Search "pariah+RS1207" 3785 Items

LP | 1973 | US | Original (Motown)

Last Time I Saw Him

4,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1974 | US | Reissue (20th Century)

Can't Get Enough

19,99 €*

LP | 1974 | EU | Reissue (Soul Brother)

Release: 1974 / US – Reissue

Genre: Organic Grooves

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sampled by Kool G Rap, 50 Cent, Raekwon

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100% Pure Poison

Coming right at you

20,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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rare groove classic !

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Tower Of Power

Back To Oakland

28,99 €*

Descendants Of Mike And Phoebe, The

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Back To Oakland is the fourth album by Bay Area based band Tower of Power, released in spring 1974. Tower of Power followed their self-titled gold album with (as said by many critics) an even better album. Back To Oakland was voted by Modern Drummer Magazine as one of the most important recordings for drummers to listen to (check out the Uberfunky intro to "Squib Cakes" - nuff said).

180g vinyl.

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A Spirit Speaks

LP | 1974 | EU | Reissue (Bear Family Productions)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Bobby 'Blue' Bland

Dreamer

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Bobby ’Blue’ Bland
Bobby ’Blue’ Bland (1930 – 2013) was one of the leading US-American Blues, R&B and Soul entertainers. He knew how to combine the intensity of Gospel music with the expression of the Blues. His voice sounded as he wanted to bear witness to one's resolve but he was able to let his voice sound soft, sometimes cool but always culitvated so he could also reach the fans of Frank Sinatra and Nat ’King’ Cole with tremendous success. He formed his remarkable style of singing out of many different influences, characteristic and remained solely reserved for Bobby ’Blue’ Bland.
Duke-Label & ABC Dunhill
Blands voice was always the center of attention. After his huge successes during the 1950s and 1960s for the Duke label, he moved to ABC Dunhill when Duke was sold. He could reach a wider white audience in the early 1970s with his two LPs, ’His California Album’ and ’Dreamer’, plus productions together with B.B. King. ’

Dreamer’ was the record company's trial to produce an album in California with the cool Soul appeal of the city of Los Angeles. As a timeless Soul and Blues classic the album 'Dreamer' contains the in recent years often sampled track Ain’t No Love in the Heart of the City, one of the musical back bones to one of the favorites by Jay Z. The whole album is a wonderful soundtrack for those lonely nights alone and blue in a sleazy joint trying to forget a lost love in a bottle of bourbon.
Dreamer
’Dreamer’ is the warm velvet cover against cold loneliness with so many great songs like I Wouldn’t Treat A Dog (The Way You Treated Me) and Whose Foolin’ Who?, the bluesy Cold Day In Hell, Lovin’ On Borrowed Time and When You Come To The End Of Your Road. I Ain’t Gonna Be The First To Cry has indeed the lyrical quality of The Thrill Is Gone. The production by Steve Barri and Michael Omartian sounds full and ponderous.

The accompanying musicians, guitarists Dean Parks and Larry Carlton, bassist Wilton Felder and drummer Ed Green, ranked as being part in the cream of L.A.'s studio musicians. When ’Dreamer’ was first issued in 1974 a controversial discussion started regarding the production and the arrangements containing a brass section and strings. But now, forty years later, the LP album counts as one of the great masterpieces of its genre and the songs became standards in the repertoires of many Soul and Blues performers. Newly remastered with its original gatefold cover jacket the first real reissue on vinyl after 43 years comes from Bear Family Records!
Grammy® as a lifetime achievement award in 1997
Bobby ’Blue’ Bland was inducted into the ’Blues Hall of Fame’ in 1981 and 11 years later the induction into the ’Rock'n'Roll Hall of Fame’ followed. He received a Grammy® as a lifetime achievement award in 1997.
1-LP, 180 gram Vinyl-LP, 10 tracks

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Electronique Guerilla (Heldon I)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Shamek Farrah

