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After 15 years in the game, Termanology is still going strong. His latest release will be his 35th project to date, and it is titled “Bad Decisions”. The album is an ode to his past life and experiences before making a full time career in rap. Boasting 14 tracks filled with powerful production from some of Rap’s greatest producers (Erick Sermon, Statik Selektah, Dame Grease, The Beatnuts & more), any fan of real hip hop would enjoy this piece of work. Veteran MC’s Raekwon and Smif-N-Wessun bring their signature flavor to the project while some of Rap’s hottest new lyricists (Conway, Benny, ANoyd, Millyz & Crimeapple) come through and show why they have recently been given much praise. Term even tries his hand at production on the latter half of the album, producing three songs.

Limited edition CD!
S.C.U. is an underground hip-hop duo from Baltimore that was comprised of Master S & Shahid.
The 20th Anniversary edition of the classic album "Brace Yo Delf" originally dropped by the Baltimore based group S.C.U (Self Contained Unit) in 1998 (on CD only), will be the first release of the new indy Hip-Hop Record Label founded by the well-known record collector Michel Mees. It will be available on vinyl and CD.
The S.C.U. - Brace Yo Delf (20th Anniversary Collector's Edition) CD includes all the tracks of the classic and rare 1st 12" as bonus tracks but that's not all because the 4 tracks from the Harm City EP (previously released on Six2Six on vinyl only) will be added as well! The CD will have 15 tracks total. TIP!!

Strictly limited vinyl edition!
Da Great Deity Dah returns! 20 years ago he put out to “Take Hip-Hop back” to great fanfare. It was the 3rd vinyl release and it got press around the world and was able to chart on college radio with Indecent Proposal produced by Dominic Painter. Slim the 78er also produced Penetrate the Soul, Jamel Jones added verses and hooks and DJ Eskimo tore it up on the wheels of steel.
The release was a masterpiece. Now the project gets re-released with new remixes and new songs in collaboration with artist from around the world. The Global Alliance will span several continents with the goal of preserving that boom bap essence of hip-hop. No mumbling just dope Hip-Hop, DJ-ing and production. Moods and Vibrations, Slim the 78er, Da Great Deity Dah himself, Noel the daughter of Moods and Vibrations and other producers from around the world are lacing the production.

LP comes with 16 page lyric book and 7inch. Produced by Prince Paul, MF DOOM, Mark Ronson, ?uestlove and Memory Man!!
Featuring Open Mike Eagle and Masta Ace.
"If you work with words, like I do, there are a few achievements that we secretly fantasize about. Winning a Nobel Prize in literature. Having a #1 best-seller. College professors teaching our writing in their courses. But one achievement that most of us don’t even fantasize about is having an “original citation” in the Oxford English Dictionary.
The unabridged OED is the compendium of the history of English. Every time a word in common parlance was used for the first time, or in a new way, that usage and its author are recorded in the OED’s endless pages. Shakespeare’s got a bunch. Milton, too. These days, getting an original citation is like hearing the voice of God. It doesn’t happen much. But Paul Barman has one.
This is relevant to (((echo chamber))) only because it indicates the level that MC Paul Barman writes at. His rhymes are original in the sense of “no one has ever used that word like that before… but we will now.” Bring your brains. You’re gonna need them.
Not that (((echo chamber))) is hard work. It is perfectly pleasurable to bop your head along to great tracks laid down by ?uestlove and DOOM and Prince Paul, while MCPB says, “Meat keeps an enemy as a bone-deep identity. It’s the hardened shell that starts to smell. At one time, it might have guarded you well. But maladaptive strengths turn to captive feints and you become your own warden in hell.” And then in the next breath, “Would it blasphemy to ask you to shake that assphemy?”
If your ears are open, MCPB is gonna plug your brain in at voltages to which you are unaccustomed. He’s a social critic with a searing conscience that makes (“my”) comfortable bourgeois house of lies tremble with each jagged line on the PB Richter scale. Comfortable notions of being a “good” white person, blow up in the first two tracks, (((Echo Chamber))) and “YOUNGMAN Speaks on (((Race)))”. It takes MCPB just shy of three minutes to make this semi-observant Jew feel skeptical about the Ten Commandments. In ((((((Antennas)))))) he says, “we feel conflicting agendas rise and fall / what we call our identity tries to synthesize them all.” But he offers a solution, too. You’ll have to listen to the song to hear it. And at the end of the anthemic “Age War,” you’re ready to stand up, cheer, and then go join children in battle against the calcified bankrupt status quo. After all, it’s “already dead. Mentally a baby step from a deli spread.”
But, like any great poet (and MCPB is), he gets personal, too. I am certainly “a self in sheep’s clothing, a wealth of cheap loathing…” Aren’t you?
MC Paul Barman tells us, “Rest assured I’m the crested bird of nested words,” and that is no empty boast. In poetry, to rhyme both at the end of line and internally, in the middle of a line, is showing off. Which makes MCPB a crested bird indeed. There are songs, like (((Believe That))), where your eyes just go wide and you can’t believe the number of rhymes in a row that tell the truth. That much truth all placed in a row—you don’t see that anywhere. And it rhymes, on three levels at once.
MC Paul Barman is the most ambitious type of rapper. He is rhyming art. Why bother? It seems hard, and indeed the long hiatus between his albums tells us that it is. Well, MCPB has a reason: “art is the answer, the be end all... art, art and only art give solace to all this chaos and lonely hearts.”

