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Name: Biest - Das
Brand: Not On Label (Biest Self-released)
SKU: 1161694v1
Price: 11.99 EUR
Availability: InStock

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Biest

Das

12" | 2016 | DE | Original (Not On Label (Biest Self-released))

11,99 €*

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Release: 2016 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

numbered Limited edition. With inserts.

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Hi-Fi Featuring Iain Matthews And David Surkamp

Moods For Mallards

LP | 1982 | US | Original (First American)

5,99 €*

Incl. VAT plus Shipping Costs

Release: 1982 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeve.

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Corky Laing, Ian Hunter, Mick Ronson, Felix Pappalardi

The Secret Sessions

CD | 1999 | US | Original (Pet Rock)

26,99 €*

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Release: 1999 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

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Stars On 45 Proudly Presents The Star Sisters

Tonight 20.00 Hrs

LP | 1983 | JP | Original (CNR)

12,99 €*

Incl. VAT plus Shipping Costs

Release: 1983 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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Rico Friebe

Word Value Limited Edition Bundle

LP+Tape | 2023 | Original (Time In The Special Practice Of Relativity)

29,99 €*

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Release: 2023 / Original

Genre: Pop

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LP + CD & Tape

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Rico Friebe

Word Value

Tape | 2023 | Original (Time In The Special Practice Of Relativity)

14,99 €*

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Release: 2023 / Original

Genre: Pop

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Rico Friebe

Word Value White Vinyl Edition

LP | 2023 | Original (Time In The Special Practice Of Relativity)

24,99 €*

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Release: 2023 / Original

Genre: Pop

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Rico Friebe

This Day / Leave And Go

7" | 2022 | EU | Original (Time In The Special Practice Of Relativity)

12,99 €*

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Release: 2022 / EU – Original

Genre: Pop

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Rico Friebe emerges with his emotionally charged double single „This Day“ and „Leave And Go“.

Born out of tragedy and hope, these songs are preluding his debut singer album „Word Value“ to be released worldwide in April 2023.

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Michelle Gurevich

Exciting Times

LP | 2018 | CA | Original (Not On Label (Michelle Gurevich Self-released))

78,99 €*

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Release: 2018 / CA – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Sealed copy.
Cover as new with slightly dented corners.

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Birthday Card

Shy Away / Talk Talk

7" | 2019 | UK | Original (Not On Label (Birthday Card Self-released))

3,99 €*

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Release: 2019 / UK – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Orange vinyl!

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Rex Orange County

Apricot Princess

LP | 2018 | Original (Not On Label (Rex Orange County Self-released))

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2018 / Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed with hype sticker. slight corner wear. orange vinyl Limited edition.

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Nick Waterhouse

Promenade Blue

LP | 2021 | US | Original (Innovative Leisure)

29,99 €*

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Pop

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F. Scott Fitzgerald’s The Great Gatsby was a work so filled with ambition, yearning, and inner contradictions that it came to represent the condition of a nation itself. Yet, at its core, the slim novel tells a story about people and, more often than not, their inability to communicate and connect with one another — forever running on parallel tracks until tragedy finally twines them together. The color green (often in the form of the faded sodium lit dock of Daisy Buchanan) comes to represent longing and unrequited love in an era (the Roaring Twenties) of decadence and spiritual vacuousness. Green is Gatsby’s North Star, simultaneously pointing backward and forward through time toward some unattainable, impossibly balanced version of his own life.

Nick Waterhouse, a century later but once again in the ’20s, takes the color blue as his hue of choice on Promenade Blue. In Nick’s musical and lyrical world, blue is a refraction of his life and memories — shadowing a deep, spiritual San Francisco that fostered his musical vocabulary but has now been stamped out irrevocably; evoking the endless tours, marathon recording sessions, and highs and lows of success he’s experienced in his decade-long career; conjuring romances that were doomed, loves that lingered, and hope for future days of parity and partnership; summoning spirits of people who have gone but permeate his mind forever. That’s the world of Promenade Blue — one that is vivid and magnetic, buoyed by both light and density due to Nick’s newfound collaboration with producer Paul Butler (Michael Kiwanuka, Devendra Banhart). It’s not Gatsby’s New York in the 1920s, it’s Waterhouse’s California in the 2020s. Nick makes that crystal clear throughout the record but particularly on “Santa Ana (1986),” where he wryly sings, “Not from New York / And I never was / I’m from California.” With that, he answers all questions about place and setting…but as anyone who’s ever listened to a Waterhouse record knows: time, though clearly pegged to the dawn of this new decade, is a more malleable concept. Where he is is clear. When he is varies.

We can try as hard as we can to make sense of Promenade Blue, but in reality, context isn’t really needed because the music on the album is so damn magnificent. In no uncertain terms, it represents Waterhouse’s finest hour as a writer and bandleader — leveraging the musical partnerships he has built over many years to put something forth that is so fully realized and felt that it sparkles beatifically, reverberating with energy, heart, creativity, and vibe from start to finish. Nowhere is this more evident than on the album’s opening track, “Place Names,” perhaps the most remarkable song in the Waterhouse catalogue.

