Search "john+roberts" 548 Items

Best Dressed Chicken In Town

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Rawax proudly welcomes Bandulu to the family! Together with Jamie Bissimire, John O'Connell & Lucien Thompson we came to the point that the time is right to present some of Bandulu's great productions on the Foundation Series. Stay tuned!

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Dr. Alimantado

LP | 1978 | UK | Reissue (Keyman)

22,99 €*

LP | 1983 | EU | Reissue (Music On Vinyl)

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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“Best Dressed Chicken in Town” is the debut album by Jamaican deejay Dr. Alimantado. It was first released in 1978, and collects many of his self-produced singles from 1972 to 1977, employing the engineering talents of Lee Perry, King Tubby, and Scientist.

It was the first album released by Greensleeves Records, and found favour with followers of both reggae and punk rock in the United Kingdom. The album employed several major hits as the basis for the tracks, including Horace Andy's versions of "Ain't No Sunshine" (on the title track) and "A Quiet Place" ("Poison Flour" and "I Shall Fear No Evil"), John Holt's "Ali Baba" ("I Killed the Barber"), and Gregory Isaacs' "Thief a Man" (on "Gimmie Mi Gun") and "My Religion" ("Unitone Skank"). The album was described by The Independent as "one of the finest albums from reggae's golden age".

The front cover photography is credited to D.K. James and the back cover artwork and photography to David Hendley.

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Peter Tosh

Mama Africa

LP | 1974 | EU | Reissue (Music On Vinyl)

Release: 1983 / EU – Reissue

Genre: Reggae & Dancehall

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Peter Tosh's most "accessible" solo album, Mama Africa, would also be his best seller outside Jamaica, the only one his albums to break into the U.K. Top 50 and even push into the bottom reaches of the U.S. charts.

180g vinyl.

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Toots & The Maytals

In The Dark

Desmond Dekker & The Aces

Release: 1974 / EU – Reissue

Genre: Reggae & Dancehall

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The Jamaican musical group Toots & the Maytals can be considered as one of the best known and most important ska and rocksteady groups of all time. Reggae comes in many forms and the music of the Maytals is a seamless blend of reggae and soul. Their second international album In The Dark is a ska/reggae classic that captures the Maytals in their prime. In the Dark’s classic status may be assured from their signature song “54-46 Was My Number”.

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Israelites

LP | 1969 | UK | Reissue (Sanctuary)

Release: 1969 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | UK | Original (Room In The Sky)

Deemas J

Not 1 Style

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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June Powell & The Rits Riddim Force

I'm In Love

7" | 2024 | UK | Original (Southside Productions)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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7" | 2023 | UK | Original (Dubmission)

Tor.Ma In Dub

Terra / Terra Dub

10,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Tor.Ma in Dub’s bass-quaking Terra and it’s fierce flipside Terra Dub drop on 7” this May 5th.

Terra’s pulsating bassline is complemented by sparse tribal percussion and disembodied vocals, creating a grounded and meditative vibe.

Terra Dub is straighter and heavier, with a punchy bass and a relentless steppers rhythm, guaranteed to lively up the dancefloor.

Both tracks are taken from the Solve et Coagula album, which focused on alchemy and transformation, with the elements presented in pairs. Downbeat dubs morph into uptempo steppers, all crafted with the unique blend of roots and psychedelia that are the hallmarks of the Mexico-based producer’s style.

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LP | 2023 | UK | Reissue (Trojan)

1000 Volts Of Holt

18,99 €*

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 2018 | EU | Reissue (Music On Vinyl)

Bob Andy

Lots Of Love And I

Release: 2018 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Orange vinyl limited edition. Plastic sleeve with hype sticker. Cover has beginning seam split. Vinyl is very close to NM. Numbered MOV 000544. 2018 reissue.

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LP | 2022 | EU | Reissue (Trojan)

1000 Volts Of Holt

19,99 €*

Release: 2022 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2023 | UK | Reissue (Trojan)

1000 Volts Of Holt

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2024 | UK | Reissue (Universal)

Big Youth

Dread Locks Dread

34,99 €*

Tribute To 2 Tone Blue Vinyl Edition

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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Originally released on Klik Records, in 1975, Dread Locks Dread became one of the new Front Line label’s first key releases when reissued in 1978.

One of reggae’s best and most recognizable ‘toasters’, Big Youth broke new ground as a DJ in the early ’70s with a flowing, chant-like cadence that was equal parts melodic and invigorating, applying his infectious vocal approach to heavy social and political lyrics.

A huge favourite of the punk and new wave artists at the time of release, Big Youth was embraced by The Clash, via Don Letts, and PiL, amongst others. John Lydon was part of Richard Branson’s A&R envoy to Jamaica, helping sign credible artists to his new Front Line reggae label.

Featuring the legendary Skin, Flesh & Bones band, formed around Lloyd Parks (bass), drummer Sly Dunbar (before he started working with Robbie Shakespeare), Ansel Collins on keyboards, and trombonist Vin Gordon. The album was produced by Tony Robinson and Errol Thompson and mixed at the famous Joe Gibb’s studio.

Dread Locks Dread skanks from punchy, rhythm-heavy reggae to the deepest, dubbiest roots. The hypnotic Some Like It Dread reworks Dennis Brown’s “Some Like It Hot”, where the DJ’s toast is entwined with a bluesy harmonica (the dub version re-titled (Black Man Message). Also features a fiery version of Burning Spear’s “Marcus Garvey” (Marcus Garvey Dread), a tasty take on the John Holt classic “Keep on Moving” – Moving On and a scintillating dub of the Techniques’ rocksteady masterpiece You Don’t Care.

Not your typical DJ album by any means, the music equals the toasts and vice versa – an essential release for a dub fan or a Big Youth supporter.

Re-mastered at Abbey Road Studios, London.

Out of print for over 20 years!

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Check One-2

LP | 2020 | US | Original (Jump Up)

LP | 1982 | UK | Reissue (On-U Sound)

Release: 2020 / US – Original

Genre: Reggae & Dancehall

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NEW This Week Specialized charity album featuring 16 top bands covering the best 2-tone ska from Madness, THE Specials, Bodysnatchers, Selecter, Beat, BAD Manners & more. Inc BIM Skala BIM, Rude BOY George, Boss Riot, THE Fuss, Crombies, Prizefighters, THE Crombies, Scotch Bonnets & more.

