Search "hello+cruel+world" 588 Items

Otherwize Feat. P.E.A.C.E.

Release: EU

Genre: Hip Hop

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O.G. Psychokilla who hails from South Central, LA has been collecting tapes since as long as he can remember. He's one of the guys behind the WGFprod. discogs account and collective and has one of the most impressive tape collections on the planet. Demos, unreleased material and rarities is what he focuses on strictly.

I'm proud to announce the very first volume of "O.G. Psychokilla Presents G-Funk Tha World" which will be distributed exclusively through HHE. The tracklist will blow you away, and keep in mind that this is material that most likely will never see the light of day. Vaulted Death Row tracks, demos and unreleased material it's all included. This mixtape will be factory pressed, and will be limited to only 250 copies.

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Hey Young World / That's Wize

7" | US (Sle)

7,99 €*

Release: US

Genre: Hip Hop

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CD | US | Original (Dynameeq)

World-N-San

City Legend

Release: US – Original

Genre: Hip Hop

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Radio Movement Promo Only Mix Cd Feat. Akil (Jurassic 5) & World-N-San

Block Rockaz

CD | US | Original

6,74 €* 14,99 € -55%

Release: US – Original

Genre: Hip Hop

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Love Bug Star-Ski & The Harlem World Crew

Positive life

12" | 1981 | US | Reissue (Tay-Ster)

9,99 €*

Release: 1981 / US – Reissue

Genre: Hip Hop

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Grandmaster Flash / Grandmaster Flash & The Furious Five

The Adventures Of Grandmaster Flash On The Wheels Of Steel / The Birthday Mix

12" | 1981 | US | Reissue (Sugar Hill)

Release: 1981 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Generic

Grandmaster Flash & The Furious Five

It's Nasty (Genius Of Love)

12" | 1981 | DE | Original (Sugar Hill)

6,99 €*

Release: 1981 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

12" | 1982 | US (Sugar Hill)

Grandmaster Flash

The Message

Release: 1982 / US

Genre: Hip Hop

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My Part Of Town / Mountains World Record Store Day 2022 Vinyl Edition

Tuff Crew

7" | 1982 | UK | Reissue (Warlock)

Grandmaster Flash & Melle Mel

Release: 1982 / UK – Reissue

Genre: Hip Hop

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True club dancefloor Hip Hop from '89 that inspired many a hit there after. Legendary double hitter from the cult Philly crew that have never been on 45 together before. Black Vinyl in Picture sleeve Exclusive for RSD 22.

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White Lines

12" | 1983 | US (Sugar Hill)

Grandmaster Flash & The Furious Five

Release: 1983 / US

Genre: Hip Hop

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/ melle mel's groove

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The Message 180g Vinyl Edition

LP | 1983 | US | Reissue (Sugar Hill)

28,99 €*

Beat- Bop Black Vinyl Edition

Release: 1983 / US – Reissue

Genre: Hip Hop

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180 gram pressing!

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Rammellzee & K-Rob

12" | 1983 | EU | Reissue (Mr Bongo)

12" | 1983 | DE | Original (Sugar Hill)

Release: 1983 / EU – Reissue

Genre: Hip Hop

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Much about ‘Beat Bop’ is shrouded in mystery. Who really produced it? Why was Jean-Michel Basquiat relegated from rapper on the track to drawing the cover and labels? What are they actually rapping about for most of the ten-minute length? These questions, however, are all part of the enigma and rich legend surrounding a song that is an undisputed piece of true hip-hop genius. The combination of graffiti artist Rammellzee and rapper K-Rob is a potent one, with each MC adopting a persona - hustler and B-Boy respectively - that they maintain against an unusual swirling backdrop that must be one of the best instrumentals ever committed to wax. The original Tartown Record pressing was limited to 500 copies, a mere test pressing in the eyes of the assembled artists, with scarcity further driven by Basquiat’s rising rep in the art world. Those few hundred copies – and a subsequent re-release on Profile Records (the same label where K-Rob played out the rest of his brief career) – punched well above their weight in terms of lasting influence. Consider the early vocal tones of the Beastie Boys (who also sampled the track), or the huge part it played in the sound of Cypress Hill and B-Real. His voice is almost homage to Rammellzee’s on ‘Beat Bop’, while they also lifted the chorus of ‘Shoot ‘Em Up’ and even a sample of ‘Cypress Hill’ from the track too. It’s unsurprising – this is a multi-layered, complex song that reveals a little more of itself each time you play it but remains damn funky. This reissue boasts the vocal and instrumental versions in full, as well as both the full cover and label artwork from the original Tartown Release.

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Sugarhill Gang

The Word Is Out

3,99 €*

Release: 1983 / DE – Original

Genre: Hip Hop, Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1984 | US | Reissue (Sugar Hill)

V.A.

Street beat

28,99 €*

Release: 1984 / US – Reissue

Genre: Hip Hop, Organic Grooves

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It's Yours Record Store Day 2020 Edition

T La Rock & Jazzy Jay

7" | 1984 | US | Reissue (Partytime)

12,99 €*

World Destruction: The Complete Celluloid Mixes

Release: 1984 / US – Reissue

Genre: Hip Hop

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Record Store Day 2020 Release.

The debut release on Rick Rubin and Russell Simmons now seminal Def Jam label that shook the world with its evil bass and percussion. Never released on 7" before, this is a true Hip Hop collectors dream. Featuring the ground-breaking "Scratch Party Death Mix".

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Time Zone

12" | 1984 | Reissue (Celluloid)

Release: 1984 / Reissue

Genre: Hip Hop

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Grandmaster Melle Mel & The Furious Five

Grandmaster Melle Mel And The Furious Five

LP | 1984 | DE | Original (Sugar Hill)

8,99 €*

Release: 1984 / DE – Original

Genre: Hip Hop, Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Thanatos Of Funk Splatter Vinyl Edition

Minoru Fushimi

LP | 1985 | EU | Reissue (Sic)

20,39 €* 33,99 € -40%

This is Sparky-D's world feat. Grand Creator K-Wiz

Release: 1985 / EU – Reissue

Genre: Hip Hop

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Minoru Fushimi, a multi-talented artist, made his mark in the music industry with his groundbreaking album, "Thanatos Of Funk." Originally released in 1985, this remarkable piece of artistry is now being reissued by SIC Records, ensuring that its influential sounds continue to captivate audiences.

