Search "tim+hecker" 509 Items

LP | 2021 | EU | Original (Factory Benelux)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Classic roots reggae vocal track from the late Devon Russell.

* The original version was recorded by Coxsone Dodd for his Studio One label.

* This updated digital version was produced by Zion Train and released in 1992.

* A long-time sound system favourite with a dub version from Zion Train on the flipside.

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X-O-Dus

English Black Boys

Winston Francis & Change The Mood

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy). Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville. Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl. The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.

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Let's Go To Zion

7" | 2023 | EU | Original (Berends)

12" | 2024 | EU | Reissue (Jamwax)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Change THE Mood present...

Faithful remake of Winston Francis Studio 1 classic 'Let's Go To Zion'.

Winston ('Mr Fix It') Francis originally recorded this song in 1968 at the legendary Studio 1 in Jamaica. The music was written, arranged & performed by maestro's Jackie Mittoo (who had to be woken from sleeping under the piano that day) & Ernest Ranglin.

Many official (& unofficial) versions of varying quality have been issued over the years, this recording by 'Change The Mood' band, has been made with respectful & diligent attention to the Studio 1 sound as well as the music.

Winston himself (now in his 80th year!) voiced the track again as freshly as ever (over 50 years after the first time) & added a little extra lyric and Jamaican spice along the way.

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Winston Fergus

In Ting Sound

20,99 €*

LP | 2023 | EU (Radiation Roots)

Release: 2024 / EU – Reissue

Genre: Reggae & Dancehall

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Jamwax presents the resurrection of a hard-hitting space synth masterpiece that's set to ignite your senses and shake the very foundations of sound systems worldwide. 'In Ting Sound' is a sonic juggernaut, a hard-as-nails sound bwoy killer that refuses to be confined to the constraints of time. With its pulsating beats and infectious rhythms, this track commands attention from the moment the first note hits. But it's the heavy drums that truly set it apart, pounding with relentless force and driving the groove forward with unstoppable momentum. Get ready to embark on a sonic journey like no other as this reissue comes with three exclusive unreleased tracks : 'Mandela': Feel the pulse of liberation with this uptempo digital killer, featuring Winston's impassioned plea to "Free Nelson Mandela...he never done no wrong, he is just a conscious man..." Let the rhythm of justice resonate as you groove to this powerful anthem of freedom. 'Life All Over': Flip over to the B-side for a digital roots tune that- hits hard with its strong bassline and conscious lyrics. "Life AllOver" dives deep into the essence of existence, delivering a message of hope and resilience that reverberates with every beat. 'Finnegan' aka 'Life All Over Dubwise': Prepare to enter the realm of dub mastery. The second part of "Life All Over" takes you on a journey through the echoes of space and time, where the music transcends boundaries and the spirit of dub reigns supreme. About Winston Fergus : Winston Fergus, a stalwart of the UK reggae scene whose career spans over four decades. Winston kickstarted his journey in 1976 as the vibrant lead singer of The Equators, renowned for their iconic track 'Father Oh Father' released under Joe Sinclair's esteemed Klik label. Not only did The Equators make waves in their own right, but they also provided the musical backdrop for rising star Pablo Gad, solidifying Winston's reputation as a mentor in the industry. In 1977, Winston ventured into solo territory with the soulful release 'Give Me Love' on Jah Jah Bus, marking the beginning of a prolific solo career. Lightning Records recognized his talent and signed him, resulting in the release of 'African Woman'. Throughout the '80s, Winston remained a prominent figure, collaborating with luminaries like Clement Bushay, Clive Stanhope, and John Dread, producing hits such as 'Jezebel Woman', 'Keep On Dancing', and 'Hope For The World'. In the late 80's, Winston's entrepreneurial spirit led him to establish his own imprint, Fergie Music label, marking a new chapter in his illustrious career.

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Willie Williams

Words Of Knowledge

7" | 2021 | EU | Original (Partial)

Release: 2023 / EU

Genre: Reggae & Dancehall

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Willie Williams is one of those outstanding reggae individualists who has carved out his own musical niche, making a lasting impact as a beloved roots vocalist and lyricist. His unusual vocal tone is distinctive and affecting, and he has taken a singular approach to music production which parallels his uncommon spiritual beliefs; like his friend and collaborator, Yabby You, Williams is one of a select coterie of reggae figures who wear dreadlocks and celebrate the culture of rastafari, but who reject the notion of Haile Selassie’s divinity, standing firm in their belief in Jesus Christ. He will always be best remembered for his landmark Studio One recording “Armagideon Time,” which was memorably covered by The Clash, but Williams’ career has been long and varied, his story taking in many different twists and turns. Another truly original reggae great.

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Willie Williams

Saints

12" | 2019 | UK | Original (Soul Jazz)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Solid production from the Riz crew aka Nick Manasseh and Gil Cang (Tuff Scout) featuring the legendary Willie ‘Armagideon Time’ Williams from 1995.

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Willie Williams

Armageddon Time

21,99 €*

7" | 2024 | EU | Original (Hits38)

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Willie Williams' roots rock reggae classic Armagideon Time – the rare 12" extended Discomix version split into two sublime heavyweight slices and cut super-loud on a 12" single.

Produced by Studio One supremo Coxsone Dodd this is a huge Reggae anthem on the classic 'Real Rock' rhythm, famously covered by The Clash and sampled by KRS One, The Fugees and many more.

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Wayne Smith

Under Me Sleng Teng

7" | 2024 | EU | Original (Basscomesaveme)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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The facts behind Wayne Smith's "Under Mi Sleng Teng" is deliciously interesting. This instrumental changed the course of reggae music forever, churning out a plethora of digital riddims on its heels. Wayne Smith and Noel Davey originated the digital sound using a Casiotone Mt40 Keyboard, the riff being a sample from "Hang Onto Yourself" from David Bowie's Album Ziggy Stardust. Casio's employee Okuda Hiroko improved the riff for the Casiotone keyboard and the Jamaican youths tinkered creating an everlasting anthem under the masterful hands of Lloyd "Kings Jammy" James. This fresh and dynamic sound drew many outside of Jamaica to the genre of dancehall. At this time the 18 year old Wayne Smith had been on the reggae scene for some time voicing dubs for sound systems, even releasing two full albums by the time he was 14. Barrington Levy's dancehall hit "Under Mi Sensi" was his inspiration for "Under Mi Sleng Teng". The song's success heralded a historical milestone revolutionizing the sound of reggae and also the way in which dancehall songs were recorded. Up until that time the artist would approach the studio with a song taking along the lyrics and the instrumental, but the Sleng Teng hit created the role of the digital engineer who churned out sturdy computerized riddims and then invited artistes to voice. To date there are more than 500 titles using the Sleng Teng instrumental.

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Wayne Daniel & Gulls

So Blessed

12" | 2024 | EU | Reissue (Jamwax)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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We're back with another heavy release for the soundsystems.

This time we welcome Boomarm Nations own Gulls to the label.
Hailing from his dojo in Portland, Oregon, Gulls delivers us a
meditative dub hybrid, combining elements of dub, hip hop and contemporary electronica. The tune is called ''So Blessed'' and is topped by the fine voice of Wayne Daniel outta Kingston, Jamaica.

''So Blessed'' got exactly the vibe you'll need in this challenging time. Keep your head up, feel gifted for what you've got and give something back to the people around you. This tune's backing you up.

If that wasn't enough, the Portland rapper Madgesdiq steps pon the mic for some blazin' bars in his signature conscious style.

Get lost in this wicked production while heading right into the dub version to exceed the border between music and meditation.

To feel the sound through your body and soul, LXC lifted the frequencies again.

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Wade Dyce

Money Mare

12" | 1981 | EU | Reissue (Jamwax)

Release: 2024 / EU – Reissue

Genre: Reggae & Dancehall

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Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

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Wade Dyce

Humble

12" | 2024 (Dub & Sound International)

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Vin Gordon

Digging The Vibes

14,39 €* 15,99 € -10%

7" | 2023 | UK | Original (Partial)

Release: 2024

Genre: Reggae & Dancehall

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Dub & Sound International returns for a third time and this one welcomes legendary Jamaican trombonist Vin Gordon who is rightly 'Digging The Vibes.' The title track kicks off and pairs his playful patterns with a Dubsetters rhythm and some nice sunny and soothing melodies from Trommie aka Don Drummond Jr.. After the horn-led, organic and unhurried instrumental comes a dub that is fleshed out with a little more echo and is a sublime bit of roots. A second version adds another perspective to the original and we already look forward to hearing more from this project.