First Impressions

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Norman Connors

Love From The Sun

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Harold Vick

Don't Look Back

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Cecil McBee

Mutima

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A landmark recording in early creative improvised modern music, bassist Cecil McBee's recording for the Strata East label is an important document introducing him as a leader from the international jazz-based scene in New York City via his native Tulsa, OK and following a brief mid-'60s stint in Detroit. McBee as a pure musician has staggering technique, rich harmonic ideas, and an indefatigable swing, but it is as a composer that he is set apart from other musicians of this mid-'70s era. "Life Waves" is a stunning piece of composed and improvised music, with a brief clarion horn section setting off McBee's chordal strumming and harp bop drive. Trumpeter Tex Allen's brash lines, the incendiary tenor saxophonist George Adams, and more thoughtful alto saxophonist Allen Braufman dig into hefty but contrasting solos, while drummer Jimmy Hopps stokes the coals. The other premier piece, "Mutima", has a soaring longer melody switching on and off onto a samba palate that is pretty, beautiful, and much more introspective than other wild and woolly cuts. The legendary but under recognized flutist Art Webb shines on the floaty free "A Feeling", and the atypical but wholly contemporized "Tulsa Black", a portent to the music that would be made later in this time period by Sonny Fortune, and featuring the wah-wah electric bass guitar work of Cecil McBee, Jr. The two-minute "Voice Of The Seventh Angel" sports the disparity of a complex arrangement alongside the beautiful singing of a young Dee Dee Bridgewater, while the marathon "From Within" has McBee performing solo, but overdubbed on two basses in opposite stereo channels, using serene long-toned arco and static pizzicato in arresting sounds that meld into a bridge squawk reminiscent of the saxophone playing of bandmate Adams. In retrospect, McBee's great career was ostensibly launched well before this recording, having worked with prominently with Charles Lloyd, Alice Coltrane, Pharoah Sanders, Yusef Lateef, Charles Tolliver, and countless others. "Mutima" (translated as "unseen forces") undoubtedly solidified his stature and brilliance as a major player.

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Stanley Cowell

Musa-Ancestral Streams

31,49 €* 34,99 € -10%

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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"Musa-Ancestral Streams" remains a relative oddity in the pantheon of jazz's black consciousness movement -- a solo piano set of stunning reach and scope, its adherence to intimacy contrasts sharply with the bold, multi-dimensional sensibilities that signify the vast majority of post-Coltrane excursions into spiritual expression, yet the sheer soulfulness and abandon of Stanley Cowell's performance nevertheless vaults the record into the same physical and metaphysical planes. Cowell's energy and touch are remarkable, as if guided by divine power, and for all the music's structural spaciousness and rhythmic freedom, not a note feels out of place, let alone excessive. Most intriguing is "Travelin' Man", an overdubbed 'duet' featuring Cowell on both acoustic and electric piano that underscores his uncommon affinity for space and presence.

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Ben Webster

Live At Pio's

LP | 1974 | EU | Reissue (P-Vine)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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A great small club date from Ben Webster – different than some of his European concerts of his final years, in that this one was done at a lounge in Rhode Island, and maybe has a bit more bite and focus overall! The tracks are short, and Webster gets superb rhythm accompaniment from the trio of Junior Mance on piano, Bob Cranshaw on bass, and Mickey Roker on drums – who really come out swinging, and push Ben to take some of his boldest solos of the period – plenty of bite throughout, and a fire that you don't always hear on his other 60s recordings. Titles include "Cookin For T", "Sunday", "Pennies From Heaven", "How Long Has This Been Going On", and "Gone With The Wind".

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100% Pure Poison

Coming Right At You

33,99 €*

Barry Miles and Silverlight

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole album released in 1974 from this almighty group of nine musicians lead by Chicago native Danny Leake continues to turn up in the hands of the most determined collectors for good reason. Formed in the most unlikely of circumstances as a group of American military workers stationed in Germany, the band made one dazzling leap onto the frontline of soul before promptly disbanding and never looking back. As with all records that get marked with the coveted 'rare' status, what we don't know about the record outweighs what we do, but as the needle fits the groove on album opener "You Keep Coming Back," and the vocal and instrumental harmonies build into a frenzy, the addictive joy of the record takes hold for repeated listens. P-vine is delighted to be bringing this album back from the vaults for a limited pressing fitted with a unique Japanese obi strip.

