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The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter Deathloop to wax. This double LP set features a 19-track selection specially mastered for vinyl and pressed on heavyweight LPs in solid blue and orange, with printed inner sleeves and a wide-spined outer sleeve. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon. Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For Deathloop’s original score, he immersed himself in the music of Jimi H endrix, Pin k Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay. Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring Fjøra), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)

The visionaries at Bethesda, Arkane and Laced are bringing the twisted ’60s soundtrack for award-winning looper-shooter Deathloop to wax. The complete 59-track soundtrack has been specially mastered for vinyl and will be pressed onto heavyweight discs. These will come in spined inner sleeves housed in a rigid board slipcase. Tracklist curation and stunning original sleeve artwork is by the team at Arkane Lyon.

This Standard Edition quadruple LP box set features traditional black discs. Lead composer Tom Salta has built an enviable credits list, with entries in the Prince of Persia, Tom Clancy and Halo universes to his name. For Deathloop’s original score, he immersed himself in the music of Jimi He ndrix, Pi nk Floyd, Nelson Riddle and a host of other late-’60s influences. Layers of period-appropriate organs, synths and other instruments (including Rhodes, Wurlitzer and Hammond B3) help maintain the tension as Colt picks off Eternalists from the shadows. As things get dicey, or Julianna intervenes with extreme prejudice, tracks explode into furious guitar and drum grooves that propel the zany, supernaturally enhanced gunplay. Ross Tregenza’s multi-genre diegetic cues perfectly complement the psycho-sophisticate stylings of Blackreef’s artistically aspirational inhabitants, while songwriter Erich Talaba and singer Jeff Cummings brought to life the vicious visionary Frank Spicer with catchy in-universe songs. Music agency Sencit teamed up with powerful yet soulful vocalists for trailer and credits songs, including Bond-ish banger “Déjà Vu” (featuring Fjøra), “Pitch Black” (featuring Lady Blackbird) and “Down the Rabbit Hole” (featuring Samantha Howard & Haqq.)

Richard Thompson's score for Grizzly Man - Werner Herzog's 2005 documentary film of real life and death in the Alaskan wilderness - is one of the best-kept secrets in the British guitarist's epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog's footage - mostly alone, at times in chamber settings with cello, piano and percussion - these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson's lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best - finger-picking dance; snake-curl twang and singing-wire harmonics - in a solo clarity that runs from jig-like joy to deep-note meditation, the "Main Title" blues march with its echoes of Fairport Convention's "Sloth" to the long night of "Treadwell No More," a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude - as bold and majestic as the land in Herzog's film; as intimate as prayer - and essential Richard Thompson.

Waxwork Records Limited Exclusive Red Smoke Colored Vinyl

This February the story of the infamous Unabomber Ted Kaczynski will receive its theatrical debut in a new Tony Stone directed film, Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Stone’s choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter.

2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland’s acclaimed cinematic debut ‘Calm with Horses.’ This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with BBC’s acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for best original film score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards.

Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass’s Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski’s story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project “I wanted it to feel like an ‘epic’" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil.

The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art.

My Hero Academia: Heroes Rising is a film set in the My Hero Academia universe. After the events of Season 4 of the Anime, Izuku and Katsuki go from fighting against each other to fighting side by side as they face the biggest threat that dares to dominate the domain: Nine! Beautifully animated and written, My Hero Academia: Heroes Rising received enormous critical praise, as well as massive admiration from fans. Composed and performed by Yuki Hayashi, the music of My Hero Academia: Heroes Rising is a complete standout. The live wire pieces pulse with life and power, and have never sounded better than this vinyl pressing.

Limited to 1000 copies, foil numbered units pressed on red and black galaxy viny.

Inspired by the popular paranormal podcast The Midnight Society, A new record by The Rentals for Record Store Day 2022 Mondo & Death Waltz Recording Company are thrilled to be releasing a new record by The Rentals for Record Store Day 2022.

Inspired by the popular paranormal podcast The Midnight Society Matt Sharp (Weezer) & Nick Zinner (Yeah Yeah Yeahs) have created an expansive atmospheric soundtrack to some of life’s most bizarre and otherworldly unexplained paranormal activities.

This is an unsettling yet beautiful record, ambient passages give way to menacing jittering Synths amid Nick Zinner’s familiar guitar tones soaked in reverb, conjuring up long dark highways, deserted buildings and dense woods that never end. The artwork by Henry Abrams compliments the audio perfectly.

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

Ted K. Kaczynski is notorious for both tragically murdering three people (and wounding an additional 23) via bombs sent in the mail and for his numerous writings on the evils of technology he composed during his primitive residency in the woods of Montana. Film director Tony Stone's choice to have the renowned electronic artist Blanck Mass score the film is somewhat ironic and creates an obvious tension perfect for the controversial and complex subject matter. 2020 saw the first Blanck Mass movie score, for the soundtrack to Nick Rowland's acclaimed cinematic debut Calm with Horses. This expansion into new areas of melodic composition and textural exploration won Blanck Mass many new fans, with the BBC's acknowledged number one film buff Mark Kermode proclaiming the work the soundtrack of the year. In 2021, Blanck Mass won the prestigious Ivor Novello Award for Best Original Film Score and has firmly established himself at the forefront of the latest wave of experimental soundscape wizards. Recording during lockdown at his studio in Edinburgh, Scotland, Blanck Mass's Ben Power was in the perfect setting for a musical piece intended to capture the isolation central to Kaczynski's story. Power was also working with a director in a time zone 10 hours behind and thus many sessions required working in the middle of the night, which added a fitting intensity to the composition process. He said of the project "I wanted it to feel like an `epic'" and drew on the legends Sergio Leone and Ennio Morricone for inspiration in encapsulating the energy of the perceived good vs. evil. The gentle madness of sound achieved is exquisite and slowly builds in intensity and desperation as the score moves along. Power is able to perfectly capture the complexity, the terror and the deep emotionality of the film while presenting an often breathtakingly beautiful and always masterful album that stands on its own as a work of art. For Fans of Tim Hecker, Oneohtrix Point Never, DJ Shadow, Coil, Arca, Andy Stott, Fuck Buttons.