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Vibronics

Silver & Gold

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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A slab of horns-led sound system niceness from the mighty Vibronics with their trademark digital steppers sound with a bassline that could tear down the walls of Babylon.

* `Silver & Gold’ and the dub-wise counterpart both appear on vinyl for the first time, despite being rinsed on dubplate for the last 15 years.

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12" | 2018 | EU | Original (Digi Killaz)

Yaad N Abraad Riddim

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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Dre Island, 5 Star, Iba Mahr, Aza Lineage, Earth and The Fullness, Monkey Marc jumping on the Yaad n Abraad Riddim. Six times dope.

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LP | 2023 | UK | Original (VP)

Who Wants Some?

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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• Bunny Lee was the first to actually use reggae in the title of a record with ‘It’s Reggae Time’ Striker’s propensity for creating hit records during this period was unmatched and he was awarded the prestigious “title of Jamaican Producer Of The Year in 1969, 1970, 1971 & 1972” the years covered by this new Boss Reggae focused compilation.
• Striker’s complete mastery of the new reggae rhythms and “versioning them over” are showcased on this release with the emphasis placed on the outstanding contribution of the cream of Kingston’s session musicians

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LP | 2023 | UK | Original (VP)

We Remember Bob Andy

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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• The Bob Andy catalogue is one of the most celebrated in the history of Jamaican music. His touchstone LP from
Studio One is a best-selling singles compilation simply entitled Song Book, a cornerstone of the Studio One
catalogue.
• Nine of 12 tracks recorded for this project appeared on Song Book.
• Bob Andy's works have been covered dozens of times, Tarrus Riley "Desperate Lover"; Bitty McLean "Let Them
Say"; Beres Hammond "I've Got To Go Back Home," Olaf Blackwood "You Don't Know"
• Focus tracks: Tarrus Riley "Desperate Lover”; Bitty McLean "Let Them Say"; Beres Hammond "I've Got To Go
Back Home," Olaf Blackwood "You Don't Know"
• Liner notes written by Herbie Miller

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Treasure Isle: Solid Gold

LP | 2023 | UK | Original (Charly)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Charly Records have done plenty of leg work here thatmeans you can save yourself lots of time and effort and immediately make yourself out to be a font of dub and reggae wisdom. Treasure Isle Solid Gold is a well curated selection of the most vital club hits produced by the legendary Jamaican label owner Arthur ‘Duke’ Reid. You will know plenty of the artists he worked with from the opener John Holt via Rolando Alphonso Baba Brooks Band, Don Drummond & The Skatalites and U-Roy & The Pargons. The sounds are varied but never less than sensational across both sides of wax.

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Tokyo Riddim Volume 2 1979-1986

LP | 2024 | UK | Original (Time Capsule)

29,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Diving deeper into the story of Japanese reggae pop, Tokyo Riddim Vol. 2 explores an electronic, new wave and often experimental sound unlike anything Japan or Jamaica had ever heard before.

The first time Ryuichi Sakamoto left Japan, he did not go to the United States or Europe - he went to Jamaica. It was 1978, YMO were about to release their debut album, but Sakamoto was in Kingston, invited to play synths for Japanese idol singer Teresa Noda at Dynamic Sound Studios in a band alongside Neville Hinds and none other than Rita Marley. It’s not a story many know, but one which would spark Sakamoto’s fascination with dub and mark a new chapter in the ongoing Japanese love affair with reggae.

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LP | 2023 | JP | Original (Time Capsule)

Tokyo Riddim 1976-1985

29,99 €*

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society. But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and Ub40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long. Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound. Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious. Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Tape | 2024 | UK | Original (Digital Sting)

Time Splitters

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Time Splitters is a various artist compilation created and produced by Richmond VA based Deskulling in collaboration with veteran Spanish Town JA artist I Jahbar between 2021 and 2023. This 21 track 50 plus minute Dancehall epic also includes other veteran vocalists such as G Sudden, RDL Shellah, Buddydon, and Darkchild plus newer talents such as Fearless, Longdon, Latty, King Kush and 1 Solar Boss. Alexander West who passed away in 2023 contributes an ethereal and heartfelt album closing performance on “Granny Grenade”. Time Splitters is a sprawling creation that captures a multiplicity of emotions, life complexities, spiritual evocations, and musical dimensions. Deskulling's eclectic productions are rendered to the perfect minimalism and provide a rich and varied platform for vocal performances that move between dark and light, sad and joyful, heavy and soft. A lot of work went into this release over a few years from many people during times of inner and outer complexities, turmoils, and tribulations. This release musically, lyrically, emotionally, represents life's spectrum's fully. Thanks for listening.

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2LP | 2024 | US (Bad Time)

This Is New Tone

25,41 €* 40,99 € -38%

Release: 2024 / US

Genre: Reggae & Dancehall

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Catbite, WE ARE THE Union, Kill Lincoln & More Combine FOR A Modern DAY “dance Craze” Showcasing THE Current State OF SKA 2xLP Gatefold With 11x17 Poster on Doublemint Green Vinyl Recorded live across the 24 dates of the 2023 Bad Time Records tour, “this IS NEW Tone” captures the energy and diversity of the modern ska punk scene through 24 brilliant tracks from some of the genres best and brightest bands. With Catbite, We Are The Union, and Kill Lincoln highlighted as the tour headliners, you get a taste for what makes each of these bands so special live... the songs have a unique energy, you can feel the crowd responding, and it’s easy to imagine being packed into a club somewhere across the country sweating it out to your new favorite bands. Joined by fellow label mates BAD Operation, J. Navarro & The Traitors (Jay of The Suicide Machines), JER, Omnigone, Eichlers, The Pomps, Joystick, and Thirsty Guys, each of the bands contributes their unique brand of ska and punk to this jam packed celebration of one of the best live genres in music. With the help of engineer / mixer Rick Johnson (Mustard Plug, Jeff Rosenstock), the album captures the raw experience of being at the club while also maintaining a high audio fidelity in order to truly document these bands properly. The record also accompanies a live concert film / documentary of the same name which will premiere in Spring 2024. If you’re looking for evidence that ska is still alive and thriving, look no further than “this IS NEW Tone”.

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2LP | 2024 | JP | Original (P-Vine)

The British Core Lovers

47,99 €*

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Dennis Bovell is a producer, musician, and engineer who is an indispensable part of the history of British reggae. In 2008, P Vine compiled a collection of Dennis' master recordings under the title "Rebirth of British Reggae" and released it on vinyl for the first time. Marie Pierre's version of the Young Rascals' classic "Groovin'," which has been covered by numerous musicians including Marvin Gaye and Aretha Franklin, was released as a 7-inch single on P-vine in 2021 and sold out immediately. This is a supreme compilation album with plenty of sound sources that reggae fans will not be able to resist.

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Studio One Freedom Sounds - Studio One In The 60s

2LP | 2018 | UK | Original (Soul Jazz)

Release: 2018 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

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Studio One Black Man's Pride Volume 2

2LP | 2018 | UK | Original (Soul Jazz)

Release: 2018 / UK – Original

Genre: Reggae & Dancehall

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This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’
Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.
The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.

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Sound System Rockers Kingston Sounds 1969-1975

LP | 2009 | EU | Reissue (Kingston Sounds)

15,29 €* 17,99 € -15%

Release: 2009 / EU – Reissue

Genre: Reggae & Dancehall

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The Sound System has become part of today’s musical/cultural heritage, playing the people’s favourite hits or just as important, breaking some new tunes. But perhaps less known are the roots of the Sound System, which began way back when in Kingston. Around the late 1940’s the Sound System began to overtake the big bands that usually played at the dances in Kingston. The American Rhythm and Blues records that were so popular at the time would find their way to Jamaica via the merchant sailors and migrant workers returning from their stints in America. For economical reasons alone it would pay to have a DJ on hand to play these hits rather than a 10 piece band that could eat and drink the promotor out of the house and on curried goat!!

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LP | 2024 | UK | Original (Kingston Sounds)

Skinhead Shuffle

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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The early Reggae sound that came out of Jamaica between the years 1968 and 1971 became the soundtrack to the skinhead movement in the UK. Not only was the music embraced but also the dress style of the Jamaican Rude Boys.

