Search "beatles" 772 Items

Ekundayo Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Speed Dealer Moms, the combustible live electronics duo comprising John Frusciante (Red Hot Chili Peppers) and Aaron Funk (Venetian Snares) is over a decade into their idiosyncratic run. On "Birth Control Pill," the duo's third release, the parameters of the chaotic and elegant project come into focus.

If there are virtuosos patching modular synthesizers and slicing up breakbeats, then they were in the room when these two tracks were recorded. The epic title cut is perhaps the most "functional" track the duo has ever recorded. This is ruffneck dnb business, but it's also the Speed Dealer Moms, so there is the requisite descent into chaos. The track's precise melodies are unceremoniously dunked into Funk's signature, ripping breakcore, the drums picking up speed until the crash test dummies hit the wall—a thrilling, extratone breakdown.

More madness lurks on the B-side, "Benakis," which seemingly nods to the visionary Greek composer. With its unconventional time signature and intricate melodies, this song cycles through breakcore and hard techno before eventually giving the listener a reprieve with a dreamy, beatless outro.

Speed Dealer Moms drive their own, crooked road built on friendship and a telepathic musical connection—the collaboration and encouragement of Funk ushered Frusciante into the dense world of hardcore machine funk. The results of these sessions don't sound quite like anything else, they are electronic records made in fearless pursuit of the new. Funk and Frusciante follow ideas to an illogical endpoint, and this hurtling approach has now resulted in the best and most concise Speed Dealer Moms record yet.

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Liam Bailey

LP | 2020 | US | Original (Big Crown)

Your Mother Should Know:B.M.Plays The Beatles

Release: 2020 / US – Original

Genre: Organic Grooves

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Big Crown Records is proud to present Ekundayo, Liam Bailey's debut record on the label. This album is a long time in the making, and after listening, clearly worth the wait. It didn't take a long time to record, but it did take years for all the stars to line up. Bailey, born and raised in Nottingham, England, the son of an English mother and Jamaican father got his early influences from his mom's record collection. Bob Marley and Dillinger, Stevie Wonder and The Supremes, The Beatles and Jimi Hendrix would eventually shape the singer/songwriter we know today. While Liam's career started 2005 and went through a bunch of record industry twists and turns he and Leon Michels, musician/producer luminary, and the co-founder of Brooklyn's own Big Crown Records, would regularly connect and collaborate. Finally, in 2019, the time was right to do a full-length album together, free of any restricting major label presumptions and opinions. "This is the record we always wanted to make," says Michels. Set to release in November 2020, the album is called Ekundayo. And the word's meaning may be all you need to know to get to the essence of this project. It means "sorrow becomes joy" in Yoruba, a language spoken mostly in Western Africa. On the surface, Ekundayo is a weighty Reggae record, full of new and old textured riddims. But listen more in-depth, and you'll find subject matter that's more recognizable from a modern-day R&B record. An example of the former is the first single off the album. Sung to the most beautiful woman at the nightspot, "Champion" is a joyous anthem powered by a silly-thick Juno-bass throb and 808-proof drums. Then there's a song like "Don't Blame NY." Moody and sparse with a somber drive, you might have to resist the urge to compare it to a Frank Ocean-ish type vibe. Liam's voice is in a different but fitting element here, showing stripped-back emotion and soulful restraint. Credit to Leon's hand, elements of Jamaican production are everywhere, peppered throughout the record. Like the pitch-perfect organ stabs that push through the authentically positive "White Light," or the muted, percussive guitar strums that chug along in the back of "Fight." In the same vein of any fantastic singer/songwriter album, Ekundayo is a reflection of who Liam Bailey is. The journey from conforming to major labels to this latest record has been a long one for Liam, and a bit of a struggle. But struggle may be the only way we truly grow and evolve. With a new clarity of purpose, sound, and life, Liam has found joy out of those struggles. And it's called Ekundayo.

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Brad Mehldau

LP | 2023 | EU | Original (Nonesuch)

28,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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12" | 1997 | UK | Original (Sirkus)

Beatless

To Expand

3,99 €*

Classique / She's The Devil

Release: 1997 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag.

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Beatless

10" | 1999 | CH | Original (Corn-Flex)

4,99 €*

Release: 1999 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1988 | EU | Reissue (ZYX)

Radiorama

The Legend

17,99 €*

Release: 1988 / EU – Reissue

Genre: Pop

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Past Masters Volume 1 & 2

2LP | 1988 | EU | Reissue (EMI)

45,99 €*

Multiples Aka Speedy J And Surgeon

Release: 1988 / EU – Reissue

Genre: Pop

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Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory, 2009 remastered version!

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Two Hours Or Something

2LP | 2024 | EU | Original (Stoor)

27,19 €* 31,99 € -15%

Sounds Of Green & Blue Transparent Orange Vinyl Edtion

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Venerated heavyweights Surgeon and Speedy J cement their Multiples collaborative project with a long-form album of tweaked experiments past the outer reaches of the techno realm. Recorded over the course of two days at Speedy J's Stoor lab in Rotterdam, Two Hours Or Something is what happens when decades-deep experts in the field plug their hardware in and jam without time constraints or crowd expectations. In these raw, one-take, no-edit sessions there are propulsive moments of techno and electro balanced out by extended beatless passages and a constant experimental instinct which drives the music forward into parts unknown. Following a string of knockout club and festival appearances, this is a fitting document of just how far out Multiples can go when you combine two such experienced and inquisitive minds (and their respective gear). The album comes in a special gatefold designed by Atact, and with a download-code including 5 bonus tracks.

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The Lunar Effect

LP | 2024 | EU | Original (Svart)

28,99 €*

Sounds Of Green & Blue Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Lunar Effect, sonic architects known for their gravitational pull of fuzzy, snarling riffs and psychedelic visions, proudly announce the release of their latest album, "Sounds of Green & Blue," available to pre-order now through Svart Records. “Sounds of Green & Blue” is a galactic journey through sound that showcases The Lunar Effect’s evolution and marks a pivotal chapter in their musical odyssey.

Formed in 2016, The Lunar Effect burst onto the scene with a distinct blend of grunge and retro hard rock. With a flair for hair and a penchant for barbed and growling riff work, the London-based quartet quickly garnered attention for their dynamic sound and Blues rock reverence. In 2019, they crash-landed onto the Stoner Rock scene with their debut album, "Calm Before the Calm,” firmly establishing themselves as a force to be reckoned with.

"Sounds of Green & Blue" sees The Lunar Effect expanding their sonic scope and bending all the elements and eras of Classic Rock into their own unique mold. The album is a testament to their musical growth and willingness to explore new territories while maintaining the brooding vintage sound that defines them. Each track is propelled into orbit by the low-end buzz of distorted chords, powerful enough to blow the moon-dust off your amp.

The first single from the album, "Pulling Daisies," is a bristling sojourn that encapsulates the band's celestial rock influences. The track combines classic Blues tones, fuzzy guitars, swirling ethereal vocals, and a dusty, hypnotic rhythm that transports listeners from the past into a screaming, paisley, future wonderland. "Pulling Daisies" sets the controls for the heart of the moon, showcasing The Lunar Effect's ability to craft immersive and soul side musical experiences. From the heyday of The Beatles, Floyd, Zeppelin and Sabbath to newer artists like Graveyard, Radio Moscow and Red Fang, The Lunar Effect have created a masterclass in Psychedelic Rock that takes you firmly by the collar. With a palette that also includes shades of the 90s Grunge scene like Nirvana and Soundgarden into their heady mix, The Lunar Effect paint their own trippy world, where genres blur into their unique brew of heart-felt space rock.

"Sounds of Green & Blue" by The Lunar Effect is proudly released by Svart Records, a label known for its commitment to uncovering high-quality, diverse, and boundary-pushing music. Svart Records continues to be a platform for artists who defy conventions, push the boundaries of their respective genres, and break out of the underground.

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The Lunar Effect

LP | 2024 | EU | Original (Svart)

Minecraft Volume Alpha Transparent Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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C418

LP | 2011 | CZ | Reissue (Ghostly International)

27,99 €*

Release: 2011 / CZ – Reissue

Genre: Soundtracks

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The vinyl version contains twelve tracks! "Minecraft - Volume Alpha" is the work of German composer and musician Daniel Rosenfeld. Under his stage name C418, Rosenfeld created the sweeping soundtrack and vibrant sound design that brought the voxel-based universe of "Minecraft" to life. Fans and critics alike were blown away by his beatless, balanced electro pieces across the board. Popular gaming site Kotaku listed the soundtrack among its "Best Game Music" of 2011, calling the music "impressively soothing," while The Guardian compared Rosenfeld's fragile pieces of piano and minimalist ambient to legendary artists Erik Satie and Brian ENO. In an interview, Polygon distilled "Volume Alpha" down to its essence: "The soundtrack is not tied to the retro aesthetic of Minecraft graphics. The soundtrack overrides them. The album is an attempt to translate the combined game/music experience into something heavenly."

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Soft Summer Breezes Summer Sun Vinyl Edition

LP | 2024 | US | Original (Numero Group)

23,79 €* 27,99 € -15%

LP | 2022 | EU | Original (Wouldn't Waste)

Release: 2024 / US – Original

Genre: Rock & Indie

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Summer Sun Vinyl. Following in the wake of baroque charttoppers by the Zombies, Beatles, andthe Left Banke, a dandier approach togarage rock flowered in the back half ofthe '60s. Awash in majestic harpsichords,lilting guitars, melancholic organs, andmiddle school orchestras, Soft SummerBreezes captures the decade's last gasps ofoptimism via 16 gentle moments of softpsychedelia.

