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Release: 2015 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

From Africa With Fury: Rise 2016 Edition

2LP+CD | 2011 | EU | Reissue (Because)

Million Stylez & Daville / Keida

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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With the mighty new From Africa With Fury: Rise, Seun Anikulapo Kuti picks up the mantle as undisputed champion and true prince of the Afrobeat movement.

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Herbs In My Garden / Darling I Know

7" | 2016 | EU | Original (Bassrunner)

8,99 €*

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Keith Jarrett & Charlie Haden

Last Dance

2LP | 2014 | EU | Original (Edition Of Contemporary Music)

34,99 €*

Release: 2014 / EU – Original

Genre: Organic Grooves

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Guida De Palma & Jazzinho

Abraco Da Bossa

7" | 2014 | UK | Original (Expansion)

Release: 2014 / UK – Original

Genre: Organic Grooves

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A Long Way To The Beginning

LP+CD | 2014 | EU | Original (Because)

20,99 €*

WaxBuzzard & Jabba Tha Kut

Release: 2014 / EU – Original

Genre: Rock & Indie

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After «Many Things», released in 2008, and «From Africa With Fury: Rise» in 2011, «A Long Way To The Beginning» is the third album by Seun Anikulapo Kuti with Egypt 80

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The WaxBuzzard Meets Jabba Tha Kut!

LP | 2005 | UK | Original (Second To None)

Blackstar Featuring Top Cat

Release: 2005 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Price tag. Vinyl is Close to VG+.

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Champion DJ (DJ Ron Remixes)

12" | 2005 | UK | Original (Congo Natty)

Release: 2005 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Alan Caddy Orchestra & Singers

The Andy Williams Story

LP | CA | Original (Avenue Of America)

Release: CA – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2021 | DE | Original (Dezi Belle)

Jay Spaten & Q-Cut

Kosmo EP

16,99 €*

Release: 2021 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Kate Bush / Michael Jackson

Kate's Bush

12" | 2005 | UK (Not On Label (Kate Bush))

Release: 2005 / UK

Genre: Electronic & Dance

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Used Vinyl

Medium: G, Cover: Generic

Tomasz Guiddo / Nirosta Steel

Go Back Kalabreseshahrokh Dini Remix

12" | 2019 | Original (Compost Disco)

Release: 2019 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

John Carpenter / Cody Carpenter

OST Halloween Ends

LP | 2023 | US | Original (Universal)

37,99 €*

Release: 2023 / US – Original

Genre: Soundtracks, Christmas

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Nocturnal Featuring Keith Thompson

Without Your Love

12" | 1994 | UK | Original (Phuture Trax)

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

7" | JM | Original (FiWi Music)

Lenn Hammond / Alley Cat

Weekend / Free Up

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Prezident Brown, Cutty Ranks

Troddin / Murder Sound Bway

7" | 1999 | JM | Original (Boot Camp)

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1990 | JM | Original (Music Works)

Cocoa Tea / Cutty Ranks

Gang War

Release: 1990 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Tape | 2020 | US | Original (Anti-Corp)

Kool Keith X Thetan

Space Goretex

11,99 €*

Release: 2020 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: VG+

Following their liaison last year for the “Complicated Trip” Record Store Day single, legendary Bronx, New York City-based rapper KOOL KEITH and Nashville powerviolence duo THETAN present the collaborative Space Goretex LP. With guest appearances from members of Gwar, Three 6 Mafia, Dwarves, Lost Dog Street Band, and more, the album will see release this April through Anti-Corporate Music.

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Night Dreamer Direct To Disc Sessions

LP | 2020 | US | Original (Night Dreamer)

9,99 €*

LP | 2022 | US | Original (Atlantic)

Release: 2020 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert and innersleeve.
Record is slightly warped but still enjoyable.

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Death Cab For Cutie

Asphalt Meadows

Katya Shirshkova & David Maranha

Release: 2022 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. tiny wear

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Le Heron / A Reunião

12" | 2024 | WW | Original (Stellage)

Release: 2024 / WW – Original

Genre: Classical Music

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12" | 2016 | DE | Original (Mule Musiq)

Kyodai Meets Ann & Bones

Let's Get Away

Release: 2016 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

J-Cut / Electrosoul System

The Beginning / Come Around

12" | 2007 | NL | Original (Fokuz)

8,99 €*

Tomasz Guiddo / Nirosta Steel

Release: 2007 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

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Go Back Kalabreseshahrokh Dini Remix

12" | 2019 | Original (Compost Disco)

Release: 2019 / Original

Genre: Electronic & Dance

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Heavier Yet (Lays The Crownless Head) Transparent Vinyl Edition

LP | 2024 | Original (Record Kicks)

32,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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12" | 1986 | EU | Original (Virgin)

Peter Gabriel, Kate Bush

Don't Give Up

Release: 1986 / EU – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1972 | JP | Original (JVC)

CD-4 Sound Orchestra

CD-4 Golden Screen Theme

9,99 €*

Live Recorded In Concert November 12th 1966 At Hamburg (Germany)

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 1.

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The Golden Gate Quartet

LP | JP | Original (Odeon)

16,99 €*

Transatlanticism 20th Anniversary Edition

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Death Cab For Cutie

2LP | 2024 | Original (Grand Hotel Van Cleef)

Release: 2024 / Original

Genre: Rock & Indie

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Pleasure Cruiser & Keita Sano

Tokyo Horoki Part 2

12" | 2020 | UK | Original (High Hoops)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Darius Syrossian & Hector Couto

Who's The Douche?

12" | 2013 | UK | Original (Hot Creations)

54,99 €*

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Generic label cover

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LP | 2023 | UK | Original (Rough Trade)

Careful Of Your Keepers

25,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Off Off On Red Vinyl Edition

LP | 2020 | UK | Original (Rough Trade)

Release: 2020 / UK – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Alan Caddy Orchestra & Singers

Tribute To Engelbert Humperdinck

LP | 1974 | PL | Original (Pronit)

Release: 1974 / PL – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Ironmaster La Guerra Del Ferro Colored Vinyl Edition

LP | 2024 | EU | Original (Beat)

27,19 €* 33,99 € -20%

Release: 2024 / EU – Original

Genre: Soundtracks

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John Junior / Keety Roots

Rude Bwoy Face / Dub

10" | 2020 | UK | Original (Black Legacy)

16,99 €*

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Squadra Antifurto Black Vinyl Edition

LP | 2024 | EU | Original (Four Flies)

24,64 €* 28,99 € -15%

Karel Gott, Darina Rolincová

Release: 2024 / EU – Original

Genre: Soundtracks

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Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary "Squadra Antifurto", the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

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Zvonky Štěstí / Moje Druhé Ja

7" | 1985 | CS | Reissue (Supraphon)

Release: 1985 / CS – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

OST Keoma - Il Cacciatore Di Squali

LP | 2024 | EU | Original (Beat)

