Search "pariah+RS1207" 3785 Items

LP | 1968 | US | Reissue (We Are Busy Bodies)

OST Playtime

31,99 €*

Release: 1968 / US – Reissue

Genre: Soundtracks

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We Are Busy Bodies is proud to announce the first official reissue of ‘Playtime’ by popular and prolific Italian composer, Piero Umiliani. Incorporating styles like jazz, easy listening/lounge, rock, funk, and bossa nova to a genre largely dominated by orchestral scores, he penned some of the most outstanding film music from the '60s and '70s with over 150 titles under his belt. Originally released on Umiliani‘s own Omicron label in 1968, the album has been remastered from the original recordings by Noah Mintz.

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LP | 1968 | IT | Reissue (RCA)

Release: 1968 / IT – Reissue

Genre: Pop

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Diana Ross And The Supremes

Love Child

LP | 1968 | US | Original (Motown)

LP | 1968 | DE | Reissue (Bear Family)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US pressing.

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Etta James

Tell Mama

19,99 €*

Release: 1968 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1969 | US | Reissue (Craft)

Bar-Kays

Gotta Groove

35,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Spirits Known And Unknown

Leon Thomas

LP | 1969 | UK | Reissue (Pure Pleasure)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Eargong)

Barre Phillips

Unaccompanied Barre

24,99 €*

OST Scacco Alla Regina Clear Blue Marble Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Piero Piccioni

LP | 1969 | EU | Reissue (AMS)

Release: 1969 / EU – Reissue

Genre: Soundtracks

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LP | 1969 | UK | Reissue (Elemental)

Chuck Berry

Concerto In B Goode

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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OST L'arcangelo Yellow Vinyl Record Store Day 2024 Edition

LP | 1969 | EU | Reissue (Vinyl Magic)

30,39 €* 37,99 € -20%

The Mamas & The Papas, P.F. Sloan, Barry McGuire

Release: 1969 / EU – Reissue

Genre: Soundtracks

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1969 soundtrack from Piero Umiliani Pressed on Yellow Vinyl & includes a 30x30cm insert First ever vinyl release of several tracks! “L'arcangelo” (The Archangel) is a 1969 comedy characterised by police and judiciary tones, directed by GIorgio Capitani and starring, among others, Vittorio Gassman, Pamela Tiffin, Adolfo Celi, Irina Demick and Carlo Delle Piane.

This soundtrack follows the previous “La notte è fatta per... rubare” (Night is Made for Stealing) which marked the beginning of Umiliani’s collaboration with the director. Mainly displaying a Latin American flavour, it contains several elements typical of the composer’s style, mixing bossa nova and samba with beat rhythms and Hammond organ, and is enriched by various vocal contributions from Alessandro Alessandroni’s Cantori Moderni and the delightful scat singing of Giulia De Mutiis, one of the choir’s female voices. Distorted electric guitars with orchestral ensemble also create an atmosphere between spy and detective story.

None of “The Archangel” tracks have ever been released in any form for many years, and to date there are only three CD editions only issued in Japan. This clear yellow vinyl version therefore fills a void and finally returns these wonderful compositions to us in the format that suits them best!

A Record Store Day 2024 exclusive!

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I Saw Her Again

7" | 1969 | JP | Original (Victor)

Release: 1969 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Barry Ryan Sings Paul Ryan

Barry Ryan

LP | 1969 | DE | Original (MGM)

4,99 €*

Release: 1969 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: G+, Cover: G

Thad Jones & Mel Lewis Orchestra

Consummation

LP | 1970 | UK | Reissue (Pure Pleasure)

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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LP | 1970 | EU | Reissue (Bureau B)

Kluster

Klopfzeichen

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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LP | 1970 | EU | Reissue (Bear Family)

The Petards

Hitshock

The Gospel According To Zeus

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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With their first, self-titled album for Liberty, The Petards from the state of Hessen in Germany had produced a real hit. The year 1969 meant for Klaus and Horst Ebert, Roger Waldmann and Arno Dittrich above all a wealth of appearances; at that time there was
probably no band harder working in Germany than The Petards. In September 1969 producer Sigi Loch called the band back to Munich's Trixi Ton Studio to record the next album. And as one would expect from the band, the musicians came to the studio well prepared. Within five days, enough new songs were recorded to create four singles in addition to the new album. All the titles were written by the two Ebert brothers, who apparently never ran out of ideas. The musicians used whatever kind of tools the studio gave them: synthesizers, Mellotron and piano were skillfully integrated into the Petards sound. As with the previous albums, the band captivated with an enormous amount of variety and talent. Progressive rock, Krautrock - everything was in the Petards songs - and yet with less than four minutes of running time they remained deeply suitable for airplay.
In early 1970 the new album 'Hitshock' was released on Liberty and continued the track of success of the four Hessians. For many people 'Hitshock' is the most mature and best produced album of the four from Schrecksbach. Fans and critics agreed. In April 1970, The Petards made it into the arts pages! Director Charles Lang had selected the band from 70 applicants and invited them to the Bremen Theatre. There they took part in the play 'Was ihr wollt', freely adapted from Shakespeare (’Twelfth Night’, or ’What You Will’). All arrangements were made by the musicians, some titles were rewritten. Unfortunately no recordings have been preserved. The play was not a great success, but The Petards got off well with the critics, and of course this also meant a good promotion for their new album. At least the four musicians had a lot of fun participating, but still they found time to carry the songs from 'Hitshock’ live through the republic. Bear Family releases this album for the first time again in the original artwork on 180 gram vinyl and adds a reproduction of the original poster to 'Hitshock'. This record is the third of four scheduled vinyl re-releases of the great Petards on Bear Family.

