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The Secret DJ’s first two books lifted the lid on what really happens behind the decks in the sometimes hilarious, sometimes harrowing world of the superstar DJ. Now they’ve reached out to dozens of DJs from around the world – and from every scene and genre – for their own true stories of the DJ life.

Tales From the Booth raises the BPM, rounding up an all-star cast of Secret DJs to tell their anonymous stories of what it’s really like to rock dancefloors for a living. From strange encounters on tour to side-splitting debauchery and afterparty excess to the seamy and even dangerous side of the industry, this is your access-all-areas backstage pass. You’ll never look at a DJ quite the same again.

Daft Punk’s Discovery is a record that looked into the future and liked what it saw; an album that predicted the electronic music explosion, YouTube and the end of privacy, while dragging soft rock back into vogue. Discovery was not only one of the best albums of the 2000s, it was one of the most prophetic, the kind of record that makes you wonder: how did they know?

You can draw lines from Discovery to Glass Swords, Kanye West, EDM, Autotune, iTunes, Beyoncé, Guilty Pleasures, social media and more. Discovery's footprints can be found all over the modern world but it also looked back to Daft Punk’s childhood, to Van Halen records, Japanese cartoons and even Johann Sebas-tian Bach.

Discovery was a record that confounded many fans when it was released in 2001, thanks to its blatant pop hooks and unlikely sonic bricolage. It was a record that was - and still is - widely misunderstood; Discov-ery’s impact has only become clear with the passing of time, as Daft Punk have been proved right time and time again.

This book is a homage to a fascinating, troubled beast of an album that casts a huge shadow over the 21st Century, as Discovery reaches its 20th anniversary.

"Legendary drum & bass magazine Knowledge returns for a one-off special book to celebrate their 25th anniversary. It's been ten years since the last issue and five years since they called it a day and over the years people have clamoured for its return but Knowledge always resisted the temptation. So why are they bringing it back now? Well, they feel they have unfinished business. Reaching 20 years was such an important milestone but it was a bittersweet moment and they didn't celebrate it at all because they knew the end was coming. What better way to mark their 25th anniversary than with one last issue?

Knowledge Magazine returns with a special one-off book celebrating their 25th anniversary. There have been some special issues in the past but this is the biggest and best Knowledge ever. This is one for the collectors:

10” x 10” large format book
Hardback material cover with debossed logo
Premium 130gsm matt art paper
160 full-colour pages featuring new and classic long-form features and interviews"

"From acid house to prog-rock, there is no form of modern popular music that hasn’t been propelled forward by the synthesizer. As a result, they have long been objects of fascination, desire and reverence for keyboard players, music producers and fans of electronic music alike. Whether looking at an imposing modular system or posing with a DX7 on Top of the Pops, the synth has also always had an undeniable physical presence.

Synthesizer Evolution: From Analogue to Digital (and Back) celebrates their impact on music and culture by providing a comprehensive and meticulously researched directory of every major synthesizer, drum machine and sampler made between 1963 and 1995. Each featured instrument is illustrated by hand and shown alongside its vital statistics and some fascinatingly quirky facts.

From its invention in the early 1960s to the digital revolution of the 1980s right up until the point that analogue circuits could be modelled using software in the mid-1990s, this book tells the story of synthesizers from analogue to digital – and back again.

Tracing that history and showing off their visual beauty with art-book quality illustrations, this a must for any self-respecting synth fan. The book has 128 pages, is 23cm x 17.4cm in size and printed on high quality 130gsm matt art paper.

Author Oli Freke says: “This book has grown out of a life-long obsession with synthesizers and electronic music, and it’s fantastic to be able to share this with my fellow synth obsessives and music fans who celebrate the synth’s role in modern music. I’m eternally grateful to Velocity Press for going with me on this journey and supporting the project so keenly.”

Reviews

“When the author’s passion for synths combines with his artistic talent the result is a book with a difference. The hand-sketched illustration style sets this book apart helping turn the technical facts and figures into a visual feast insightfully embellished with interesting anecdotes. This book is a joy to look at and a delight to read.” – Sound On Sound magazine

“Like a Victorian botanist climbing mountains in search of a rare flower to sketch, Oli Freke tracks down scarce examples of synthesizers to lovingly sketch and share with the rest of us to marvel at. His collection is an essential bookshelf addition for the analogue obsessive.” – Electronic Sound magazine

“Such a fascinating survey of the synthesizer world, demonstrating a depth of passion that will amaze even the greatest synth-head.” – Benge (Expanding Records)

“Every tweak of a button, every plug of a wire, every minute detail examined on some of the most iconic synths ever made… its really geeky & strange, but its the bible on every great synthesizer behind all of your favourite songs.”