After the opener rich with soul, "No More City, No More Country" changes pace with a psychedelic funk jam that blossoms into a piece of spiritual jazz and social commentary of 70s America. "Windy C" is an album highlight and kicks off the B-side with a lost funk classic where the individual talents of Steve Maxwell's organ playing, Leake's guitar and John Jackson's percussion all combine to make the deftest of touches count. The wealth of compositional talent behind the album contributes to its varied sound, and the might behind Marvin Daniels' vocals and trumpet playing joins Leake on the songwriting credits with producer Rick Hartung. Leake would later make his name as the trusted sound engineer of Stevie Wonder, but his roots as the mythical bandleader of 100% Pure Poison lives on in the books of rare record folklore.

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Barry Miles And Silverlight

LP | 1974 | US | Original (London)

10,19 €* 11,99 € -15%

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | UK | Reissue (Soul Brother)

100% Pure Poison

Coming Right At You

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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Lambert, Hendricks & Ross

The Best Of Lambert, Hendricks & Ross

LP | 1974 | US | Reissue (Columbia)

5,94 €* 6,99 € -15%

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | JP | Original (Motown)

Live At Caesars Palace

14,99 €* 19,99 € -25%

Barry Miles and Silverlight

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Barry Miles And Silverlight

LP | 1974 | US | Original (London)

17,99 €*

Greatest Hits (Hot Shots)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

punch hole. Original inner sleeve

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Barry Blue

LP | 1974 | DE | Original (Bell)

6,99 €*

Release: 1974 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Electronique Guerillaheldon I 50th Anniversary

Release: 1974 / EU – Reissue

Genre: Pop

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To Anyone Who's Ever Laughed...

Randy Rice

2LP | 1974 | Reissue (Wah Wah - Supersonic Sounds)

48,99 €*

Release: 1974 / Reissue

Genre: Electronic & Dance

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I was between the ages of 18 and 20 when I wrote the 22 songs found on To Anyone Who Ever Laughed at Someone Else. They express the thoughts and frustrations, hopes and fears of a young man coming of age in a world that was full of upheaval and transformation. I was a product of that period in America we call the sixties—those years between the assassination of President John F. Kennedy in November 1963 and the resignation of President Richard Nixon in August 1974. In fact, this record was released that same month Nixon resigned. Over the next five years, I toured the country as an acoustic artist performing at clubs, coffeehouses and colleges. During that time, I watched the idealism and social consciousness of the sixties slowly fade away. In its place emerged a cynicism and materialism that still seems to be with us so many years later. More than anything else, I think To Anyone Who Ever Laughed at Someone Else is a time capsule that speaks to us from a past era. A period when, above all other things, we asked questions. We questioned our country, we questioned our faith, we questioned the very purpose of life itself. I am very excited to bring those questions and these songs to a new generation on a new continent. Special thanks to my friends Jordi Segura of Wah Wah Records who took the initiative to release this 50th Anniversary Re-issue of To Anyone Who Ever Laughed at Someone Else and Michel Veenstra Klinkhamer, who introduced us.

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Theme From The "Exorcist"

LP | 1974 | JP | Original (Globe)

7,99 €*

Blau 50th Anniversary Edition

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Conrad Schnitzler

28,49 €* 29,99 € -5%

Release: 1974 / EU – Reissue

Genre: Pop

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Zuckerzeit 50th Anniversary Edition,

Cluster

Barry White, Love Unlimited & Love Unlimited Orchestra

Release: 1974 / EU – Reissue

Genre: Pop

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Limited Anniversary Edition: 180g vinyl, hand numbered, 1000 copies available! In 1974, Cluster entered the sugar era. This doesn"t mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster.

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Love

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Günter Schickert

Samtvogel

Release: 1974 / EU – Reissue

Genre: Pop

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Preorder shipping from 2024-11-15

Samtvogel Limited 50th Anniversary Red Vinyl Edition

Günter Schickert

Release: 1974 / EU – Reissue

Genre: Pop

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LP | 1974 | JP | Original (RSO)

Mr. Natural

19,99 €*

Release: 1974 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | JP | Original (Tamla Motown)

Diana Ross & Marvin Gaye

Diana & Marvin

39,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover with foxing. Japanese pressing with OBI and insert.

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I've Got So Much To Give

18,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Can't Get Enough

13,99 €*

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI

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Stone Gon'

Barry White, Love Unlimited, Love Unlimited Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.