The tune is a pocket symphony, à la Spector and Wilson, with winding piano lines locking puzzle-like into a whining, weeping string arrangement courtesy of musical blood brother J.B. Flatt. A small cadre of women backing vocalists shout “Never!” and Nick replies “I never cry on cold days / I never mind a trip on the freeway / Because it’s what I know / Never really set for the big change / Learn to let things go / And say blow wind, blow.” The freeways between LA and San Francisco; the memory of spending a teenaged evening in the Vesuvio Café, which looms over the entrance of City Lights Books; the wind ripping through you on a foggy Bay Area morning, cutting into your bones; the pride one takes in his hometown; the distinct life that he has made (or that has made him) — it’s all here in “Place Names” and, honestly, if the album were to end with this one song, Waterhouse would’ve done his service to the 2020s in terms of musical creativity and vitality. Thankfully for listeners, it’s just the beginning.

The album twists and turns from the opening to the close — from swinging, sashaying jazz and blues (“Spanish Look”) to jittering, crystalline doo wop (“Very Blue”) and pure, loose, languid mood music with just a hint of Mulatu Astatke’s Ethiopian modal magic (“Promène Blue”). Most striking, perhaps, is the use of men’s voices as a backing texture, bringing an unexpected thematic unity to many of the songs. Lower-than-low gospel chants and refrains lend both energy and emotional weight to these pieces, conjuring a whole new mythic world for Nick’s compositions. This is a statement album, one to get lost in and rediscover over and over again.

In the Waterhouse catalogue, “Promenade Blue” represents rebirth and reinvigoration as well as a clarity of purpose that elevates it and may one day set it apart as something resembling a magnum opus. It’s his ‘Gatsby’ and it’s also his way of reintroducing himself to a fanbase that has grown by leaps and bounds over the last couple of years. On this record, he paints a mythic picture of his own life — lost in confusion, grating against time, overheated by false memories, being baptized by nostalgia and a vision of the future that is paradoxically both dark and apocalyptic and sparkling with promise. Sounds a lot like America in the 20s to me. Which 20s though? Which color — green or blue? Which author? Try to figure it out for yourself:

“You were smiling at me / Hanging languidly / On your car door window / Very blue / Very green / The ocean breeze / And shuffling trees / Pacific seas.”

“And as I sat there brooding on the old, unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter — tomorrow we will run faster, stretch out our arms farther. . . . And one fine morning——

So, we beat on, boats against the current, borne back ceaselessly into the past.”

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Yahho

Yahho No Tanoshimikata

LP | 2024 | EU | Original (Road Trip / Lawson Entertainment, Inc.)

30,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / EU – Original

Genre: Pop

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"Limited to 300 copies. Okayama's 8-bit hardcore punk band Yahho has released their 1LP, 45rpm, 39-track ""Yahho no Tanoshimikata"" on analog!

Okayama's Yahho, who has played numerous legendary live shows at the All Senses Festival hosted by Juusangetsu/GEZAN, Meteo Night hosted by Less Than TV, and more, will release their first album "" Yahho no Tanoshimikata "" (4-disc set: 3 CDs + 1 DVD)in August 2023. Despite not being distributed nationwide, they sold hundreds of copies through their own live merchandise and their own online shop. And one year after the release, "" Yahho no Tanoshimikata "" is finally being released on analog for nationwide distribution! The vinyl version also includes two new songs not yet released on CD! Limited to 300 copies pressed, so hurry up! ----------------------------------------------------------- We have received comments from everyone regarding the release of the vinyl version of YAHHO's "" Yahho no Tanoshimikata ""! ----------------------------------------------------------- (Yahho) That's why it's fun, and that's why it's lonely. (Together with someone) That's why it's fun, and that's why it's lonely.

Asano (wetnap, GAME&chips) ----------------------------------------------------------- My image of Yahho is him stumbling around on his own over 8-bit sounds, and he's also a friend who often invites me out. He recently performed overseas. I think he's an artist who doesn't fit into a box. It's great to archive his work! He makes me feel free. Yahho of the World

Moto Kawabe ----------------------------------------------------------- The first album by Yahho, the greatest punk rocker born at Kurashiki University of Science and the Arts, has finally been released on vinyl. Yahho is here to rewrite and update the view of Japanese punk history!

Kawakami Konosuke (Author of ""Punk no Keifugaku"") ----------------------------------------------------------- On ""How to Enjoy Yahho"" Hey, Yahho! Isn't this first album packed with the romanticism of Yahho, music, and love for friends? While laughing, I read the lyrics and it hits me hard, and there are various gradations of blue. Seriously, no matter what mood I'm in, Yahho always responds with the best Yahho at that time. He'll be stupid with me and get depressed with me. Yahho's Yahho is bottomless! Infinite! Look, just saying Yahho makes me feel like I'm floating. Then I hear Yahho! from far away. After that, I can jump really high. It's a dream to have this sound source become a record! Come a little closer, Yahho! Please keep shouting and letting us hear it to each other. I love you forever!

