Search "record store day" 51710 Items

12" | 2024 | EU | Original (Sub Series)

Release: 2020 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Record is close to NM.

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Subb-an

Amnesia EP

There's A Rhinoceros In The Mega Church

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Unicorn Ship Explosion

LP | 2024 | UK | Original (Sound)

25,99 €*

Tape | 2024 | UK | Original (Doyenne Books)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“There’s A Rhinoceros In The Mega Church” is their debut LP released on Sound Records. U.S.E. (also often expressed as Unicorn Ship Explosion, but feel free to interpret this yourself), are unfortunately two boys known to their mums as Rob & Sash. Since we last saw Rob he has been working really hard as a multi-instrumentalist. He’s almost mastered the drums (he’s even been to jazz school), and he’s near to the final chapter of piano lessons. He’s really talented. He has his own music studio where he produces & writes music for the likes of, The Staves, Holysseus Fly & other fantastic acts that are well worth a listen if you have the time. Sash (or Sasha) is a great guy. Everyone loves working with him. He’s an average musician with big ideas, which is why he uses modular synths. He has written much music for many artists you’ve probably not heard of and has collaborated with some musicians you’ve definitely heard of. He sometimes works as a sound designer for some fashion brands you can’t afford, but you wouldn’t want to wear them anyway (so don’t feel bad for not being successful enough to spend £400 on a t-shirt). Sometimes a really cool woman called, Agnieszka Szczotka, collaborates with these two loveable boys. She is a performance artist of great skill. She studied art at the Royal Academy and chose to abandon her supreme painting and sculpture skills to dedicate her life to confrontational live performance art. Big respect. Together they are Unicorn Ship Explosion (not yet known as U.S.E. as it hasn’t caught on yet). It’s a creative attempt to be in the present and not overwork music as is often the norm these days.As a result an exciting new genre is emerging from this album. The genre hasn’t a name yet, but what is certain is that A.I. can’t recreate it, and wouldn’t want to either. Let’s be human together and accept and appreciate we can’t always be great. Enjoy the good moments with the bad. And together, yes together, you the reader and us(e) your new best friends, shall show A.I. that humanity is beautiful.

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Bios Contrast

Red River

LP | 1961 | US | Original (Blue Note)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

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The Three Sounds

Here We Come

66,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

seam split

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LP | 2024 | US | Original (Hyperspace Communications)

Metro Subterranean

LP | 2024 | UK | Original (Nine X Nine)

Release: 2024 / US – Original

Genre: Pop

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Four electrifying bands from different periods of the west coast urban underground together for the first time on Yellow vinyl! Including: Bastidas!, Ultraviolet Catastrophe, Pink Stiletto, and Nervous Gender Reloaded. Representing the Neo New Wave of Seattle, San Francisco, Hollywood, and East LA. Pressed on yellow vinyl. Bastidas! has flourished among L.A.'s underground scene since 2007, creating a new threshold for post-punk, chunked up bass lines, and sonic synthesis. Melding genres of Latin, Post Punk, Punk, Jazz, Latin Jazz, they represent what could be East L.A.'s answer to Sonic Youth. The UltraViolet Catastrophe (aka Uvc) was a mostly synthesizer pop band in Seattle from 1982 to 1984. With the sound of multiple keyboards and female lead singer, their first live gig was at the opening of The Metropolis in Seattle in 1983. Produced by members Einar Ask and Steve Turnidge, industry specialist and author of Digital Mastering. Pink Stiletto is set to reinvigorate New Wave and post-punk. Echoing the eclectic, avant-garde essence of ZE Records, Pink Stiletto merges disco’s allure with punk’s rawness, funk’s rhythm, and new wave’s idiosyncrasy. Their songs stand out with unconventional sound, capturing the vibrant, artistic spirit of downtown New York. It draws inspiration from the likes of Gina X, Tubeway Army, and Cristina. Nervous Gender formed in Los Angeles, California, in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. In 1979, Don Bolles of the Germs joined as drummer. The following year, Phranc left the band and Paul Roessler of the Screamers joined. Nervous Gender played with bands such as SPK, Factrix, NON, Einstürzende Neubauten, and Psychic TV during the early 1980s. The original LP has been re-released by Dark Entries Records. As of 2017, Edward Stapleton, and Matt Comeione, San Diego mod and Cal Arts trained composer, started Nervous Gender Reloaded.

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The Room

The Telling

12" | 2024 | EU | Original (Cultivated Electronics)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Liverpool post-punk pioneers The Room are back with a new album. Theirs is a melodic blend of progressive, alternative pop and sultry post-punk, which is just as fresh and relevant now as it was when they first broke up in 1985. Firm favourites of the late, great John Peel; they have been compared to Joy Division, The Fall and fellow Liverpool band Echo & the Bunnymen.

Following 2023’s warmly recieved ‘Restless Fate’ is new album ‘The Telling’. Consisting of 11 songs that tell a continuous folk-horror story set in a mythical 17th-century European forest. A traveling storyteller mesmerizes an isolated village with macabre tales of wonder, mystery, and the supernatural. The idea was conceived as an aural movie told in self-contained songs that represent chapters in a complete narrative and has no lyrical choruses that repeat its themes. The album comes with a full lyric sheet influenced by the layout of the Guttenberg Bible. Frontman and lyricist Dave Jackson’s interest in folklore and myths is absolutely apparent, the story is effortlessly conveyed through his spirited yet acerbic vocals. The album features: the welcome return of original The Room drummer Clive Thomas and his fluid open-handed drumming; the haunting backing vocals of Helena Jacks; founder-member Becky Stringer (bass guitar); Ethan Kyme (keyboards); Darren Brown (guitar). A magical sonic adventure for fans of 80s post-punk and folk-horror aesthetics.

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Ben Pest / Maelstrom

For The Floor Volume 4

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cultivated Electronics Ltd's "For The Floor" series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on "Who Would Have Thought I'd Be" and the accompanying "26 Hybrid". Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of Raar (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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12" | 2024 | EU | Original (Black Quasar)

Conexiones Electrónicas

LP | 1957 | US | Original (Andex)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Six meticulously selected tracks by Black Quasar Records once again reflect the synergy of sounds between the pulsating rhythms of electro and the textures of IDM in this fourth release.