Lotus Capo (Sony ATV Publishing)

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

House Volume 1 features the likes of Defected, Trax, Music For Freaks, Sound Pak, Vulture Music and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Joe Roberts & Chris Dexta

Take a trip through alien worlds and bizarre scenarios in a psychedelic Hero’s Journey of thrilling and surreal art from the mind of celebrated artist and composer Jem Panufnik. The Legend of Kaptain Karnival is highly original lavishly illustrated book that also includes a CD soundtrack recorded under his Jem Stone moniker.

The book is 24.5cm square and the 96 pages are printed and bound on heavyweight 150gsm paper with a hardback cover.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Emily Thomas & Rob Smith

Written by veteran journalist Shawn Reynaldo, First Floor is a weekly newsletter that focuses on electronic music, along with the culture and industry that surround it. Over the course of just a few years, it’s become one of electronic music’s most influential platforms, routinely putting many of the genre’s thorniest issues under the microscope while reckoning with changes in the culture during a time of profound transformation.

A collection of Reynaldo’s most thought-provoking essays, First Floor Volume 1 provides a nuanced, wide-ranging look at contemporary electronic music culture, with a particular focus on systemic issues that often go undiscussed.

Topics covered included the evolving nature of electronic music fandom and artistry, value shifts brought on by the current changing of the generational guard, the shortcomings of the modern music press and the growing gap between electronic music’s foundational rhetoric and the genre’s present-day norms.

Incorporating both pieces originally published in the newsletter (all of which have been updated) and exclusive new material from Reynaldo himself, the book also features a foreword by veteran artist and 3024 label founder Martyn.

A fascinating oral history of one of American indie rock's most enduring and influential acts. Slow, deliberate and deceptively simple, the music of Boston-based band Galaxie 500 was wonderfully at odds with the prevailing underground sounds of the late 1980s and early 1990s. Formed in 1987, the band split up in 1991 after releasing three acclaimed albums—Today, On Fire and This Is Our Music—as well as a Peel Sessions recording. The primary contributors to this long unavailable history of the band are the three band members—bassist/vocalist Naomi Yang, drummer Damon Krukowski and guitarist/vocalist Dean WAREHAM—but dozens of people were interviewed in all, including fellow musicians, record business folks, music critics and scenesters. Galaxie 500: Temperature’s Rising provides a complex, sometimes contentious account of the band’s rise to indie stardom and their acrimonious breakup. It also includes dozens of rare and never-before-seen photographs, as well as posters and other ephemera from the personal collection of Naomi Yang, who provides a running commentary to the images. This is the definitive book about Galaxie 500, and a crucial chapter in the story of indie rock.

Record Culture Magazine Issue 4 : Featuring Kim Ann Foxman, Suso Saiz, Joe Goddard, Alexis Le-Tan, Jonnine Standish, Keith Haring Party Invites, Ron Morelli, Andee Frost, Paramida, Eddie Ruscha, Phil Mison, Justin Van Der Volgen and Ruggero Pietromarchi.
Record Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.
Led by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.

»Here In, Absence« is the result of the dialogue between the Finnish photographer Mikael Siirilä and ambient artists The Humble Bee & Offthesky. Mikael Siirilä describes himself as a darkroom artist based in Helsinki, Finland. »My small individual photographs examine the themes of absence, presence and outsiderhood. My characters appear immersed in their inner worlds and moments of being: simultaneously absent and intensely present.«

On the cover: Keiji Haino. Inside: Shamica Ruddock, Seppuku Pistols, Jabu, Gregory TS Walker, Viktar Siamaška, The Primer: John Butcher, Invisible Jukebox: Wolfgang Voigt, Epiphanies: Mark Webber on Spaceman 3, The Inner Sleeve: Céline Gillain on Leonard Cohen, Global Ear: Nicosia, Unlimited Editions: Nashazphone, and in the reviews sections: Wendy Eisenberg, Ivo Perelman, Yellow Swans, Meshell Ndegeocello, Tristwch Y Fenywod, Byard Lancaster, Zdeněk Liška, Dr John, Supernormal, Heroines Of Sound, and much more.

On the cover: The Body & Dis Fig. Inside: Farida Amadou, Steve Beresford, Pavel Richter, Dialect, petals, Erica Dawn Lyle, H-Fusion, Invisible Jukebox: Melt-Banana, The Inner Sleeve: Eve Libertine, Epiphanies: Roy Claire Potter, Global Ear: Barcelona, Unlimited Editions: YOUTH, plus in the review sections: Laurie Anderson, Belong, Seefeel, Three Quarter Skies, Dhangsha, NicoNote, Laura Cannell, Primitive Percussion Youth Orchestra, Endon, Bobby Hutcherson, Harold Land, Red Kross, David Corio’s images of Black musicians, the Gnaoua & World Music Festival, Gary Stewart, Lonnie Holley, specialist columnists, and more.

