Search "beatles" 561 Items

Still sealed.

Price tag.

Still in shrink but opened. Tiny corner wear.

An officially licensed Standard Patch featuring The Beatles 'Drop T Logo' design motif. This is an iron-on woven patch, made from polyester, with standard backing and an overlocked edge. Size Guide for standard patches... Rectangular 100mm x 50mm.

An officially licensed Standard Patch featuring The Beatles 'Sgt Pepper Drum' design motif. This is an iron-on woven patch, made from polyester, with standard backing and an overlocked edge. Size Guide for standard patches... Circular 90mm diameter.

Still in shrink but opened. Vinyl is close to NM. Tiny wear.

Sealed copy.

Scranton Pressing.

Note: INCOMPLETE!
Disc 2 Side C&D only.
Record has some hairlines and a few superficial scratches.
Writing on label.
Ships in a brand new plain sleeve.

The "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional object. The Yellow Submarine postcard set is the second in the series!

Mo Heavy is the first Mohawkestra single to feature one of their original compositions as the A Side and it’s a belter! Replete with the signature Mohawkestra heavy organ working alongside driving guitar chops and the percussion gets plenty of time to shine.

As the a-side is a Mohawkestra original on this one the B-Side is ‘Buffalo Bill’ which is a rather unique funk fuelled take of ‘The Continuing Story of Bungalow Bill’ from The Beatles’ White Album. The hint of the title and the melody are the only similarities though as Mohawkestra take the groove far out into the Funk spectrum and stripped back to raw elements.

Clear vinyl

The "Original Japanese Paper Diorama" series, in which a single picture is cut out and assembled into a three-dimensional piece, features the Beatles when they appeared on the Ed Sullivan Show!

Japanese pressing, no Obi.
Sleeve has foxing and wear.
LP has surface marks.

‘Don’t Believe The Truth’ was released on May 30th 2005 and became the bands 6th number 1 album, selling 7 million copies around the world. The album includes Zak Starky on drums (Son of Beatle, Ringo Star) and song writing contributions from the whole band leading to a different style of album from the previous Noel written material. Produced by: Dave Sardy and Noel Gallagher

This unique history of rock tells the musical story in a new way: through infographics that illustrate the evolution, influences, and connections between different genres&;such as blues, pop, punk, progressive, and heavy metal. For each artist, including The Beatles, Dylan, Janis Joplin, Springsteen, Bowie, the Ramones, Amy Winehouse, and Nirvana, the powerful visual representation gives at-a-glance information on how many records sold, how much money was made, how long a record stayed on the charts, how many days was required to record a disc, how many followers on Twitter, and so much more&;plus a timeline of the artist&;s career. Full-page photographs and introductory text round out this fascinating volume.

1961, Port Richmond, Staten Island, NYC: Five kids stumble into a community center, sent by their parents to keep them off the streets and out of trouble. A lifelong friendship is formed over their shared love of doo-wop. The kids start learning harmony and the next thing they know they're cutting records. The group begins to gain steam as they take their act to the packed clubs around New York City. But history has other plans for the boys. First, The Beatles invade America, making doo-wop yesterday's news. Then, the United States invades Vietnam and two of the five boys are sent off to the jungle.Reintroducing: The Splendids. 61 years after their initial formation, the group has reconvened to cut two truly breathtaking records. With three of the five surviving original members weaving together heartfelt harmonies, the group has regenerated themselves and enlisted the help of multi-platinum soul singer Eamon to sing lead. Eamon is no stranger to doo-wop, as he got his start in the music business touring the Northeast as a young boy with a group his father Walter formed in the 90's. With this father and son reunion on these two tracks, the listener is taken back to a time when walking down the street you might come across a gang of youth singing their hearts out on a street corner, serenading the city with their souls. The Splendids hired Los Angeles based producer and multi-instrumentalist Dan Ubick to produce the records and conjure up the retro rhythm and blues sounds of the 1960's. Frequent Eamon collaborator the Oklahoman Benj Heard was then brought on to mix and produce the vocals. Both Ubick and Heard's sonic fingerprints add texture and groove to the groups legacy on 'Cry Baby Cry' and 'Blame My Heart'.Generations have come together from coast-to-coast to take back what history took from them. Enjoy the sweet, sweet sounds of true soul. Enjoy The Splendids.

Mikey Erg's new 7” is chock full of classic pop punk along with a Beatles cover for good measure.

Monkey is the second single by The Rellies since releasing 'Isabella is Annoying/ Brainwaves' in 2020. Ryan, guitarist and dual singer and songwriter for the band describes the making of 'Monkey' during lockdown with his brother Riley. "During covid we got very bored. Originally, we wanted to get our Monkeys and run them over with our dad's car, but we settled for filming them falling down the stairs and writing a song about it. When the other members of band finally heard the song, they liked the Monkey and then we made a clip with our friends and some TV monkeys. Everyone sang 'I like the Monkey' and soon everyone liked the Monkey!" Helicopter is Ryan's sonic representation of "hunks of steel flying through the sky. I'm an aviation nerd." He doesn't disappoint. Helicopter's opening riff is catchy and travels. Ryan's vocal powers through the song and the background vocals from kid brother Riley kicks it up a notch as he improvises his way through the chorus begging for a ride. The Rellies ages range from 13-16 and developed at Kings Cross Conservatorium. The brothers began writing and recording at age 9 and 11 respectively and doing shows as The Rellies in 2018 with Jarlath Kiernan on drums. In 2021, the band replaced guitarist Aiden Burke with Lachlan Knight when Aiden decided rehearsal was too loud. Ryan: "We love the Beatles but lately we've got more of a punk energy in our songs. Also, Riley likes a lot of different stuff like Tyler the Creator... his lyrics are inspiring us to be creative with humour."

It's tough to keep up with garage rock's wunderkind Ty Segall. Between his steady release schedule of LPs, raucous side projects like Fuzz and Goggs, and collaborations with fellow songwriters Mikal Cronin and Tim Presley, it's as if a season can't pass without Segall dropping a new record. And that's not even taking his cassettes, splits, and EPs into consideration. Fortunately, Segall's bottomless well of creativity, production savvy, and boundless fascination with the various niches of the rock world makes every new release an occasion to celebrate. Suicide Squeeze Records is proud to offer the latest entry in Ty's impressive canon with the Sentimental Goblin 7". Side A features "Pan", a fuzz-soaked proto-metal jam that links Beatles' pioneering guitar dirge "I Want You (She's So Heavy)" to later lurch classics by Sir Lord Baltimore and Pentagram. In true Segall fashion, he switches gears on side B and conjures the erudite pop appeal of T. Rex and Bowie with the lush glam rocker "Black Magick".

Limited edition 7" celebrating one of America's top pioneering ska bands. Two covers from the 90s never before on wax: "run Joe" (stranger Cole) and "bring IT ON Home TO ME" (sam Cooke). THE Beatles' "rain" originally on a 1987 Boston comp. Sluggo sleeve art just like their first 45!