Search "john+roberts" 548 Items

Release: US – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Ken Parker / Johnny Moore & The Cobbs

It's Alright / It's Alright

7" | EU (Pressure Beat)

Release: EU

Genre: Reggae & Dancehall

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Kid Loco Meets Soul Sugar

Kraft "Dub" Werk

LP | 2024 | EU | Original (Echo Beach)

23,99 €*

King Tubby Vs Channel One

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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When dub and dope beats entered into an open relationship in the mid-nineties and created a casual hybrid with trip hop, Jean-Yves Prieur aka Kid Loco was one of the first French people to be there. With singles like "She"s My Lover" and "Love Me Sweet" and the album A Grand Love Story, the producer proved himself to be a loverman indeed, with a knack for bedroom moods, charming little melodies and a comforting balance between minimalism and lush arrangements . As a keyboard all-rounder, Guillaume Méténier aka Soul Sugar has been featured on numerous Kid Loco productions for more than twenty years. From the synthesizer to the clavinet, from the Fender Rhodes to the Leslie organ, the "Funky Frenchman" is no stranger to any keyboard instrument. The Hamburg label Echo Beach, which has already issued dub commissions for a number of pop and new wave classics, thought it was time to change that. Dub masters such as Rob Smith, Noiseshaper, Dubmatix, Paolo Baldini and many others remixed for the label. Songs by Martha & The Muffins, The Police, David Bowie, Grace Jones and Robert Palmer, among others.In order to honor the music of Florian Schneider, Ralf Hütter and their respective fellow Kraftwerkers with a dub set, they turned to Kid Loco, who has now established himself as a musical all-rounder, and who immediately invited his long-time accomplice Soul Sugar brought on board. The calculation really worked out.

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Dub Soundclash

LP | 2019 | EU | Reissue (Jamaican)

14,99 €*

Change The World, Version / Demonstration, Version

Release: 2019 / EU – Reissue

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-01

King Tubby’s and Channel One, two of the great studios that produced so many of the great reggae rhythms in Kingston, Jamaica, find themselves for one night only, battling it out for the trophy. King Tubby’s (b. Osbourne Ruddock, 194, Kingston, Jamaica) studio was set up at 18 Drummile Avenue, Kingston, Jamaica. His fascination with all things electronic grew out of working and repairing radios and TV sets and the lucrative work of winding transistors. A job that was much in demand in the 1970’s Jamaica. This work gave Tubby a great understanding of sound, ow it worked and how it could be manipulated. Encouraged and helped along by producer Bunny ‘Striker’ Lee and with access to Bunny’s ever growing master tapes, that were stored at Tubby’s studio. Dubplates were made to supply the sound systems of Kingston and in fact Tubby’s own Hometown Hi-Fi sound.

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Kingsley Wray & Skykru

10" (Room In The Sky)

Genre: Reggae & Dancehall

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7" | WW | Original (Shiloh-Ites)

Kush Mcanuff & Iyah One

Kilimanjaro / Dub

Release: WW – Original

Genre: Reggae & Dancehall

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7" | 1996 | JM | Original (John John)

Lady Saw / Shabba Ranks

Want You Tonight

Release: 1996 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2024 | UK | Original (Studio One)

Larry Marshall

Lonely Room

33,99 €*

Larry Marshall+Peter Austin / Johnny Moore, Tommy Mccook & Supersonics

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Beautiful Song from the Studio One Archives (First Release 1969

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No One To Give Me Love

7" | EU (Caltone)

11,69 €* 12,99 € -10%

Release: EU

Genre: Reggae & Dancehall

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Only A Smile / On The Plantation

Laurel Aitken

7" | 2024 | EU | Original (Liquidator)

Black Art From The Black Ark

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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After the success of the two Laurel Aitken previous singles backed by Mighty Megatons band, on which the Spanish band completes old unfinished masters from the legendary 'HIgh Priest Of Reggae', Liquidator Music releases now the third 7”. On the A side is a cover from The Paragons ‘Only A Smile’ rock steady classic, an elegant interpretation by the genuine Godfather Of Ska from Jamaica who pays tribute to his beloved singer John Holt. On the B side we can find ‘On The Plantation', a Roots Rock Reggae killer tune. Laurel produced, along his career, some conscious numbers, even rastafari and panafricanist but, probably, this one is the most militant along his legacy. Mighty Megatons has done a great job showing their versatility among the classic Jamaican sounds. A must for any Reggae and Rocksteady collector.