Burning Witches Records are once again honoured to be working with Director Brian O’Malley (The Lodgers) to bring you the fantastic and atmospheric score to 2015’s cult horror Let Us Prey by composer Steve Lynch.

Rookie cop Rachel (Pollyanna McIntosh) is about to begin her first night-shift in a neglected police station in a Scottish backwater town--the kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that they really deserve to be somewhere else. They all think they're there by accident and that, with a little luck, life will get better. Wrong on both counts. Six (Liam Cunningham) is about to arrive--and all hell will break loose

“The Minimoog pulsating bass throughout the score is a nod to 80’s horror, but I wanted to modernise it too, so all the synth textures are on a Dave Smith Prophet 12, which is a modern classic. Rachel’s Theme was a chance to bring in a more emotive organic tone using cellos, bowed bass guitar and voices. I think the combination of all these elements gave the score its own particular sound.” -Steve Lynch

Black Screen RecordsandTHQ Nordichave teamed up to releaseFilippo Beck Peccoz'soundtrack toMimimi Games'story-driven, hardcore tactical stealth gameDesperados IIIon limited edition vinyl inFebruary 2022.

The soundtrack will be available on limited edition translucent red / black marbled 180g vinyl and features an all original artwork by art directorRandis Albionand additional graphic design byDane Baudoin. The incredible soundtrack was composed and produced byFilippo Beck Peccozand recorded with the help of several outstanding soloists! This vinyl includes a hand-picked selection from the 3+ hours long soundtrack.

Desperados IIIis a story-driven, hardcore tactical stealth game, set in a ruthless Wild West scenario. Play smart if you want to succeed. A good plan can make the difference between survival and finding yourself at the business end of a pistol.

A catalogue such as Beat Records’ one, with its roots in the 60s may have a difficult logistic. I still remember when passing through Viale Medaglie D’Oro with my mother Luciana who was used to point me a building’s apartment located in the corner with Via Elio Donato. A bit moved she was used to tell me that Beat was born in those four walls, a small house with a beautiful terrace full of vases. Since that time Beat Records changed many times head quarter up to moving to Via Filippo Nicolai 16 from the late 80s up to nowadays. Such a company catalogue, sensibly grown during 55 years of life, was always needing more space and so, recently, we decided to find a new place where to agglomerate various storages spread through Rome. What does all the above things have to do with They Call Him Trinity? A lot, since while we were archiving some tapes in order to prepare our forthcoming transfer, we found them. Six 24tracks master tapes belonging to the original recording session. Priceless material stored in crates in a corner, still there to be archived since a preceding moving. A brief e-mail exchange with our co-publishers of Carosello, a meeting in Milan with Adriana Branchini and Dario Giovannini, to get their support and we proceeded with this recovery project. And we are close to end of the year, as Cirano De Bergerac was used to say, at the end of the rhyme. The first release of this score is dated January 1971, this 2021 December the 50th year will expire, no better chance to sanctify the party! With all due precautions we transferred the tapes and organized a remastering session in Trafalgar studios, Enrico De Gemini experience, responsible of West catalogue, guided the recovery and restoration. Surprise weren’t late, the recording was perfect, the crisp sound could be remastered in a brilliant stereo. One of the most beloved Western soundtrack of all times is going to live a second youth with a great dynamic, not saturated, that lets us enjoy this delicious dessert, able to feel on our tongue the various ingredients and still tasting the mixed amazing resulting effect. And there is a lot of unreleased material, an amazing deguello version featuring a trumpet instead of the flugelhorn, a beautiful alternate version of Di Fronte Ai Killers, of Un Cowboy e Due Ragazze and a lot of unreleased takes of Trinity’s Valley in which Franco De Gemini harmonica is prominent. We have our 50th anniversary edition on a 180 grams colored vinyl, mastering by Enrico De Gemini, graphic Layout by Daniele De Gemini. We have also an official presentation which will be held at Music Day Roma (c/o Hotel Mercure Rome West – Via degli Eroi di Cefalonia 301 – Rome – Spinaceto) on Saturday 11 December with Maestro Franco Micalizzi presenting the CD and the LP with other guests related to the movie. About which movie are we talking about? Trinity, the left hand of the devil…

After 2 years of absence from our catalogue we are glad to reveal we are close to release a new edition of Fabio Frizzi’s fans most beloved horror score, Zombi 2, with the American title of Zombie Flesh Eaters, a project we are developing since five years! Since ever paired with Un gatto nel cervello, now finally alone in a version that is gifted with unreleased material which was recorded in a tape found in an old Ribot archive. One of the holy grails in our catalogue, since ever bitterly loved, because of its shortness: even if the older version featured a good portion of the score, it was largely incomplete. With the addition of the material transferred from this extra tape, and with the song There’s no matter, which can be heard at the beginning of the movie, when the two protagonists investigate the sequestered ship, we can attest this is the definitive edition of this outstanding soundtrack which marks a significant style evolution of the Maestro, aside the growth of his artistic relationship with Lucio Fulci. In this edition we offer the score on CD in a deluxe hardpaper box with the insane artwork by Graham Humphreys, both on the box and on the 40 pages book inside, slim jewelcase with a maxi inlay featuring the iconic photographic poster of the time and a crazy black and white artwork by Alexandros Pyromallis. Gun line is complete with liner notes by Antonella Fulci, Fabio Frizzi and Daniele De Gemini, mastering by Enrico De Gemini.

