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Limited to 100 copies. Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

The debut collaboration by Harlem, New York City raised, Ugandan born, award winning hip-hop creative Emma Lee M.C. and decorated German producer Roccwell is a potent offering of globally creative proportions. Merging her bold, flowful vocals and piercingly imaginary lyricism with his smooth, classic, world-renowned "boom bap" production over seven tracks, the two who met during a pandemic aimed to stifle their artistry have used the "new normals" as opportunity to create new energy, tell new stories and re-balance tastes in the culture.

On the lead single “Like It’s 93” featuring hip-hop legend Masta Ace, listeners are treated to a unique twist on nostalgia. Emma Lee personifies hip-hop by lyrically describing a dysfunctional but loving relationship using over 40 classic rap album titles all released in the year 1993, with Masta Ace responding metaphorically in a classic rebuttal. The track rolls in with a dreamy soundscape over Roccwell's signature snare drum spine, lifts and waves with Emma Lee's softly layered vocals in the hooks, and ends with a sonic collage of reflective cuts by DJ LP2 reminding us why we fell in love with hip-hop. As mentioned from "Digable Planets to Doggystyle," this track is a witness and poetic questioning of a pivotal time in music.

The follow-up single "Cravings & Withdrawals" with hip-hop legend Bahamadia holds its own as one of the smoothest rap duets put to wax in a long time. As Roccwell riffs the beat like a spacey and jazzy interlude, an elite skill level of emceeing is on display by two generational talents unapologetically pouring onto the track. The dream duo gives us an unbeatable breather during the hooks which are elevated by an adaptation of classic neo-soul R&B, asking whether listeners are "craving something real?" Clever cuts by DJ LP2 once again punctuate the odyssey and are sure to please most music heads.

“Chocolate Bars” by Emma Lee M.C. & Roccwell stays true to its rooted theme and includes a few musical twists, start to finish. From its concept, choice of instruments, variation, undeniable lyricism, sounds and messaging, it creates both curiosity and satisfaction, and leaves hip-hop lovers surely wanting more.

Underground hip-hop legends Spectac & Amiri are back with their latest offering, "Beautiful Soul", set for release through Ill Adrenaline Records. Known for their signature jazzy, soulful soundscapes and introspective lyricism, this album builds on the success of their critically acclaimed project Soul Beautiful. Once again, Amiri's soulful production lays the foundation for Spectac's sharp, reflective rhymes, proving the duo's chemistry is as potent as ever.

Amiri has long been praised for his ability to blend golden-era vibes with modern production techniques, crafting beats that seamlessly combine jazz, soul, and boom bap. Over the years, his work has earned a respected place in the underground scene, producing for a wide array of artists while staying true to his unique sound.

On the mic, Spectac is a seasoned emcee from South Carolina with roots in North Carolina, known for his witty wordplay and freestyle prowess. With a career spanning over a decade, his lyricism often explores personal experiences and societal issues, making his verses both relatable and thought-provoking. Together, the duo has earned the respect of underground hip-hop heads globally, delivering consistently high-quality music that blends nostalgia with fresh creativity.

Having worked with the likes of 9th Wonder, Big Daddy Kane, and A Tribe Called Quest, Spectac & Amiri are most definitely veterans in the game. Their releases have always been rooted in the spirit of true-school hip-hop, which has enabled them to maintain their underground presence for decades.

The lead single from Beautiful Soul, titled "Yeah Y’all", features their long-time friend and collaborator DJ Shakim, who adds his signature blend of scratches and cuts over Amiri’s dreamy instrumental. Spectac's effortless flow shines with lines like, "…me and Amiri not the greatest but close enough, a stone throws away from a J-Dilla donut…"

With tracks like "When We Do It", "Sermons for Bentleys", "Got a Feeling", and "Wake Up!", the duo dives into themes ranging from reflections on their personal journeys to commentary on the political and social challenges they've witnessed throughout their careers. As always, the album serves a balanced mix of lyrical depth and soulful vibes, offering something for both new listeners and longtime fans.

For those familiar with Spectac & Amiri, Beautiful Soul is a return to form, delivering the kind of lush, thoughtful hip-hop that's become their trademark. And for newcomers? Consider this your backstage pass to one of the best-kept secrets in the underground. Get ready, because once you hit play, you're not just listening — you’re vibing with legends.

Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

Get your ass up and let’s get ill! Yep, that’s right it’s Krash Slaughta and Phill – more accurately, it’s Phill and Krash because it’s that way round on what you get for your cash. Actually, face it, you’ll pay by card, though you won’t be bothered as these rhymes go hard. And you know it ain’t just them fat rhymes either, KS got the beats to give you a fever. That’s Side One, Definition Of Ill, but you know there’s another on the other side still. I Ain’t Playin’ With Y’All is what that’s called, more premium hip-hop to keep you enthralled. Phill says the music inspired the lyrics – apt because the finished tracks inspired this critic. Peace, I’m out! And if you don’t get your skates on, stores will be out too – of stock that is because while this one comes in two different cover & label versions, it’s strictly limited and there will be no re-press. Don’t sleep peeps!

Get your ass up and let’s get ill! Yep, that’s right it’s Krash Slaughta and Phill – more accurately, it’s Phill and Krash because it’s that way round on what you get for your cash. Actually, face it, you’ll pay by card, though you won’t be bothered as these rhymes go hard. And you know it ain’t just them fat rhymes either, KS got the beats to give you a fever. That’s Side One, Definition Of Ill, but you know there’s another on the other side still. I Ain’t Playin’ With Y’All is what that’s called, more premium hip-hop to keep you enthralled. Phill says the music inspired the lyrics – apt because the finished tracks inspired this critic. Peace, I’m out! And if you don’t get your skates on, stores will be out too – of stock that is because while this one comes in two different cover & label versions, it’s strictly limited and there will be no re-press. Don’t sleep peeps!

When Crimeapple and Big Ghost Ltd fi rst linked up on their "Aguardiente" collaboration in 2016, the two came to shake the game up. The iconic Antioqueño bottle left a mark in underground hip-hop that still stands strong to this day, and to follow up they cooked up the deadliest material to do that once again with "Bazuko". Named after the deadliest and most addictive street drug in Colombia, basuco, the album embodies the raw, uncut and un fi ltered essence of their artistic process, much like the gritty remnants of cocaine paste. Crimeapple's razor-sharp lyricism cuts through Big Ghost Ltd's masterful, hard-hitting beats, creating a visceral, addictive and immersive soundscape. With "Bazuko," the two aren't just following up on "Aguardiente"; they're raising the stakes, delivering a project that is as potent and unforgettable as its namesake.

Limited edition of 300 copies on 2LP in gatefold sleeve incl. two inlay cards & bonus 7" ("Left Field" b/w "Instrumental"). Only 1 per customer!

In the midst of North Carolina's Tobacco Road and ACC basketball flowed an eloquent and bizarre Hip Hop juggernaut known as Yaggfu Front. The genuinely warped minds of D'ranged & Damaged, Jingle Bel and Spin 4th fused to form this acronym, a simple edict declaring "You're Gonna Get Fucked Up If You Front".

The 1993 debut album "Action Packed Adventure!" runs deep in lyrics and thick in production. Some of the lyrics are well within the ballpark of MC comprehension, while some transcend left field for the parking lot and on out to the f*#@ing highway. Beat fiends will incredulously shake their heads as the production crackles like that of crate PHD's Diamond and Pete Rock.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 300 copies on CD in jewel case.

In the midst of North Carolina's Tobacco Road and ACC basketball flowed an eloquent and bizarre Hip Hop juggernaut known as Yaggfu Front. The genuinely warped minds of D'ranged & Damaged, Jingle Bel and Spin 4th fused to form this acronym, a simple edict declaring "You're Gonna Get Fucked Up If You Front".

The 1993 debut album "Action Packed Adventure!" runs deep in lyrics and thick in production. Some of the lyrics are well within the ballpark of MC comprehension, while some transcend left field for the parking lot and on out to the f*#@ing highway. Beat fiends will incredulously shake their heads as the production crackles like that of crate PHD's Diamond and Pete Rock.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 100 copies on cassette. Only 1 per customer!

In the midst of North Carolina's Tobacco Road and ACC basketball flowed an eloquent and bizarre Hip Hop juggernaut known as Yaggfu Front. The genuinely warped minds of D'ranged & Damaged, Jingle Bel and Spin 4th fused to form this acronym, a simple edict declaring "You're Gonna Get Fucked Up If You Front".