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Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

22,99 €*

On The Way To Eden White Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Eden Rose

LP | 1970 | EU | Reissue (Guerssen)

21,99 €*

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Limited to 200 copies on white vinyl!

Proto-progressive, groovy instrumental psychedelia, recorded in France in 1969 by this pre-Sandrose band and released on the tiny Katema label. Swirling Hammond grooves by keyboard virtuoso Henri Garella, top guitar playing by Jean-Pierre Alacen and a tight, funky rhythm section create one of the best early prog/psych French albums ever. First reissued on Guerssen back in 2016 and out of print for many years, here's a repress in hard cardboard sleeve + OBI - resealable outer sleeve.

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LP | 1970 | EU | Reissue (Dialogo)

Africa

22,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Piero Umiliani’s Africa was released in January 1972, a years-ahead record that includes the prog-tingedblack rhythm of “Africa To-Day”, the ‘fourth world’ inspiration coming from Jon Hassell’s “Green Dawn”, the‘exotic’ references in Martin Denny’s style (“Lonely Village”, “Echos”), the electronic new wave (hearing is believing!) of “Sortilège”, the folk music (“Rite”, “Folk-Tune”). An incredible album summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

Africa (1972) In 1972 Piero Umiliani was above all the man of a thousand soundtracks and the first Italian jazz experiments; from his later career we’ll soon learn that wasn’t enough for him, showing just a tiny part of a more complex picture. Closed within the walls of his Sound Work Shop Studio, the Maestro was weaving much more complicated and satisfying plots, incorporating dozens of influences from a life spent experimenting and discovering new sounds. Among the most fascinating ones, those who came from a continent like Africa, as much fabled as actually little known, but enchanting to the point that Umiliani dedicated to it the entire Africa - which is paired with its twin-record Continente Nero - and released it as M. Zalla, pseudonym used when it came to tidying up uncompromising and avant-garde music textures, as will later happen with masterpieces such as Suspense, Problemi D’Oggi or Mondo Inquieto. Always keep in mind when this album had been released, in January 1972, before approaching its content: here the prog-tinged black rhythm of Africa To-Day, the ‘fourth world’ inspiration coming from Jon Hassell’s Green Dawn, the ‘exotic’ references in Martin Denny’s style (Lonely Village, Echos), the electronic new wave (hearing is believing!) of Sortilège, the folk music (Rite, Folk-Tune). Many years in advance, in Africa Piero Umiliani summarizes sounds and styles that will make the fortune of much more celebrated and popular musicians and artists.

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LP | 1970 | EU | Reissue (Four Flies)

Paesaggi Limited Edition

32,99 €*

Eddie Jefferson, Joe Carroll & Annie Ross

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Limited to 700 copies. Four Flies Records is proud to present the first reissue of Piero Umiliani’s Paesaggi – a record that, despite remaining for many years pretty obscure compared to other titles in the maestro’s discography, is now regarded by collectors and experts as the gold standard in Italian library music. By using a multitude of instruments, such as flute, vibraphone, harpsichord, sitar, gong and others, it brings together a variety of arrangements, styles, and genres spanning from bossa nova to jazz, easy listening to psychedelic, Latin, exotica, and many more.

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The Bebop Singers

LP | 1970 | US | Original (Prestige)

Various, Andrew Lloyd Webber And Tim Rice

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover is close to VG+.

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Jesus Christ Superstar (A Rock Opera)

2LP | 1970 | EU | Reissue (Geffen)

40,99 €*

LP | 1970 | JP | Original (Mercury)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed with hype sticker. 2021 reissue.

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Chuck Berry

33,99 €*

Release: 1970 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. Tiny tear in top spine.

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LP | 1970 | US | Original (Motown)

16,99 €*

LP | 1970 | US | Original (San Francisco)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Hollywood pressing.

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Tower Of Power

East Bay Grease

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with spine damage

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Diana Ross Limited Edition

LP | 1970 | US | Reissue (Motown)

33,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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Sensitive Sound Of Sonia Rosa

Sonia Rosa

LP | 1970 | JP | Original (Express)

59,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Red vinyl.

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LP | 1970 | US | Original (Motown)

Everything Is Everything

8,99 €*

LP | 1971 | EU | Reissue (Bureau B)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has cut corner.

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Kluster

Zwei Osterei

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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LP | 1971 | EU | Reissue (Bureau B)

Kluster

Eruption

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Freddie Hubbard

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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LP+CD | 1971 | EU | Reissue (Schema)

Synthi Time

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The most ‘avant-garde’ Umiliani can
be found here, with excellent examples of a Maestro exploring new sounds and the future of the music.