During the album's creation, Fushimi embarked on a unique journey. Balancing his day job as a dedicated high-school teacher, he poured his creative energy into producing and recording the entire album himself. With relentless determination, he pieced together "Thanatos Of Funk" during intense studio sessions, demonstrating his unwavering commitment to his musical vision. "Thanatos Of Funk" stands as a testament to Fushimi's ingenious fusion of genres. Electro funk serves as the foundation, complemented by a masterful blend of synths, drum machines, and hip-hop elements. Drawing inspiration from the iconic p-funk style, Fushimi creates an immersive sonic experience that transcends boundaries and resonates with listeners on a profound level.

Now, with its reissue, "Thanatos Of Funk" is poised to reach a wider audience, ensuring that Fushimi's musical legacy continues to thrive. Step into the vibrant world of Fushimi's debut album and discover the innovative sounds that have left an indelible mark on the funk genre and beyond. Includes a SIC Records Exclusive addition of four instrumentals and a remastered version of Foxy Lady. "The Key Lyric and the concept of my "Thanatopsis" is that the life is just like a moment of dim light between two darknesses." - Minoru Fushimi

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Sparky-D

LP | 1988 | US | Original (B Boy)

Tougher Than Leather Translucent Blue Vinyl Edition

Release: 1988 / US – Original

Genre: Hip Hop

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produced by Spyder-D

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Run DMC

LP | 1988 | US | Reissue (Get On Down)

25,99 €*

LP | 1988 | EU | Reissue (Demon)

Release: 1988 / US – Reissue

Genre: Hip Hop

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Too many people sleep on Tougher Than Leather, Run-DMC’s fourth album. But hear us out as we plead the case for this amazing LP.
By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. & Rakim, Ice-T and many more had given
Hollis, Queens’ prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this
classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] – get lost in their crates.
For starters, the album’s first single, “Run’s House” b/w “Beats To The Rhyme” is arguably the most powerful one-two punch of the trio’s career,
showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were
also reminded on both sides that Jam-Master Jay remained one of the world’s best DJs, flexing the pinnacle of what would be called “turntablism” a
decade later. Both songs show a musical telepathy between all three that has rarely been equaled.
The second single, “Mary, Mary,” driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on
the Raising Hell bandwagon had something to chew on. But, like “Walk This Way,” the song wasn’t just bubblegum – there was an edge to it, and
the lyrical gymnastics were very real. It wasn’t selling out, it was allowing fans to buy in. “Papa Crazy,” driven in concept and by a sample from the
Temptations’ “Papa Was A Rolling Stone,” followed a similar pop-leaning path.
Overall, the lyrical content on the album was a step up from the group’s first three LPs. It’s easy to infer, looking back, that they were feeling the heat
from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like “Radio Station” they
bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. “Tougher Than Leather” reminds the world that they were
still the Kings of Rock, with hard guitars to drive the point home. And “They Call Us Run-DMC” and “Soul To Rock And Roll” both bring things back to
their early days, with sure-fire park jam rhymes and killer cuts.
Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the ‘80s output of one of the decade’s most
important groups. It encompasses the full range of the trio’s capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers
and party-rockers. And so, we say, long live Joe, Darryl and Jay!

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Cash Money & Marvelous

Where's The Party At?

Because I Got It Like That Record Store Day 2020 Edition

Release: 1988 / EU – Reissue

Genre: Hip Hop

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DJ Cash Money was one of the most skilled DJ’s to come out of Philadelphia in the 1980s (two time World DJ mixing champion). He teamed up with MC Marvelous in the late 80s to release their only album ‘Where’s The Party At?’, on Sleeping Bag Records. Highlights include; ’The Mighty Hard Rocker’, ‘Play It Kool’, ‘Ugly People Be Quiet’ (which samples Tears For Fears). 1988 album from the golden age of Hip hop, reissued with original artwork, printed inner sleeve and pressed on 180g heavyweight vinyl.

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Jungle Brothers

7" | 1988 | US | Reissue (Idlers)

Release: 1988 / US – Reissue

Genre: Hip Hop

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Record Store Day 2020 Release.

The Sly Stone sampling, scene smashing hip hop track 'Because I Got it Like That' that launched the Jungle Brother's to the world in 1988, housed on their groundbeaking debut album 'Straight Out The Jungle'. Original copies of the single now change hands for £50 if you’re lucky so a fully remastered, official reissue is exactly what the doctor ordered! Backed with the rare Ultimatum mix (aka The Stereo MC's).

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7" | 1989 | US | Reissue (Chrysalis)

Me, Myself & I

People's Instinctive Travels And The Paths Of Rhythm

Release: 1989 / US – Reissue

Genre: Hip Hop

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If De la Soul is one of the greatest hip-hop bands in the world and 'Me Myself & I' one of their greatest singles, then that makes this 7" a pretty essential one. It is an indie exclusive via Chrysalis and comes as much of the American pioneers back catalogue has been made available for the first time digitally and via several vinyl reissues. It is one of the daisy age power group's most feel good, happy and poppy singles with plenty of samples, not least of Funkadelic's 'Knee Deep.' All these years later it is still an injection of good times direct into the veins.

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A Tribe Called Quest

2LP | 1990 | US | Reissue (Jive)

Release: 1990 / US – Reissue

Genre: Hip Hop

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People's Instinctive Travels and the Paths of Rhythm is, quite simply, one of the finest albums in hip-hop. It's easy to argue that a Tribe Called Quest reached their zenith on this, their debut album: though they went on to produce another world-class disc (The Low End Theory) and broadened their palates and their consciousness, never again were they quite this naturally free and easy. Q-Tip and Phife's delivery is deceptively simple, flowing like wine and tasting like candy, and Jairobi adds some contrast. The music, so self-assured that it never raises it's voice to make a spectacle, follows suit. Four albums later, on their last tour, songs from Paths of Rhythm still were at the top of the set list. - Randy Silver.

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Looking At The Front Door / Snake Eyes Picture Disc Edition

7" | 1990 | JP | Reissue (P-Vine)

Tell The World My Name Record Store Day 2023 Lemon Vinyl Edition

Release: 1990 / JP – Reissue

Genre: Hip Hop

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P-vine is thrilled to release ‘Looking At The Front Door’ and ‘Snake Eyes’ from Main Source’s phenomenal debut album Breaking Atoms as a world-exclusive 7” single pairing. Originally released a year before the 1991 album, lead single ‘Looking At The Front Door’ thrust the band into the spotlight by reaching number one spot on Billboard’s US Rap chart. ‘Snake Eyes’ is coated in iconic chants as the album’s opening track, and makes its first appearance in single form. The record features a new jacket design and is pressed on a limited edition picture disc.