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African Head Charge

Environmental Studies

29,99 €*

LP | 1984 | EU | Reissue (Lantern)

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Features contributions from Bruce Smith (The Pop
Group), Style Scott (Roots Radics) and Deadly
Headley (The Wailers).

Re-cut at Dubplates & Mastering in Berlin for
maximum bass pressure. Includes printed inner
with sleevenotes by Steve Barker (‘On The Wire’),
plus download card for full album.

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Restriction

Action

Release: 1984 / EU – Reissue

Genre: Reggae & Dancehall

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Fully remastered and licensed, ltd to 500 copies. Cult re-issue from this short-lived Bristol project. Their debut 4-tracks EP was self-released on Restriction Records in 1984 giving birth to a collective experience fueled by several members: Andrew Clarke (amj Almighty Groove, AMJ Dub Collective) Clive Smith, Rob Smith (co- founder of the influential trip hop band Smith & Mighty), plus members of Zion Band. Produced by Mad Professor at London Ariwa Studios and featuring extraordinaire trombone player Vin Gordon aka Don Drummond Jr. (The Skatalites, The Upsetters) this quintessential mini-album merged the original Jamaican reggae-dub feel with a more contemporary approach, focusing on the experience of established British bands like Aswad and Black Uhuru.

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2LP | 2018 | US | Original (17 North Parade)

34,99 €*

2LP | 2023 | EU | Original (Chapter Two)

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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A great collection of classic roots recordings from the mid-70's for the singer who came close in challenging Bob Marley & Dennis Brown for reggae's crown. All re-mastered recordings available as 30-Track 2CD-Deluxe Digipak and 23-Track 2LP-set in a gatefold sleeve, both with in-depth sleeve notes by Noel Hawkes. The release is supported by several summer festival appearances.

Only Johnny Clarke would come close to challenging Bob Marley & Dennis Brown for reggae's crown, his unequaled run of hit songs, powered by Bunny Lee and King Tubby's aggravating versions, continued without a pause during the mid-70's leading Johnny to twice being named Jamaica's Artist Of The Year (and the signing of a two album recording deal with Virgin's Frontline label). Many of Johnny Clarke's classic roots recordings gathered here were first given wider international exposure in 1998 with the release of Blood & Fire's excellent 13-Track "Dreader Dread - 1976-1978" compilation, which has disappeared from the market for several years. Now re-mastered and drastically expanded, with a new artwork and entitled "Creation Rebel" the release captures the very essence of what is now regarded as the golden age of roots music!

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Inna De Yard

The Soul Of Jamaica

27,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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LP | 1976 | US | Reissue (Get On Down)

Rockers Time Now

22,99 €*

Johnny Melody / Larry Marshall

Release: 1976 / US – Reissue

Genre: Reggae & Dancehall

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Get On Down presents an often overlooked crucial reggae release from the 1970s with Johnny Clarke’s “Rockers Time Now.” The record is a mix of covers and originals, including ethereal versions of the The Abyssinians “Satta Massagana” and “Declaration of Rights,” smash hits on the island just the year before. “Rockers Time Now” was first issued in 1976, Clarke had just been named artist of the year in Jamaica for the second year in a row. This is just one of three full lengths he released that year as this was a very prolific period for Clarke, in particular from 1974 onward when his output was directed by legendary producer Bunny Lee. The pairing resulted in a creative energy that resonates to this day. The release was recorded at Channel 1 with Bunny Lee producing, which of course means the band backing the popular Jamaican vocalist was The Aggrovators, which at the time included Robbie Shakespeare, Earl ""Chinna"" Smith, Augustus Pablo, and Aston “Family Man” Barrett. The release was mixed at King Tubby’s by Osbourne Ruddock…aka King Tubby. Crucial all the way around. Now is the time to rediscover a classic of the genre, “Rockers Time Now”.

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Cover Your Mouth / Money Gal

7" (Beverley's)

Genre: Reggae & Dancehall

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Rudy Mills / The Crystalites

John Jones / Bombshell

7" | 2021 | EU | Original (Harlem Shuffle)

Rick Wayne, Ras Telford / The Nortones, Umoja Players

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Initially published separately on two Trojan’s labels, Bigshot & Explosion, in 1969. Since then, John Jones has been repressed on 7’ vinyl single only once - for the limited Trojan’s Monkey Business 7” vinyl box set which has sold out a few years ago. Today, John Jones is more than ever in demand with over a quarter of million view on Youtube and 1300 “want” with prices over 200 pounds for a mint copy on Discogs. On the B side the much in demand “Bombshell” by The Crystalites, a very special instrumental and an awesome cover. This single is expected to be a big seller!

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Magnify, La Aldea / Free, Version

12" (Umoja)

Genre: Reggae & Dancehall

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Chanting / Chanting Dubplate Style

John Holt / Roots Radics

7" | 1983 | US | Reissue (Greensleeves)

7,99 €*

Release: 1983 / US – Reissue

Genre: Reggae & Dancehall

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Ronnie Davis

False Leaders / Version

7" | WW (On Top)

Release: WW

Genre: Reggae & Dancehall

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Freddie Mcgregor / Little John

Rock This Session / Man To Man Is Unjust

12" | 2024 | Original (Jah Fingers)

Release: 2024 / Original

Genre: Reggae & Dancehall

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LP | 2021 | EU | Original (Factory Benelux)

X-O-Dus

English Black Boys

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Manchester reggae band X-O-Dus are best known for their single English Black Boys, produced by Dennis ‘Blackbeard’ Bovell and released on Factory Records (Fac 11) in February 1980. This remastered compilation collects together 7 of their best tracks and is limited to 500 copies on 180 gsm vinyl (plus digital copy). Talent-spotted by Joy Division manager Rob Gretton, X-O-Dus performed at live events such as Zoo Meets Factory Halfway (August 1979) and Factory By Moonlight (April 1980). In time-honoured Factory fashion Fac 11 was released almost a year late, being the only reggae record to appear in a sleeve designed by Peter Saville. Digitally remastered by Peter Beckmann in 2021, this 7 track vinyl edition includes both sides of the Factory single as well as 5 album demos recorded in 1980. For optimum sound quality the album is pressed on 180 gsm vinyl. The vinyl inner bag contains sleeve notes by former manager Martin Dunlop, along with archive images including previously unseen shots from the Moonlight Club show on 4 April 1980 by Peter Anderson.