43,99 €* 54,99 € -20%

Intuition Featuring Keith Nunnally

Release: 2024 / EU – Original

Genre: Soundtracks

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Chris' Soundtrack Corner proudly presents the first fully licensed and official release of the sought after soundtrack of Keoma, now on vinyl for the first time! Keoma features a unique and pervasive score by Guido & Maurizio De Angelis. These prolific musical brothers are well known for their predominantly song-based approach to scoring Italian films. With their background in popular music, it's no surprise that their film scoring approach is primarily based on tuneful, pop-rock vocal and instrumental music. Enzo G. Castellari's 1976 Western Keoma (aka THE Violent Breed, Keoma THE Avenger, Django Rides Again, Django'S Great Return and the like) is largely considered the best film they did together. Coming very late in the Italian or "Spaghetti" Western phase, the genre couldn't have had a better closing statement than Keoma, which offers a renewed approach with a unique audiovisual resonance that was every bit as striking as some of the first Italian Westerns that made international audiences stand up and pay attention. Castellari instructed the De Angelis's to write a song-score with songs in the style of Leonard Cohen and Bob Dylan. The half dozen or so "chapters" of the "Keoma" song serve as a Greek Chorus lending words to the gunfighter's silent actions throughout the film, or at least letting loose the raging voices of cynicism roiling about in his head. The mix of songs and instrumental score is striking and effectual in giving the drama a unique vocal texture that accentuates what we're seeing, highlighting the pain, revulsion, and disillusionment heard within those gruff and pained voices as they embody the unspoken angst of Keoma as he faces down his final adversary in the dark, sullied town of his birth. The album also includes the De Angelis Brothers' score to Castellari's 1979 film IL Cacciatore DI Squali (The Hunter of Sharks; aka THE Shark Hunter, Guardians OF THE Deep, and even Django AND THE SharkS). This film is a far more trivial potboiler than Keoma, but it's an entertaining enough picture for the undemanding viewer. The De Angelis Brothers provided a tuneful score for this post-JAWS adventure drama about treasure hunters daring shark-infested waters to dive for sunken wealth. The score conveys a dreamy vibe that fits the warm landscapes and clear, sun-dappled waters, and the dangerous underwater ambiences involving competing treasure hunters and sharks alike. Chris' Soundtrack Corner presents the entire instrumental score from Keoma, as well as the essential elements of the score for IL Cacciatore DI Squali, both specially mastered for vinyl, on this premiere vinyl edition, pressed on 180g black vinyl with a gatefold tip-on cover. The album is presented in a limited edition of 500 units.

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Greed

12" | 1992 | UK | Original (Pulse-8)

Release: 1992 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2020 | DE | Original (Keinemusik)

Reznik & Good Guy Mikesh

Human Factor

Release: 2020 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1986 | IT | Original (Soul Note)

The Guido Manusardi Trio

Down Town

Release: 1986 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Large sticker on cover.

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Krülle Bol Colored Vinyl Edition

2LP | 2023 | Original (Disco Ordination)

30,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Phase Imprint)

Ram Godt / Victor Muerte

Baby Series 01

8,24 €* 14,99 € -45%

Live, Beyond Our Means Black

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Baby Series is born as an approach to young artists who propose a new dialogue. Artists little known to the general public that have a lot to contribute.With the musical quality as key factor, Baby Series gives a platform to people with solid projects for the future and that deserve to be heard to express themselves.

Ram Godt is a very versatile Belgian artist when it comes to producing and has a very strong sound. In this EP Ram Godt proposes a first track, "Raised by Goddess", more emotional and uplifting and a second cut, "Godt's Touch", thought in essence to be danced on the dancefloor, quality techno.

It is impossible not to find parallels between the sound of "La Ruta Destroy" and Victor Muerte. The young Valencian presents two somewhat different tracks. The first of these, "Corazón Valiente", with a more raw touch with vocals sung by himself and the second, "El Encuentro", with a more ambiental melody and somehow reminiscent to the trance proposed in past times

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The Tremolo Beer Gut

LP | 2015 | EU | Original (Crunchy Frog)

Release: 2015 / EU – Original

Genre: Rock & Indie

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CD | 2009 | UK | Original (Rough Trade)

God Help The Girl

Release: 2009 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Bashed Out Eco Mix Vinyl Edition

LP | 2023 | EU | Original (Brassland)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Wriggle Out The Restless Orange Vinyl Edition

LP | 2023 | EU | Original (Brassland)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Crunchy Frog)

The Tremolo Beer Gut

You Can't Handle.

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (M-Plant)

Robert Hood & Femi Kuti

Variations

Kool Keith & Kutmasta Kurt

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Robert Hood's techno and Femi Kuti's Afrobeat intertwine in a new form where jazz-grooves reign supreme. For the fourth season of La Compagnie des Indes & Sourdoreille "Variations" live series of creations for France TV, the duo were united around the singer and producer James Brown, performing a tribute to the legendary Godfather of Soul who passed away in 2006. This "Variations" album is the live recording of this unique collaboration and performance, capturing a very special moment in time.

The evening witnessed a meeting of two icons in their own genres: one with synths and drum machines, the other on saxophone: Robert Hood and Femi Kuti embody excellence in their respective fields and the pair combined to make something truly unique, soulful, funky and spontaneous. Recorded in one 30+ minute take, "Variations" is embellished by Femi's exquisitely free-flowing yet restrained saxophone, whilst Hood anchors the groove with layers of pads and kicks with the long-time mastery of a true DJ.

Alongside Jeff Mills and Mad Mike, Hood is one of the original members of Detroit techno group Underground Resistance. His style is characterised by minimalist and experimental tones with an assertive groove. Throughout the '90s, he helped pave the way for techno to flourish - giving birth to minimal techno with his seminal album "Minimal Nation". Since then, he has been consistently forwarding electronic music culture with ground-breaking productions, sensational performances and his M-Plant label.

Alongside him, Femi Kuti takes on every musical style with his saxophone, which he plays with a virtuoso touch: pop, soul, electronic music and Afrobeat, of which he is one of the leading exponents. The son of Afrobeat singer and political activist Fela Kuti, he has inherited his father's zeal for both music and activism, where he continues to highlight the plight of most Nigerians living conditions in the oil rich state.

With "Variations" the duo capture an explosive combination on a special night in Paris 4 years ago, November 2019, filmed at the ADP Group headquarters (Paris Aéroport - Charles de Gaulle (cdg) - Roissy).

"It is so amazing when a vision comes to fruition. I enjoyed collaborating with the legendary Femi Kuti for this special project." [Robert Hood]

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Diesel Truckers 20th Anniversary Random Color Test Press Vinyl Edition

LP | 2003 | US | Reissue (Threshold)

59,49 €* 69,99 € -15%

Release: 2003 / US – Reissue

Genre: Hip Hop

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Matthew Burton & Kate Rathod

Raw Moves

2LP | 2014 | UK | Original (Fear Of Flying)

14,99 €*

Release: 2014 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 1979 | DE | Original (Antagon)

Bill Keith, Jim Collier

Bill Keith & Jim Collier

4,74 €* 4,99 € -5%

Release: 1979 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1979 | DE | Original (Pinball)

Keith Foote One Love

Get Up And Reggae

4,74 €* 4,99 € -5%

Zaza God, Mephux & Lordmobb

Release: 1979 / DE – Original

Genre: Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam split and writing.

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The Most High

2LP | 2023 | EU | Original (Ill Catz)

39,99 €*

Release: 2023 / EU – Original

Genre: Hip Hop

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OST La Polizia Incrimina La Legge Assolve 50th Anniversary Red & Black Vinyl Edition

LP | 1974 | EU | Reissue (Beat)

39,99 €*

Good Guy Mikesh & Filburt

Release: 1974 / EU – Reissue

Genre: Soundtracks

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A long awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero.