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OST Questo Sporco Mondo Meraviglioso

LP+CD | 1971 | EU | Reissue (Schema)

LP | 1971 | EU | Reissue (Bear Family Productions)

Release: 1971 / EU – Reissue

Genre: Soundtracks

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“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

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Geater Davis

Sweet Woman's Love

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Soul/blues singer/songwriter Vernon ’Geater’ Davis (1946 – 1984) was born in Kountze, Texas. When record producer Allen Orange heard Geater and another singer, Reuben Bell, perform he decided to record both in Birmingham, Alabama. It was the start of his own record label in 1970, ’House of Orange’. One of the label’s first releases was Sweet Woman’s Love by Geater Davis which went up to #45 on the Billboard R&B charts. His follow-up releases did not follow-up on the initial success.

After House of Orange closed its doors in 1972, Geater went on to record for several smaller independant record labels like 77, Ace, and MT, and he contiinued to write or at least, co-write his own songs. With the exception of Your Heart Is So Cold in 1973 which reached #64 on the Billboard R&B charts, his records did not sell particularly well. But Geater toured extensively on the chitlin circuits for a soul and blues audience. He died of a heart attack in Dallas, Texas in 1984. He was barely 38 years old.

Geater Davis never achieved major succes and stardom. This vinyl re-issue of the legendary House of Orange LPS-6000 should put the limelight on one of the most talented soul singers from the South.

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Phil Ranelin

Vibes From The Tribe

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit.
Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience.
"Vibes From the Tribe" is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of airbrushed fusion that was in vogue at the time. "Sounds From The Village" is even better (and dirtier), showcasing Ranelin's oily trombone gymnastics and a viciously fuzzed guitar solo. "Wife" features Phil's singing and is oddly reminiscent of Frank Zappa's writing on "Sleep Dirt"; an affecting, snaking melody topped off with a beautiful solo from the leader, whose playing here has the grace of Bob Brookmeyer coupled with the agility of George Lewis.
"He The One We All Knew" is the obligatory Coltrane tribute and is a trip into the kind of groove based free playing typical of Pharoah Sanders, though only really picks up when the band launch into post bop swing mode in the last six minutes or so, provoking another fine Ranelin solo. Bassist Ralph Armstrong is particularly strong here; his brief solo passages are a wonder of agility and tough lyricism that make me wonder why he's not better known. Other highlights come from the mellifluous flute of Wendell Harrison. Beautiful stuff, and it's good to know that Ranelin is still at work even now. Essential.

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Music Inc.

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The remarkable Music, Inc. Big Band remains the apotheosis of trumpeter Charles Tolliver's singular creative vision. Rarely if ever has a big band exhibited so much freedom or finesse, while at the same time never overwhelming the virtuoso soloists on whom the performances pivot. Built around the core of Tolliver, pianist Stanley Cowell, bassist Cecil McBee, and drummer Jimmy Hopps, the music boasts the kind of give-and-take born equally of talent and telepathy -- each player seems to communicate with his colleagues on a higher plane, delivering performances to rival any in their careers. Tolliver in particular plays like a man possessed, summoning an energy and clarity that slice through the big, bold arrangements like the proverbial hot knife through butter.

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Stanley Turrentine

Sugar

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Recorded: November 1970 in Rudy Van Gelder Studios, Englewood Cliffs, NJ, USA

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OST 5 Bambole Per La Luna D'agosto Crystal Vinyl Edition

LP | 1971 | Reissue (AMS)

28,99 €*

Release: 1971 / Reissue

Genre: Soundtracks

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LP | 1971 | EU | Reissue (Bureau B / Sky)

Cluster

Cluster 71

Release: 1971 / EU – Reissue

Genre: Pop

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LP | 1971 | EU | Reissue (Elemental Music)

Surrender

30,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | UK | Original (Transatlantic)

Duffy Power

Innovations

39,99 €*

Release: 1971 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | AU (Great Barrier)

Mogul Thrash

24,99 €*

Release: 1971 / AU

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2015 reissue.

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LP | 1971 | US | Original (Motown)

Surrender

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Percussioni Ed Effetti Speciali

LP+CD | 1972 | EU | Reissue (Schema)

An Evening With The Devil

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Recorded at Umiliani’s personal Sound Work Shop Studio in Rome, this double album spreads
its four sides over percussive experiments and other more abstract ones, with excellent results
in both cases. The first disc includes also beat and swing elements, while the sixteen tracks
from “Effetti speciali”, though less immediate, are equally fascinating. A perhaps less known
Umiliani, but this is just one more reason for a deserved and fast rediscovery.

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Wendell Harrison

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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»The compositions we play are reflective of the music of our times whereby we play Jazz, Rock, and African music with its poly or many rhythms. I wrote all the tunes on this particular LP and it is written as a suite in 5 movements which means that the music can be performed along with poetry and dancers. On our last LP called “Message From The Tribe” we featured the compositions of our very talented composer, arranger, and trombonist Phil Ranelin. On one side he wrote all the compositions and on the flip side I wrote all the tunes. This album was produced by us on the Tribe record label. As far as the music on “Evening With The Devil” is concerned it really speaks for itself. In addition to the music it features some relevant poetry by two very talented young poets named Oba and Vajava who are also members of a very excellent theatre group in Detroit called The Black Messengers.«
Extract from the sleeve notes of this album by Wendell Harrison.