Original London Cast Recording - Mel Brooks' Young Frankenstein Presenting the original London cast recording of Mel Brooks' Young Frankenstein on Vinyl LP! Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage in a musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman. Recorded live in London's West End. Grandson of the infamous Victor Frankenstein, Dr. Frederick Frankenstein (pronounced 'Fronk-en-steen') (Hadley Fraser) inherits a castle in Transylvania leading him to fulfill his grandfather's legacy by bringing a corpse (Nic Greenshields) back to life. With help and hindrance from hunchback henchman Igor (Ross Noble), buxom assistant Inga (Summer Strallen) and needy fiance Elizabeth (Dianne Pilkington), his experiment yields madcap success and monstrous consequences. After opening on Broadway in November of 2007 the show ran until 2009. A revised version of the show opened in London's West End in October of 2017 to mostly positive reviews. ABC was set to air Young Frankenstein Live last October and delayed it due to Covid-19 restrictions. The show has been rescheduled to air October 2021 on ABC. Mastered and mixed at Abbey Road Studios. This is the first LP release of music from either of the Young Frankenstein live shows.

Black Screen Records Has Teamed Up With Headup And Neil Jones - Artist, Game Developer And Creator Of Aerial_knight's Never Yield - To Release The Amazing Soundtrack To His Highly Stylized Narrative 3d Runner Game On Limited Edition Vinyl.Survive A Futuristic Tokyo-Style Detroit By Running For Your Life, With The Amazing Soundtrack By Neil "Aerial_knight" Jones And The Detroit Artist Daniel "Danime-Sam" Wilkins, Featuring Vocals From Artists Of Colour From All Over The World. The Soundtrack Presents An Eclectic Mix Of Hip-Hop, Rap, Soul And Trip-Hop And Comes In A Beautiful Gatefold Sleeve With Original Art By Neil Jones

First ever vinyl edition of "Zeder" soundtrack, one of the best Italian thriller/horror movies ever!

The music composer is Riz Ortolani ("Mondo Cane" and "Cannibal Holocaust" stand out among his many works), here collaborating with director Pupi Avati for the second time: this soundtrack expertly blends electronic and symphonic music, the latter here consisting mainly of an orchestral string section often repetitive, hypnotic and insistent, that reflects the arrogance of the protagonist in continuing his research, no matter what the consequences could be. There is no shortage of funk-filled brighter themes and requiems, suspended songs full of tension and sudden vibe changes, melancholic melodies and eerie soundscapes.

"Zeder" is today a cult movie, released in theaters in 1983, at a time when hardly anyone dared to shoot anything that had to do with zombies. Pupi Avati went against the tide then, giving life to an atmospheric horror film set in a sunny Italian Romagna Riviera - a typical destination for cheerful summer holidays - which tells the discovery of ancient experiments by researcher Paolo Zeder on a special 'K terrain' that allow those buried there to return from beyond. Avati's stylistic approach, in which tension and fear arise from simply narrated situations instead of full-blooded scenes with a strong visual impact, finds here a perfect match with Maestro Riz Ortolani's score.

In collaboration with creator Gabriel Koenig (Ghost Time Games), Stumpy Frog Records has pressed the soundtrack to Jettomero: Hero of the Universe to deluxe 2LP vinyl.

“I have no idea what I’m doing.”

Jettomero, the bright red robot of mysterious origin, is determined to save the human race. But the planets he visits on his quest quickly become crushed under the weight of his good intentions… Join Jettomero in exploring a procedurally generated universe, fighting the evil that lurks in the void, and uncovering the secret behind his own creation.

Developer & composer Gabriel Koenig’s passion shines through in every aspect of Jettomero: Hero of the Universe. Whether it be the stunning visuals and versatile photo mode, the endearing writing, or the incredible soundtrack. Now collected on this limited, hand-numbered 2LP release, the full 17-track OST serves as your guide to the galaxy, orchestrated with otherworldly synths, pulsating beats, and zen-like vibes.

Every copy of the Jettomero 2LP comes with a Hero of the Universe tote bag & an 20-page artbook co-created by artist @SpiffSnaps. All images in this release are created using the game’s photo mode.

Digitmovies is proud to release on LP the OST by Ennio Morricone: "Noi lazzaroni" (aka "We Rascals”). Ennio Morricone has composed a very "rural" score with the sounds, that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performances of Edda Dell'Orso. Ennio Morricone has composed music which reflects the bucolic atmosphere of this tale through a series of archaically flavoured themes played by instruments like recorder and mandolin. Among the recurrent themes there are a mysterious motif, dramatic music for dissonant strings and a lounge theme with the typical Morricone sound. The main theme is reprised for recorder and guitar and there is Baroque music for the puppet theater played by woodwinds and percussions. Our LP contains two bonus tracks, unreleased alternate takes of the original album versions which will surely be quite attractive for fans and scholars of the music of Ennio Morricone. Ltd to 300 copies

With the Buena Vista Stars, including Candido Fabre. Based on a true story and filmed in the exotic countryside outside Havana, this remarkable and engaging film will move both your spirit and your feet with its unforgettable passion and intoxicating music. The soundtrack and live performances in the film include some of the legendary Cuban artists who appeared in the box office smash, "Buena Vista Social Club". "Mambo Man" is packed with musical contributions from Cuban legends including; Candido Fabre, Maria Ochoa, Alma Latina, David Alvarez, Arturo Jorge, Omara Portuondo, Eliades Ochoa, Juan De Marcos Gonzalez and the Afro-Cuban All Stars. »There is rather the mature and conscious gaze of two authors who want to represent Cuba, and the story of the protagonist, with truth and love. With this awareness, each shot conveys a charm superior to that of a good staging. This film, made with passion, penetrates the audience to the rhythm of music and tells us about a whole, small, precious universe, absorbing its beauty and misery. “Mambo Man” is a bit like Cuba: beautiful, kind and melancholic.” J.B. Spins, Joe Bendel

»It’s a dynamic, colourful film, with bustling markets, lively clubs, friendly outdoor cafes, and—best of all—a remarkable soundtrack of classic Cuban music, which is a focal point of the film.«

Widespine Jacket, Black Vinyl. Exit Wounds: The Album is the soundtrack to the Andrzej Bartkowiak 2001 film, Exit Wounds. Executive produced by Barry and Jomo Hankerson, the album features production from a variety of producers including Dame Grease, Irv Gotti, Bud'da, Eric Seats, DJ Paul, Juicy J, The Beat Bullies, & Timbaland. Appearances include Black Child, Drag-On, Ja Rule, Lady Luck, Mack 10, Memphis Bleek, Nas, Redman, Sheek Louch, Styles P, Three 6 Mafia, Trick Daddy, Trina & WC, as well as the film's star, DMX. The album peaked at number 8 on the Bullboard 200 and features the hit single, "No Sunshine."