So take some solace. (((Echo Chamber))) by MC Paul Barman is here. It’ll make your brain spin. And make you check your guts."
--- Adam Gidwitz, New York Times Bestselling & Newbery Award Winning Author

Lonely Horizon is the 1st full length solo album by the talented funk musician and composer Michele Manzo. Drifting along a crest of lush chords, rhythmically driving vintage drum machines and rich, piercing bass lines Manzo has created a work which puts the mind at ease and compels the body to move.

Manzo’s Lonely Horizon was produced in his Italian studio and mastered by the legendary Dave Cooley of Elysian Masters in Los Angeles. With brilliant features from long respected Brooklyn MC J-Live and Mo’Funk Records resident boogie queen Moniquea, This 8 track vinyl is a must have for groove hounds, dance floor junkies and perpetual chillers alike.

In mid march of 2018 Manzo will be touring with UK soul staple Omar in promotion of Lonely Horizon’s record store day release. Two additional Italian vocal edits are included on the cassette recording and both cassette and vinyl are complete with exciting artwork which fits the sounds so closely that the lines between your visual and audio experience may feel blurred. Don't stress though, you’re just drunk on the funk.

Strictly limited edition of 100 copies on coke clear vinyl!
Only one copy per customer!
The Legion (Molecules, Chucky Smash & Cee-Low) is back with some more Bronx rawness for your ears! Following the success of their "Lost Tapes" album from 2014, the re-release of the underground classic "Theme + Echo = Krill" LP, plus the Molecules & Showbiz "A Bronx Tale" EP from last year, the D.I.T.C. affiliates continue to keep the buzz going surrounding their upcoming full-length album entitled "Three The Bronx Way". "1980 Something" and "Heard We Quit" are two certified bangers recorded at the infamous D.I.T.C. Studios.

Limited edition vinyl!
The Legion (Molecules, Chucky Smash & Cee-Low) is back with some more Bronx rawness for your ears! Following the success of their "Lost Tapes" album from 2014, the re-release of the underground classic "Theme + Echo = Krill" LP, plus the Molecules & Showbiz "A Bronx Tale" EP from last year, the D.I.T.C. affiliates continue to keep the buzz going surrounding their upcoming full-length album entitled "Three The Bronx Way". "1980 Something" and "Heard We Quit" are two certified bangers recorded at the infamous D.I.T.C. Studios.