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2LP | 2019 | UK | Original (On-U Sound)

Pay It All Back Vol. 7

39,99 €*

Release: 2019 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | UK | Original (On-U Sound)

Pay It All Back Vol. 8

LP | 1982 | UK | Reissue (On-U Sound)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Near Mint

Blue Opaque Vinyl with a couple of light scuffs

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Deadly Headley Bennett

35 Years From Alpha

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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7" | 2024 | EU | Original (On Top)

Ronnie Davis

No Man Is Free

14,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Re-edition of this serious roots anthem from Ronnie Davis;

a crucial 'flying cymbal' sound recorded at Channel 1 in 1976.

Produced by Pat Scabba. Dubwise version on the flip side.

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LP | 1982 | UK | Reissue (Greensleeves)

Never Stop Fighting

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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The Modern Sound Of Harry Beckett

Harry Beckett

LP | 2024 | UK | Original (On-U Sound)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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3LP | 2022 | EU | Original (Music On Vinyl)

Upsetters & Lee Perry

Build The Ark

41,99 €*

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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LP | 1982 | UK | Reissue (Ariwa)

Ranking Ann

A Slice Of English Toast

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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12" | 2020 | EU | Original (Jamwax)

Robert Ffrench

I Am Wondering

Johnny Osbourne / Roots Radics

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Interstellar digital dancehall with stunning synth, superb vocal by Robert Ffrench in extended mix & ad style by obscure DJ Shortie Ranks. Recorded at Creative Sound Studio (Kingston, JA) in 1985. "On “I Am Wondering” – a lovers of sorts – Ffrench is Dennis Brown in the high notes, and Gregory Isaacs in the song`s playboy sentiments. A guitar gently wah-wahs, while the synths do a giddy glissando. Midway through this discomix the bass becomes boss – throwing everything else – chopped piano chords and all – into echo. Then it`s rewind for the DJ cut – a brag and boast toast from Shortie Ranks – recounting his triumphs at legendary Kingston reggae venue, Skateland”. (Ban Ban Ton Ton - April, 21 of 2020) Robert French grew up in central Kingston and attended Kingston College. He recorded his first singles in 1979, at the age of 17. He achieved success in 1984 with his performances at the Festival Song Contest and the Reggae Sunsplash festival. He had a combination hit with deejay Clement Irie with "Bun & Cheese", and his first two albums were released in 1985. He had another hit in 1989 with "Modern Girl", a collaboration with Courtney Melody. In the mid-1990s he relocated to New York City, where he teamed up with rapper Heavy D, with whom he had a hit with "More Love", with an album following on Ras Records, featuring collaboration with several artists including Lady G and General Degree. He has since returned to Jamaica, where he runs the Ffrench record label and distribution company. He released the album Yesterday and today in 2001, collecting many of his earlier singles. After a period of inactivity as a recording artist, he returned in 2009 with the single "I Do". As a producer he has worked with artists such as Dennis Brown, Buju Banton (he produced Buju's first single "Ruler" on Stamina riddim), Beres Hammond, George Nooks, Luciano, Jah Cure, Yami Bolo and Sizzla to name a few. Robert French was the cosin of the late great Pat Kelly. As a french label, big fan from Ffrench productions, i'm very proud and happy to start a collaboration with Robert Ffrench, the most french jamaican. Stay tuned for many many more.

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Ice Cream Love / Extra Time One

7" | 2020 | UK | Original (17 North Parade)

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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Official re-issue and re-mastered 7-Inch single for much sampled singer Johnny Osbourne. "Ice Cream Love" (based on the 'He Prayed' riddim) is the 1980 tune produced by Henry "Junjo" Lawes and recorded at Channel One studio with the Roots Radics Band. "Extra Time One" is the dub version mixed by Overton "Scientist" Brown at King Tubby's studio.

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Hostile Environment Yellow Vinyl Edition

LP | 2023 | UK | Original (On-U Sound)

29,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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The Mystic Revelation Of Rastafari

Grounation

3LP | 1972 | UK | Reissue (Soul Jazz)

36,99 €*

A Trip To Bolgatanga Black Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Reggae & Dancehall

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Like Sun Ra's Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound.The group's stunning, unique and groundbreaking 1973 album 'Grounation', a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye's 'What's Goin' On', a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric 'Im' Brooks' and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

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African Head Charge

LP | 2023 | EU | Original (On-U Sound)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

Commenting on the gap between records, Bonjo says: “In the twelve years that have passed, I have been spending time with my family in Ghana, but I was still creating things. I still have a lot of things to let off, you know what I mean? At this time in my life I want to work, but I want to enjoy time with my family as well. When I’m enjoying myself, I’m also creating, because when you’re happy it helps you to be more creative, and the greatest happiness is to be with your family.”

Although there are sounds on this album which recall previous African Head Charge classics such as My Life In A Hole In The Ground and Songs Of Praise, it would be wrong to assume that their music is not still evolving. The master percussionist adds: “All the drumming and the chanting, it took a while to do. I’m always meeting drummers, all over Ghana. The Fante, the Akim, the Ga, the Bolgatanga, all the tribes, and they all have their different drums. I try to learn as much as I can, and put it all together. It’s like cooking, when you’re blending all of the elements, like yam, banana, pumpkin, and the end taste, that’s where it matters. That’s how I look at music. Throw a lot of things together, and then you taste it and say, “Yeah man, that tastes good. Yeah man, that sounds good.” That’s what African Head Charge is all about, those different combinations, and then bringing it to Adrian, who helps to make it another thing again.”

Producer Adrian Sherwood concurs: “It’s always a case of getting all the right ingredients sorted for Head Charge, and then having some fun with overdubs and mixing and getting it completely perfect. We always work well together, but I think on this one we have the greatest result."

The group have been active for over four decades, and this album sees other members of the musical entity’s extended family come back to the fray. Multi-instrumentalist Skip McDonald and fellow Tackhead co-conspirator Doug Wimbish contribute to a variety of tracks. Drummer Perry Melius, whose involvement in the project dates back to the early `90s, adds a righteous rhythmic heft to a trio of tunes. In addition there are a number of notable fresh recruits. The horns and reeds of Paul Booth, Richard Roswell, and David Fullwood; Ras Manlenzi and Samuel Bergliter on keys; Vince Black on guitar. There’s additional percussion from Shadu Rock Adu, Mensa Aka, Akanuoe Angela, and Emmanuel Okine, strings from Ivan “Celloman” Hussey, plus the voice of the mighty Ghetto Priest. Very special guest, and one of Ghana’s foremost kologo players, King Ayisoba also provides vocals, and demonstrates his dexterity on the traditional two-stringed lute.