Despite the differences in the personalities and styles of the six artists featured in this V.A., there is an undeniable harmony that connects them into a single creative system.

Weaving new networks between the passion for music and respect for the essence of the Underground is the main goal of “Conexiones Electrónicas”.

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The Pilgrim Travelers

Look Up!

48,99 €*

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cambridge Audio

Melomania P100

279,00 €*

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

2CD | 2022 | EU | Original (Rekord Music And Distribution)

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Die Fantastischen Vier

Für Immer 30 Jahre Live

21,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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12" | 1985 | UK | Original (4th & Broadway)

Trouble Funk

Still Smokin'

3,99 €*

CD | 2024 | EU | Original (Astigmatic)

Release: 1985 / UK – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

seam split, Close to VG+

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Uniri

Infinite Reflections

12" | 2000 | US | Original (Hiero Imperium)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Every 20 years or so, certain musical movements come full circle. Young musicians are inspired by genres dating back two decades, channelling them through their modern sensibility. The legendary J Dilla’s Donuts album was released in 2006 and instantly marked a starting point for the work of musicians worldwide, laying the foundations especially for the beat scene in Los Angeles. A whole young generation of musicians brought up on the new, instrumental and abstract hip-hop has carried jazz into a new era. The four London-based musicians who make up Uniri have gone one step further by abandoning the idea of a jazz band and "bedroom production" in favour of collective composing, creating a new look at the new-beat aesthetics, framing it as a road novel set in an unspecified time and space.

Uniri translates as ‘one unified dream’ and is the key driving motto of the project conceived by Chiminyo (Cykada, Maisha), the band's founder and head honcho. The project materialised in his private studio, where he invited fellow jazz musicians Amane Tsuganami (Jorja Smith, Maisha), Al Macsween (Nubya Garcia, Gary Bartz, Kefaya) and Luke Wynter (Nubyan Twist, Golden Mean) to spontaneously compose together. Hence, despite this being the band's first album, it wouldn't be right to call them rookies. The result of Uniri's collaborative work is the psychedelic, rhythmic album Infinite Reflections, packed with cosmic and warm synths, which neatly balances hip-hop beat and jazz composition. It's safe to say this music is even more appealing when played live, although it's equally suited to the club dancefloor.

UK Jazz has become a permanent fixture in the London landscape, but also across Europe and the US. Today, the musicians who shape the new wave of jazz are drawing on more and more genres, reducing solo improvisation for the benefit of composition and increasingly drawing on influences from the beat scene. Among such formations are the British NOK Cultural Ensemble, the Polish Błoto, the Belgian Echt!, and the Dutch Comité Hypnotisé. Uniri is part of this emerging yet already international trend, creating an entirely fresh aesthetic that echoes artists such as Flying Lotus, Samiyam, Dorian Concept, Ras G and Nosaj Things oriented around the Californian 'new beats generation' scene.

The title Infinite Reflections alludes to a phenomenon observable on the open sea or during intercontinental flights. Gazing at the horizon blurs the boundary between the ocean and the sky, forming an infinite palette of blue shades. This inspiration sparked an elusive musical narrative, navigating between a sea voyage and an astral journey, destination unknown.

The album will be released by Astigmatic Records in digital, CD, and LP formats in both standard and limited editions. The pre-sale begins on March 1st on the Bandcamp platform, with the album scheduled for release on March 29, 2024.

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Del The Funky Homosapien

If You Must

Release: 2000 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

Mousse T. Feat. Emma Lanford

Is It 'cos I'm Cool?

12" | 2003 | DE | Original (Peppermint Jam)

6,99 €*

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

26,99 €*

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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Lex Hives And A Midsum Record Store Day 2024 Vinyl Edition

Hives

2LP | 2012 | US | Reissue (Disques Hives)

37,99 €*

Desert Storm / Scoraig 93

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Undisputed icons of rock and roll The Hives serve up a garage-rock masterpiece for this year’s Record Store Day, reissuing the undeniable Lex Hives. Originally released in 2012, this new and remastered version boasts previously unreleased bonus tracks “High School Shuffle” and “Insane”, alongside all-time classics such as “Come On!”. In addition, this incredibly special package comes with the live album A Midsummer Hives Dream, capturing the band in red-hot form as they tear through an iconic performance at New York’s Terminal 5. For the first-time ever, this essential piece of Hives history is available to own on 12-inch.

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Desert Storm

12" | 1994 | EU | Reissue (Desert Storm)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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Official reissue of this techno classic by Desert Storm, one of the most important records from the early Soma catalogue, now repressed 30 years after the original release. Also including Psycho Drums remix.

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Tiny Steppa

Omni Tone Arm Mod

Eraldo Bernocchi And Hoshiko Yamane

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Omni Portable Turntable Tone Arm Tension Mod by Tiny Steppa

Enhance Durability. Unleash Potential.

"The tone arm tension design in the Omni is actually very simple, with the two rubber bands doing their job well. However, we're aware that rubber bands can become hard and lose elasticity over time, much like changing a platter belt after a long while. This modification gives you an option to enhance durability, and elevate Omni's potential."

Easy stylus weight adjustment: Fine-tune the stylus weight with your fingertips.
Tone arm protection: Nylon screws prevent tonearm coating damage during setup.
Simple installation: Quick and user-friendly assembly.
Tool kit included: All necessary tools are in the package.
Omni certified: Meets quality and compatibility standards.

Installation video can be found here:
https://www.youtube.com/watch?v=ctHskU8k67c

Watch the adjustment video here:
https://www.youtube.com/watch?v=TDKhq1hTC3s

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Sabi Transparent Orange Cloudy Vinyl Editoin

LP | 2024 | EU | Original (Denovali)

31,99 €*

12" | 2023 | EU | Original (Influencia)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Denovali is pleased to present the second cooperation album of the Italian composer, arranger, producer and guitarist Eraldo Bernocchi with the Berlin-based Japanese violinist, composer, electronic producer and Tangerine Dream member Hoshiko Yamane. Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving together to create a captivating and emotional sonic landscape. "Sabi" is a Japanese aesthetic that celebrates the beauty of impermanence and decay. It is often associated with the simplicity, austerity, and solitude found in nature, and is said to evoke a sense of melancholy, nostalgia, and reverence for the passage of time. Bernocchi and Yamane's "Sabi" explores these themes through a collection of minimalist compositions that combine electronic and acoustic instruments immersing the listener in a deeply cinematic experience. The album takes the listener on a journey through a series of atmospheric tracks, sometimes melancholic pieces that evokes the sense of solitude and simplicity often associated with the concept, other times more energetic and uplifting, optimistic ones that celebrates the beauty of transience. The artwork again was created by the renowned designer Petulia Mattioli.