The skinhead style started around 1968 and by the following year 1969, had become the style and fashion of the British teenagers. The uniform of the skinheads consisted of boots, braces, button down shirts and jeans and the upbeat reggae sounds seemed to match the style perfectly. The tempo of the music in Jamaica had previously slowed down from the more up tempo beat of Ska to the calmer pace of beat called Rock Steady. Some say this was to match the extreme heat wave that was hitting the island between 1966 and 1968. But that period had now passed and the evolution of the Reggae beat had again found a new pulse to hang its songs by. A more up tempo beat that all Jamaicans, British youths and various pockets of people around the world could groove to.

We have selected a cross section of tunes from those heady times, so sit back and enjoy some of the tunes the youths were listening to when the Skinhead Shuffle was all the rage. Hope you enjoy the set….

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Ska La-Rama: Treasure Isle Ska 1965 To 1966 Record Store Day 2023 Edition

2LP | 2023 | Reissue (Trojan)

33,99 €*

Release: 2023 / Reissue

Genre: Reggae & Dancehall

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Record Store Day 2023 limited run of 650 copies.
During the final two years of the original Jamaican ska era, producer Arthur ‘Duke’ Reid released arguably his finest works in the genre. The popularity of his work from this time is reflected in the high demand for his productions from this period, with most of the 7” singles he issued between 1965 and 66 now fetching three figure sums on the collectors market. ‘Ska La-Rama’ brings together 14 of the Duke’s most elusive works from this golden era, with half of the tracks on the album appearing on vinyl for the very first time. Among those that have previously seen issue are a number of recordings widely regarded as being among the finest ska productions of the period, notably, the title track, ‘True Confession’ and the hugely collectable ‘Renegade’ by the Zodiacs. Pressed on Colored Vinyl and boasting an insert featuring a fascinating essay on the recordings by esteemed music historian Tony Rounce, this limited edition collection album comes housed in a stylish, retro-style sleeve, which captures the exciting spirit of the original ska era. An essential addition to the collection of any self-respecting fan of ska and Duke Reid’s inimitable sound.

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12" | 2023 | UK | Original (Dub-Stuy)

Saga Riddim

15,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Dub-Stuy’s riddim series is a nod to tradition with a modern twist, with the label teaming up a producer with different vocalists to voice a single riddim. The latest entry in the series comes from French producer Von D who crafted the Saga riddim exclusively for this occasion, a weighty steppers piece featuring guitar, keys, and horns. The riddim is paired with vocal turns from reggae singers Chukki Starr, Chezidek, and Jah Mason who each bring their own unique stylings to the riddim, riffing on uplifting messages of unity in the face of oppression. As always the release includes the instrumental version, this time with a dub twist from Von D. Mastered by Bristol legend Joker.

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Rocksteady - The Roots Of Reggae

2LP | 2017 | EU | Original (Moll-Selekta)

23,99 €*

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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Brand New 2017 Recut - finally available on Vinyl for the First time. 2LP+Mp3 in full Original Coverart. The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid’s employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.

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LP | 2003 | UK | Reissue (Jamaican)

Return To Orange Street

15,99 €*

Release: 2003 / UK – Reissue

Genre: Reggae & Dancehall

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From 1968 through to the mid 1970’s the reggae beat began to slow down,some say due to the extreme heat hitting down onto Kingston Town and its surrounding enclaves. People needed something less strenuous to dance to. The Ska and Rocksteady Sounds (see 101 Orange Street Ks007) that rocked Jamaica previously, had now found a slower tempo and become more ‘Dread’ lyrically to suit the times. Reggae music has always moved within the social climate it found itself in and this set here, as we ‘Return To Orange Street’ was Roots Rock Reggae Time....

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LP | 2023 | JP | Original (Drum & Bass)

Reggae Funkyfied

31,99 €*

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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"Reggae Funkyfied" is a new series compiling soulful, funky and disco style reggae from Mid 70's to Late 80's! The new series includes reggae covers of classic songs by Barry White, Ohio Players, McFadden & Whitehead, The Temptations, etc., familiar to soul and rare groove fans, and the rare lovers' rock "Lot Of Love - Sheila Hylton" and other sexy crossover reggae 12-tracks that will heat up the floor. These are not just easy covers that are simply backed by soul, but excellent arrangements that showcase the abilities of the producers and musicians of the time, and crossover tastes that successfully incorporate the trends of the time, such as funk and new wave.

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10" | 2023 | US | Original (Jump Up)

Our Way - The Rat Pack

27,99 €*

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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UK ska/reggae charity collection tributes the crooner RAT PACK style, inc FRANK SINATRA & TONY BENNETT songs! Ten trax from RUDE GIRL REVUE, CRAZY BALDEAD w/JESSE from THE AGGROLITES, KING DJANGO, SPECIAL BREW, SKAPONES, EASTERN STANDARD TIME, MR KINGPIN and many more. Generic white sleeve.

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2x12" | 2024 | UK | Original (Above Board Projects)

Optimo 25 (Part 2)

35,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Optimo (Espacio) started life as a weekly club night. It was born at The Sub Club in Glasgow on a wet, windy, wintry November Sunday night in 1997. Run by JD Twitch and partner in crime Jonnie Wilkes. Optimo was a reaction against what felt like an increasingly conservative musical soundtrack in clubs here at that time. Clubland felt as if it had become very bland and a bit too serious; it was the era of the dawn of the Superstar DJ. Clubs often felt like bastions of male energy. It seemed dance music and culture was going somewhere far, far away from where it was meant to be. The notion of fun had got lost.

It was no longer the world they had devoted ten years of their lives to already, and lots of their friends felt the same. When the opportunity came up to do a Sunday night at The Sub Club it felt like the perfect opportunity to rip it all up and start again. So they did. There was nothing in the city (or possibly anywhere) like it. As the club believed wholeheartedly in what they were doing, there was no pressure from The Sub Club to fill the club. So, they embraced the freedom. Groups of people who had never been in the same room at the same time before came together. A community of kindred spirits started to emerge.

Word spread, slowly. Lots of people checked it out. Many loved it, some hated it. The core of the Optimo idea was to embrace music they loved that might work on the dancefloor from whatever era or genre they thought felt right. It might not seem very radical now but at that time it was revolutionary.

After about a year and a half, the club went from having 100 people attending most nights to suddenly one week having 500 people turn up. It was very weird. It was as if a collective light bulb went off in people’s heads in Glasgow. From that week on, until the very last weekly Sunday night at the Sub Club, in 2010, over a decade later, it was packed.

There were 550 Sunday Optimo nights. A LOT of music was played. So, what was the music? People often find it hard to pin down exactly what Optimo is. This has been a positive but also a negative as we live in a world where people want easily defined “brand identities”. The simplest definition of the music played is “music for dancing”, which of course is a very broad definition. Even better than trying to define it in words, we have these 2 volumes of music that give a hint of what that might be.

This is not a “Best of Optimo” or a “Greatest Hits of Optimo” compilation. For people who come to, or used to come to the nights there are of course “Greatest Hits”. But, over such a long timespan they are “hits” belonging to a certain moment in time and space. Someone who came to Optimo in 1997 would have a completely different notion of the big tracks at the club to someone coming in 2003, or 2010, or today. This compilation is just a snap shot missing several genres that might make up the DNA of Optimo. There is though a broad sweep through lots of music Optimo loves, that they believe is amazing. Music that they know will rock a dancefloor, that they have played between 1997 and 2023. Of course Optimo nights were not all about rocking the dancefloor. The first hour was always a time for them to play music they loved that often was far removed from the dance. Side 1, Volume 1 of this compilation is the kind of music one might hear at the very start of an Optimo night.

Optimo have always loved a good slogan. The most long lived, and fitting Optimo slogan is "We Love Your Ears", which is in essence what it is all about to them.

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2x12" | 2024 | UK | Original (Above Board Projects)

Optimo 25 (Part 1)

35,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Lovers Rock Revisited Volume 2 - Delroy Witter & Friends

LP | 2023 | JP | Original (Drum & Bass)

29,74 €* 34,99 € -15%

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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The second volume of "Lovers Rock Revised," a compilation series selected by Zunggu Zunggu, author of "Lovers Rock Record Guide", is now available for pre-order!! This time it is a collection of works by Delroy Witter, the owner of Success Sound System based in Harlesden, North London, and one of the most important reggae producers in the UK. This is a compilation of selected works from his D-Roy label, omitting those licensed from Sly & Robbie, and only the pure "Sound of Success". This is a gem of a collection that includes both familiar songs for lovers rock fans and maniacal choices that are typical of Zunggu Zunggu's thorough knowledge of the label's works.