After over 15 years of releasing countless solo
projects & 2 group projects (ST. Da Squad, Pages
from the Pavement Ep), New England Hip-Hop
super group ST. Da Squad (consisting of
Termanology, Reks, Ea$y Money, SuperSTah Snuk,
Artisin, Hectic, Clip, Machete & DJ Deadeye) have
released their highly anticipated debut album "Self
Titled"!
The album is packed with 17 Tracks & features
production from Statik Selektah, Baby Paul, Vinny
Idol, Deli, Shawneci, Billy Loman, Shortfyuz &
more. The first single "It's The ST. 2.0 (Let em'
Know)" is a reintroduction to the entire group
backed by signature production from Statik
Selektah. The second single "Gun Clap" is an ode to
vintage Hip Hop with a smooth boom bap & jazz
soundscape. With "Self Titled" the group is back to
give the fans what they've been asking for, that
authentic Hip-Hop music! #SelfTitledST

Third Man Records has been searching for a hip-hop artist whose multidisciplinary vision,
immovable work ethic and natural sense of aesthetic are compatible our label's mission.
The label is proud to release Pure Beauty by mysterious Queens, New York visual artist,
designer and rapper SHIRT.
SHIRT has been heavily invested in the legendary NY rap underground and praised by
various online tastemakers and critics for his vital perspective, refreshing production
choices and thoughtful lyricism. Everything about his creative output is ''classic New York
shit…melding high art with lowbrow aspiration; it's champagne and loosies, bottle service
and Metrocards'' (Pitchfork). Pure Beauty will be SHIRT's fi rst full-length album since the
release of Rap Money EP on Closed Sessions/Nike Adidas Records in 2015.
Pure Beauty is an ode to the work of artist John Baldessari and features his 1968 conceptual art
piece of the same name as the album artwork, courtesy of Baldessari and his team. The album's
central theme focuses on beauty in its simplest and rawest form-selected beats are recorded
and re-recorded, stripped down and left blaring. Verses exist as fi rst and only takes. iPhone
voice memos are dispersed throughout studio recordings; live conversations left unedited.
Pure Beauty was meant to drop as a self-released digital album in November 2017,
until Third Man Records entered the picture. In the 25th hour via Instagram DMs, SHIRT
responded to our DM slide and allowed us to listen to the record early.
With no physical version planned, Third Man offered to sign SHIRT, release Pure Beauty
digitally, and press this tour de force on vinyl at our pressing plant in Detroit.

Another milestone of Hip Hop's Golden Era gets an all official vinyl re-release through HHV. Smif-N-Wessun's debut album "Dah' Shinin" is an early Boot Camp Clikk release with features by Black Moon, Heltah Skeltah and the Originoo Gunn Clappaz and entirely produced by Da Beatminerz. Essential pick!

Limited CD edition!
Black Market Mob / Out the Mud’s $ha Hef is far from your “average rapper.” Hailing from the streets of the Bronx, NY, Hunnit Round Hef is a direct reflection of the grimey hard knock lifestyle from that which surrounds him. Since arriving on the scene with the classic street album B.O.A.T.S. Hef continues to deliver hard hitting lyrics over sum of the most villainous production you will find, while giving a voice to the hustlers as well as the have-nots in every city throughout the world.
New York OG $ha Hef has released his latest album “Out The Mud”, and fans of that NY sound will be most pleased. With grimy percussion and hazy synth loops, the sonic aesthetic conjures images of smoke shrouded back alleys, of drug dealers on the corner, of shoes dangling from telephone wire. - www.hotnewhiphop.com
$ha Hef has been on the competition’s neck this year, dropping a handful of singles, videos, performing at SXSW, as well as Rolling Loud and Yams Day. He also opened up for Westside Gunn and Conway, and Freddie Gibbs on their respective tours alongside Jay Worthy of LNDN DRGS.
The 15-track project might be his best yet and finds $ha Hef utilizing new flows, stepping it up lyrically and bringing you his signature hazy, dark, grimy sound. The album boasts guests features from Bodega Bamz who shows up on “Time 4 This” and the late Prodigy who drops a killer verse on “Made Me Do.” - therapfest.com
He’s definitely bringing some heat on his new project “Out The Mud” though, so if you’re completely unfamiliar this would be a good place to start. Think RetcH and Da$H levels of grimy with guest appearances from Bodega BAMZ and the late Prodigy. - nahright.com

This is a very limited edition of only a few test pressings made to Kool Keith’s aka. Dr. Dooom’s “First Come, First Served”.