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Joy Zipper

American Whip

John, Paul, George, Ringo & Richard

Release: 2022 / EU – Original

Genre: Rock & Indie

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As ever with our beloved Wouldn't Waste Records - this is a first time on vinyl release! Joy Zipper is an American indie pop duo from Long Island, New York, made up of Tabitha Tindale and Vincent Cafiso, who are also a married couple. The duo has been playing dream pop since the late 1990s. The band is named for Tindale's mother. Their songs are underpinned with darker scarred lyrics (suggested in interviews to have been inspired by the death of Cafiso's father) causing them to be famously compared to, 'a candy apple with a razor blade inside'. Musical influences of the band vary from 1960s rock outfits The Beatles, The Velvet Underground and most associated, The Beach Boys, to early 1990s noise rock pioneers My Bloody Valentine, The Breeders. "Joy Zipper's second album American Whip is as sun-kissed and blissful as their first. Which is to say very much so. Sort of like a sunny take on the Jesus and Mary Chain circa Darklands, the band works the same straightforward noise-dipped-in-honey-approach as the Jamc. Only instead of Jim and William Reid's sneers, we get Vincent Cafiso and Tabitha Tindale's sweet as sugar vocals and harmonies." * * * * - allmusic.com - Riyl Dreampop / Shoegaze / Independent, for fans of J&mc, Beach House, Mazzy Star, Wild Nothing, Ride, Stars, Dean & Britta/Luna/Galaxie 500, Throwing Muses, Blushing

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Das Ist Die Zukunft, Aber Nicht Deine!

LP | 2021 | EU | Original (Phantom)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Boots Black Vinyl Edition

Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

12" | 2016 | EU | Original (1080p)

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

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Umfang

Riffs

9,99 €*

Zen Koans For Subway Commuters

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Soft bangers and beatless movements from Brooklyn¬ based producer UMFANG, following up last years 1080p -released cassette “Ok” with the five track “Riffs” 12”.

This vinyl debut finds her tripping on ambient and rediscovering the Microkorg that she tried to sell but started experimenting with again. These five vivid tracks are a logical progression from the previous polyrhythmic techno—footwork thoughts, avoiding 4/4 and textured with imagery, simple melodies and landscape -invoking sensations.

UMFANG is Emma Olson, prolific DJ, co¬-founder of Discwoman and programmes Technofeminism, a monthly residency at Bossa Nova Civic Club focusing on emerging local talent and an affection for vinyl.

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Personas

Tape | 2022 | UK | Original (Personas)

15,99 €*

12" | 2018 | EU | Original (Echo Echo)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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It’s 2013 in Tokyo. The second worst heatwave in Japan’s history blazes across the land of the rising sun, the Democratic Party of Japan have lost control of the Tokyo Metropolitan Assembly to the Liberals and somewhere on the subway Nic (Pleasure Cruiser) and George (Smoke Thief) are meeting for the first time. Nic (Chinese-Irish producer with releases on High Hoops, Step Recordings and a participant of Red Bull Music Academy) and George (Tokyo based soundtrack producer and saxophonist with an MA in musical performance) brushed shoulders on the Tozai Subway line, got to talking and have been best friends ever since. The pair created the production duo of Personas – an ambient, soundtrack-leaning moniker – and have been quietly working on their debut album – Zen Koans for Subway Commuters, which features a special collaboration with Japanese electronic composer Soichi Terada under his Omodaka alias – an album that very much does what it says on the tin. Zen Koans for Subway Commuters plays out like the listener's own personal cinematic experience. It’s easy to draw comparisons with the lonerism scores of Tokyo based films such as the Scarlott Johanson and Bill Murray starring Lost in Translation (2003). There’s an isolated aesthetic to the album. It captures the melancholy and freedom that comes with a commute; catching the meditative relief of travel and channelling it into an inner-main character episode as we hurtle to and fro. Floating from the beatless, contemplative pads of ‘Elevation’ to the live-sax of ‘Northside Hibiya Sen’ and the heavily field-recorded experimentation of Ayako and Omodaka’s collaborative ‘Shuuten’, Zen Koans for Subway Commuters maintains it’s interest throughout thanks to it’s variety of ambient sonics and real-life manifestation. Footsteps from heeled shoes clip-clop across sterile white tiles, trains rattle as they pull into the station, voices call out in greeting to friends and loved ones. It’s a trip in every sense of the word, a form of meditative therapy designed to think about nothing or think about everything. Featuring live recordings from the pair's ventures throughout Tokyo, Personas have crafted a mesmerising debut album that pulls on the heartstrings whilst maintaining a complete sense of freedom. Getting on the train to go anywhere is exciting, not just because of the destination, but because of the liberation that comes with sitting down, reading a book or listening to music and knowing you can't do anything else apart from that for a few hours. Intimate, subtle and cinematic, it’s the perfect soundtrack to get lost to.

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Orbite

Interstellar EP

10,99 €*

LP | 2017 | EU | Reissue (Infine)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Echocord sub-label Echo Echo continues this July with Orbite’s ‘Interstellar’ EP, a threetracker from the Berlin- based producer. Orbite is a brand new project founded in Berlin, Germany with a nod towards the raw, dubby sounds often heard across the clubs in the city, and where better to inaugurate things than the recently launched sub-label of Copenhagen’s Echocord, one of the leading imprints in the realms of Dub Techno, home to pioneering acts like Rod Modell/Deepchord, Pole and Fluxion who have paved the way for Orbite’s own twist on the genre. The ethereal pad textures of ‘Skylar’ lead on the package, deftly evolving alongside bubbling synth tones, swelling chords and shuffled percussion to create a create dynamically unfolding six and a half minute cut. ‘Moment’ follows, edging things further into dubbed-out territories with heavily delayed dub echoes and mesmeric spoken word poetry intertwining to create a, hypnotic beatless soundscape. ‘Organi’ closes the record with emotive, billowing pads, warm bell like tones and vocal murmurs running alongside swinging shakers and stripped-back micro-house percussion.

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Rone

Mirapolis

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Stepping into Rone’s music is like sleepwalking through a vividly colorful dream, eventually stumbling across a strange, scintillating Megapolis of saturated light and colors: Mirapolis. It’s twelve tracks/districts, each with their own specific planning, pulsate as though animated by their musical mastermind. We snorkel through Mirapolis’ musical depths. A city that generates constant wonderment, a desire for emancipation, a gathering of citizens connected to the collective’s vital energy. The project was an opportunity for Rone to get reacquainted with long-time stage and studio partners John Stanier, Gaspar Claus and the Vacarme band, and Bryce Dessner (guitarist for The National,) while bringing in new collaborators (and thus, new interpretation of Rone’s dreams). We find American slam-poet Saul Williams, who happened to be in Paris for a moment and contributes a searing anti-Trump screed; Baxter Dury, who brings an irresistible East London touch to Switches, a kind of fan fic that reimagines the Beatles’ Sgt Pepper lounging pensive in a club chair; Israeli electronic music muse Noga Erez, who inspired Waves, which, despite being recorded remotely, betrays a euphoric partnership; and finally, Kazu Makino, Blonde Redhead’s bewitching singer and multi-instrumentalist, who contributes to the album’s closer, the gauzy Down for the Cause.

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Sgt.Peppers´s Lonely Hearts Club Band

LP | 1967 | UK | Original (Parlophone)

55,99 €*

OST What The Hell Happened To Blood, Sweat & Tears? Black Friday Record Store Day 2023 Vinyl Edition

Release: 1967 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Uk reissue from the 2000s.
Includes original inner sleeve.

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Blood, Sweat & Tears

2LP | 2023 (Omnivore)

37,99 €*

Visions Of The Higher Dream

Release: 2023

Genre: Rock & Indie

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Music from the documentary by John Scheinfeld (Who Is Harry Nilsson (And Why Is Everyone Talking About Him), The U.S. vs. John Lennon, Herb Alpert Is…). First time on vinyl for live recordings from 1970 recorded in Yugoslavia, Romania, and Poland. Their self-titled second album yielded three Top 5 singles (“You’ve Made Me So Very Happy,” “And When I Die,” and “Spinning Wheel”), spent seven weeks at #1, was certified quadruple Platinum, and won a Grammy® for Album of the Year.

In 1970, Blood, Sweat & Tears were arguably the hottest band in America. heir second album, the eponymously titled Blood, Sweat & Tears had recently spent seven weeks atop the Billboard Album charts, spawning three Top 5 Gold singles (“You’ve Made Me So Very Happy,” “Spinning Wheel” and “And When I Die”). The album had been nominated for four Grammy® awards, ultimately winning two, including Album of the Year over The Beatles’ Abbey Road , and sales passed the 4 million mark domestically. The band was touring to sold-out audiences around the world and had just completed their third album in the studio—what could possibly go wrong? Enter the U.S. State Department and Richard Milhous Nixon . . .

Omnivore Recordings is proud to announce the 2-lp vinyl release of the soundtrack to the acclaimed documentary What The Hell Happened To Blood, Sweat & Tears? A political thriller with a classic rock band at the heart of the action, this story has been suppressed for over 50 years!

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Daniel Romano

LP | 2022 | US | Original (You've Changed)

Robbie Busch, Jonathan Kirby & Julius Wiedemann

Release: 2022 / US – Original

Genre: Rock & Indie

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You've Changed Records Launches THE Archive Series, Offering Limited Edition Vinyl Pressings OF Daniel Romano's Renowned 2020 'bandcamp' Albums. In 2020, Daniel Romano and his increasingly exalted band 'The Outfit' were forced home, faced with the cancellation of tours and all live engagements at the beginning of the Covid-19 pandemic. Almost immediately, Daniel instigated a near legendary run of new albums, releasing 10 full-length albums in the span of nearly the same number of weeks. Genre-spanning, astoundingly distinct artist achievements of an unprecedented order, these albums were originally released exclusively in digital only formats on Bandcamp. They were direct and immediate missives from one of the most talented, prolific, ambitious, and exciting artists of his generation. We are thrilled to begin releasing these albums now in very special limited-edition vinyl pressings. 'Visions Of The Higher Dream' is an expression of rich, Beatles-esque (but so much more) psychaedelia, visionary, powerfully arranged and immaculately performed, and thoroughly beautiful in its scope and in its deails. It is as complete a statement, and as fully executed a vision as this famously restless artist has offered. Timeless and timely evocations of a higher dream.