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King Tubby's Prophecies Of Dub

LP | 1976 | UK | Reissue (Pressure Sounds)

21,99 €*

Release: 1976 / UK – Reissue

Genre: Reggae & Dancehall

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King Tubby’s Prophecies Of Dub almost looks like an album that was designed to confuse record collectors and dub enthusiasts. Firstly, the record carries nearly the same title as a slightly earlier release - also produced by Vivian Jackson, aka Yabby You.

Yabby You: “First we do ‘King Tubby’s Prophecy Of Dub’, it come just after my first vocal LP. Then there was ‘King Tubby’s Prophecies Of Dub’ that was mixed by Pat Kelly, who was working at Tubby’s at the time.”

Pat Kelly: “Well fortunately Yabby You put my name (on it). I think I made them three one night, and then another week also he come back and do another three, and so it was done over some period of time. Yabby was with me most of the time, but I was always left to do what I wanted with the mix.”

Secondly, King Tubby is named in the title, but the rear sleeve states that the album had ‘Pat Kelly at the control’. This is more understandable, as the record was mixed at Tubby’s studio and carries its signature sound. After 1975, Tubby had partly stepped back from mixing work, but was still credited with most of the music coming out of his studio.

And thirdly, further confusion comes from the fact that most of the backing tracks used were not actually produced by Yabby, but belonged to Bunny ‘Striker’ Lee.

Bunny Lee: “Yabby You and Pat Kelly go behind my back and make it up. Me never even know about it till years later when Steve Barrow bring it to my attention. But it was my riddims and they used them.”

Bunny stored his multitrack tapes in a big wardrobe in the studio, allowing King Tubby to cut dubplates from them to be played in the dances.

Whether due to a misunderstanding or some long forgotten agreement, it was these 4-track tapes that Yabby presumably felt entitled to use to create this LP. The two producers had shared backing tracks before, with Yabby recording Tommy McCook’s sublime ‘Death Trap’ over one of Bunny’s rhythms, and Bunny had long acted as a mentor to Yabby.

Whatever the reason, eleven of the album’s tracks were dubs of the latest Bunny Lee productions, and by delving into Bunny’s tape archives we can see that the rhythms were often pulled from the same 4-track reels, and sequenced pretty much in the order they came off the tapes. So the opening two dubs are from the same multitrack: Linval Thompson’s ‘Long Long Dreadlocks’, and an unreleased cut of ‘Simmer Down’ by Johnny Clarke on a modified ‘Move Out Of Babylon’ rhythm. This is followed by Johnny’s version of Curtis Mayfield’s ‘Ten To One’ as covered by the Mad Lads. Then there are four cuts pulled from Delroy Wilson’s ‘Sings For I’ album, and two from Horace Andy, ‘Serious Thing’ and ‘Man To Man’. After Johnny Clarke’s ‘Live Up Jah Man’ and ‘Stop The Tribal War’, the album concludes with the sole Yabby You rhythm, a dub of Dicky Burton’s ‘God Is Watching You’ that is noticeably different from the Tubby’s mix as heard on the ‘Beware Dub’ album. Throughout, Pat’s mixing is detailed and subtle, focusing the listener into the musicality of the backing tracks.

The LP was released in 1976 in very limited numbers on the Prestige label, probably with the involvement of Prince Tony Robinson, with a further limited pressing appearing on the Prophets label. This reissue at last allows an obscure and mysterious album to be enjoyed by a wider audience.

Yabby You: “Dub music carry the message. If you play the music it captivate your mood, it bring you and draw you out of that folliness, and brings you into consciousness.”

Musicians include:
Drums: Leroy ‘Horsemouth’ Wallace, Sly Dunbar, Carlton ‘Santa’ Davis
Bass: Aston ‘Family Man’ Barrett, Robbie Shakespeare
Guitar: Earl ‘Chinna’ Smith, Tony Chin
Keyboards: Aston ‘Family Man’ Barrett, Bernard ‘Touter’ Harvey, Ansel Collins, Winston Wright
Horns: Tommy McCook, Richard ‘Dirty Harry’ Hall, Bobby Ellis, Vin Gordon
Percussion: Noel ‘Scully’ Simms, Herman ‘Bongo Herman’ Davis

Recorded at King Tubby’s Studio, Dynamic Sounds, Channel One Studio, and Harry J’s Studio.
Mixed at King Tubby’s Studio, engineer Pat Kelly, produced by Vivian ‘Yabby You’ Jackson.

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Jura Soundsystem Presents Transmission Three

2LP | 2023 | EU | Original (Isle Of Jura)

34,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The third and concluding edition of the Transmissions compilation series curated by IOJ Jura Soundsystem. The compilation focuses once again on rarities no longer available on Vinyl and touches upon Reggae & Dub, Ambient House, Downtempo and Leftfield Disco. Mixmaster Morris in his Irresistible Force guise opens the album with the Ambient Electronica of ‘Lotus Position’, a long time favourite that’s been unavailable on Vinyl for nearly 30 years. Full Moon Scientist pick up the Ambient Dub baton with ‘Lunar Base Dub’ segueing into Australia’s Rude Band, featuring Oz radio royalty Doug Mulray on the aptly titled ‘Doug’s Dub’ originally released on Oz Sounds in Australia in 1982, a true Balearic gem recorded long before the genre had been widely discovered. Other highlights include Mary House’s ‘Ambient’, a chuggy slo-mo piano houser originally the last track on a 7 track EP released in 1991 on Italian label Technology, and ‘Do It’, an obscure South African track by Inspiration which covers the music from Sylvester’s ‘I Need Somebody To Love Tonight’ paired with new vocals using the refrain ‘Do It’. Jean-Michel Bertrand gave his blessing to a special Jura Soundsystem version of ‘Dream Reggae’ which features long time collaborator Mike Burn adding lead and rhythm guitar to an extended edit of the song. The album closes with some Ambient Tools which should serve to raise a smile at the end of the series.

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Jumping With Mr Lee: Reggae Classics From The Vault Of Bunny "Striker" Lee

LP | 2019 | EU | Original (Kingston Sounds)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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The period of 1967 – 1968 when Rocksteady was in full flow, would also be a turning point for Bunny ‘Striker’ Lee, when he became a producer in his own right. Many of the great tunes during this eventful year came out of his stable and initially saw the light of day on his own imprint label ‘Lee’s’. This album has been assembled from some of those fine tunes and tells the story of reggae in what was a stellar time for both reggae and Mr Bunny Lee.

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LP | 2022 | EU | Original (Music On Vinyl)

Jackpot Of Hits

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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The Jackpot Of Hits compilation features the best of the mid-to-late Sixties reggae sounds. It kicks off with The Pioneers “Jackpot” and is followed up by three other tracks of this popular Jamaican vocal trio. Also included on the 12-track set are The Mellotones “Feel Good”, Lynn Taitt & The Jets “El Casino Royale”, Stranger Cole “What Momma No Want She Get”, Hugh Malcolm “Good Time Rock” and Cool Sticky “Train To Soulville” amongst others. Jackpot Of Hits is available as a limited edition on orange coloured vinyl.

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Ja To Bk: Dancehall From Park Heights 1987-1988

2LP | 2024 | EU | Original (Digikiller)

29,44 €* 30,99 € -5%

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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All killer no filler 10 track compilation of peak late 80s digital tunes from Park Heights' most productive period. Pure fire produced between Jamaica and New York City. Featuring two previously unreleased tunes and the rest reissued for the first time.

Ten great tracks from Park Height's productive late '80s period, where Mr. Francis produced a lot of great early digital reggae both in Jamaica and right here in NYC. We've selected eight great never before reissued tracks from the catalog, plus two previously unreleased gems. As always, housed in a fresh jacket with the vibes of the time.

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If I Had A Pair Of Wings: Jamaican Doo Wop, Vol. I - Iii

3LP | 2024 | UK | Original (Death Is Not The End)

47,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Death Is Not The End together all three LP volumes of the critically acclaimed If I Had a Pair of Wings LP compilation series for a bundled edition.
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz
Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady

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Give A Little Love / African Message

12" | 2024 | UK | Original (Ariwa Sounds)

23,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Deeeeeep from the Ariwa archives... all unreleased music on here. Sounding absolutely essential to us. Dates of production uknown at time of writing...