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Together Brothers

Ballhausorchester Kurt Beyer

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs, close to VG+

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So Tanzte Man In Alt-Berlin

LP | 1974 | GDR | Reissue (AMIGA)

3,99 €*

Release: 1974 / GDR – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1975 | UK | Reissue (Pure Pleasure)

Stan Getz

Captain marvel

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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limited remastered edition 180 gram vinyl

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Just Another Way To Say I Love You

LP | 1975 | US | Reissue (20th Century)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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Billy Parker's Fourth World

Freedom Of Speech

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Most of the musicians who gathered to record this fantastic spiritual jazz record for the Strata-East label on May 24th, 1974 had crossed each other's paths in various musical pairings over the preceding few years. Husband and wife team Dee Dee Bridgewater (vocals) and Cecil Bridgewater (trumpet) had been working together on albums like Frank Foster's "Loud Minority", and Roy Ayers' "Coffy" and "Virgo Red". Ten weeks before the "Freedom Of Speech" session, the couple had been joined in Tokyo by Cecil's brother Ronald Bridgewater (tenor saxaphone) to record Dee Dee's debut album, the beautiful "Afro Blue". Also in the studio on May 24th, 1974 was Donald Smith, (piano, vocals), fresh from recording on his older brother Lonnie Liston Smith's "Cosmic Funk" - on which Ronald Bridgewater had also played percussion. Cecil McBee (bass) was also there - just two weeks before, he'd completed his own Strata East date "Mutima", and in February he'd played on Mtume's "Rebirth Cycle" - with both albums also featuring Dee Dee Bridgewater on vocals. He'd also played on Lonnie Liston Smith's "Astral Travelling".
So 1974 was a huge year for all five of these people. Donald Smith and Cecil McBee were six months away from recording on Lonnie Liston Smith's massive "Expansions", with McBee fitting in a few Pharoah Sanders albums in between.
AND THEN, THE MYSTERY ... So with all this fervent activity, the question has to be asked ...Who was Billy Earl Parker Jr (drums), the leader of this session?
Billy Parker remains unlisted as a musician on all major jazz sites. His only other recording appears to be as a percussionist on Charles Tolliver's "Impact" in 1975.

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LP | 1975 | EU | Reissue (Bureau B)

Allez-Téia (Heldon II)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Third (It's Always Rock'n'Roll)

2LP | 1975 | EU | Reissue (Bureau B)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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LP | 1975 | UK | Reissue (Be With)

Buari

24,99 €*

12" | 1975 | EU | Reissue (RCA)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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2022 repress

A surefire Afro-Funk classic, long treasured by collectors across the globe, the fantastic self-titled LP from Ghanaian singing/percussion sensation Sidiku Buari nevertheless remains a criminally hard-to find gem. We're honoured to present the first ever officially licensed vinyl reissue of this undoubted masterpiece. Limited to just 500 copies.

Originally released on RCA in 1975, this is, quite simply, a ridiculous record. This super-rare album boasts an all-star cast of top funk instrumentalists playing alongside Buari as he blends heavy African rhythms with American soul-funk grooves. The arrangements and the playing are incredibly tight and the album is stacked with killer tracks including "Advice From Father" (sampled brilliantly by Kenny Dope) and "Ku Ka Maria", with its intense, neck-snapping breaks and funky drumming from legend Bernard 'Pretty' Purdie. Purdie is in the pocket for the entirety of this stunning LP - the drumming is just straight out of hand, so varied yet so precise.

It's not hard to fathom why these tracks have always been huge on the b-boy/breaking scene. Other standouts include the wonderful disco-tinged afro monsters "Karam Bani" and "Iro Le Pa" plus the cool laidback groove of "Them Yebtheyet".

With access to the original analogue tape transfers, Simon Francis' stellar mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g.

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Buari

Karam Bani

15,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Official, remastered reissue of this disco tinged, afro funk treasure and the first time the ‘Karam Bani’ single has been cut to 12” – maximising every ounce of highlife soul from Sidiku Buari’s productions.