Where previous albums have been a melting pot of global influences, on their new LP African Head Charge have but one place in mind. A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

- Specs Black 12" Vinyl in polylined inner sleeve in 3mm spine sleeve with 12” poster insert and download code

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Black Solidarity Version Excursion

LP | 2023 | EU | Original (Jamaican)

17,99 €*

Mr. Foundation / Hole In Your Soul Blue Vinyl Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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At the beginning of the eighties reggae music became increasingly in tune with what was happening in Kingston’s dance halls… probably more so than at any time since the sound system operators had started to make their own shuffle and boogie recordings in the late fifties. The international audience and the critics were too busy looking for a new Bob Marley to appreciate what was happening downtown and failed to acknowledge that this was a return to the real, raw roots of the music. Brash, confident, young record producers who were totally in tune with the youth audience stepped forward and seized the moment…

Oswald ‘Ossie’ Thomas began his apprenticeship in the music business at the age of

fourteen and served his time as a record salesman for Bunny ‘Striker’ Lee and Winston ‘Niney The Observer’ Holness before moving on to Miss Sonia Pottinger’s Tip Top Records.

“I ended up working in three record stores on Orange Street from 1976 to 1981… Yeah man! Me deh ‘pon me bicycle till I buy my motorcycle! Them days records were coming out left, right and centre… every day!” Ossie Thomas.

It was during his time with Miss Pottinger that Ossie began to produce records for

himself and in 1979 Ossie and Phillip Morgan began the Black Solidarity label based deep in the Kingston ghetto on Delamere Avenue. Phillip initially inspired Ossie to start the label and soon Triston Palma, Phillip Frazer and “a youth named Gary Robertson” joined in although Gary later left for Canada.

The Soul Syndicate rehearsed in the Delamere Avenue area and Tony Chin gave Ossie a cut of a rhythm that he used for Triston Palma’s ‘A Class Girl’… the label’s inaugural release. The record was a sizeable success and paved the way for hit after hit after hit on Black Solidarity. Ossie worked with just about everybody who was anybody during this critical period of the music’s development including vocalists Robert Ffrench, Little John, Sugar Minott, Frankie Paul and most notably Triston Palma.

For this release we have compiled some of the version sides to those releases. Dub still being an integral part of the Reggae Sound System Sound. So sit back and listen to what Black Solidarity, one of the most important and often overlooked labels were bringing to the dance, dubwise, back in those heady 1980’s times.

With grateful thanks to: Paul Coote, Nick Hodgson & Hasse Huss

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Timo Oh / Dudley & Peter

7" | 2022 | UK | Original (Studio One)

37,99 €*

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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LP | 2022 | UK | Reissue (On-U Sound)

Horace Andy

Midnight Rocker

Release: 2022 / UK – Reissue

Genre: Reggae & Dancehall

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7" | EU | Reissue (Phase One)

The Chantells

Blood River

Release: EU – Reissue

Genre: Reggae & Dancehall

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7" | 2023 | UK | Original

John Holt / Sly & Robbie

Stealing / Version

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Johnny Osbourne Roots Radics

Love Is Universal / Dangerous Match One

7" | 2022 | UK | Original (17 North Parade)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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High ranking anthem from 1982 with the Roots Radics in full effect and backed by world cup winning Scientist dub. Sampled countless times in drum and bass, this is the first time legit seven inch pressing for this original ruling version. Both tracks produced by Henry "Junjo" Lawes, recorded at Channel One and mixed by Scientist at King Tubby’s studio. Limited one-time press only, 7-inch-single with Jah Guidance label prints in a grey/white sleeve with Johnny Osbourne and "Junjo" images. European pressing.

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LP | 1978 | UK | Reissue (On-U Sound)

Dub From Creation

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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Essential Artist Collection Orange Vinyl Edition

2LP | 2023 | UK | Original (Trojan)

42,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Resistence In Dub / Longfingah

The Longfingah Attack

12" | 2020 | EU | Original (GuerillJah Productions)

19,99 €*

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Black Art From The Black Ark

Lee Perry & Friends

2LP | UK (Pressure Sounds)

27,99 €*

Release: UK

Genre: Reggae & Dancehall

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A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

Lee Perry: ‘Boris Gardiner was a good person, just a humble person, and he’s the best person I ever met in the music business so far. Boris is a very top musician, and with him you could put anything together, him do “Police And Thieves” and all that. You just tell him what you want and him can do it. A very great person.’

Boris is probably best remembered today for his huge international hit from 1986, the schmaltzy ‘I Want To Wake Up With You’. Yet in the 60s and 70s he was one of Jamaica’s top bass players and arrangers, having an international hit with ‘Elizabethan Reggae’, and creating a run of classic tunes at Studio One.

Boris Gardiner: ‘I did at least seventy or eighty songs at Studio One, all in this one short period between January and April 1968. And we used to work four days per week, and we did four rhythms per day for 30 pounds a week – it was good money. I played on songs like “Feel Like Jumping”, “Nanny Goat”, “Baby Why” by the Cables, the whole “Heptones On Top” album, and “Party Time”. Lee Perry used to be at Studio One same time as me, kind of working around, so he know me from there. So he came and roped me into the group when the Black Ark studio was in progress. He built it right there at the back of his home. So Scratch called me and asked me to come and do some sessions around his studio. I was always ahead of my time as I can see it, in the music in Jamaica. So the songs that I made you always hear chord progressions and changes. Sometimes I think it’s as if I was born in the wrong country, because I just couldn’t do a two chord tune – heheh! To me it need more than two chords to give it some excitement, like it need some changes or something.’

After years of moving between Jamaica’s competing facilities, Perry had decided to build his own studio at the back of his house in Washington Gardens.

Lee Perry: ‘The Black Ark make over a pile of shit – my pile and me put it under the Black Ark. I make the Black Ark over my shit piss, so the bass always go “Poo Poo Poo Poo”! Errol Thompson put the machines in there, and make the patch panel. So the studio was all waiting, but only me could operate it. I didn’t have the Soundcraft mixer then, I did buy a lickle thing you call a Alice mixer. We didn’t have anything professional, but the sound was in my head and I was going to get down what I hear in my head. And it’s like a toy, a toy affair, that’s the way music is. You see like when you buy a kid’s toy, well you bring a joy to them, so is that way I see music. I don’t see music like how other people see it, I see it just like a toy.’