180g vinyl record. only 300 copies - all hand numbered.
pressed in two verison - 200 black and 100 transparet with one white line ("crack" as the name of the TV series).
The first 100 copies have the Urbanski signature on the back cover.

This is another, after "Ultraviolet" collaboration project of the AXN Polska, U Know Me Records and the artist - Wojtek Urbański. The soundtrack for the Rysa series with Wojtek's original music will premiere on the 9th April. "The music for the Rysa series is a combination of the world of electronics, modernity with traditional instruments and folk accents. On one side we have synthesizers, deep bass and wide spaces, characteristic of electronic music and close to my musical style. In opposition to these elements, however, I used traditional instruments such as hurdy-gurdy, pipes, flutes and strings" says Wojtek Urbański. "I wanted the duality of this music to reflect the struggles and double life of the main character of the series. She lives in a certain suspension, between the 'day' world which she knows and remembers, but also the 'night' world which happens beyond her consciousness. Through music, I tried to convey the character of both these worlds, touching very dark and heavy emotions in one of them. I have invited an expert of traditional music, Sebastian Wielądek (hurdy-gurdy, pipes, flutes) and the outstanding violinists Stanisław Słowiński and Agnieszka Świgut to record these works. " adds Urbański

One of London’s most intriguing labels ventures a dark fantasy horror/gamer soundtrack by its co-founder, Lugh O’Neill for an experimental film of the same name by Kevin Brennan. Lugh follows a highlight of the label’s ‘Apocope’ compilation with his most enigmatic work, scored in a back and forth with director Brennan to locate some of his most curious and haunted recordings. Made to accompany the film’s part documentary, part scripted format, the music follows a storyline about real life imitating gamer life, and vice versa, outlined by the label as grappling “with the idea of virtual violence as a form of expression and identity whilst scrutinising the predominantly male ‘gamer-bro’ archetype synonymous with these online cultures.” As with ‘Apocope’ earlier in 2021, the concept does not get in the way of enjoyment of the music, acting on its own merits as a steeply absorbing suite of suggestive soundtrack and finely sculpted dark ambient music. The ‘Erangel Ost’ finds its closest aesthetic corollary in Lugh’s ‘Re Munus’ LP of 2020, but loses that LP’s more frantic aspects in favour of an extremely slow burning appeal, where scenes unfold at a glacial pace that’s hard not get sucked in by. Its 10 parts unfold thru 37 minutes, describing a fleeting play of shadow tones and transportive spatial settings. Any violence is implied and not explicit, perhaps seeping thru in the unsheathed sword scythes and keening guitar noise of ‘Crystalline Dawn’, the bellyaches of ‘Lost Boys’ and the beastly grind of ‘Moan Jiro,’ but more often reserved to the peripheries where it suggests the tension leading up to the act, and its aftermath, especially in the highlights of ‘Idle,’ the guttural lurk of ‘Forest Lure,’ and exquisite designs of ’Sentinel.’ Promo

Musica Per Immagini is pleased to announce the first release on vinyl of Franco Micalizzi's soundtrack to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The music for the third chapter of the so- called 'delitti' series, centered on the character of Nico Giraldi, reflects the artist constant search for a 'circular' groove of great impact, common to scores composed for previous crime films: the unmistakable sound of the clavinet and the brass of his big band, a funky mood 'borrowed' from beatmakers all around the world, is here 'evolved' in an electronic key, thanks to a skinfull use of keyboards and synthesizers.

Record Store Day 2021 Release. Following their 1990s hiatus, Wire reformed in 1999, and, after setting up their own Pinkflag imprint, between 2001–2003 released five distinct Wire items: Twelve Times You (pf3; 7-inch vinyl), Read & Burn 01 (pf4; CD EP), Read & Burn 02 (pf5; CD EP), Send (pf6; CD album) and Pf456 Redux (pf456 Redux; 12-inch vinyl album. Following the two Read & Burn CD EPs, Wire released the full length album Send, combining some tracks from both Read & Burn EPs and four unreleased pieces. Since none of the tracks had previously been issued on vinyl, a creative solution was sought to include all of the tracks from Send and the two Read & Burn EPs. This was achieved by some quite brutal edits! Thus the title Pf456 Redux is both catalog number and descriptor of the process. However, none of the tracks on PF4, PF5 and PF6 were ever put out on vinyl at full length—hence Pf456 Deluxe, which includes everything from those three releases and Twelve Times You, for good measure. As in many things with Wire, form follows function. This limited edition version for Record Store Day 2021 comes with a hard -bound book containing text about these recordings and photos from the period.