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Rock Covers: 750 Album Covers That Made History 40th Anniversary Edition

Taschen

25,00 €*

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2LP | 2023 | EU | Original (Cleopatra)

Joe Diffie

Greatest Nashville Hits

Release: 2023 / EU – Original

Genre: Rock & Indie

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Dragging The Needlework For The Kids At Uphole

Index For Working Musik

LP | 2023 | EU | Original (Tough Love)

Release: 2023 / EU – Original

Genre: Rock & Indie

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RIYL: Brian Jonestown Massacre, Velvet Underground, TOY"Upon the highways of Freedom, where Evil is like a Ferrari_ "Unbeknownst to its members, Index For Working Musik was born on an evening in late 2019 amidst the discovery of a collection of faded b&w photocopies that had been marinating on the floor of a urine-alley in the Gothic Quarter of Barcelona. An assortment of sacred and profane imagery were crumpled amongst an essay on early Christian hermits, entitled Men Possessed by God, the meaning of which was enticingly vague. Received together, they planted the seeds for a new endeavour. Though Max Oscarnold and Nathalia Bruno were already engaged in a creative ping-pong of sorts, the results to this point had only totaled a 30 min long ½ inch tape containing one track and four interludes. They needed a page and they needed ink, and they needed a place and it needed energy. Suddenly by chance or divine intervention, their experimental venture had been given form and direction.Back home in London's cursed smog, they moved themselves and their 8-track studio into a basement in E8, where the project's gravitational pull gained strength, quickly developing into an unexpected collective with the incorporation of drummer Bobby Voltaire, double bass player E. Smith and guitarist J. Loftus. As the world shifted around them and the Plague Years followed, it became increasingly clear that they were not going to leave that small basement room. The scarcity of light or outer world presence was less a limitation, instead the main tool at hand, allowing the recording to stretch for boundaryless days in architectural isolation, and forcing them to make straight forward free guitar music, adopting a 'first thought, best thought' approach. The result of this period became a collection of music they were to name Dragging the Needlework for the Kids at Uphole, to be released via Tough Love on 17th February. 35 minutes of repeat phrased guitars, slow-clipped drums and dulcet vocals where the recurring...

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I Told You Before: Unreleased Get Back Sessions

LP | EU (Israeli Fan Club)

20,99 €*

Free Spirit Soar Galaxy Vinyl Edition

Release: EU

Genre: Rock & Indie, Pop

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For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

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Warlord

LP | 2024 | EU | Original (High Roller)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Sgt. Pepper's Lonely Hearts Club Band

LP | 1967 | DE | Reissue (Odeon)

48,99 €*

The Sessions II Purple Vinyl Edition

Release: 1967 / DE – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Early German reissue. Cover is close to NM. Vinyl seems unplayed.

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Tangerine Dream

2LP | 2020 | Original (Invisible Hands)

Release: 2020 / Original

Genre: Electronic & Dance

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Now That's What I Call Music Hip Hop Party

CD | 2023 | US | Original (Sony Legacy)

Release: 2023 / US – Original

Genre: Hip Hop

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LP | 2024 | UK | Original (Re:Warm)

Horsebeach

Things To Keep Alive

31,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Kito Jempere)

Kito Jempere

Green Monster

Justin Heathcliff (Osamu Kitajima)

Release: 2023 / EU – Original

Genre: Pop

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Green Monster, the 4th Kito Jempere studio album is a journey through love, interconnectedness and creative freedom, bound together by musical friendship that breaks through walls, borders, languages and shapes; accumulated over a celebrated twenty year career and ten years of Kito Jempere.

Over fourteen tracks Kito teams up with over 26 artists from all over the world: a range of talented artists including Warp records artist Jimi Tenor, Red Snapper drummer Rich Thair, Azari & III ex-vocalist Starving Yet Full, L.I.E.S. records Lipelis (on bass), Curly Castro and Sindysman. The album blends hip-hop, free-flowing jazz and world-building soundscapes into a piece dedicated to Kito’s musical roots; marrying multiple artforms, cultural influences and international artists into a body of work that feels deeply personal, healing and detailed. The accompanying artwork is a world created by Kito made using Midjourney prompt, connecting the albums audio world with visible objects — both vinyl and CD will contain booklets with lyrics and the visual world of Green Monster.

Kito describes the album ‘like getting Ennio Morricone, Weezer, The Beatles, Oneothrix Point Never, Eduard Artemiev, Jaga Jazzist, Massive Attack, Fugazi, Jimi Tenor, Hans Zimmer, Radiohead, John Cage and Aphex Twin all together, then collaborating with movie-directors Wes Anderson, David Lynch, Dziga Vertov and Andrei Tarkovskiy.’ Used as a metaphor to help create his album.

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Justin Heathcliff

LP | 1971 | EU | Reissue (Everland)

41,99 €*

Mint - Das Magazin Für Vinylkultur

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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It is time that this awesome piece of late 60s style beat and psychedelic rock music gets a proper reissue. This one will be appointed with an awesome leathery cover and comes in a strictly limited edition, available in prsale only.
What do we know about this record? It feels like Syd Barret, TBeatles, Twink, The Deviants, T-Rex, Tomorrow and The Small Faces got together for a boozy and smoky jam session out of which a handful of beautiful songs have emerged, ranging from straight, powerful beat tunes towards joyful flower pop anthems with a bubble gum edge with a layover at melancholic folksy singer / songwriter sounds. What most people do not know ist that the participating musicians are only partly British. This album is the brainchild of renowned Japanese world music / ethno jazz rock artist Osamu Kitajima, who later on went to fame under his own name with some extraordinary progressive albums in the later 70s. He spent a year in England around 1970 to 1971 and recorded this album under the monicker of „Justin Heathcliff“, to make the impression of a true British pop / psyche record with a distinctive late 60s feel perfect. It might not have been a commercial starship around the time it got released, but it stood the test of time and even nearly 50 years after it’s initial release this record still flatters our ears with songs of unearthly beauty on par with the above mentioned English legends. More pop than alternative music of 1968 „Justin Heathcliff“ is a great soul journey to a brighter and more colorful time. This is swinging London, not the apocalyptic hippie Utopia of Haight Asbury in late 1967, or the revolutionary street fights in Germany or France. This is music to comfort your mind and make you feel happy. It even goes back to 1966 when The Beatles did „Revolver“. For a 1971 release this is already a retro affair despite only going back to elements who were five years old at most. It does not matter anyway, this is a masterpiece and Osamu Kitajima is a master of colorful UK 60s pop.
For all fans of The Kinks, Tomorrow, Manfred Man in the late 60s, The Small Faces, Twink, The Beatles etc.

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Ausgabe 68 - Mai 2024

Mint

6,39 €* 7,99 € -20%

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CD | 2023 | UK | Original (Mr Bongo)

Daniel Salinas

Atlantis

Get Rollin' Tranparent Orange Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

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Atlantis' is a smouldering jazz-funk, cinematic excursion courtesy of the Brazilian maestro, Daniel Salinas. A conductor, pianist, arranger, and producer, he has worked across several genres within Brazil’s rich musical tapestry, including the Beatles-inspired Jovem Guarda movement, jazz-funk, and MPB to name just a few. He featured on records by Franco, Célia, Perfume Azul Do Sol, Wilson Simonal, Juca Chaves and a whole host of Brazilian greats.

Released in 1973 on Top Tape Records, 'Atlantis’, features one of Salinas’ best-known recordings (at least in Europe), his much-loved interpretation of 'Also Sprach Zarathustra’ entitled 'Straussmania’. It was inspired by Eumir Deodato's global hit of the same year and went on to be adopted by various scenes becoming a classic within rare groove circles as well as amongst breaks and beats diggers.

Other highlights include the only original Salinas composed track on the album; the driving, orchestrated Brazilian groover, 'Baião', and an epic, head nod breakbeat interpretation of Donovan's folky 'Atlantis'.

'Atlantis' was also issued by the American record label Cadet in 1974 with alternative yellow sleeve artwork; this re-issue is a replica of the original Brazilian Top Tape version from 1973.

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Nickelback

LP | 2023 | EU | Original (BMG Rights Management)

LP | 2021 | EU | Original (Silver Lining)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Get Rollin’ is the 10th studio album by iconic rock band NICKELBACK and their first in five years. Nickelback is the 11th best selling musical act of all time with over 50,000,000 units sold and the 2nd best selling “foreign” group in the U.S. of the 2000s, behind only The Beatles. Amongst all these accolades, they’ve also been named Billboard’s “Top Rock Group of the Decade”, and they have received a staggering nine Grammy Award nominations, three American Music Awards, a World Music Award, a People’s Choice Award, twelve JUNO Awards, seven MuchMusic Video Awards, and have been inducted into Canada’s Walk of Fame (2007).

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Saxon

Inspirations

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1975 | EU | Reissue (Sommor)

Barcelona Traction

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“After recording in 1972 the cult album "We Are Digging The Beatles" with ex-Màquina! sax player Peter Rohr, innovative pianist Lucky Guri decided to form his own band, having jazz as a starting point but taking it to a more electric, eclectic sound with multiple influences. And thus, in 1973, he created the New Jazz Trio, which would become the embryo for Barcelona Traction. Lucky was accompanied by top double bass player Jordi Clua (ex-Dos +Un) and drummer Francis Rabassa (a veteran of the Barcelona 60s beat scene). The New Jazz Trio was the house band at the legendary La Cova del Drac jazz club, where they played every day, even acting as the backing band for international artists that came mainly through the USA-Paris jazz connection.

Performing life on a daily basis gave the trio great skills and the confidence to create a more personal sound through improvisation. But the turning point came when they decided to go electric. Lucky Guri moved to electric piano and even introduced the mini-moog to their sound. Jordi Clua never left the double bass, but started to use an electric bass as well. Add the modern, daring beat of Francis Rabassa and they started delivering a totally electric jazz-rock sound. The resulting mix arose the criticism of their more jazz-purist followers who turned their back on them, but the younger generations and a new audience coming from rock started to follow them instead.

After changing their name to Barcelona Traction, they caught the attention of popular catalan singer-songwriter Joan Manuel Serrat, who arranged for them to sign for his label, Òliba-Edigsa. The resulting LP contains five instrumental tracks. Three are written by Lucky Guri, the other two are fabulous covers of Rubens Serrano's "Sudamérica" and James Taylor's "Fire and Rain", here translated to Catalan as "Foc i pluja".

On Francesc Bellmunt's film about the famous Canet Rock festival, the band appears playing "Sudamérica". Thanks to this footage we can see how powerful the trio was on stage. Barcelona Traction marked an era, and their eponymous debut LP is here to prove it. Modern, fresh music that gets the attention of the listener. Unlike other bands like Música Urbana, more based in sophistication and more technical developments, Barcelona Traction is a combo that stands out due to the apparent simplicity and high energy of their sound, with the quality of being able to appeal and be listened in any situation, taking it beyond strict, pigeonholed mind sets.” - Álex Gómez-Font

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LP | 2020 | EU | Original (Kompakt)

Pop Ambient 2021

2LP | 2020 | Original (Invisible Hands)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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A download code is included. It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, Kompakt co-founder Wolfgang Voigt has curated a series of peerless compilations that repeatedly find refreshing answers to a simple question – What happens when the dancefloor is empty, and everyone’s home to drift away?