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LP | 1975 | US | Reissue (20th Century)

Stone Gon

19,99 €*

Release: 1975 / US – Reissue

Genre: Organic Grooves

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7" | 1975 | Original (Gadd 59)

Ras Nyto / The Charmers

Bad Mind / Version Wise

8,99 €*

Release: 1975 / Original

Genre: Reggae & Dancehall

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LP | 1975 | EU | Reissue (Dialogo)

Continente Nero

LP | 1975 | EU | Reissue (Dialogo)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Released in 1975, “Continente Nero” is the perfect flip side of “Africa” (1972), an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in “Percussioni ed Effetti Speciali” and “To-Day’s Sound”. It does so by taking inspiration from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, but also from the Afro-American jazz history of Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others.

Continente Nero (1975) Released via the Omicron label in 1975, three years after Africa, Continente Nero is the perfect flip side of an album that significantly expanded Piero Umiliani’s music perspectives, incorporating partially explored rhythmic variations already used in records such as Percussioni ed Effetti Speciali and To-Day’s Sound or experimenting new solutions that drew from a musical heritage little known at the time such as the African one. Without bothering with the usual alias M. Zalla, Umiliani reveal his birth name and surname for a second foray into a territory that pays homage to an entire continent. And it does so by taking inspiration not only from a tradition that starts from the divine Fela Kuti and reaches the amateur and field recordings by musicologists such as David Toop, invaluable documents of an artistic heritage still today almost impossible to map in its complexity, but also from the Afro-American jazz history by Art Ensemble of Chicago, John Coltrane, Max Roach and hundreds of others. It sounds clear in tracks such as Nuovi Fermenti, Rivoluzionari, Riscossa or Ultimo Stregone that show Umiliani’s extraordinary ability to grab a distant tradition essential traits and put them effortlessly into a personal imaginary world, as much exciting as the original one.

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Rovi (Piero Umiliani)

Pianofender Blues

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Pianofender Blues”, originally released in 1975 and entirely recorded with the aid of two electric pianos - Fender, of course, and Wurlitzer, bass, piano, drums and percussion, is another curious foray for the eclectic composer Piero Umiliani into territories other than the usual jazz, soundtrack and avant-garde ones. This album blends the Fender Piano melancholic sound over an easylistening repertoire, testifying the author’s versatility once again.

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LP | 1975 | EU | Reissue (Dialogo)

Polinesia

LP | 1975 | EU | Reissue (Musica Per Immagini)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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“Polinesia” is another incredible example of Piero Umiliani’s versatility, showing how he could combine an artistic path intimately bound to Italy and to its traditions with the world’s sounds - and even more, given the cosmic ventures of some of his releases. Fully recorded with glowing percussion and exotic suggestions that remind of Martin Denny, bringing to mind sunny white beaches, Oceania and the famous Bora Bora island, “Polinesia” is the perfect soundtrack to a full-moon exotic night.

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Ugo Busoni

Valvole

LP | 1975 | UK | Reissue (Pure Pleasure)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Soundtracks

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Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

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The Piano Choir

Handscapes Volume 2

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Cosmic Rock)

Magical Power Mako

Super Record

24,99 €*

Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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Here is the second album of original japanese freak Magical Power Mako, originally released in 1975. A truly iconic acid folk manifesto, interspersed with intense moments of pure psych rock. A sonic journey into imaginary lands !

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Bra Sello

LP | 1975 | EU | Reissue (Afrodelic)

23,39 €* 25,99 € -10%

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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LP | 1975 | JP | Reissue (RSO)

In The Morning

11,24 €* 14,99 € -25%

Release: 1975 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1975 | JP | Reissue (Motown)

Best Collection

17,09 €* 17,99 € -5%

Butterfly Black Vinyl Edition

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

without OBI. close to NM

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Bra Sello

LP | 1975 | EU | Reissue (Afrodelic)

7" | 1975 | UK | Reissue (Athens Of The North)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Papa Bear & His Cubs