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Rahsaan Roland Kirk

Blacknuss

Music Inc.: Live At Slug's Volume 1

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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As deep as a soul record can be and as hot as any jazz record has a right to call itself. deep

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Charles Tolliver

Music Inc.: Live At Slug's Volume 2

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Where have you gone, Charles Tolliver? There was such promise in the concept of Music Inc., and in Strata East, but evidently the music world's attention was elsewhere and this tremendous live set was probably heard by only a few hundred sets of ears. On the back of the record sleeve, Tolliver undersigned his mission statement: »Music Inc. was created out of the desire to assemble men able to see the necessity for survival of a heritage and an Art in the hopes that the sacrifices and high level of communication between them will eventually reach every soul.« And he isn't kidding. You won't find a much higher level of communication than he, Cecil McBee, Stanley Cowell, and Jimmy Hopps engaged in on May 1, 1970 at Slugs' in New York City. This was much more than an attempt to merely 'preserve acoustic jazz' as in the stilted Marsalis vein. This was an attempt to preserve a measure of authenticity while maintaining the notion of forward-thinking, present-tense improvised music. They deserved a greater response than the lukewarm, sparse applause they received that night, and continue to deserve a far more cognizant audience for their efforts. Tolliver ('Drought"), McBee ("Felicite"), and Cowell ("Orientale") each contribute a track to the set; though very much distinct, each is equally strong. "Drought" is the kind of dark-hued, well-honed burner which Tolliver routinely produced in his fertile years. "Felicite" is a more contemplative affair, a deeply felt and empathically performed piece; the unit here is in particularly sublime form, merging considerable skill with a staggering depth of emotion. "Orientale" falls somewhere in between the pace of the two, with Cowell's Eastern scales establishing an austere, industrious tone throughout its seventeen-and-a-half-minute length. Through its duration, the music on Live at Slugs' is often riveting and incessantly compelling. Hopps is a lesser-known entity to me, but the other three players featured here are some of the all-time underrated presences in the jazz pantheon, and they play nothing short of masterfully. Always a presence on his recordings, Tolliver demonstrates tremendous range, flair, and command as a trumpeter and leader. Had he not come along at a time when pure jazz was falling out of favour, I have to believe his name (along with Woody Shaw's) would be every bit as prolific as Freddie Hubbard's or Lee Morgan's; the same holds for the always brilliant and expressive McBee on bass. I feel saddened that Music Inc. fell so far short of »eventually reach[ing] every soul« - yet fortunate that it eventually reached mine. RYM

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Charles Tolliver

Marvin Gaye's Trouble Man Adapted 50th Anniversary Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Owning both this disc and "Live at Slugs', Volume 1" is essential for hardcore Jazz fans. Part two of the Slugs' date is just as impressive and again feature three originals all penned by the group. Here we get a better example of Tolliver's compositional work with the touching Coltrane tribute "Our Second Father". Again Tolliver's trumpet is simply stunning. The rhythm section of Cecil McBee and Jimmy Hopps also deserve mention as these two really drive the quartet along in a similar fashion to Garrison and Jones did with Coltrane. The McBee original Wilpan's also highlights the strength of McBee's writing and is probably the pick of the tunes here.

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Low Res

LP | 1972 | EU | Reissue (S'plat)

Lol Coxhill/Pierre Courbois/Jasper Van't Hof

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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"Marvin Gaye's Trouble Man adapted and conducted by Low Res"

Marvin Gaye was extremely proud of his pioneering film score for the “blaxploitation” film “Trouble Man”. In 1982, he commented: “The "Trouble Man" film score was one of my loveliest projects and one of the great sleepers of all our time. I'll probably be dead and gone before I get the probable acclaim from the "Trouble Man" album, musical track, that I feel I should get. And put to a symphony, if someone took my album and did a symphony on it, I think it would be quite interesting.”

American musician Daniel Zelonky (aka “Low Res”) had been captivated by this record for decades. Given the opportunity to recreate and conduct the entire film score live with a 36 piece orchestra at Voohuit, a beautiful classical venue in Gent, Belgium he set about meeting this daunting challenge: to be faithful to the feeling of the original and yet to create something "new", to expand upon certain elementts in a formal way, no "jamming" on the themes.

After a very successful performance, the resulting recordings were augmented in studio with additional instrumentation, and with the vocals of Blackwolf, singer of the late, lamented "Kings Go Forth" (Luaka Bop Records).

We think that the crate-digging denizens of the original soundtrack, and the curious Marvin Gaye fans alike will find much to enjoy in this 50th Anniversary tribute to Marvin's Blaxploitation masterpiece!

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Toverbal Sweet

LP | 1972 | EU | Reissue (Lantern Heights)

20,99 €*

LP | 1972 | US | Reissue (Old Bear Reissued)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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Fully licensed, ltd to 500 copies. Released on cultish London based label Mushroom in 1972, this album brought together the anarchic genius of saxophone player Lol Coxhill, with the pure magic of a dutch rhythm section: Pierre Curbois on the drums and keyboard player Jasper Van’t Hof. A clash of the titans as a matter of fact, with the more classical and impro sounding lines of Coxhill and the straight – almost jazz-rock – harmonies of the other two players. A fascinating record comparable to Keith Tippett small groups and the rise of the most peculiar impro-jazz scene.