The 1993 debut album "Action Packed Adventure!" runs deep in lyrics and thick in production. Some of the lyrics are well within the ballpark of MC comprehension, while some transcend left field for the parking lot and on out to the f*#@ing highway. Beat fiends will incredulously shake their heads as the production crackles like that of crate PHD's Diamond and Pete Rock.

Available in a limited run on 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

When Crimeapple and Big Ghost Ltd fi rst linked up on their "Aguardiente" collaboration in 2016, the two came to shake the game up. The iconic Antioqueño bottle left a mark in underground hip-hop that still stands strong to this day, and to follow up they cooked up the deadliest material to do that once again with "Bazuko". Named after the deadliest and most addictive street drug in Colombia, basuco, the album embodies the raw, uncut and un fi ltered essence of their artistic process, much like the gritty remnants of cocaine paste. Crimeapple's razor-sharp lyricism cuts through Big Ghost Ltd's masterful, hard-hitting beats, creating a visceral, addictive and immersive soundscape. With "Bazuko," the two aren't just following up on "Aguardiente"; they're raising the stakes, delivering a project that is as potent and unforgettable as its namesake.

Step into a world where authenticity meets emotional resonance with Maxo's 2018 album, "Smile," produced by the mastermind Lastnamedavid. This release marks the genesis of a new era, a departure from prevailing trends, and an introduction to the genuine artistry of Maxo. "Smile" is a testament to Maxo's effortless storytelling and emotional delivery, setting a refreshing tone in the contemporary music landscape. Lastnamedavid's soulful production serves as the perfect backdrop, creating a sound that is as real as the content it supports. The album captures a range of emotions, painting a vivid picture of Maxo's journey through the realms of honesty, youthfulness, troubles, and hope. From the re fl ective "Same Hoodie Since ‘05," a sobering exploration of identity and roots, to the anti-romantic ballad "Evelyn," Maxo invites listeners to join him on a personal and introspective journey. "Smile" serves as a reminder, not just to Maxo but to an entire generation, to appreciate every situation, irrespective of the circumstances. The project features a notable collaboration with Sharp, adding an extra layer of depth to the already rich tapestry of "Smile." As Maxo unfolds his narrative, the synergy between his lyrical prowess and Lastnamedavid's production creates a sound that is not just music but an authentic expression of self. "Smile" is more than an album; it's a sonic exploration of the human experience, capturing the essence of Maxo's voice and vision. In a world of fl eeting trends, Maxo and Lastnamedavid deliver a timeless record that resonates with honesty, making "Smile" a standout release in the musical landscape of 2018.

"The latest full length album from Detroit mainstays Slum Village, F.U.N., has now made its way to vinyl. The 12-track project is their first album in nearly ten years and includes fresh collaborations with Larry June, Cordae, Eric Roberson, Robert Glasper , Karriem Riggins, Abstract Orchestra, Sango, Phat Kat, Daru Jones, Earlly Mac, The Dramatics and more. 2015's critically acclaimed Yes! further cemented T3 and Young RJ's ability to effectively carry on the legacy of the seminal rap group, retaining its essence while evolving its sound with fresh new energy. However, with last year's sold out tour in Europe, and the release of the Larry June and The Dramatics- assisted ""Just Like You"", it was revealed that the duo was back in the lab together working on a new Slum Village album. F.U.N. finds Slum Village expanding on their signature certain sound, but still staying close to their hometown roots: Young RJ explains- “We wanted to just try something new, so we focused on making Disco-inspired music,” and T3 notes that the recording process all “began with collecting old Disco records.” For fans who wonder why the sonic shift, and why the long hiatus between proper albums, T3 says “Slum is still here. We’re still relevant and we’re still trying to push the envelope. Sometimes people put too many rules on music, and without sounding cliche, we wanted to just have fun with [this album].” F.U.N., indeed."

Limited to 100 copies. Exclusively available at HHV. The debut collaboration by Harlem, New York City raised, Ugandan born, award winning hip-hop creative Emma Lee M.C. and decorated German producer Roccwell is a potent offering of globally creative proportions. Merging her bold, flowful vocals and piercingly imaginary lyricism with his smooth, classic, world-renowned "boom bap" production over seven tracks, the two who met during a pandemic aimed to stifle their artistry have used the "new normals" as opportunity to create new energy, tell new stories and re-balance tastes in the culture.

