Search "tim+hecker" 938 Items

Release: 2000 / EU – Reissue

Genre: Pop

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LP | 2000 | EU | Reissue (Legacy)

Them

The "Angry" Young Them!

Release: 2000 / EU – Reissue

Genre: Pop

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LP | 1969 | UK | Reissue (Decca)

Them

The "Angry" Young Them!

75,99 €*

Release: 1969 / UK – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 2018 | EU | Original (Not Now)

The Zombies

Odessey And Oracle

2LP | 2017 | EU | Original (Republic)

Release: 2018 / EU – Original

Genre: Pop

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Few debut singles have made such an impact, or left such a mark, as the Zombies’ 1964 She’s Not There. Hard to believe that the group had only been together a year when they came to record this timeless classic. Long after its release, many fans believe the Zombies’ album recorded at Abbey Road worthy of comparison to Sgt. Pepper… Released in April 1968, Odessey & Oracle was largely ignored on its release – though today original copies sell for £500. Odessey & Oracle is widely hailed as one of the key albums of the late 60s - and was ranked No.80 in the Rolling Stone poll for the Greatest Albums Of All Time.

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The Weeknd

Starboy

38,99 €*

12" | 2023 | EU | Original (Wave Tension)

Release: 2017 / EU – Original

Genre: Pop

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Starboy is the follow up to last year’s Grammy-Award winning, 3X-platinum Beauty Behind The Madness. Title track “Starboy” ft. Daft Punk was named “Most Added Record of All-Time in North America” at radio.

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The Ultimate Dreamers

Echoing Reverie EP

The Trend Is In Yellow Vinyl Edition

Release: 2023 / EU – Original

Genre: Pop

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Active in the mid-80’s and heavily influenced by the British post-punk dissonant style and the Belgian cold-wave melancholic atmosphere, The Ultimate Dreamers resurrected during the Covid lock-down, releasing a selection of good old demo songs on their “Live Happily While Waiting For Death” release. A dynamic impulse that brought them not only back on stage but also into the studio to work on new material. The magic is back!

The Ultimate Dreamers feel stronger than ever and enjoy uniting past, present and future on this exciting “Echoing Reverie” album, on which they reach a subtle balance between light and darkness: a poignant cold wave fusion of futuristic danceable dream pop with a retro noisy post-punk attitude with surrealistic introspective cynical lyrics dealing with fleeting life, melancholic solitude and other inner demons..

The new songs intelligently merge nostalgic cold wave chills and alluring poignant vocals with carrying basslines and irresistible danceable beats to become “less is more” addictive tunes that capture you in no time. If you like bands such as New Order, The Cure, Minimal Compact, Trisomie 21 or yet Section 25, “Echoing Reverie” comes highly recommended for a timeless dusk sonic experience at the crossroads of darkness and brightness.

See the magic operate and let The Ultimate Dreamers carry you in their echoing reverie…

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The Trend

LP | 1982 | US | Reissue (One Way Ticket)

29,99 €*

I Helped Patrick Mcgoohan Escape White Vinyl Edition

Release: 1982 / US – Reissue

Genre: Pop

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* Ultra rare U.S Powerpop album from 1982 reissued for the first time ever * A U.S. powerpop killer & D.I.Y-nugget – Original album is rare and highly in demand * Deluxe reissue housed in gatefold sleeve * Expanded with bonus tracks * Printed inner sleeve filled with rare photos * Extensive liner notes by Kieron Tyler (Mojo) * Carefully restored and remastered sound * Colored vinyl (yellow)

The Trend is high explosive, hyperactive teenage powerpop. The Trend hailed from Kennett, Missouri and was formed back in 1979. Aged fifteen to sixteen at the time, and armed with guitars, striped t-shirts, skinny ties, tambourines and colorful drainpipe trousers. The Trend (Is In) was a full on powerpop and bubblegum-explosion.

One self-released (and nowadays mega-rare) album in 1982 and a just-as-hard-to-find 7-inch single from the previous year was all that The Trend unleashed on record during their short lifespan. Since then, appearances on compilations like Yellow Pills and Numero’s Buttons have made sure The Trend is in high demand amongst powerpop aficionados all over the world.

Trend’s debut 45 “She’s Hi-Fi” b/w “Lucky Day” is blistering class AAA powerpop that will most likely make anyone with the slightest interest in the genre strip off all clothes and do the helicopter. “The Girl At The Holiday In” shows that The Trend had moved on since the single. So much so that “The Girl I Used To Know” could have been recorded by one of the then contemporary Paisley Underground bands from Los Angeles. “Real Cheap Thrill” is raging Merseybeat-pop-mayhem bordering to killed by death-punk. “Two Plus Two” is suffused with the spirit of late 1960s Paul McCartney. Above all, The Trend is about direct, driving upbeat pop. “Go For Broke” could have clicked as a single, while “Southsiders (Waiting To Go Northside)” caught The Trend’s outlook in a nutshell: “power pop, bubblegum, punk rock, here we come.”

Housed in a deluxe gatefold sleeve that comes with a printed inner sleeve richly illustrated with rare and previously unpublished photos. In the extensive liner notes The Trend’s main man and song writer John McMullan tells the full story to Kieron Tyler (Mojo Magazine).

The Trend is finally in!

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The Times

7" | 1982 | EU | Reissue (Optic Nerve)

12,99 €*

The Time Expanded Edition

Release: 1982 / EU – Reissue

Genre: Pop

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Part of The Optic Sevens 4.0 Reissue Series. Limited to 1000 copies worldwide. Pressed on White Vinyl Includes postcard and poster. Edward Ball was a member of cult band The Television Personalities alongside his school friend Dan Treacy before leaving to concentrate on The Times. ‘I Helped Patrick McGoohan Escape’ (inspired by cult TV series The Prisoner) Is probably the best known track from them, originally released on the Artpop! label in 1982. The second single from The Times reissued here with an extra track from the 12” (released a year later in 1983). We have also decided to use the same sleeve that was used for the original 12”.

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The Time

2LP | 2021 | EU | Original (Rhino)

31,99 €*

Release: 2021 / EU – Original

Genre: Pop

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LP | 1981 | US | Original (Warner)

The Time

14,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

The Tiffany Shade Lavender Vinyl Edition

The Tiffany Shade

LP | 1969 | US | Reissue (Sundazed)

31,99 €*

A Grand Don't Come For Free

Release: 1969 / US – Reissue

Genre: Pop

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Heavenly, crystalline psychedelic sounds, in our favored stereo mix! Jazzy, acoustic guitars and stacked Association-like harmonies showcase Tiffany Shade’s gorgeous originals and a rendition of Love’s “Softly To Me.” Pressed on lavender vinyl!

After a chance meeting in a record store, this Cleveland band got their start on Upbeat!, a local teen dance show similar to American Bandstand. Though their album was cut in two days over the course of 2 eight hour sessions, their arrangements shine through what was a scattered recording session. “We really worked hard in the studio even though we didn’t have enough time to do all the things we wanted to do with music,” bassist Robb Murphy remembers.

“We were pretty excited. We just had no experience with that sort of thing. We had heard things but never had any experience. We were really babes in the woods. It was a terrific experience looking back on it. It was really a hell of a lot of fun, we loved the idea of being able to overdub even though we didn’t get to do too much of that, it was still fun. That was pretty high tech in those days, being able to lay down a couple of tracks with your voice.” guitarist Mike Barnes recalls.

Similar to the Bosstown sound (Orpheus, Ultimate Spinach), Tiffany Shade lean towards harmony-driven vocals that combine their clever pop sensibilities with a versatile showcase of keys, organ, and scintillescent guitars. After their album’s release in ‘68, they had the opportunity to open for Big Brother & Holding Co., but because of poor sales (and like many Mainstream artists) the band didn’t last and went their separate ways in ‘69.

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The Streets

2LP | 2004 | EU | Reissue (Warner)

35,99 €*

Stubborn Heart / How Do You Like It

Release: 2004 / EU – Reissue

Genre: Electronic & Dance, Pop

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The Streets’ first two albums ‘Original Pirate Material’ and ‘A Grand Don’t Come For Free’ helped to make the UK hip-hop/garage scene a force to be reckoned with on a global scale, and established Mike Skinner as a lyricist with a gift for delivering insightful observations about everyday life. Long out of print, both albums will be repressed and released on double vinyl on March 30th.

‘A Grand Don’t Come For Free’ emerged two years after their breakthrough debut album and The Streets had already become an international phenomenon. This time around, Mike Skinner constructed an album with an on-going narrative that was by turns hilarious, touching and energising. ‘Dry Your Eyes’ became The Streets’ first #1 single, while ‘Fit But You Know It’ and ‘Blinded By The Lights’ both hit the Top 10.

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The Sheppards

7" | 1967 | UK | Reissue (Mirwood)

11,99 €*

The Second Hand Orchestra

Release: 1967 / UK – Reissue

Genre: Pop

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“You can’t beat the classics” and in the Northern Soul world, no label is more renowned than Mirwood. The Sheppards ‘Stubborn Heart’ has been played since the early days of the scene but is still a guaranteed floor-filler.

Its flip ‘How Do You Like It’ has also picked up many spins in more recent years. As is our habit, to distinguish from the originals, we have changed the label colour - this time we’ve gone for a fetching purple and gold.

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Slow This Is Christmas

LP | 2024 | Original (Sing A Song Fighter)

19,99 €*

LP | 2022 | UK | Original (Hogar)

Release: 2024 / Original

Genre: Pop, Christmas

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Preorder shipping from 2024-11-29

The follow up album to the loose, heartfelt Swedish DIY orchestra The Second Hand Orchestra's beloved Christmas album from last year. Do we need another Christmas album really? Well, not a glossy, generic one with the same arrangements for the 101st time. But this is not one of those. The orchestra wanted to bring back the love they once had for these songs. They went into a studio with free minds and had some playful, loose jams. .And they wanted to take it slow. Walking instead of running! Because Christmas can be a stressful period , this is the orchestra's plea from slowing things down. So, here is "Do they know it's Christmas" like you never heard it..And much more goodies!

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The Rosie Varela Project

What Remains

30,99 €*

Not Ready For Prime Time: Live Record Store Day 2024 Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Lush and soulful avant-pop from El Paso, Texas. What Remains is the debut full length album from THE Rosie Varela Project, created by singer/songwriter/producer/multi-instrumentalist Rosie Varela of acclaimed shoegaze band EEP, whose albums have been praised by tastemaking outlets such as Kexp and The Big Takeover. The album is a lush and emotional sonic tapestry that is an honest examination of life’s difficulties through an adventurous musical sensibility, ranging from avant-pop to dream pop to psychedelic folk. Varela’s music has been applauded by Backseat Mafia, who said, “Varela’s strength has always been in her melodies – mysterious and magical layers of dreamy lines,” and by Dkfm, who said, "Rosie’s angelic voice floats above it all, reminding me of Liz Fraser in her prime."