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Desirée Falessi

Obscuro Femenino

16,99 €*

12" | 2004 | DE | Original (Peppermint Jam)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Let's welcome the first release of Influencia Records, a label focused on highlighting the strong personal identity of each artist transmitted though music : here is Obscuro Femenino !

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Mousse T.

Is It 'Cos' I'm Cool?

3,99 €*

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

LP | 2023 | UK | Original (Butter Sessions)

Polito

Collapse Phase

17,99 €*

12" | 2016 | FR | Original (Djebali)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep.
Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.

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Djebali

Reworks 05

4,99 €*

12" | 2023 | EU | Original (High Fashion Music)

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record has a couple superficial marks.

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Dance Reaction

Disco Train (Remixes)

Babylon By Bus Original Jamaican Version, Limited Numbered Edition

Release: 2023 / EU – Original

Genre: Organic Grooves

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Undoubtedly one of the finest disco songs ever created, “Dance Reaction” emerged as a sensation from Holland, representing a true ‘one-hit wonder.’ The distinguished ‘Siamese’ label in the US and Carrere in Europe both recognized its potential and took it under their wings. This track, clearly inspired by dan Hartman’s “Vertigo”, swiftly climbed the charts across the continent in the spring of 1982.

On the A-Side, listeners are treated to the captivating and sensuous sounds of the Martin Boer version. This interpretation unequivocally showcases Martin’s innate connection with disco, evident in his captivating electro-disco masterpiece. Notably, Martin Boer holds the distinction of being a founding member of “2 Brothers on the 4th Floor,” a Eurodance phenomenon that dominated the 90s, amassing millions of record sales globally. Intriguingly, this release marks his return to remixing records, after a 15-year hiatus; incidentally, Martin embarked on his journey with High Fashion Music in 1990.

Flipping over to the AA-side, Croatian legendary DJ Pucko presents a remix that encapsulates the unique essence of the former Eastern bloc sound. This rendition exudes a raw and forceful energy, characteristic of that regional style. At the behest of High Fashion, the components of his mix were extracted and meticulously reworked and refined through the mastering process. The objective was to preserve the core while polishing the rough edges, culminating in an essential vinyl record that retro and disco DJs alike must acquire to elevate their dance floors.

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Bob Marley & The Wailers

2LP | US (Tuff Gong)

76,99 €*

Release: US

Genre: Organic Grooves

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LP | 2021 | EU | Reissue (Astigmatic)

Jaubi

Nafs At Peace 6th Press

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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12" | 2023 | EU | Original (Mbmusic)

Imprints

17,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Imprint is the 1st V/A on Mbmusic LTD. and features tracks from artists that inspired the concept of the label and comes in both digital and vinyl format. 5 Tracks to reflect the inner voice of the artists involved and their musical imprints, expressing themselves thru sound. A1. Track "Contemplate" is signed by Daniel[I] very well know for his great production skills with dub/ambient texture and deep groovy rhythms. A2. "Crystalline" by label head MBM showcase his musical taste for harmonies and slow-deep beats, a track that suits perfectly for club and listening environmentsB side opens with track "Peal Of Nian" by Polygonia, an artists that very well respected in the scene for her specific sound inspired by nature and plants giving us a pure gem for the record. B2. "Toki Fuko - 9128" goes deeper into the abyss with a more hypnotic approach perfectly reflecting the style of the artist. The release closes with B3. track from emerging Vyria: "Dome" track combines tribal rhythms and sounds with drive and subtle distortion to open new perspective on label sound.

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LP | 2023 | JP | Original (Time Capsule)

Tokyo Riddim 1976-1985

29,99 €*

Start Today Translucent Green Vinyl Edition

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society. But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and Ub40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long. Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound. Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious. Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Gorilla Biscuits

LP | 1989 | US | Reissue (Revelation)

25,99 €*

LP | 2023 | EU | Original (Century Media)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them.

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Signs Of The Swarm

Amongst The Low & Empty

Release: 2023 / EU – Original

Genre: Rock & Indie

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CD | 2023 | EU | Original (Rrc Music)

Ransom & V Don

Chaos Is My Ladder

Release: 2023 / EU – Original

Genre: Hip Hop

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Ransom and V Don connect on their highly anticipated collaborative album, "Chaos Is My Ladder", and just as expected, Jersey City's emcee technical bars perfectly fit V Don's cinematic soundscape. Alongside guest appearances by Lloyd Banks, 38 Spesh, Eto, J. Arrr, Mad Squablz and Crystal Caines, the two have crafted a perfect record for their already incredible catalogues, with Ransom coming on the heels of "This Life Made Me" and his "No Rest For The Wicked", and V Don’s most recent collaboration "Deutsche Marks 3" with Willie The Kid.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

Beautiful Soul HHV Exclusive Violet Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Spectac & Amiri

LP | 2024 | US | Original (Ill Adrenaline)

26,99 €*

Movement 60th Anniversary

Release: 2024 / US – Original

Genre: Hip Hop

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Limited to 100 copies. Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

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The Joe Harriott Quintet

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Blue Note)

Art Blakey

Moanin'

Byrne & Barnes / Robert Byrne

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Love You Out Of My Mind / Do You Wanna Make Some Love

7" | 2024 | EU | Original (Favorite)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Khaled Barkat, Cheb Tati & Asif

Release: 2024 / US – Original

Genre: Rock & Indie

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Maghreb K7 Club - Disco Singles Volume 3

12" | 2024 | EU | Original (Sofa / Les Disques Bongo Joe)