You're So Fine

Orkiestra Pr I Tv W Lodzi

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Deepfunk / soul super rarity flipped with one of the best deep soul sides ever recorded, the family had some great images so we opted for a picture sleeve on this one, 400 copies only. forget about finding an O.G. Researched by our man, Brian Sears
Papa Bear And His Cubs were the brainchild of Eddie Disnute Sr., aka Papa Bear. A native resident of Hampton, Arkansas. Eddie started his music career in gospel then transitioned into secular music after moving to Milwaukee, Wisconsin in 1963. While living in Milwaukee with his wife and children, Eddie played with a group called the Fenders but eventually decided to start a group of his own with his kids aptly named Papa Bear And His Cubs.
Eddie Sr., a naturally gifted musician, taught his children how to play music. Creativity is a part of the Disnute DNA and before long Eddie's cubs were perfecting chops of their own. Papa Bear And His Cubs started performing together around the late 1960s. Although a few memorable gigs came their way, Wisconsin proved to be too cold for the Disnutes so they made their way back to Hampton, Arkansas.
The family continued to perform in Arkansas then made another move to Houston, Texas where they hoped to break into the music scene down south. They lived there for nearly three years and even recorded at SugarHill Studios, yet nothing materialized and the recordings remain a mystery to this day. For their final move, the Disnutes returned home to Hampton after Eddie's wife Christine (aka Mother Goose) received word that her father was ill.
In 1975 the group recorded their only vinyl record at Sam Griffith's home recording studio in Camden, Arkansas. Disnute Sr. recalls it only taking "one night, and one take" for both "Sweetest Thing On This Side Of Heaven" and "You're So Fine" to be born. Both songs have an entrancing quality that is inescapable and will surely resonate with listeners for years to come.
The group continued to perform until the early 1980s, at which point the cubs were bears themselves, who decided to go their own separate ways. When thinking back to their prime days, one thing will always remain clear in Eddie Sr.'s memory, "we could play, all it took was a countdown of 1, 2 ,3, 4 and we're gone".

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String Beat

LP | 1975 | EU | Reissue (Warner)

30,99 €*

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | JP | Reissue (RSO)

Cream

Live Cream Volume II

8,99 €*

LP | 1975 | US | Original (Power Pak)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI, with insert.

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Little Willie John

Talk To Me

16,99 €*

LP | 1975 | UK | Reissue (Mr Bongo)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Record is close to VG+.

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Los Reyes 73

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Continuing the Mr Bongo Cuban Classics Series, we shine a light on Los Reyes 73 and their sensational debut LP from 1975. The album had multiple different pressings under various titles and artworks, but the music stayed the same and speaks for itself. The group set the bar high with this fiery Afro-Cuban-funk gem, letting loose a vibrant Latin workout combining psych rock trippiness with a heavy dose of deep funk. Elements that fuse to firmly cement this album as a ‘70s Cuban masterpiece and one of our favourites here at Mr Bongo HQ.

Releasing just two albums and a handful of 7-inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their profile amongst new audiences worldwide.

Produced by the magical Raúl Gómez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra, with orchestration from greats including Ricardo Eddy Martinez who also released the much-loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto García. The album also features the writing prowess of Los Van Van’s Miguel Ángel Rasalps.

Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener ‘Grandes Amigos’, the tripped out ‘Adeoey’ and the grooving ‘Un Lamento Hecho Cancion’ are just a handful of examples that exhibit the sheer musical melting pot of this album.

For this reissue, we have chosen to use the artwork from a Mexican version of the album released on Pentagrama Records that features the beautiful bird illustration cover art. The Cuban edition was released on the state-run Areito.

An outstanding and wondrous Latin record that has long been calling out for an official reissue.

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LP | 1975 | JP | Reissue (Motown)

Best Collection

6,99 €*

7" | 1975 | EU | Reissue (Top Ranking Sound)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, comes with Obi and inserts.

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Pre-Historians

Free Yourself

LP | 1975 | JP | Original (Warner)

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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The Pre-Historians' legendary 1975 track "Free Yourself" is finally getting the 7" reissue it deserves. Produced by Junior Smith (The Itals) and Elias Stewart, this roots classic from Savanna-la-Mar, Jamaica, stands as a gold standard of 70s Roots music. Its powerful message remains as relevant today as ever. Special thanks to Richard McPherson for helping bring this essential reissue to life.

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Tower Of Power

Urban Renewal

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1975 | JP | Reissue (RSO)

In The Morning

LP | 1975 | JP | Original (London)

Release: 1975 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI!