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The Replacements

LP | 2024 | Original (Rhino Warner)

39,74 €* 52,99 € -25%

LP | 2022 | US | Original (Mesh-Key)

Release: 2024 / Original

Genre: Pop

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Quantity: 6000
Release type: RSD Exclusive Release

First time on vinyl; breakout of live material from Tim (Let It Bleed Edition) featuring the original lineup performing in January 1986 the week of their infamous performance on Saturday Night Live (hence the title).

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The Rabbits

38,99 €*

Like Comedy Gold Vinyl Edition

Release: 2022 / US – Original

Genre: Pop

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Twisted and irreverent, The Rabbits combined ear-splitting guitar shrapnel with one of punk’s greatest-ever snot-nosed vocalists. With hints of PIL or Chrome, but beamed in from a parallel dimension and filtered through the warped lens of visionary loner Syoichi Miyazawa. First-ever vinyl release, fully remastered from the band’s original early ’80s cassette releases, and housed in a sturdy tip-on sleeve. Includes a double-sided, printed insert. Edition of 500

Singer-songwriter Syoichi Miyazawa’s tale is a confounding one.

He grew up in a small town in Yamagata Prefecture (in northern Japan), loved Dylan and The Beatles, and had very little exposure to, or interest in, underground music. And yet, shortly after 24-year-old Miyazawa arrived in Tokyo in 1978, he began performing solo shows at tiny clubs in the city, singing and playing guitar. His performances quicky devolved from brisk acoustic jaunts to lengthy, heavy dirges sung in a snot-nosed wail over a blown-out electric guitar detuned to produce a kind of sonic sludge.

At one of his earliest gigs, a mutual friend introduced him to Endo Michiro, who would soon become the legendary front man of Japanese punk icons The Stalin. It turned out Miyazawa and Endo had attended Yamagata University at the same time just a few years earlier, but hadn’t known each other at school. In Tokyo, they became fast friends, moved into the same apartment building, and for years were inseparable. Endo played guitar and drums on Miyazawa’s debut release, the “Christ Was Born in a Stable” flexi disc. But while Endo was social and outgoing, Miyazawa preferred to be alone, avoiding concerts unless he was performing.

Despite these antisocial tendencies, Miyazawa came to despise playing solo. In 1982, an eccentric high school student named Chika introduced herself at one of Miyazawa’s gigs, and Miyazawa asked if she’d play bass. She agreed and drafted two of her friends to play second guitar and drums. The Rabbits were born.

Miyazawa wrote the tunes, and had a clear vision for the group, but struggled to get the sound he wanted from the other members. His second guitarist was more of a fusion player, and Miyazawa took great pains to get him to tone down the shredding. The group quickly went through multiple line-up changes. Frustrated with the sound of their first proper recording (self-released as the “X1(x)” cassette), Miyazawa spent a full year mixing their second cassette, “Winter Songs,” on his own.

The hard work paid off — the sound of “Winter Songs” is striking, and unlike anything the band’s peers produced. There’s liberal use of delay on the vocals, giving the music a psychedelic feel, but the guitars are caustic, cutting through the mix like metal shrapnel. The rhythm section seems on the verge of teetering out of control throughout, an overdriven and pummeling current below abrasive slabs of guitar and vocals. Even at their most aggressive, though, The Rabbits had strong pop sensibilities, complete with cooing backing vocals and the occasional harmonica solo. Miyazawa delivers his borderline nonsensical lyrics with equal amounts of menace and gaiety, consistently riding that fine line as only a natural oddball can. At times, the band sounds like a distant cousin of PiL, Chrome or The Homosexuals, but beamed in from a parallel dimension and filtered through Miyazawa’s warped lens.

Although The Rabbits briskly sold all 500 copies of the "Winter Songs" tape, live audiences at the time seemed dumbfounded by the group, and would stare at them in silence. After two years together, The Rabbits called it quits in 1984.

When asked if any of the many legendary groups (Les Rallizes Desnudes, G.I.S.M., etc.) he shared stages with left an impression, Miyazawa recently revealed that he always left the venue as soon as he finished performing, so he never caught any of the other bands…

All of which is to say —

The Rabbits are one of the great punk bands of the early ’80s, but their leader had no interest in the punk scene and always thought he was making “normal” music. They rubbed shoulders with a slew of notable groups of the era, and their singer was best friends with arguably the most famous Japanese punk of all time, but Miyazawa shunned fraternization and purposefully distanced himself from his peers.

Could this be why so few underground music fans are familiar with the group, even in Japan? Why they seem to have been written out of the official history of Japanese punk? One can never know for sure, but Mesh-Key hopes to remedy this travesty by offering this compilation, the first-ever official LP by The Rabbits, to a new generation of punk and psychedelic music connoisseurs. credits

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The Proclaimers

LP | 2022 | UK | Original (Cooking Vinyl)

Release: 2022 / UK – Original

Genre: Pop

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LP | 2020 | EU | Reissue (Marina)

The Pale Fountains

Longshot For Your Love

Release: 2020 / EU – Reissue

Genre: Pop

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The Lonely Crowd Black Vinyl Edition

The Misz

LP | 2019 | US | Original (Minimal Wave)

7" | 2023 | UK | Original (Ace)

Release: 2019 / US – Original

Genre: Pop

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Minimal Wave presents an LP of tracks by Belgian synthwave luminaries The Misz, entitled The Lonely Crowd. The Misz formed in Gent in 1983 by Jan Van den Broeke and Dries Dekocker at a time when they had both just relocated from the country. They lived on the same street and collaborated freely with the limited equipment they had, which always centered around the Fostex 250 4-track tape recorder. They used an unknown monophonic synthesizer, casio synths, roland drum machines, hand drums and guitars through effects pedals, improvising with their voices and often and included friends for additional voices and sounds. They captured these sonic experiments and sometimes released them on cassette in editions of 100-200. They were also included on numerous cassette compilations throughout the 1980s on labels like Mad In Belgium, The Cassette Factory, 3RIO Tapes, Minimart production, Fraction Studio, Cauchy Productions, Home Product, R.R. products, ZNS Tapes, and Body Records.

The Misz described themselves as young, immature and bit strange yet totally bold and fearless. They sang about what surrounded them from world politics and environmental catastrophes to love and lust. The songs on The Lonely Crowd span from various cassette releases and have been remastered from their original reel to reel tapes.

The LP is pressed on 180 gram vinyl as a limited edition of 600 copies, the first 100 are in white and the remaining 500 in black. The cover and inner sleeve are printed on matte heavy card stock featuring photographic collages, typography and design by Peter Miles.

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The Missfits

Meet The Missfits

12,99 €*

12" | 2021 | EU | Original (Be With)

Release: 2023 / UK – Original

Genre: Pop

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It was standard practice in the 1960s for British beat groups to pepper their repertoires with American R&B songs. Formed by five music-loving schools from Blackpool, the Missfits were no exception. Although they group released no records during their time together, for two brief years they were the toast of Blackpool clubland. They played at the same veues as local bands such as the Rockin’ Vickers, including some gigs at the famous Oasis Club in Manchester and at the short-lived Blackpool branch of the Twisted Wheel.

In February 1964, they won a recording test in a talent competition and travelled to London that summer to commit some of their favourite songs to tape. The tape reel was soon forgotten and thought lost but Janet had thankfully kept it safe, enabling the appearance of the four tracks on this 60s-style vinyl EP. Drummer Janet Baily provides lead vocals on their version of John Lee Hooker’s ‘Dimples’, and bass player Pauline Moran sang lead on Bo Diddley’s ‘You Can’t Judge A Book By The Cover’, Chuck Berry’s ‘I’m Talking About You’ and Ray Charles’ ‘What’d I Say’, with guitarists Andrea Hine, Carola Daish and Liz Hall joining in on backing vocals.

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The Mighty Soulmates

17,99 €*

LP | 2021 | EU | Original (Staubgold)

Release: 2021 / EU – Original

Genre: Hip Hop, Pop

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First release of tracks from mid-90s super-secret super group sessions with André Cymone, St. Paul Peterson, Mic Murphy and Gardner Cole. The Mighty Soulmates is a towering early 90s project from the legitimate super group of André Cymone (bass player with Prince), St. Paul Peterson (keyboard player in The Time and lead singer in Prince’s group The Family), Mic Murphy (of Sass and The System fame) and Gardner Cole (writer, producer and musician probably best known for his work with Madonna). The sound is a majestic blend of sophisticated funk, emotional R&B, New Jack Swing flava and slick deep soul. These should-be legendary sessions have been almost a secret since they were recorded back in 1993. The first Be With knew about the project was whilst working with Mic on some Sass re-issues and he told us he had something else we might be interested in hearing.

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The Llamps

Release: 2021 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (Tapete)

The Jazz Butcher

The Highest In The Land

Release: 2022 / EU – Original

Genre: Pop

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Back Roads And Abandoned Motels

The Jayhawks

LP | 2018 | EU | Original (Legacy)

Release: 2018 / EU – Original

Genre: Pop

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The Good, The Bad & The Queen (Damon Albarn, Paul Simonon of The Clash, Tony Allen and Simon Tong of The Verve)

Merrie Land Deluxe Edition

CD | 2018 | EU | Original (Studio 13)

24,99 €*

LP | 2023 | EU | Original (Memphis Industries)

Release: 2018 / EU – Original

Genre: Pop

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This special edition contains the CD with a 56-page A4 harback book.

November sees the release of Merrie Land, the second album from The Good, The Bad & The Queen, a band comprising of Damon Albarn, Paul Simonon, Tony Allen and Simon Tong. The Good, The Bad & The Queen began life as the acclaimed 2007 album of the same name, a heartfelt tribute to London described by The Observer in a 5 star review as –“One of the most surprising and magical records for which Damon Albarn has ever been responsible”.

The record traced a journey from the English music hall tradition to West Africa and Afrobeat, zigzagging through the West Indies and its reggae and dub, back to England and London's punk scene, all the while taking in a strand of British beat music from the '50s right through to Britpop. The result was a record specific to a place and mood but with a background that was geographically wide-ranging.
Now the four musical storytellers are back with a new studio album titled ‘Merrie Land’.