On the lead single “Like It’s 93” featuring hip-hop legend Masta Ace, listeners are treated to a unique twist on nostalgia. Emma Lee personifies hip-hop by lyrically describing a dysfunctional but loving relationship using over 40 classic rap album titles all released in the year 1993, with Masta Ace responding metaphorically in a classic rebuttal. The track rolls in with a dreamy soundscape over Roccwell's signature snare drum spine, lifts and waves with Emma Lee's softly layered vocals in the hooks, and ends with a sonic collage of reflective cuts by DJ LP2 reminding us why we fell in love with hip-hop. As mentioned from "Digable Planets to Doggystyle," this track is a witness and poetic questioning of a pivotal time in music.

The follow-up single "Cravings & Withdrawals" with hip-hop legend Bahamadia holds its own as one of the smoothest rap duets put to wax in a long time. As Roccwell riffs the beat like a spacey and jazzy interlude, an elite skill level of emceeing is on display by two generational talents unapologetically pouring onto the track. The dream duo gives us an unbeatable breather during the hooks which are elevated by an adaptation of classic neo-soul R&B, asking whether listeners are "craving something real?" Clever cuts by DJ LP2 once again punctuate the odyssey and are sure to please most music heads.

“Chocolate Bars” by Emma Lee M.C. & Roccwell stays true to its rooted theme and includes a few musical twists, start to finish. From its concept, choice of instruments, variation, undeniable lyricism, sounds and messaging, it creates both curiosity and satisfaction, and leaves hip-hop lovers surely wanting more.

The debut collaboration by Harlem, New York City raised, Ugandan born, award winning hip-hop creative Emma Lee M.C. and decorated German producer Roccwell is a potent offering of globally creative proportions. Merging her bold, flowful vocals and piercingly imaginary lyricism with his smooth, classic, world-renowned "boom bap" production over seven tracks, the two who met during a pandemic aimed to stifle their artistry have used the "new normals" as opportunity to create new energy, tell new stories and re-balance tastes in the culture.

On the lead single “Like It’s 93” featuring hip-hop legend Masta Ace, listeners are treated to a unique twist on nostalgia. Emma Lee personifies hip-hop by lyrically describing a dysfunctional but loving relationship using over 40 classic rap album titles all released in the year 1993, with Masta Ace responding metaphorically in a classic rebuttal. The track rolls in with a dreamy soundscape over Roccwell's signature snare drum spine, lifts and waves with Emma Lee's softly layered vocals in the hooks, and ends with a sonic collage of reflective cuts by DJ LP2 reminding us why we fell in love with hip-hop. As mentioned from "Digable Planets to Doggystyle," this track is a witness and poetic questioning of a pivotal time in music.

The follow-up single "Cravings & Withdrawals" with hip-hop legend Bahamadia holds its own as one of the smoothest rap duets put to wax in a long time. As Roccwell riffs the beat like a spacey and jazzy interlude, an elite skill level of emceeing is on display by two generational talents unapologetically pouring onto the track. The dream duo gives us an unbeatable breather during the hooks which are elevated by an adaptation of classic neo-soul R&B, asking whether listeners are "craving something real?" Clever cuts by DJ LP2 once again punctuate the odyssey and are sure to please most music heads.

“Chocolate Bars” by Emma Lee M.C. & Roccwell stays true to its rooted theme and includes a few musical twists, start to finish. From its concept, choice of instruments, variation, undeniable lyricism, sounds and messaging, it creates both curiosity and satisfaction, and leaves hip-hop lovers surely wanting more.