The A Side is a Mad Professor produced version of Aisha's 'Give a Little Love', given the UK treatment. The Dub is a proper roller.

Side B is the unheard African Message Dub (Parts 1& 2). Recordings ft Jah Shaka on bass, Norman Grant (Twinkle Brothers) on Drums, Sgt Pepper and Mad Professor on the desk. Masterful UK Dub from these key figures.... pulled out of nowhere.

Not to be missed!

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Get It Right: Afro Dub Funk & Punk Of Recreational Records '81-'82

2LP | 2022 | EU | Original (Emotional Rescue)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Reggae & Dancehall

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Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records. Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound. Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G. 'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub. Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform. Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions. X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time. To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".

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Gay Jamaica Independence Time Limited Numbered Orange Vinyl Edition

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Reggae & Dancehall

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Having dominated the rock steady era, Arthur ‘Duke’ Reid was searching for a way to build upon his standing as one of Jamaica’s premiere record producers following the arrival of the new reggae sound towards the close of the Sixties. By releasing Gay Jamaica Independence Time he proved that he still released high quality tracks. Some of the most talented musicians from that period are featured on this record, like U-Roy, The Ethiopians, Alton Ellis and Tommy McCook. Duke Reid may have been late on the reggae scene but his best material stands shoulder to shoulder with the classics of the era and many of the tracks presented here reach that level with ease. The disc closes with the Jamaican National Anthem, as this title was released to commemorate the eighth anniversary of Jamaican independence.
Gay Jamaica Independence Time is available as a limited edition of 750 individually numbered copies on orange vinyl.

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Do The Rock Steady' 1966-1968 Green Vinyl Edition

LP | 2014 | UK | Reissue (Voice Of Jamaica)

19,99 €*

Release: 2014 / UK – Reissue

Genre: Reggae & Dancehall

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“…the greatest man that came to Jamaica and changed the whole beat from ska to rock steady was Lyn Taitt. He was from Trinidad but Byron Lee did bring him come to Jamaica as an organist but he started playing guitar and the rest is history! We should call him rock steady… it’s Lyn Taitt as he was the man! He played lead guitar and ska at the same time…” Bunny Lee

As the frantic, frenetic pace of ska finally let up in 1966 the cool, cool sound of rock steady came to the fore. This languid, soulful music was the complete musical antithesis of its more famous antecedent and the gentle guitar of Lyn Taitt would forever define the sound of rock steady.

Trinidadian Nerlyn ‘Lyn’ Taitt had been given a contract by Byron Lee to travel to Jamaica to play at the Independence celebrations in 1962 but fell in love with Jamaica and decided to stay joining The Sheiks and then The Cavaliers before forming Lyn Taitt & The Comets. Lyn also recorded as a guest guitarist with The Skatalites before Lyn Taitt & The Jets came together in 1966.

The rock steady beat was slower, more measured and the emphasis was placed on the bass. It no longer gave equal emphasis to every beat but, instead, played a repeated pattern that syncopated the rhythm. The

rhythmic focus shifted to the core of the music to the bass and the drums where it has remained ever since.

“For that tempo the tempo is very slow with the bass and guitar line playing the same thing. You used to use two guitars. Hux Brown and myself or another guitarist and myself. And it was very slow but with a definite bass line going straight through the song…” Lyn Taitt

Lyn Taitt & The Jets were soon in such great demand that they would often play up to five sessions a day for as many different producers but they were not the only rock steady band. When the Skatalites had broken up in 1965 Jackie Mittoo formed Studio One’s house band The Soul Brothers (who soon became The Soul Vendors) and Tommy McCook decided to work with Duke Reid at Treasure Isle studio with The Supersonics. Bobby Aitken’s Carib Beats eschewed subtlety for drive but together these musicians were responsible for establishing the rules of rock steady music.

Their gentle approach allowed vocalists such as Alton Ellis, Ken Boothe and Desmond Dekker and harmony groups including The Techniques, The Melodians, The Uniques and The Paragons and many, many more to demonstrate their prowess.

Rock steady only lasted for a brief period, from 1966 to 1968, but its significance to the subsequent development of Jamaican music is incalculable and it would go on to shape each successive musical movement over the next four decades. Deejays, dub, digital and dance hall all stepped to the tune and pace of rhythms whose

origins were grounded in the rock steady beat and it is impossible to ever overstate its importance... or its beauty.

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Black Solidarity Version Excursion

LP | 2023 | EU | Original (Jamaican)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of

fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas.

It was during his time with Miss Pottinger that Ossie began to produce records for

himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

For this release we have compiled some of the version sides to those releases. Dub still being an integral part of the Reggae Sound System Sound. So sit back and listen to what Black Solidarity, one of the most important and often overlooked labels were bringing to the dance, dubwise, back in those heady 1980’s times.

With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss

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Black Solidarity Presents Dance Inna Delamere Avenue

CD | 2022 | UK | Original (Black Solidarity)

Best Of Various - Ten Lovers Music

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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During the eighties dancehall era, a number of record producers claimed to be the real authentic sound of downtown Kingston but Ossie Thomas’ Black Solidarity label, operating out of Delamere Avenue in the heart of the ghetto, was the real deal.

“Black Solidarity was a youth club in the Kingston 13 ghetto in a road named Crescent Road and it was a Rasta come up with the name Black Solidarity. But through the political violence a get high man start to spread rumours saying Black Solidarity a go gets guns to go kill off people and it’s a revolutionary Cuban thing we’re there ‘pon! A lot of people used to go away to Cuba and we called them brigadista. So, through it was in a PNP area man start spreading rumours saying the PNP a go plan to send the whole of Black Solidarity to Cuba and them all turn brigadista!

So, the rumours kinda mashed up the club! But we held on to the name and said, ‘we’ll give you a record label named Black Solidarity’. So, after that I talked to the Rasta who coined the words and he said, ‘I have to rate you’ and me say ‘why?’ and the man say, ‘Black Solidarity is a struggle and you realise that’ and me say ‘Yeah… me realise’. So, we take it up serious and deal with it and make it work! You know what I mean?” Ossie Thomas

There was no safe uptown haven to retreat to after work had finished but, after growing up in the deprived Kingston neighbourhoods of Denham Town and Jones Town, Ossie Thomas had nothing to be afraid of.

“This was the start of the seventies when the political rivalry got heated between the JLP and the PNP and the shots start fire… you know. Mum got scared and said she’s going to get a safer place for us to live so she moved up into the hills of St. Andrew… then six months after she died! Can you imagine that? She’d gone to the safest place and died there. From that me just go right back to Kingston… I said to myself ‘don’t be scared… if you’re gonna die you’re gonna die’. From that me not scared of Kingston… me just say to myself ‘my mother scared of Kingston and run and left Kingston’ but through me just live there all of my life on any street downtown me just feel comfortable.” Ossie Thomas

This album provides an insightful glimpse into life in these unforgiving Kingston neighbourhoods describing not only the poverty and desperation but also how, at times, styles, fashions and the cathartic joys of music and the dancehall could transform this harsh, unforgiving environment into one of joyous celebration.

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V.A

12" | 2024 | EU | Original (Ten Lovers Music)

13,29 €* 13,99 € -5%

12" | 1982 | EU | Reissue (Stima)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Stefano De Santis kicks off this Best Of Various with Murk, as the name suggests its a dark workout from one of Rome’s finest producers. Following that are Batavia Collective from Jakarta. When we first heard the live demo for this we were blown away and had to get it out on TLM. Batavia Collective are Elfa Zulham on drums, Doni Joesran on keys and Kenny Gabriel on synth bass. All mixed by Stefano De Santis. Rounding off the A side we have Cormac Fulton and his follow up to Perplexed on Tlm025 with a new track called Loungeware. Based in Salford this is another atmospheric track from Cormac featuring Netherlands born but now Rio de Janeiro based flautist Floor Polder. Floor also appeared on Steve Conry’s rework of Guinu - Eletromadinga which featured on Colin Curtis Presents Jazz Dance Fusion 4 Part 2. Loungeware was mixed by Steve Conry and Matt Cox. Onto the AA side and we have Montreal resident Mike Perras with Soullous, a superb dancefloor track, live drums and amazing keys, in fact everything you want from house music. Next up is Future Jazz Ensemble from Vibo Valentia who follow on from their Rough Time EP Tlm028 and appearance on Tlm030 with another broken jazz monster of a track called Over The Rainbow. Finishing off side AA is Takahiro Fuchigami from Fukuoka with another fine track called Outer Heaven, a great follow up to Strange Acquaintance which was on Tlm034.