Produced by Tony Visconti and The Good, The Bad & The Queen was completed in London and Wales this year, during the current ongoing period in which the UK is preparing to leave the European Union, ‘Merrie Land ’is a questioning good-bye letter, a series of observations and reflections on Britishness in 2018. Even though it has been over 10 years since the band last released a record, the timing could not be more apt – there could not be a more perfect band to untangle the optimism, disorientation and confusion in the atmosphere today.
With ‘Merrie Land’, the band taps into a creative symbiosis of past and future, drawing inspiration from their shared glittering musical histories and wrapping the hybrid results in a brilliantly postmodern yet thoroughly British package.

The album sees the band’s focus move beyond London with a beautiful and hopeful paean to the Britain of today - an inclusive Britain - and the possibilities of the future. In the band’s own words, Merrie Land is a ten song lament of Anglo-Saxosentialism marking the reluctant end of a relationship, and about picking up the pieces and seeing what can be salvaged. The band set a beautifully muted palette and lustrous finish to bring out a mood that is bruised yet unapologetically defiant and optimistic, and carries the underlying message: we will survive.
In times of metaphysical trauma, the people need to forge ahead and wear armour. Here it is, set to the mood music of a nation about to be broken yet undefeated.

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The Go!Team

Thunder Lightning Strike

CD | 2015 | HK | Original (Love Da)

Release: 2023 / EU – Original

Genre: Pop

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The Go! Team burst onto the scene back in 2004 with their debut album "Thunder, Lightning, Strike" putting the disco in discordant & red limiting all the levels. They scored Pitchfork Best New Music, a Mercury music prize nomination and, from a small bedroom concern in Brighton, UK, emerged to take on the world, lighting up stages on every continent.

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The Go! Team

The Scene Between

9,99 €*

Release: 2015 / HK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Get Up Sequences Part Two Black Vinyl Edition

The Go!Team

LP | 2023 | UK | Original (Memphis Industries)

2LP | 1986 | US | Reissue (Dark Entries)

Release: 2023 / UK – Original

Genre: Pop

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Over their six albums The Go! Team have taken sonic day trips to other lands - musically dipping into other cultures. But now on this, their seventh - they"ve bought a round-the-world ticket.... Benin, Japan, France, India, Texas and Detroit - all stops along the way. Wildly different voices from wildly different cultures side by side but all still sounding unmistakably Go! Team. Setting the course for a kaleidoscopic, cable access, channel hop.On the vocal roll call there"s Star Feminine Band, an all-girl group from West Africa, the Indian Bollywood playback singer Neha Hatwar, Kokubo Chisato from J-Pop indie band Lucie Too, 19 year-old Detroit rapper IndigoYaj, Hilarie Bratset (ex-Apples in Stereo), Brooklyn rapper Nitty Scott, and a whole host of others, alongside Go! Team staple Ninja.Picking up from 2021"s "Get Up Sequences Part One", Part Two continues the feeling of Technicolour overload.It"s a journey spanning Cyclone Tracey wig-outs, chroma key sitar psychedelia, Casiotone anthems, spoken word melodrama and kalimba callouts. Brill building melodies lead into musical handbrake turns, four track into panoramic. Eighteen years after their debut LP The Go! Team are still unlike anyone else and on "Get Up Sequences Part Two" they sound as fresh as a club soda....

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The Ghostwriters

Remote Dreaming

LP | 2024 | EU | Original (Cortizona)

Release: 1986 / US – Reissue

Genre: Pop

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Dark Entries summons Philadelphia synthesizer scribes The Ghostwriters to rouse their ambient masterwork Remote Dreaming. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and the immediate. Following their debut album, Objects in Mirrors Are Closer Than They Appear, they were approached by ambient outlet Mu-Pysch. Remote Dreaming would take shape in various studios over nine months. Jeff Cain's instruments on this project included electric and acoustic pianos, the Juno 106 synthesizer, and a Mirage sampler, while Charles Cohen used his signature Buchla 200 Series Electronic Musical Instrument. A stark departure from the tightly wound first LP, Remote Dreaming shows the duo unfurling with soothing pianos and psychoacoustic textures, its somnambulant drones just skirting the edges of the uncanny. Although ignored in its time, Remote Dreaming is now heralded as a landmark in 80s experimental ambient music. It is here released for the first time on vinyl, spread across a double LP with five additional tracks, four of which were previously unreleased. Remote Dreaming has been freshly remastered and includes an insert with photos and liner notes. Proceeds will be donated to Sosa (Safe from Online Sex Abuse), a nonprofit that combats online child sex abuse and trafficking.

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The Germans

Spirituality

23,99 €*

San Vito Blue Vinyl Edtion

Release: 2024 / EU – Original

Genre: Pop

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Following the extravaganza of their previous album 'Sexuality', The Germans set sail on a transformative quest in search of peace and quiet. Withdrawn to the countryside, unaffected by the spirit of the times, the Belgian ensemble managed to create a unique and fascinating new opus, 'Spirituality'. Serving as the second installment in the Germanity trilogy, the album surprises with its classic songwriting and introspective mood. Guided by maverick producer Micha Volders, The Germans meticulously craft a delicate sonic landscape through the use of classical guitar, early digital synths, percussion, prepared piano, and the addition of Rozanne Descheemaeker's beautiful French horn arrangements.

Picture a clandestine meeting in 1984 between Mark Hollis of Talk Talk, a sleepwalking Kate Bush and Enya on expired lsd. In a wooden shed in the secret corners of Bokrijk. Drinking absinth and recording an album on the synths of Suzanne Ciani and a treasured mid 18th century French horn. A sonic fever dream directed by David Cronenberg.

"Spirituality" is not just an album; it's an invitation to explore the extraordinary. Let the music be your guide as The Germans redefine the boundaries of reality, inviting you to embrace the sublime and surreal. Open your ears and heart to the extraordinary journey that awaits in "Spirituality."

You will not be disappointed.

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The Feeling

LP | 2024 | UK | Original (Little World)

San Vito Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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‘San Vito’ is the new album from the Ivor Novello award-winning & multi-platinum selling UK indie-pop band The Feeling.

The album was written and recorded in Southern Italy and saw the band decamp there to self-produce the record as a band together. What began as a short writing trip, turned into a full album project with the Italian sun, food and culture seeping through into the sounds on the record. The band brought in local brass, strings and pizzica / tarantella percussion players – the result being very much an album by The Feeling but with a subtle Salento flavour mixed-in.

The title ‘San Vito’ is influenced by the name of the local town San Vito Dei Normanni where the band spent their time off from the studio soaking in the local culture, food and pizzica music. Highlights include lead single ‘The Right Wrong’ – a driving indie-pop anthem about freeing yourself from judgement, a gorgeous duet with US-based country singer Lucie Silvas & plenty of the flamboyant, upbeat 70s-inspired harmonised indie-pop that the band are adored for.

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The Feeling

LP | 2024 | UK | Original (Little World)

Groovy Train Record Store Day 2022 Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie, Pop

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The Farm

12" | 1990 | UK | Reissue (Farmsonds)

LP | 2016 | US | Original (Superior Viaduct)

Release: 1990 / UK – Reissue

Genre: Pop

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Originally released in 1990, ‘Groovy Train’ was the second single by The Farm. It was the first single to be released from their debut album ‘Spartacus’, which celebrated its 30th Anniversary in 2021 and was produced by Madness frontman Suggs and Terry Farley. With its distinctive guitar intro ‘Groovy Train’ was the band’s second biggest single, charting at Number 6 on the UK Singles Chart. The single is being reissued for the first time on transparent orange vinyl, exclusively for Record Store Day, and includes three remixes by Terry Farley and Mark Saunders.

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The Fall

Slates

19,99 €*

LP | 1983 | US | Reissue (Superior Viaduct)

Release: 2016 / US – Original

Genre: Pop

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If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10" EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' and Lie Dream of a Casino Soul) alongside lengthy rumblings normally restricted to long players.

The tumbling and phased "Middle Mass" begins on an incredible high note, segueing into the snake-charm hypnotism of "An Older Lover Etc." "Slates, Slags, Etc." is built on stretched VU-inspired riffing, complete with ace feedback bleed that doubtlessly went on long after fade-out. Ultimately, it's the piercing chimes of guitar and marching drum grind of "Prole Art Threat" that elevates Slates beyond oddity. Truly one of Mark E. Smith's finest, busiest and most enigmatic performances, equally matched by a band at the peak of their powers.

Superior Viaduct's edition is the first time that Slates has been available on vinyl domestically since its initial release in 1981. Liner notes by Brian Turner.

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The Fall

Perverted By Language

12" | 2023 | JP | Original (Dokorerecords)

Release: 1983 / US – Reissue

Genre: Pop

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The Fall returned to Rough Trade in 1983 to release a pair of singles (“The Man Whose Head Expanded” and “Kicker Conspiracy”) and Perverted By Language, their sixth proper studio album. Perverted By Language hints at the band’s shift towards a distinctly pop approach, one that they would perfect via their Beggars Banquet output that immediately followed. Yet again, the force and panic of their initial Rough Trade recordings remains the foundation for much of the album. A transitional recording in the absolute best sense, Perverted By Language is The Fall both as they were and as they would become.

The emergence of Brix Smith is often cited as the impetus for The Fall’s move toward outward pop, and she first makes her first appearance with the band on Perverted By Language. Nowhere is her presence felt more than on “Hotel Blöedel,” where she handles lead vocal duties alongside Mark E. Smith whose mangled violin accompaniment roots the song’s cold romanticism in his unmistakable brand of strange. “Garden” provides a new take on The Fall’s stretched-out tendencies—using ringing, clean guitars to build a nearly 10-minute epic more subtly than ever before. The opener, “Eat Y’self Fitter,” is wholly classic Fall: a playfully circular bass line drives the album’s strongest vocal spout, complete with emphatic breaks where Mark E. Smith issues the song’s spiteful decree with equal parts glee and scorn.

Superior Viaduct’s edition is the first time that Perverted By Language has been available on vinyl domestically.

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The Dokuros

Uchu Ichi No Me

The Dengie Hundred With Gemma Blackshaw

Release: 2023 / JP – Original

Genre: Rock & Indie, Pop

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The 6th mini album "uchu Ichi NO ME" was released in September last year. In response to requests for an analog version of "uchu Ichi NO ME", it has finally been remastered for analog and will be released as a 12-inch EP in limited quantities!! It comes with a QR code for a rare treasure of the early Dokuros recordings!