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Kevin Max

Revisiting This Planet

LP | 1972 | EU | Reissue (Musica Per Immagini)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Larry Norman’s 1972 pioneering album ‘Only Visiting This Planet’ was the first of its kind. It was hailed as the first ‘Jesus-rock’ album and added to the national registry of the Library of Congress.

In the mid-1990s, Kevin Max toured with Larry Norman and covered his songs on the road with his band dcTalk. Norman and Max struck up a friendship, with Larry guesting on Max’s first solo album ‘Stereotype Be’, produced by Adrian Belew. After Larry Norman’s passing, Max decided to re-create the whole album ‘Only Visiting This Planet’ but was sidetracked by other projects. After meeting Larry’s son, Mike Norman, at a show in Portland Oregon, Max finally decided to start the project with a campaign run by Nashville Company ‘Generosity Rocks.’

John Mark Painter, a multi-instrumentalist producer from Nashville was brought on to collaborate and produce the project.

Guest appearances on the album include Daniel Smith from the Danielson Band, Fleming McWilliams & Mike Norman.

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Joel Vandroogenbroeck

L'immagine Del Suono

24,99 €*

Joe Williams, Dave Lambert , Jon Hendricks, Annie Ross Plus Count Basie Orchestra

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main promoter of its creativity, often renewed with the contribution of exotic instruments. At the dawn of the Seventies, this versatile musician began a parallel life as a composer of singular music libraries tailored to comment documentary images. “L'Immagine Del Suono” was one of them, originally released by Italy's Flirt Records and now repressed on vinyl by Musica Per Immagini for the first time. This album circulated, however, unnoticed in a limited number of copies among insiders, only rediscovered later by fans, thus raising Joel Vandroogenbroeck as a real pioneer of ambient and new age music. It is appropriate to consider the twelve short-lived pieces of “L'Immagine Del Suono” as a sort of continuous and visionary experiment, with the addition of electronic gasps, a strong dose of inevitable psychedelia, fragments of synthesized jazz, all coming from experiences both internal and external, hallucinatory and hedonistic. All of this combined creates a mysterious and abstract hybrid. Sonic raw material is sculpted with artisanal care, at times twisted and cryptic, characterized by a transversal irony, to the point that the interference of rock elements in the course of the set divert the listener's attention and momentarily interrupt the flow of consciousness. “L'Immagine Del Suono” is a concentrated example of the avant-garde, free from categorisation of any kind, developed in a non-commercial key and, equally, is drawn from a direct line via what was previously expressed within the folds of the then contemporary works of Brainticket.

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Sing Along With Basie

LP | 1972 | JP | Original (Roulette)

11,24 €* 14,99 € -25%

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi.

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Nini Rosso Super Deluxe

3,74 €* 4,99 € -25%

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1972 | Reissue (Be With)

Pierre-Alain Dahan

Continental Pop Sound

Release: 1972 / Reissue

Genre: Organic Grooves

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A Tele Music CLASSIC from 1972, Pierre-Alain Dahan's Continental Pop Sound is of those library albums with something for everyone. Breaks? Check. Fuzz guitar? Check. Slower, jazzy stuff? Double check. It's a stunning collection of psychedelic rock, soulful funk and retro pop stylings that's currently going for over £200 on Discogs. And with good reason. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou and Sauveur Mallia) and Jef Gilson Septet. So, you know this Be With reissue is nailed on essential.

Skip the by-numbers opener "Rock Extra" and head straight to the deeeeeep, minimalist groove of "Slowrama", a humid masterclass in low-slung, creeping crime funk with weighty breaks and beefy bass complimented by hypnotic wah-wah and warm electric piano. Sensational. It was sampled by Prince Po in 2004 for his "Love Thang" track. The galloping "Latin Pop Sound" is a percussive, Santana-esque tour de force featuring fantastic guitar shreds over a bassline to die for. "Morning Melody" is a lightweight amble whereas the brief but deliciously psych-rock heavy "Islam Blues" is a must for your mixes when requiring short segue tracks. The A-Side closes out with "Phasing Drums N° 1, 2 & 3", all completely ace. For us, N° 3 is the pick of the bunch, with particularly slooooow and deliberate drums underpinned by a droning, sinister organ. Hip-hop, before hip-hop, no less.

The genuine monster "Pacific Rock" blasts out the gate to usher in Side B, a thrilling and unrelenting pop-rock instrumental that really drives. "Quasimodo Pop" contains great slow mo funk breaks and scratchy guitars that alternate with pretty heavy riffing to create a compelling base track. "Carmel Beach" is as beautiful as the location it's named after, as insouciant guitars glide over super slo-mo beats and dramatic organ before it breaks down to a laconic, reflective electric piano showcase. Sumptuous. "Auto Moto Rallye" is a brief driving funk gem, as you might expect, complete with revved up guitars tuned and played to emulate the irresistible sound of growling race cars.

The upbeat, piano-led rock stomper "V.S.O.P Rock" is all well and good but, what you might really be here for is the trio of tracks that ensure the LP ends on an almighty high. The three most famous tracks “Rythmiques 1, 2 & 3” all come complete with *ultra*-dope breaks. N° 2 is probably our favourite, with the shuffling bassline and breaks combo augmented by the wonderful cowbell. Though on any other day, it could be N° 3! This album is often considered as the “baby brother” to Tele Music's Rythmiques, and this triptych is all the proof you need. Outstanding.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.