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K-Solo

LP | 1990 | US | Reissue (Real Gone Music)

39,99 €*

2LP | 1991 | EU | Reissue (Interscope)

Release: 1990 / US – Reissue

Genre: Hip Hop

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Kevin Madison a.k.a. K-Solo a.k.a. the "original rap criminal" was a member of EPMD's "Hit Squad" and legendary antagonist of the Hit Squad's Keith Murray and also of DMX, whom K-Solo had met in prison while serving a three-year sentence. His 1990 debut album, Tell the World My Name, scored three rap hit singles with "Your Mom's in My Business," "Spellbound," and "Fugitive," and featured production from EPMD's Parrish "PMD" Smith. It was a highlight in a year full of legendary rap releases, but it's never been out on vinyl. Our Real Gone release features a lemon-colored vinyl pressing.

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2Pac

2Pacalypse Now

29,99 €*

Release: 1991 / EU – Reissue

Genre: Hip Hop

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In commemoration of its 25th anniversary Interscope presents the reissue of “2Pacalypse Now”. “2Pacalypse Now” is the debut studio album by American rapper 2Pac. It was released on November 1991, by Interscope Records and EastWest Records America. Less polished than it later proceed with his studio album, “2Pacalypse Now”, which is 2Pac's commentary on contemporary social issues facing American society such as racism, police brutality, poverty, black on black crime, and teenage pregnancy, some issues giving a lyrical glimpse into the world of a young black man on the urban streets of the United States. It featured three singles; "Brenda's Got a Baby", "Trapped", and "If My Homie Calls". 2Pacalypse Now was certified gold by the Recording Industry Association of America (RIAA) 1995 for sales of 500,000 copies in the United States.

The album generated significant controversy stemming from then-U.S. Vice President Dan Quayle's public criticism after Ronald Ray Howard murdered a Texas state trooper and his defense attorney claimed he was influenced by “2Pacalypse Now” and its strong theme of police brutality. Quayle made the statement, "There's no reason for a record like this to be released. It has no place in our society."

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LP | 1991 | EU | Reissue (Columbia)

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Life Of A Kid In The Ghetto Record Store Day 2019 Edition

Ed O.G & Da Bulldogs

LP | 1991 | US | Reissue (Get On Down)

Release: 1991 / US – Reissue

Genre: Hip Hop

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The 1990s was a rich vein of classic hip-hop, especially on the East Coast, which rendered some of the greatest works from the likes of Wu-Tang Clan, Nas, Mobb Deep, and many others. Frequently lost in the genre's New York-centric history was Boston's burgeoning hip-hop scene during the 1990s, spearheaded by working class Roxbury native Edward Anderson, best known by his stage name Ed O.G Over the course of his career, which has spanned nearly 30 years, Ed O.G has maintained an admirably strong cult following, and has gone on to work with contemporaries like RZA, KRS-One, Masta Ace, Pete Rock, and Common, while touring the world over, and producing numerous solo and collaborative albums. Ed O.G.'s illustrious career debuted in 1991, with the release of what is arguably his best known album, Life Of A Kid In The Ghetto, a collaboration with his crew, billed as Da Bulldogs (which was actually an acronym for “Black United Leaders Living Directly on Grooving Sounds”), though Ed O.G was clearly the main event. An underrated classic in its own right, Life Of A Kid In The Ghetto runs a gamut of sounds ranging from the introspective conscious hip-hop of "Be A Father To Your Child", to the whimsical boasts of "I'm Different", to deeply political fare like the Ace & Quan and Def Jef-featuring "Speak Upon It", plastered across a backdrop of Joe Mansfield-produced sample-heavy soundscapes, which snatched clips from deep cuts of James Brown, Roy Ayers, and The Delfonics, to name just a few. It also managed to generate Billboardcharting singles out of tracks like "Bug-A-Boo", "Be A Father To Your Child", and "I Got To Have It", which would become Ed O.G's signature track, and sample fodder for 2Pac, De La Soul, and DJ Premier. Get On Down now presents Life Of A Kid In The Ghetto, an unheralded rarity of renaissance hip-hop, reissued on vinyl for the first time since 1991. The audio has been remastered from its original tapes, so every bit and piece of Ed O.G's masterpiece is crisp and clear on wax. An uncovered gem of 90s rap well worth a re-listen or first-time discovery, and a sterling representation of Boston hip-hop.

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Cypress Hill Colored Vinyl Edition

LP | 1991 | EU | Reissue (Get On Down)

The Choice Is Yours Black Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope.
The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bringintensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “[By the late ‘80s] the undisputed
Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes -
complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.” Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.

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Black Sheep

7" | 1991 | EU | Reissue (Mr Bongo)

15,99 €*

Release: 1991 / EU – Reissue

Genre: Hip Hop

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If you collect vintage 70's soul-jazz vinyl, there is a good chance that you already own a record that features the amazing vocal talents of Dee Dee Bridgewater. Whether it be Roy Ayers, Norman Connors, Billy Parker or Carlos Garnett - Dee Dee is the glue that fuses these artists together. Although best known for her jazz work, Dee Dee has had a wonderfully rich and varied career encompassing soul, musicals, gospel, and underground disco from the 70's to the present day. She is still active as a vocalist, composer, and producer and remains one of our favourite vocalists at Mr Bongo HQ. We take things back to the early years of Dee Dee's career with her debut album 'Afro Blue'. Recorded in Tokyo in 1974, the album was released exclusively in Japan via two different Japanese labels (Trio Records in 1974 and All Art in 1985 respectively). Each release had unique cover art and we have opted to present the album in its original 1974 form. 'Afro Blue' features an exquisite collaboration of American and Japanese musicians, such as Cecil & Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue'. It is arguably one of the finest albums in its genre. This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.

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Ultraviolet Dreams / Light Another / The Phuncky Feel One

7" | 1991 | US | Reissue (Get On Down)

Release: 1991 / US – Reissue

Genre: Hip Hop

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To Commemorate The 30 Year Anniversary Of Cypress Hill, Get On Down Presents A Series Of 7 Inch Singles Of Every Cut From One Of The Most Legendary Debuts Of All Time. When Cypress Hill came with their debut self-titled album 30 years ago, they made an immediate spark that captivated the Hip Hop audience, critics, and then the world. Led by B-Real with his nasal, singsong delivery, and Sen Dog to play the perfect hypeman, Cypress’ debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them, the production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned-out beats. Cuts like "How I Could Just Kill a Man", "Pigs", "Stoned is the Way of the Walk" and "Hand on the Pump" made Cypress Hill an instant classic. Since its release, the album has won acclaim as one of Rolling Stone's Essential Recordings of the 90s and Top 100 Best Rap Albums by The Source Magazine.