What THE Dokuros will be presenting this time is "the desolating human society and the evolving human race". This is the first 4-song EP from the new Dokuros, who officially welcomed Grace on drums and Moooting on guitar as members in February 2022. This dance album incorporates elements of EDM, and features guest musicians Fanfan (ex. Kururi) and yatchi (Yuta Orisaka and Moozmz). This is the best work in the history of THE Dokuros, with the help of the talented Tanaka OF THE Hamada (from Lainy J Groove / Sawa Angstrom) for track making.

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Who Will You Love

LP | 2024 | UK | Original (Tain)

The Cryin' Shames / Paul & Ritchie & The Crying Shames / The Bumblies

Release: 2024 / UK – Original

Genre: Pop

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“This whole album is brilliant” – Jack Rollo (Time Is Away/NTS)

Gemma Blackshaw is a scholar, writer and curator currently Senior Tutor for research at the Royal College of Art. She has curated major exhibitions for galleries and museums in London (National Gallery; Wellcome Collection and Vienna (Leopold Museum; Wien Museum). This is her debut album.

Who Will You Love is the debut collaborative album from The Dengie Hundred with Gemma Blackshaw. In 2023, The Dengie Hundred co-produced with Japan Blues two albums for Demdike Stare’s DDS label, and released the solo album Tube on London’s Sagome imprint; their solo debut Brackenbank appeared on Ethbo in 2022, when they also contributed to World of Echo’s Thorn Valley compilation. Here, they collaborate with Gemma Blackshaw on an album of smudged dream pop. Gemma’s vocals were recorded from home at night on an old iPhone. Who Will You Love surfaces dark, desiring songs on the passion and exhaustion of looking after others. Emerging in simple rounds that expand with layers of field recordings, synths and drum machines, the songs include lullabies for baby boys and men, enchantments of wary lovers and spells of protection for a daughter. Moving between her children and her lover, the mother sings of the demands of daily intimacy (play with me, carry me, sing to me…) that echo through adult relationships too. Who Will You Love was mastered by Carim Clasmann, and mastered and cut for vinyl by Stefan Betke (aka Pole). Artist Alexis-Soul-Gray gifted Screen Memory of 2022, a painting on found paper, for the artwork. Mark Thomson designed the sleeve.

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Please Stay

LP | 2024 | EU | Original (Perfect Kick Off)

Psychedelic Rose Clear Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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“‘Please Stay’, by The Cryin’ Shames, was the last song by producer Joe Meek to enter the UK Top 40, peaking at No. 26. Released on 18 February 1966, the song should have reached the top, but its progress was held back by the fact that the Decca record label had not pressed enough copies to meet demand. The collaboration should have been long and successful for both of them, but the Cryin’ Shames story is cursed with bad luck and, sadly, within a year of the success of ‘Please Stay’ the band broke up and Joe Meek died. This compilation brings together a first part of the material collected by Cherry Red on the double CD ‘The Tea Chest Tapes’ . The group began as The Bumblies, formed in Liverpool in 1963 by bassist George Robinson and singer Joey Kneen who had previously been in a band called The Calderstones, that included Tom Evans, who later went on to form the group Badfinger. The Bumblies’ name was taken from a television series of the same name featuring Michael Bentine. The rest of the line-up included Charlie Crane (vocals, harmonica), John Bennett (guitar), Phil Roberts (keyboards) and Charlie Gallagher (drums). Charlie Crane would be known in addition as ‘Carl’ or ‘Paul’ to avoid confusion with the other Charlie in the group. Joe Meek didn’t like the band’s choice of name so they changed it to The Cryin’ Shames. Ritchie Routledge replaced Bennett (guitar) after the recording of their debut single ‘Please Stay’. Derek Cleary (bass/guitar) replaced Robinson in time to play on their second single ‘Nobody Waved Goodbye’. After the original Cryin’ Shames fell apart, Routledge and Crane formed a group known as Paul And Ritchie And The Crying Shames with new members Brian Norris (bass), Mike Espie (guitar), Pete Byrne (organ) and Paul Commerford (drums). They released one single, ‘September In The Rain’. The group (as The Bumblies) auditioned for Joe Meek in late October or early November 1965 - the exact date cannot be ascertained because Meek’s tapes contain very little information, and only one or two of the more than seven hundred tapes actually bear a recording date...” (liner notes extracted from the Cherry Red’s booklet made by Mr. Craig Newton)

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The Creation

LP | 2021 | UK | Original (Demon)

Release: 2021 / UK – Original

Genre: Pop

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Making Time: The Best Of Splatter Vinyl Edition

The Creation

2LP | 2022 | UK | Original (Demon)

Release: 2022 / UK – Original

Genre: Pop

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Straight For The Sun (1971 College Radio Broadcast)

The Byrds

2LP | 2014 | EU (Let Them Eat Vinyl)

23,99 €*

7" | 2007 | US | Original (Sundazed)

Release: 2014 / EU

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl

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The Byrds

Lazy days

13,99 €*

Everybody Knows Clear Vinyl Edition

Release: 2007 / US – Original

Genre: Rock & Indie, Pop

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/ reputation ... recorded in 1968, for the first time ever in their unique mono mixes!

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The Bony King Of Nowhere

12" | 2024 | EU | Original (Unday)

Everybody Knows Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Pop

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The Bony King of Nowhere is the artistic alias of Belgian artist Bram Vanparys. He made a mark in 2018 with the release of his critically acclaimed album Silent Days. The record received consistent 4- and 5-star press reviews and was hailed as his best album to date. It also earned Vanparys a Music Industry Award (be) for 'best author-composer'. Silent Days revealed the full potential of the singer-songwriter and his commitment to never repeat himself and keep surpassing his creative abilities.

The new album, entitled Everybody Knows, has been a long time coming, partly due to Vanparys' aforementioned pledge to artistic evolution. The first two tracks he unveiled give a definite hint of what to expect from this album. 'Are You Still Alive' and 'Almost Invisible' carry the quality mark, known colour scheme and scent of The Bony King of Nowhere, but add many more hues and details. The new record showcases the new league Vanparys is playing in. Themes like rusted patterns in society, the obedience of the everyday man, the structural false ignorance of big shots, the toxicity of online communication and other very recognisable but not always pleasant subjects. Inspired by the observations of many sociologists, Vanparys dissects our society, the loneliest ever. This album is not just disconcerting though, in its strength lies a sense of hope and vigour.

The first singles promise a new album with lots of punch and energy, while Vanparys is unveiling the complete complexion of his voice whilst remaining vulnerable and honest. On the album, he is accompanied by multi-talent guitarist Vitja Pauwels (Naima Joris), pianist Hendrik Lasure (Tamino, Bombataz), drummer Simon Segers (Sylvie Kreusch, Stadt) and bass player Jasper Hautekiet.

While the songwriting legends, particularly Neil Young and Bob Dylan, have always kept Bram company, his latest compositions also draw inspiration from more contemporary artists. The influence of PJ Harvey, Blur and Nick Cave are unmistakable when you listen to his music. While staying true to his heartfelt songwriting style and captivating voice, The Bony King Of Nowhere embarks on a journey into uncharted musical and thematic realms.

The last time this band was on tour in support of 'Silent Days', they took a big leap forward while touring 75 shows across renowned venues and festivals in Belgium, The Netherlands, Germany, and France, with a packed Ancienne Belgique in Brussels as one of the highlights. Now the five-man-band, consisting of Jasper Hautekiet, Simon Segers, Thijs Troch (Nordmann), Gertjan Van Hellemont (Douglas Firs), will start this tour with shows in Ekko, Utrecht on March 6 and Ancienne Belgique, Brussels on March 8.

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The Bony King Of Nowhere

12" | 2024 | EU | Original (Unday)

I Told You Before: Unreleased Get Back Sessions

Release: 2024 / EU – Original

Genre: Pop

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The Beatles

LP | EU (Israeli Fan Club)

Pet Sounds 45RPM, 200g Vinyl Mono Edition

Release: EU

Genre: Rock & Indie, Pop

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For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

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The Beach Boys

2LP | 2017 | US | Original (Analogue Productions)

90,99 €*

LP | 2020 | EU | Original (Marina)

Release: 2017 / US – Original

Genre: Pop

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To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl”, “In My Room”, “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
"Pet Sounds" is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me", "Don't Talk", "I Know There's an Answer", and "I Just Wasn't Made for These Times". It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named "Pet Sounds" as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Recording: in mono

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The Bathers

Sunpowder

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Marina)

The Bathers

Lagoon Blues

Release: 2020 / EU – Original

Genre: Pop

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LP | 2020 | EU | Original (Marina)

The Bathers

Kelvingrove Baby

Release: 2020 / EU – Original

Genre: Pop

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LP | 1985 | EU | Reissue (Music On Vinyl)

The Alan Parsons Project

Stereotomy

Exploded View + Demos 1981-184

Release: 1985 / EU – Reissue

Genre: Pop

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Alan Parsons Project is well known for building their albums around certain socio-demographic themes. 'Stereotomy' (1985) deals with the way in which modern society molds the personality. At the time, 'Stereotomy' was one of the first completely digitally recorded pieces of music, sporting a rare 'DDD' code on its first release. The album is coherently balanced, its synthesized and orchestrated songs completing each another. The high octane 'Where s The Walrus?' is a response to 'Mr. Laser Beam', analogy of Mr. Lee Abrams, an American radio personality. He accused the band having gone 'flat' in their last albums: he asked them 'Where's The Walrus?', meaning 'Where are the classic songs like The Beatles'. 'I Am The Walrus'?. The Music On Vinyl reissue of 'Stereotomy' features the original dual coloured sleeve (except for the translucent coloured plastic outer sleeve).

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The Actor

2LP | 2022 | EU | Original (Mannequin)

30,99 €*

Tetsuro Yafune & Seira Kariya

Release: 2022 / EU – Original

Genre: Pop

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Expanded double-LP of »Exploded View« from Dutch minimal synth pioneers The Actor. Originally released in 1982 by Trumpett Tapes, the album was repressed for the first time by Mannequin Records in 2014, and is now coming back to life again in 2022, enriched by an extra full-length of demos from a 1981-1984 period.

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Singing On The Wind

CD | 2022 | JP | Original (Urban Discos)

LP | 1972 | UK | Original (DJM)

Release: 2022 / JP – Original

Genre: Organic Grooves, Pop

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An urban jazz-pop album dedicated to all music lovers!! Tetsuro Yafune & Seira Kariya's full album is here. The album features original songs and colorful cover songs that transcend time and genre. All 10 songs feature Seira Kariya on vocal. The acoustic band sound is the essence of the Yafune Tetsuro Trio's jazzy arrangements and Seira Kariya's cute and powerful voice is brought out to its fullest.