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Tangerine Dream

The Sessions III

Release: 2020 / Original

Genre: Electronic & Dance

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The Off White Album White Vinyl Edition

Martin Newell

LP | 2021 | US | Original (Captured Tracks)

12" | 2024 | UK | Original (Hobbes Music)

Release: 2021 / US – Original

Genre: Rock & Indie

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First Vinyl Reissue Of Martin Newell's Second Solo Album Limited To 1000 Copies On White Vinyl Released In Celebration Of The Upcoming Documentary "The Jangling Man: The Martin Newell Story" //A Cheeky Riff On The Beatles' White Album, Cleaners From Venus Frontman Martin Newell's Second Solo Album From 1995 Is A Sophisticated Follow-Up To The Critically-Acclaimed The Greatest Living Englishman. Produced By Él Records Fixture Louis Philippe And Featuring Xtc's Dave Gregory On Guitar, It's A Vivid Snapshot Of Newell's Life With A French Chanson-Inspired Ease.A Longtime Fan Of French Music, Newell Sought A Gallic Quality On This Record - With The Vocal Riding At The Top Of The Mix, Rather Than Blurred Under Indie Rock Guitars, As Was Common At The Time. Philippe Was Happy To Oblige. The Effect Is A Clarity Of Both Form And Content - On "Arcadian Boys," Newell's Impassioned Voice Careens Over A Heartbreaking String Quartet (Arranged By Philippe Himself) As He Wonders What's Become Of Those "Too Late For The Sun." It's A Much More Emotional Take On The Song Than The Guitar-Laden, Uptempo Version That Appears On The Cleaners From Venus' My Back Wages. But The Off White Album Doesn't Dwell Too Long In Solemnity - It's Still A Martin Newell Record, After All. His Classic Wit Is On Full Display, Whether He's Putting An Irreverent Spin On The Smiths ("Some Girls Are Bigger Than Others") Or Fondly Warning A Neighbor To "Watch Your Chemicals, Girl" ("The Girls In The Flat Upstairs").A Rich Cast Of Characters Make Up The Off White Album, Via Both The Process Of Its Recording And The Subjects Of Its Songs. It's A Record Born On The Road, Inspired By Newell's Experiences Travelling Through Europe And Asia The Year Of Its Inception. Perhaps The Clearest Portrait That Emerges As The Album Draws To A Close, However, Is One Of Newell Himself: As Poet, Coffee Shop Customer, Bandleader, Lover And Neighbor. By His Own Admission, The Off White Album Is "A More Intimate Portrait Of My Life At That Time Than I'd Intend...

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Sarah/Shaun

It's True What They Say?

14,99 €* 19,99 € -25%

Morningrise Abbey Road Half Speed Master Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Pop

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It’s True What They Say is the debut EP from Edinburgh-based, husband-and-wife duo Sarah/Shaun (pronounced simply Sarah Shaun), aka Sarah and Shaun McLachlan (pronounced “McLochlin”).

“Sarah and I both have a love for nostalgia,” explains Shaun. “We watched that amazing old 80’s Sci-Fi, (John) Carpenter movie, Starman, a few months back. Myself and my brother David used to watch it all the time. We must have been, roughly, 5-7 at the time. I remember loving the movie but the end, you know, with the beautiful, atmospheric, synth ending, I love that particular moment the most - best part of the movie, you know, when he goes home… It’s heartbreaking but stunning, all the same. It’s the music that moves you most… It did when I was 5 and it still does to this day. It must have had some form of a (much deeper) impact on me.”

The duo narrates stories across themes of love, hope, family, friends, dreams and sadness - the good that comes with the bad in everyday life, not just on a personal scale but within a community as well.

“Starbed is the first song I have ever written and just came out of the blue really, with Shaun playing a melody and me singing along,” says Sarah. “It’s simple and just about two people in love. Love songs are always the best songs, after all… Music has been a big part of my life from a young age. I was unwillingly dragged to piano and violin lessons, which I’m thankful for now! I’d say the first band I really became obsessed with growing up were the Beatles, and on the back of that a lot of 60s music and fashion. From then on, I had a love for music.”

“Shaun definitely opened my ears to a lot of sounds and got me thinking about soundtracks and all the noises that can be made,” she goes on. “We love just spending time experimenting in the house with instruments, pedals etc and Ali is a real magician to work with, too…”

The recordings took place over the summers of 2022 and 2023, with fellow Delta Mainline member Ali Chisholm (aka Jaguar Eyes) plus long-term friend and collaborator Gavin King. Further collaboration then came via the ‘net from the (international) likes of Chris Dixie Darley (Father John Misty), Darren Coghill (Neon Waltz) and Daniel Land (The Modern Painters), among others (see a full list of credits below).

Both Sarah and Shaun have a love for uber-soundtrack producers such as Hanz Zimmer, Max Richter, Cliff Martinez plus live acts such as Beach House, Spiritualized, M83, Suicide, Moby and OMD (to name a few). Shaun also credits the work of Kyle Dixon & Michael Stein (from Survive) on the Stranger Things score… “Even a moment in a movie, whether it be just 30 seconds during a particular scene, it grips you,” he says. But there’s something much deeper at play as well. “Music is a healer,” he goes on, “and I write from my own perspective but more so for others. Once I've done my bit, it doesn't belong to me any longer. It belongs to whoever wants it or needs it.”

The result is a cinematic, synth-wavey, dream poppy and downright beguilingly beautiful body of work. And they’re just getting started…

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Opeth

2LP | 1996 | EU | Reissue (Candlelight)

51,99 €*

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Orchid Abbey Road Half Speed Master Red Vinyl Edition

Opeth

2LP | 1995 | EU | Reissue (Candlelight)

51,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Get Real Black Vinyl Edition

CVC

LP | 2023 | EU | Original (Cvc Records)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2014 | US | Original (Grand Jury Music)

Twin Peaks

Wild Onion

33,99 €*

LP | 2012 | US | Original (Learning Curve)

Release: 2014 / US – Original

Genre: Rock & Indie

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Don't bother asking Twin Peaks about the deeper meaning of their band name. They simply thought it sounded cool, which explains why their second album Wild Onion isn't as spooky or surreal as David Lynch's short-lived TV show. It's more like a modern day Nuggets, with Black Lips, Thee Oh Sees and Ty Segall curating instead of Lenny Kaye. Not literally, of course. But the spirit of those garage demigods is alive and well alongside subtle nods to everything from the Pixies and Tame Impala to the godfathers of guitar-guided pop music, the Beatles, the Rolling Stones and the Beach Boys. Having just wrapped a national tour in support of their fellow Chicagoans The Orwells and midwest dates with Arctic Monkeys, Twin Peaks are on the road currently with Brit buzz band Eagulls and will follow that with a headline club tour of all major US markets around release date."The Chicago teenagers who make up the band Twin Peaks make a confident old-school indie rock chug that should be beyond their years."--Stereogum.

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Blind Shake

Seriousness

18,99 €*

LP | 1964 | EU | Reissue (Sundazed)

Release: 2012 / US – Original

Genre: Rock & Indie

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NOW AVAILABLE!!! THE BLIND SHAKE are a detuned, garage-stomp, punk trio from Minneapolis, MN. Two brothers, MIKE and JIM BLAHA, front the band and play baritone and regular guitar respectively, while longtime friend DAVE ROPER plays drums. Known for ferocious live shows and collaborations with psychedelic noise legend MICHAEL YONKERS, The Blind Shake have toured North American basements and bars for several years and have released six albums and a handful of singles.

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The Debutantes

Release: 1964 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Les 4 Saisons/40 Ans De Punk Approximatif

Ludwig Von 88

4LP | 2023 | EU | Original (Archives De La Zone Mondiale)

110,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Sgt.Pepper's Lonely Hearts Club Band Limited Super Deluxe CD Box

Box | 2017 | EU (Universal)

141,99 €*

Release: 2017 / EU

Genre: Rock & Indie

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Revolver Special Deluxe 2CD Edition

2CD | 1966 | EU | Reissue (Apple)

25,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie, Pop

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The Morning Papers Have Given Us The Vapours Record Store Day 2024 Yellow Vinyl

The Black Watch

LP | 2024 | UK | Original (Dell'orso)

22,99 €*

Wonderwall Music Record Store Day 2024 Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Morning Papers Have Given Us the Vapours was made with the black watch bandmates and producers/engineers Rob Campanella (Brian Jonestown Massacre, The Tyde, The Warlocks) and Andy Creighton (The World Record, Parson Red Heads). Ben Eshbach, formerly of The Sugarplastic, arranged the strings. Kesha Rose guests on lead vocals on the second single, Oh Do Shut Up. And the great Lindsay Murray once again lends her beautiful backing vox to a number of tracks.

the black watch songwriter/frontman John Andrew Fredrick wrote the ten songs on this, his Los Angeles-based band's latest album, entirely unselfconsciously, with no set goal in mind other than to revel in the joy of songwriting, and, eventually, the luxury of recording his music with his more-than-accomplished band. The Morning Papers Have Given Us the Vapours, produced separately and together by Rob Campanella and Andy Creighton evinces the black watch's often stunning ability to, as Andy Gill once observed in The Independent, "find chaos in the calm, melody in the miasma."

Fredrick, who has also published four comedic novels and a book on the early films of Wes Anderson, jovially describes himself as "a recovering Anglophile--one who'll never, one hopes, fully recover." From his home studio in the Angeleno Heights district of L.A., he waxes eloquent about how being branded, as it were, as a too-ardent lover of British music, film, and literature has left him as bemused as has the tag "prolific" that is often affixed to reviews of his work.

"I just don't think it's all that interesting to note that we've made so many records. Looked at one way, it's a sort of deflection from talking about the timbre if not the quality of the individual songs. Though I know it can be intimidating for fans who've just discovered us--a sort of 'My goodness, where do I start with this band that has put out LPs since 1988?' I get it. I do. I picture someone standing at our slot at a bin at a record store becoming overwhelmed at the prospect of picking the 'wrong' title. And then walking away and not picking up anything from us!" Fredrick laughs. "What can you do indeed?"