18,99 €*

Super What? Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Here's the third installment of Sofa Records' Disco Single series! Featuring four standout tracks from Algeria's 1980s music scene, this collection showcases the cultural diversity and creativity of the country. Listen here. Galouli Enshara (a1) and Zourini (b1) are two captivating pop-boogie-funk tracks by Khaled Barkat, a self-taught multi-instrumentalist from Algiers. Produced by Khaled himself in 1983, and recorded at the esteemed brothers Torki’s studio in Algiers along with his friends—and talented musicians —Yazid Fentazi, Redouane Ayoub, Mustapha Mekerkeband Mhenni Benlala. The album, if he had a certain success (Khaled Barkat is considered as a pop music iconin his country)was somewhat overshadowed by the popularity of other genres in Algeria, such as raï music. We're thrilled to put if for the first time on vinyl! And spread this music to a wider audience. Dub El Hammam (a2) is by raï vocalist Cheb Tati, hailing from Oran. In the 1980s, as raï gained recognition in the global music industry, Tati was brought to London in 1989 to record an album with reggae/dub producer Denis Bovell. Among other tracks, this heavy, top-notch 1980s digital dub track resulted from their collaboration. Last but not least, the final track on the single is sourced from the only known recording of Asif, a Kabyle band from Lille formed by three brothers. The band was created in the late 1970s, and the selected track, Tafsut (b2), was recorded in 1985. A beautiful pop-boogie tune that we considered a marvelous conclusion to this single. This record was made in collaboration with Les Disques Bongo Joe. All tracks are fully licensed.

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Czarface & MF DOOM

LP | 2021 | US | Original (Silver Age)

Quixotism 10th Anniversary Remastered Edition

Release: 2021 / US – Original

Genre: Hip Hop

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R.I.P. MF DOOM

Superhero? Supervillain? Super WHAT? CZARFACE & MF DOOM's newest team-up record Super What? is, much like the Avengers' arch-enemy Thanos...inevitable (and all-powerful!). The icon MF DOOM unleashes his wizardry and wordplay throughout the record, while CZARFACE (bolstered by the legendary Wu-Tang Clan's Inspectah Deck and Esoteric) slash through each of the Czar-Keys' produced tracks as the team raises the bar on their previous LP, Czarface meets Metalface (2018). Featuring golden-age superhero DMC (of RUN-DMC) and Hieroglyphics' leader Del The Funky Homosapien,
With art by longtime CZARFACE co-creator Lamour Supreme, this album will bring all the thrills of a cosmic summer blockbuster. Recorded and slated for an early 2020 release, and paused while COVID raged, this collaboration of masked men is finally finding its way to you on all formats.

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Oren Ambarchi

LP | 2024 | EU | Original (Black Truffle)

31,99 €*

LP | 2017 | US | Original (Dreamville)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.

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J. Cole

4 Your Eyez Only

37,99 €*

LP | 2006 | US | Reissue (Get On Down)

Release: 2017 / US – Original

Genre: Hip Hop

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J. Cole's last album, 2014 Forest Hills Drive, was both a profound personal statement about childhood, sexual insecurities, adult angst, and the follies of success, on top of being an addictive listen with smooth beats that sounded closer to Jay-Z's prime in the early 2000s. But after hints at an early retirement and a declaration in September that he was going to stop performing for "a long time," it's a real sigh of relief to get this album. Partially recorded at the famous Electric Ladyland studios, J. Cole has made this his most intimate and personal album. He even jams out on the piano and guitar along to some of the tracks.

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Too $hort

Blow The Whistle

38,99 €*

12" | 2024 | EU | Original (La Sirenetta)

Release: 2006 / US – Reissue

Genre: Hip Hop

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Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.

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F.Lli Paradiso

La Danza Della Giungla

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Maledetta Discoteca proudly announces the birth of their first daughter LA Sirenetta (*The mermaid) and the release of her first record!

An hommage to the Italian Afro scene of the late 80s, La Sirenetta is a sub-label born to take World Music to the next level for the contemporary Dancing Club Scene. We aim at digging, selecting and editing obscure bangers from our analogue record collections, travelling from Martinique to Ivory Coast, from Nigeria to Haiti, and giving them back to deejays and dancefloors in high-quality, highly collectable, 12” releases.

PS : This is the first release of a series that will delight collectors of Afro and World Music…we won’t stop, we just started!

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

12" | 2010 | EU | Reissue (Clone West Coast Series)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Legowelt

Dx Days / Bayville Cove

14,99 €*

12" | 1991 | EU | Reissue (Only One)

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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3 classic Legowelt "Slam Jack Deep Chicago Ghetto Technofunk" tracks from the Clone Records vaults get the deserved remaster treatment. The early 2000's Yamaha DX Synth tribute by Scheveningens Jackmaster never sounded better...

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Format (Orlando Voorn)

LP | 2024 | EU | Original (Batov)

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Only One Music presents Format aka Orlando Voorn! This classic masterpiece from 1991, originally released on ESP records, comes re-mastered to you back on vinyl!

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Momo.

Gira

Over The Hump 30th Anniversary Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London"s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London"s Total Refreshment Center.

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The Kelly Family

LP | 2024 | EU | Original (Kel-Life)

Release: 2024 / EU – Original

Genre: Pop

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7" | 2024 | EU | Original (BBE Music)

The Cromagnon Band

Bad Night Quadrant

Release: 2024 / EU – Original

Genre: Hip Hop

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Science, Art And Ritual 30th Anniversary Edition

Bedouin Ascent

3LP | 2024 | EU | Original (Lapsus Perennial Series)

36,99 €*

12" | 2022 | EU | Original (Favorite)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Science, Art And Ritual' is a story of 'process'. Growing up in Harrow (a then quiet suburb of London) in the 70's and 80's from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80's dub via David Rodigan's Roots Rockers shows was the first prominent influence he received, and with punk roots --and his burgeoning record collection-- became exposed to the breathless post punk experimentation that followed in the early 80's sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent's house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby's Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers --punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, Tr-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we'd now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn't yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before --'sar' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean Iii", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80's soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70's MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines --tr-808, Tr-707 and R-8-- is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" --regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual' may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.