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Telly Savalas

This Is Telly Savalas...

17,99 €*

2LP | 2024 | WW | Original (Maverick)

Release: 1972 / UK – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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Team Sleep

55,99 €*

Release: 2024 / WW – Original

Genre: Pop

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Team 4 / Thomas Natschinski Und Seine Gruppe

Die Frühen Jahre

LP | 1980 | GDR | Original (AMIGA)

9,99 €*

Release: 1980 / GDR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Reissue (Rca/Air)

Tatsuro Yamashita

Ride On Time

57,99 €*

Live In Paris, Palais Des Congres March 6th, 1978 Record Store Day 2023 Edition

Release: 1980 / JP – Reissue

Genre: Pop

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Originally released in 1980 Limited edition 180g vinyl Pressed on black vinyl Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by Air/rvc in 1980. This record includes everything from up-tempo songs to ballads, making it an absolute masterpiece beloved by many.

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Tangerine Dream

3LP | 2023 | US | Original (Culture Factory)

43,99 €*

2LP | 2012 | CA | Reissue (Interscope)

Release: 2023 / US – Original

Genre: Pop

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Record Store Day 2023 exclusive release limited to 3000 copies.
TANGERINE DREAM is an electronic music band founded in 1967 by Edgar Froese. This release includes the iconic line up of Froese, Franke & Baumann from their most desirable time period. This Legendary concert was the 1st time the band used Laser Lighting on tour. It features never before scene photos of press clipping, backstage passes and other collectable documents from this 1978 tour. This package will be in a 12" by 12" "Slide-up boxset" with marketing sticker, 3 printed inner sleeves and Laser Light Tour poster. Half/Hald Effect Blue, Red & Orange Color Vinyl

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Tame Impala

Lonerism

43,99 €*

Tamao Yen Years Selection

Release: 2012 / CA – Reissue

Genre: Pop

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Highly anticipated follow-up to the debut album "Innerspeaker". Recommended!

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Tamao Koike

LP | 2024 | JP | Original (Sony Music Japan)

53,99 €*

LP | 1982 | EU | Reissue (Parlophone)

Release: 2024 / JP – Original

Genre: Pop

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Singer Tamao Koike is known for her song "Kagami No Naka No Juugatsu" which is a masterpiece representing the YMO sounds. This vinyl is a collection of 11 songs selected from the CD "TAMAO - Complete Yen Years". Pressed on clear pink vinyl.

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Talk Talk

The Party’s Over

29,99 €*

Everything Changes Zoetrope Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Pop

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Talk Talk's musical journey took them from early 80s synth-pop to early 90s post-rock resulting in a diverse and stimulating legacy. This 1982 release showcases the synth-pop/new wave side to the band. After supporting Duran Duran on their 1981 tour, they released the single Mirror Man, as well as their two UK Top 40 hits Today and Talk Talk – all of which are included amongst other great songs on the album.

Their debut album, The Party's Over was released in 1982 and produced by Colin Thurston, who was a former engineer for David Bowie but was better known for producing Duran Duran's first two albums.
A product of its time, the album is classic synth-pop teamed with lyrical depth that went on to be synonymous with lead singer, Mark Hollis.

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Take That

LP | 1994 | UK | Reissue (Sony)

31,99 €*

Wallpaper For The Soul Marbled Vinyl Edition

Release: 1994 / UK – Reissue

Genre: Pop

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Everything Changes is home to some of the group’s biggest singles and highest streaming tracks such as Relight My Fire and Pray. This Zoetrope Picture Disc will include animations of the group taken from the classic videos from the album. This is the first time this has been available on Zoetrope LP Vinyl as the previous vinyl release was a picture disc, and the first time on vinyl since its original release in 1993.

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Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

29,99 €*

Wallpaper For The Soul Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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After the worldwide success of their first album Puzzle (1999), which sold over 200,000 copies and went gold in Japan, Xavier Boyer (vocals, guitars), Pedro Resende (bass), Médéric Gontier (guitars) & Sylvain Marchand (drums) reunited with producer Andy Chase to record the follow-up, Wallpaper for the Soul, in New York City. Starting in November 2001 at Stratosphere Sound, the prolific sessions gave birth to twenty tracks, twelve of which appeared on the original tracklist. The eight outtakes were compiled on the mini albums A Piece of Sunshine (2003) & Extra Pieces of Sunshine (2004). This new vinyl edition will be the first time all these songs appear together. Almost 20 years on, Wfts is a tour de force of contemporary songwriting with obvious nods to the past somehow revisited in a timeless fashion. Tahiti 80’s second effort can also be seen as an alternative and more sophisticated snapshot of an era often associated with the rebirth of rock (The White Stripes, The Strokes…). This set of songs also established them as stalwarts of the Post French Touch cannon, showcasing both their ability to write catchy songs and their knack for mélanges & experimentation. 1,000 Times or The Train are unique examples of blue-eyed soul augmented with French flair (« Prefab Sprout as produced by Thomas Bangalter » suggested Uncut which listed Wfts in their Top Ten’s albums of 2003). Listen to Don’t Look Below today, and ask yourself who was mixing Destiny’s Child with My Bloody Valentine in 2001? Delicate numbers like Open Book or live favorite Better Days Will Come both demonstrate T80’s songwriting skills and their innate sense of melancholia. Listening back to Wfts today, one cannot help but think of it as an album recorded in a state-of-the-art fashion. All four members would typically perform together in the same room. Basic takes were printed on a 24-track analog tape machine and then bounced onto a computer for editing. A fine example of this method is the title track itself. Originally written on acoustic guitar, Wallpaper … is the result of three eight minutes synthesizer jams pieced together. The Frenchmen were keen to try out multitude of ideas and had developed a taste for experimentation. The sessions also coincide with a rich outburst of creativity from a band on top of their game after several months of touring around the world. Another typical Wfts characteristic is Richard Hewson’s orchestration. Veteran string arranger, famous for arranging The Beatles’ The Long And Winding Road or writing RAH Band’s ‘80s classic Clouds Across The Moon Hewson gave the songs a sweeping orchestral touch. Strings, Horns & woodwinds were all performed at the now defunct Olympic Studios in London. Urban Soul Orchestra, a 24-piece ensemble who played on Oasis’ or Spice Girls’ hits can be heard on five songs: the opening trilogy Wallpaper…, 1,000 Times and The Other Side, then on the Northern Soul revival Soul Deep and lastly on the album’s closer Memories Of The Past. Rouen’s most famous four-piece, now relocated in a house on France’s North West Coast, in the quiet seaside town of Étretat, added more bells & whistles and resumed production on the songs. With one last transatlantic leap during the summer of 2002, the boys flew to Portland, Oregon to attend the mixing sessions held by sound wizard Tony Lash (Elliott Smith, The Dandy Warhols…). Suggested by Sub Pop’s craftsman Eric Matthews, also a guest on trumpet and keyboards, Lash would later become a major collaborator on Tahiti 80’s subsequent albums. In the meantime, Laurent Fétis, the designer behind Puzzle’s iconic artwork, had started working with artist Elisabeth Arkhipoff on a set of nostalgic photographs transfigured with a soft air-bush technique. Those visuals, like their predecessors, have since become an inseparable companion to Tahiti 80’s music. Many musical fashions and flavors of the month have come and gone, but twenty years after its release, Wfts still sounds fresh and relevant. And always forward-looking, Tahiti 80 is currently wrapping up the recording of their eighth album, to be released in early 2022.

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Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

24,99 €*

LP | 2022 | EU | Original (Human Sounds)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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Tahiti 80

Here With You

Monogatari No Youni Furusatohatoi

Release: 2022 / EU – Original

Genre: Pop

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In March 2020, Tahiti 80 had a plan to start recording their new album in the studio. That plan, of course, along with everything else in the world, got derailed. But the five-piece group was resilient and resourceful. They quickly shifted to a socially distanced plan B that included file swapping and virtual sessions, all refereed by producer Julien Vignon. The result, due for release in March 2022, is the buoyant Here With You, a collection of eleven upbeat songs that unfold like a prescription for a post-pandemic panacea.

“When lockdown in France happened, we said, 'We're not going to stay at home not doing anything,'” says singer-guitarist Xavier Boyer. “And our new plan became a hopeful thing, waking up every morning and seeing what the other guys had worked on. It wasn't always easy, but this new method allowed a freer approach where we could really go all the way with an idea without being influenced by each other’s suggestions. It must've been overwhelming for Julien, who ended up selecting all our arrangements. But he stayed positive all the way through.”

To help stay inspired and focused during their time in isolation, the band created a mood board, with the centerpiece a photo of an early '90s rave in the UK.

Boyer says, “Whenever you see pictures from this era, people seem very innocent. There are no cell phones and everybody is in to what they are experiencing. We kept that picture in mind as a kind of mantra that would help everyone feel connected to this idea of people celebrating, gathering and just having fun. We were missing the connection with people, and thought it would be great if we could create music that would inspire that kind of emotion.”

Indeed, the songs on Here With You are brimming the feeling of communion that we've all been missing over the past two years. It's there in the catchy opener Lost in the Sound, which walks the walk with Chic guitar flicks, urban nightfall sparkles and an inviting chorus (“Your heart grooves like a thousand 808s on the right time”). It's there in the Jackson 5-style syncopated bounce of “Vintage Creem,” the lush, dreamy “Breakfast in L.A.” and the panoramic sweep of “UFO.” And it's there in the first single “Hot,” which matches an irresistible groove with a neon-lit, percolating arrangement that evokes the disco clubs of 1979.

What's remarkable is that though Tahiti 80 displays a clear affection for sounds of the past, from bubble gum to '70s soul, they never trade in mere pastiche. Their take is more a slightly warped and playful carnival mirror mash-up of classic pop styles, given depth through Boyer's hang-gliding, coolly emotive vocals and lyrics that often rub against the euphoric grain of the music.

“I like to think of songs as a three-minute drama,” says Boyer. “This concept of drama definitely adds different levels to our music. There's the melody, the lyrics, then the production that can maybe emphasize or counterbalance the interaction between the yin and yang in a song.

“There's a difference between the very upbeat, sunshine-y soft rock and the lyrics, even on our past albums,” he continues. “Not dark, but a little more melancholy, and also looking for some kind of motivation, talking to yourself. Like with a lot of Motown songs, you get that feeling where you body’s dancing while your mind’s reflecting, reminiscing.”