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Larry Rice

Mr. Poverty

Release: 1975 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Just Another Way To Say I Love You

LP | 1975 | JP | Original (20th Century)

10,99 €*

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.

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Barry White's Greatest Hits

LP | 1975 | DE | Original (Philips)

8,99 €*

Release: 1975 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

LP | 1976 | DE | Reissue (Bureau B)

Peter Baumann

Romance 76

Release: 1976 / DE – Reissue

Genre: Rock & Indie

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LP | 1976 | UK | Reissue (Soul Brother)

Eddie Russ

See The Light

20,99 €*

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Stanley Cowell

Regeneration

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Around the time of this recording, Stanley Cowell had achieved a degree of prominence as the pianist for the advanced bop quartet Music Inc., which he co-led with trumpeter Charles Tolliver, as well as for unusual projects like his Piano Choir. With Regeneration he chose another path, essentially trying to produce a jazz-infused pop album with strong African roots, perhaps owing a little bit to Stevie Wonder. He assembled an extremely strong cast of musicians for the venture, including Marion Brown, Billy Higgins, and Ed Blackwell, as well as several African string and percussion masters and, by and large, succeeded conceptually if not commercially. A few songs use vocals in a fairly standard pop framework, and, while they are performed capably enough, the lyrical content leaves something to be desired in typical mid-'70s fashion. But much of the rest of the music makes up for this with, among other things, a delightful fife and drum piece by Brown and strong bass work by Bill Lee (Spike's dad). Regeneration is an interesting, often enjoyable album which, aside from its own small pleasures, provides a snapshot of some of the cross-fertilization in genres occurring at the time.

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LP | 1976 | EU | Reissue (Bureau B)

IV (Agneta Nilsson)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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John Gordon

Step By Step

Charles Tolliver / Music Inc & Orchestra

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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John Gordon, a trombone master, brings us another gem from that most renowned of 70’s record labels, Strata-East. The trombone is a difficult instrument. In the hands of an artist like John Gordon, however, it can create vivid images and conjure up beautiful music. And when the cohort of other players includes the likes of Charles Tolliver & Stanley Cowell, you know you’re in for an extra treat.

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Impact

Barry Biggs / Clarence Wears

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Trumpeter/flügelhornist Charles Tolliver often straddled the line between the lyricism of hard bop and the adventurous nature of the avant-garde. Released in 1975, "Impact" contained a stimulating progressive edge within an energetic large band (14 horns, eight strings, and rhythm section) format. Tolliver's arrangements are consistently bright and build momentum, while the soloists are given sufficient room to manoeuvre through the multiple textures. Featured soloists in the remarkable reed section include Charles McPherson, James Spaulding, George Coleman, and Harold Vick.

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Work All Day / Working Mood

12" | 1976 | EU | Reissue (Onlyroots)

Norman Williams And The One Mind Experience

Release: 1976 / EU – Reissue

Genre: Reggae & Dancehall

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Barry Biggs hit song from 1976. On the flip, Clarence Wears guitar version. Both (vocal & guitar) followed by its dub.

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The Bishop

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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Bishop Norman Williams is an amazing musician. He not only has command of his instrument and music, but a great spirit that reflects a knowledge and love of his people and what they give the world — the same spirit shared by Satchmo, Bird, and Trane. Reign on, Bishop. Michael Howell Bishop Norman Williams is one of those unique talents in music. He has the gift of being able to say what he wants and at the same time say something always significant. He has many influences because he is open to all of the good music of the world. When you hear him play, you feel that he has assembled all of these 'world ideas' in music to speak through his horn. John Handy It’s time. It’s time for all to hear the Bishop proclaim spiritual truths in his church, the One Mind Temple, dedicated to the spirit of John Coltrane. The time is also overdue for all to hear the Bishop proclaim musical truths through the medium of his alto saxophone. My first few gigs in 1962 were with the Bishop’s band. I’ll never forget what an inspiration it was for me learning how to play while standing next to the Bishop, who already had it together. I’m sure after hearing the Bishop, you will also agree that his time has come. Eddie Henderson

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LP | 1976 | EU | Reissue (Dialogo)

L'Uomo E La Citta'