- The Complete Film Music Available For The First Time On Vinyl- 180 Gram "Satanic Rite" Colored Vinyl- Exclusive Liner Notes By Rob Zombie- 16 Page Booklet Featuring Unreleased Photography- Bonus Black Metal Live Album By Count Corgan Pressed To 180 Gram Black Vinyl With B-Side Etching//Waxwork Records Is Proud To Present Rob Zombie's The Lords Of Salem Original Motion Picture Soundtrack. Available For The Very First Time On Vinyl And Pressed To 180 Gram "Satanic Rite" Colored Vinyl, The Music Of The Lords Of Salem Features The Velvet Underground, Rick James, Rush, Leviathan The Fleeing Serpent, John 5, And More.The Lords Of Salem Is A 2012 American Supernatural Horror Film Written, Produced, And Directed By Rob Zombie. The Film Stars Sheri Moon Zombie (The Firefly Trilogy), Meg Foster (They Live), Bruce Davison (X-Men), Dee Wallace (E.T., The Hills Have Eyes), And Patricia Quinn (The Rocky Horror Picture Show). The Plot Focuses On A Troubled Female Disc Jockey, Heidi (Sheri Moon Zombie), Who Is A Recovering Drug Addict Living In Salem, Massachusetts. Her Life Becomes Entangled With A Coven Of Ancient Satan-Worshipping Women After Receiving A Strange Wooden Box And Listening To The Album Inside It By A Band Named "The Lords".The Soundtrack Features Classic Songs By The Velvet Underground, Lou Reed, Manfred Mann's Earth Band, And Several More. The Score Features Original Cues By John 5 And Griffin Boice. In Line With Other Zombie Soundtracks, The Album Features Intermittent Dialogue Tracks From The Movie.Waxwork Is Thrilled To Present The Debut Vinyl Release Of The Lords Of Salem As A Deluxe Album Package Featuring 180 Gram "Satan Rite" Colored Vinyl (Blood Red And Blue Butterfly Effect With White Splatter), Exclusive Liner Notes By Rob Zombie, New And Original Art By Robert Sammelin, A 12"X12" 16-Page Booklet Including Unreleased Set Photography From Zombie's Personal Archive, A Heavyweight Art Print, Printed Inner Sleeves, And Old-Style Tip-On Gatefold Jackets With Satin Coating. Also Inclu...

KOF 2000 was composed by SNK veteran Hideki “sha-v” Asanaka as part of SNK NEO Sound Orchestra.

As a Generation Series release, the KOF 2000 soundtrack will feature newly remastered analog and digital tracks, as well as a booklet containing archival artwork and liner notes by Asanaka.

Psychedelic Tricolor Vinyl
Diecut ‘Mouth Portal’ Jacket
Includes 1 of 3 Limited Edition Art Prints
Music by Thesis Sahib
Album Art by Spinch creator, Jesse Jacobs
Mastered for Vinyl by Townsend Mastering
Let’s be real: Spinch (not “spinach” like autocorrect demands) is a really freakin’ weird game. It’s a bountiful bazaar of colorfulness and alien aesthetics as if a Kool-Aid fever dream collided with unicorn nightmares. Wacky worlds, however, are only good as their wacky soundtracks, and herein rests one of the most fabulously fun soundtracks iam8bit has ever released on wax. Composer Thesis Sahib is a mad genius of creatively conjuring sounds from just about anything, and with Spinch he looks to children’s toys, retro and modern, for that extra special audiosauce. (Yes, he recorded toys and it sounds awesome!) We’re so very proud to present this gem on tricolor vinyl, in an obscenely vibrant die-cut jacket design by Spinch creator, Jesse Jacobs.

Transversales Disques presents for the first time on LP, François de Roubaix’s full score for the French TV series Les Secrets de la Mer Rouge, an adaptation of the epic travel, through the Middle East, of the famous writer and explorer Henri de Monfreid. This album is a collection of the original (1967) themes and those recorded later in 1975 when the TV series was continued. In the 1967 soundtrack, de Roubaix uses various flutes, marine conches, and for underwater views, unexpected instruments such as a celesta or a crystal xylophone. By 1975, electronic technology had dramatically developed and this evolution is clearly apparent when one listens to the recordings of the two seasons. For the later 1975 series, de Roubaix composed a new music score, mixing old and new sounds, a great combination of EMS Vcs3 synthesizer subtly mixed with acoustic instruments. For François de Roubaix, there was never a border between fiction, life and music, and writing music for Les secrets de la Mer Rouge was an extension of his love of the open sea.

Standard black vinyl edition.

The original orchestral/electronic score from Karel Kachyna’s 1976 Czech film adaptation of Hans C. Anderson’s The Little Mermaid, composed by Zdenek Liska (The Cremator / Fruits of Paradise) featuring Lenka Korinkova.

Liska’s legacy in the history of European cinema is huge in volume but relatively modest in it’s celebrity. Having already composed nine scores for Kachyna’s films to add to his 1976 filmography of 150 completed soundtracks.

Back in 2005, five years before Finders Keepers Records released Zdenek Liška’s soundtrack to Malá morská víla for the first time, folklore and fairy tale fanatics around the globe celebrated the 200 year anniversary of the birth of one of the world’s most celebrated children’s authors of the published era. This Danish born writer’s stories have been translated into over 150 languages and have continued to enchant and inspire children and adults, arts and crafts, film and theatre, providing a creative binding substance in modern society’s social fibre. With a life story that entwines equal measures of tragedy, mystery, intensity and majesty to that of his own written work, Hans Christian Andersen’s early years balancing contradictory roles as a weaver’s apprentice, a soprano singer, a fledgling poet and an abused grammar school pupil with speculative links to the monarchy, manifested themselves in his written world of fantasy and fiction. His running themes of mutation, metamorphosis, rebirth, prejudice and class distinction are none more prevalent than in what are perhaps his two best known tales The Ugly Duckling, first published 11th November 1843, and the bittersweet surrealist tale of The Little Mermaid, printed in the third booklet of the first volume of Eventyr, Fortalte For Børn (Tales, Told For Children) in 1837.

One of the most idiosyncratic and haunting undiscovered scores in the annals of European cinematic history, Liska’s forward thinking score has all the hallmarks of a Broadcast record, some 20 years before the band first committed sound to vinyl..