That alluring blend of happy-sad has been a signature part of the Tahiti 80 sound from the time Boyer and bassist Pedro Resende formed the group in 1993, as students at the University of Rouen. Taking their name from a souvenir t-shirt given to Boyer's father in 1980, the duo recruited guitarist Mederic Gontier in 1994, and with the addition of drummer Sylvain Marchand a year later, the lineup was complete. The foursome released a self-produced and self-financed EP, 20 Minutes, in 1996, which resulted a record deal with French label Atmospheriques in 1998. Their full-length debut Puzzle, produced with Ivy's Andy Chase and mixed by Tore Johansson, went gold and featured the international hit “Heartbeat” that established the band throughout Europe and Asia.

In the years since, Tahiti 80 – with the additions of Raphaël Léger on drums and Hadrien Grange on keys - has released eight acclaimed albums. The band has fused what Mojo called a “glorious entente of old and new technology” (including singles like “Yellow Butterfly,” “1000 Times,” “Sound Museum,” “Crush!” and “Big Day,” which was featured on a Fifa video game soundtrack), while collaborating with such producers and arrangers as Richard Swift, Tony Lash and Richard Anthony Hewson, who famously arranged The Beatles' “Long and Winding Road.” Boyer has also put out two solo albums, the first under the anagram Axe Riverboy and the second under his name. In 2019, the band released Fear of an Acoustic Planet, a stripped-down reimagining of some of their best-loved tracks from the previous twenty years. It served not only as a look back but a reminder of their formidable songwriting skills.

Boyer is definitely a student of the timeless three-minute pop song format pioneered by '60s artists like The Beatles and The Beach Boys. He says, “I see it as kind of a frame for a painting. Most of the songs on this album, I wrote a verse, pre-chorus and chorus. There aren't many middle eights. I wanted it to be very concise. I feel like people have less attention. There's so much music. It's too easy to switch off or skip to another track, so I want to hook the listener. The three-minute song is kind of an easy code to crack, but at the same time you have to figure out a new way to tell the stories that we've heard before.”

And the stories on Here With You are very much about the longing for connection. Of the album title, Boyer says, “In the world right now, that can mean a lot of different things. Like missing our fans, missing going to concerts. In a way, it can be a statement of what happened last year, and a wish of 'I want to be here with you again.' It's our ninth album. We've had some had some very open, conceptual titles like Puzzle, Activity Center. Sometimes they were more specific like Fosbury orWallpaper for the Soul. Here with You, seems more personal, more engaging in terms of relationships. When I suggested that title, everyone in the band said, 'Yeah, that's it.'”

Until Tahiti 80 can resume a full tour schedule, Boyer says he hopes the new record will make that personal connection. “If I see from the point of view as a music fan, sometimes I see albums I like as companions throughout my life. So if we can be a part of people's existence, even if it's a song that reminds them of the time they were driving with the windows open and it was sunny. Or a sad song that resonates with them after a breakup. That's what we're all looking for when we're making music. You do this very personal thing and you want it to touch as many people as possible.”

A1. Tahiti 80 - Lost In The Sound A2. Tahiti 80 - Vintage Creem A3. Tahiti 80 - Telling Myself A4. Tahiti 80 - Hot A5. Tahiti 80 - Breakfast In LA

B1. Tahiti 80 - Cameo B2. Tahiti 80 - UFO B3. Tahiti 80 - Riddles & Rhymes B4. Tahiti 80 - Zoo B5. Tahiti 80 - Wicked Wicked B6. Tahiti 80 - Let's Get Started

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Taeko Tomioka

LP | 1976 | JP | Reissue (P-Vine)

LP | 2001 | EU | Reissue (Tapete)

Release: 1976 / JP – Reissue

Genre: Pop

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Preorder shipping from 2024-12-27

The album released in 1976 is the only work left behind as a singer by Taeko Tomioka, who is also known as a poet. The iconic album jacket photographed by renowned Japanese photographer Nobuyoshi Araki is undoubtedly one of the factors that make this album special. It is too avant-garde and fantastical to be simply called psychedelic, a masterpiece of madness that distorts the listener's sense of balance. The music production was handled by Ryuichi Sakamoto, who was still a student at the time, making it a valuable piece as one of his earliest recordings.

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Superpunk

Wasser Marsch!

Release: 2001 / EU – Reissue

Genre: Pop

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World Wide Pop Golden Vinyl Edition

Superorganism

LP | 2022 | UK | Original (Domino)

World Wide Pop Earth Splattered Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Superorganism return with their second album World Wide Pop in July, their first new music since 2018’s self-titled debut.

Blasting back with thirteen tracks that explore the infinite versus the intimate, taking in friendship, time, connectedness, and the universe; World Wide Pop contemplates the contradiction of being hopeful and curious when faced with relentless consumerism and overwhelming noise. However choosing optimism, Superorganism believe in the power of pop music and all the things it can do. World Wide Pop bridges the personal and existential whilst delivering a bag full of tunes laced with deadpan humour.

World Wide Pop also brings in an international set of collaborators including Stephen Malkmus, CHAI, Pi Ja Ma, Dylan Cartlidge & legendary musician and actor Gen Hoshino.

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Superorganism

LP | 2022 | UK | Original (Domino)

17,99 €* 29,99 € -40%

World Wide Pop Black Vinyl Editin

Release: 2022 / UK – Original

Genre: Pop

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Superorganism return with their second album World Wide Pop in July, their first new music since 2018’s self-titled debut.

Blasting back with thirteen tracks that explore the infinite versus the intimate, taking in friendship, time, connectedness, and the universe; World Wide Pop contemplates the contradiction of being hopeful and curious when faced with relentless consumerism and overwhelming noise. However choosing optimism, Superorganism believe in the power of pop music and all the things it can do. World Wide Pop bridges the personal and existential whilst delivering a bag full of tunes laced with deadpan humour.

World Wide Pop also brings in an international set of collaborators including Stephen Malkmus, Chai, Pi Ja Ma, Dylan Cartlidge & legendary musician and actor Gen Hoshino.

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Superorganism

LP | 2022 | UK | Original (Domino)

Lovemachine 88 Record Store Day 2023 Orange Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Supermax

12" | 2023 | Reissue (SME)

Anniversary Remixes Blue Vinyl Edition

Release: 2023 / Reissue

Genre: Pop

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

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Sugababes

12" | 2022 | EU | Original (London)

LP | 2021 | EU | Original (One Little Independent)

Release: 2022 / EU – Original

Genre: Pop

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To honour twenty years since the release of Sugababes’ iconic debut album ‘One Touch’, the band released a series of brand-new remixes, These remixes are available on blue vinyl for the first time as a RSD exclusive. The reworks from Majestic, Metronomy, Blood Orange and Mnek offer a fresh take on classic singles “Overload’, ’Same Old Story’ and ‘Run For Cover’ Pressed to blue vinyl with new artwork featuring archive photographs.

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Stubborn Heart

Made Of Static

12,64 €* 22,99 € -45%

Release: 2021 / EU – Original

Genre: Pop

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LP | 2020 | US | Original (Sonic Ritual)

Steven Dayvid McKellar

Ethio

32,99 €*

Down On The Road By The Beach

Release: 2020 / US – Original

Genre: Pop

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Steven Dayvid McKellar, founder, singer and songwriter of South African indie rock stalwarts Civil Twilight, presents his solo album debut. A thematically-connected set of songs driven by warm, precisely arranged synthetic and acoustic tones, "ETHIO" explores reality within a single contemporary American neighborhood. The result is a singular work, one that elegantly captures the essential confusion of our times.

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Steve Hiett

LP | 2019 | EU | Original (Be With / Efficient Space)

CD | 1997 | DE | Original (Bungalow)

Release: 2019 / EU – Original

Genre: Pop

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This 1983 album appears on vinyl for the first time.

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Stereo Total

Monokini Germany Edition

8,99 €*

Ah! Quel Cinéma! Standard Vinyl Edition

Release: 1997 / DE – Original

Genre: Pop

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“Monokini” came out in 1997. The press-info sounded like this: 40% Chanson, 20% R’n’R, 10% Punkrock, 3% DAF-Sequencer, 4% Jacques Dutronc-Rhythmique, 7% Brigitte Bardot and Serge Gainsbourg, 1,5% Cosmonaute, 10% really old synthesizers, 10% 8-bit Amiga-sampling, 10% transistor amplifier, 1% really expensive and advanced instruments. Françoise was singing in French, German, Italian and Japanese language. The record was released on the new label Bungalow and at the same time released in Japan by the label Appareil Photo.

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Stereo Total

LP | 2019 | EU | Original (Tapete)

The Place I Love 2022 Remaster Black Friday Record Store Day 2023 Clear Vinyl Edition

Release: 2019 / EU – Original

Genre: Pop

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This is the regular LP version with 14 tracks. Please be aware of the limited double LP edition with 20 tracks that we offer.

An album title with not one, but two exclamation marks, meaning something akin to “what a palaver”as it primes the listener for songs like “Cinemascope”. Themes such as personal injuries (“Ich bin cool”), betrayal (“Mes copines”), personality deficiencies brought on by drug abuse (“Methedrine”), rage (“Hass-Satellit”), inflated opinions of oneself (“Brezel says”), suicide (“Le Spleen”), grief (“Dancing with a memory") and souls in torment ("Elektroschocktherapie") are presented in widescreen format in and often in the most entertaining fashion.

Françoise Cactus apparently once said of herself: "I am a linguistic artist who can live with the laughs". Which says it all really, although Stereo Total’s penchant for wordplay is not in evidence in all of the lyrics on this record. Many tracks here echo the rather more sombre, desperate songs she wrote for her first band "Les Lolitas". Nevertheless, the anarchic humour which we have come to associate with Stereo Total resurfaces on compositions like "Keine Musik" and "Einfach".

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock’n’roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, reminiscent of “rien de tout”. What we can say: Françoise Cactus excels in the art of 8-track cassette recording, thus creating an extraordinary sonic experience. Brezel Göring draws on his favoured array of instruments more likely to be found in the hands of children in households where a musical education is not on the agenda: plastic baby organ and dreadful mouse piano, accompanied by home-made guitars glued together by less than gifted artisans.

1. Stereo Total continue to make electronic music with flea market Casio sounds which fly in the face of what is generally accepted to be electronic music. Each musical instrument could probably be translated into social coordinates and in this sense, the tools of Stereo Total’s trade speak an unequivocal language.

2. Stereo Total continue to play LoFi garage rock music which makes a mockery of all the masculine clichés associated with guitars. When Françoise Cactus plays the drums, the rhythms of feminism, anti-professionalism and subversive dilettantism come to the fore.