LP | 1976 | EU | Reissue (Bureau B / Sky)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Piero Umiliani’s “L’Uomo e la Città” perfectly fits into the urban-themed section of Italian library music, an album where our Man is accompanied by jazz celebrities Bruno Tommaso, Oscar Valdambrini, Dino Piana and Nino Rapicavoli, all part of this Umiliani-led ensemble. “L’Uomo e la Città” takes less risks in favor of an extraordinary jazz tightness (“Rete Urbana”, “Quartieri Alti”, “Città Frenetica”), but amazes even more in the two excellent renditions of “Centrale Termica” and “Suoni della Città”, among the best tracks of the album.

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Cluster

Sowiesoso

Release: 1976 / EU – Reissue

Genre: Pop

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The Series Of Music For Young Adults: Iranian Folk Songs Blue Vinyl Edition

Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

28,99 €*

Real Thing Orange Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Blue Vinyl Limited TO 318 Hand-numbered Copies

Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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Real Thing

LP | 1976 | EU | Reissue (Power Station)

32,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Temi Descrittivi Per Piccolo Complesso

LP | 1976 | EU | Reissue (Holy Basil)

26,99 €*

Bill Berry And The LA Band

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1976 as part of the "Background Music" series on Piero Umiliani's own Liuto Records, "Temi Descrittivi Per Piccolo Complesso" is a real gem in the maestro's vast and and intricate catalogue. Flutes and horns alternate with pianofender to create some magical, sweet and intimate atmospheres, crafting an abstract and mysterious soundscape that could reminisce of medieval times as much as some distant galaxies. We are happy to bring back "Temi Descrittivi Per Piccolo Complesso" in our series of reissues from his catalog, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copie

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Hello Rev

LP | 1976 | US | Original (Concord Jazz)

5,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+. Cover with stains on the back

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LP | 1976 | JP | Original (Globe)

In The New World

7,49 €* 9,99 € -25%

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

This One's For You Orange & Black Marbled Vinyl Edition

Barry Manilow

LP | 1976 | EU | Reissue (Music On Vinyl)

30,99 €*

Pierre-Alain Dahan & Slim Pezin

Release: 1976 / EU – Reissue

Genre: Pop

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Limited to 2000 copies.

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Neo Rythmiques

LP | 1976 | Reissue (Be With)

Dentro E Fuori Colored Vinyl Edition

Release: 1976 / Reissue

Genre: Organic Grooves

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Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Ciampi Piero

2LP | 1976 | EU | Reissue (The Saifam Group)

54,99 €*

Release: 1976 / EU – Reissue

Genre: Pop

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LP | 1976 | DE | Original (Aquarius)

Walter Rossi

Release: 1976 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Vinyl close to VG+

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LP | 1976 | US | Original (Motown)

26,99 €*

Jean-Emile Dargent , avec la participation de Bernard Devilliers, Le Quartet De Lyon, Jean-Pierre Mignard

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

sticker on cover.

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Vous Me Dites

7" | 1976 | FR | Original (ABM)

3,99 €*

Release: 1976 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Small stain on back cover.

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LP | 1976 | JP | Original (RSO)

Children Of The World

16,99 €*

Andrew Lloyd Webber, Tim Rice

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Evita

2LP | 1976 | DE | Original (MCA)

3,99 €*

Release: 1976 / DE – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

New Soul Greatest Hits 14

LP | 1976 | JP | Original (Motown)

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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LP | 1976 | JP | Original (Globe)

In The New World

6,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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LP | 1976 | JP | Original (Globe)

In The New World

5,99 €*

LP | 1976 | JP | Original (RSO)

Release: 1976 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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V.A.

Peter And The Wolf

Stan Getz, Al Cohn, Serge Chaloff, Brew Moore, Allen Eager

Release: 1976 / JP – Original

Genre: Rock & Indie, Comics, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Brothers And Other Mothers

2LP | 1976 | US | Original (Savoy)

10,99 €*

Jack Lancaster And Robin Lumley

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Marscape

LP | 1976 | US | Original (RSO)

Jack Lancaster And Robin Lumley

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Promo copy with white labels . Cover close to VG+

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Marscape

LP | 1976 | US | Original (RSO)

18,99 €*