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Cleaning Up EP

12" | 2009 | DE | Original (Mirau)

6,79 €* 7,99 € -15%

Release: 2009 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2023 | EU | Original (Jalp)

Don Cherry/Gato Barbieri

Togetherness

Release: 2023 / EU – Original

Genre: Organic Grooves

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Hot! Hot! Hot! Hot! Hot! Hot!

Your Song Is Good

2LP | 2023 | JP | Original (Universal Music Japan)

46,99 €*

Release: 2023 / JP – Original

Genre: Pop

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LP | 2023 | JP | Original (Universal Music Japan)

Your Song Is Good

Action

39,99 €*

Release: 2023 / JP – Original

Genre: Pop

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Gautier Capucon, OCP, Bringuier

Destination Paris

LP | 2023 | EU | Original (Erato)

30,99 €*

Release: 2023 / EU – Original

Genre: Classical Music

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12" | 1987 | DE | Original (Mercury)

Curiosity Killed The Cat

Ordinary Day

3,79 €* 3,99 € -5%

Release: 1987 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

12" | 1987 | UK | Reissue (Emotional Rescue)

Betty & The Code Red

Wishful Thinking

12" | 1987 | UK | Reissue (Emotional Rescue)

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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There is always a good backstory to the music that Emotional Rescue releases and this EP is a case in point. It comes from Betty & The Code Red and Betty was the girlfriend of Tunde Obazee, a Nigerian-born artist who used music as a "non-violent tool to express his socio-political opinions on global injustice." The pair would entertain people on campus by playing anything they could get their hands on, informed by the old Edo folk songs they had grown up around. They went on to live in Italy and the US and start a family as well as lay down self-released songs that have become cult classics. A selection of them feature on this, the first of two EPs from the pair.

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Betty & The Code Red

Akure

Release: 1987 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Betty & The Code Red is a life and creative partnership between Benin-born Tunde Obazee and his girlfriend Betty. The pair grew up in Nigeria and would play all manner of instruments to entertain people at the local school before staying together as they went on to live in Italy and the US. Obazee performed at colleges and universities despite no formal training and eventually recorded a selection of tunes together including a small album on relatively new bits of gear like the Yamaha RX7. Especial has collated some of their best work across two new EPs, this being one of them.

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Genre: Rock & Indie

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OST I Corpi Presentano Tracce Di Violenza Carnale

LP | 2023 | EU | Original (Digit Movies)

44,99 €*

Chopper (Diligent Fingers Vip Remix) / Back To Me

Release: 2023 / EU – Original

Genre: Soundtracks

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Digitmovies releases Guido & Maurizio De Angelis’ “Torso” (aka “I corpi presentano tracce di violenza carnale”) OST on LP. THE Soundtrack In 1973 a 26 minutes-long stereo LP was prepared for RCS’s promo SP series, but it got cancelled and the 45 rpm didn’t see the light, neither. In 1999 BMG printed out a CD (ost 145) with the editing found in RCA’s archives and paired it with a selection from Bruno Nicolai’s “Gatti rossi in un labirinto di vetro” OST. Back in 2008, when we printed the full 33 tracks-long CD version, we mistakenly wrote “stereo” on the cover, but the music actually came from the mono session recorded for the movie. When Dagored printed a double LP (red219c), in 2015, they used our mono CD as source. This LP version (running time 37:20 minutes), carries nine stereo tracks on side A and the first two stereo tracks and the following six mono track on side B. Guido & Maurizio De Angelis composed an OST which was perfect for the scenes but which also has its own life outside of the movie, where a quite cheerful and pop main theme alternates with mysterious and suspended ones, at times with dark and frightening voices. An OST for a cult movie, loved by fans all over the world.

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Ray Keith / Dark Soldier

12" | 2023 | UK | Original (Dread)

LP | 2023 | UK | Original (Junior Aspirin)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Dread Recordings have made another return with a fiery new release from Dread regulars Ray Keith and Dark Soldier. The vibrant joint consists of two unmissable tracks dubbed ‘Chopper’ and ‘Back To Me’. Opening with a lively VIP remixfrom Dilligent Fingers, “Chopper” encompasses a lively atmosphere upon its rapid bassline and fluctuating drum patterns. Each element fuses together to manufacture a stylish VIP mix perfectly produced to bless up the dancefloor. Following on from the opener, the two-parter fades into a lively production courtesy of Dark Soldier. Opening with a sampled version of the iconic riff from Nirvana “Smells Like Teen Spirit” the track explodes into a controlled drop incorporating nostalgic jungle-esque soundscapes and a harmonic vocal. Both tracks hold their own as memorable productions. Each offering flexes the prowess of both producers seamlessly; adding further layers to their credible discographies

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The God In Hackney

The World In Air Quotes

20,99 €*

Gautier Capuçon / Jerome Ducros

Release: 2023 / UK – Original

Genre: Rock & Indie

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'The World in Air Quotes' is a genre-shifting style-melting kaleidoscope of art-rock, jazz, techno, folk & industrial. The God In Hackney sound like very little else from the early 2020's and whilst 'The World In Air Quotes' innovative progenitors are manifold - Eno, Coil, The Durutti Column, 1980s ECM jazz to name a few - it sounds beholden to none of them.
The God In Hackney's first album 'Cave Moderne' was Andrew Weatherall's album of the year for NTS Radio.
The God In Hackney's second LP, 'Small Country Eclipse', was album of 2020 for critic Sukhdev Sandhu of The Colloquium for Unpopular Culture: "Mordant music: stuttering, dread, black humour. A record that felt truly independent, beholden to no genre, out of step with all centres and signposted nodes."

'The World In Air Quotes' is The God In Hackney's 3rd album and their most musically emotive and lyrically inventive to date. It's an album that resonates with feelings about climate change, isolation, extinction, the social impact of technology, the flattening of history—and illuminates the darkness with imaginative rhythm, melody, noise & poetry. Songs range from widescreen, anthemic rock, to strange intricately arranged jazz-influenced songs, to abstract, textural electronic pieces. There's a strain of dark and surreal comedy too that runs through the lyrics and some of the choices the band makes in their sounds and arrangements.
The core God in Hackney quartet of Andy Cooke, Dan Fox, Ashley Marlowe and Nathaniel Mellors has expanded to include American multi-instrumentalists and composers Eve Essex (Eve Essex & The Fabulous Truth, Das Audit, Peter Gordon & Love of Life Orchestra, Peter Zummo, Liturgy) and Kelly Pratt (Father John Misty, David Byrne/St Vincent, Beirut, and Lonnie Holley among many others), signalling a new and ambitious direction for the band.