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Break It Up / Real Estate / Stoned Is The Way Of The Walk

7" | 1991 | US | Reissue (Get On Down)

Release: 1991 / US – Reissue

Genre: Hip Hop

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Live At The Barbeque / Large Professor Picture Disc Edition

7" | 1991 | JP | Reissue (P-Vine)

Release: 1991 / JP – Reissue

Genre: Hip Hop

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P-vine is thrilled to release 'Live At The Barbeque' and 'Large Professor' from Main Source’s phenomenal debut album Breaking Atoms as a world-exclusive 7” single pairing. Lifted from the 1991 album, 'Live At The Barbeque' is famed for featuring the first recorded material from Nas as well as other guest verses from Joe Fatal and Akinyele. 'Large Professor' has only been released before as a 12” single in 1996 with their long-serving label Wild Pitch Records. The single features a brand new jacket design and is pressed on a limited edition picture disc.

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Just A Friendly Game Of Baseball / Vamos A Rapiar Picture Disc Edition

7" | 1991 | JP | Reissue (P-Vine)

23,74 €* 24,99 € -5%

Release: 1991 / JP – Reissue

Genre: Hip Hop

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P-vine is thrilled to release 'Just A Friendly Game Of Baseball' and 'Vamos a Rapiar' from Main Source’s phenomenal debut album Breaking Atoms as a world-exclusive 7” single pairing. Lifted from the 1991 album, the social commentary of police violence on 'Just A Friendly Game Of Baseball' is biting sharp, and resonates thirty years on. 'Vamos a Rapiar' has previously featured as a B side on 1996’s Large Professor single, and was the only track on the album to feature co-production from Pete Rock. The record features a brand new jacket design, and is pressed on a limited edition picture disc.

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Tape | 1991 | US | Reissue (Chrysalis)

De La Soul Is Dead

20,99 €*

Release: 1991 / US – Reissue

Genre: Hip Hop

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R.I.P. Trugoy the Dove

Bringing a sound and energy unlike any other, De La Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, following on May 14, 1991 with the release of their sophomore album, De La Soul is Dead. Featuring, once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world. “A Roller Skating Jam Named Saturdays,” “Ring, Ring, Ring (Ha Ha Hey)” and “Keepin’ the Faith” have become certified classics in the De La Soul catalog.

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CD | 1991 | US | Reissue (Chrysalis)

De La Soul Is Dead

Release: 1991 / US – Reissue

Genre: Hip Hop

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2LP | 1991 | US | Reissue (Chrysalis)

De La Soul Is Dead

16,99 €*

Release: 1991 / US – Reissue

Genre: Hip Hop

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Indie Exclusive Black Vinyl Edition.

R.I.P. Trugoy the Dove

Bringing a sound and energy unlike any other, De La Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, following on May 14, 1991 with the release of their sophomore album, De La Soul is Dead. Featuring, once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world. “A Roller Skating Jam Named Saturdays,” “Ring, Ring, Ring (Ha Ha Hey)” and “Keepin’ the Faith” have become certified classics in the De La Soul catalog.

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Cypress Hill Black Vinyl Edition

LP | 1991 | US | Reissue (Get On Down)

32,99 €*

Release: 1991 / US – Reissue

Genre: Hip Hop

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Repress ! Somewhere in between the rock-star mischief of the Beastie Boys and the slow-creeping funk of Dr. Dre, Cypress Hill introduced their hazy-eyed sound to the world on their self-titled 1991 debut and things have never quite been the same since. The original Cypress Hill album captures the group at their risk-taking best, mixing gangster posturing, LA street politics, Latin flavor and warped humor together under a thick cloud of weed smoke and innovative beats. Nasal-voiced rapper B-Real and his partner Sen Dog, backed by the adventurous production styles of DJ Muggs, produce classics records like "How I Could Just Kill a Man," "Pigs," "Stoned is the Way of the Walk" and "Hand on the Pump." Since its release, the album has won acclaim as one of Rolling Stone's "Essential Recordings of the 90s" and "Top 100 Best Rap Albums" by The Source magazine.

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Fakin' The Funk / He Got So Much Soul (He Don't Need No Music) Picture Disc Edition

7" | 1992 | JP | Reissue (P-Vine)

18,74 €* 24,99 € -25%

Too Hard To Swallow Clear Vinyl Edition

Release: 1992 / JP – Reissue

Genre: Hip Hop

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P-vine is thrilled to release ‘Fakin’ The Funk’ and ‘He Got So Much Soul (He Don’t Need No Music)’ as a world-exclusive 7” single pairing. After releasing their influential debut Breaking Atoms in 1991, ‘Fakin’ The Funk’ was their first follow-up material appearing on the soundtrack to the film White Men Can’t Jump, and as a 12” single in 1992. ‘He Got So Much Soul (He Don’t Need No Music)’ was the 9th track on Breaking Atoms, and makes its first appearance as a single. The record features a brand new jacket design, and is pressed on a limited edition picture disc.

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UGK

2LP | 1992 | US | Reissue (Get On Down)

35,99 €*

Black Mafia Life Splatter Vinyl Edition

Release: 1992 / US – Reissue

Genre: Hip Hop

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At that, giving the strutting, funky grooves the chance to really stretch out on your system.
Back in 1992, Southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from New York and LA. The Geto Boys and 2 Live Crew had made strong cases by the earliest ‘90s, and Pimp C and Bun B were ready to make their own. Most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes – in later years they would build their sound into something even fuller and deeper. Self-produced with additional work from Houston locals Bernie Bismark and Shetoro Henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely.

You can hear the beginnings of the group’s true greatness in these early lyrical workouts – several taken from the regional cassette-only EP The Southern Way that got them signed to Jive – with tales of street hustles, relationships and self-reliance in a world stacked against them. They may have been done early-on, but that doesn’t mean they aren’t crucial to UGK’s legacy – cases in point being the three singles: “Something
Good”; a charismatic update to Bill Withers’ “Use Me Up”; and “Pocket Full Of Stones” (the latter featured on the Menace II Society soundtrack). Beyond the singles, deeper cuts like “I’m So Bad,” “Feels Like I’m The One Who’s Doin’ Dope” and “Cramping My Style” made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

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Above The Law

2LP | 1992 | US | Reissue (West World)

45,99 €*

Black Mafia Life Black Vinyl Edition

Release: 1992 / US – Reissue

Genre: Hip Hop

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The 1992 sophomore album of the legendary Pomona, CA group Above the Law. This album is by many considered as the foundation of G-Funk due to tracks like "4 The Funk Of It" and "Call It What U Want" that featured 2Pac. Also the last album that featured DJ Go Mack who left the group after completion. Now back on vinyl courtesy of SCMD Records.