He started his career as a songwriter as a result of an American Football injury that left him bedridden in the home he grew up in in Santa Barbara, California. The year The Beatles immortal double-album came out at Christmastime he broke his leg so badly that he had to be home-schooled for an entire year. His parents, ex-teachers themselves, refused to let him watch telly for more than an hour a day. He propped a Silvertone acoustic on top of the massive cast that screamed all the way up to his thigh from his toes, and began to write little melodies and lyrics that, doubtless, did not in the least mask his love for the Fabs, The White Album in especial.

And he read and read and read--histories of the American Revolution and Civil War, mostly, and as many Dickens novels as his mum and dad could bring him. "That year," Fredrick observes, "surely made me who I am today. Proof that intensely unfortunate-seeming events can prove most fortunate. As a sport-mad kid, it made me absolutely mental that I was exiled from the activities I loved most and the school teams I played on. What a blessing undisguised that injury was! Not that I'd like to experience anything like it ever again, mind you."

Fredrick can even recall a few of the melodies he wrote as boy ("Utterly trite, of course, completely jejune"); and in a way, The Morning Papers Have Given Us the Vapours showcases a kind of get-back-to-where-you-once-belonged sensibility. "I didn't intend, this time, to make an album per se. I write both songs and fiction in order to find out what happens, to find out what I might want to say," he notes. "Rob often asks me what a particular song is about; and I often reply that I either don't know, or would prefer that others say. Same thing goes for when people ask me where they should start with our discography. I never know what to say. Our LP from 2011, Led Zeppelin Five (remastered in 2021 for its tenth anniversary), has been our best seller, I think--but that may be because some stoned Zepheads thought their gods had perhaps put out a record they'd missed!"

Despite being deadly serious about music-making, TBW's been known to either whimsically or perversely title their albums. Examples: Jiggery-Pokery (an allusion to John Lennon assessing George Martin's productions), After the Gold Room (a pun on the Neil Young classic plus a local eastside L.A. watering hole), Sugarplum Fairy, Sugarplum Fairy (echoing Lennon's famous count-off to A Day in the Life), Fromthing Somethat (a garbled spoonerism/lyric while doing a vocal), Brilliant Failures (the 2020 release that, along with Fromthing Somethat, was named Album of the Year by venerable indie rock magazine The Big Takeover), and the aforementioned LZ5.

For the new LP, the band recruited longtime friends and allies Ben Eshbach (the Emmy-Award-winning frontman of The Sugarplastic) and Lindsay Murray (Gretchens Wheel) to compose and arrange strings and sing heaps of lovely backing vocals, respectively.

And the result? A collection of songs that Fredrick, in his quite-but-not-quite self-deprecatory way, might call another set of brilliant failures. "Every song, every LP we do, is a failure of sorts--no matter how powerful or beautiful or pleasing-to-us it turns out," John concludes. "I have often said that my aim is to write songs as good as anything on The Beatles... and I will never achieve my goal. And thus I'll have to keep at it, keep trying. And chin-chin to that!"

And now your attention's been brought to a band (or you've heard of them or heard a track or two down the years) that has been pegged by The L.A. Weekly as "a national treasure" as well as "the most criminally-neglected indie pop group imaginable."

So here's to the prospect of that ostensible neglect becoming as much of a thing of the past as John Andrew Fredrick's year-long stint in bed.

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George Harrison

LP | 1968 | Reissue (Dark Horse)

35,99 €*

Electronic Sound Record Store Day 2024 Vinyl Edition

Release: 1968 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing the original artwork. Released in November 1968, George Harrison’s Wonderwall Music was the first solo album released by a member of The Beatles and the first LP to be released by Apple Records. The soundtrack music for director Joe Massot’s debut feature-length film, Wonderwall, the predominantly instrumental album is an intricate, vibrant tapestry of Western rock music and compositions in an Indian classical style.

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George Harrison

12" | 1969 | Reissue (Dark Horse)

26,99 €* 35,99 € -25%

Live At Paris Theatre London 1972 Red Vinyl Edtion

Release: 1969 / Reissue

Genre: Rock & Indie

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Dark Horse Records and Record Store Day are excited to announce a multi-year partnership to release limited Zoetrope picture disc pressings of George Harrison’s entire studio album catalog. The first two titles in the RSD exclusive series — Wonderwall Music and Electronic Sound — will be available on Record Store Day in April 2024. Limited to 8,000 units globally and exclusive to Record Store Day, each unit is individually numbered in silver foil and includes an insert reproducing theoriginal artwork. As a direct result of The Beatles’ keen curiosity about experimental music and other avant-garde artistic expression, Apple Records launched its short-lived Zapple subsidiary in February 1969 as a forum for unfettered sonic exploration, or, as announced at the time, “more freaky sounds.” George’s Electronic Sound and John Lennon and Yoko Ono’s Unfinished Music No. 2: Life with the Lions, both released in May 1969, were Zapple’s only releases before it was closed down. Electronic Sound’s cover art, painted by George, depicts his Moog IIIp synthesizer (which was later used on four tracks by The Beatles on their album Abbey Road) with the four modules from which the sound was synthesized. Each side of the Electronic Sound LP featured one exploratory long-form work.

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Badfinger

LP | 2024 | EU (No Kidding)

Release: 2024 / EU

Genre: Rock & Indie

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Welsh rockers Badfinger in live performances on the BBC radio and TV network. Badfinger was the first band other than the Beatles signed to the Apple Records label in 1968.

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The Beatles' Story = ビートルズ物語

2LP+Box Set | 1971 | JP | Reissue (Apple)

39,99 €*

LP | 2018 | US | Original (Kill Rock Stars)

Release: 1971 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: G+

OBI not included.
Box has a cracked spine but otherwise VG.
Includes original inner sleeves and booklet with minor foxing.

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Wimps

Garbage People

LP | 2023 | UK | Original (Burning Sounds)

Release: 2018 / US – Original

Genre: Rock & Indie

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Almost-catchier-than-the-Beatles - The Stranger Seattle trio Wimps channel all of the soul-crushing minutiae of our everyday lives into deceptively sad, yet infectious punk rock. - Noisey Seattle's Wimps (Rachel Ratner, Matt Nyce, and David Ramm) are back with their third album, Garbage People, out July 13th on LP, cassette, CD, and MP3! Known all over as one of the premiere plenty of nonsense guitar/bass/drum groups, Garbage People finds Wimps taking a sonic leap forward (there's saxophone, keyboard, and juuuust enough cowbell) and lyrically (subject matter ranges from gender pay inequality, decline of bee populations as a result of climate change, insomnia, and wanting to steal a pizza ... but only if it's cheese!) On Garbage People, Wimps have successfully filtered the best parts of 70's Rough Trade, the International Pop Underground 7" series, Devo, The B-52s, the Breeders, etc. into a unique and timeless sound that appeals to playlist streaming teens AND adults who own over 500 records.

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Reggae Specials

Beatles Reggae Vol.2

Release: 2023 / UK – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (Trauma Collective)

Monrella

Shank

LP | 2022 | EU | Original (Staatsakt)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Birmingham Techno paragon Monrella (Mick Harris) doesn't mess about, returning to Trauma Collective with 'Shank', a no-nonsense cut of heads down 909 techno. His analog production strikes a fine balance between solid groove and industrial rumble as the characteristically dry precussion crunches around a relentless synth stab.
Alongside Regis and Surgeon, Harris was an architect of the dark Birmingham sound that blossomed out of club night House of God. He played a key role in the genesis of grindcore in the late 80s as the former drummer of Napalm Death and went on to translate his taste for raw, analog distortion into rugged 4x4 club tools with productions for Regis' ZET label in the mid 90s as Monrella. Several alias projects followed, the broken techno explorations of Fret, beatless dark ambient with Lull and the dub inflected trip-hop / illbient of Scorn.
'Shank' is remixed on the flip by the Berlin-based Force Reaction, a collaborative project from Kwartz and Kaiser, two purveyors of a particularly muscular strain of techno igniting dances across Europe. They last released together on Kaiser's K S R imprint back in 2021 but this is Kwartz's second outing on Trauma Collective after a link up with Monrella on Trm003. Their version introduces reverb and echo to the mix while firmly retaining dancefloor utlity.
Rounding up the B-side is a polyrhythmic and densley textured remix from Héctor Sandoval as Tensal. Sandoval is one half of pioneering Spanish techno duo Exium, and he also contributed to ZET back in 2001. Tensal doubles up on this release, dispatching a second remix in the form of a peak-time thumper available as a digital only bonus track.

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Pauls Jets

Jazzfest

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Garden Of Heathens Clear / Green / White Vinyl Edition

Heavy Temple

LP | 2024 | EU | Original (Magnetic Eye)

39,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Somewhere In The Stars Cherry Vinyl Record Store Day 2024 Edition

Cam & Bert Richard

LP | 2024 | US | Original (Delmore)

23,99 €* 31,99 € -25%

Magical Metamorphosis Third Eye Black Vinyl Repress Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Previously Unreleased Recording Limited to 1200 copies on transparent cherry vinyl Tipon jacket, Download code, Insert featuring LP sized original art by Grungie O'Muck Includes the original recording of Richard Tucker's, "Are You Leaving For The Country", later covered by Karen Dalton,and the only song cowritten by Karen & Richard, "Sleeping In The Garden" "Richard, Cam & Bert seem to have grasped The Great Harmony. That is, ensemble singing that is at once sweet, precise, funky and a bit sardonic..." Mike Jahn / New York Times (1970)

"For a few years in the late sixties and early seventies Richard Cam & Bert ruled MacDougal St. walking a fine line between the increasingly commercialized demands created by groups like Crosby Stills and Nash and the fierce integrity of earlier folk performers, the generation to which Richard belonged. They managed this with great aplomb, producing original tunes of great integrity and obvious folkloric origins, as well as those which expressed the anarchic omnipresent psychedelia of the moment. They also never abandoned the idea of including some traditional material in their performances. But for the usual random application of luck they could have been very big." Grungie O’Muck / Artist, Bluesman, Cover artist for their first album and contributor to this one.