The problem with being recognized as a creative genius is that you've got to live up to it 24/7. Kool Keith was given such a mantle upon the release of the “Dr. Octagonecologist” album, and it's not something he seems happy about: on the first track of “First Come, First Served”, he--as Dr. Dooom--kills Octagon. It's the perfect move for Keith, and it sets the tone for the album, which is a mix of humorous tracks (""Neighbors Next Door,"" which asks you to imagine having Keith and Jacky Jasper living in the next apartment, and ""You Live at Home with Your Mom"") and songs on which Keith lays down the law (""No Chorus"" and ""Leave Me Alone""). Few MCs could hope to match Keith, but here--rapping over knocked-off Octagon grooves (produced with Kutmaster Kurt, they're still more innovative than most) and settling lots of personal scores--he sounds like he's just trying to get a bunch of ideas out of his head as quickly as possible. Still, there's an amazing EP's worth of material here, but it's spread over a full album. Minus the filler, Dooom might just be Octagon's better. --Randy Silver

Originally released on Oct. 24, 2017, The Way Through marks the fourth release by the Denver-born, New York-based rapper/producer Deca. Back by popular demand, the album is set for its first vinyl re-issue since in time for the record’s five year anniversary.

The 13 track LP marks an incredible achievement from the emcee, producer, and visual artist whose defined his artistic identity by courageously pushing the boundaries of his own creativity. Whereas his previous effort, The Ocean, takes a dive into the subconsciousness, The Way Through grabs metaphors and vocabulary from the Bible, abound with references of angels, demons and the Garden of Eden. Although a conceptually imaginative record, Deca manages to fuse his penchant for philosophy, literature and spirituality with deeply personal anecdotes.

With a clear voice, steady flow, Deca delivers his verses over firm drum kicks and warm, melodic samples, all self-produced. It’s not often you get to witness that level of integrity and overwhelming talent, but that’s exactly what makes this Deca such a fascinating artist.

Every rapper is a struggle rapper. The degree of adversity changes from one tax bracket to the next, but no contract comes with immunity. The pursuit of happiness lasts as long as you do. Stik Figa has been trying to tell you for years.
“Central Standard Time”, the Topeka, KS native’s second official Mello Music Group release, is a meditation on struggles new, old, and eternal. Stik Figa’s rhymes remain intricate yet accessible, the words interlocking to create fresh meanings. Every verse displays his hard-won honesty. Though the pains are personal, the moments are strikingly familiar. These are the songs you play when you’re tired of being told to turn up, when you avoid your bank statement like the plague, when you still can’t shake the first time someone called you “nigger,” when another relationship has wrecked your life.
With production from venerated heavyweights like Nottz, Exile, Black Milk, and Apollo Brown, there is never a stale loop or drum pattern. Beats crafted to fry subwoofers are offset by those warm and poignant. L’Orange produced lead single “Cold,” deftly straddles that divide. Over cavernous drums and a soul-stirring sample, Stik Figa indicts posturing trap rappers with searing wit.
When he’s not dismantling the unoriginal alone, Stik Figa enlists indie luminaries Elzhi, Homeboy Sandman, and Quelle Chris. And on album closer “The Git Down,” he macks alongside Bay Area legend Rappin' 4-Tay. With each feature, the results are even more arresting.
Ultimately, “Central Standard Time” is a reminder that sharing our burdens helps others do the same. It’s rap as therapy, the words written to move forward. Listen and do likewise. Struggle waits for no man.