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Above The Law

2LP | 1992 | US | Reissue (West World)

43,69 €* 45,99 € -5%

Release: 1992 / US – Reissue

Genre: Hip Hop

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CD | 1993 | EU | Reissue (Columbia)

Black Sunday

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Black Sunday 20th Anniversary Edition

2LP | 1993 | US | Reissue (Legacy)

42,99 €*

Release: 1993 / US – Reissue

Genre: Hip Hop

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180 gram pressing in gatefold sleeve!

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2LP | 1993 | EU | Reissue (Columbia)

Black Sunday

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Insane In The Brain Black Vinyl Edition

7" | 1993 | EU | Reissue (Mr Bongo)

15,99 €*

Release: 1993 / EU – Reissue

Genre: Hip Hop

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This edition is limited to 300 copies exclusive available at HHV.

So much legendary hip-hop begins with a misunderstanding. You might not realise it on first or even hundredth listen, but ‘Insane in the Brain’ is a diss track. What has become one of the hip-hop’s most iconic party anthems, and one of Cypress Hill’s biggest hits, started out with them taking offence at Chubb Rock.
He’d flipped some of their lyrics on his own ‘Yabba Dabba Doo’ song in 1992 and the group didn’t like it. While B-Real’s lyrical attack on Chubb is subtle and almost subliminal, Sen Dog spends most of his verse making fat jokes at Chubb’s expense.
It’s a little known beef, hidden beneath the vast success of this single in 1993, with it reaching number one in the US rap charts and proving a pop hit worldwide too. At this stage, the group’s producer DJ Muggs had perfected an idiosyncratic sound all of his own, lending it to tracks for the likes of House of Pain and Funkdoobiest.

Here he melds samples from Sly and the Family Stone and The Youngbloods with a beat lifted from George Semper’s instrumental cover of ‘Get out my life, woman’. Those subtle songs are alchemised into a boot-stomping head-nodder that transcended hip-hop to become a festival favourite, a rise that ended in Ned Flanders delivering the line, “this may sound just a teensy bit insane in the old membrane, Homer,” in The Simpsons.

The only official 7” of this was released in the Philippines, and fetches prices in the hundreds of pounds – this reissue puts a hip-hop classic in crate-friendly form.

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Black Sunday Statik Selektah / DJ Muggs Remixes Black Friday Record Store Day 2023 Black Vinyl Edition

12" | 1993 | EU | Reissue (Sony)

18,69 €* 21,99 € -15%

No Need For Alarm Yellow Highlighter & Tangerine Swirl Vinyl Edition

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Quantity: 3100
Release type: RSD Exclusive Release

On July 20, 1993, Los Angeles hip-hop legends Cypress Hill unleashed their sophomore opus Black Sunday on the unsuspecting masses. The record changed rap music with its dark undercurrent, Latin inflection, no-holds-barred storytelling, and the inimitable interplay between B-Real and Sen Dog cast over psychedelically spun rap soundscapes courtesy of DJ Muggs.

Now to mark the 30th anniversary, two new remixes are available for fans on 12” black vinyl; “Insane in the Brain” from the esteemed DJ/Producer Statik Selektah, and “Hits From The Bong” crafted by the album’s original producer himself, DJ Muggs.

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Del The Funky Homosapien

2LP | 1993 | US | Reissue (Get On Down)

40,99 €*

The Most Beautifullest Thing In This World: 30th Anniversary Edition Black Friday Record Store Day 2024 Edition

Release: 1993 / US – Reissue

Genre: Hip Hop

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After breaking out of the Bay Area underground scene in the early 90s with I Wish My Brother George Was Here, Del The Funky Homosapien made a radical turn with his sophomore release, 93's No Need For Alarm. Casting aside the familiar G-funk vibe of his debut, perhaps as No Need was produced without the involvement of his cousin Ice Cube and The Boogiemen, he moved into a jazzier – some would say more East Coast direction with production by the Hieroglyphics crew of Domino, A-Plus, Casual and Del himself with contributions from the SD50s. The verbal content on No Need shifted as well, moving away from comic interludes and towards a focus on battle raps.

No Need For Alarm is one of the three Hiero Golden Age releases (along with Souls of Mischief's 93 til Infinity and Casual's Fear Itself). Though some critics are harsh on No Need For Alarm and claim it's not as strong an effort as Del's debut, many disagree and see this release as being the first where Del really stood out. Regardless of which side of the fence one falls on that topic, it's without doubt that No Need For Alarm has stood the test of time and remains a challenging and uncompromising follow up from one of the most talented and eccentrically gifted artists to to ever emerge from the world of West Coast hip hop.

To commemorate the 30th Anniversary on November 23rd, Get On Down is proud to present a limited edition double colored vinyl pressing with a stamped numbered OBI and fold out poster. No Need For Alarm is in stock and shipping now!

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Keith Murray

2LP | 1994 | US | Reissue (Get On Down)

42,99 €*

Release: 1994 / US – Reissue

Genre: Hip Hop

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

Keith Murray first came up in the world of hip-hop as a part of the group Def Squad, whose other members included Redman (later of Wu-Tang Clan) and Erick Sermon (from EPMD). On The Most Beautifullest Thing In The World Sermon serves as the main producer, with a contribution from Redman in the mix, as well as a contribution from Busta Rhymes.
In celebration of the 30th Anniversary of this stellar recording Get On Down presents The Most Beautifullest Thing in the most beautifullest fashion yet seen – as a double LP in an RSD Black Friday exclusive pressing on Ultra-Clear, Opaque BlueJay & Metallic Silver Splatter vinyl, housed in a gatefold jacket with an OBI. To make things even more beautiful, this special pressing closes out with selections previously issued only on individual 12” singles.

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Illmatic Black Vinyl Edition

LP | 1994 | US | Reissue (Get On Down)

30,99 €*

Release: 1994 / US – Reissue

Genre: Hip Hop

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"Now let me take a trip down memory lane"....It's 1994 and the hype behind Queensbridge native Nasir "Nas" Jones had already reached a fever pitch. Coming off already classics such as "Live at the BBQ" and (his solo debut song) "Halftime" all eyes were on Nas. From the moment you popped in your cassette, CD, or dropped the needle on the vinyl, you knew you were listening to authentic Hip Hop. Right out the gate you were met with the sound of subway cars, a snippet from Nas on "Live at the BBQ" and finally the Wild Style Theme. These 3 elements seem subtle upon first listen, but once you digest the album you realize Nas was setting a tone. God's Son had arrived.