The album cover features original artwork by Iranian-American artist Tala Madani, recently the subject of a career survey exhibition at the Museum of Contemporary Art, Los Angeles.
Advertising:

The Wire, Maggot Brain

Reviews & features:
Maggot Brain - forthcoming feature
Hi-Fi+ Magazine - album review in April 2023 issue
Dereck Higgins (You Tube review)
Sonosphere - interview / feature
Weirdo Shrine - interview
It's Psychedelic Baby - interview
Spettacolo (Italy) - feature.
Ghettoblaster Magtazine (usa) - feature

Airplay:
Gilles Peterson - BBC Radio 6 Music
Steve Lamacq - BBC Radio 6 Music
Dublab - playlisted & featured in Dublab Recommends (Los Angeles)
Cian Ó Cíobháin - RTE Raidió na Gaeltachta (Ireland)
Wfmu - playlisted
Resonance FM - The Wire presents Adventures In Sound & Music
Human Pleasure Radio (New Zealand)
Pete Wiggs & James Papademetie - The Seance (Repeater Radio, Sine FM & others)
Peter Hollo's Utility Fog - FBI Radio (Australia)
Jonathan Lethem & Sam Sousa on Radio Free Aftermath (ksp Claremont 88.7)
Life Elsewhere
Wrpb Princeton
In Memory of John Peel
Mike Watt's Watt from Pedro Show

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Intuition

LP | 2018 | EU | Original (Parlophone Label Group)

Release: 2018 / EU – Original

Genre: Classical Music

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Gautier Capuçon / Jerome Ducros

Emotions

LP | 2020 | EU | Original (Erato)

22,99 €*

Release: 2020 / EU – Original

Genre: Classical Music

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H-Street 35th Anniversary Vinyl Edition

V.A.

LP | 2024 | EU | Original (Stereo Ronin)

2LP | 2024 | UK | Original (Sneaker Social Club)

Release: 2024 / EU – Original

Genre: Rock & Indie

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In the early 1990s, before the era of social media dominance, skateboarding culture found its voice through magazines and VHS video releases, notably from brands like Santa Cruz and Powell Peralta. These videos not only shaped the skateboarding world but also influenced creativity across various industries worldwide.
In 1988 and 1989, two groundbreaking videos, "Shackle Me Not" and "Hokus Pokus," emerged from the fledgling skateboard company: H-Street, unleashed a seismic shift in street skateboarding. These videos are revered as iconic masterpieces, celebrated for their innovative skateboarding sequences and unforgettable soundtracks.

“What’s particularly interesting about Hokus Pokus was its soundtrack, largely comprised of demo cassettes, unsigned artists, and bands with loose ties to the brand. Some of the songs were goofy, others almost anthemic, and few sounded of their time. Perhaps it was the repetition or the fact that Matt Hensley could have skated to the sounds of a broken oven and it would have been iconic, but the songs in Hokus Pokus became a secret handshake for the hardcore—people who really gave a shit about skateboarding’s culture not just the act”.
Artless / Anthony Pappalardo

“When we were filming for Shackle Me Not we were still a brand new company and hardly anybody knew who we were and it was so brand new. I was so busy skating and I noticed there was like a movement in skateboarding, you could feel there was a change in the way, in the tide, not just white H-Street but with every company. I think that video, the H-Street video was saw raw, with the crazy music, and you know, just the wackiness of all of it, I think that feeling went out into the world, and kids everywhere understood you don’t need to live 20mn away from Del Mar to actually be part of what’s happening. I think that just opened up the world of skateboarding to more people”
Matt Hensley – Pro skater and Floggin Molly band member.

Fast forward 35 years, and H-Street, in collaboration with Paris (France) based label Stereo Ronin Records, embarks on a momentous project to release special edition vinyl soundtracks from these seminal videos. This exclusive release features meticulously remastered tracks, including new versions and previously unreleased gems on vinyl, making it a treasure trove for any skateboarding enthusiast.

Curated from bands like Kirk & The Jerks, Sub Society, Wonderful Broken Thing, The Cry,Potential Threat and Figure Ground, representing the golden era of skateboarding music,this album promises an unparalleled experience for fans of Punk Rock, Indy Rock, and ofcourse, skateboarding.

Working alongside RTM Studio in Paris, Stereo Ronin Records has undertaken a remastering journey, ensuring that this vinyl edition delivers a truly unique sonic experience, capturing the essence of a bygone era while resonating with contemporary audiences.

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Low End Activist

Municipal Dreams

32,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

On his latest full-length, Low End Activist swerves towards weightless grime and suspended hardcore miniatures to tell a very personal story. The UK-rooted producer continues his habit of zeroing in on a distinct approach for each release, leaving a logical breadcrumb trail of soundsystem science in his wake as he channels decades of bass absorption into 14 atmospheric cuts that prize patience and precision over obvious club functionality.

Municipal Dreams plays out as a semi-autobiographical tour through the Blackbird Leys estate that the Activist grew up on. It’s a lived reflection on inequality and the ripple effect it has in working class communities, using the sonic palette to set the mood and scattering pointed samples throughout to spell out the story.

In sampling the exhaust of a stolen Subaru Impreza, ‘TWOC’ looks back to the recreational car theft which was standard entertainment for the kids in his community. There’s an underlying idea that this ‘council estate sport’ wouldn’t have been so prevalent if there were public services and opportunities presented to the scores of disaffected youth looking for somewhere to direct their energy and frustration.

In ‘Just A Number (Institutionalised)’ LEA alludes to the shattered juvenile detention system, growing up seeing friends and family members locked up at ease with little to no support on being released back into society, just meant that the same cycles of behaviour would play out over and over.

‘Violence’ samples from a short film shot by the drama division of the Blackbird Leys Youth Club to evoke the physical threat which formed a background hum to life on the estate. The industrial mechanics of the local car factory, which served an integral role as a workplace for many in the community, gets sampled in ‘They Only Come Out At Night’ while the ‘Everyone I look up to are either junkies or criminals’ sample in ‘Broke’ looks to a lack of positive role models.

Municipal Dreams isn’t a one-note indictment of life on the estate, ‘Innocence’ captures the simplicity of a child at birth before their environment has time to shape them. The Hope interludes cut through the grim honesty of the longer tracks while a subtle thread of wry humour finds its way into some of the talking heads cutting through the signature LEA murk.

But honesty is the operative word here, and the message feels all the more meaningful at a time when the UK’s social divisions are laid bare in the wake of a devastating stretch of austerity. Returning to Blackbird Leys to shoot images for the photo-zine and album cover, the Activist found the local community centre being demolished. The local pub stands derelict, its faded Welcome sign a grimly ironic portent of the options facing children of the estate in the wider world.

Funnelling his memories, hopes and fears into a singular twist on the bass weight tradition, LEA captures evocative scenes that land somewhere between kitchen sink realism and rave futurism.

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Presspop Inc.

Sun Ra Figurine

129,99 €*

Colours & Light Black Vinyl Edition

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After about two and a half years of designing and production time, finally, we are ready to release the Sun Ra soft vinyl figurine. What a long road it was, but every minute of careful contemplation, trying out various designs and material and looks.... all the endless going back and forth was worth it! We are very much satisfied with the way he came out. The figurine should look very charming displayed on your record rack with your vinyl collection.

The figurine was designed by Chicago's one and only Archer Prewitt: the artist who only draws once every four years....that's right, Olympic style, and just in time for the French games coming up!......Just kidding, but anyway, always worth the wait, Archer exceeds our expectations when it comes to recreating the most accurate vibes, and Sun Ra was no exception. He brought the musical genius to life, recalling all the Sun Ra gigs he saw in the past.

We are producing the figurines slowly at the factory, as quality is our utmost priority. For this product, we are experimenting by taking on a new style of sales, where we change the retail price according to the stock quantity (prices will likely rise as the remaining stock decreases). So, if you wish to purchase, you should order as soon as possible to get the best price. Thank you for your understanding.