The audio for Continental Pop Sound has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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2LP | 1972 | JP | Original (Globe)

Twin DeLuxe

6,99 €*

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing.

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2LP | 1972 | US | Original (Motown)

OST Lady Sings The Blues

10,99 €*

Release: 1972 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Rita Reys / Louis Van Dijk / Wim Overgaauw / Chris Hinze

The Best Of Burt Bacharach

LP | 1972 | NL | Original (CBS)

4,99 €*

Release: 1972 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Ciao Tokyo: Nini Rosso In Concert

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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2LP | 1972 | JP | Original (Globe)

Twin DeLuxe

9,99 €*

Release: 1972 / JP – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing.

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Super Deluxe

5,99 €*

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+!

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The Godfather

28,99 €*

Release: 1972 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. OBI is missing

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2LP | 1972 | EU | Reissue (Holy Basil)

Guerra E Distruzione

32,99 €*

LP | 1972 | US | Original (Warner)

Release: 1972 / EU – Reissue

Genre: Soundtracks

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Dive into the evocative soundscapes of the past with the first ever vinyl reissue of Piero Umiliani's 1972 library masterpiece, "Guerra E Distruzione." Known for his innovative and genre-defying compositions, Umiliani's work on this album encapsulates the raw emotions and tumultuous energies of war and destruction through a unique blend of orchestral finesse and experimental brilliance. This exclusive reissue has been remastered for vinyl by Davide "Bassi Maestro" Bassi to capture the full depth and richness of the original recordings, bringing to life every nuanced note and intricate layer. Presented in a stunning gatefold jacket with opening in the inside, replicating the original pressing, the album's artwork is a tribute to its historical significance and artistic value, offering fans and collectors a visual and auditory feast.

Limited to just 500 copies, this release is a rare gem for connoisseurs of library music, soundtrack enthusiasts, and vinyl aficionados. Immerse yourself in the hauntingly beautiful and profoundly stirring world of "Guerra E Distruzione," a timeless work that stands as a testament to Piero Umiliani's enduring legacy in the realm of cinematic soundscapes.

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Tower Of Power

Bump City

30,99 €*

Do You Still Feel The Same Way

Release: 1972 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US Santa Maria pressing.

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Tommie Young

LP | 1973 | US | Reissue (Soul Power)

16,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Your Sweetness Is My Weakness

Barry White

12" | 1973 | US (20th Century)

12,34 €* 12,99 € -5%

Release: 1973 / US

Genre: Organic Grooves

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/ never never gonna give ya up

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Milt Jackson

Sunflower

2LP | 1973 | UK | Reissue (Pure Pleasure)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Recorded over two days in December of 1972 at Rudy Van Gelder's Englewood, New Jersey home studio, vibraphonist Milt Jackson's "Sunflower" is the first -- and best -- of his three albums for Creed Taylor's CTI imprint. (And one of the finest offerings on the label.) With a core band consisting of Herbie Hancock (playing electric and acoustic piano), bassist Ron Carter, drummer Billy Cobham, trumpeter Freddie Hubbard, drummer/percussionist Ralph McDonald, and guitarist Jay Berliner. A chamber orchestra exquisitely arranged and conducted by Don Sebesky adorns the session as well. Jackson's "For Someone I Love", opens the five-tune set, with Berliner playing solo flamenco guitar before the vibes, trumpet, and elements from the chamber orchestra delicately, impressionistically color the background. It gradually moves into a languid, bluesy ballad that slowly gains in both texture and dynamic until the strings trill tensely. Hubbard and Hancock engage them in solos that gently swing out the tune. The reading of Michel Legrand's "What Are You Doing for the Rest of Your Life" is a gorgeous showcase for Jackson; his solo dominates the arrangement. Carter gets downright funky on his upright to introduce Thom Bell's "People Make The World Go Round," and Hancock follows him on Rhodes. Jackson takes the melody, striking a layered contrast as Hubbard slips around all three playing an extension of the melody with requisite taste, fluidity, and taut phrasing. Hancock gets funky to the bone in his brief solo, as the vibes soar around and through his phrases. The title track is a Hubbard composition that floats and hovers with a Latin backbeat before shifting tempos as the solos begin. The expanded harmonic palette of trumpet with the reeds, woodwinds, and strings on the melody add an exotic textural palette for his solo. Jackson's "SKJ" closes the set with an old-school, swinging hard bop blues with barely detectable embellishments by Sebesky. While "Sunflower" sometimes feels more like a group session rather than a Jackson-led one, that's part of its exquisite beauty.

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Rahsaan Roland Kirk

Bright Moments

49,99 €*

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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Pure Pleasure SD2-907

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Cecil Payne

Zodiac

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and its release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way.

"Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by its quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.

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Billy Harper

Capra Black

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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2LP | 1973 | US | Reissue (Pure Pleasure)

Clifford Jordan Quartet

Glass Bead Games

49,99 €*

Release: 1973 / US – Reissue

Genre: Organic Grooves

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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.