Credited as one of the pioneers of ‘harsh noise wall’; influential artist Sam McKinlay (b. 1974, CA) has been operating under the alias The Rita for over 25 years. Having performed extensively and credited with over 200 releases, the project has grown into a laser focused multidisciplinary venture and is celebrated for pushing the boundaries of ‘harsh noise’.

Accompanying The Rita’s singular and often unpredictable sonic output is an inseparable and distinct visual language. By combining McKinlay’s fine arts education, research, experimentation, and collaboration; the project visually and texturally unites the artist’s interests in minimalist design, noise, ballet, sharks, choreography, and film.

‘Correlations’ presents some of the images and documents McKinlay finds most definitive in his practice The monograph is designed to provide a cohesive understanding of the artist’s creative trajectory, as well as illuminate The Rita’s uncanny process that visually, conceptually, and historically ‘connects’ seemingly unrelated subjects.

Published by Amaya Productions; the monograph includes essays by the author and Centre Pompidou art historian Nicolas Ballet (‘Shock Factory: The Visual Culture of Industrial Music’), associate Professor and harsh noise artist Lexi Turner (Cornell University), and author, writer, producer Kier-La Janisse (‘House of Psychotic Women’).

400 page hardcover large format book - Includes CD with 10 Japanese Jazz tracks - Compiled by Tony Higgins and Mike Peden - Only 2000 copies printed - Largest picture book on Japanese Jazz ever printed - First and only picture book devoted to Japanese Jazz covers to be produced outside Japan - Extra sections on non-Japanese artists and Blue Note albums produced exclusively for the Japanese market - Includes intro by Terumasa Hino plus articles by Yusuke Ogawa, Mats Gustafsson, Tony Higgins and interview with Tohru Aizawa - DJ J Jazz Top Tens from around the world BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.

This is the first time a book of this type has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.

Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.

Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.

The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world's leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.

Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan's fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.

Featuring Louise Chen, John Gómez, Apiento, Regularfantasy, Lauer, Beatrice Dillon, Public Possession, River Yarra, Sadar Bahar, Anthony Naples, and the visual feature, “A Decade of Power and L.I.E.S.”

228 pages, Perfect bound, Softcover Printing: Kopa, EU

The extended play recording. Not quite an album. More than a single. And not only an artifact of the vinyl era—the EP has survived and even thrived at every turn of the music industry’s evolution, from vinyl to tape to CD to stream. This definitive book unearths the EP’s origins, history and cultural impact and enlists nearly 50 music-industry veterans (musicians, scribes, producers, executives, superfans) to create a list of the 200 Best EPs ever recorded and shapes these opinions into a book that seeks to trace the arc of the EP’s development and, in so doing, chart the history of the music industry writ large. From Dangerhouse to Touch & Go to Sub Pop to Flying Nun, and all roads in between, savvy labels have used the EP to great effect and its been the way to introduce bands in a less risky mid-sized format for decades. This super-interesting guide shows how the format developed and how it took on a life of its own, from early jazz & rock’n roll through the beat & psychedelic rock era, right on through punk, new wave, and post-punk, and into the alternative/indie rock era, right up to the modern age. This rousing guide through the mid-sized mindset features a huge swath of guest writers galore, each offering up their enthusiastic opinions on which EPs deserve your attention, divided by decade, along with all of their details on long-forgotten B-sides and extras that couldn’t fit on the 7” version, yet easily pad out a 12”. 202 pages, softcover. First edition of 600 copies.

At long last, we’re got the massive biography on THE Bangles and it is nothing short of a whopper. This monumental project, started by author and unofficial band historian Eric Shade back in the 1990s has had quite a journey from start to finish. This insane overview of the early days of the members’ obscure early groups, as well as an amazing snapshot of the sorely-undocumented Paisley Underground scene of early 80s LA, all the way up through the core band members’ current projects, is a feat we never though we’d see fulfilled. For a band as huge and omnipresent as The Bangles still in are 2023, the revelation of their earlier efforts, such as the mind-blowing story of Micki Steele in the first lineup of the fledgling Runaways, while the Peterson sisters were rocking out in bands such as THE Muze, Hollywood Girls, and THE Fans right around the same period is the legendary stuff mostly outside of public knowledge. The intertwining stories of Susanna Hoffs meeting David Roback (later of The Rain Parade) and getting inspired by The Last, with Vicki & DEBBI’s growing interest in garage bands like The Unclaimed around town, All Over The Place shows how many moving parts were swirling around, generating a indescribable electricity around Los Angeles as the hardcore scene raged on the other side of the coin. As the Paisley Underground scene evolved during its short window, bands such as Salvation Army/the Three O’clock, Long Ryders, and Dream Syndicate are given their long-overdue historical appreciation here. 438 page softcover book. First edition of 600 copies.