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Lee Perry & Friends

2LP | UK (Pressure Sounds)

27,99 €*

Rainford Black Vinyl Edition

Release: UK

Genre: Reggae & Dancehall

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A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

Lee Perry: ‘Boris Gardiner was a good person, just a humble person, and he’s the best person I ever met in the music business so far. Boris is a very top musician, and with him you could put anything together, him do “Police And Thieves” and all that. You just tell him what you want and him can do it. A very great person.’

Boris is probably best remembered today for his huge international hit from 1986, the schmaltzy ‘I Want To Wake Up With You’. Yet in the 60s and 70s he was one of Jamaica’s top bass players and arrangers, having an international hit with ‘Elizabethan Reggae’, and creating a run of classic tunes at Studio One.

Boris Gardiner: ‘I did at least seventy or eighty songs at Studio One, all in this one short period between January and April 1968. And we used to work four days per week, and we did four rhythms per day for 30 pounds a week – it was good money. I played on songs like “Feel Like Jumping”, “Nanny Goat”, “Baby Why” by the Cables, the whole “Heptones On Top” album, and “Party Time”. Lee Perry used to be at Studio One same time as me, kind of working around, so he know me from there. So he came and roped me into the group when the Black Ark studio was in progress. He built it right there at the back of his home. So Scratch called me and asked me to come and do some sessions around his studio. I was always ahead of my time as I can see it, in the music in Jamaica. So the songs that I made you always hear chord progressions and changes. Sometimes I think it’s as if I was born in the wrong country, because I just couldn’t do a two chord tune – heheh! To me it need more than two chords to give it some excitement, like it need some changes or something.’

After years of moving between Jamaica’s competing facilities, Perry had decided to build his own studio at the back of his house in Washington Gardens.

Lee Perry: ‘The Black Ark make over a pile of shit – my pile and me put it under the Black Ark. I make the Black Ark over my shit piss, so the bass always go “Poo Poo Poo Poo”! Errol Thompson put the machines in there, and make the patch panel. So the studio was all waiting, but only me could operate it. I didn’t have the Soundcraft mixer then, I did buy a lickle thing you call a Alice mixer. We didn’t have anything professional, but the sound was in my head and I was going to get down what I hear in my head. And it’s like a toy, a toy affair, that’s the way music is. You see like when you buy a kid’s toy, well you bring a joy to them, so is that way I see music. I don’t see music like how other people see it, I see it just like a toy.’

Unusually, Lee decided to do everything himself, both producing and engineering. The film clip shows Lee fully relaxed as he simultaneously directs the musicians and adjusts his recording machines.

Boris Gardiner: ‘To me Scratch always knew what he wanted. Out of all of them Scratch was a true producer, because he would be in the studio and he would listen and say change this or I don’t like that, and he was his own engineer also, so he was always around there listening. So he knew what he wanted and how to try and get it from the start, unlike Coxsone Dodd or Duke Reid, who knew what they liked or didn’t like only after they heard it. Scratch was in there with everybody, so he is really doing a full production as a true producer.’

Lee Perry: ‘I used to do them all by myself. Anybody in my studio could sit down in the visitor’s chair and look, but me do everything – me have a chair that can move from here to there, a chair that have wheels. So I could be turning in any area or any direction, so I could have my hand over here and my hand over there. Heh heh.’

And at a time when 8 and 16 track recording had become the norm in most high end studios, Lee recorded everything to a semi-professional TEAC 4 track recorder, which he can be seen casually adjusting with a screwdriver in the film clip. He explained that since he would end up mixing down to a stereo (or two track) master, more tracks would just be a distraction.

Lee Perry: ‘It was not a professional tape recorder, I was using those TEAC 4 track set that they was trying like experiment to see what would happen. Well, I have it all set up. The first thing I’d think about, all right, is you have to mix everything back down to the 2 track stereo or 1 track mono. Then you can press it and release it. So I knew what I wanted at the end, and I balance it just like that in the studio with the instruments. Sometime when you put only four or five instrument in the studio, you have a better, cleaner record, you can hear what everybody play. And if you have maybe eight musician in the studio, it’s more like a confusion, because everybody wants to play a different thing, yunno. If you is the producer and you can tell them what you want to hear it will be better. So I can put the bass and drum together on one track because me know exactly what me need. If you don’t know, then you need more tracks so you can balance it later. So for the backing, I would just do the two tracks: the bass and drum and percussion track, that is one; and the guitar, organ and piano on another track, that is two. So you still have two more tracks if you want to do vocal, that would be three. And if you want to do horns or a harmony vocal, you can do that on the fourth track. To me it’s a waste of time, a waste of energy with a 24 track machine, waste of current and waste of money. Because it all have to come down to one or two tracks in the end.’