Any attempts to pigeonhole Stereo Total are destined to fail. In the words of Flann O'Brien: "When shall we ever see their like again?"

A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history. The group comprises Françoise Cactus, who spends her time as a radio presenter, author and artist between band sessions, and Brezel Göring, a man whose very choice of stage name was motivated by a desire not to be taken seriously by music and art scribes.

When they began making music together, they made it their mission to disrupt rules, to destabilize ideas. They may not have thrown European harmonic structure or 4/4 time out of the window, but they have certainly asked questions of every other aspect of musical and lyrical techniques. Lines like "you look good from the back", "love as a threesome", "I am naked", "I’m the young gigolo with a smoker’s lung " and "sex complex" are designed to repel serious music lovers whilst shocking them with sound engineering which falls well below the standards of mainstream listeners.

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Splinter

LP | 1973 | Reissue (Dark Horse)

33,99 €*

Spiritual Warfare And The Greasy Shadows

Release: 1973 / Reissue

Genre: Pop

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Quantity: 1000
Release type: 'RSD First' Release

Remastered and pressed on transparent clear vinyl with reproduced gatefold artwork and an OBI strip. Comprised of duo Bill Elliot and Bobby Purvis, SPLINTER’s blend of folk, pop, and rock were introduced to Dark Horse Records founder George Harrison in 1973. Harrison was quick to spot their potential and made them one of the first signings to his new label. The band’s debut album The Place I Love was produced by Harrison and features extensive guitar work by the legendary musician, as well as contributions from Billy Preston, Jim Keltner, and Alvin Lee (Ten Years After) and Gary Wright (Spooky Tooth and “Dream Weaver.”). One of the earliest recordings to be made at Harrison’s. Fpshot studio in his Friar Park home, this critically acclaimed album was the first to be released on Dark Horse Records and charted on the Billboard 100. Billboard highlighted the band’s “strong harmony vocals,” whilst Melody Maker called the album an “outstanding debut.” Includes the hit single “Costafine Town,” along with the singles “Drink All Day (Got to Find Your Own Way Home)” and “China Light.” This remastered classic is now available on vinyl for the first time since its 1974 release.

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Ad Hoc

LP | 2021 | EU | Original (Earth Libraries)

Groovejet (If This Ain't Love) Feat. Sophie Ellis-Bextor

Release: 2021 / EU – Original

Genre: Rock & Indie, Pop

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One of the best songs on Ad Hoc, the new album by Boise, Idaho pop project Spiritual Warfare and the Greasy Shadows, is "Shook Loose." It's a catchy, up-tempo ditty about the randomness and absurdity of existence. "Wasting time, turn on a dime. / Where did we come from on your mind," sings project creator Joel Marquard. Later in the song, he slips in this sardonic couplet about human evolution: "Out of the water, we crawl / To our food court job at the mall." That might not seem like a cheery sentiment, but Marquard's rippling guitar hook, Bo Diddley-esque beat and ghostly background vocals make the song sound ecstatic rather than despairing. The Arizona transplant pulls off a similar trick on the bubbly "Angel of Death Donut Shop," the swooning "Volcano Girls" and the 11-minute epic "Death Was an Olympic Speedskater." Odd yet beguiling songs like these make Ad Hoc, one of the most fascinating releases of recent years. True to its title, ad hoc's idiosyncratic sound arose partially from resources Marquard had at hand. "In Pro Tools [a music software program], I found this disc in the box that said 'Loops,'" he said. "So I put it in my computer one day, and it just has all these professionally recorded [tracks]. ... They had all these Indian percussion loops—I mean, like, East India." The sinuous rhythms that Marquard created from those loops help distinguish Ad Hoc from his earlier work, which includes albums with the emo band Dear and the Headlights, the indie-rock group Gospel Claws and the ersatz gospel project The Through & Through Gospel Review. The new LP doesn't quite sound like Spiritual Warfare's previous material either.

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Spiller

2LP | 2022 | EU | Original (Defected)

LP | 2022 | CA | Original (Artoffact)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Pop

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Every once in a while, a record comes along which resonates in a special way, stands the test of time, and brings the same reaction to the dancefloor now as it did all those years ago. 'Groovejet (If This Ain’t Love)' is one of those records, a classic in every sense of the word. Originally released in 2000, Defected are, re-releasing this club essential for new and original fans alike in a special, limited edition deluxe remix reissue.

This unique two vinyl pack comes in full colour gatefold sleeve with augmented reality cover that will come to life once you scan the mask image on your phone accompanied by a four page 12” insert written by Spiller detailing the full story of ‘Groovejet’; from original production, early reactions, chart success and new 2021/22 remixes.

The releases features the original versions plus new mixes Purple Disco Machine & Lorenz Rhode, Riva Star, Breakbot & Irfane and Harvey Sutherland. Exclusive to the vinyl are Riva Starr’s Skylight Mix and the Harvey Sutherland Instrumental version.

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Spectres

Nostalgia

LP | 2022 | JP | Original (P-Vine)

Release: 2022 / CA – Original

Genre: Pop

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Second pressing (2022 black vinyl) of fourth album from Vancouver post-punk / death-rock outfit Spectres! This edition comes with a bonus insert and is a must-have for all fans of death-rock, gothic rock, post-punk, and alternative rock music! Formed in Vancouver by vocalist and founder Brian Gustavson, Spectres is a DIY death-rock outfit that mixes post-punk, the ethic of anarcho-punk, and an incredible knack for writing catchy songs. The band released three independent albums (all reissued by Artoffact in 2019) and are ready to stun audiences with their 2020 release Nostalgia. Nostalgia was produced by Actors' Jason Corbett at Jacknife Sound. Emerging from the DIY Punk underground, Spectres wanted to blend the grassroots and independent ethic of anarcho-punk with the anomie and cold, modulated sounds of 1980's post-punk and death-rock genres. Though the band's output has matured with time to embrace a wider range of new-wave and shoegaze influences, their ethos remains rooted in DIY punk. The blending of these influences allows for the curious juxtaposition of 80's influenced pop sensibilities with lyrics that explore the alienation and cynicism of modern life. On the new album, Nostalgia, these influences are carried even further to create a wonderfully crafted suite of songs that evoke the primal sounds of Beastmilk with the melody of Soft Kill. Nostalgia was produced by Actors' Jason Corbett at Jacknife Sound and will be released on Toronto-based Artoffact Records in March, 2020.

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Spangle Call Lilli Line

Trace

36,99 €*

LP | 2023 | JP | Original (P-Vine)

Release: 2022 / JP – Original

Genre: Pop

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Originally released in 2005, the fourth album Trace by the indie-pop band Spangle Call Lilli Line is being reissued on felicity Records for the first time on LP format with a limited colour disc. As they go from strength to strength with their eleventh album Remember released in 2021, and a number of future singles in the works, the reissued Trace grants listeners the opportunity to look back on a career defining album that solidified their playful dances at the boundaries of downtempo, post rock and dream pop.

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Spangle Call Lilli Line

Ampersand

I Want You feat. Leonardo Carmichael

Release: 2023 / JP – Original

Genre: Pop

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With over two decades of experience and 13 full length original albums under their belt, Spangle Call Lilli Line are hardly the starry-eyed young post rockers who released their self-titled debut in 2001. Over the years, they’ve incorporated elements of R&B, electronica, new wave, and a variety of other genres into their music, allowing their music to transform with the times - a rich reflection of a band that is constantly open to change. Spangle Call Lilli Line’s 14th original album, Ampersand, sees the band returning to a sound reminiscent of their early albums. Mellow and minimal at the same time, the album is undoubtedly a result of the path that Spangle Call Lilli Line have taken - but with familiar faces such as Jin Yoshida (salon music) producing, it’s immediately clear that Ampersand is a return to their roots. Lead singles “ira”, “lean forward”, and “near you -z mix” are featured prominently in the album, creating sonic contrasts that allow for the finer details of Spangle Call Lilli Line’s music to shine. The album is filled with earworms that betray a level of sophistication only made possible by the 20+ years of experience that Spangle Call Lilli Line have. Pressed on limited edition vinyl, P-vine is proud to be releasing Spangle Call Lilli Line’s Ampersand.

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Soul Sugar

12" | 2018 | EU | Original (Gee)

11,99 €*

Songs From The Kitchen Disco - Greatest Hits Pink Vinyl Edition

Release: 2018 / EU – Original

Genre: Reggae & Dancehall, Pop

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Soul Sugar drop their own reggae version of Marvin Gaye’s "I Want You". French outfit Soul Sugar – the brainchild of Guillaume “Gee” Metenier – deliver yet another soulful reggae 12”, this time a cover version of Marvin Gaye’s 1976 classic "I Want You". Jamaicain native Leonardo Carmichael sings lead vocals and legendary drums and bass duo Sly & Robbie add their flavor to the mix, with two versions on side B. Marvin Gaye’s single "I Want You" was a big step forward for his sound & vision and marked a change in direction – from hip Motown Soul to a more sultry, Disco sound. Marvin's vocals are notably intimate and the lyrics are more explicit, more personal. An original soul classic, "I Want You" is memorable for its unique combination of lush harmonies, a mesmerizing groove and the apparent sexiness of the theme itself. Soul Sugar's Discomix version combines a smooth mixture of reggae, soul and funk over beefy bass lines, designed for heavyweight sound systems. Sly & Robbie, rhythm duo known for their studio work on countless reggae classics since the 1960s deliver their version, taking us back to the golden age of Reggae, the days when it was typical for Jamaican musicians to record their own versions of American soul tunes ... Ace producer Jahno dubs the mix live and direct to tape, from his very own ' N.O.F Studio'.

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Sophie Ellis-Bextor

LP | 2024 | UK | Original (Cooking Vinyl)

37,99 €*

CD | 2023 | UK | Original (Cooking Vinyl)

Release: 2024 / UK – Original

Genre: Pop

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Preorder shipping from 2024-12-06

Songs from the Kitchen Disco: Sophie Ellis-Bextor"s Greatest Hits" is a Top 10 charting collection of the songs that sound-tracked her popular lockdown kitchen disco performances, filmed live from her home with her family amidst a mixture of loveable fun and chaos, becoming a virtual escapism for the hundreds of thousands tuning in.Now available again on Pink marble 2LP, housed in a Gatefold sleeve, the album features Sophie"s biggest and best-known disco songs in one place, including 6 Top 10 hits, including the viral #1 end of 2023 "Murder On The Dancefloor" and "Take Me Home", plus the single Crying at the Discotheque which was A-listed by Radio 2 and has been streamed over 10 million times on Spotify alone. The album also includes Groovejet (If This Ain"t Love) 2020 (both tracks recorded in Lockdown).