The Rolling Stones iron-on embroidered large patch features a Classic Tongue motif. It's approximate size is 95mm high x 85mm wide. Red (PMS 185c), black and white.

An official licensed The Beatles medium patch featuring the 'Yellow Submarine' design motif. Iron On Patch.

An officially licensed Standard Patch featuring The Beatles 'Drop T Logo' design motif. This is an iron-on woven patch, made from polyester, with standard backing and an overlocked edge. Size Guide for standard patches... Rectangular 100mm x 50mm.

Dolly Parton, Songteller - My Life In Lyrics is a landmark celebration of the remarkable life and career of a country music and pop culture legend. As told by Dolly Parton in her own inimitable words, explore the songs that have defined her journey. Illustrated throughout with rare photos and memorabilia from Dolly Parton's personal and business archives. Mining over 60 years of songwriting, Dolly Parton highlights 175 of her songs and brings readers behind the lyrics. This special edition includes: -A denim-wrapped foil-stamped clamshell box with Songteller inside -A 45 record on pink vinyl featuring two neverbefore-released demo songs, "I Don't Care" and "The Fall," encased in a printed sleeve and inserted into a folder. Folder contains lyrics to the two songs printed on the back. -Lifting ribbon -Individually shrink-wrapped

The first biography of rapper Mac Miller, the Pittsburgh cult favorite–turned–rap superstar who touched the lives of millions before tragically passing away at the age of 26—now in paperbackMalcolm James McCormick was born on January 19, 1992. He began making music at a young age and by 15 was already releasing mixtapes. One of the first true viral superstars, his early records earned him a rabid legion of die-hard fans—as well as a few noteworthy detractors. But despite his undeniable success, Miller was plagued by struggles with substance abuse and depression, both of which fueled his raw and genre-defying music, yet ultimately led to his demise. Through detailed reporting and interviews with dozens of Miller’s confidants, Paul Cantor brings you to leafy Pittsburgh, seductive Los Angeles, and frenzied New York, where you will meet Miller’s collaborators, producers, business partners, best friends, and even his roommates. Traveling deep into Miller’s inner circle, behind the curtain, the velvet ropes, and studio doors, Most Dope tells the story of a (...)

The definitive overview of the artwork of seminal Manchester-based Factory label, covering its iconic record sleeves, posters, ephemera, venues and packaging.

Between 1978 and 1992, Factory was one of the most important record labels in Britain. It launched the careers of Joy Division, New Order and the Happy Mondays, to name but a few; it opened the legendary Haçienda club and Dry bar; and it introduced to music the concept of high-quality, cutting-edge design. The visual languages developed alongside the music, by designers such as Peter Saville, Central Station Design and 8vo, are still widely recognized and imitated today.

Factory Records documents the label’s entire visual legacy and its role in bringing design into the mainstream. Every item with a famous Factory inventory number is illustrated or listed, including album sleeves, singles, special editions, flyers, posters, stationery and architectural projects. With a foreword by Tony Wilson, Factory’s charismatic record label owner and nightclub manager, this book amply conveys the energy, creativity and enthusiasm of one of the most dynamic (and chaotic) record labels ever.

'Its depth, detail and sheer brilliance put other coffee-table music books to shame' NME

'A lovingly compiled collection' Independent (10 of the Best Rock Books)

'By the time you reach the Happy Mondays’ explosions of graffiti and goo you’re properly convinced of the genius of everyone involved' The Word

'A collectible item in its own right' iD Magazine

'As an indicator of time’s passing, a document of an important pop-culture moment and just as great a book of superb looks, serial number Fac 461 is the business' GQ

'Breathtaking … a must-have reference for music aficionados' Computer Arts Projects

About the Author: Matthew Robertson works as a designer in Bath, England. His personal collection of Factory items includes a number of rare pieces, and he works alongside several former Factory artists.

The now deceased Tony Wilson co-founded Factory Records in 1978.