The early Black Ark sound was stripped down and minimal, often with only one or two musicians playing keyboard or guitar. Lee would also use extreme EQ to emphasize the bass and tops, and his hi-hat sound is instantly recognisable from the earliest days of the Ark.

Lee Perry: ‘Well, I used to have an equaliser for the bass drum, and it’s like for heaviness on the beat, and then I had another equaliser for the cymbal, to give it that “Ssshhh ssshhh”. So we have different machine to send different instrument through that they can sound different. I managed to change the vibration of the music, because the music was just local music produced by rum drinkers and cannibals. So me turn on the music to a higher range.’

Boris Gardiner: ‘I think I always use a DI box to record bass at the Black Ark. Because bass want to fade into the other instruments’ microphone, so we often plug it straight into the board and then Perry sets the EQ on the board and take it straight. Then we built a drum booth so the drums really sound separate too – it give him more control.’

As the Black Ark evolved, Lee developed a richer collage of sound, built around three primary effects: the Mu-tron Bi-Phase phaser, a spring reverb and a Roland Space Echo.

Boris Gardiner: ‘One thing about Scratch was that he always used his effects – that was his sound. He always phase the ska guitar, but you don’t always know he’s recording it like that until he play it back. So until he play it back you have no idea what it will sound like.’

Lee Perry: ‘I did have a phaser that I buy, and then when I’m in the studio, in the machine room, and phasing them, the musicians don’t hear it, what I am doing, until them come in the studio, and them hear the phasing. So we did it all live. And the musicians they won’t even know what goes on! While the musicians are playing, I am doing the phasing. I take the musician from the earth into space, and bring them back before they could realize, and put them back on the planet earth. The phaser was making things different, like giving you a vision of space and creating a different brain, a phasing brain. So that’s where I take the music out of the local system and take it into space. The Space Echo also have something to do with the brain. You send out telepathic message and it return to you, so that’s how the Roland Space Echo chamber come in – what you send comes back to you. And while you know you send the telegrams out, you are waiting for what is the reply of the telegrams coming back. So that’s why the Space Echo go and come, rewinding the brain and forward winding the brain. I was also using a spring echo chamber, but just for drum, for the clash of the drum. And everything just fit in, like the thing I want to do it just come to me and come from nowhere, and then it appear and it happen.’

Boris Gardiner: ‘He loved to do things that nobody had done before, him always try a new thing. And he was a good writer too you know. Perry bring in a drum machine sometimes and we use that on some songs for the Congos and everyone. Well I actually like playing with a drum machine cos a drum machine is always steady. Most drummers they either push forward or pull back – they call it the human touch, but I call it out of time! Hahaha. “Row Fisherman Row” was really the great hit with the Congos, but that is all real drums and percussion, it’s just that Perry makes it sound almost like a machine with his echoes on the percussion. I played on “Police and Thieves” and that was a big hit too, maybe it was Sly Dunbar on that. One day Bob Marley came to him with a song on a tape and said “boy Perry, I don’t really like the bass and drum on this song here, if you can do anything to it then just change it and see if we can get something better”. Well Perry had only 4 track tape at his studio, but this was a 24 track tape that Bob bring. So Perry called me and Mikey Boo and took us down to Joe Gibbs studio and started playing the rhythm and all that on the 24 track. So I was on bass and Mikey Boo was on drums and we listen and we listen, and then we dub it back over to make new drum and bass. Well that song became “Punky Reggae Party”, so that shows you how Bob trusted Perry.’

Lee’s other great innovation was adding layers of sound effects, sometimes live through an open mic, but often pre-recorded onto a cassette tape which he would add to the collage on mixdown. Because these effects – bells, cymbals, animal noises, dialogue from the TV – were not synched to the music, they would add a layer of randomness to the sound.