Designed by : Archer Prewitt Sculpted by: Tomohiro Yasui Size: doll h-7.48"/19cm w-3.54"/9cm / keyboard h-2.95"/7.5cm w-3.14"/8cm / box 8.66"/22cm x 5.9"/15cm x 3.34"/8.5cm Material: soft-vinyl・PVC・ABS / one-piece dress・Cape → cloth JAN: 4560247870775 Release date: 2024.9 © Sun Ra LLC © Archer Prewitt

Sun Ra Birth name: Herman Poole Blount. May 22, 1914 - May 30, 1993. Born in Birmingham, Alabama, USA. Jazz composer, band leader, piano and synthesizer player, poet, thinker. As a leading figure in Afrofuturism, he has mastered a wide range of styles including jazz, R&B, exotica, Afro-hybrid, electronic, big band, solo piano, orchestra, experimental music, and chamber music. During his 45-years recording career, he has released a vast number of albums and was the first black musician to own an independent label. The label was named “Saturn” after the planet he claimed to have been born on. Its handmade, one-of-a-kind jackets can be considered as works of art, and are now collectors' items. He is a unique genius who refused to compromise or relinquish control of his own destiny.

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Project Gemini

LP | 2024 | UK | Original (Mr Bongo)

Colours & Light Magenta Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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If 2022’s The Children Of Scorpio was the debut album that turned people onto the world of Project Gemini aka Paul Osborne, Colours & Light is the body of work that will be buried deep into their hearts. It is a majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk. A growing confidence and ease emanate from the writing and production of this sophomore LP, bolstered by the reception to his standout debut. “It’s a more layered and diverse record” Paul mentions, “with a more outward-looking, global sound, born out of the records I was listening to and the musicians I was lucky enough to collaborate with”. It feels relaxed yet self-assured, with a kaleidoscope of sounds that twist together in a mesmerising fashion. The theme of the album developed naturally through the lyrics Paul began writing. A creative process both plagued and fed by insomnia, nourished by relationships, entwined in emotions, nights out, nights in and the after-effects on the human condition. Relatable themes yet seen through the prism of a soundscape that takes in many a different culture and scene. From acid folk to psych-funk, Francophile elements to Anatolian and Eastern inspirations, all interlocking and rotating as one. Drawing inspiration from those he admires, Colours & Light radiates with collaborations. The title track, which tips its hat to a live 1973 TV version of Pentangle’s ‘Wedding Dress’, features the folk rock, guitar brilliance of Jack Sharp from Wolf People/Large Plants. Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria’s Wendy Martinez, ‘Extra Nuit’ and ‘Entre chien et loup’. The former echoes Paul's love of classic French psych-pop from the late ’60s and early ’70s and artists such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing guitar line magic on proceedings. The list of collaborations extends further with Raz and Markey Funk, drummer Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up country guitar and Moog madness respectively on ‘Lost In The Woods (Bacchanal)’. Rounding off the record Paul’s daughter, Olivia Osborne, supplies the keyboard intro on the penultimate track ‘Twilight’. Dorian Conway from The Soundcarriers (whose bandmate Paul Isherwood returns on mixing duties) then layers echoing heavy flute parts to magically capture the psychedelic sunrise images brought to mind. Balancing light and shade on this record, there is beauty and tension all wrapped up in Paul’s vivid and visceral, storytelling gift.

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Project Gemini

LP | 2024 | UK | Original (Mr Bongo)

A River Running To Your Heart Blue & Bone Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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Fruit Bats

LP | 2023 | US | Original (Merge)

26,99 €*

A River Running To Your Heart Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Eric D. Johnson rarely lingers at one location too long. As a kid growing up in the Midwest, Johnson's family moved around a lot, but it wasn't until he became a touring musician years later that motion became a central part of his identity. That transient lifestyle stoked an enduring reverence for the world he watched pass by through a van window. A sense of place is a unifying theme he's revisited with Fruit Bats throughout its many lives. From the project's origins in the late '90s as a vehicle for Johnson's lo-fi tinkering to the more sonically ambitious work of recent years, Fruit Bats has often showcased love songs where people and locations meld into one. It's a loose song structure that navigates what he calls "the geography of the heart." "The songs exist in a world that you can sort of travel from one to another," says Johnson. "There are roads and rivers between these songs." Those pathways extend straight through the newest Fruit Bats album, aptly titled A River Running to Your Heart . Self-produced by Johnson, a first for Fruit Bats, with Jeremy Harris at Panoramic House just north of San Francisco, it's Fruit Bats' tenth full-length release and one that finds the project in the middle of a creative resurgence. After two decades of making music, hard-earned emotional maturity has seeped into Johnson's songs, resulting in a more complex sound that's connected with audiences like no other previous version of Fruit Bats. A River Running to Your Heart represents the fullest realization of that creative vision to date. It's a sonically diverse effort that largely explores the importance of what it means to be home, both physically and spiritually. And while that might seem like a peculiar focus for an artist who's constantly in motion, for Fruit Bats, home can take many forms, from the obvious to the obscure. Lead single "Rushin' River Valley" is a self-propelled love song written about Johnson's wife that clings to the borrowed imagery of the place where she grew up in northern California. Then, there's the gentle and unfussy acoustic ballad "We Used to Live Here," which looks back to a time of youthful promise and cheap rent. But the wistful "It All Comes Back" is perhaps the most stunning and surprising track on the album, Johnson's production skills on full display. Built upon intricate layers of synths, keyboards, and guitars, it's a pitch-perfect blend of tone and lyricism that taps into our shared apprehensions and hopes for a post-pandemic life. "We lost some time / But we can make it back / Let's take it easy on ourselves, okay?" sings a world-weary but ultimately reassuring Johnson in the song's opening lines It's the kind of performance that makes you hope Fruit Bats stays in this one place, at least for a little while longer.

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Fruit Bats

LP | 2023 | US | Original (Merge)

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2023 / US – Original

Genre: Rock & Indie

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The Howling

All Hail Mega Force

12" | 2022 | EU | Original (Red Laser)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics. An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring together since then, sharing sound files, texts and mixes online, which has resulted in All Hail Mega Force, their first full-length release for The Tapeworm. The two extended tracks contained on this audiocassette reflect their shared interest in Fluxus and how informal rules and permutations can be set up to work themselves out through loops and repetitions. A straight line connects Terry Riley's tape experiments in Paris from the early 60s with their experimental recordings in the Wimpy Bar on Streatham High Road, one of their favourite meeting places. 'The idea of instant, disposable one-off creations appealed to us a lot at the time,' The Howling explain, 'particularly as both pieces were conceived and developed during different phases of Covid lockdown in the UK.'
The title and source material are derived from the kid's adventure movie MegaForce, starring Barry Bostwik and Michael Beck. Designed to sell a range of Mattel hi-tech action toys, MegaForce tanked at the box office but lives on in the collective consciousness of those who share with The Howling a special love for Trash and Trash Aesthetics.
The two tracks also share similarities in approach and realization.
'All Hail Mega Force' was created by reading combinations of the words 'All Hail Mega Force' into a voice memo recorder, transferring it to tape, cutting the whole thing as a single long loop and then stretching it across three reel-to-reel machines simultaneously, using two pencils and a pint glass full of loose change to try and maintain sufficient playback tension. Over time the loop started to degrade, which accounts for the increasingly slurry and unpredictable playback, plus frequent ruptures caused by the tape becoming jammed and having to be tugged through the machine workings by hand. Twenty-four minutes later and the result was a completed new work and a slight backache.
The text for 'Are You Man Enough For Mega Force?' was recorded live in the Wimpy Bar on Streatham High Road, 28 November 2021. It was cut to tape and looped on 3 December 2021 at Warrior Studios, Loughborough Junction. Dragged by motor and then by hand across two tape machines with copious amounts of closed input feedback provided by a third rushing in to fill the gaps. One take with no effects or overdubs, but one tiny edit in the middle when something fell over.