Format:Paperback with flaps Size:29.0 x 25.0 cm Extent:224 pp Illustrations:400 Publication date:10 September 2007 ISBN:9780500286364

Featuring fresh insights from Mick, Keith, Charlie and Ronnie, Unzipped digs deeper than ever before into the Stones’ archives to present a comprehensive collection of Stones artworks, instruments, stage outfits and notebooks alongside key work by some of the legends of rock photography.

For almost 60 years the Rolling Stones have helped shape popular culture around the globe. Unzipped captures the compelling character and dynamic spectacle of the band through distinctive photography and interviews with the Stones themselves, tracing their impact and influence on rock music, art, design, fashion, photography and filmmaking.

Evocative archive photos, artworks, outtakes and memorabilia, together with dazzling images of the band’s instruments and outfits, plunge you into the ever-changing world of the Stones. Many of the instruments and outfits are paired with pertinent archive photos, so you can examine the detail and see the objects in use. Peppered throughout with engrossing and insightful new commentary by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood, the book also features a compelling introduction by Anthony DeCurtis, which chronicles their career, and perceptive articles by some of their most important creative collaborators, including Buddy Guy, Don Was, Anna Sui, John Varvatos, Martin Scorsese, Shepherd Fairey, Patrick Woodroffe and Willie Williams.

Bold, glamorous and captivating – and beautifully bound and finished – Unzipped is the perfect showcase for ‘the greatest rock ’n’ roll band in the world’.

'An evocative photo-led exploration of the band’s close-on 60-year career' Choice

'This handsome tome has much to offer the Stones fan who thought they knew everything' Record Collector

About the Author: The Rolling Stones - Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood - have all been interviewed specially for the exhibition and accompanying book. Anthony DeCurtis is an author and music critic. He has written for the New York Times, Relix and Rolling Stone, for which he is a contributing editor.

Format:Hardback Size:31.7 x 24.1 cm Extent:288 pp Illustrations:400 Publication date:7 October 2021 ISBN:9780500023853

Intriguing stories of creative endeavour, volatile relationships, excessive lifestyles and bizarre events from the world of rock, as told by Hipgnosis co-founder, creative designer, photographer and filmmaker Aubrey Powell.

Founded in 1968 by Aubrey ‘Po’ Powell and Storm Thorgerson, Hipgnosis transformed album art with their designs for Pink Floyd, Led Zeppelin, Genesis, Paul McCartney and Wings and so many more. Brutally honest, entertaining and insightful, Po tells the incredible stories of creative endeavour, volatile alliances, high-risk/high-altitude photoshoots and downright bizarre events from the halcyon days of rock’n’roll. From his unique insider perspective, Po sets many records straight, bringing revelatory new details to legendary tales, including the genesis of The Dark Side Of The Moon, Houses Of The Holy, The Lamb Lies Down On Broadway, and Peter Gabriel’s trio ‘Car’ / ‘Scratch’ / ‘Melt’, each evidenced with photographs, documents, artefacts and artworks from Po’s own archive.

'Powell is an engaging raconteur' Literary Review

'Brutally honest, entertaining and revealing insider stories' Creative Review

'Gorgeously designed... Excess runs through most of these stories the way drugs flowed through the veins and lungs of the musicians back then' New York Journal of Books

'Adventures in the golden age of the gatefold' Uncut

About the Author: Aubrey Powell co-founded the album cover design agency Hipgnosis with Storm Thorgerson in 1968. The company was at the vanguard of rock iconography, creating some of the most innovative and surreal record cover art of the 1960s, 70s and 80s. Nominated five times for a Grammy Award, Hipgnosis created more than 400 album covers for many of the biggest rock bands of the era, including Pink Floyd, Led Zeppelin and Paul McCartney. Powell is currently the Creative Director for Pink Floyd. He is the author of Hipgnosis Portraits and Vinyl • Album • Cover • Art, also published by Thames & Hudson.

Format:Hardback Size:23.4 x 15.3 cm Extent:320 pp Publication date:10 February 2022 ISBN:9780500252376

An expanded edition of the popular landscape and photography book, celebrating the most majestic mountains and historic cycling climbs for enthusiasts and participants around the world

The mountains of Europe have many different meanings to many different people. For the locals they are a way of life; for visitors they represent breathtaking beauty, active holidays and peaceful moments. For cyclists, however, the dramatic landscapes mean something quite different: suffering, pain, agony – and glory. For over a century the mountains have provided the setting for the greatest cycling contests, where human determination and willpower can triumph over nature and opponents.

In recent years, as cycling’s popularity has changed our cities, made us more active and taken us down less-travelled roads, the mountains of Europe have become the primary destination for everyday riders who want to challenge themselves, experience the storied roads and escape their everyday lives. This publication is aimed at all who wish to be inspired by those challenges or celebrate those personal victories. With tributes and personal recollections from leading road cyclists, the photographs and words coalesce into a visual depiction that transcends any single perspective and will inspire awe and wonder in anyone who wishes to confront the power of the mountains.