Lee Perry: ‘You know cassette? I make cassette with sound track, and all those things with cymbal licking, flashing. In my Black Ark studio if you listen the cymbal was high, like “Ssshhh ssshhh”. But I did have them all recording on cassette, and while I was running the track and it was taking the musician from the studio, I was playing the cassette to balance with the drum cymbals and things like that, so them didn’t have to play that because it was already on cassette playing. You could call that sampling. And I have this “Mooooow”, like the cow, running on the cassette, and it go onto the track that I wanted to sound like that. Somebody discover it in a toilet. You know when the toilet paper is finished, and you have the roll, and the hole that come in the middle. Well you put it to your mouth and say “Hoooooo”, and it sound like a cow. You put it to your mouth and you imitating a cow and say “Moooooo”. Heh heh heh. Yeah, sound sampling. Well somebody had to start it, and we was loving to do those things.’

Boris Gardiner: ‘Well the Black Ark did have a strong vibe, but, once everybody all there, most of those guys who smoke really like it, but those who didn’t smoke didn’t really like it, like myself. Scratch is a man who never joke fi draw him herbs, you know? Heheh. But I am not a smoker cos it’s not good for my heart. I have a heart problem called tachycardia, an irregular beat of the heart. So it could be upsetting at times when there’s so much smoking going on.’

By the late 70s the relaxed atmosphere at the Black Ark had soured, as Lee attempted to extricate himself from various outside pressures, and his behaviour became more erratic.

Lee Perry: ‘What happened I did for myself not to be working with jinx and duppy called dread. And those duppies they think that me owe them favour. I open the door, and the duppies them find that me is the door opener, and then the duppies them take shape inna me yard and inna me house, and they were a jinx. Jinx mean bad luck. So to get rid of them, me had to burn down the Black Ark studio fi get rid of jinx.’

Boris Gardiner: ‘Was Scratch crazy? Well some say now that he was just putting on an act. But I think, why did he put it on? After all the problems he was having and that sort of thing, and they were saying that he was getting off his head, and he start to act strange, well I just stopped going. I stopped working there. It wasn’t a good atmosphere – nobody could really enjoy that again. So I called it a day. It is sad after all the good work we did. But when you try to be smart and try to outsmart others, well it don’t work out for long with you. He came and did a show here in Jamaica the other day, but I didn’t really know Lee Perry as a singer. He won the Grammy not long ago, but I find it surprising that he got a Grammy as a performer not a producer. He’s been very lucky: now he is successful in a sense and some people love him cos he’s a character, and they don’t see nobody dressed like that. Hahahah!’

Speaking to Lee in February 2021, via WhatsApp to Jamaica, he sounded relaxed and positive, with more praise for Boris and optimism for the future.

Lee Perry: ‘Boris Gardiner was very good, very great in the brain. He really intelligent in music, and me and him work miracle together! And remember that there was no end to the Black Ark, the Black Ark will be coming back. The Black Ark keep on living and cannot die.’

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Lee Perry

LP | 2019 | UK | Original (On-U Sound)

31,99 €*

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Leroy Sibbles

Mama

Little Harry / Little John

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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7 inch vinyl with a beautiful song -Leroy Sibbles

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Jessat Promotion / United We Stand

7" | 1982 | US | Reissue (Jah Guidance)

Release: 1982 / US – Reissue

Genre: Reggae & Dancehall

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12" | 2010 | UK | Original (Dug Out)

Little John & Billy Boyo

What You Want To Be

Release: 2010 / UK – Original

Genre: Reggae & Dancehall

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Little John / Bounty Killer

Lock Di Gate

7" | 1992 | JM | Original (Jammy's)

Release: 1992 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Fade Away

7" | Original (97 Crew)

4,99 €*

Release: Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1992 | JM | Original (Jammy's)

Feature Yu Ends

Release: 1992 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Little John & Josey Wales

Dance & Studio

7" | 1984 | JM | Original (Power House)

Release: 1984 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

LP | 1982 | EU (Radiation Roots)

Reggae Dance

17,99 €*

Release: 1982 / EU

Genre: Reggae & Dancehall

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Reissue of this 1982 release, recorded and mixed at Channel One and King Tubby's Studios. Includes killer songs such as "Reggae Dance," "Unwilling Baby Mother," "Sweet Reggae Music," and "This Kind Of Way". A dancehall classic!