Backed by an all-star cast of producers including DJ Premier, Large Professor, Q Tip, Pete Rock and then unknown L.E.S, Illmatic never lets up. Nas was able to take you into his world, each beat seemed like it was hand crafted, tailored to precisely match each line of Nas' dense lyrics and unmatched flow.

During the week of its release, everyone now knew the hype was real. Nas, being barley 20 at the time, stood on the shoulders of his predecessors and let everyone know he'd arrived. Illmatic became the debut that from that moment on rappers from Jay Z to Kendrick Lamar got compared to, "is this (insert rappers name here)'s Illmatic?". It was a game changer, not just for Nas, but for New York.. for Hip Hop. The Source broke their unwritten rule of not giving 5 Mics (the highest honor at that time) to a debut - Illmatic got just that. So join us, as we pay homage to one of our favorite albums and revisit the album that became one of the most talked about debuts in Hip Hop’s recorded history.

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The World Is Yours Black Vinyl Edition

7" | 1994 | EU | Reissue (Mr Bongo)

15,99 €*

Blowout Comb Blue & Gold Vinyl Edition

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Straight out the gate, Nas dropped a classic. Since the release of the seminal ‘Illmatic’ album in 1994, critics and fans have been wondering if Nas peaked too early and if anything in his subsequent catalogue could be held up against this masterpiece. To be fair, it’s hard to follow up something this flawless, a project that allied his most insightful, pitch-perfect heartfelt rhymes with the work of the best hip-hop producers on the east coast.

DJ Premier, Q-Tip from A Tribe Called Quest and Large Professor all take their turns on the album, along with the unsung L.E.S., but it’s Pete Rock in his prime who provides the stunning backdrop for the cinematic ‘The World is Yours’. It’s a perfect nugget of a single, weaving in the brashness of Scarface, the repetition of a snatch of T La Rock’s early Def Jam gem ‘It’s Yours’ and piano courtesy of Ahmad Jamal’s ‘I Love Music’ from his own timeless ‘The Awakening’ album (1970).

Presented for the first time on 7”, the vocals of the album version and the instrumental on the flip provide the perfect opportunity to enjoy and compare the work of two masters at the top of their game. Pete Rock’s seamless weaving of disparate samples into a compelling whole, the then little-known Nas’ statement of intent. With a maturity beyond his tender years, Nas put himself straight at the top of the pile, this Queensbridge chronicle hinting at the ambition and greatness he harboured within himself.

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Digable Planets

2LP | 1994 | US | Reissue (Modern Classics)

45,99 €*

Blowout Comb Clear & Purple Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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TWe are finally set to reissue Blowout Comb, the 1994 second album by cult, Brooklyn-based hip hop trio Digable Planets.

The album is named for the combs used to maintain an Afro hairstyle, and that’s significant. The group’s Ishmael “Butterfly” Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style,” he has said.

Like with 1993’s debut Reachin’ (A New Refutation of Time and Space), ‘utilizing the natural’ meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig ‘Doodlebug’ Irving and Mary Ann ‘Ladybug Mecca’ Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce.

Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics – and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

Its instrumentation includes sax, vibraphone and flute. Its samples – gathered from global cratedigging trips while touring the first album around the world – included Grant Green, Eddie Harris, Shuggie Otis and jazz-funk pioneer Roy Ayers (whose “We Live in Brooklyn, Baby” became “Borough Check” here). And yet at the same time its beats are infectious and its spirit undeniable.

This is an album firmly rooted in Brooklyn. “Growing up hearing and cherishing this album, it created a textured soundscape of a mythical world of rhymes, jazz, breakbeats, culture, art and urban ambiance,” says DJ and fan Mick Boogie in the liner notes. “When I moved to Brooklyn years later, I found that the world I imagined while listening to this classic LP actually really existed…”

Though Digable Planets have reunited on occasion since – and though their influence endures in every top-shelf rap act with a jazzy sensibility – the trio parted ways after Blowout Comb, citing that old favorite "creative differences”. Sometimes, the most volatile combinations create the best art.

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Digable Planets

2LP | 1994 | US | Reissue (Modern Classics)

45,99 €*

Super Tight Clear Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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We are finally set to reissue Blowout Comb, the 1994 second album by cult, Brooklyn-based hip hop trio Digable Planets.

The album is named for the combs used to maintain an Afro hairstyle, and that’s significant. The group’s Ishmael “Butterfly” Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style,” he has said.

Like with 1993’s debut Reachin’ (A New Refutation of Time and Space), ‘utilizing the natural’ meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig ‘Doodlebug’ Irving and Mary Ann ‘Ladybug Mecca’ Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce.

Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics – and its original inner sleeve was modeled on the newspaper of the Black Panther movement.

Its instrumentation includes sax, vibraphone and flute. Its samples – gathered from global cratedigging trips while touring the first album around the world – included Grant Green, Eddie Harris, Shuggie Otis and jazz-funk pioneer Roy Ayers (whose “We Live in Brooklyn, Baby” became “Borough Check” here). And yet at the same time its beats are infectious and its spirit undeniable.

This is an album firmly rooted in Brooklyn. “Growing up hearing and cherishing this album, it created a textured soundscape of a mythical world of rhymes, jazz, breakbeats, culture, art and urban ambiance,” says DJ and fan Mick Boogie in the liner notes. “When I moved to Brooklyn years later, I found that the world I imagined while listening to this classic LP actually really existed…”

Though Digable Planets have reunited on occasion since – and though their influence endures in every top-shelf rap act with a jazzy sensibility – the trio parted ways after Blowout Comb, citing that old favorite "creative differences”. Sometimes, the most volatile combinations create the best art.

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UGK

2LP | 1994 | US | Reissue (Get On Down)

7" | 1994 | Reissue (Be With)

Release: 1994 / US – Reissue

Genre: Hip Hop

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“Super Tight…” is the second album from Hip Hop legends UGK, originally released in 1994. The title of the album is taken from its stand out single “Front, Back & Side to Side”. Bun B and Pimp C (R.I.P.) were already on fire from their debut album a few years prior but they perfected the Southern Playa sound with this record. At the time of its release “Super Tight…” was only issued on Cassette and CD so it’s a must for fans and collectors to grab the vinyl now that it’s available for the very first time. The album kicks off with “Return”, which after a few snare hits and the bluster of Pimp C’s voice it is clear to the world - the underground kings are back. Countless tracks like “Three Sixteens” (featuring DJ DMD), “Stoned Junkee”, “It’s Supposed to Bubble”, “I Left It Wet for You” and the previously mentioned “Front, Back, & Side To Side” all perfectly showcase the chemistry between Bun B & Pimp C over deep southern funk grooves. The production on this album is stellar, all bass heavy and features Meters lead guitarist Leo Nocentelli. Like their debut album Too Hard to Swallow Bun B and Pimp C were ahead of the game, and with “Super Tight…” they perfected it. Finally, this great release is available for the first time on clear vinyl.