'A tribute to nature's beauty and man's dogged determination' i

'[a] spectacular portrait of some of the most beautiful and challenging scenery in the world ... offer[s] cycling aficionados plenty of bucket list inspiration'

About the Author: Professional photographer and keen amateur cyclist Michael Blann spent his formative years racing his bike and dreaming of riding in the Tour de France. Aged nineteen, he left England for Australia to ride in a well-respected amateur team, during which he competed in the nine-day Golden West Tour in Queensland. This experience left him with the realization that a pro contract was out of reach. Returning to the UK, he enrolled in art college and eventually moved into advertising. This book brings together Blann’s two great passions – cycling and photography – and evolved from a desire to produce a definitive record of the immense, immovable landforms that have set the stage for the most intense, nail-biting dramas the cycling world has ever seen. Limited-edition prints are available at www.michaelblann.com.

Andrew Diprose is Group Creative Director at Wired magazine in London and a keen cyclist. He lectures regularly on art direction, photography and illustration. He is also the co-founder, publisher and art director of cycling independent title The Ride Journal.

Susannah Osborne is a journalist and has written for numerous newspapers and magazines on the subjects of travel, fitness and adventure sport. She has cycled since her late teens, first as a means to get around her native North Devon, and later as an active member of the women’s road and criterium racing scene in the UK. She worked and cycled with Michael Blann for several years before teaming up with him on this book, which appeals to her love of storytelling and her long-standing fascination with dramatic landscapes.

Format:Hardback Edition Type:Revised and expanded edition Size:25.5 x 30.5 cm Extent:256 pp Publication date:26 March 2020 ISBN:9780500023082

Released to commemorate the 75th anniversary of the coolest and best- known label in jazz, this book celebrates over seven decades of extraordinary music from a company that has stayed true to its founders commitment to Uncompromising Expression. Tracing the evolution of jazz from the boogie- woogie and swing of the 1930s, through bebop, funk and fusion, to the eclectic mix Blue Note releases today, the book also narrates a complex social history from the persecution of Jews in Nazi Germany to the developments in music and technology in the late 20th century. Blue Note is not only known as the purveyor of extraordinary jazz but is also famous as an arbiter of cool. The photography of co-founder Francis Wolff and the cover designs of Reid Miles were integral to the labels success and this highly illustrated, landmark publication featuring the very best photographs, covers, and ephemera from the archives, including never-before-published material commemorates Blue Notes momentous contribution to jazz, to art and design as well as to revolutionizing the music business.

At a time when sales of vinyl records have hit a 25-year high, and analog technologies are providing the kind of extraordinary audio experiences that our increasingly digital world has started to remove, Hi-Fi is essential reading. This unique book explores just how, when, and why the world fell in love with the look, feel, and sound of top-of-the-line audio equipment. Hi-Fi traces this fascinating evolution from the 1950s to today (and tomorrow), taking readers right up to the current renaissance of all things analog and the emergence of cutting-edge designs for die-hard audiophiles.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Sam Rice (Yeti) & Chris Dexta

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers.

UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Chapman (Immerse)

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

The eighth issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Yoni Wolf (WHY?) Interview by Peter Agoston – Illustration by 319 Heads, Butcher Bear ((iN)Sect Records) Interview by DJ Jester the Filipino Fist – Illustration by 319 Heads, Roughneck Jihad Interview by Luke Sick – Illustration by 319 Heads, Sampler Cafe Interview by Jonathan Balazs – Illustration by Aidan Searle, DJ Jester the Filipino Fist Interview and Illustration by 319 Heads, Rap Meets Opera Article by Werner von Wallenrod – Illustration by Allan Lorde, plus book reviews of Rap and Redemption on Death Row (The University of North Carolina Press) and Words From Wize (Parker Pubs).

ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The band's signature guitar sound from iconic single 'ufo' has been sampled in hundreds of hip hop records, and everyone from Karen O to Kathleen Hanna lists the South Bronx group as a direct influence. So why do the Scroggins sisters appear as nothing more than a footnote in the 1980s music scene?

Through interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England, this book follows the story of a group of sisters who made it out of the New York projects and into the heart of the dancefloor. Come Away With ESG repositions ESG in their rightful place as punk pioneers and explains how their primal beats have paved the way for modern dance music today.

A unique record of hip-hop history from the late 1990s through to the present, captured through informal Polaroid portraiture.