Beautifully remastered from the original mastertapes with the full cooperation of the seminal Barrandov studios in Prague and available once again since the original 2011 pressing, Finders Keepers Records are proud to present a newly updated version of this genuine first-ever as part of our 15th birthday celebratory retrospective represses.

"Capcom and Laced Records have teamed up to bring the music of the Street Fighter™ III series to vinyl.

The Street Fighter™ III: The Collection four-disc box set will include 72 tracks from Street Fighter III: New Generation, 2nd Impact: Giant Attack, and 3rd Strike: Fight For The Future.

Street Fighter III first hit arcades in 1997 with New Generation, retaining only Ryu and Ken while introducing an otherwise brand new cast of characters. The final iteration, 3rd Strike, is widely recognized as one of the greatest fighting games of all time, and generated perhaps the most indelible competitive moment in gaming, with Daigo’s comeback again Justin Wong aka “Evo Moment #37.”

Composers Hideki Okugawa and Yuki Iwai explored a range of high energy dance styles across the three titles, leaning most heavily on jazzy house, jungle and drum’n’bass — with some samba rhythms thrown in for good measure.

Tracks have been specially remastered for vinyl and will be pressed onto four audiophile-quality, heavyweight 180g black discs. These will be housed in individual spined sleeves, contained within a rigid board outer slipcase."

Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on 11th December 2020.

Recorded at Sunset Sound Studios, LA. Engineered by Tony Austin. Mixed by Randy Emata. Mastered by Kevin “Daddy Kev” Moo. Kamasi Washington – Soprano, Alto, Tenor Saxophnone Rickey Washigton – Flute, Alto Flute Ryan Porter – Trombone Dontae Winslow – Trumpet Sean Sonderegger – Contra Bass Clarinet, Bass Clarinet, Bb Clarinet Matt Haze – Guitar Cameron Graves – Piano, Rhodes Kenneth Crouch – Organ, Keyboards, Piano Miles Mosley – Electric Bass, Upright Bass Tony Austin – Drums and Percussion Jen Simone, Yvette Devereaux, Reiko Nakano, Tylana Renga - Violin Michael Whitson, Chad Jackson – Viola Artyom Manukyan – Jared Snyder – Cello

Don't Miss The Party Girls - An Organ Grindin' Funky Good Time! While the 1969 film may be lost to obscurity, thanks to the discovery of the original audio reels this funk-fueled soundtrack is finally seeing the light of day! Sexy time sounds of grooving organ, bass, drums, and brass, there's even a down and dirty booty-shaker of a James Brown cover. The perfect accompaniment to get you in the mood for a lascivious love-in, pressed on gold vinyl and including a replica of an original pressbook that details the fabled film!

America's Italian immigrants have had a disproportionate effect on the country's culture, and especially music. The likes of Frank Sinatra, Dean Martin, Perry Como and Al Martino lit up the airwaves with their cultured crooning and are still revered in the current century. Mario Lanza is another name to rank up there with the greats. His story ended in 1959 at the age of only 38 yet, for one golden postwar decade, his was the name on everyone's lips. He was also one of Hollywood's biggest stars, and from the moment he burst onto the screen in That Midnight Kiss in 1949 through to his last film, Lanza's good looks and exuberant personality made him a big-screen natural.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Fluorescent Purple Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Glass weaves together the unforgettable narratives of Unbreakable and Split in one explosive comic-book thriller. Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within him, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men. The film also stars Sarah Paulson as psychiatrist Dr. Ellie Staple.

Composer West Dylan Thordson reunited with Shyamalan for the Glass score. “I wanted to find sounds that felt brittle and sharp,” Thordson said. “Violin and metal percussion became clear voices for me to build from. Mainly, I wanted the combination of melody and dissonance in Glass to play to Elijah’s thrilling and playful energy. The longer gnarled sounds combined with the pristine orchestral elements seemed to work well to represent the melding of light and dark. To me, the score for Glass is largely about discovery and acceptance.”

West Dylan Thordson is an American film music composer. He is best known for his original scores to Joy, The Jinx: The Life and Deaths of Robert Durst, Foxcatcher, and M. Night Shyamalan's Split and Glass.

Record Store Day 2020 Release.
Limitation: 200 copies.

The soundtrack for the documentary film, Record Safari, on standard vinyl. Record Safari is a feature documentary about vinyl record collectors. Vinyl Records are Alex Rodriguez's drug, and he's turned his addiction into a career. Running the Glass House Record Store and curating for Coachella Music Festival's on-site record store, Alex spends weeks on the road buying records and swapping stories with fellow collectors, musicians, enthusiasts and producers. Record Safari takes you on journey as Alex searches high and low for these sought after pieces of plastic and gives us an inside look into the world of record collecting. Side 1 (A Side) 1. Bikini Kill- This Is Not A test (1:59) 2. Deidre & The Dark- Which Way (3:02) 3. High Waisted- Hey Hey (3:07) 4. Atmosphere- Camera Thief (4:46) 5. Fiona Silver- Here Comes The Fall (3:38) 6. Deidre & The Dark- Tell Me (3:29) 7. Lenny Kaye- Record Collector Side 2 (B Side) 1. Fiona Silver- Housewife (4:09) 2. Atlantic Thrills- Day At The Beach (2:40) 3. Atmosphere- To All My Friends (3:17) 4. The Chamber Strings- Check Out Girls (3:38) 5. The Postmarks- You Drift Away (3:50) 6. Deidre & The Dark- Can't Believe You're Mine (1:52) 7. Outro: ''Thanks'' (:06)

Roger Waters: US + Them zeigt die gefeierte Tour 2017-2018 des legendären Pink Floyd-Künstlers. Als Gründungsmitglied, Texter, Komponist und kreative Kraft hinter Pink Floyd präsentiert US + Them Waters kraftvolle Musik in atemberaubender Form und unterstreicht seine Botschaft von Menschenrechten, Freiheit und Liebe. Basierend auf seiner gefeierten, ausverkauften US + Them-Welttournee 2017-18, die insgesamt 156 Shows für 2,3 Millionen Menschen auf der ganzen Welt umfasst, enthält das Produkt klassische Songs aus The Dark Side of the Moon, The Wall, Animals, Wish You Were Here sowie sein letztes Album Is This The Life We Really Want?