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7" | JM | Reissue (Rockers Forever)

Slice Of The Cake

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Reissue (Dynamite)

Spin Yuh Roll

7,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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7" | 1984 | JM | Original (Power House)

True Confession

4,99 €*

Release: 1984 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with heavy foxing

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Unite Colored Vinyl Edition

LP | 2022 | US | Original (Burning Sounds)

25,99 €*

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Born John McMorris in Kingston, Jamaica in 1970 his nickname originally described this young man to a tee but, as time passed, his stature in the reggae music business continued to grow, Little John became more akin to his Sherwood Forest namesake. Little John first burst on to the Jamaican music scene in 1979 as a precocious nine year old on an un-credited combination with Captain Sinbad on ‘51 Storm’ for Sugar Minott’s Black Roots label . His ‘Unite’ album is a reminder of the continuing relevance of the dancehall style. Rough, raw and rugged they represent the real authentic sound of young Jamaica from nearly forty years ago when the youths “forgot their troubles and danced”.

Recorded At Channel One, Kingston, Jamaica Produced By Anthony Dehaney Mixed By Scientist Backing Band The Roots Radics Recorded 1984

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7" | JM | Original (Corner Stone)

Wrong Fe Send Come

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Little Kirk / Keety Roots On Melodica

Milk And Honey, Dub / Vibe Of Elisha, Dub

10" (Sir Logie Int.)

Genre: Reggae & Dancehall

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7" | 1979 | JM | Original (Cash & Carry Records)

Little Roy And Ian Rock

Forcies

LP | 2022 | US | Original (Jump Up)

Release: 1979 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl close to VG+

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Lollypop Lorry

Goes Dub

29,99 €*

Tape | 2020 | US | Original

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Russian ska reggae act's all dub outing, an inspired opus with beautiful solos, guitars, brass & percussion. Nine reinterpretations of standards by Miles Davis, Dizzy Dillespie, John Coltrane, Thelonious Monk, Henry Mancini and more, superb mix by Victor Rice. Heavyweight black vinyl.

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Lollypop Lorry

Goes Dub Tape

Louisa Miller / Wing An' A Prayer Band

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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Official Cassette Week 2020 release. female fronted Russian ska/reggae act known world round release their first dub album on tape, limited edition of 50. A very jazzy, spacey project, dubbing up Miles Davis, Dizzy Gillespie, John Coletrane, Thelonious Monk, Henry Mancini and more.

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Share The Love Around 2024 Repress

12" | 1989 | EU | Reissue (Miss You)

15,99 €*

7" | JM | Original (John Dog Records)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Reissue from 1989, amazing leftfield Lovers Rock featuring extended dub version - emotional love bomb. Re-mastered and restored.

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Luciano

By The Fathers Grace

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Let's Protect The Children

Luciano

7" | JM | Original (In The Streetz)

5,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

7" | 2003 | JM | Original (In The Streetz)

Mad Cobra, Macka Diamond

Money-Washing Machine

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1994 | JM | Original (John John)

Mad Cobra

Whoa

8,99 €*

Release: 1994 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Mad Professor Meets Channel One Sound System

Round Two

LP (Ariwa)

20,99 €*

Genre: Reggae & Dancehall

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Mannaroman, Ras Mat-I, Sealow, Gianni De Donno

Dat A Reggae Music / Madness / Thunders

12" | 2019 | EU | Original (Boot Loop)

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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Many More

Selena

Mario & Buju Banton / John Legend

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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7 inch vinyl with a beautiful song

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Let Me Love You (Reggae Remix) / Used To Love You (Reggae Remix)

7" | 2005 | JM (Rown Beet)

16,99 €*

Marlon Stewart / Conroy Smith

Release: 2005 / JM

Genre: Reggae & Dancehall, Pop

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Used Vinyl

Medium: VG+, Cover: Generic

Side B has a white label with writing.

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She's Gone / The Girls

LP | 2016 | EU | Original (Stix)

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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7 inch vinyl with two beautiful songs

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Mato

Hollywoo Dub

15,99 €*

7" | JM | Reissue (Studio One)

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Today, Mato is back with another target for his special skills as a tailor of reggae music, this time focusing on classic musical themes from original soundtracks. Imagine if Lalo Schiffrin, Nino Rota, Gorgio Moroder, Ennio Morricone or John Williams had been blunted at Lee Perry’s Black Ark studio… there you go, this is Hollywoo Dub!!