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V.A.

Red Laser Records EP 12

LP | 2021 | EU | Original (Downwards)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As we emerge into the Now with a fresh perspective and renewed vigour, Red Laser Records usher in a novel epoch of Manctalo movements for our post-COVID enjoyment. Entrusting piloting duties to four well decorated RL commandos, the EP serves to remind us all that despite everything that's happened, we can still find solace in red lasers, smoke machines and high-powered strobe lights.

Splitting open the collective dancefloor inertia is Kid Machine's 'Only Machines Allowed'. A cybernetic b-boy jam straight outta the planet Megoh circa 4044. Guided by electrified vocoder lines and a plutonium-grade, armoured groove this impenetrable battle rocket should issue the much needed power boost to get your body kinetics firing again when they release the e-barriers to hedonism.

Returning star fleet lieutenant Count Van Delicious has been collecting entities from the outer galaxies since his appearance on RL EP 9 ('Dark Fruit' w/ Senor Chugger). Here he announces his return with an end-credits epic, an #inabiteveryoneelse theme from this young vet on a pants-off permo-buzz, up-scrolling through technicolored c64 visuals and deploying his now trademark zoopa-arps, euphoric synth stabs and thunderous low end shudder to deadly effect.

Meanwhile, Ste Spandex continues his cybernetic realignment surgery, dissecting a well circulated disco meme and adding voluptuous gender-neutral enhancements that'll be getting the next generation of androids frisky, despite their lack of reproductive organs. Fizzling synths, spherical repetition and a multi-dimensional mix of high voltage rhythms leaving that vocal line permanently downloaded in your memory cloud. No sharing necessary.

Scottish deep space observer Ernesto Harmon provides some cosmic ruggedness to close off our mission. Reinforced & galvanised low-end rhymix coalescing with humanoid synth expression and an infinite, carbon-free energy source keeping momentum plateaued through the morning after the night before. There's no off switch baby!

For astral travellers seeking solace in the new Now, Ep12 kindly acts as an upgrade to your possibly dormant dancing system as you stumble out into the new nocturnal environment. Hopefully reminding us that the simple act of moving alongside one another in a pitch black, laser-guided club space hasn't changed that much...

Limited press, with artwork which could be the next top selling NFT, we urge our RL family to bag this collectable chronicle from the Red Laser Corp. xx

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Ann Margaret Hogan

Without The Moon

Dream Hunting In The Valley Of The In-Between

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Hogan’s involvement with new wave, new romanticism, post punk and all-things-avant makes her a uniquely placed character through the last four decades on the scene - her recording/performing biography intersects with everyone from Soft Cell, The The and The Human League through to Simon Fisher Turner, Barry Adamson, The Style Council and more recently with Karl O’Connor aka Regis’ Downwards universe. For ‘Without the Moon’ (a title borrowed from Cathi Unsworth’s book of the same name), Hogan pulls out some of the most satisfying collaborations from her archive, featuring a couple of tracks originally released in 1985 on Cabaret Voltaire’s Doublevision label, as well as recordings that are here issued for the very first time. It’s properly all-over-the-place brilliance, ranging from Nick Cave’s incredible 1983 piano blues slo-mo grind ‘Vixo’ all the way thru to the Paul Kendall (Nitzer Ebb/Depeche Mode) engineered ‘Come Take My Hand’ produced and featuring Barry Adamson and sounding like some vintage Les Disques du Crépuscule poolside obscurity. Opening with ideas mapped out while staying at Lydia Lunch’s gaff in summer ’83, the record lassos 30 years of Hogan’s personal highlights, harking to a time circa 1984 when she regularly caught The Birthday Party playing Leeds or London, often crossing paths with Cave, and right thru to 1989’s ‘Come Take My Hand’. While ‘Delirious Eyes’ is a gorgeous slow dervish of swaying middle eastern scales featuring Gini Ball’s elusive smoke trail vocals, it’s best heard in context of the sequencing, which soon erupts with Marc Almond’s vocals on the arsonist thrill of ‘Burning Boats’ and JG Thirlwell’s signature clangour, while ’Scattered Carelessly’ was written in 2008 and gives the sweetest canvas for Hogan’s keys complemented by a whispering Jarboe ov Swans, and ‘Black Nocturne’ stars a perfectly tempered guitar shimmer by Kid Congo Powers, a longtime accomplice, whom Hogan first heard playing guitar on The Cramps’ records that she played in DJ sets at the time. Illuminated by Hogan’s favoured solo piano, ranging from flickering candlelight to hammering theatrics, and even including a rare appearance of her vocals on the could-have-been-a-popsong closer, the six songs on ‘Without The Moon’ speak to an incredibly rich artistic life spent immured at the core of her practice. Song to song, she outlines an extraordinary oeuvre that ties together and leaps between eras, drawing on decades of experience as a performer, composer, collaborator and ardent listener to portray a full spectra of styles she’s been involved in shaping for decades. Stunning.

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Man Man

Tape | 2020 | US | Original (Sub Pop)

Dream Hunting In The Valley Of The In-Between Loser Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life's extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man's first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. The 17-track effort, featuring "Cloud Nein," "Future Peg," "On the Mend" "Sheela," and "Animal Attraction," was produced by Cyrus Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday's Dre Babinski on "Future Peg" and "If Only," and Rebecca Black (singer of the viral pop hit, "Friday") on "On The Mend" and "Lonely Beuys." The album follows the release of "Beached" and "Witch," Man Man's contributions to Vol. 4 of the Sub Pop Singles Club in 2019. At the end of 2015, Man Man went on an unexpected hiatus, and thus began a period of creative reinvention for Honus Honus. He worked in music supervision and on scores (The Exorcist, Superdeluxe, Do You Want to See a Dead Body?). He acted in the indie film Woe ("I played a park ranger, a nice guy in a sad movie."), So It Goes, a short musical film with Mary Elizabeth Winstead, and starred in the award-winning tour documentary Use Your Delusion. He also developed an animated series, wrote film scripts, a graphic novel, a neo-noir TV pilot, and briefly penned a music column for The Talkhouse all while continuing to work on new music, such as an unreleased kids' record, another Mister Heavenly album, a self-released Honus Honus record, and a conceptual art/noise project Mega Naturals. In the midst of this surreal exile from Man Man, Honus began piecing together what would become Dream Hunting in the Valley of the In-Between. He recruited longtime-collaborator Cyrus Ghahremani to help him produce. Written in a friend's LA guesthouse that had "an old upright piano, a thrift store lamp, and nothing else," it was an arduous, three-and-a-half-year process, "I had chord progressions that looked like chicken scratch and lyrics on pieces of paper stuck all over the walls. It looked like I was about to break the big case, catch the killer," he says, laughing. "There was a lot of self-doubt, fighting the urge to throw in the towel. It wasn't fun but it definitely forced the best album of my career out of me. Sometimes you just gotta tear it all down to rebuild things the right way. Trust the process."