Waters zeigt eindringlich, dass er im Herzen ein musikalischer Aktivist und einer der leidenschaftlichsten politischen Sprecher seiner Zeit ist. Er hat sein Leben dem Kampf gegen diejenigen gewidmet, die unser Leben kontrollieren und unseren Planeten zerstören wollen. Welcome To The Machine und Another Brick In The Wall Part II erinnern stark an die düsteren Warnungen, die er vor Jahrzehnten über Entfremdung, Vertreibung, Gier, Leiden, Zerstörung und Verlust gegeben hat. Und doch kann die Menschlichkeit des Songwriters nicht deutlicher gesehen werden als in Wish You Were Here, denn obwohl er ein düsteres Bild des Zustands der Welt präsentiert, ist seine Botschaft letztendlich eine Botschaft der Hoffnung durch Einheit und Liebe.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

"Forever” is a special album that celebrates Alessandroni’s genius and represent his musical testament. Composed and arranged in Namibia during the last months of his life, the album is a stunning collection of orchestral tracks that reveal Alessandroni’s many virtues and abilities as a composer, arranger and multi-instrumentalist, fusing pop, jazz and classical music with his unique (Italian) touch.

Dolemite is his name and rappin’ & tappin’ is his game! Eddie Murphy’s 15-year-old pet project about Rudy Ray Moore is absolutely one of the best feel good films in recent memory. Featuring music by Scott Bomar. The soundtrack is a loving homage to 1970’s funk and Blaxploitation scores that sounds contemporary and fresh rather than just leaning on the past. It’s fun, reverential and funky as all hell. Bomar has an incredible feel for funk and soul and it absolutely shines here. This vinyl edition features the full score plus tracks sung by Eddie Murphy, Craig Robinson & Da’Vine Joy Randolph.

Features 6 original pieces of music by PJ Harvey written for the series
Pressed on 2 x 180g black vinyl
Housed in a heavyweight gatefold sleeve with beautiful artwork throughout. Digital download card included

The Soundtrack to Shane Meadows’ “The Virtues” which screened on Channel 4 last May/June

Features 6 original pieces of music by PJ Harvey written for the series
Includes tracks used throughout the series including music by Aphex Twin, MONO, Lisa Hannigan and more

“I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” – PJ Harvey

The Virtues is an emotionally charged drama starring Stephen Graham (This Is England) that teeters on the edge of total self destruction, battling alcohol addiction and memories from a dark childhood.

Scored by the legendary Italian film composer Armando Sciascia, Sea Fantasy is a conceptual suite of twelve exotic themes evoking the many moods and dramas of life under the sea. Recorded in 1972 for Sciascia's own Vedette label, the album is a key recording within the micro-genre of Italian underwater library music. A mosaic of evocative modern classical, flamenco textures and a surge of raw analogue synthesizers. Mysterious aquatic music that sits comfortably alongside other Italian Soundtrack and Library recordings including the lush bossa of Daniele Patucchi's Men Of The Sea (CAM) as well as the experimental electronics of Biologia Marina by Amedeo Tommasi & Alessandro Alessandroni (Rhombus). With several cues used for the English-version soundtrack to Harald Reinl's 1976 (Erich von Däniken inspired) mondo-documentary Mysteries Of The Gods, Sea Fantasy is reminiscent of the exotic mood-music scored for Folco Quilici's documentary Oceano composed by Ennio Morricone as well as Luigi Scattina's legendary tropical sexploitation film Il Corpo composed by Piero Umiliani. This new 2019 edition has been newly remastered and expanded with additional liner notes and photos.

2019 remastered and expanded edition.
Legendary Italian underwater Library recording
Replica vinyl reissue of the rare 1972 LP
Mysterious aquatic mood music

L’ultimo squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg’s Jaws. In our movie, we have an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music was composed by the De Angelis bros., Guido & Maurizio, obsessive and thrilling in the moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST “Uno sceriffo extraterrestre poco extra molto terrestre” that provides great variety to the listening experience.Aside from being released here for the first time in any format, the score of L’ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros’ label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer’s live concerts. The LP is released on black, 180-gram vinyl, with an illustrated internal sleeve, mastering by Enrico De Gemini, liner notes and graphic layout by Daniele De Gemini.

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

* The soundtrack to Wes Craven’s cult classic from 1972
* Composed & Performed by David Hess (Elvis, Sal Mineo)
* Seventeen tracks of psychedelic Manson-style folk music & soundscapes
* Comes with insert containing EXCLUSIVE liner notes and pictures
* Available on black vinyl and as a limited color variant (300 copies solid BROWN vinyl)
* Also available as a Digipack CD edition with bonus tracks and 12 page booklet

Born in 1936 in New York City, David Hess began his career recording million-dollar chart toppers for the likes of Elvis Presley, Sal Mineo & Andy Williams in the 50ies & 60ies. His biggest hit is probably ‘Speedy Gonzales’ which ended up selling more than eight million copies worldwide. After a career as a record company executive the 1970s, Hess took on the role of actor, writer, director and producer in the movie industry. Writing and working with directors as Rainer Werner Fassbinder and directing the 1980 slasher “To All A Good Night” were only a few of his many accomplishments.