Now-Again presents its third Oh No library
offering: heavy hip hop based on samples from
the Now-Again Catalog.
Oh No’s debut album for Now-Again was also
the first in our music library series - and was
one of our most successful exercises in
creating modern “library music” for easy
synchronization. For this, his third entry, Oh No
combs through the vast array of Now-Again’s
catalog – from American soul, funk and jazz to
Zambian hard rock to Australian prog to
Swedish psych - create a series of beats that
range in mood and style and all contain Oh
No’s trademark swagger. Fans of the variety of
projects that Oh No is a part – from his
Gangrene project with Alchemist to his
production for the likes of Jedi Mind Tricks,
Action Bronson and Talib Kweli - will
be pleased with the variety of beats
contained within.
This limited edition is CD is packaged in a
“mini-LP” gatefold and is available in limited
quantities. Once they’re gone, they’re gone.

The lead single from the highly sought-after “Travel At Your Own Pace” features the exclusive, previously unreleased B-side, “Pyramids”. This song includes a rare vocal appearance from Damu The Fudgemunk.

This the song's first official reissue and its first appearance pressed on a 45. Both songs packaged in full color double sided cover art.

Known to many as the group Y Society, Insight the Truncator and Damu the Fudgemunk celebrate 10 plus years of friendship and a creative partnership that hold the two in high esteem of their fans. The MC & producer's new 7" is a compelling display of why the duo have always been at the top of their game despite their reserved output since debuting as a team in 2007.

Surprising the world at the top of the year with their full length, "Ears Hear Spears" was a great way to sound the alarm for the excitement of new activity. Selective by nature, Insight and Damu's calculations have served advantageous in making moves and presenting listeners with the right music at the right time. The latest incarnation of this truth can be heard in the previously unreleased b-side track entitled "Pyramids to the Ghetto." Although it was recorded in 2008, it was archived and remained unreleased until now. Now in 2017 this particular song couldn't be any more relevant in how the artists analyze the effects racism of the past & present and its correlation to black plight throughout the Americas (both Insight & Damu drop verses on this track).

Continuing narratives of such legends as Public Enemy and Jeru the Damaja in which the track title quotes, the group individually presents short essays in rhyme form that give a candid account of what they've witnessed as black U.S. citizens living in the 20th and 21st Century. Not only are the social effects on the table for examination, but the positive and negative impacts a racist society has had on black contributions to art and culture are discussed. For the songwriters, "Pyramids to the Ghetto" is therapeutic in which harsh realities are confronted in an unapologetic manner contrasting the previous socially charged material in Insight and Damu's back catalog.

For the listeners, it's a history lesson and a call to motivate us all that history doesn't always have to repeat itself even when it's been the norm for centuries. Adversity and oppression historically have hold some back and made some stronger, but acknowledgement is the first step of progression.

The A-Side, "Never Off (On & On)" speaks on just that. It's a roadmap to dealing with everyday adversity, maintaining faith in self and striving to reach your full potential. Insight presents sermons of encouragement to the everyday person over the Fudgemunk's uplifting beat. The producer chimes in on the chorus with a few words of his own that insists to keep on your path and never fall off. The old saying goes, "Life ain't easy", but the group knows success is not unrealistic. "Never Off (On & On)" was the debut single from the debut album, "Travel at Your Own Pace" which has remained a staple in Insight the Truncator's and Damu the Fudgemunk's legacy.

“Live From The First”, the debut album by Pearl Gates is a sonic evolutionary process, chronicling his journey from the streets to the rap game.

The stage is set in the trenches and as it gradually shifts to a more elevated space and state of consciousness, the common thread revealing itself throughout the process is growth. The music is engaging; from gritty and ruthless sounds on “Rocks Right Now” to a virtuous and energizing vibe on “Elevate”, Gates delivers a welcoming, well balanced musical experience. “Live From The First” is brash, honest, thought provoking and highly conceptual while providing insight on everyday life in one of NYC's more bustling and enterprising communities, Washington Heights.

The first in the album title refers to the nick-name for 181st street in upper Manhattan where Pearl Gates comes from. “Most of the tracks on the album revolve around stories and experiences from the block” he reveals. That doesn’t necessarily mean all of the stories are about street life however. Gates, who is also an accomplished singer, also manages to incorporate his soulful hooks into the songs without sacrificing the Hip-Hop elements of each track. Gates says “my father was a singer and I inherited his talent of perfect pitch. I use it to flesh out my music but lately I’ve been asked to contribute hooks by Kool G Rap, Masta Ace, Wordsworth and other artists, which is flattering”.