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Charles Brackeen

Rhythm X

Changing Man / I'm Just Your Clown

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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On this record, the little-known Charles Brackeen brings his saxophone to a party with most of Ornette Coleman's band. As might be expected, while Brackeen certainly holds his own, it's Ornette's boys who bring the thunder, playing around Brackeen's muscular alto as if they were a gang jumping on a new member. Haden's bass playing provides the frantic pulse, here and there ceding the stage to Blackwell's flexible drumming and dropping out to provide rolling sheets of sound by bowing his instrument. Brackeen and Cherry wrestle across this solid bedrock, with results that are often surprising and never short of beautiful.

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The Power Of Attorney

7" | 1973 | US | Reissue (Nicetown / Brewerytown Beats)

11,99 €*

LP | 1973 | EU | Reissue (Bureau B)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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In the early 1970s, the funk / soul band Power Of Attorney was formed at the Pennsylvania State Correctional Institution at Graterford (30 miles northwest of Philadelphia). The story of their formation is just as powerful as the music that they left behind. In late 1972, the prison’s Activities Director Theodore “Ted” Wing broke ground on a new recording studio. As part of the rehabilitative arts and music initiative, the space was built to offer a creative outlet for incarcerated individuals to express their musical talents. In November of ‘72, an audition was held throughout the prison to form a band. It has been reported that over 1,600 men auditioned for a spot in the band. Wing ultimately settled on a lineup that consisted of William Smith (lead guitar), Charles McDowell (bass), Merion Wilson (tenor saxophone), Edward J.X. Smith (guitar), and Otis Graham (drums). With a lineup of gifted musicians and a fresh new recording studio to practice and lay down tracks in, the band Power Of Attorney was officially born. In January of 1973, Power of Attorney got the chance to record at Sigma Sound Studios, the legendary space that helped birth the Philadelphia International sound as well as classic albums like David Bowie's Young Americans. Taking the routines that they had rehearsed for a reported five hours each day, the band laid down the tracks — including the reflective “Changing Man,” an original composition by McDowell. “It tells the story of a man who made a mistake, and after a while in jail, he gets his head together, and realizes it’s time to straighten it out,” the 21-year-old serving life for murder told The Philadelphia Daily News upon the single’s release. The 7-inch single was released on the Nicetown label in 1973. Sold directly from the prison activities office, 500 copies were originally made. After more practicing and recording, one year later James Brown & Polydor Records offered The Power Of Attorney’s lone full-length, 1974’s From The Inside… Between 1973 and 1975 the band played 400+ concerts outside of the prison walls. Even opening for Stevie Wonder at Lincoln University and also making a live appearance on the Mike Douglas show. Forward to 2020 – While digging through the Sigma tape archives at Drexel University, Brewerytown Beats owner Max Ochester – known for deep-dive Philly reissues by The Thompsons and Sounds Of Liberation – noticed two tapes, with only “P.O.A.” scribbled on the spines. Upon further inspection, it was discovered that these 2-inch multi-reels contained six songs, four of them previously unreleased, all from 1973. The full original studio tapes for Power Of Attorney’s “Changing Man” sessions had been found, 47 years later. Expertly mixed and remastered from the original reels, Power Of Attorney’s Changing Man (out now on Brewerytown Records) is a document of the joy and pain of a handful of men trying to make the best of an impossible situation. The bittersweet love ballad “I’m Just your Clown” is featured on the flip. The reissued single is available now on Brewerytown Records on vinyl and streaming platforms. The label will follow this up with the vinyl and streaming release of all 6 songs found on that long-lost Sigma tape, on vinyl & CD in late 2020.

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Faust

The Faust Tapes

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 1973 | JP | Original (Columbia)

Waldo De Los Rios

Operas

5,99 €* 7,99 € -25%

Release: 1973 / JP – Original

Genre: Classical Music

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Used Vinyl

Medium: VG, Cover: VG+

Pierre-Alain Dahan & Mat Camison

Rythmiques

LP | 1973 | Reissue (Be With)

Lambert, Hendricks & Ross with The Ike Isaacs Trio featuring Harry Edison

Release: 1973 / Reissue

Genre: Organic Grooves

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Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl

Wow! Pierre-Alain Dahan & Mat Camison's Rythmiques is another iconic release in the hallowed Tele Music catalogue. First appearing in 1973, it features tense funk, blunted jazz and heavy breaks all the way. Considered the rightful sequel to Continental Pop Sound, it's a vital album for producers and DJs; and you can probably guess that RHYTHM is central to the record's presentation. And you can really taste what's rhythm, to borrow a phrase. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet whilst his partner here, Mat Camison, was a pioneering synth LORD. So, you know this Be With reissue is absolutely crucial.

The album picks up from where Continental Pop Sound left us, opening with the tense, stabbing thriller-funk of "Rythmiques N° 4". The dubbier "Rythmiques N° 5" is no less electric and definitely has a spacey air of wonky funk about it with the slightly off-kilter rolling piano. "Rythmiques N° 6" is more percussive-focussed with a brilliantly hypnotic opening that really stretches the drama out. “Rythmique N° 7” alternates between fast-paced, skipping drums and slo-mo funk, always with the clavinet high up in the mix. Wicked. The dope jazz of “Rythmique N° 8” truly mesmerises with licks of electric piano, funky bass flourishes and varied percussion. “Rythmique N° 9” has great, sloppy-yet-hard intro drums which sound like something Daft Punk could've pilfered circa Human After All, punctuated by a guitar rock refrain that repeats til the end but is never overdone. The A-Side closes with the beautiful, melancholic "Piano + Piano", a reflective jazzy piano track which could easily open a wide-ranging set this autumn and many after it. Stunning.