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Voilaaa

Remixes EP

Record Box - Vinyl Record Storage

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive bangers, these new mixes bring another light to the successful project of Bruno "Patchworks" Hovart. On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third and last album. The result is a powerful bomb that won't give any rest to the crowd. The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the dancefloor. On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may know he started his career with house music: he transformed this anthem into a proper deep house cut with the same passion! Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”, Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more sunshine to the club.

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Rollcontainer 12" Aufbewahrung (110) & (100)

79,99 €*

LP | 2024 | US | Original (Motown)

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With the set of roll container, register and storage boxes, Record Box is making an attractive offer for passionate vinyl collectors: Buying a set represents a price advantage compared to buying the components individually and offers an uncomplicated and individual solution for the mobile storage of records and more.
When developing the Record Box furniture system, the specific needs of vinyl collectors were directly taken into account. In this way, the storage box and the register box can be easily attached to the rollboard and added to a piece of furniture that is as practical as it is attractive. The register box is the top end and invites you to leaf through the records stored in it.
The three modular pieces are connected using specially developed glue dots that can be easily removed at any time. In the blink of an eye you can create a side table, a roll container, coffee table or record shelf that can be moved freely around the room.
The furniture is made of high quality MDF with a robust melamine coating and offers an attractive price-performance ratio.
The set is available in black and white, offering space for around 200 records and, like the other modules of the Record Box furniture system, is used to implement creative and individual solutions for vinyl storage and presentation.

Technical details & components of the set:
• Total dimensions of the furniture: approx. 36x36x78cm (LxDxH)
• 1x rollboard
• 1x 12-inch 110 storage box
• 1x 12-inch 100 register box
• 1x connecting elements glue dots from »Record Box«
• Assembly instructions
• Material: 15 mm MDF with melamine coating - white or black
• Boxes for self-assembly - screwdriver required!

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Leon Thomas

Electric Dusk

36,99 €*

CD | 2024 | US | Original (Fat Beats)

Release: 2024 / US – Original

Genre: Organic Grooves

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Leon Thomas - "Electric Dusk" / Celebrating the 1-year anniversary of Leon Thomas' album, Electric Dusk, with this translucent emerald green vinyl and exclusive poster. Featuring the standout singles "Breaking Point" and "Crash & Burn." Motown; Motown Records; R&B EXPLICIT

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Masta Ace & Marco Polo

Richmond Hill

18,99 €*

Waltz For Debby Craft Ojc Series

Release: 2024 / US – Original

Genre: Hip Hop

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Richmond Hill, the highly anticipated follow up to Masta Ace and Marco Polo's Breukelen Story, is inspired by Marco's childhood in the titular neighborhood, a small town in Ontario, just outside of Toronto. Between interstitials about Marco's passion for hip-hop and cartoons, his struggle with addiction, and the support of his parents, Marco Polo and Masta Ace tackle the issues of the day head-on with clarity, the rapper using his decades-worth of rapping experience to slice through the producer's warm soul samples and crisp percussion. A cinematic journey that explores how the past echoes through the present, the album welcomes guest appearances from notable names from all eras of rap history, including Inspectah Deck, Coast Contra, Blu, Che Noir, Speech of Arrested Development, Masta Ace's longtime collaborators Stricklin and Wordsworth, and many more.

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The Bill Evans Trio

LP | 2023 | US | Original (Craft)

46,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

12" | 2022 | EU | Original (Goutte D'or)

Release: 2024 / US – Original

Genre: Rock & Indie

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Diogo Strausz

Flight Of Sagittarius

LP | 2020 | US | Original (International Anthem)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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When producer, songwriter and multi-instrumentalist Diogo Strausz arrived in France for the first time, he already had an impressive CV. First, as part of the duo Balako, his music was released on Razor-NTape, Barefoot Beats and Greco-Roman after gaining the attention of Joe Goddard of Hot Chip. His tracks also have been played by Gilles Peterson on BBC 6. He also produced Brazilian indie artists such as Castello Branco and Alice Caymmi and remixed a track by Brazilian legend Gal Costa. Arrived in France, it is by signing the co-production of the disc "Les Bruits de la Ville" of Voyou or tracks for Julia Jean-Baptiste that he drew attention. Freshly signed on Goutte d'Or Records, affiliated label of Cracki Records, to whom we can thank for Agar Agar, Saint DX or Alma Elste, Diogo Strausz will present his first EP Flight of Sagittarius in April 2022. Flight of Sagittarius is both retro and current. Between the old school boogie of Marcos Valle and the jazz funk of Azymuth but also the sunny groove of Nu Genea or the electro-funk productions of Guts.

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Jeff Parker

Suite For Max Brown

KIWANUKA Black Vinyl Edition

Release: 2020 / US – Original

Genre: Organic Grooves

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"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

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Michael Kiwanuka

2LP | 2019 | EU | Original (Polydor)

Undun Black Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Michael Kiwanuka releases his third studio album on 25th October 2019. Store exclusive special edition format includes Kiwanuka pressed onto heavyweight pink vinyl and includes a bonus 7".

‘KIWANUKA’ was recorded in New York, LA and London. Michael returned to the studio with Danger Mouse and Inflo, the same production team that combined so magnificently on Love & Hate, KIWANUKA finds a new assuredness in Michael’s writing, and takes the basic sonic blueprint of that last record to a dizzying new realm.

Michael will tell you of his love for records that entwine their songs with incidental skits and shape-shifting spiralling outros, so the listener experience is almost that of listening to one long, dramatic song. KIWANUKA fulfils that winding, dream-like haze, unhurried.
KIWANUKA is Michael serving from the heart, from the mind, and from the soul.

On the album title, Michael explains “This album, it’s kind of a defiant thing; I’m engaging with who I am and I’m not going to have an alter ego, or become Sasha Fierce or Ziggy Stardust, even through everyone’s telling me I need to be this, that or the other. I can just be Michael Kiwanuka.”

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The Roots

LP | 2018 | EU | Original (Def Jam)

LP | 1994 | EU | Reissue (Universal)

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Elliott Smith

Roman Candle

12" | 2017 | DE | Original (Kompakt Extra)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Back in print!

"Roman Candle" is the debut studio album by American singer-songwriter Elliott Smith.