Richard Tucker, Campbell Bruce, and Bert Lee coalesced as a trio in the spring of 1968, and by the end of that year had become regular performers at fabled Greenwich Village nightspots The Gaslight, The Bag I’m In, Cafe Feenjon, among others. But mostly they were street singers, busking regularly in Central Park. Their only LP, Limited Edition, was released in 1970, and sold mainly at gigs and on the street. Somewhere in The Stars compiles earlier, previously unreleased recordings, when all three members were signed with PeerSouthern Music publishers as writers and began using their studio to make demos and experiment musically. Beautifully recorded by house engineer Charlie Mack (supervised by Jimmy Ienner), the demos capture a back room casualness and rustic, homespun quality. For me, listening to their songs and harmonies is like entering a world you always hoped existed but had never experienced.

Some of the songs were rerecorded the following year for Limited Edition, but many are heard here for the first time. Among them is the original demo for Richard Tucker's song, "Are You Leaving For The Country", which Karen Dalton covered on her seminal 1971 release, In My Own Time. Richard and Karen were husband and wife for much of the 1960s, performing as a duo (initially as a trio with Tim Hardin), and navigating their time on the Village scene while alternating living in a small mining town outside Boulder, Co. before splitting up in 1967. Also making its debut, is the only song Richard and Karen ever wrote together, the haunting "Sleeping In The Garden". Also contains two epic songs by Cam ("One Of These First Nights", and "Stockholm") not on their LP, but staples of their live performances, and noted in a gig review by The New York Times, and in a column by future A&R hero, Karin Berg, who was an early champion. Another rarity is the only cover of "Sweet Mama" by Fred Neil we’ve ever heard.

Campell Bruce came to New York in 1967 as lead singer with a band from Washington, DC, The Natty Bumpo. They’d recently signed a record deal with Phillips, but were falling apart. Cam landed in the Village with an acoustic guitar and first started playing and singing in the basket houses, and shortly thereafter at The Gaslight, as the "Cam Bruce Trio” (which included Collin Walcott). After opening for Mose Allison, Cam's hero, the trio went their separate ways, and Cam returned to regular solo gigs at The Flamenco, and the basket houses on Bleecker. Richard and Cam met up on that scene and quickly found a musical kinship as well as becoming best pals.

Bert Lee arrived in New York as a runaway the following winter, and began playing and sleeping wherever he could. His sometime accompanist, Ron Price, introduced Bert to Richard and Cam just as Bert’s own songs were garnering attention from publishers. According to Bert, “I arrived on the New York scene during a time of great change, and it was the notion of change that influenced me. All around me I saw there were two sorts of songwriters, on the one hand dedicated to the traditions that had inspired them, folk, jazz, the American songbook. On the other hand were songwriters influenced by the wave of experimentation that The Beatles were the perfect example of. Mixing genres, writing lyrics that weren't just about ordinary love and loss.

Richard Tucker was a country blues player, with a relaxed and melodic approach to the craft. Cam wrote something more akin to soul songs, with a hint of jazz in the changes. I was writing tunes that sometimes drew on classical structures with a tendency toward what I suppose would be known as progrock. But I was rather adamant about not being pinned down stylistically, and so I would write, for example, a song based on some complex classical chord structure, and then go right ahead and write a simple folk song, like Evelyn. Our band was popular locally, and it was this variety that made it distinct.”

Delmore is excited to present this unearthed treasure, fifteen years in the making. In the words of Richard Tucker, "Tap on your knee, roll on the floor; if you aint free, what's it all for?"

"The trio's singing, playing, and writing have all withstood the test of time. Believe me, because I was there. In 1969 R,C&B, myself, Charles John Quarto, David Bromberg, Ron Price, and Keith Sykes were just a few of that year's crop of songslingers. We were young turks back then, out on the prowl in New York's Greenwich Village for record deals, gigs, and beautiful young women to sleep with and maybe even write a song about. I've lost the names and numbers of those lovelies and I'm not sure what happened to Ron Price, but Richard, Cam, and Bert are back! Loudon Wainwright lll

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Hibushibire

LP | 2023 | UK | Reissue (Riot Season)

Chemical Tardigrade Blue Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Osaka based psych-rock three piece Hibushibire return after a long break, with a new line up and a stunning third album.

Following the successes of their debut album 'Freak Out Orgasm!' (2017), the follow up ‘Turn On, Tune In, Freak Out’ (2019) and two very well received UK tours. The band headed home to Osaka, Japan and then, the pandemic hit.

During this downtime, guitarist/vocalist Changchang decided to create a new power trio. Enter Tetsuji Toyoda (Bass/Vocals) & Aoi Hama (Drums/Vocals). The new trio have spent the last three years writing new music, playing live and honing their sound in Japan, and a short well received tour of Taiwan with Riot Season labelmates Dope Purple. And now finally, Hibushibire mark 2 is born properly.

“Hibushibire has returned after a change of members. A psychedelic, progressive work, suitable for a new beginning"

Entering the studio with Acid Mothers Temple/Mainliner guru Makoto Kawabata in the producer chair (and also as a guest musician) once again, the band recorded album number three, 'Magical Metamorphosis Third Eye’. Makoto also adds some of his own trademark guitar howls through out the album, perfectly complimenting Changchang’s own growing prowess.

Here the band have taken their trademark psych-rock blasts and blended them perfectly with some more trippy, dare I say sweet progressive psychedelic sounds.

“The idea of this album is based on the theme of "occultism and mysticism". But it's not a serious thing, it's about the things we like (UFOs, pyramids, psychic phenomena, shamanism etc) and we all had fun while making it. In terms of what makes it different from the previous Hibushibire albums, it’s where AOI HAMA's vocals are present. I had wanted to use a female vocalist for a long time, so it was a good feeling!”

Like the bands first two albums, 'Magical Metamorphosis Third Eye’ is very much an album of two halves. Side one again is full of killer shorter tracks, while side two is reserved for a blinding majestic 20 minute epic ‘Ayahuasca Witch Abduction’.

Perhaps the biggest musical surprise here though is probably track two, the beautifully mellow tripped out ‘We Won't Go Back To The Past’, which sounds like it’s been beamed straight out of the late 60s/early 70s.

The band also tip a nod to the Beatles psychedelic classic ‘Tomorrow Never Ever Knows’, but with their own twist of course.

It’s clear with the line up changes, Changchang has decided to expand the bands musical pathway, and he’s achieve stunning results.

The band plan to return to the UK and Europe in 2024 to see friends old and new.

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Barren Womb

LP | 2024 | EU | Original (Bluesfortheredsun)

25,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Saigon Supersound Volume 2

LP | 2018 | EU | Original (Saigon Supersound)

30,99 €*

Wu-Tang Clan Vs. Jimi Hendrix

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

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Black Gold Black Gold w/ White Splatter Vinyl Edition

2LP | 2019 | EU

24,99 €*

Wu-Tang Clan Vs. Jimi Hendrix

Release: 2019 / EU

Genre: Hip Hop, Rock & Indie

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Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

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Black Gold Black & Gold Split Colored Vinyl Edition

2LP | 2019 | EU

24,99 €*

Wu-Tang Clan Vs. Jimi Hendrix

Release: 2019 / EU

Genre: Hip Hop, Rock & Indie

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Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

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Black Gold Black & Gold Vinyl Edition

2LP | 2019 | EU

24,99 €*

LP | 2022 | EU | Original (Modern Obscure Music)

Release: 2019 / EU

Genre: Hip Hop, Rock & Indie

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Mixed by the man who brought you Wu-Tang vs. The Beatles, Tom Caruana.

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Suemori

Tawamure

20,99 €*

7" | 2018 | EU | Original (Black Pop)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Modern Obscure Music turns to Japan for inspiration. Suemori debuts on the Barcelona based imprint with an album of striking textures and sounds. From the first track, you can feel the influence of the Far East in both the melodies and rhythms created by Suemori. The music is complemented by Mayte Nicole Estebanfs impressive artwork. Suemorifs real name is Yoshinobu Hoshina. He previously recorded as Hoshina Anniversary. Under this alias, Hoshina released music on labels such as Boysnoize Records and ESP Institute. As Suemori he released the Maebashi album earlier in 2021 on Elena Colombifs Osare! Editions imprint. Tawamure is an album of richly textured compositions. Pianos and electronics are equally important. Some tracks are beatless and others have an unorthodox approach to percussion.

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Mats Wawa

Scuzz

6,74 €* 8,99 € -25%

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Koryu Budo)

Unkle Fon

47 Ronin EP

11,99 €*

It's Okay To Leave A Dog In A Hot Car White Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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We are back on wax again with a very special release. It means a great pleasure for us to have one of the pivotal figures of the Madrid underground techno scene on board, Herr Unkle Fon. Some years ago, Madrid clubscene was formed by conventional clubs in conventional locations with conventional opening and closing times and usually, conventional programming. Manuel Cano then founded Utopía Secret Society and things changed forever for the city’s underground nightlife. Now as you may have noticed there is no club scene at all, neither conventional nor illegal, sign of the times. Musically speaking, Manuel started as a guitarist and soon evolved into studio engineer, label owner, club promoter, record shop owner (Ater Cosmo), social agitator… and adventurous character that reflects in his productions all his knowledge of the dancefloor. Jisatsu is a slow paced broken beat surrounded with smooth textures, soon joined by a repetitive synth line that adds the hypnotic component. Genroku Ako follows with a cosmic approach, continuous percussive and synthetic lines run together on a fast BPM exercise obsessive, linear and mental. On the flip side, 47 Ronin uses dreamy stabs over a relentless groove mixing liquidity with tension. Closing the release Shuppatsu is an almost beatless exercise, just with 909 rimshots, toms and snares spiced with ethereal components A timeless futuristic release that can wait on your record bag until things go in better directions. Writen & Produced by Unkle Fon. Distributed by Ready Made. Artwork by Futaba Hayashi.

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Joe Siris

7" | 2023 | US | Original (Needlejuice)

CD | 2021 | US | Original (Needlejuice)

Release: 2023 / US – Original

Genre: Rock & Indie

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"I don't know what we was thinking, but the kids sure liked it." -Ringo Starr

The Beatles' classic single "It's Okay to Leave a Dog in a Hot Car" was the song of the summer of '66 and is now one of the greatest cases of lost media the world has ever seen. A multi-platinum monster when it was first released, a mix-up at the manufacturer caused the records to be pressed using an unstable experimental polymer that rendered them all into a volatile, toxic goo within months. Before the single could be repressed, the plates were destroyed for a tax write-off, and it is said that Paul McCartney burned the master tapes himself. We can't go back in time to bring you the Beatles' original, but we can give you the next-best thing: Joe Siris' wonderful recreation of the lost masterpiece.