THE Guays Captain Ryosuke ----------------------------------------------------------- He may look ordinary, but he's a weirdo. I love Shintaro's way of life.

Goto(MASTERPEACE) ----------------------------------------------------------- Yahho Analog Record Release! I was asked to comment, but when I hear Yahho, it's just a nightmare.

Contrary to Hamai's appearance, Yahho's charm is its over-the-top performance and sound, but when they visited Miyazaki Prefecture on a live tour, this caused a disaster, and they were banned from both the live house they performed at and the bar where they had their after-party. Rumors about their performance and sound spread to the Chamber of Commerce, and they were banned from all live houses and bars in Miyazaki Prefecture, and on top of that, all the bands they played with that night were also banned, which was a nightmare-like bonus. The rumor spread like wildfire among the prefecture's residents, and if a hiker shouts ""Yahho"" at the top of a mountain, they are looked at with disdain and spat on, and they can't stand it anymore and rush down the mountain... It has developed into a situation like this.

Yahho, congratulations on the release of the analog record!

Hiroaki Sakai ----------------------------------------------------------- 「Don't Forget Youth Memories,Forever.」

Boredom is the reason why I'm constantly irritated. Boredom is also the reason why I'm constantly spacing out.

Of course, boredom is also the reason why any mathematical formula, no matter how important, slips in one ear and out the other. That winter when I was 16 years old. I wanted something to destroy the saturated negative emotions. And I found it. It was undoubtedly the music of ""Yahho"".

Loud 8-bit sound and booming guitar. Screaming vocals writhing on the rough waves of that sound. In ""Extra Yahho"", the 8-bit sound is transformed into a hardcore band sound, with blast beats and screaming vocals exploding. What follows are unique raps and acoustic pop masterpieces. A fast-paced legend of 47 songs and 40 minutes. (*These comments are based on the CD version. The LP version contains 39 songs.) From the day I pressed the play button on my player, ""Yahho"" music became a part of my life.

When I listen to ""Yahho"" music, I feel the urge to scream. I'm sure I'm not the only one who feels that way. ""Ya-ho"" shouts out the boredom and frustration we've been holding inside, using it as a springboard. The poetic, yet endlessly straightforward lyrics really bring that home.

I pack all my boredom and endlessly overflowing frustration into a backpack and start running. I don't need to decide where to go. Just look ahead. This album gives me the push I need. I hate it. No, I'm totally against it. It's okay if you're bad at it, just keep going. I'm convinced that becoming an adult isn't that hard. "" Yahho no Tanoshimikata"" taught me everything.

It was a winter when I was 16, not sure if I was an adult or a child. Alone in my messy room, I pumped my fist into the air and said, ""I hope this album will help me become an adult.""

Shokudou (door TO Door) ----------------------------------------------------------- Hitting your forehead on the strap. Earphones and sighs leaking out as the train moves slowly. The music that plays when you take that first step to transfer from one crowded train to the next.

Nishioka (Peoples) ----------------------------------------------------------- How to enjoy Yahho I said out loud, ""This is the ultimate Famicom hardcore punk!!!!!!!!!!!!!!""＼(^o^)／ I love how the song ends so quickly＼(^o^)／ I love how it's gentle and tenacious＼(^o^)／ More than anything, I love how it's fun＼(^o^)／ In the end, I was lucky to be able to listen to a variety of music＼(^o^)／

Nozawa Dive Kinshi (Niji no Tasogare) ----------------------------------------------------------- For the vinyl release of Yahho's ""How to Enjoy Yahho"", I asked people around Yahho who are close to me and have always looked after me for comments, and they all replied promptly and readily agreed, which really made me realize how charming Yahho is and how charismatic he is as an artist. *From the beginning, Yahho said he felt bad about asking for comments from everyone, so I took the initiative and did it on my own.

It wasn't easy to get to the point where we decided to release it, but I was driven by a mysterious sense of mission that even Yahho himself probably didn't want, that made me reach this project. Yahho released a CD last year and sold hundreds of copies individually without national distribution, so I took a selfish action that even he didn't want at all, in order to put him in a more interesting situation. Yahho has already established a solid position in the underground, but we approached Yahho with the idea of releasing this album with the sole desire that more people listen to their music, that they come to their live shows and get excited and laugh, and that we want them to become a part of everyone's lives.

This is a wonderful album that you should listen to and experience for yourself if something isn't going right every day and you're struggling and wondering if things are okay. Once you've listened to it, all that's left to do is gather in the mosh pit at the live venue.

Thank you Yahho!

Hiracchi (manga Shock) ----------------------------------------------------------- I think if you listen to this album on vinyl you'll want to run out the door as fast as you can. Awesome!! Mikuru (ANORAK!) ----------------------------------------------------------- To Hamai Congratulations on the release! The three of us used to go to coffee shops together Do you remember? Don't you remember? I hope we can go again someday

Y.I.M. Omiru Asu chan ----------------------------------------------------------- That packs a punch!

Watson (Dotsuitarunen) -----------------------------------------------------------"

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