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Ulysse

Naima / Tiers Monde

7" | 2024 | UK | Original (4Bit Productions)

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Originally released in 1983, this 12’’ from French-Haitian saxophone player Ulysse became cult – and extremely rare – within the French boogie niche. Both tracks wonderfully succeed in mixing political statements with dance-floor delights. Boogie-pop track “Naïma” seems to be a love song at first, but actually says the impossible resilience of a woman who has grown up in war. The heavy digital reggae song “Tiers Monde” warns us about the abandonment of Third World children. This maxi single, where each track is instantly followed by its instrumental version for greater DJ use, is an authentic snapshot of the Paris mixed club scene of the 1980s. Really hard to find for a very long time, it’s a great pleasure for Stima Records to make this music available again, in order to reach a well deserved new audience nearly 40 years later!

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Ulrich Troyer

Moments

9,99 €*

LP | 1983 | EU (Radiation Roots)

Release: 2024 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The Viennese audio-architect with South Tyrolian roots delivers two exciting new tracks, co- produced by Osman Murat Ertel (Baba Zula) from Istanbul.
Ulrich Troyer's Moments transforms classical & acoustic guitar recordings through tape machine treatment, guitar effect pedals, analog & digital effects into a shimmering soundscape. The combination of textures and effects generates excitement and invites to listen repeatedly, surprising each time with new details.
Fractured tones, beautifully rooted and held together by the tune underneath.
Credits:
Guitars, Tapemachine & Electronics: Ulrich Troyer Recorded & Mixed by Ulrich Troyer @ 4Bit Bungalow, Vienna Written by Ulrich Troyer Produced by Osman Murat Ertel & Ulrich Troyer Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin Cover Art © Eva Kelety & Ulrich Troyer
Period of creation: 2021-2022
Premiered at Meakusma, September 2022, Eupen (be)
Kindly supported by the City of Vienna (ma7 - Kultur), Federal Ministry - Republic of Austria (Arts, Culture, Civil Service & Sport) & Ske-fonds

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U Brown

No Stoppin' This Music

Tyrone Taylor / Black Disciples

Release: 1983 / EU

Genre: Reggae & Dancehall

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The compilation you hold in your hands features the best of U Brown’s 1983 release Jam It Tonight, cut at Channel One with the Roots Radics, coupled with enthralling earlier singles laid at Channel with the Revolutionaries. The high points are many in this thoroughly agreeable set that showcases the best of peak-period U Brown; beginning with the devotional ‘Jah Is My Father Still’ and ‘Walk With Jah Love’ from Jam It Tonight, the title track speaks of reggae music’s unstoppable nature and ‘Reggae Gone International’ is a celebratory take of the ‘Pick A Dub’ rhythm, here totally reconfigured, Maxfield Avenue style. ‘Rub A Dub All The Time’ (aka ‘Tu Sheng Peng’) is a killer take of the Dennis Brown song of the same name, while ‘Blow Mr Hornsman Blow’ is an awesome re-working of the ‘Take Five’ rhythm, and ‘Come Along’ a beautiful deejay counterpart to Sugar Minott’s ‘Steal Away Girl’. U Brown has since gone on to enjoy all kinds of musical adventures in the UK, USA, and Europe, where he settled in the 1990s; listen to the artistry on No Stoppin’ This Music and marvel at his enduring talents.

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Birds Of A Feather / Death Before Dishonour

7" | 1975 | EU | Reissue (Top Ranking Sound)

11,99 €*

Power Struggle Gold Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Another inferno is ignited by the legendary producer Jack Ruby in the next installment of the reissue series. Once again, featuring the iconic Tyrone Taylor with "Birds of a Feather," whose vocals soar above a foundation of pure roots reggae, originally recorded in 1976. The heat doesn't stop there, as for the first time on 7-inch vinyl, we unleash the fury of "Death Before Dishonour," an instrumental by Jack Ruby's militant Black Disciples backing band with seriously blazing horns that leave an undeniable mark. This is the first time ever that "Birds of a Feather" and its instrumental counterpart are paired together.

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Tru-Tones

LP | 1980 | US | Reissue (Not Dark Yet)

23,99 €* 29,99 € -20%

LP | 2021 | EU | Original (Penny)

Release: 1980 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

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Tropicantesimo

Session 1 Ltd. Edition

LP | 1982 | EU | Reissue (Greensleeves)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall

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Tropicantesimo is a music ritual extended over time and a celebration of sound and dance. It all started 10 years ago at the Fanfulla club in Rome. Nothing more than a party that over the years has transformed into a collective listening experience out of time and space. Meanwhile the collective animated by DJ Hugo Sanchez, Lola Kola, Rocco Bartucci, Gabor and Egeeno moved to a new club called Pescheria, and opened up to spontaneous live jams and collaborations with musicians and DJs from various backgrounds. Rhythms are incessant while the BPM is slow and hypnotic. Voices flow between songs, messages and pure sound, while music is an organism which produces energy. The fruit of all this lives through extensive production work based on recordings collected over the years. "Tropicantesimo Session 1" is the first of a series of three EPs presented as anticipations of the Tropicantesimo Gitania album release. This first EP contains three songs recorded and mixed at Pescheria, laboratory and home of Tropicantesimo. "Don’t Bla Bla Bla" is an anathema and an explicit manifesto about the need for uncompromised sounds and joy in life. When the music kick in, the usual blah blah blah becomes disturbance, as Lola Kola and Egeeno clearly sing. This is a spontaneous live session, an usual practice that generates the Tropicantesimo sound flow. "Samba e Amore" is a cover of a Chico Buarque and Ennio Morricone's song, written in the late 1960s during Buarque exile in Rome. Here the song has been processed by the Tropicantesimo sound machine with Gabor and Lola Kola claiming for freedom and self-determination in life. "Samba and Love" belongs to the Tropicalist music classic repertoire, a great inspiration for the Tropicantesimo sound and vision. "Luna Jamming" is the result of another kind of experiment. Here the DJ culture is hybridized with the improvised live performance, a meeting that can generate unpredictable encounters. Lola Kola and Egeeno bring Loredana Bertè and Bob Marley together for an unprecedented classic Reggae duet on a contemporary techno dub beat. Needless to add that such a combination of elements generates new visions and reaffirms important values such as sharing and getting together.

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Triston Palma

Joker smoker

2x12" | 2023 | UK | Original (Mysticisms)

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Limitierte Neuauflage der beliebten LP von 1982 mit dem markanten Cover des jungen Triston Palma. Aufgenommen und abgemischt im Channel One Studio mit Soldgie am Mischpult, als Musiker fungierte die Roors Radics Band mit dem Produzenten Jah 'Nkrumah' Thomas. 10-Track Longplayer mit den Evergreens und Titelstück "Joker Smoker" und "Two Timer"!

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Trance Vision Steppers

Dubplate #8: Timeless

35,99 €*

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 2023 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Mysticism's Dubplate series has got a couple of great drops lined up at the moment and this is one of them - a boule pack from German digidub pioneers TVS aka Trance Vision Steppers. This was a project that never made it out of the studio but still cooked up some brilliant sounds, which in the case of this collection come from their earlier period between 1995 - 1999, all of which land on vinyl for the first time here. Fans of Adrian Sherwood, Dennis Bovell and Mad Professor will be head over heels of these dub delights - they are deep and atmospheric, with lush ambient pads, downtempo vocals and stoner synths next to more twisted rhythms.

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Toots & The Maytals

In The Dark

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Reggae & Dancehall

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The Jamaican musical group Toots & the Maytals can be considered as one of the best known and most important ska and rocksteady groups of all time. Reggae comes in many forms and the music of the Maytals is a seamless blend of reggae and soul. Their second international album In The Dark is a ska/reggae classic that captures the Maytals in their prime. In the Dark’s classic status may be assured from their signature song “54-46 Was My Number”.

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Toots & The Maytals

Funky Kingston

Tony Tuff / Tommy Trouble

Release: 1973 / EU – Reissue

Genre: Reggae & Dancehall

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Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.