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The Boobles

Boobey Road

16,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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"From Dimension 36D comes comedy music's most ambitious, most ill-advised, most charitable album Ever! Comprised of a collective of the most talented tribute-band artists in Texas and some of the most cacophonic creators of comedy music in the 21st century, "Boobey Road" is the crowning achievement BY boobs FOR boobs!

"Boobey Road" is: Irreverent. Reverent. Smart. Stupid. Funny. Serious. (No, not really... "Serious"... as if!)

The final double-album by The Fab Two-Pair is many things all squished together, bunched up, and cinched tight... and, in the end, it's up to you to decide where "Boobey Road" leads you! But one thing is for sure, we love boobs so much that we donate ALL profits to The Breast Cancer Research Foundation for a cure!

Love us or hate us, laugh or loathe, bounce along or want us bounced, "Boobey Road" is just what it is: an album of parody songs about boobs! No political or sociological agenda, no over-raunchiness to merely shock and offend, just 100% Beatles parody songs about boobs!

Don't take this seriously, because obviously we didn't... except for the excellent contributions by Many ridiculously talented people who also want to eradicate breast cancer once and for all!"

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LP | 2023 | EU | Original (Wagram)

Rock Legends Box Edition

42,99 €*

12" | 2024 | EU | Original (Trauma Collective)

Release: 2023 / EU – Original

Genre: Rock & Indie

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A nice boxset with 3 LP and a poster. Including all the great rock artists such as : DAVID BOWIE, DONOVAN, JOHNNY CASH, ELVIS PRESLEY, THE BEATLES, BOB DYLAN, SEX PISTOLS, ROY ORBISON, THE BEACH BOYS...

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Monrella

Shank

15,99 €*

LP | 1985 | US | Reissue (Dark Entries)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Birmingham Techno paragon Monrella (Mick Harris) doesn't mess about, returning to Trauma Collective with 'Shank', a no-nonsense cut of heads down 909 techno. His analog production strikes a fine balance between solid groove and industrial rumble as the characteristically dry precussion crunches around a relentless synth stab.

Alongside Regis and Surgeon, Harris was an architect of the dark Birmingham sound that blossomed out of club night House of God. He played a key role in the genesis of grindcore in the late 80s as the former drummer of Napalm Death and went on to translate his taste for raw, analog distortion into rugged 4x4 club tools with productions for Regis' ZET label in the mid 90s as Monrella. Several alias projects followed, the broken techno explorations of Fret, beatless dark ambient with Lull and the dub inflected trip-hop / illbient of Scorn.

'Shank' is remixed on the flip by the Berlin-based Force Reaction, a collaborative project from Kwartz and Kaiser, two purveyors of a particularly muscular strain of techno igniting dances across Europe. They last released together on Kaiser's K S R imprint back in 2021 but this is Kwartz's second outing on Trauma Collective after a link up with Monrella on Trm003. Their version introduces reverb and echo to the mix while firmly retaining dancefloor utlity.

Rounding up the B-side is a polyrhythmic and densley textured remix from Héctor Sandoval as Tensal. Sandoval is one half of pioneering Spanish techno duo Exium, and he also contributed to ZET back in 2001. Tensal doubles up on this release, dispatching a second remix in the form of a peak-time thumper available as a digital only bonus track.

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The Arms Of Someone New

Susan Sleepwalking

The Silver Beatles - A Story Of Struggle, Luck And Genius: The Beatles Before They Became The Beatles

Release: 1985 / US – Reissue

Genre: Pop

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The Arms of Someone New formed in 1983 in Champaign-Urbana, Illinois as the brainchild Mel Eberle and Steve Jones. Steve managed and helped record Mel’s band The First Things; while in the studio to demo some of Mel’s songs, they started collaborating. The idea for the Arms of Someone New was to combine Mel’s and Steve’s several varied interests in the Beatles, psychedelia, blues, new wave and post-punk to create a sound in which the listener would be enveloped, immersed. They drew inspiration from Joy Division, Young Marble Giants, Nico and Pink Floyd. Between 1983 and 1985 they released four cassettes, one 7” and one EP.

In September 1985, the duo self-released their debut full length ‘Susan Sleepwalking’ on Office Records. Equipped with simple keyboards, drum machines and jangly guitars, The Arms Of Someone New provided an American take on English folk, Ambient and Industrial music. The album is ten tracks of mood-filled music with sparse instrumentation and simple chord changes that paint pictures of stillness and calm. Psychedelic vocals add texture, producing an ethereal, dream-like quality. The Arms of Someone New challenges conformity by mixing styles, but without sacrificing unity. “‘Susan Sleepwalking’ could as well be retitled ‘Music for Interiors’ – both architectural and of the mind” – The Michigan Daily 1985.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring an blood red tinted photograph with ghostly textures. Each copy includes a 2-sided 11” square insert with lyrics, and press clipping from the band’s archive.

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Marco Crescenzi

Edition Olms

29,95 €*

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Original English Edition, translated from the Italian.
192 pp., with over 250 pictures in color and b/w.
Hardcover with extra strong boards. 16,5 x 24 cm

Marco Crescenzi, an expert about everything concerning the story of the Fab Four, traces the first years of the most famous band in the world, a period often missing in official biographies. He explores the Beatles path of fate and fortune, their struggles and inspired talent. This journey is enriched by an impressive mosaic of rare photos, rediscovered documents, and many details of concerts and appearances of these early days.The Beatles, the most renowned band in the history of music, didn‘t just spring into existence. Their journey began in the mid1950s when John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe, and Pete Best formed a group known as the Silver Beatles. They were simply four teenagers from Liverpool with a shared enthusiasm for American music and a dream to make it big.

Before they became the Beatles, they were the Quarrymen, a band started by John Lennon in 1956. The name change to „The Beetles“ was suggested by Sutcliffe, in honor of Buddy Holly‘s band, The Crickets. By August 1960, they had evolved into The Beatles we know and love today.

Their early years were filled with struggles and moments of both luck and genius. Playing gigs in places like Liverpool‘s Cavern Club and Hamburg‘s red-light district, they worked tirelessly, honing their craft. Their break came when they met Brian Epstein, who would become their manager, leading them to a contract with EMI.

This is the extraordinary story of the Beatles before they became The Beatles - a tale of determination, passion, and the will to succeed against all odds. As we mark the 60th anniversary of their first explosive hit „Love Me Do“, we celebrate not just the success they achieved, but the journey they took to get there.

As of today, The Beatles continue to make headlines, with the release of their final song ‚Now And Then‘ and a documentary shedding light on the full story behind it.

About the author:
Marco Crescenzi is an obsessive collector of anything concerning The Beatles. He currently works with the official Italian fan club “The Official Beatles Fan Club Pepperland”. He is also a contributor to its official publication, the magazine “Nothing’s Gonna Change Our Feeling”. The author has also written for the music collector’s magazine “RARO” and acted as consultant on many occasions to television programmes.

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LP | 1973 | JP | Reissue (Apple)

Let It Be = レット・イット・ビー

Nintendo Teenage Robots (Alec Empire)

Release: 1973 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl with a couple of light scuffs

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We Punk Einheit

2LP | 1999 | UK | Original (Digital Hardcore)

Release: 1999 / UK – Original

Genre: Electronic & Dance

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Rampen (Apm: Alien Pop Music) Deluxe Yellow Vinyl Edition

Einstürzende Neubauten

2LP | 2024 | EU | Original (Potomak)

48,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Rampen (APM: Alien Pop Music) Black Vinyl Edition

Einstürzende Neubauten

2LP | 2024 | EU | Original (Potomak)

33,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Otakar Olšaník / Jan Martiš

Advanced Process (Coloursound)

LP | 1986 | EU | Reissue (Be With)

27,99 €*

LP | 1979 | Reissue (Be With)

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Heads have been after Otakar Olšaník and Jan Martiš's Advanced Process for a long time. That's because "coincidentally-cosmic disco" packed with spaced-out, smacky-synth dynamite tends to become sought-after. Originally slipping out on the mighty Coloursound in 1986, the label described the sound as "contemporary synthesizer underscores played by computers; depicting future technologies in today's process." If they'd just added "acid-drenched", they'd have been closer to nailing it.

The A-Side is totally beatless. It's also totally perfect. "Atomic Plant 1" is a pulsing synth epic and could've easily soundtracked a stylish 80s thriller such as Thief or To Live And Die In LA. It's a narcotically enhanced meeting between John Carpenter and Steve "Lovelock" Moore. "Atomic Plant 2" adds extra squelch and proper early computer synth squiggles. This stuff is addictive and truly ace. The 3 part "Fusion Point" showcases a dramatic and insistent industrial mood via a gripping sequencer pattern mixed with effects and accents. Menacing and magnificent. The trio of "Nuclear Radiation" tracks veer majestically from a hypnotic sequencer pattern with a heavy dramatic tune to hectic patterns without much of a tune, managing nevertheless to maintain a hold on the listener.

The drums enter proceedings on Side B and they're absolutely outstanding. Coming on like a slicker, heavier Johnny Jewel production, 20 years before Italians Do It Better, "Regulators 1" marries the smoothest head-nod beat you can wish for, with a murky mechanical rhythm and phasing effects. After the stunning beatless version ("Regulators 2") the suuuupppper slo-mo "Data Load" sounds like its wading through the heaviest K-Hole and is all the more thrilling for it. "Modem" is a brief and breezy funky bass and synth squiggle wonder, of the beatless variety. "Robot Masters", would you believe, actually sounds like something those Daft Parisians would've sampled on Discovery, over 15 years later. An uptempo, optimistic track with a real strut; propulsive rhythms with dramatic synths, what can only be described as "very-80s sounds" and digi-handclaps. The breathless "Digiheart" double bill rounds things out, one with a dynamic driving rhythm and more slick-as-hell beats and the other without drums. Mental, brilliant and completely essential.

As David Hollander, in Unusual Sounds: The Hidden History of Library Music, states, Coloursound was "founded in 1979 by composer, music lawyer, and vibraphonist Gunter Greffenius. A Munich-based library with a reputation for releasing innovative and ambitious music, it catered largely to the market for experimental sounds, its first release was 1980’s Biomechanoid, an abstract synthesizer excursion by Joel Vandroogenbroeck, of the pioneering kosmische band Brainticket. The record — complete with imposing, anonymous title and unearthly H.R. Giger cover art — set the tone for the label’s progressive leanings. The label’s catalogue stands as a tribute to the unfettered creative license that libraries were able to provide to forward-thinking musicians who, frustrated by the whims and constraints of the commercial scene, found complete freedom in the world of production music."