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Sophie Ellis Bextor

Hana

14,99 €*

LP | 2019 | EU | Original (BMG)

Release: 2023 / UK – Original

Genre: Pop

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New single "Breaking The Circle" and her forthcoming album "hana" were made with long-time collaborator and friend Ed Harcourt. It is their third in a trilogy of records, with each stemming around the thematic frame of a location. The collaboration began in 2014 with the critically and commercially successful "Wanderlust", which was inspired by Eastern Europe, and continued in 2016 with "Familia", inspired by Latin America. New album "hana", which Harcourt describes as "kaleidoscopic joy", is inspired by East Asia and began with the album track "Tokyo" and Sophie"s first trip to Japan pre-pandemic in 2020.

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Sophie Auster

Next Time

Release: 2019 / EU – Original

Genre: Pop

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10" | 2018 | EU | Original (Pampa)

Sophia Kennedy

Being Special

12,99 €*

Release: 2018 / EU – Original

Genre: Pop

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LP | 2017 | US | Original (Dark Entries)

Solid Space

Space Museum

LP | 2021 | US | Original (Lovitt)

Release: 2017 / US – Original

Genre: Pop

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Dark Entries is honored to finally present the first ever official vinyl reissue of Space Museum by Solid Space. Solid Space was the British duo of Dan Goldstein (keyboards, vocals) and Matthew "MAF" Vosburgh (guitar, bass, keyboards, vocals) formed in 1980. Dan and Matthew met at the age of 11 while attending school in north London. In late 1978 at at the age of 14, they formed EXHIBIT 'A' with Paul “Platypus” and Andrew “Lunchbox” Bynghall. They recorded two EPs in 1979 and 1980, self-released on Irrelevant Wombat Records and appeared on The Thing From The Crypt compilation. After the dissolution of the group, Mathew started taking his guitar over to Dan’s house where he’d play his Casio MT-30 and they would record songs. Eventually a second hand drum machine and Wasp synthesizer were acquired from classified ads in Melody Maker and the Solid Space sound was born. By this time they were just turning 18 and finally found the freedom to make the music they’d had in their heads. Over the course of the next two years the band assembled eleven bedroom recordings that would become one of the most cherished DIY obscurities of its kind. Their debut album Space Museum was released in 1982 on cassette by In Phaze Records. The band's music and lyrics were heavily indebted to science fiction, in particular the 1960s television series Doctor Who. Space Museum is an unveiling of atmospheric, minimalist post punk supported by bright melodies. The music combines drum machines and synths with acoustic guitar and toy drums whilst also experimenting with samples between tracks. Representing a bubbling spirit within the underground, they foreshadowed an entire world of independent music which would emerge across the '80s and well into the '90s. For this reissue we’ve included two bonus tracks from the band’s archive, “Platform 6” originally released on the B-side of the second single by Exhibit ‘A’, this song features only Dan and Matthew and is the first Solid Space track ever recorded. “Tutti Lo Sanno” is a cover of In Phaze label mates Marine Girls, though the lyrics have been changed to suit the gender of the new singer.

Each song has been carefully remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is sleeved in a replica of the cassette artwork featuring the Cybermen and Jamie from the Doctor Who episode "The Wheel in Space". Every copy includes a double sided 11x11 insert with lyrics, notes and never before seen photographs of the band taken by Maf as well as a postcard featuring an original advert for the cassette.

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Soley

Mother Melancholia

LP | 2017 | EU | Original (Morr Music)

Release: 2021 / US – Original

Genre: Pop

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Known for her delicate compositions, soaked in dream-like surrealism, Icelandic musician Sóley has attracted a huge following since launching her solo career back in 2010. Her 2012 single ‘Pretty Face’ went on to generate an enormous amount of buzz, and quickly became a viral sensation. Now, with three solo LPs under her belt, Sóley is preparing to debut a completely new sound via the release of her new concept album, Mother Melancholia, on October 22nd.

Described by the artist as "Nosferatu meets Thelma and Louise in a vampire church under the watchful eye of David Lynch", Mother Melancholia is the soundtrack to the end of the world as we know it. As a self-confessed news addict, Sóley became obsessed with the idea that the world is ending. Having surrounded herself with real-life stories of global warming and patriarchal politics she couldn’t shake the feeling that she was going to die. This feeling was so all encompassing that it sparked the idea for a new project. Could there be a soundtrack for the last days of humans on earth? How would that sound?

“I read books about possible dystopian worlds and started writing poems about irrational and in love characters who live in gray and cold imaginary loneliness. In each other’s burning arms. Walking in circles with no way out” she explains. “After all, the album reflects our life here and now. Our life and reality is a kind of dystopian world.”

Whilst writing the album, which serves as a tongue-in-cheek eulogy to our planet, Sóley began reading about ecofeminism, a branch of feminism which uses the concept of gender to analyse the relationship between humans and the natural world. Ecofeminism emphasizes that both women and nature must be respected but also separated. Since the beginning of time, the natural world has been synonymous with female identity, phrases like Mother Nature are commonplace. “The patriarchy views women as volatile and hysterical. Earth and women are either our saviours or our destroyers,” explains Sóley. “It’s so easy to abuse the earth, like the patriarchy has abused women since the dawn of time, then ask for forgiveness afterwards and promise they´ll never do it again”.

The new album sees Sóley move away from the indie-pop of her previous releases. She began by experimenting with writing songs on the accordion, allowing her a new sense of freedom in her writing. The process allowed her to broaden her horizons even further and experiment with a whole range of new and exciting sounds. “I bought myself a theremin as I was really excited about the unpitched sound and there is no perfect pitch during the end of days,” she laughs. “I also bought a mellotron, my first moog and a cello and taught myself how to play each of them. All of these new instruments are particularly suitable for the kinds of aesthetic inconveniences which I have learned to embrace.”

Album opener ‘Sunrise Skulls’, one of the most cinematic moments on the album, was inspired by the Me Too and SlutWalk movements and tells the story of a group of women who rise up and fight the patriarchy. ‘Blows Up’, a track that would be at home on any horror soundtrack, is a sarcastic love letter from the Earth to humans. Standout track ‘Desert’ is an incredibly moving song dedicated to the next generation. “It’s about the guilt you feel, as a mother, for having children and leaving them on the frontline. My daughter, for example, will take over this inevitable war” explains Sóley.

In true soundtrack style, the album flows through the end of the world in chronological order, closing with the Earth’s final moments. ‘Sundown’ is a dark piano ballad detailing human kind’s final day on Earth. “And everyday, I dig my own grave, and as I dive in you´ll hold my hand” she sings, over twinkling piano and swirling synths. We then hear the world end on ‘xxx’, a dark and swirling soundscape that swells before fading to silence. On ‘Elegía’ the silence then turns to the sound of the ocean, as we hear the Earth, like a woman finally free from a violent relationship, healing on her own.

Mother Melancholia is the mark of an artist confidently striding into more experimental territory. With a lengthy and successful career behind her, Sóley felt compelled to try something new and express the real her. The music might be shrouded in darkness but it’s a move that fills her with joy and freedom. “I hope that people not only enjoy the new sound, but also that Mother Melancholia might raise some questions in people, particularly women,” she says. “I’m under no illusions that this album will change the world but I hope that people can connect with the idea”.

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Soley

Endless Summer

18,99 €*

LP | 2014 | UK | Original (4AD)

Release: 2017 / EU – Original

Genre: Pop

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Sóley is back with her third solo album, Endless Summer. Written over the period of one year together with her long-time friend and collaborator Albert Finnbogason, the new full-length sees the acclaimed musician from Iceland explore the more optimistic, sun-drenched corners of her songwriting.

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SOHN

Tremors

LP | 2023 | EU | Original (Wave Tension)

Release: 2014 / UK – Original

Genre: Pop

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Over the last year, Vienna-based producer SOHN has collaborated with the likes of Disclosure, Angel Haze, Rhye, and Banks.

Now it's time for his debut Tremors on UK's 4AD.

80g vinyl including download code.

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Soft Riot

No.

23,99 €*

Cruelty Without Beauty Remastered Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance, Pop

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No. is the tenth Soft Riot album by Glasgow-based Canadian synth auteur Jack Duckworth (also known as Jjd). With origins from the mid-nineties in the vibrant art-punk/hardcore dominating the West Coast American/ Canadian underground at the time, he has clocked in over twenty five years of musical output in various bands and projects.

No. is the logical follow-up to When Push Comes To Shove, released in November 2019 on the Glasgow UK-based label Possession Records, which saw some critical acclaim in the increasingly diverse synthwave scene — a crystallization of the artist’s signature “SynthLord” sound.

With No. things have been shaken up and pushed into new directions. Many different factors came into play, including the conditions of the pandemic lockdowns and an urge for listening to music favourites from beyond his own scene informed developments on this new record. One key feature of these tracks is that under these conditions they were developed as individual pieces — a contrasting approach from previous albums where tracks were written with an album in mind. An evaluation of all of these individual tracks in the summer of 2022 unveiled a common pattern going through these new compositions.

One can still hear any number of echoes of the spirits of original synth artists in his sound, such as Images in Vogue, The Box, Section 25, Thomas Dolby, Skinny Puppy, Chrome, Cabaret Voltaire, Fad Gadget, Japan and Bill Nelson. However, some of Jack’s halcyon punk influences surface as well, taking inspiration from legendary punk/hardcore labels such as Dischord and Gravity, as listening habits over pandemic steered back towards more guitar-based styles. The introduction of expanded production techniques, experiments with vocal styles and tones, and stylistic shifts mark a progression of Soft Riot’s sound. The result is a snarkier, urgent and more playful, with a focus on pure synthpop, new wave, art-punk, proto-EBM as well as grittier synth-punk and post-punk tones.

The variation, energy and tone of this collection of tracks illustrates Soft Riot’s ability to transcend the hallmarks of today’s music environment, which increasingly is fragmenting into smaller and smaller micro-genres. Dry wit and dark humour take the lyrics and the tone of this album on a fun ride through music scenes, dark alleys and inside jokes.

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Soft Cell

LP | 2020 | EU | Original (Big Frock)

32,99 €*

Release: 2020 / EU – Original

Genre: Pop

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CD | 2024 | EU | Original (Duchess Box)

Sofia Portanet

Chasing Dreams

17,99 €*