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Common

I Used To Love H.E.R.

Fear Itself Record Store Day 2024 Opaque Black & Red Vinyl Edition

Release: 1994 / Reissue

Genre: Hip Hop

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First-time 7" vinyl single release, remastered by Simon Francis, full color printed sleeve

The best twist in music lyric history?
On 7" for the first time ever, one of the most important rap records ever.

It's timeless, it's genius, it's just pure beautiful brilliance. It's Common's masterpiece.

One of the best songs in all hip-hop history, “I Used To Love H.E.R.” was the first single from Common's eternal 1994 LP, Resurrection. He personifies hip-hop as an ode to the art form he once loved, lamenting how the genre became too commercialized and, due to a mass influx of mainstream rap in the 90s, some of the purity and freshness of the culture was being lost.

Common uses a first-person romance narrative to detail the history of hip-hop, resulting in an extended metaphor that's sophisticated, clever, and delivers a moral message that touched millions of people and still absolutely blows minds at the song's conclusion: "'Cause who we're talkin' about, y'all, is hip-hop"

Perfectly produced by No ID and incorporating a gorgeous, melancholic sample of George Benson’s “The Changing World”, the plaintive sonic landscape provided the ideal foundation for Common’s innovative storytelling. Almost 30 years later, “I Used To Love H.E.R.” remains one of the most significant moments in hip-hop: a classic in every sense of the word.

Common did discuss the true meaning of the track in a 1995 interview on “Yo! MTV Raps”, stating: “H.E.R. stands for Hip-Hop in its Essence is Real. And all I’m talking about his how I first came into contact with hip-hop music and how it evolved into where it is now. And it’s like all these gimmicks going on, all the phoniness, ain’t nobody being real with it. Everybody’s stressing that it’s real, but ain’t nobody being true to it. I think that came about because — once it started becoming a business, then people started losing their soul, and they started looking at it, taking it more as a business than an art form.”

On the flip, we've stayed faithful to the track used for the original 12" release. And what a track it is. Destined to be overshadowed by the behemoth on the A-Side, the frenetic neck-snapping jazz-rap "Communism" has it all - those horns at the start, the lyrical dexterity, the beat. Oh my.

So, one of the greatest pieces of music ever, in any genre. This is not merely music. It's high art. Speaking of which, we've recreated the striking original artwork from the 12" and shrunk it down to the 7" format. It looks and sounds stunning. The most important song in rap history, if you really think about it. We all miss her. We all miss hip-hop...

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Casual

2LP | 1994 | US | Reissue (Get On Down)

35,99 €* 39,99 € -10%

Release: 1994 / US – Reissue

Genre: Hip Hop

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Presented FOR Record Store DAY AS A Double LP IN AN Opaque Black AND Apple RED Color IN Color Pressing. Also Includes A Full Color OBI. The Oakland based crew known as Hieroglyphics brought the world of hip hop the likes of Del the Funky Homosapien, Souls Of Mischief and Casual. Presented here, Casual’s debut full-length originally issued by Jive in 1994. As one would expect, the releases is packed with contributions of the Heiro crew with beats courtesy of Domino, Del the Funky Homosapien, Jay-Biz, and Casual himself. Fear Itself now sees its first proper reissue exclusively for Record Store Day 2024.

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Illmatic 30th Anniversary 7" Box Set HHV EU Exclusive

Box | 1994 | US | Reissue (Get On Down)

129,99 €*

Daily Operation HHV Retail Exclusive Vinyl Edition

Release: 1994 / US – Reissue

Genre: Hip Hop

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Limited to 1000 boxes for the European market, 3000 in total worldwide.
In Europe exclusively available at HHV.

HHV is thrilled to be able to offer this milestone of rap history, one of the most iconic and important albums of all time as a limited box set of 45s. We can not be happier. Illmatic 30th Anniversary Box Set Includes:

-The full album plus 2 remixes on six big-hole 7-inches pressed on black vinyl.

-The 7-inches are housed in a custom hardbound casebook that includes a 64-page book of extended liner notes by Sacha Jenkins with full lyrics, photos, and 12-inch singles discography.

-The casebook is housed in a premium outer slipcase, featuring the iconic album art printed in gold.

-Limited to 3000 copies worldwide

Thirty years ago on April 19, 1994, Nasir "Nas" Jones dropped Illmatic which is regarded by many as the greatest hip-hop album of all time. Before 1994, Nas (under the name "Nasty Nas") was rapping and making demo tapes with Large Professor, and in 1991 performed an unforgettable verse on Main Source's "Live at the Barbeque." The next year Nas released "Halftime" for the Zebrahead soundtrack, another Large Pro cut, and signed a deal to record an album for Columbia Records. Nas was being compared to one of the lyrical greats, Rakim, and the pressure was on to drop a debut album to top all rappers. A dream team of hip-hop producers including DJ Premier, Large Professor, Q-Tip, Pete Rock, and L.E.S. was assembled to work on what would become the 5 Mic classic Illmatic. Not only did it establish Nas as the Best Rapper Alive in 1994, but it also raised the stakes for hip-hop production, lyrical technique, content, and overall artistic ambition.

Illmatic is the crown jewel of the mid-90s classics that still define the genre. No filler, one intro, and 9 tracks of hip-hop perfection. Every song on this album matters. From Premier's masterful "N.Y State Of Mind" to the AZ-assisted "Life's A Bitch" and Pete Rock's piano-laced "The World Is Yours" Illmatic starts with a powerful trio of songs that easily could solidify this album as classic if it stopped right there. Other tracks such as "Memory Lane" and "One Love" show Nas focusing on his neighborhood and local legends that molded him into the person he was which made them all just as important to us. Large Professor delivers the album's first single "It Ain't Hard To Tell" while Premier delivers the album's certified street anthem "Represent". Serious to a fault, and lyrically dense to an extent that has possibly never been matched, the 20-year-old Nas stood on the shoulders of his predecessors and made them proud with this one. Thirty years later the album stands the test of time, where time is truly illmatic.

To commemorate the 30th anniversary of the release of Illmatic, Get On Down in partnership with Sony's Certified is proud to present the entire album on six 7-inches with 2 remixes.