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Michigan & Smiley

Rub A Dub Style

7,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

7" | 2022 | EU | Original (One Camp)

Mike Brooks

I`M A Superstar

8,99 €* 11,99 € -25%

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Mike Brooks

I'm A Superstar / Dub

7" (One Camp)

14,99 €*

Genre: Reggae & Dancehall

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Dancing Shoes Record Store Day 2024 Red Green Vinyl Edition

Mikey Dread

10" | 2024 | EU | Original (Music On Vinyl)

22,94 €* 26,99 € -15%

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Ministry Of Echology, Kaseta & Genn Bo

Dubartis

2LP | 2022 | EU | Original (Dubartis)

38,99 €*

Minstrels / Jackie Mittoo

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Dubartis compilation is a double LP of previously digitally released tunes. First LP is dedicated to Lithuanian dub reggae band Ministry of Echology remixed by local artists and producers. Deep spaced-out dub and cinematic electronics. Second LP - boom bap and experimental beats collection from Kaseta and Genn Bo. All about sampling, looping, slicing, cutting, blending old dusty records.

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Yours Until Tomorrow / Tropic Island Silver Colored Vinyl Edition

7" | 2022 | UK | Original (Studio One)

37,99 €*

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Voyage To The Bottom Of The Sea 2022 Repress

Mouth

12" | 2016 | EU | Reissue (Emotional Rescue)

16,99 €*

7" | 2001 | JM | Original (In Time Music)

Release: 2016 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance, Reggae & Dancehall

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Emotional Rescue looks back again with a 2022 repress, digging deep in to the early 80s Bristol post punk scene of Pig Pag, the Wild Bunch and the Dug Out club. A short lived project of just 3 releases, Mouth trail-blazed leftfield percussive jams in the rich vain of Liquid Liquid and ESG but in their own jazz-infused way. Centered round the cultural melting post of the St Paul's district, it's pubs, clubs and blues parties threw together young and old to the sounds of dub, funk, jazz and soul and took the spark lit by punk rock and new wave and spawned music that still resonates today. Consisting of a floating line up based around main members Andy Guy and Rob Merrill, alumina included a young Nellie Hooper before he would go on to be a founding member of the Wild Bunch and on to produce the likes of Bjork, U2 and Madonna. Based around a hard tribal drumming, mixing guitar, trumpet, shouted vocals and effects, the thrown in the mix nature was inspired as much by avant-jazz than punk's do it yourself attitude. Here then, on one EP are their complete recordings, including as the title cut, their best and deepest, Voyage To The Bottom Of The Sea. Featured on a compilation LP from the legendary Y Records, its bottom heavy dub sound is augmented by female and toasted vocals riding a top a heavy stepper style riddim. This is followed by an increasingly dizzy array of percussion jams. Acab Part 2) is all skips and trumpets, while the versions of Take Your Coat Off perfect skat vocal / tom interplay, before the finale busts out the rockabilly influences in full effect with jagged guitar, skipping hats meets double bass punk style.

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Mr. Easy / Mr. Peppa

Aint Easy / You So Proud

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 1999 | JM | Original (John John)

Mr. Easy

No Gun Argument

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1999 | JM | Original (In The Streetz)

Mr. Vegas / Elephant Man

Bun It

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Mr. Vegas Featuring Fat Joe & Fatman Scoop

Tamale (Rmx)

7" | 2002 | JM | Original (In The Streetz)

6,99 €*

Release: 2002 / JM – Original

Genre: Hip Hop, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2003 | JM | Original (In The Streetz)

Mr. Vegas

Hands In The Air

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Muslimgauze Vs The Rootsman

The Return To The City Of DJinn

2LP | 2023 | EU | Original (Via Parigi)

30,99 €*

LP | CA | Original (Not On Label)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance, Reggae & Dancehall

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The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture. We hear distorted dub rhythms, sawn-off loops, traditional music, male and female voices and then distorted rhythms again. Closing your eyes, you can find yourself in the middle of an eastern city, walk along its noisy streets, admire the ancient architecture. This noise can tell amazing stories!