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Man Man

2LP | 2020 | US | Original (Sub Pop)

29,99 €*

Dream Hunting In The Valley Of The In-Between

Release: 2020 / US – Original

Genre: Rock & Indie

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Man Man

2LP | 2020 | US | Original (Sub Pop)

29,99 €*

LP | 2018 | EU | Original (Hip Hop Enterprise)

Release: 2020 / US – Original

Genre: Rock & Indie

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Maylay Sparks

Hood Thrill Hunters

2LP | 2018 | EU | Original (Melting Pot Music)

Release: 2018 / EU – Original

Genre: Hip Hop

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This newly formed trio composed of Philly Hip Hop Legend ”Rahsheed aka Maylay Sparks”, newcomer “Chukk Rukkuz” and rapper/producer “K-Sluggah” from the squad known as Muddy Fatique, have joined forces to form the “Hood Thrill Hunters”. This 10 track urban reprise was entirely produced by Karl “K-Sluggah” Frigyes and is a must have!

K-Sluggah, an MC and beatmaker whose origins lie in the city of Malmö in Sweden, is part of the Muddy Fatique collective that’s revered in Sweden for sharp rhymes over rugged beats. In 2007 K-Sluggah started taking his beat-making craft more serious. His preferred weapons of choice are the classic beat machines ASR-10 and MPC 2500 and of course some dusty old records to go along. The result is a production style which is sample based, soulful, rugged and raw. He has released numerous projects with his ”Muddy Fatique” partners both behind the mic and behind the boards. On this particular project K-Sluggah exibits his talents by composing some of the illest breaks, tripped out bass lines and synth tones with the help of Jack Winge, studio aficianado and bass player, who also contributed to the 2013 release ”Spit On It”.

Last year he released the LP “Twin Cannons“ with NY rapper John Jiggs which was very well received in the underground circuit. He also has notable past work with Hus kingpin, Maylay Sparks, Granddaddy I.U, Mykill Miers, Tha God Fahim, Mach Hommy, Rozewood, Monsta Mook and Shady Records signees Westside Gunn & Conway.

Maylay Sparks delivers as usual, with his trademark dynamic, swift, and descriptive delivery over broken melodies, accompanied by riffs ranging from Balkan jazz clips to 70’s Vietnamese soul. His counterpart Chukk Rukkuz, whose fierce and aggressive flow with a hint of the golden era style cadence, is the perfect match for every selection. Features include John Jiggs, Rucker P.A.W.K, and Rocc Spotz (now known as Rocc Boogie) who is yet another heavy hitter from the Muddy Fatique team. The music is accompanied by the precise turntable assistance from Italy’s finest and most respected DJ, Bassi Maestro.

The artwork is a very personal touch, it's the Avenue Maylay Sparks grew up on as a kid during the 70's in Philly and it’s actually a cartoon of an actual picture.

As an added bonus the elpee will include an extra track, an insane posse cut that will feature Conway the Machine to close off the project. Limited to only 300 copies!

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Summers Sons & C.Tappin

Uhuru

25,99 €*

2LP | 2015 | UK | Original (Late Night Tales)

Release: 2018 / EU – Original

Genre: Hip Hop

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Debut album by UK trio following their “Undertones” EP on Meltin Pot
Music, the label that brought you Twit One, FloFilz, Suff Daddy, Brenk
Sinatra, Dexter and others!
"Uhuru" is the debut album by Summers Sons & C.Tappin from London and Bristol.
The journey of this album started back in 2015 and was inspired by the people and
places of Tanzania. After three years of channelling the vibe into beats and bars, it is
finally here!
Summers Sons are Turt (rap) + Slim (beats) who are actually brothers. They are
longtime friends with vocalist and pianist C.Tappin. Their music can be described as
rap with a lot of jazz. We like to call it cool bap.
Turt first got into hip-hop through Grime but also cites UK wordsmith Jehst as a
major influence. Slim was doing UK Garage for a while, when his brother asked him
for some more chilled beats to rap to. Tappin came up in a musical family, picked up
the piano as a kid and played in indie bands.
With such diverse backgrounds Summers Sons and C.Tappin are not your average
rap group. They would actually rather name their crew a band. Which makes total
sense when you catch them live. Slim slices up the beats on his SP404. Tappin gets
busy on the keys and adds vocal harmonies while Turt holds down the vibe on the
mic, spitting lyrics with a message.
Still only in their early twenties Turt, Slim and Tappin are somehow old souls when it
comes to music. If you listen to "Uhuru" you are unmistakably reminded of the
Soulquarians school of fusing hip-hop, soul and jazz. Follow the Sons' "Road To
Uhuru" playlist on Spotify and you are treated with gems from D'Angelo, Dilla, Badu
and Bilal back to back with new UK Jazz tunes from Alfa Mist or Ezra Collective.
Rounded up with a selection of dusty beats from German beatmakers like Hubert
Davis and Twit One. On their own songs Summers Sons and C.Tappin are
connecting these dots in their very own style and fashion.
While Slim had already released beats on Banoffee Pies and Brownswood, Turt and
Tappin made their official debut on the "Hay Luv" album by Twit One , who they had
met when he played a DJ gig in Bristol some years ago. With the release of the
Summers Sons' "Undertones" EP on MPM in early 2018 the London - Cologne
connection became official. The six tracker introduced the sound of the Summers
and Tappin to a bigger audience and included remixes by FloFilz and Twit One.
Now get yourself ready for "Uhuru" ! To learn more about the album we recommend
the liner notes: We’re all as simple complex as the next man. No one really comes
correct with a set plan. It’s all guesswork. Feet stepping, Keep checking with my
head first.

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Jon Hopkins

Late Night Tales

LP | 2024 | UK | Original (Blackford Hill)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Unmixed Double 180 gram Vinyl (Includes download code to the Jon Hopkins mix and full unmixed tracks as wav/mp3)

Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in.

After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno and David Holmes, produced King Creosote and via Eno, worked on three Coldplay albums. He released the breakthrough album 'Immunity' in 2013, which was nominated for the Mercury Prize.

The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. . Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming.

Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’.

Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins.

"Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible." - Jon Hopkins, December 2014

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Sam Annand

Cupar Grain Silo

21,99 €*

Trapped In A Parking Garage

Release: 2024 / UK – Original

Genre: Electronic & Dance

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'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.
In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.
"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."
Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.
"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."
Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.
"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."
In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

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Citric Dummies

7" | 2024 | US | Original (Feel It)

Joe Gittleman / Bad Operation

Release: 2024 / US – Original

Genre: Rock & Indie

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"Jeff Goldblum takes a deep breath and initiates the teleportation sequence, unaware that lurking in the corner of the telepod are three greasy eighth grade boys quoting their favorite lines from Kids In The Hall sketches. The sequence initiates; a crack of static; a horrible flash of white hot light. Dramatically backlit and shrouded in fog, what emerges from the adjacent telepod is not so much man-child as teenage lobotomy. The camera jumps to a tight shot on the receding hairlines of three dumb assholes: “Look out world…” they whisper with an off-putting wink into the camera. “I’m eatin’ Arby’s.”

