,99 € -10%

Release: 2022 / US – Original

Genre: Hip Hop

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Ego Ella May / Theon Cros

Morning Side Of Love / Epistrophy

7" | 2022 | EU | Original (Decca)

10,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Beniam Willing (Aka Khayo Benyahmeen)

Jah Roots

LP (Abendigo)

20,99 €*

Billy Nightmare Aka Mystic Bill

Genre: Reggae & Dancehall

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sealed

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Reality Check

12" | 2022 | EU | Reissue (Sounds.)

Roy Ellis Aka Mr. Symarip

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Another holy grail from the catalogue of Sounds. in the rebound. Billy Nightmare aka Mystic Bill - Reality Check from 1996. Recorded from original DAT, re-mastered and back on vinyl in August. Highly recommended!

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Shine Your Light On Me

7" | 2022 | US | Original (Liquidator)

Dandy Jack And Ramona Yacef

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Roy Ellis releases this new single featuring his Swiss backing band, Cosmic Shuffling, one of the best traditional Ska and Rock Steady acts from central Europe. Jamaican artist Roy Ellis has toured with Cosmic Shuffling during the last years and from the good experiences and vibes resulting from the gigs together, they decided going to the studio for recording this single entitled ‘Shine Your Light On Me’ which is a great reggae stomper to hit the dancefloors. Roy Ellis doesn’t need much introduction nowadays, his first compositions were recorded in 1964 with the top of the cream from Jamaican artists at that time. Up to date, has released over 60 records and sold millions of copies, specially with his album on Trojan Records from 1969 ‘Skinhead Moonstomp’ which has sold over 7 million copies and still is one of the label’s best sellers. This brand new single is released on vinyl 7”.

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Labambola

12" | 2022 | EU | Original (Ruta5)

10,49 €* 13,99 € -25%

Bane Capital & Koncept Jack$On

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ruta5 announces “Labambola”, a collaboration between the label head Dandy Jack, Ramona Yacef [Lescale Recordings] and Ricardo Villalobos. The project, born a few years ago in Switzerland, is now released in vinyl-only and dedicated to their children. The release includes a Ricardo Villalobos remix and pays tribute to the history of the genuine techno, that never gets old.

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Good Product

LP | 2022 | US | Original (Bane Capital Productions)

51,99 €*

Road Hog Aka Galcher Lustwerk

Release: 2022 / US – Original

Genre: Hip Hop

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Koncept Jack$on’s “Good Product” sees the rapper link with fabled Toronto production group Bane Capital for his most ambitious project yet. The album’s 8 songs pack incredibly dense and vivid lyricism against a range of production that showcases a display of advanced sampling techniques. Bane Capital work the MPC and SP 555 to their limits to create a raw, future-oriented sound against the increasingly loop-heavy and percussion-less backdrop of modern underground hip-hop. The album features standout performances from Mutant Academy’s own Fly Anakin, fast-rising D.C lyricist Ankhlejohn, west coast legend MED and world-renowned Wu-Tang Clan legend Raekwon the Chef. This is connoisseur rap at its highest level.

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Rubicon

LP | 2022 | UK | Original (Lustwerk Music)

16,99 €*

Henriette Master Oogway With Eilertsen

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Rubicon marks the first physical edition of Galcher Lustwerk's driving-themed alias, Road Hog. Collecting tracks from seven releases spanning from 2014 to 2021, Rubicon serves as the project's Greatest Hits (for now). Including tracks from the Cleveland-dedicated album 'Tour De Hog' as well as the sharp toothed 'Spares' and 'More Spares' the pithy 'Haul Ass' plus some cinematic favorites from 'dwb' and 'On The Lam'. Originally meant to be digital only and listened to while driving, demand for certain tunes to be pressed to vinyl has risen with each release. From the Road to the Club, Lustwerk's got you covered.

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Happy Village

LP | 2022 | EU | Original (Rune Grammofon)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Håvard Nordberg Funderud - guitar and 12-string guitar Lauritz Heitmann Skeidsvoll - saxophone Martin Heggli Mellem - drums Karl Erik Hornsdalsveen - double bass Henriette Eilertsen - flute Back in 2020, Kafé Hærverk, Oslo's live hotspot for a wide range of jazz and experimental music invited Master Oogway to do monthly concerts from August to December, bringing along a guest for each occasion. Two had to be moved to 2021 due to Covid restrictions, but the other three were recorded for possible use later. Initially we thought about doing a "best of" from all of the recordings, but after further listening it soon dawned on us that the concert with Henriette was nothing less than magical. To make room for the 45 minute vinyl edition, we had to drop one of the five pieces that were played on the night, and also make two minor edits. Other than that, this is what was played, there are no overdubs or cosmetic treatments. The album was brilliantly mixed in Athletic Sound by Dag Erik Johansen. Henriette Eilertsen (28) is part of the fertile and exciting environment around the Motvind label, and a member of Billy Meier and Andreas Roysum Ensemble. She released her solo debut "Poems For Flute" on Motvind in 2021.Håvard Nordberg Funderud (28) finished his bachelor at the Norwegian Academy of Music in 2018 and also studied in Gothenburg and Copenhagen. He is involved in several projects, Master Oogway being his priority. Lauritz Lyster Skeidsvoll (28) and Karl Erik Horndalsveen (27) are both educated from the same academy in Oslo as Håvard, while Martin Heggli Mellem (25) is educated from the jazz program at NTNU in Trondheim."Happy Village" is Master Oogway's third album, their second on Rune Grammofon. The music on the previous outing two years ago ("Earth And Other Worlds") was all written by Håvard, while the music on "Happy Village" is written by Karl Erik, one track co-written with Håvard. "Happy Village" finds the band in a more lyrical and exuberant mood than before, in no small part due to Henriette's b...

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Sunrise T-Shirt

Available Sizes: S, M, 2XL

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The Queens Of The Stone Age Sunrise Tee is equipped with the following features:
• rib crew neck with interior tape
• Sunrise artwork printed on front
• regular fit
• 100% cotton single jersey

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Hell Ride T-Shirt

18,99 €* 19,99 € -5%

Available Sizes: S, M, L, XL, 2XL

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The Queens Of The Stone Age Hell Ride Tee is equipped with the following features:
• rib crew neck with interior tape
• Hell Ride artwork printed on front
• regular fit
• 100% cotton single jersey

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Retro Space Women T-Shirt

10,99 €* 19,99 € -45%

LP | 2022 | EU | Original (Tuff Kong)

Available Sizes: GIRLS XL, GIRLS 2XL

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The Queens Of The Stone Age Retro Space Tee is equipped with the following features:
• rib crew neck with interior tape
• Retro Space artwork printed on front
• slim fit
• 100% cotton single jersey

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Juga-Naut X Giallo Point

Smoke Filled Room

Release: 2022 / EU – Original

Genre: Hip Hop

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Death And Life Of A Babylonian Demon Called Ice One

Ice One Aka Dark Mempo

LP | 2021 | EU | Original (Tuff Kong)

Release: 2021 / EU – Original

Genre: Hip Hop

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LP | 2021 | EU | Original (Before Zero)

Akae Beka & Zion I Kings

Polarities