Steven Paul "Elliott" Smith (1969 –2003) was an American singer, songwriter, and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and lived for much of his life in Portland, Oregon, where he first gained popularity. Smith's primary instrument was the guitar, though he was also proficient with piano, clarinet, bass guitar, drums, and harmonica. Smith had a distinctive vocal style, characterized by his "whispery, spiderweb-thin delivery", and used multi-tracking to create vocal layers, textures, and harmonies.

Smith began his solo career in 1994, with releases on the independent record labels Cavity Search and Kill Rock Stars (KRS). In 1997, he signed a contract with DreamWorks Records, for which he recorded two albums. Smith rose to mainstream prominence when his song "Miss Misery"—included in the soundtrack for the film Good Will Hunting (1997)—was nominated for an Oscar in the Best Original Song category in 1998.

Smith had trouble with alcohol and other drugs throughout his life, while suffering from depression, and these topics often appear in his lyrics. In 2003, aged 34, he died in Los Angeles, California, from two stab wounds to the chest. The autopsy evidence was inconclusive as to whether the wounds were self-inflicted. At the time of his death, Smith was working on his sixth studio album, “From a Basement on the Hill”, which was posthumously completed and released in 2004.

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Laurent Garnier

Speicher 95 Tribute EP

Release: 2017 / DE – Original

Genre: Electronic & Dance

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"One Saturday in February I was having an amazing night playing at Oval Space in London. In the middle of my set I dropped '1-4 Doctor C'est Chouette'. A fan came up to the DJ booth to ask me what I was playing. When I told him it was one of my new tracks, he replied - to my surprise - 'There's so much melancholy in this track, what were you thinking about when you made it?' His question struck a deep chord: he had understood what I was feeling when I made the track - isn't that what music is all about? But did I really have to tell him the story? It wasn't the place or the time to get into a deep conversation, so I simply smiled at him to thank him for his enthusiasm. There are times in our lives when we should dedicate a little something to people or places that are important to us. This is what this record is all about: just to say I love you, I miss you or just simply thank you." Laurent Garnier

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You Can Be A Star!: Deep Disco & Crossover 70s Soul From The Now-Again & Soul-Cal Vaults 1972-1982

LP | 2024 | US | Reissue (Now-Again)

Beautiful Soul Black Vinyl Edition

Release: 2024 / US – Reissue

Genre: Organic Grooves

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The definitive survey of America’s independent 70s soul scene, and a companion piece to Now-Again’s long-running Soul Cal series. “(Soul Cal) captures the retro-utopian vision of a past where every smalltown record store or garage in the US might have hidden a virtuosic funk outfit; the thrill of knowing that jobbing musicians might be getting paid for the first time; plus the bittersweet knowledge that those that passed on are getting deserved recognition. And all that before you get the thrill of the music itself.” - Wire Magazine.

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Spectac & Amiri

LP | 2024 | US | Original (Ill Adrenaline)

2LP | 2024 | UK | Original (Counter)

Release: 2024 / US – Original

Genre: Hip Hop

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Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

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LP Giobbi

Dotr White Vinyl Edition

34,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (No Signal)

Dhæür

Circle EP

LP | 2023 | EU | Original (Beyond The Groove)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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For the next chapter of No Signal Records, Deluka invites DHAEUR, an Italian-born and Berlin-raised talent. The bleepy landscapes of Italian producer DHAEUR are finally seeing the light they deserve. The artist's selection reflects his reserved nature, delivering a sophisticated and minimalistic essence that resonates throughout the whole EP. Each track on NS008 is a carefully balanced creation, showcasing DHAEUR's keen awareness of the interplay between elements and their effect on the other. His meticulous approach to proportions ensures a harmonious fusion, resulting in high-quality material that captivates the listener into a limbo of minimalistic bliss.

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Tom Misch

Quarantine Sessions

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Seasons Of Your Day Black Vinyl Edition

Mazzy Star

2LP | 2013 | US | Reissue (Rhymes Of An Hour)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Reissue der letzten Mazzy Star-LP aus 2013 auf schwarzem 180g Doppelvinyl.

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12" | 2024 | EU | Original (Abadi)

Gunaguna

Favourite Artists (DJ Koze, Robag Wruhme, Superpitcher)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Get ready for a fresh approach into Indonesia's mysticism through Gunaguna by Abadi Records. This EP is strongly built on world music rhythms and obscure samples. Enchanting and atmospheric melodies that have 80’s horror movie feel blend with 90’s electronica and vintage Indonesian musical instruments/chants/spoken-words. Each track is designed to deliver a touch of house and is executed in a progressive style.

As a debut, Abadi Records presents LMS, Munir, Haydr, Satta Fire, Herta, and Aldous for the first series of Gunaguna. The record is made via a collaboration with La Munai Records; containing six original tracks which aim to set mood in the club and bring vibes to the digger's living room.

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My Dear

3LP | 2023 | EU | Original (My Dear)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 1980 | EU | Reissue (Polydor)

The Cure

Seventeen Seconds

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

16,99 €*

Release: 2021 / US – Original

Genre: Electronic & Dance

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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Ortofon

Stylus Brush Fibre

12" | 2007 | EU | Reissue (Kompakt)

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Ortofon fibre brush for cleaning the stylus
For cleaning the stylus, use fiber brush a few times along the cantilever in the direction of the stylus, whenever you play a new record or change sides.

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Aril Brikha

Winter EP

LP | 2016 | EU | Original (Underdog)

Release: 2007 / EU – Reissue

Genre: Electronic & Dance

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Re-release of the record originally released on 2007-02-12! Aaahh, how nice. A long awaited dream comes true. Aril Brikha has made a new record. And that this is being released on Kompakt doesn´t make us only very happy, but also a little bit proud. Because despite of Aril´s fame, his output is quite thin on the ground. There have only been 5 releases of him yet. One on Fragile. Two on Transmat. One on Absoluttracks and one on Music Man. Most of them already have the classics status. On this Winter EP there is no new "Groove la Chord", but still: What these two tracks are doing to the dancefloor has scarcity value nowadays: There is a lot of smiling, jumping and kissing. Therefore we give him the order of merit. Thank you Aril!