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Natasha Baby

Sun Seed Present

4,94 €* 10,99 € -55%

Nathan Skyers & Jennifer Lara

Release: CA – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Writing on labels

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Sugar Candy

7" | 2003 | US | Original (Studio One)

5,99 €*

7" | 2009 | DE | Original (Twit's World)

Release: 2003 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Nesta Uno

Is This Love / Dub

Ninjaman, Gregory Isaacs & Freddie McGregor

Release: 2009 / DE – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light scuffs

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John Law

7" | 1988 | JM | Original (Anchor)

Release: 1988 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Youre Gonna Lose / Fat Fish Red Vinyl Edition

Octaves / Soul Vendors

7" | 2022 | UK | Original (Studio One)

22,79 €* 37,99 € -40%

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Old Boys In Town

Our Present World

LP | EU (Rusty Knife)

Release: EU

Genre: Reggae & Dancehall

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7" | 2016 | EU | Original (One Ton)

Omari / Phocas

Keep On Moving / A Jah

9,59 €* 11,99 € -20%

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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7" | 1981 | JP | Reissue (Drum & Bass X Rock A Shacka)

One Blood

Lady Lady

14,99 €* 24,99 € -40%

One Deck & Popular Ft Hayeeryah

Release: 1981 / JP – Reissue

Genre: Reggae & Dancehall

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A mellow stepper lovers cover of T.I.M.E's soulful reggae classic. The album version is a different take from the one released as a single at the time. The reverse side is a great lovers rock song with a heavy one-drop backed by One Blood!!

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Enrico Harmonica, Enrico, Ital Dub

12" (Black Country Route)

8,99 €*

Genre: Reggae & Dancehall

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Come One Day / Dub One Day

One Drop Forward

7" (THC)

8,99 €*

Genre: Reggae & Dancehall

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LP | 1977 | EU | Reissue (Lantern Rec.)

Owen Gray

Fire And Bullets

28,99 €*

LP | CA | Original (Pioneer International)

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Fully licensed, 140 gr vinyl. Reissued for the first time on vinyl, an amazing showcase of roots & reggae lovers, originally released on Trojan in 1977.Although his place as a reggae pioneer cannot be questioned, Owen Gray has felt for many years that he never got his due from Jamaica, his homeland. On August 6 2023, the government finally recognized his contribution awarding him with the honor of Order Of Distinction, Jamaica’s sixth-highest honour. Gray, now 87, is ecstatic about what he considers an overdue and deserved reward. In the rocksteady era, he recorded for producer Sir Clancy Collins AKA sir collins .His popularity continued throughout the 1960s, working with producers such as Clement Dodd, Prince Buster, Sydney Crooks, Arthur "Duke" Reid, Leslie Kong, and Clancy Eccles, including work as a duo with Millie Small, with songs ranging from ska to ballads. He continued to record regularly, having a big hit in 1968 with "Cupid". His 1970 track "Apollo 12" found favour with the early skinheads, and in 1972 he returned to Island Records, recording reggae versions of The Rolling Stones' "Tumblin' Dice" and John Lennon's "Jealous Guy", although they met with little success. During this period, he regularly had releases on Pama and Pioneer Internacional label, Camel Records, and one single on Hot Lead Records. He had greater success in Jamaica, however, with "Hail the Man", a tribute to Emperor Haile Selassie, which was popular with the increasing Rastafari following.

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Owen Gray

Hit After Hit After Hit

4,99 €*

Release: CA – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

LP | 1961 | UK | Reissue (Burning Sounds)

Owen Gray

Sings

22,99 €*

Owen Grey / Delroy Wilson

Release: 1961 / UK – Reissue

Genre: Reggae & Dancehall

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Owen Gray was the island’s first home grown star to sing in a style that wasn’t mento, calypso or jazz. This is a 180 gram vinyl reissue of his 1961 album. This was the first Jamaican album to be manufactured and released in the UK. This re-issue commemorates the 60th anniversary of its original release.