As with all our library music re-issues, the audio for Advanced Process comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Pierre Dutour

Top Fiction

27,99 €*

Release: 1979 / Reissue

Genre: Electronic & Dance

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Pierre Dutour's infamous Top Fiction is the epitome of a 5-tracker. Coming to light in 1979 on Tele Music, its collection of environmental themes are *all astounding*. We're talking all-time heavy hitters, here. They come recommended as tracks you'd choose to elegantly elevate deep selector sets or mixes.

Skip the irritating whistle-laced marching-band funk of "Captain Parade" and head straight to the glistening synths and proud horns of beatless ambient wonder "Mountain Echoes". Arguably worth the price of admission alone. It's that good. The sci-fi atmospherics of "Space Fiction" are definitely sampleable whilst the proud horns of "Mountain Trumpet" definitely contain blasts that could be of creative use. "Tambours Parade" is more marching-band funk, only this time the drums go hard and there's a lot to like about this one.

Truly, it's all about the B-Side. A real B-Side for the ages, in fairness. It opens with the gorgeous "Deer Forest". It's one of the most beautiful songs you'll ever hear. Like something off Brian Bennett's Voyage, it rides dreamily melodic synths, and comes on, as one fan claimed "like something Angelo Badalamenti would have co-written with Final Fantasy composer, ???? Nobuo Uematsu". It's jaw-dropping. Be instantly beguiled by the deep eerie nostalgia and pretty delicate piano of "Magic Lake I" and the whistling-synth-augmented "Magic Lake II". The almost-title-track "Pop Fiction" is another hidden gem, containing dreamy, glistening arpeggios that are just begging to be sampled with a heavy knocking beat behind it. The set closes with "Damnation Space", 2 minutes of spooky Musique concrète.

So, 5 absolutely incredible tracks and 2-3 good ones. An excellent ratio for a library album, I think we can all agree. Trust us when we say that the heavy hitters are just absolute gold, rendering this one an essential, buy-on-sight purchase. Go listen and discover for yourselves...

The audio for Top Fiction has been remastered by Be With regular Simon Francis, ensuring this divisive release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original space-age sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Abbey Road 50th Anniversary Edition

LP | 1969 | EU | Reissue (Apple)

30,99 €*

Release: 1969 / EU – Reissue

Genre: Pop

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2LP | 1968 | JP | Reissue (Apple)

46,99 €*

CD | 2005 | UK | Original (Big Brother)

Release: 1968 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Numbered 1973 reissue: A151010. Japanese pressing without OBI. No pin-ups, with folded poster. Vinyl has a bit of foxing on the matrx runout and the cover has yellowing. Overall copy close to VG+.

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Oasis

Don't Believe The Truth

10,19 €* 11,99 € -15%

12" | 2023 | EU | Original (Warm Up)

Release: 2005 / UK – Original

Genre: Rock & Indie

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‘Don’t Believe The Truth’ was released on May 30th 2005 and became the bands 6th number 1 album, selling 7 million copies around the world. The album includes Zak Starky on drums (Son of Beatle, Ringo Star) and song writing contributions from the whole band leading to a different style of album from the previous Noel written material. Produced by: Dave Sardy and Noel Gallagher

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Notzing

Liminal EP

16,99 €*

12" | 2017 | EU | Original (Clergy)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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It is always our pleasure to have new talents in the house, and we've been following Notzing's development since long ago. His approach to techno is absolutely personal and complex, hard and intrincated, mental and physical.

Protae is the first missile in this box full of weapons, a super busy techno exercise with compacted drums, drilling synth lines and random metallic hits breaking the monotony. The effect on the floor is devastating and has been tested extensively in dancefloors worldwide by label owner Oscar Mulero in the past months. 7 minutes of pure dancefloor mayhem.

Fagus continues with the sickness, with hysterical synth washe repeating an hypnotic chant, adding layers of sound as the groove goes by. Repetition is here the key to proper trance, not exactly with pleasant tones but by aggression.

Ekaterin is gummy and elastic with formant synth sounds chewing frequencies and changing constantly in shape. Another mental mantra with a physical drive.

Molniya slows down the pace and dives into profound sound scapes full of unnatural underwater sounds and washes providing a feeling of scuba diving.

To end this sonic odyssey, Emision goes completely beatless, growing from the profound sub bass frequencies to crispy and crunchy surface noises, creating the soundtrack of floating in outer space with no gravity. Please beware of the super intense bass tones when playing on a big sound system. The perfect combination of experimentation and punchiness, keep an eye on this guy, is gonna make some proper noise in the coming years.

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Cleric

Rules Of Reality EP

11,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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LP | 2019 | EU | Reissue (Karaoke Kalk)

Pink Shabab

Never Stopped Loving You

22,99 €*

LP | 2024 | US | Original (Funk Night)

Release: 2019 / EU – Reissue

Genre: Pop

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Joseph Carvell returns to Karaoke Kalk with his sophomore album under the Pink Shabab moniker. »Never Stopped Loving You« was for the most part written between Spring and late Summer 2020 in his Camberwell home and like his 2019 debut »Ema by the Sea« recorded in the South of France together with Emmanuel Mario, better known as Astrobal. It’s a record informed by feelings of nostalgia, love, longing, romance and loss and, much like his previous album, displays Carvell's knack for making introversion sound extroverted. As a bassist, his approach to songwriting is both rhythmic and melodic, making the resulting music just as visceral as it is emotive. Much like the record’s title can be understood as both a lament or an expression of joyful dedication, the music on »Never Stopped Loving You« is profoundly ambiguous.

»I was lucky with the timing for this record,« says Carvell and at first that may sound counterintuitive: managing to play only one show in Zurich in early 2020, he had to cancel his planned European tour and go back to the United Kingdom, which soon went into lockdown. He made the best out of the situation, recording electric and upright bass for Nick Krgovich, Daniel O’Sullivan and Zooey’s new records while also working on tracks and demos by himself. »The world seemed to have stopped and I had more time to think about the past and find the best grooves, the suitable keyboard touches and the right words,« says Carvell. Everything came together slowly before he boarded a train to France with his keyboard: »The pace of life completely dropped and between takes Ema and I were going swimming and taking walks,« he says of the sessions.

»Never Stopped Loving You« is notably more electronic than its predecessor, but also full of the small melodic and harmonic details that made »Ema by the Sea« such an outstanding record. »I was listening to more 1990s dance and house music and 1980s pop and also a healthy amount of ambient music,« explains Carvell. These influences are clearly audible on songs like the Chicago House-esque beats of »Show Your Love« or »Why Did I Leave You that Morning«, the skittish rhythms on »Let Go« and the near-Balearic »San Junipero«. Especially the latter makes it clear that Carvell spent much time devoting himself to movies and TV shows, but also incorporated more piano sounds in his songs—he learnt the instrument by playing along to classic Beatles and Beach Boys songs.

Despite being more upbeat on a rhythmic level than before, Carvell’s use of texture and his peculiar voice add another note to the music. Even an anthemic song like »Run Away«, his first composition to follow a classic verse/chorus structure, is profoundly ambivalent, both overjoyed and deeply melancholic. By the same token however, even a torch song like »You Stepped Out of My Life« is enormously consoling. This, after all, has always been Carvell’s strength: creating music that will cheer you up when you’re down while also injecting a sense of futility into every moment of euphoria. It never shone more brightly than on »Never Stopped Loving You.«

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Brother Lee

Casio City Rockers

24,74 €* 32,99 € -25%

Release: 2024 / US – Original

Genre: Organic Grooves

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"Casio City Rockers" is a deep dive into the infamous archives of Brother Lee, a.k.a. Lee Skelly. The 19 tracks here are compiled from 4-track cassette machines, Sony Walkmans, dictaphones and mobile phones, and were recorded in home studios, bedrooms, hotel rooms, holiday apartments... basically wherever, whenever and however Lee could record them before he had the chance to forget them.

His cassette archive alone runs to around 600, then there's the numerous carrier bags and boxes of mobile phones, USB keys and dictaphone tapes scattered around his remote French home, all full of either completed songs or scraps of melody or song sketches, and played on whatever instrument was nearest to hand. Not being particularly sentimental or nostalgic, it's rare for Lee to look over his shoulder for this kind of stuff.

So, imagine "Money Mark's Keyboard Repair" filtered though a Syd Barrett lens, or if Daniel Johnston had been fixated on Shuggie Otis and peak-70s Stevie Wonder instead of The Beatles. Everything here may be slightly broken but it works perfectly if you get what I mean. From the funky Clavinet workouts of "Baroque Neck Brace" and "Wah Wah" to the dead-on-'67 sitar-and-backwards-guitar psychedelia of "It's All Around" to the Afrobeat-inspired "Super Capri Beat" and the bonkers Casio-goes-Acid House title track, even the breezy lo-fi soul pop of "Turquoise" and "Bossa For Ingrid", this album is a wild ride. Don't miss it."

- Jenn Hepsworth, London, 2023.

..................................................................

Lee Skelly: Hammond organ, Fender Rhodes, Minimoog, Wurlitzer piano, Casio Mt-65, Casio Sk-1, flute, sitar, tambura, tablas, electric sitar, Clavinet, Mellotron, guitar, bass, drums, melodica, percussion, vocals.

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LP | 1966 | JP | Original (Odeon)

Beatles For Sale

34,99 €*

Release: 1966 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: VG

Red vinyl with many scuffs, hairlines and some deeper scratches. Japanese pressing without OBI.

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Beatles No. 5 = ビートルズ No. 5

LP | 1976 | JP | Reissue (Apple)

33,99 €*

Release: 1976 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.
Sleeve has small seam-split on top.
LP has surface marks.

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The Beatles' Story = ビートルズ物語

2LP+Box Set | 1976 | JP | Reissue (Apple)

39,99 €*

LP | 1966 | EU | Reissue (Guerssen)

Release: 1976 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

1976 japanese reissue. Box has very slight wear on corners. Inludes original inner sleeves and booklet in both english and japanese. No obi.

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Los Shakers

Shakers For You