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The Bongo Hop

Satingarona Part 1

LP | 2024 | US | Original (Descarga)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The Bongo Hop is the new afro Caribbean project presented by french trumpetist Etienne Sevet. On Satingarona Pt.1, friends from his Colombian years, like vocalist Nidia Gongora (Ondatropica, Quantic) rapper Maikcel (Zalama crew), but also famous producer multinstrumentalist Patchworks (Voilaaa, Dynamics, Taggy Matcher, Uptown Funk Empire,…) among others, join in for his first musical travel diary, inspired by 8 years as a Cali resident. In this first project, you can hear his personal take on tropical tempos, as he launches a storm of infectious grooves – ranging from highlife, to vallenato-meets-dub, dance hall, afrobeat, or kompa, combined with warm horns.

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Charlie Quartet Palmieri

Easy Does It

Saul Williams Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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180-Gram Vinyl Limited Edition of 500 copies. Known as the "Giant of the Keyboards", Carlos Manuel "Charlie" Palmieri (1927-1988) was born in South Bronx, New York, after his parents migrated from Ponce, Puerto Rico, in 1926. During his extended career, Palmieri worked with his brother Eddie, Celia Cruz, Tito Puente, Herbie Mann, Ismael Rivera, Rafael Cortijo, Ismael Quintana, Bobby Capó, Mongo Santamaría, Cal Tjader, and Ray Barretto, among many others. Presented here is the complete album Easy Does It, recorded in 1959 and featuring him as the main soloist in a quartet only including his piano plus bass and percussion. 180-GRAM VIRGIN VINYL LIMITED EDITION OF 500 COPIES

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Saul Williams

LP | 2004 | US | Reissue (Vinyl Me, Please)

33,99 €*

12" | 2024 | EU | Original (LoDubs)

Release: 2004 / US – Reissue

Genre: Hip Hop

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Why you'll love it...
Saul Williams' 2004 self-titled, sophomore album is making its vinyl debut exclusively at VMP. Featuring additional talent from System of a Down's Serj Tankian, Rage Against the Machine's Zack de la Rocha and Isaiah Owens, and the massive song "List of Demands (Reparations)," Saul Williams laid the groundwork for how artists could approach the eclectic fusion of spoken word and electro-rap.
The first-ever vinyl release of Saul Williams' Saul Williams is pressed on Galaxy Blue vinyl at Precision Record Pressing (PRP). The 1LP will arrive in a single, direct-to-board jacket.

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Silent Cubes

Sound And Motion EP

14,99 €*

74: Out Of Time Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A veteran producer (Who prefers to separate this incarnation from past works) working within many disciplines in sound, Silent Cubes demonstrates a particular skill in atmospherics and mood in their productions, creating three tracks of original UKG driven sound that speak in a dialect as familiar to the progeny and brethren of Clubroot, Sorrow, and Congi as that of Chez Damier, Mr Fingers, and Ron Trent. An exercise in deepness, Draped in the framework and immediacy of Garage.

Showing how evocatively these elements can be transformed is MOY, himself straddling a line between classic IDM, Old Skool, and Acid, and with releases on Analogical Force, Vinyl Fanatiks (AmenTec), and a slew of others. MOY comes forward with a hybridized remix of “The Stream”, which really is in a class of its own and closes outside B.

“Sound And Motion”. Presented as a 4-track vinyl EP, in a numbered/limited edition, and bundled with access to 2 exclusive Poly Cut/Digital tracks, only ever available via the access provided through ownership of this record.

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Ol' Burger Beats

LP | 2024 | US | Original (Coalmine)

Classic Der Dicke & Snares

Release: 2024 / US – Original

Genre: Hip Hop

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Ol’ Burger Beats’s new opus, 74: Out of Time, is a multifaceted and stunning exploration of sounds and eras. In addition to every track being produced at 74 beats per minute, the album harks back to the year 1974; particularly the music, the records, the activism, the artwork, and the aesthetics. But it’s also incredibly current, as the Out of Time portion of the title very much refers to the present. It promotes a sense of urgency in the face of current affairs such as the Covid-19 pandemic, climate change, as well as contentious politics sweeping across the US and Europe. Beyond those deeply resonating elements to the record, 74: Out of Time is a truly gorgeous representation of hip-hop through the lens of the Norwegian composer, which is undoubtedly his most ambitious undertaking to date. Using 74bpm as his basis, he constructs sublime, jazzy instrumentals that feature some of hiphop’s finest emcees and vocalists. And to say they all gel perfectly together is an understatement—and it would be underselling OBB’s meticulous approach here. Each song blends seamlessly from one to the next spread across the album’s 17 tracks, with the help from a standout supporting cast that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, Yungmorpheus, Lojii, billy woods, Tha God Fahim, Vic Spencer and Vuyo, among several others.

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1990 EP + Instrumentals

LP | 2024 | DE | Original (Krekpek)

Soul Impressions Black Vinyl Edition

Release: 2024 / DE – Original

Genre: Hip Hop

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Limited to 500 copies.

Classic der Dicke & Snares release their new groundbreaking record titled '1990'. The EP contains six carefully selected songs that are characterized by personal experiences and thoughts. The lyrics are profound and offer an honest insight into the life of Classic der Dicke. The beats are thoughtful and powerful, literally carrying the listener through the tracks. With this album, the artists manage to create a perfect blend of honest lyrics and infectious beats. For the first time, Classic der Dicke shows a very open side - this is exactly how hip-hop should be!

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Janko Nilovic

LP | 1975 | EU | Reissue (Underdog)

2LP | 2023 | EU | Original (Field)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Following the recent reissues of Pop Impressions (UR000651) and Super America (UR000651), Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, Janko Nilovic!

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Monolake

Hongkong

33,99 €*

2LP | 2024 | US | Original (Many Hats)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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Los Campesinos!