Unusually, Lee decided to do everything himself, both producing and engineering. The film clip shows Lee fully relaxed as he simultaneously directs the musicians and adjusts his recording machines.

Boris Gardiner: ‘To me Scratch always knew what he wanted. Out of all of them Scratch was a true producer, because he would be in the studio and he would listen and say change this or I don’t like that, and he was his own engineer also, so he was always around there listening. So he knew what he wanted and how to try and get it from the start, unlike Coxsone Dodd or Duke Reid, who knew what they liked or didn’t like only after they heard it. Scratch was in there with everybody, so he is really doing a full production as a true producer.’

Lee Perry: ‘I used to do them all by myself. Anybody in my studio could sit down in the visitor’s chair and look, but me do everything – me have a chair that can move from here to there, a chair that have wheels. So I could be turning in any area or any direction, so I could have my hand over here and my hand over there. Heh heh.’

And at a time when 8 and 16 track recording had become the norm in most high end studios, Lee recorded everything to a semi-professional TEAC 4 track recorder, which he can be seen casually adjusting with a screwdriver in the film clip. He explained that since he would end up mixing down to a stereo (or two track) master, more tracks would just be a distraction.

Lee Perry: ‘It was not a professional tape recorder, I was using those TEAC 4 track set that they was trying like experiment to see what would happen. Well, I have it all set up. The first thing I’d think about, all right, is you have to mix everything back down to the 2 track stereo or 1 track mono. Then you can press it and release it. So I knew what I wanted at the end, and I balance it just like that in the studio with the instruments. Sometime when you put only four or five instrument in the studio, you have a better, cleaner record, you can hear what everybody play. And if you have maybe eight musician in the studio, it’s more like a confusion, because everybody wants to play a different thing, yunno. If you is the producer and you can tell them what you want to hear it will be better. So I can put the bass and drum together on one track because me know exactly what me need. If you don’t know, then you need more tracks so you can balance it later. So for the backing, I would just do the two tracks: the bass and drum and percussion track, that is one; and the guitar, organ and piano on another track, that is two. So you still have two more tracks if you want to do vocal, that would be three. And if you want to do horns or a harmony vocal, you can do that on the fourth track. To me it’s a waste of time, a waste of energy with a 24 track machine, waste of current and waste of money. Because it all have to come down to one or two tracks in the end.’

The early Black Ark sound was stripped down and minimal, often with only one or two musicians playing keyboard or guitar. Lee would also use extreme EQ to emphasize the bass and tops, and his hi-hat sound is instantly recognisable from the earliest days of the Ark.

Lee Perry: ‘Well, I used to have an equaliser for the bass drum, and it’s like for heaviness on the beat, and then I had another equaliser for the cymbal, to give it that “Ssshhh ssshhh”. So we have different machine to send different instrument through that they can sound different. I managed to change the vibration of the music, because the music was just local music produced by rum drinkers and cannibals. So me turn on the music to a higher range.’

Boris Gardiner: ‘I think I always use a DI box to record bass at the Black Ark. Because bass want to fade into the other instruments’ microphone, so we often plug it straight into the board and then Perry sets the EQ on the board and take it straight. Then we built a drum booth so the drums really sound separate too – it give him more control.’

As the Black Ark evolved, Lee developed a richer collage of sound, built around three primary effects: the Mu-tron Bi-Phase phaser, a spring reverb and a Roland Space Echo.

Boris Gardiner: ‘One thing about Scratch was that he always used his effects – that was his sound. He always phase the ska guitar, but you don’t always know he’s recording it like that until he play it back. So until he play it back you have no idea what it will sound like.’

Lee Perry: ‘I did have a phaser that I buy, and then when I’m in the studio, in the machine room, and phasing them, the musicians don’t hear it, what I am doing, until them come in the studio, and them hear the phasing. So we did it all live. And the musicians they won’t even know what goes on! While the musicians are playing, I am doing the phasing. I take the musician from the earth into space, and bring them back before they could realize, and put them back on the planet earth. The phaser was making things different, like giving you a vision of space and creating a different brain, a phasing brain. So that’s where I take the music out of the local system and take it into space. The Space Echo also have something to do with the brain. You send out telepathic message and it return to you, so that’s how the Roland Space Echo chamber come in – what you send comes back to you. And while you know you send the telegrams out, you are waiting for what is the reply of the telegrams coming back. So that’s why the Space Echo go and come, rewinding the brain and forward winding the brain. I was also using a spring echo chamber, but just for drum, for the clash of the drum. And everything just fit in, like the thing I want to do it just come to me and come from nowhere, and then it appear and it happen.’

Boris Gardiner: ‘He loved to do things that nobody had done before, him always try a new thing. And he was a good writer too you know. Perry bring in a drum machine sometimes and we use that on some songs for the Congos and everyone. Well I actually like playing with a drum machine cos a drum machine is always steady. Most drummers they either push forward or pull back – they call it the human touch, but I call it out of time! Hahaha. “Row Fisherman Row” was really the great hit with the Congos, but that is all real drums and percussion, it’s just that Perry makes it sound almost like a machine with his echoes on the percussion. I played on “Police and Thieves” and that was a big hit too, maybe it was Sly Dunbar on that. One day Bob Marley came to him with a song on a tape and said “boy Perry, I don’t really like the bass and drum on this song here, if you can do anything to it then just change it and see if we can get something better”. Well Perry had only 4 track tape at his studio, but this was a 24 track tape that Bob bring. So Perry called me and Mikey Boo and took us down to Joe Gibbs studio and started playing the rhythm and all that on the 24 track. So I was on bass and Mikey Boo was on drums and we listen and we listen, and then we dub it back over to make new drum and bass. Well that song became “Punky Reggae Party”, so that shows you how Bob trusted Perry.’

Lee’s other great innovation was adding layers of sound effects, sometimes live through an open mic, but often pre-recorded onto a cassette tape which he would add to the collage on mixdown. Because these effects – bells, cymbals, animal noises, dialogue from the TV – were not synched to the music, they would add a layer of randomness to the sound.