Deathbomb Arc is thrilled to be working with Dos Monos again, for our 4th vinyl release from this groundbreaking Japanese hip hop trio. They've evolved their sound for this 11 track album, bringing old and new fans alike a heavy dose of pure blistering energy. Dos Atomos is the groups first full-length album since their debut "Dos City" (2019) and marks their biggest musical turning point. Here they make a bold leap from their signature sample-driven sound and mix everything they loved as children, from rap metal, noise rock and even J-rock, with live instrumentation and help from some guest musicians such as the legendary Otomo Yoshihide. The result is the most explosive project they've done yet. Dos Atomos is also a conceptual piece centered around the sun and nuclear power ~ especially as it relates to the group's strong desire to re-think what it means to be Japanese; a feeling that arose after touring Europe with black midi in 2022. While Japan is a country that has worshiped the sun as one of their main gods (even the national flag is the sun itself), Japan is a country suffering from "artificial sun", bombed with nuclear weapons and suffering from nuclear disaster. Nuclear power has also been a gravitating motif in modern Japanese art and culture, such as with Godzilla, Nausicaä and Takashi Murakami. This album speaks about this ambivalent relation between Japanese people and "the sun".

Nobody Planning To Leave is the new album from Curly Castro and PremRockaka ShrapKnel, fully produced by Controller 7. Featuring Open Mike Eagle, Onry Ozzborn, Lungs, Breezly Brewin, D-Styles (of the legendary Beat Junkies), and Elucid. The title represents a duality. Both a boastful claim and also a resigned recognition. Sometimes you’re planting your flag and sometimes you’re acknowledging that it’s all ultimately out of your control. With the exception of a few cases, nobody plans to leave. Nobody plans to abandon their passion either. Usually the slow grind of necessity chooses that for you. What started as a few DMs between Castro and Controller 7 in 2021 slowly morphed into a fully fleshed opus. Close your eyes and imagine De La Soul is Dead if the Plugs were steeped in the murky tea of the early aughts independent scene. It’s a propulsive, cohesive listen, that finds the rappers forging new ground both sonically and stylistically. The first ShrapKnel LP was wind, a self-titled sheer force that awoke the masses to the New. The second album was fire, forged in a Metal Lung, seasoned by smoke and libation alike. This third offering is earth, rooted in our influences, from soil-turned-vines-turned blades that scale the highest of structures.

And we're back in Tacoma, WA for more unreleased and unheard 1994-1995 bangers from the Thunder Jam Alliance crew. All tracks produced by Shaggy C. Such a shame a lot of this material didnt drop at the time of recording, but Herring, like Mighty Mouse, has come to save the day!!



Make sure you peep those snippets - some killer material right here for the heads!!!





Big shout out to my man Hakan Dougpark for the original connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L.



Extra Large shoutout to TJA crew member DJ Strike for the incredible mastering/engineering job -

When an emcee finds a producer who fuels his verbals, he keeps him close. Atoms Fam, Hangar 18, and Def Jux alumnus, Alaska found just such a fire in steel tipped dove on last year’s The Structural Dynamics of Flow. A journeyman in the pits, dove’s credits run way below the surface of things, and his pedigree shows in his ability to keep the rig moving no matter. Once again on the black circles is the inimitable Marcus Pinn, steady adding nitrous to the mix. Over numerous releases in the last few years including two from 2023 alone, Alaska has settled into a style as mature as it is versatile. He knows the course comfortably now, so he can take the turns, open it up, and just drive.

Along for the ride this time are PremRock and Curly Castro (a.k.a. ShrapKnel), who with Zilla Rocca, make up three-fourths of the Wrecking Crew. All appear on different tracks here, not that keeping them separated blunts their impact in the least. Prem and The Prophet, Fatboi Sharif, are Alaska’s accomplices on “Murder by Numbers,” and fellow Atoms Family member Cryptic One joins Zilla and Alaska on “Disappearing Acts.” There’s also Bateria, a.k.a Jedi Son of Spock, on “Imposter” and Sleeping Dogs on “Vulture Stones,” among others. Those guys are all undeniably dope, but they’re only passengers here.

Alaska never lets you forget who’s behind the wheel as he drops lyrical references to everything from classic slashers and Wu-Tang to Violent Femmes and Hunter S. Thompson. It’s fun, but it’s serious. You can feel the aging aches of “Mild for the Night” in your lower back. You can also feel the frustration on “Hundred Dollar Bills” when Alaska raps, “Yeah, I’m a nihilist, but only ‘cause I’m tired of shit.” Word to the dead man’s ego.

Roy Christopher

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!

IN 2015, Colossus (ayatollah AND Widowmaker) Dropped Their 1ST AND Only Album AS A Trio. This Instrumental Album IS A Must Have FOR DJS AND Fans OF HIP HOP. 21 Tracks OF Hard ASS Beats!!!