Some notable features who appear on “Live From The First” include Torae, Geechi Suede (of Camp Lo) and Cassidy. Speaking on the latter Pearl Gates revealed “I didn’t expect Cassidy to be on the album. We have a mutual friend who is a producer and one night he brought him through just to hang out. Cassidy heard the track and said, you want me to get on this? That was all love”. Other up and coming artists will appear on the album as well.

In the last few years Pearl Gates has been making notable music and appearances. His "Diamond Mind" EP (2015) was praised by media outlets including The Source, HipHopDX, 2DopeBoyz and Respect Magazine. The "Play This" EP (2016) with fellow Washington Heights rapper Syll also received likes from media and DJs/radio shows including DJ Premier and Drake’s OVO Sound Radio. Gates also completed tours of Europe and North America with eMC and PRhyme.

Pounds released his latest studio effort "Heavy Lies The Crown" in 2016. Anticipated by stand-out singles such as "Tributes", "Kill You" and "Coroner's Office", the Rochester, NY emcee unleashes a full-on verbal assault featuring top tier guests such as Westside Gunn, Conway The Machine, Chris Rivers, Clifton Haston, and productions by Fith, Spittzwell and Pounds himself.

After touring with Drizzy Wright, Jackie Chain and Chris Webby and being crowned Rochester 103.9's "Battle Rap Champion", he can be considered a young vet in the game. Tuff Kong Records couldn't let this banger go without a vinyl release, so they're proud to bring you a selection of tracks from with the "Heavy Lies The Crown" EP.
Featuring Westside Gunn, Conway The Machine, Chris Rivers, Clifton Haston, Jarren Benton & DJ Hoppa.

Hood Reishi is a genre defining album produced entirely by Ruckazoid. He's released music on Kanye West's G.O.O.D music label with Hudson Mohawke, and albums with J-Dilla, Dj Shadow, a #1 iTunes single with Breakbot, and most recently featured on Machinedrum's Human Energy as a vocalist.

Ruckazoid is known to raise the bar and his new Hood Reishi moniker is no different. The concept of this album was to use analog equipment from the past to create a new sound for today. Electricity runs through each beastly machine to produce each sound, with drums from a real TR-808 and other various analog drum devices connected to create the ultimate boombox. Since the recordings are analog, the album is able to push the sonic limits, making you feel like your system is about to explode, without destroying your ears.

It's a sound that must be experienced, and a sound that cannot be produced with software. The process is similar to shooting on film, with each track composed from captured performance. Using analog gear to create this sound is no easy task, but when achieved, nothing sounds comparable.

The album starts off with arabic sounding bells from the vintage Roland Super JX, then the chorus drops the mission statement:

"Soundboy run better put on ya sneakers, when you play this sound it fi blow out ya speakers, kill all dem woofers, kill all dem tweeters, me no stress me just smoke on da reefer yeah, pushing that dope like a dealer, I got the sound that fi wake up the sleeper"

The voice then changes when the verse comes in, and the listener's face is usually 100% mashed at this point. From there it's non-stop bass designed to keep you engaged like a dog hearing a new sound for the first time, head tilted and all. It's THE NEW SOUND, with just enough vocals to keep you locked in, but not too many vocals, as this album is really all about the sounds. If you're looking to hear the next level in bass music, this is for you.

If you're a DJ ready to soundclash, this record will shut the whole thing down.

Only 21 numbered copies made with custom Threshold test labels!

Here's another volume of treats from the Othorized archives. Unreleased tracks include the studio version of “Mugshots” (demo version #2), “Kwue's Body Shop”, and “Krakow”. “Bring It On” gets its first vinyl treatment after initially appearing on the group's 1st “Amendment” CDr in 2001. “Flamboyant Rap” you likely know from their 1995 12" and “Money Getters” from their 1994 debut single.
All tracks written and produced by Othorized Fam. Cover art by Spek The Architek, logo design by Othorized, labels by Debonair P.