All Hell

38,99 €*

The Heart The Mind The Soul

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

Lunar Rays Vinyl. Double LP. Limited colourway, 1000 copies worldwide. The UKs first and only emo band Los Campesinos! Return with their highly-anticipated seventh album, All Hell. It is perhaps their most ambitious and assured album yet, whilst simultaneously recalling everything we've come to love about LC! #over their faultless discography. Recorded between October 2023 and February 2024, it is the first album to be wholly self-produced by band member Tom Bromley (having co-produced previous albums Sick Scenes and NO BLUES). The album is also self-released on the bands own Heart Swells record label. In the bands words All Hell is an album about Drinking for fun and drinking for misery // adult acne // adult friendship // football // death and dying // love and sex // late-stage capitalism // Orpheus // day dreaming // night terrors // the heart as an organ and as a burden // Tears of the Kingdom // the punks on the playlist // increments of time // climate apocalypse // the moon the moon the moon///

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Tank And The Bangas

LP | 2024 | US | Original (Verve)

Release: 2024 / US – Original

Genre: Pop

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Selected Archival Recordings 1979-1985

Das Ding

LP | 2024 | EU | Original (Electronic Emergencies)

LP | 2024 | US | Reissue (Now-Again)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Minimal wave legend Das Ding is back on Electronic Emergencies after 10 years with a stunning selection of archival tracks from retrieved tape recordings. In the early eighties, Danny Bosten got together with his friends after school in his bedroom studio, somewhere in the bleak Dutch countryside. They experimented with cheap analogue gear and made music to kill time. The sound is raunchy and slightly experimental, but already unmistakable Das Ding. New wave, early EBM and proto techno are found this album, pressed on clear vinyl. To preserve the original atmosphere and sound, the tapes received the Ruud Lekx mastering treatment.

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Music Makers Band

You Can Be

This Infinite Blue Galaxy Vinyl Edtion

Release: 2024 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Disco-Soul-Funk Album With Mixed From The Original Multi-Track Tapes By Kenny Dope Tucked in the back corner of a linen closet in Macon, Georgia since 1979 sat a box that very few people knew existed. Lost and presumed forgotten, this box contained reel-to-reel tapes of the lost album by the band that issued the lauded Black Gold as The Mighty Chevelles in 1977. By 1979, while transitioning to the name Music Makers Band, the band entered Capricorn Studios and recorded this disco funk opus, finally issued as You Can Be.Nearly all songs have been remixed from the original multi-track masters by Kenny "Dope" Gonzalez.

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Vitesse X

LP | 2024 | US | Original (Music Website)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Vitesse X’s sophomore album This Infinite is about more than just escape. Vitesse X’s debut, 2022’s Us Ephemeral, was a tribute to the spiritual vibrations of the club, influenced by ‘90s rave, ambient techno, and Kraftwerk’s Tour de France. But before her time exploring the rhythms of nightlife, though, Vitesse X spent years playing in indie bands in her hometown of New York City. This Infinite weaves the slinking energy of her debut with these scrappy, livewire beginnings. The record is an exercise in anti-perfectionism, a sort of musical purging for the artist that she refers to as a “somatic release.” While writing, she pursued ideas without judging herself too harshly, leaving the songs rough around the edges and foregrounding confessional lyrics. This shift in mindset transported Vitesse X into a flow state, resulting in a powerful collection of wistful and sanguine dream-pop songs—always openhearted and forever unraveling. For Vitesse X, the album encourages the listener to free themselves from ego, as she aims to do. “It’s about trusting my gut,” says Vitesse X. “It feels like a weight was lifted. It says what it needs to say.” Pushing past injustice, the oppressiveness of a capitalist society, rage, and heartbreak, the record captures Vitesse X in the midst of release. Through the act of creation, she argues on This Infinite, we can make a change, both in ourselves and in the world.

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Holy Beat! (A Collection Of 60s Italian Christian Beat)

LP | 2024 | EU | Original (Aberrant)

Return Of The Hellsingers Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Holy Beat! - A collection of 60's Italian Christian beat from the vaults of Ariel Records. Nine tracks from three amazing Italian bands, Angel and the Brains, I Barritas & The Bumpers. Originally released as La Messa dei Giovanni in 1966 and recorded live the same year, this record has been the stuff of legend for deep cut Pop connoisseurs and 60's Beat archeologists, a beautiful and mesmerizing gem that goes way beyond the Christian novelty. Presenting here three amazing Italian bands (Angel and the Brains, I Barritas & The Bumpers), this is not just a Christian pop record, this is a collection of beautifully crafted Italian 60's Beat that will blow the mind of anyone remotely interested in 60's music, a must!

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Hellsongs

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | US | Original (Concord)

Boney James

Slow Burn

Easy Acid - 40 Years Of 303 (1984-2024) Black Vinyl Repress Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Slow Burn: A feeling that grows with a slow but deliberate intensity. That sums up Boney James' music, career and the vibe of his newest album. The iconic 4x Grammy-nominated sax man's 19th album is another deliberate step on his creative journey. Featuring legendary jazz/R&B artists Marcus Miller and Cory Henry, the record also spotlights R&B's next superstar, October London. With 10 songs, 8 originals plus homages to Herbie Hancock and Stanley Turrentine, Slow Burn is Boney James at his best. CD Digipak.

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Egebamyasi

12" | 2024 | EU | Reissue (Flatlife)

14,99 €*

OST FLCL Black Vinyl Edition

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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Ege Bam Yasi, the iconic Scottish producer renowned in the acid house scene, hasjust released a special 40th anniversary 12-inch titled "easyAcid." This releasecelebrates four decades of his influential presence in electronic music. The record isout on the Dutch label Flatlife, known for its mythical status in the acid and technocommunities. "easyAcid" continues Ege Bam Yasi's legacy, blending his signatureacid sounds with a modern twist, making it a must-have for fans and collectors alike.Rare repress from the "baken-egg" record (Transparant / white solid version) whichis sold by Flatlife & Egebamyasi only.

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The Pillows

2LP | 2021 | US | Reissue (Anime Limited)

64,99 €*

12" | 2024 | EU | Original (Juanita)

Release: 2021 / US – Reissue

Genre: Soundtracks

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Original soundtrack to the zany year 2000 classic anime series, FLCL, produced by GAINAX (Neon Genesis Evangelion, Gunbuster). The series gained a cult amongst western audiences following after a 2003 broadcast on the US "Adult Swim" programming block and features iconic tracks from Japanese alternative rock band, The Pillows.

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Rex84

Come For You