Just as Andy Warhol: Red Books defined a generation of artists, Big Shots offers a collection of photos that captures the energy of the world of hip-hop and the greater worlds of music and fashion alike. Started as snaps of friends and visitors, this unprecedented volume shot by Phillip Leeds, former tour manager of Kelis and N.E.R.D., is a compilation of previously unpublished work documenting some of the biggest names in hip-hop and fashion. His collection of Polaroid portraits has effectively grown to capture an important moment in music and fashion.

With more than 250 Polaroids of artists and figures including Mos Def, Jay Z, Tyler the Creator, Quest-love, and Rita Ora, Big Shots gives readers a unique and oftentimes impromptu look into an era of music and fashion shared through the ever-nostalgic format of the Polaroid.

Dark Entries Collected Music Graphics Compiled by Josh Cheon and Eloise Shir-Juen Leigh To celebrate 15 years of Dark Entries, this zine showcases the label’s visual aesthetic, bringing together some of the most iconic designs that we’ve released. While Dark Entries’ sonic mission has included sounds as diverse as synth-pop, Italo disco, darkwave, house, and techno, it is equally staggering to see the breadth of visuals the label has encountered and collected over the years. Included here are selected typography, logos, and illustrations from the label’s extensive catalog — well over 300 releases to date. Designs have been created using DIY analogue techniques as well as more contemporary digital approaches. A full discography is included at the end for reference and an essay by Shawn O’Sullivan (Led Er Est, Further Reductions). This zine serves as a source of inspiration for artists as well as a means of preserving and documenting these distinct graphics. Dark Entries Records is a San Francisco-based record label that was born in July 2009. Helmed by Josh Cheon, a vinyl-focused DJ and collector, the label has focused largely on excavating the 1980s underground era – but releases have spanned from sultry vintage disco to bleeding-edge contemporary techno. Graphic designer Eloise Shir-Juen Leigh has been responsible for most of the label’s artwork, whether reproducing original designs accurately for reissues or creating exciting new ones. Much care and attention is given to each release to represent the music in a memorable way as well as tell the stories behind these projects. Hand-stamped and limited to 200 numbered copies. 64 pages with neon cardstock covers. Measures 5×7 inches.

From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers."
One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop.
Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

As immediately believable as they were cartoonish, as much an inner city cipher as a suburban boys gang, the foursome that made up the Pharcyde were the most relatable MCs to ever pass the mic. On their debut and magnum opus Bizarre Ride II the Pharcyde, they created a record almost overstuffed with possibility, the sound of four restless man-children fresh out of their teens, finding a perfect outlet in a form of music that was just as young and fertile.

And like the product of any adolescent, Bizarre Ride wears its contrarianism and contradictions on its sleeve. It's a party album about shyness and unrequited love. A swirl of jubilant L.A. psychedelia recorded in the midst of the Rodney King trial. A blast of black consciousness that still makes room to poke fun at Public Enemy and reference the Pixies. A dense, sophisticated sonic stew punctuated by yo mama jokes and prank calls. While hip-hop was already calcifying its tropes of steely machismo and aspirational fantasy, Bizarre Ride was a pure distillation of the average hip-hop listener's actual lifestyle-the joys and sorrows of four guys who were young, broke, sexually frustrated, and way too clever for their own good. A touchstone for Kanye West, Drake, Lil B and a whole generation of off-center MCs, Bizarre Ride sketched out a whole strata of emotions that other rappers hadn't yet dared to tackle, and to a certain extent, still haven't.

By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye.

Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear.

This book features new interviews with all four members of Fugazi and members of their creative community.

Hundreds of millions travel by underground train every day. The subway is one of the world’s most common
means of transport and an environment where many of us spend a great deal of time.
Subway cars are important “canvases” for the artists behind one of the most widespread modern art movements
today - graffiti.
Subway Scrawl is a collection of 10 classic subway de- signs in a practical notepad. Bring out your creative side
and add your own personality to the cars. Try your hand at making a New York subway wholecar, scribble diary
notes or write a to do list on a London Underground car.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying?

Drawing from philosophy, critical theory and musicology, as well as Dilla’s own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist’s declining health as it is an example of what scholars call “late style,” placing the album in a musical tradition that stretches back centuries.

152 pages.

If you're interested in the Microphones box set but maybe you don't actually enjoy music (or maybe you have the records, or maybe it's sold out), here you can buy just the book.

It's pretty fancy on its own. 12.5" x 12.5", 107 pages, perfect bound with huge french flaps, packed with beautiful photos and artwork, notebook spreads, studio track sheets, show posters, etc. These were made at the sustainability-award-winning Hemlock Printers in Burnaby, B.C., a splurge.