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Natty Bongo / The King

7" | 1975 | US | Reissue (Justice)

Release: 1975 / US – Reissue

Genre: Reggae & Dancehall

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Owen Grey / Lloydi Nature

I'm A Jamaican, Dub / Hundred Miles, Dub

10" (Muzikcity)

Genre: Reggae & Dancehall

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Owen Knibbs

If You Don't Have Love

LP (Owen Knibbs Music)

LP | 2023 (Reggae On Top)

Genre: Reggae & Dancehall

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sealed

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Pablo Gad

Armageddon Dawn Refined

Release: 2023

Genre: Reggae & Dancehall

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LP | 2003 | Original (Reggae On Top)

Pablo Gad

Don't Push Jah

Pablo Gad / Reggae On Top All Stars

Release: 2003 / Original

Genre: Reggae & Dancehall

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UK reggae star Pablo "Hard Times" Gad returns by hooking up with Reggae On Top's Barry Issac at Conscious Sounds Studio for a heavy roots session.

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Coke Addict / Dub

12" (Reggae On Top)

Genre: Reggae & Dancehall

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Papa Twelve, Inn House Crew / Barry Issac, Kingsley Wray

Moment, Saxy Surprise / Love Is All, Good People

7" (Too Good)

Genre: Reggae & Dancehall

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2LP | 2023 | EU | Original (Music On Vinyl)

Peter Tosh

Best Of 1978-1987

38,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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LP | 1983 | EU | Reissue (Music On Vinyl)

Peter Tosh

Mama Africa

28,99 €*

Nah Give Up / Youths Fi Rich

Release: 1983 / EU – Reissue

Genre: Reggae & Dancehall

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Peter Tosh's most "accessible" solo album, Mama Africa, would also be his best seller outside Jamaica, the only one his albums to break into the U.K. Top 50 and even push into the bottom reaches of the U.S. charts.

180g vinyl.

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Phenomden / Natel

7" | 2016 | EU | Original (One Ton)

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Prince Chamba Meets Zulu Vibes

Judgement Time / Concious Way

12" | 2023 | EU | Original (Lion's Den)

Cry Tuff Chants On U Gatefold Record Store Day 2024 Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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For the next 12inch in the Lion’s Choice series we teamed up with Zulu Vibes from France for a rootikal treat prepared at their Alternative Corner Studio. It’s the manifestation of a unique musical meeting with the singer Prince Chamba and musician friends Macca Dread and Crucial Rob. First the uptempo ‘Judgement Time’ in a rockers fashion, followed by a more laid-back, melodious roots excursion, ‘Conscious Way’, on the flip. Of course each with a dub version. All transferred to 1/2inch tape and mastered with care by Star Delta.

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Prince Far I

2LP | 2024 | UK | Original (On-U Sound)

39,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Queens

We Will Rock You Remix

7" (Not On Label)

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 2004 | FR | Original (Bam Salute)

Quench Aid & John Wayne

Don't Go Girls

Release: 2004 / FR – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1982 | UK | Reissue (Ariwa)

Ranking Ann

A Slice Of English Toast

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Raph Pico / Signal One Band

Wicked Be Gone

12" | 2024 | EU | Original (Signal1)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-08

Walking Through Jah Meadow / Walking With Jah Dub

Ras John B / Alpha B

7" (Roots Addis)

Genre: Reggae & Dancehall

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7" | 2020 | EU | Original (Room In The Sky)

Ras Ranger

Message In The Music

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Ras Taro, Red-I, One Love Keys / Ras Taro, Red-I, Dakila Horns

War, Dub, Melodica / Criminal, Dub, Horns

12" | UK (Oto)

18,99 €*

Release: UK

Genre: Reggae & Dancehall

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Ray Carless & Vin Gordon / Vin Gordon & Kingly Wray, Sarah Tobias

Dark Heart, Dub / I Pray I Pray, Dub, Sowsarlew

12" (Room In The Sky)

Genre: Reggae & Dancehall

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Razor

Make My Money

Spooky / Better Recognize

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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7 Inch Vinyl With A Beautiful Song

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Red Rat / Phoebe One

7" | 2000 | JM | Original (Studio 2000)

Release: 2000 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Red Rose Record Store Day 2024 Vinyl Edition

Reedy Winston

LP | 2024 | EU | Original (Room In The Sky)

42,74 €* 56,99 € -25%

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Reggae Roast Ft.Horace Andy, Earl 16, Soom T, Gappy Ranks, Etc

More Fire!

2LP (Music On Vinyl)

37,99 €*

Genre: Reggae & Dancehall

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Resistence In Dub / Longfingah

The Longfingah Attack

12" | 2020 | EU | Original (GuerillJah Productions)

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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LP | 1984 | EU | Reissue (Lantern)

Restriction

Action

25,99 €*