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Upside Down / Wah Fi Hol Dem

7" | 1990 | EU | Reissue (Tesfa / Top Ranking Sound)

7" | 2024 | Original (115)

Release: 1990 / EU – Reissue

Genre: Reggae & Dancehall

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Also available now on Tesfa Label are the next cuts to Boom Box's "Gun Shot" again produced by the late Tesfa McDonald. TRS is proud to announce this dancehall thriller featuring the veteran singer Tony Tuff with "Upside Down" and on the flip the deejay known as Tommy Trouble with "Wah Fi Hol Dem". Very rare killer inna digital class.

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Tommy115

Aitakute I Love You

29,99 €*

Release: 2024 / Original

Genre: Reggae & Dancehall

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LP | US | Original (Imperial)

Tommy Tedesco

Calypso Soul

Tommy Ranks / Kasi & Tippa Irie

Release: US – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: VG

Minor writing on cover. Age discoloration.

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Mr Williamz / Soon As I Get Home

7" | 2012 | UK | Original (Necessary Mayhem)

8,99 €*

Tommy Mccook & The Supersonics / Lloyd Williams

Release: 2012 / UK – Original

Genre: Reggae & Dancehall

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On the third and final part in the series of updates of The Pass The Kouchie riddim, Kasi teams up with the great Tippa Irie for a version of the Faith Evans classic, backed with a drum & bass style mix with Mr Williamz vocalling ‘Tommy Ranks’.

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Ska Flea / I Wish I Had Someone

7" | 2022 | JP | Original (Duke Reid Classics)

20,99 €*

Tommy McCook & The Supersonics

Release: 2022 / JP – Original

Genre: Reggae & Dancehall

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Cool Ska Inst. Cover Of Spanish Flea backed with a funky vocal cut.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Bond Street Shuffle

7" | 2023 | JP | Reissue (Duke Reid Classics)

15,74 €* 20,99 € -25%

The Sannic Sounds Of Tommy Mccook

Release: 2023 / JP – Reissue

Genre: Reggae & Dancehall

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Side A : 1968 Recording. Never Released. Wicked Winston Wright Playing Organ Rock Steady Instrumental. Side B : 1968 Released. Great Rock Steady Vocal By Bobby Davis Lead Singer. A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Tommy McCook

LP | 1974 | JP | Reissue (Dub Store)

37,99 €*

Release: 1974 / JP – Reissue

Genre: Reggae & Dancehall

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7" | 2019 | EU | Original (Yabby You)

Tommy McCook

Revenge / Version

7" | JM | Original (Clinch)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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Tommy McCook’s mighty hornsman version of Yabby You’s “Jah Vengence” re-mastered and reissued in perfect style. This 7” finds the great multi-instrumentalist re-imagining the dark vocals of the original track as a slithering horns track that bursts to crescendo amid the heavyweight bass and drums. The B-side offers up echo-drenched dub.

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Tommy McCook

Mandella

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Tommy Mccook & Bobby Ellis

Blazing Horns

LP | 1977 | EU | Reissue (Solid Roots)

Tom Spirals / No Finger Nails

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Essential reissue for this rare album of dub instrumental reggae tunes recorded by Tommy McCook (on sax, The Skatalites) and Bobby Ellis (trumpet, The Upsetters, The Aggrovators) in 1977. Originally licensed on Grove Music this amazing set features the likes of Sly and Robbie, Ansel Collins (organ), Clinton Fearon- from The Gladiators - on lead guitar and Bernard Harvey – of The Wailers fame - on piano. Recorded at Channel One and mixed at King Tubby Studio, the album was engineered by Yabby You and Barnabas.

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Mr Trillionaire / Instrumental

7" (Bass Pirates)

11,99 €*

Genre: Reggae & Dancehall

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7" | 2024 | UK | Original (Time Capsule)

Tokyo Riddim Band

Lazy Love

Denshi Lenzi / Denshi Dub

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Tokyo Riddim Band continue their journey striding across times and cultures, this time with their colourful keyboardist and frontwoman Mimi Kobayashi breathing new life into a song she originally penned in 1981. ‘Lazy Love’ first featured on Mimi’s highly sought after Coconuts High LP, which she recorded in LA recruiting top session players to play alongside her. It was also included in Time Capsule’s 2024 compilation of Japanese reggae - Tokyo Riddim 1976-1985.

This soulful pop tune turned deep dub cut retains the romantic charm of the original, whilst the tasteful performances of the Tokyo Riddim Band and Ras Tavaris combined with Prince Fatty’s studio magic give the song a newly found depth.

London based Tokyo Riddim Band is a unique fusion of cultures, bringing together the vibrant energy of three generations of Japanese female musicians with the eclectic sounds of London. Their dynamic performances blend reggae drums, funky bass lines, and the smooth City Pop guitar, all magically dubbed-out live on stage. This is not just music; it's a cultural phenomenon, offering a fresh and exciting take on the reggae scene.

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Tokyo Riddim Band

7" | 2024 | UK | Original (Time Capsule)

7" | 2024 | UK | Original (Time Capsule)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Dubbed out new version of a Japanese reggae classic from 1982 by UK-based Tokyo Riddim Band. Recorded and mixed by the legendary Prince Fatty in South London, it's a fusion of past and present, East and West. Three generations of female musicians from Japan come together, blending reggae drums, funky bass, and the smooth City Pop guitar, all magically dubbed-out live on stage. Tokyo Riddim Band is a culture clash phenomenon unlike anything else.

Championed by Gilles Peterson, and featured on NTS, Pitchfork and Bandcamp Daily, the group was born out of Time Capsule’s wildly popular compilation “Tokyo Riddim 1976-1985”. In just a matter of months they have sold out headline shows across London and supported Kyoto Jazz Massive at Jazz Cafe, conjuring a raucous, dubby dancefloor that brings the classic Japanese reggae sound of the ‘70s and ‘80s to life for a new generation.

Led by the inimitable pianist and composer Izumi ‘Mimi’ Kobayashi who featured on the original compilation, Tokyo Riddim Band are set to release a series of 7” singles in the coming months with more live shows planned throughout the summer 2024.

The first single, 'Denshi Lenzi', reinvents the Natural Mystic riddim of the original Japanese production, infusing it with dubbed-out vocals, sirens, and electrifying e-tom sounds, delivering an authentic reggae/dub experience with a distinct UK flair.

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Tokyo Riddim Band

Canoe Boy

LP | 1995 | US | Reissue (Jump Up)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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The highly anticipated second single from Tokyo Riddim Band featuring the masterful touch of Prince Fatty’s dripping dubwise! London based Tokyo Riddim Band is a unique fusion of cultures, bringing together the vibrant energy of three generations of Japanese female musicians with the eclectic sounds of London. Their dynamic performances blend reggae drums, funky bass lines, and the smooth City Pop guitar, all magically dubbed-out live on stage. This is not just music; it's a cultural phenomenon, offering a fresh and exciting take on the reggae scene.

Following the success of their debut single, "Denshi Lenzi," Tokyo Riddim Band returns with "Canoe Boy," a seductive and hypnotic Japanese new wave reggae track. Originally penned by Japanese punk rock pioneer Panta (of Zuno Keisatsu) in 1980 for New Music singer Tomoko Kuwae’s third album, this gem never saw a single release - until now.

Dubby and funky Tokyo Riddim Band’s rendition features one and only Prince Fatty’s deep & wild dubwise with siren machines, longer solos and groovy outro.

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Toasters

Dub 56

Mr. Foundation / Hole In Your Soul Blue Vinyl Edition

Release: 1995 / US – Reissue

Genre: Reggae & Dancehall

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Classic 1995 third wave ska classic pressed on vinyl for the very first time! One of THE TOASTERS best selling albums of all time, released in the USA, Germany, Japan with a worldwide tour in support of the album. 14 trax on marble vinyl, now in a full picture sleeve. Repressed!

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Timo Oh / Dudley & Peter

7" | 2022 | UK | Original (Studio One)

37,99 €*

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Release: UK

Genre: Reggae & Dancehall

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7" | 2019 | EU | Original (Fruits)

Time Unlimited

Right Time Come

Time Unlimited / High Times Players

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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We always try to bring something special when it comes to release a single on vinyl. This time, we are pleased to announce the return of one of the most obscure and talented vocal group from the early 80's: Time Unlimited. It's been more than twenty years that Donovan Joseph, Hugo Blackwood and Orville Smith, have been off the musical scene as Time Unlimited. During the recording sessions of the Roots Architects project in 2017, we had the chance to meet Donovan Joseph passing by the studio. Straightaway, we were telling ourselves that we had to see his legendary group name written on black wax again. Here it is, with a deep rub a dub cut backed by the High Times Players remembering the golden years of the group!