It works as either a semi-abstract aesthetic art thing or as an abundantly packed collection of background materials that should satisfy even the most curious Microphones music listener.

A crossroads of reggae and punk; a travelogue of Jamaica, UK, and Japan from 1982 to 2023, written and photographed. To resist is to live. 1982-2023. Jamaica, UK, Japan. The intersection of reggae and punk. There are photographs that take on new meaning as time passes. The lifework of photographer Masataka Ishida, who has been following the world's rebel music. A record of his 41-year journey in search of true freedom. The first product from Type Slowly.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

On the cover of the magazine: 19 page special feature – inside the sound world of David Lynch, including a new interview with the director and his music collaborators Chrysta Bell Zucht and Dean Hurley + essays on Dune, Eraserhead, Twin Peaks, Lost Highway, The Straight Story, Wild At Heart, backwards speech, wind sounds, drones, finger clicks, lip-syncing, and more.

Also in the magazine: interviews with Copper Sounds, Miaux, and Theodora Laird & Caius Williams, plus: Invisible Jukebox: Dhangsha, Unlimited Editions: Discreet Music, Epiphanies: Lonnie Holley, The Inner Sleeve: Mabe Fratti, Global Ear: Monterrey, and 36 pages of reviews including Vijay Iyer, World Service, Joe McPhee, Paul Burwell, new histories of krautrock and free jazz, Chicago Jazz String Summit, and more.

Finally: all copies of the August issue come complete with a free CD of The Wire Tapper 65 featuring 16 new tracks by Farida Amadou, Mettani, Landless, Noémi Büchi, Doc Sleep, TAU, and more.

Record Culture Magazine is a biannual publication that shines a light on the people intrinsic to niche music communities around the world and their intersection with art, fashion, and culture.

250 plus magazin featuring in-depth interviews and home/studio visits with:

– DJ Harvey
– Sofie
– Jun Takahashi
– Ziggy Devriendt
– DJ Sundae
– Pedro Winter
– Ariel Kalma
– Octo Octa
– Max Essa
– Moxie
– Pierre Rousseau
– CC:DISCO!

And the visual feature, “White Columns Retrospective: 1977–1986.”

Limited edition, detailed vinyl toy of Green Day's Tre Cool out of the Funko Pop Rocks series. Height: approx. 10 cm. Highly collectible!

The HHV Records universe in 14 high quality screen print stickers black-and-white on an A4 format sheet. It can be so easy.
Good Stuff Carefully Composed in 14 stickers.

On the sheet:
• HHV Logo Sticker small, square
• HHV Logo Sticker large, square
• KEATS Logo Sticker, square
• Beat Jazz INT. Logo Sticker, square
• finest ego Logo Sticker, square
• PMC Lettering Sticker, square
• PMC Lettering Sticker, round
• PMC Logo Sticker, round
• DIGGIN IS A SCIENCE Logo Sticker, round
• HHV Mag Logo Stickers, square
• For the RECORD Logo Sticker, round
• 90's Tapes Logo Sticker, round
• Boom Bap 45's Logo Sticker, round
• Vinyl Diggers Logo Sticker, round

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

Especially For Record Store Day 2013: A limited edition of 500 books, signed by the author, hand-numbered, stickered with RSD logo, and with a free gift in the form of a sheet of errata including a long-lost letter from Thurston Moore (providing the concluding piece of the SY controversy!)What they said about Ablaze!: "There are other people to condemn, Karren - aren't there?" - Morrissey. "I forgive and hope for Karren A" - Thurston Moore. "Fuck off!" - Ian Brown.And when you read the section of the book entitled Record Shop Skulkers, you'll know why The City Is Ablaze! And Record Store Day are a perfect match.Ablaze! fanzine was published in Manchester and Leeds in the late eighties and early nineties by Karren Ablaze! The best bits of this notorious and outspokenly passionately zine are now available in book format, to be published on 5th November 2012. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement, and an epilogue by Gary Jarman. This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something. You'll be able to read original interviews with the following bands (in chronological order). Eyeless In Gaza The Membranes The Stone Roses The Inca Babies Tools You Can Trust The Bodines Inspiral Carpets The Pastels The Janitors Happy Mondays King of the Slums The Dust Devils The Shamen Cud Sonic Youth Dinosaur Jr The Pixies Throwing Muses The Sundays Thrilled Skinny Rapeman UT Dog Faced Hermans Edsel Auctioneer Mudhoney AC Temple fIREHOSE Band of Susans Henry Rollins Live Skull Kilgore Trout The Sun and The Moon The Breeder...

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.