Opening Side B, "Auto Rythmiques" is a hectic yet compelling funk workout but it's all about the frankly devastating breakbeats on “Rythmiques N° 10 & N° 11” with effortlessly twisted funk bass lines over open drum breaks and enough tension and rhythmic switch-ups to keep your neck-snapping and your mind lifted. Downright essential. Taking leave from the heavy funk break action, the pastoral "Océan Horizon" is perhaps an unfairly overlooked highlight. A gorgeous, softly-aquatic, ambient gem, it's gently percussive with warm, floaty keys decorating the mellow rhythmic bed. The mercifully brief "Super Carrousel" is harmless fun-fair-funk but perhaps best skipped over whilst the intriguingly titled "Gay Shopping" is another throwaway exercise in inexcusable jaunt whilst. To close out this memorable set, thankfully, we're left with "Suspense N° 1" to get us back on course with its unsurprisingly tense mix of urgent stringed instruments that flirt with rhythm and melody yet the longer the track goes on. Deep.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.

The audio for Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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The Hottest New Group In Jazz

LP | 1973 | US | Reissue (Columbia Special Products)

4,79 €* 5,99 € -20%

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Rot 50th Anniversary Edition

Conrad Schnitzler

LP | 1973 | EU | Reissue (Bureau B)

The Rhythm Section : Milt Hinton / Osie Johnson / Hank Jones / Barry Galbraith

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.

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The Rhythm Section

LP | 1973 | JP | Original (Epic)

14,24 €* 14,99 € -5%

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

2LP | 1973 | EU (Blind Faith)

To-Day's Sound

40,99 €*

Release: 1973 / EU

Genre: Organic Grooves

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The sound of today. A very strong statement. Yet, fifty years later, it remains undisputed. Today’s sound is Piero Umiliani's manifesto, his will to demonstrate to the world that he always has his finger on the pulsating vein of the world, ready to embrace the heartbeat of the future. In the summer of 1973, Piero Umiliani, in his futuristic recording studio in Rome, much like Miles Davis for his 'Bitches Brew,' gathered an extraordinary collective of musicians, both old and new guard to measure themselves against some of his compositions. Besides strongly emphasizing the backbeat, what stands out the most is the timbre provided by his 'electronic instruments,' as he liked to call them. Minimoog, Arp 2600, Fender Rhodes, EMS Vcs3, Clavinet, Lowrey organ, Space Echo, self-built envelope filters—machines impossible to see all together in an Italian recording studio at the time and made available to the musicians. The line-up is stellar; under the name 'Sound Workshoppers,' the 'Wrecking Crew all'Amatriciana' is hidden an impossible mix where Marc 4, Gres and Perigeo are blended, along with a brass section of veterans and pioneers of Italian jazz, all members of the RAI Symphonic Rhythm Orchestra. Comparing the recordings from the original scores, one can also understand the space left by Piero Umiliani for his musicians. They are free to move, to contribute solutions, to enrich the maestro's music. The perfectly preserved original masters, once transferred at the maximum possible sampling frequency, allowed for the recovery of many lost frequencies, restoring brilliance and the remarkable low end expertly captured in recording by engineer Claudio Budassi. Today’s sound was extremely difficult to control and fully render with the mastering technology of that time. Paradoxically, Today's sound could not sound as I have managed to make it sound today: urgent, majestic, more alive than ever.

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LP | 1973 | US | Original (Motown)

Last Time I Saw Him

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Lady Sings The Blues (Original Motion Picture Soundtrack)

LP | 1973 | JP | Reissue (Tamla Motown)

Release: 1973 / JP – Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Benny Goodman And His Orchestra Featuring André Previn And Russ Freeman

Happy Session

LP | 1973 | JP | Reissue (CBS/Sony)

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1973 | JP | Original (Globe)

Adoro

LP | 1973 | US | Original (Power Pak)

Release: 1973 / JP – Original

Genre: Pop, Classical Music

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Otis Williams

The Greatest Hits Of

5,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1973 | EU | Reissue (Altercat)

Jorge Lopez Ruiz

Coraje Buenos Aires

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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7" | 1973 | DE | Original (Tamla Motown)

Last Time I Saw Him

3,99 €*

Release: 1973 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | JP | Original (Motown)

Touch Me In The Morning

8,99 €*

Coleman Hawkins And Leon "Chu" Berry

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without obi.

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The Big Sounds Of Coleman Hawkins And Chu Berry

LP | 1973 | JP | Original (London)

LP | 1973 | JP | Original (Tamla Motown)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Cover is close to VG+!

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Diana Ross & Marvin Gaye

Diana & Marvin

19,99 €*

LP | 1973 | US | Reissue (Motown)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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Diana Ross & Marvin Gaye

Diana & Marvin

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Annette Clarke / Lee Perry

Sinner Man

7" | 1973 | UK | Reissue (Harlem Shuffle)