Lee Perry: ‘You know cassette? I make cassette with sound track, and all those things with cymbal licking, flashing. In my Black Ark studio if you listen the cymbal was high, like “Ssshhh ssshhh”. But I did have them all recording on cassette, and while I was running the track and it was taking the musician from the studio, I was playing the cassette to balance with the drum cymbals and things like that, so them didn’t have to play that because it was already on cassette playing. You could call that sampling. And I have this “Mooooow”, like the cow, running on the cassette, and it go onto the track that I wanted to sound like that. Somebody discover it in a toilet. You know when the toilet paper is finished, and you have the roll, and the hole that come in the middle. Well you put it to your mouth and say “Hoooooo”, and it sound like a cow. You put it to your mouth and you imitating a cow and say “Moooooo”. Heh heh heh. Yeah, sound sampling. Well somebody had to start it, and we was loving to do those things.’

Boris Gardiner: ‘Well the Black Ark did have a strong vibe, but, once everybody all there, most of those guys who smoke really like it, but those who didn’t smoke didn’t really like it, like myself. Scratch is a man who never joke fi draw him herbs, you know? Heheh. But I am not a smoker cos it’s not good for my heart. I have a heart problem called tachycardia, an irregular beat of the heart. So it could be upsetting at times when there’s so much smoking going on.’

By the late 70s the relaxed atmosphere at the Black Ark had soured, as Lee attempted to extricate himself from various outside pressures, and his behaviour became more erratic.

Lee Perry: ‘What happened I did for myself not to be working with jinx and duppy called dread. And those duppies they think that me owe them favour. I open the door, and the duppies them find that me is the door opener, and then the duppies them take shape inna me yard and inna me house, and they were a jinx. Jinx mean bad luck. So to get rid of them, me had to burn down the Black Ark studio fi get rid of jinx.’

Boris Gardiner: ‘Was Scratch crazy? Well some say now that he was just putting on an act. But I think, why did he put it on? After all the problems he was having and that sort of thing, and they were saying that he was getting off his head, and he start to act strange, well I just stopped going. I stopped working there. It wasn’t a good atmosphere – nobody could really enjoy that again. So I called it a day. It is sad after all the good work we did. But when you try to be smart and try to outsmart others, well it don’t work out for long with you. He came and did a show here in Jamaica the other day, but I didn’t really know Lee Perry as a singer. He won the Grammy not long ago, but I find it surprising that he got a Grammy as a performer not a producer. He’s been very lucky: now he is successful in a sense and some people love him cos he’s a character, and they don’t see nobody dressed like that. Hahahah!’

Speaking to Lee in February 2021, via WhatsApp to Jamaica, he sounded relaxed and positive, with more praise for Boris and optimism for the future.

Lee Perry: ‘Boris Gardiner was very good, very great in the brain. He really intelligent in music, and me and him work miracle together! And remember that there was no end to the Black Ark, the Black Ark will be coming back. The Black Ark keep on living and cannot die.’

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2LP | 2016 | US | Original (17 North Parade)

Memories By The Score

34,99 €*

Release: 2016 / US – Original

Genre: Reggae & Dancehall

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Blood Red / Well Pleased Feat. Vin Gordon

The Inn House Crew

7" | 2024 | UK | Original (Southside Productions)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Soothsayers & Victor Rice

Soothsayers Meets Victor Rice And Friends Volume 2

LP | 2023 | UK | Original (Red Earth Music)

23,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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"Volume 2 of this beautiful instrumental Soothsayers series featuring 10-tracks mixed and dubbed by Sao Paolo-based by Grammy-winning bass player/producer Victor Rice (Easy Star All Stars, Skatelites, Cedric Brooks), already popular with UK soundsystems including Channel One, Real Roots Soundsytem
Radio support from:
BBC Radio 1 Xtra - Rodigan
BBC Radio 1 - Rob Da Bank
BBC6 Music - Huey Morgan
Worldwide FM - Gilles Peterson, Colleen Murphy"

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Close Encounters Of The Third World

LP | 1978 | UK | Reissue (On-U Sound)

29,99 €*

Release: 1978 / UK – Reissue

Genre: Reggae & Dancehall

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Jahtarian Dubbers Volume 1 2024 Repress

12" | 2008 | EU | Reissue (Jahtari)

19,99 €*

Release: 2008 / EU – Reissue

Genre: Reggae & Dancehall

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Back in circulation after over a decade, Jahtari's seminal "Jahtarian Dubbers Vol. 1 EP" receives the long-awaited reissue treatment, reviving the raw, 8-bit-infused dub vibes that defined a new era of digital roots music.

Originally released in 2008 and quickly disappearing into dub obscurity, this heavyweight 12" returns with four essential cuts that perfectly encapsulate the Jahtari sound—where chiptune meets the echo chamber.

The EP kicks off with Blaze Dem's "Roots Defender", a hypnotic concotion of deep basslines and eerie samples from a Swedish cult ritual, setting a heavy tone right from the start. disrupt's cinematic "Kozure Okami" follows, channeling Black Ark vibes through 8-bit synth explorations.

On the flip, John Frum delivers the hauntingly beautiful "January Dub", while Rootah's slomo slammer "Holy Mount Part 2" closes the EP with Lynchian, echo-soaked vibrations that linger long after the needle lifts.

Timeless tracks, mastered by Cgb-1 at D&M in Berlin for maximum impact. Pivotal piece of Dub music!

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LP | 2022 | EU | Original (Music On Vinyl)

Jackpot Of Hits

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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The Jackpot Of Hits compilation features the best of the mid-to-late Sixties reggae sounds. It kicks off with The Pioneers “Jackpot” and is followed up by three other tracks of this popular Jamaican vocal trio. Also included on the 12-track set are The Mellotones “Feel Good”, Lynn Taitt & The Jets “El Casino Royale”, Stranger Cole “What Momma No Want She Get”, Hugh Malcolm “Good Time Rock” and Cool Sticky “Train To Soulville” amongst others. Jackpot Of Hits is available as a limited edition on orange coloured vinyl.

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Treasure Isle: Solid Gold

LP | 2023 | UK | Original (Charly)

LP | 1984 | UK | Reissue (Greensleeves)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Charly Records have done plenty of leg work here thatmeans you can save yourself lots of time and effort and immediately make yourself out to be a font of dub and reggae wisdom. Treasure Isle Solid Gold is a well curated selection of the most vital club hits produced by the legendary Jamaican label owner Arthur ‘Duke’ Reid. You will know plenty of the artists he worked with from the opener John Holt via Rolando Alphonso Baba Brooks Band, Don Drummond & The Skatalites and U-Roy & The Pargons. The sounds are varied but never less than sensational across both sides of wax.