This is the Citric Dummies and that is a reference to their song lyrics! Yes, you do not have to ask: this shit is dumb. Lyrics like “I'm driving a piece of shit because I am a piece of shit” dumb. I hear fear in their voices: this is both a reference to Lee Ving’s phlegm and the fact this band is naked and lost in a parking garage, “A traffic cone used for modesty (It’s not a giant orange dick, you see)”. But unlike Fear, this band does not hate you, for they are too busy hating themselves. “Fuck you!” you yell at them, and they know why.

When you see these Citric Dummies (and oh, you simply must!), you will notice their jackets—matching in satin, unique in color. A bassist in green satin, like a lime, and bald (not unlike a lime…). Guitarist? In lemon yellow; he has a regular amount of hair. And that drummer on the drums, the one with the most hair of all? Orange! What we have here is a band who visually tastes like an orange 7Up if such a dumb thing were a thing.

And this band plays: fast! Fuck! Live, it’s fast-as-fuck-oh-fuck-this-is-fast. Dean Dirg is there playing fast, and The Hives, because we love the Hives and know their roots are of the same raw Swedish garage milieu as the Hellacopters and Henry Fiat's Open Sore. “It’s too rock ‘n roll for hardcore, too hardcore for rock ‘n roll,” you may say (because you yourself may be dumb). Is this what is called…punk? Yes! That’s it! Maybe this is punk, you dumbass.

Oh no! I’ve forgotten the best part of all! You don’t have to just read about the Citric Dummies, you can hear the Citric Dummies. You can even have the Citric Dummies!—on a new 4-song 7” out on Feel It! And I forgot the other best part of all! They are soon touring Europe with Erik Nervous! So rock over London, and rock on Chicago, because Citric Dummies are a band from Minneapolis, and I don’t care who knows it!"—Brendan Wells

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Wavebreaker #4

LP | 2023 | US | Original (Bad Time)

Michael The Lion / Natasha Kitty Katt Feat. Suki Soul

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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Mighty Mighty Bosstones Legend JOE Gittleman Meets Rising SKA Stars BAD Operation FOR A NEW Split Available ON Electric Blue Vinyl For nearly 40 years, Joe Gittleman was the heart and soul of The Mighty Mighty Bosstones, easily one of the most beloved and influential ska bands in the world. Although the band suddenly parted ways in 2022, Joe had no intention of also parting ways with making music... quite the opposite. With the help of some friends like Bosstones’ saxophonist Leon Silva and original Big D & The Kids Table guitarist Sean Rogan, Joe has come roaring back with a collection of solo material that rivals that of anything in his extensive and storied catalogue but is somehow also imbued with an extremely modern, fresh, and positive energy. In Joe’s mind, nothing could be more refreshing than pairing his new work with one of the most exciting bands to have hit the ska scene in years. BAD Operation released their debut record in 2020 and instantly turned the ska scene on it’s head. Combining two-tone ska with both traditional and punk elements, the band coined the term NEW Tone to describe the new paradigm they were spearheading in the ska community; one that saw the music evolving creatively, while simultaneously returning thematically to the socially consicious, progressive, and political roots of the genre. Their songs felt entirely original, but contained enough throughlines to the various iterations of ska that every generation could agree that they were doing something extremely exciting. Now, for the first time since their debut, BAD Operation is back with new music that takes their sound and style to the next level. When Bad Time Records asked who they would want to do a “Wavebreaker” split with, the question was answered the moment BAD OP learned Joe Gittleman was working on new material. Stylistcally and thematically, this is a pairing that could not be a better fit. Joe has paved the way for progressive ska music for his entire career, and the influence on BAD Operation is clear from the moment the drums kick in on “What Keeps Us Moving”, or the way the bass leads you into the extremely fun “Grandma’s Car”. Joe’s lead track “Carrie O” grabs you right away with an electronic dancehall beat (right away nodding to the evolving modern ska sound), before launching into a danceable ska punk tune that will have enough recognizable elements to please any of his long time fans. The single most important element that links these two artsists together? Joy. A joy for making ska music, and relishing the medium for everything it can offer. You can hear the love bursting out of these tracks, and even when the subject matter turns difficult you know they are facing reality with an outlook that has love for their fellow human. This is a truly special release, and one that will certainly go down as a hallmark moments in ska’s storied history.

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I Found Peace

12" | 2024 | EU | Original (Whiskey Disco)

A Field Guide To The Void

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Michael The Lion and Natasha Kitty Katt began collaborating as Natasha found a second home in Philadelphia. The two have a mutual love of classic disco and found a kindred spirit in Suki Soul, who has been tearing up the scene the last few years in Northern England. I Found Peace features Michael on guitar and Natahsha on drum machines and synths alongside Michael’s long-time studio band mates. Classical composer and legendary Pittsburgh hip hop producer Jules Krishnamurti adds bass guitar and University of Pennsylvnia jazz ensemble leader Dan Paul plays keyboards on this incredible modern disco classic. Pontchartrain brings all the right touches to the club mix, along side some heavy house mixes by Tonarunur (aka B.G. Baarregaard) to round out the first Whiskey Disco release in several years.

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Legowelt

3LP | 2024 | EU | Original (Clone Jack For Daze)

32,99 €*

Hermit In A Rave Cave Part 3

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Legowelt returns to Clone Records with yet another sonic journey that defies conventional electronic music boundaries, offering an album that is as eclectic as it is immersive. Blending different styles and textures seamlessly and proving that electronic music can still be creative and that function doesn't always prevail style. He delivers a collection that transports listeners through a kaleidoscope of retro-futuristic sounds, deep grooves, and cosmic melodies. Despite being in the music game for more than 25 years the music from Danny Wolfers remains playful and refreshing. Stylistically taking elements from his whole musical career and not commiting to the latest trend or any genre specifically, and low-key taking the piss with everyone who takes themself to seriously. While many electronic music artists are stuck in their own void, busy pleasing the big room, Legowelt meticulously crafts rich textured soundscapes, balancing between cosmic exploration and the dancefoor, that evoke both nostalgia and futuristic visions. His ability to fuse elements of house, techno, disco and electro with cinematic influences results in an album that is not only ready for club use but also gratifying at home. Each track offers something unique--whether it's the hypnotic rhythms, the lush synth lines, or the subtle, eerie undertones that creep in unexpectedly. Legowelt's attention to detail and passion for his craft shine through, making this album a worthy follow up to his last album on the Clone Jack For Daze series.

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Hermit In A Rave Cave

12" | 2024 | EU | Original (Clone Jack For Daze)

14,99 €*

12" | 2015 | EU | Original (Clone Jack For Daze)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

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DJ Haus

Helta Skelta

10,99 €*

LP (Bmg Rights Management (Uk))

Release: 2015 / EU – Original

Genre: Electronic & Dance

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DJ Haus goes a little freaky on the Helta Skelta EP. This 4 track ep show his strangely funky side with some odd and jerky rhythms and melodies. It takes it ques from the windy city but doesnt hide DJ Haus's roots in the UK with a bleepy techno twist and pirate radio energy.

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Suede

Autofiction

Genre: Rock & Indie

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12" | 2023 | EU | Original (Clone Jack For Daze)

Byron The Aquarius

Ep1

11,89 €* 13,99 € -15%