Most of us will remember him as Krug Stillo, the leader of a gang in Wes Craven’s classic 1972 cult shocker “The Last House On The Left” as well as portraying the villains in Ruggero Deodato’s “House on the Edge of the Park” (1980) and Wes Craven’s “Swamp Thing” (1982). Other movie roles include ’21 Hours At Munich’, ‘Hitch-Hike’, ‘Body Count’ and ‘Zodiac Killer’. David Hess also appeared regularly on the TV screen with appearances in shows such as ‘Knight Rider’, ‘The A-Team’, ‘The Fall Guy’ & ‘Royal Pains’.

Throughout his film career Hess’ love for music never waned. He continued to produce music, including several albums (“Caught Up In The Moment” and “Live & Unplugged in Hollywood, 2002.”). Some of his music can also be heard on more recent soundtracks, such as ‘Cabin Fever’ (2002) and ‘Manhunt’ (2008). On October 7, 2004 just two years after his role in the 2009 horror epic “Smash Cut” starring Sasha Grey, David Hess sadly passed away at the age of 75. He will forever be in our hearts.

David Hess composed the soundtrack for ‘Last House on the Left’ & his work here contains some truly beautiful songs, the discovery of which, for some, may be in stark contrast to the brutal displays of sadism and violence for which he was known to purvey onscreen. The fact that Hess could perform as both the poet, and the monster, is a testament to his skill as an artist. The soundtrack to Last House On The Left is a brilliantly unique and diverse mixture of farcical comedy, poignant, reflective folk music and instrumental experimentalism. Hess constructed a wonderful counterbalancing entity, which serves only to accentuate the impact of the movie.

One Way Static Records now proudly presents the complete 1972 soundtrack to Wes Craven’s ‘THE LAST HOUSE ON THE LEFT’ composed by David Alexander Hess. Available as a deluxe limited Black vinyl edition complete with insert containing rare pictures and exclusive liner notes. Also available as a limited color vinyl variant (300 copies solid BROWN vinyl).

The Villainess received a fourminute standing ovation at the Cannes Film Festival. As a young girl, Sook-hee was trained to become a deadly assassin. A second chance is handed to her by South Korea’s Intelligence Agency Chief, Kwon, who recruits her and gives her a new identity as Chae Yeon-soo, a 27-year-old theatre actress.

With the promise of complete freedom after serving her country for 10 years, Sook-hee begins a new
chapter, but living a normal existence is no easy task for an ex-killer. When two men suddenly appear in
her life, she begins to uncover the secrets of her past.

The Villainess received a four-minute standing ovation at the Cannes Film Festival, cementing the worldwide growth and interest in South Korean action cinema. The explosive soundtrack from Ja Wan Koo perfectly complements the exquisitely choreographed fight sequences and the darkness of The Villainess’ ultra-violent world.

During his long and illustrious career the French composer and musique concrète pioneer Pierre Henry created a lare amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Antoine de Saint Exupéry, based on the 1956 book by Luc Estang on the subject. The interpreters are a small theater troupe including French actor Paul Meurisse (1912-1979), famous for popular films and as a member of national theater company, La Comédie Française. Underlying key scenes, Pierre Henry’s contribution to the play consists of electronic and musique concrète sounds, adding a contemporary dimension to the text. A beautiful piece from one of the mid-20th century's truly brilliant sonic explorers.

Only released in 1999 as it was thought it wasn’t a sellable soundtrack. Now for the first time Dynamite Cuts are making a 2x7” 45 collection of some of these gems. The Black Windmill is very much on the same vibe as Stone killers. When I first heard “No Co-Operation” I almost fell off my chair!! In particular, the drums and dark strings (by the National Philharmonic Orchestra) lift this into another zone. In addition, the deep bass groove (this time featuring Daryl Runswick on bass) and killer horns, featuring more of the finest players from Budd’s stable, take this piece into the stratosphere!

In 2001 Jonny Trunk started working with Oliver Postgate and his Smallfilms archive. The first music issued was the unreleased music from all 26 episodes of The Clangers. To create the soundtrack all music was originally “drawn” by Oliver Postgate – sketched out in graph form on the original scripts. This was then translated by his good friend and regular musical collaborator Vernon Elliott into the music we know and love. It was all recorded in a village hall in Kent in the late 1960s and released originally in 2001 by Jonny Trunk (cat number SOUP 001), garnering a mass of fine reviews inclsuing a full 5 stars from The NME!. Listening today these recordings have lost none of their naivety and charm, and the Clangers soundtrack remains a seminal work of both TV and intergalactic musical history.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

PRESSED ON 180G BLACK VINYL. HOUSE INSIDE A SPOT VARNISHED 425GSM GATEFOLD JACKET WITH INSERT. Artwork By Matt Ryan Tobin

We are thrilled to be releasing the score to A Quiet Place in conjunction with our friends over at Milan Records. The film has been one of the breakout hits of 2018. This is only the second directorial feature for John Krasinski and is an absolutely incredibly tense monster movie, that is as original as it is scary.

The score by Marco Beltrami is an absolute tour de force, it's basically another character in the film, it can be forceful and bludgeoning one minute and quiet and reflective the next. His players twist their instruments to generate tones and textures not usually associated with them, the layers of sound and percussion on display are incredible, the opening track 'It Hears You' reminds me of a classic Planet Of The Apes cue it's disquieting and slightly wonky but has an incredible hook that immediately lets you know you are in horror territory whereas say 'A Quiet Family' is a beautiful piano track that reminds you of the life the family lived before a world of monsters took over. Pianos are detuned, Electronics are layered over traditional instruments to create something truly unsettling

The LP Italian library "Music Is My Life" is a new collection of songs never printed in LP of the 70s and early 80s used in the sound commentaries of newsreels, films, TV and documentaries. Many of you (now aged forty) will have surely felt them in the background, now we want to present them in their great musical fullness and to delight your ears.S. Brugnolini - A. Alessandroni - A. Trovajoli - E. Morricone - L. Zito - M. Guantini - Teimar - B. Pisano - G. Tommaso - T. Schipa