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Half Pint

One In A Million

Release: 1984 / UK – Reissue

Genre: Reggae & Dancehall

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7" | 2024 | EU | Original (Hits38)

Wayne Smith

Under Me Sleng Teng

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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The facts behind Wayne Smith's "Under Mi Sleng Teng" is deliciously interesting. This instrumental changed the course of reggae music forever, churning out a plethora of digital riddims on its heels. Wayne Smith and Noel Davey originated the digital sound using a Casiotone Mt40 Keyboard, the riff being a sample from "Hang Onto Yourself" from David Bowie's Album Ziggy Stardust. Casio's employee Okuda Hiroko improved the riff for the Casiotone keyboard and the Jamaican youths tinkered creating an everlasting anthem under the masterful hands of Lloyd "Kings Jammy" James. This fresh and dynamic sound drew many outside of Jamaica to the genre of dancehall. At this time the 18 year old Wayne Smith had been on the reggae scene for some time voicing dubs for sound systems, even releasing two full albums by the time he was 14. Barrington Levy's dancehall hit "Under Mi Sensi" was his inspiration for "Under Mi Sleng Teng". The song's success heralded a historical milestone revolutionizing the sound of reggae and also the way in which dancehall songs were recorded. Up until that time the artist would approach the studio with a song taking along the lyrics and the instrumental, but the Sleng Teng hit created the role of the digital engineer who churned out sturdy computerized riddims and then invited artistes to voice. To date there are more than 500 titles using the Sleng Teng instrumental.

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Toots & The Maytals

Funky Kingston

Collected Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Reggae & Dancehall

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Toots and the Maytals' Funky Kingston is a brilliant reggae album and suitable for both beginners as for experienced listeners. The album was released twice and with so much success that it charted in the Billboard 200 and eventually made it to the Rolling Stone's list of The 500 Greatest Albums of All Time.

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UB40

2LP | 2017 | Original (Music On Vinyl)

35,99 €*

2LP | 2021 | EU | Original (Akuphone)

Release: 2017 / Original

Genre: Reggae & Dancehall

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UB40 - Collected has captured all the different phases of the band in one complete album, from classic hits combined with the new!

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The Rootsman

Essentials 1996-1998

27,99 €*

Soul Jazz Records presents

Release: 2021 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Akuphone is pleased to present the first compilation dedicated to musician John Bolloten, aka The Rootsman. As a precocious punk, he formed his first band, State Oppression, in his teens. Yet he is best known for his dub music, a genre that gave him international recognition. Largely influenced by the rhythms of North Africa and the Middle East, he built his musical identity around samples from these regional repertoires. His encounter with Bryn Jones — better known as Muslimgauze — further defined his artistic path.

This selection offers an overview of his work from 1996 to 1998, a prolific period when Into The Light, 52 Days To Timbuktu, Union Of Souls (with Celtarabia) and Distant Voices (with Pachakuti) were released. A visionary production that predicted today’s growing international predilection for the musical heritage of the MENA regions.

The compilation is enriched with an explanatory preface by Mabrouk Hosni Ibn Aleya and illustrated with rare archival photos— all of which are contained in a superb jacket designed by the artist Ghiya Haydar.

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Rocksteady Got Soul

2LP | 2021 | UK | Original (Soul Jazz)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Soul Jazz Records' new Studio One release Rocksteady Got Soul is a collection of uplifting and superb rocksteady and soulful reggae from the late 1960s and early 1970s. Studio One is the number one label in the history of reggae and he album features - as ever with Studio One - an impeccable and unbeatable line-up of reggae superstars, all soaring at the height of their creative powers. Alton Ellis, John Holt, The Heptones, Jackie Mittoo, The Ethiopians, Lee Perry and more. The album is a mix of classic tunes and rhythms alongside super-rarities that were released in a dazzlingly complex web of Studio One labels and issues, deftly navigated with new sleevenotes from author and Studio One authority Rob Chapman. But enough with the chatter, just spin the platter - these tunes rule the town, hands down! This Soul Jazz/Studio One album is released as deluxe gatefold double-vinyl + house inners + download code. Also as jewel case CD housed in card slipcase. Both formats come with full sleeve notes/discography and exclusive photography.

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LP | EU (Radiation Roots)

Wondering

16,99 €*

12" | 2010 | UK | Original (Dug Out)

Release: EU

Genre: Reggae & Dancehall

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Johnny Clarke ruled the dancehall in the mid '70s, using the clever "Flyers Rhythms" that gave some of his tunes an edge with the sound systems. But his voice was always bigger than this and his versatility to sing a wide range of vocal styles has seen him cut through the decades as one of reggae's best voices. Produced by Bunny Lee, mixed at King Tubby's studio, an absolute reggae/roots classic.

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Little John & Billy Boyo

What You Want To Be

Release: 2010 / UK – Original

Genre: Reggae & Dancehall

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Wonderful World / The Best Of The 4-Skins Blood Red Transparent Vinyl Edition

4-Skins

LP | EU (Step One)

20,99 €*

7" | 1984 | JM | Original (Power House)

Release: EU

Genre: Rock & Indie, Reggae & Dancehall

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Blood red transparent vinyl/ Sleeve re-design and full band background info added. 2024 re-release of the one of the original and biggest and best selling UK Oi! bands of the early 80`s which still continues today! All of this amazing early 80`s Oi! band`s most popular early tracks are included... 200 copies transparent blood red on 160g vinyl, Semi-Translucent Microtene Poly Inner sleeves, Vinyl placed behind jacket in clear outer re-usable poly bags, Updated sleeve artwork and band history added. Great re-packaging!

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Little John

True Confession

4,99 €*

Release: 1984 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with heavy foxing

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7" | JM | Reissue (Thompson Sound)

Over 31

9,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Wings With Me / Hail Mi Idrine

Ini Kamoze

7" | JM | Original (Taxi)

129,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Vinyl with a couple of light marks and hairlines.

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7" | JM | Reissue (Techniques)

Ready Or Not

169,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+, super RARE!