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Free Up The Youths, Vibes Mix / Version

12" (Sophisticated)

13,49 €* 14,99 € -10%

Genre: Reggae & Dancehall

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LP | 2002 | EU | Reissue (Hornin Sounds)

Time Unlimited

Devil's Angels

LP | 1979 | UK | Original (Orbitone)

Release: 2002 / EU – Reissue

Genre: Reggae & Dancehall

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Recorded mid 80's this album was only released in 2002 in very limited quantities.

Remastered from the tapes, the reissue comes with extended versions.

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Tim Chandell

With Love From Me To You

8,99 €*

LP | 2022 | EU | Original (Chapter Two)

Release: 1979 / UK – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Cover is slightly stained.

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Tiken Jah Fakoly

Mangécratie

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Chapter Two)

Tiken Jah Fakoly

Cours D'histoire

32,99 €*

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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7" | 1982 | EU | Reissue (Joe Gibbs Music)

Them A Fight

Barry Brown

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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The Unreleased Sounds Of Top Rank

Aba / Nigeria

LP | 2020 | EU | Original (Dig This Way)

20,99 €*

LP | 1977 | EU | Reissue (Greensleeves)

Release: 2020 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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It's been a long journey from the day in Nigeria when we found, inside an Alpha Kuffa - Messiah I sleeve, a blank test press of the Yangaman Bob Lp with a little Top Rank sticker on it to the day we met the producer, the great and brilliant George Dureke, who gave us the test presses of the remaining unreleased albums from his Top Rank label, till to the complicated audio Restoration handled by Colin Young and Bassi Maestro. After two years of hard and intensive work it's finally arrived the time for this compilation to be ready and see the light! Eight Unreleased Digital Roots tracks made in Nigeria in the late 80s, never released or pressed, if not on a couple of test presses made on recycled plastic. Surely it includes some of the most interesting Reggae Music made in the Roots Land call Nigeria! Now Ready to be spreaded worldwide!

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The Travellers

Black Black Minds

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 2023 | EU (Black Butcher Classics)

The Toasters

Dub 56

The Techniques / Tommy McCook & The Supersonics

Release: 2023 / EU

Genre: Reggae & Dancehall

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Vinyl reissue of third wave ska classic from 1994, originally released on Moon Ska NYC. At the time of release, the ska scene was on the verge of breaking into the mainstream. Excitement electrified the air. No album captured the sheer exuberance of this time like Dub 56. From the opening note to the closing refrain 14 tracks later, the listener is drawn into a party that just doesn't want to end - the band play like they're standing in front of an ecstatic hometown crowd. Highlights include "Mona" with it's irrepressible melody and swing, Skatalite Lester Sterling on "Dancin'" and "Marlboro Man," "Midnight Hour" shows just how much fun you can have with a soul classic, and of course title track with the toasing skills of Coolie Ranx. Essential Third Wave Ska album.

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Queen Majesty / Mabrook Wailing

7" | JM | Original (Treasure Isle)

Soulful Strut / Time Is Tight

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Jamaican pressing! Vinyl is very cloudy.

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The Sound Dimension

7" | 2017 | UK | Reissue (Soul Jazz)

7" | 2022 | UK | Original (Harlem Shuffle)

Release: 2017 / UK – Reissue

Genre: Reggae & Dancehall

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Back to back two Killer 60s soul to reggae instrumental monsters - versioning Young-Holt’s classic Soulful Strut and Booker T and the MGs Seminal Time is Tight!

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The Slickers

Run Fattie / Hoola Bulla

Tape | 2020 | US | Original (Jump Up)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The Slickers were an exciting Jamaican Rocksteady and Reggae group in the late 1960s and 1970s. Although their legendary song JOHNNY TOO BAD was included in the Jimmy Cliff movie THE HARDER THEY COME, their story is mostly unknown and full of hearsays and contradictions.
Here is our "version" of the story:
Firstly, it is often assumed that The Slickers were just an alias for The Pioneers but it seems now clear that they were in fact two distinct formations.
In fact, the group was formed by Derrick Crooks (of The Pioneers) and Winston Bailey (not to misunderstand with Winston "Shadow" Bailey a Calypso singer) around 1965. It seems that Derrick was the only constant member and the line-up was constantly changing and overlapping with both The Reggae Boys and The Pioneers.
Other known members were Derrick's brother Sydney Crooks, Roy Beckford (not to misunderstand with U-Roy), George Dekker and Abraham Green (later known as Ras Abraham) who joined at the time "Johnny Too Bad" was recorded in 1970. Abraham is said to have been the lead vocal on "Johnny Too Bad". Besides being featured on the soundtrack for the 1972 Jimmy Cliff film, the song was covered by the British reggae group UB40 and countless more.
The Slickers have recorded about 40 singles during the 60's and the '70s. It seems they disbanded after recording their second album BREAKTHROUGH in 1979...
Although nothing is written in stone about The Slickers, one sure fact is that they were a brilliant Rocksteady and Reggay band… Many of their singles were outstanding such as NANA, YOU CAN'T WIN, MAN BEWARE, JOHNNY TOO BAD and of course the two hot shots on this single: RUN FATTIE and HOOLA BULLA!

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The Skoidats

The Times

7" | 1965 | UK | Reissue (Soul Jazz)

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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Cassette Week 2020 release. A classic from the Moon SKA NYC days, this streetpunk oi/ska classic was one the the labels most popular titles and is now on tape for the first time every. Expanded edition (90 minutes) with bonus material taken from early demo tapes and live shows.

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The Skatelites

Guns Of Navarone

Bashaka Colored Vinyl Edition

Release: 1965 / UK – Reissue

Genre: Reggae & Dancehall

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Seminal Ska all-time Anthem on new clean loud pressing. Originally released in 1965 in Jamaica and UK, the Skatalites insanely addictive ska tune always sounds fresh and fills any dancefloor! Check the stunning ska dancer tribute to Marcus on the flipside - killer. 100% Essential!

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The Skatalites

LP | 2000 | US | Reissue (Jump Up)

22,99 €*

Change Up Red Vinyl Edtion

Release: 2000 / US – Reissue

Genre: Reggae & Dancehall

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Jump UP issues the 1999/2000 classic on vinyl for the very first time in cebration of RSD. All time classic with original members Lester Sterling, Lloyd Brevette, Lloyd Knibb and Doreen Shaffer. Guests include KEN Boothe. New sleeve art Chema Skandal. Colored vinyl 150 only for RSD indie shops.

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The Skalars

LP | 2023 | US | Original (Jump Up)

Silver Bullets Vinyl Me, Please Edition

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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First time on vinyl for 1999 ska reggae classic originally released on Moon NYC. St Louis' darlings blended soul, neo-traditonal ska & rock steady into a wonderful mix that truly shows on this sophomore album. Inc fan faves "hold ME Tight" and "strikeout Summer". Heavyweight green vinyl.

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The Silvertones

LP | 1973 | US | Reissue (Vinyl Me, Please)

33,99 €*

The Shadows & The Upsetters

Release: 1973 / US – Reissue

Genre: Reggae & Dancehall

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Why you'll love it...
Silver Bullets is the debut LP from Trojan Records reggae group the Silvertones. Reissued for the first time since its 1973 release, our edition was remastered from the original tapes by Andy Pearce, comes on vanilla sky vinyl in a heavyweight tip-on jacket, complete with a custom lyric sheet.

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Brother Noah / Noah Dub

7" | 2019 | UK | Original (Roots Vibration)

11,99 €*

The Sensations / Tommy Mccook & The Supersonics

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Obscure little black ark roots tune produced by Lee Perry. Brother Noah is a harmonic re-telling of the biblical flood by The Shadows, three singers named Sam, Don & Errol. First time reissue on 7" vinyl.

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Everyday Is Just A Holiday/Rock Away

7" | 2014 | Reissue (Duke Records / Buyreggae)

Release: 2014 / Reissue

Genre: Reggae & Dancehall

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Ska In Hi Fi Blue Vinyl Edtion

The Scofflaws

LP | 2023 | US | Original (Jump Up)