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7" | 1975 | EU | Reissue (Onlyroots)

Be Upright Natty Dread

10,99 €*

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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7" | US | Reissue (Studio One)

The Royals

Pick Up The Pieces

9,99 €*

Release: US – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2004 | EU | Reissue (Reggae On Top)

Joel Poet

Wake Up Jah People

Release: 2004 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 2010 | EU | Original (Reggae On Top)

Amhari

Babylon Is Burning

Release: 2010 / EU – Original

Genre: Reggae & Dancehall

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7" | 1969 | DE | Original (Saga OPP)

Johnny Nash

You Got Soul

Release: 1969 / DE – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG

7" | JM | Original (In The Streetz)

Elephant Man

Not Afraid

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2003 | JM | Original (In The Streetz)

Mr. Vegas

Hands In The Air

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2003 | JM | Original (In The Streetz)

Elephant Man

Badman Holiday

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Reissue (Studio One)

Lend Me Your 16

16,99 €*

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Roll Deep / We Love Woman

Wayne Marshall / Jagwa

7" | 2003 | JM | Original (Pot Of Gold)

5,99 €*

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 1994 | JM | Original (Mad House)

Wayne Wonder / Don Yute

Love In Excess

Release: 1994 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Mr. Vegas Featuring Fat Joe & Fatman Scoop

Tamale (Rmx)

7" | 2002 | JM | Original (In The Streetz)

6,99 €*

Release: 2002 / JM – Original

Genre: Hip Hop, Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1999 | JM | Original (In The Streetz)

Jack-A-Diamond

Happy In The Ring

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1999 | JM | Original (In The Streetz)

Mr. Vegas / Elephant Man

Bun It

Release: 1999 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1996 | JM | Original (Xtra Large Productions)

Wayne Wonder

The Best

7" | 2003 | JM | Original (40/40 Productions)

Release: 1996 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Wayne Marshall

Get It On Tonight

Release: 2003 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2001 | JM | Original (Fat Eyes)

Johnny P

Ugly DJ's

Release: 2001 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2000 | US | Original (Massive B)

Wayne Wonder + Showki Ru

How We Roll

Release: 2000 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

7" | 2004 | JM | Original (Maximum Sound)

Wayne Marshall

Careful

Release: 2004 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1995 | US | Original (Massive B)

Reasons

Release: 1995 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | Original (Thompson Sound)

Qua She

5,99 €*

Release: Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | JM | Reissue (Studio One)

Earl Sixteen

Love Is A Feeling

Release: JM – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

7" | 2012 | Reissue (Damaged Goods)

Case

Grow Or Die EP

9,99 €*

Rick Wayne / Bow & Arrow Players

Release: 2012 / Reissue

Genre: Reggae & Dancehall

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We're very pleased to be releasing four brand new songs on this EP by the recently reformed CASE. Following on from their compilation album from last year which brought together all their original early recordings. This 7" is limited to 500 copies on white vinyl.CASE formed in Croydon in 1979 after being introduced to each other by Slimy Toad from Johnny Moped. Case played the pubs of south London and finally released their one and only 7", the heat From The Chaff' EP in 1983, it reached the top of the independent charts and led to them being played heavily on BBC radio including plays by John Peel, Janice Long & Kid Jensen. Originally, in 1980, CASE played prima...

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From Dem See / Dem See Dub

7" (Valves)

Genre: Reggae & Dancehall

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LP | US | Reissue (Channel One)

Yellowman

Them A Mad Over Me

12" | 1985 | EU | Reissue (Jamwax)

Release: US – Reissue

Genre: Reggae & Dancehall

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Medium: VG, Cover: VG+

Vinyl with scuffs and hairlines

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Johnny Powell

Moving Out

22,99 €*

LP | 2017 | EU | Original (Soul Man & Fiwi)

Release: 1985 / EU – Reissue

Genre: Reggae & Dancehall

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The one arm keyboard luminary is well known in the entertainment circle of Western Jamaica. Born on the 2nd of March 1954, the accomplished singer and musician hails from Hayes, Clarendon. In 1969 he went to live in Kingston until 1973. Ancel's first effort in a recording studio was inside the popular Randy's in downtown Kingston. He did a single called 'Riding On' on the Musical Barber label out of Mandeville. In 1977 he joined a group called Solid Foundation and stayed with them for two years. After that he moved to Montego Bay to sing with Stamma and the Sounds of Mobay, with who he appeared on Reggae Sunsplash festival in 1980. Johnny made the move for the United States in 1982, and formed his first own band 'Uprisers' in Pittsburgh city. One of the things he likes to talk about is how he once reunited the famed Clarendonians with Peter Austin and Ernest Wilson. Both pioneer icons were at irreconcilable odds with each other for quite some time. When he came back to Jamaica in 1985, he invited Ernest Wilson to do back-up vocals for him. For the same studio session, he also invited Peter Austin for the same back-up duties, and that was how the reunion came about. Inside famous Aquarius studio, there was Burning Spear's personal Band called Burning. The songs recorded there were 'Moving Out' and 'True Love' with top musicians : Tony Green on the saxophone, Bobby Ellis on the trumpet, Dwight Pinkney on the guitar, Calvin on percussion, Nelson Miller on the drums and Maurice Gordon on bass. This was not the first time Ancel was working with Peter Austin. When the split came in the ranks of the Clarendonians, Ancel was asked to fill the breach. He thus teamed up with Peter Austin and their first single together was entitled 'Out Of Sight'. They later entered the annual Jamaica Festival Song competition in 1975. Their entry was entitled 'Paradise On Earth' which Ancel said was quite popular. However, it was not popular enough to prevent the late Roman Stewart from copping the award with 'Hooray Festival'. After the release of 'Moving Out', Johnny moved to Miami and continued his career as a solo artist, singing with different local bands. He did a number of singles, notably were 'Faith, Patience and Love' and 'Stand Back' for a producer called Jolly in Miami. In 1988 Powell formed his second band Benja, a band which gained increasing popularity in the time in South Florida. They have performed on several festivals, played in most major clubs and were a big success in Andros Island in the Bahamas for an audience who not necessarily consider Reggae their prime choice of music. The saddest part of his life was when he lost his left hand to what doctors termed as a cancerous situation in 1977. This did not, however, stop him from learning how to play keyboards. Initially he was taught by the late Bobby Vaugh in Montego Bay and also got further teaching from jamaican saxophinist Reuben Alexander. Now approaching 70 years old, Ancel is still very active in his music. In previous years he performed at the Marcus Garvey Celebration and is currently working with the “Synergy Band” at Royalton Hotel in Negril under the stage name “Ancel P.” Let the one arm keyboard luminary life and music live eternally !

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Courtney John

Ecosystem

20,99 €*