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Gang Starr

2LP | 1994 | WW | Reissue (Virgin)

2LP | 1995 | US | Reissue (Geffen)

Release: 1994 / WW – Reissue

Genre: Hip Hop

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Daily Operation is the third studio album by Gang Starr, released on May 5, 1992. The duo, consisting of rapper Guru (Keith Elam) and DJ/producer DJ Premier (Christopher Martin), was already known for blending jazz and hip-hop in innovative ways, but Daily Operation marked a pivotal moment in their career. The album is widely considered a classic of East Coast hip-hop, combining DJ Premier’s minimalist, sample-heavy production with Guru’s intellectual and streetwise lyrics.

Daily Operation was a defining record in early 90s New York hip-hop, with a gritty, boom-bap sound that became emblematic of the era.
The album blends jazz samples, hard-hitting beats, and Guru’s deep, monotone delivery, creating a unique soundscape that is both cerebral and raw.
Lyrically, Guru addresses a wide range of topics, including social issues, loyalty, the state of hip-hop, and personal reflection, all delivered with his trademark cool, calm demeanor.

The production on Daily Operation is quintessential DJ Premier: he uses chopped-up jazz and soul samples, deep basslines, and hard drums, with frequent scratches and vocal samples from other rappers as hooks.
Premier’s use of jazz horns, piano loops, and understated but funky basslines gives the album a smooth, sophisticated feel, while still maintaining the rugged edge of early 90s East Coast rap.
The album’s minimalist production style was a departure from the heavier, layered sound that dominated other hip-hop albums of the time, helping to cement Gang Starr’s reputation as pioneers of jazz rap.

Key Tracks and Highlights:
"Take It Personal" – The lead single from the album, this track is often seen as a diss song directed at those who have betrayed or doubted Guru. The beat is simple but powerful, with a rolling piano loop and Premier’s sharp scratches. It became one of the group’s signature songs.
"Ex Girl to Next Girl" – One of the more laid-back tracks on the album, it features Guru discussing moving on from a toxic relationship. The track is driven by a jazzy, smooth beat and features Guru’s classic calm, reflective delivery.
"Soliloquy of Chaos" – A storytelling track where Guru describes the chaos of a violent night at a club, offering insight into the dangers and unpredictability of life in the streets. The haunting piano loop and somber tone of the track reflect the gravity of the subject matter.
"I'm the Man" (featuring Lil Dap and Jeru the Damaja) – This posse cut features verses from Lil Dap (of Group Home) and Jeru the Damaja, introducing listeners to these future Gang Starr Foundation members. The track has a hard, aggressive beat, and each rapper delivers strong performances.
"The Place Where We Dwell" – An ode to Brooklyn, where DJ Premier lived, and Boston, where Guru was from. The track pays tribute to the cities that shaped them, over a jazzy, uptempo beat.
"2 Deep" – This track features Guru reflecting on life’s struggles and his pursuit of success, set to one of Premier’s most atmospheric beats. The bass-heavy production and moody saxophone sample give the song a contemplative feel.
"Flip the Script" – A hard-hitting track where Guru flexes his lyrical skills, delivering sharp, precise verses over a gritty, bass-heavy beat. It’s one of the more aggressive tracks on the album, with a punchy delivery and tough production.

Self-Reflection and Growth: Many tracks, such as "Take It Personal" and "Ex Girl to Next Girl," focus on Guru’s personal experiences with betrayal, relationships, and self-growth. His lyrics often take a philosophical approach, offering wisdom and life lessons.
Street Life and Social Commentary: Tracks like "Soliloquy of Chaos" delve into the violence and unpredictability of street life, while others, like "2 Deep," explore the challenges of navigating a world filled with obstacles and injustices.

Throughout the album, Guru expresses his loyalty to authentic hip-hop culture and addresses the importance of staying true to oneself, which is a recurring theme in Gang Starr’s music.
Production and Collaborations:
DJ Premier’s production on Daily Operation is minimalist yet innovative, marking a shift toward the stripped-down, sample-heavy sound that he would later perfect. He heavily utilizes jazz samples, drawing on his deep knowledge of jazz and soul records to create sophisticated, head-nodding beats.
Jeru the Damaja and Lil Dap appear on the album, marking their introduction to the broader hip-hop world through the Gang Starr Foundation, a collective of artists associated with the duo. Both rappers would go on to have influential careers, especially Jeru, who became a critical voice in underground hip-hop.

Daily Operation received widespread acclaim upon its release and has since been regarded as one of the best hip-hop albums of the 1990s. Critics praised its blend of lyrical sophistication and innovative production, as well as the balance between jazz influences and hardcore hip-hop beats.
The album was recognized for its intellectual depth, with Guru’s thoughtful, reflective lyrics offering a counterpoint to the more aggressive or party-focused styles that were dominant at the time.
The album did not achieve massive commercial success but became an underground classic, solidifying Gang Starr’s reputation as one of the most influential acts in hip-hop.

Daily Operation is often considered one of the defining albums of the boom-bap era of East Coast hip-hop, influencing countless artists with its combination of jazz sampling and gritty production.
DJ Premier’s production on this album helped shape the sound of 90s hip-hop, setting the template for his later work with Nas, Jay-Z, and others.
Guru’s smooth, intellectual lyricism was seen as a refreshing contrast to the more aggressive styles of the time, earning him respect as one of the genre’s most thoughtful MCs.
The album also played a key role in establishing the Gang Starr Foundation, paving the way for artists like Jeru the Damaja and Group Home to make their mark on hip-hop.

Daily Operation is a classic East Coast hip-hop album, showcasing Gang Starr at the height of their powers. DJ Premier’s innovative, jazz-infused production combined with Guru’s thoughtful and commanding lyricism created a timeless project that resonates with hip-hop fans decades after its release.
The album’s influence can be heard in the work of numerous hip-hop artists, particularly in the boom-bap and jazz rap subgenres. It remains a landmark in both Gang Starr’s career and the broader landscape of 90s hip-hop, revered for its subtle sophistication and gritty realism.

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Genius / GZA

Liquid Swords

43,99 €*

Release: 1995 / US – Reissue

Genre: Hip Hop

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Liquid Swords is the second studio album by Genius / GZA, released on November 7, 1995, on Geffen Records. Widely regarded as a hip-hop masterpiece, the album is known for its lyrical complexity, dark production, and vivid storytelling. Produced entirely by RZA, Liquid Swords features guest appearances from Wu-Tang Clan members and incorporates themes of philosophy, street life, martial arts, and the internal conflicts faced by individuals in harsh environments.

Liquid Swords is often described as one of the most lyrically sophisticated albums in hip-hop, with GZA’s intricate wordplay and storytelling at the forefront. His lyrics are filled with metaphors, layered meanings, and intellectual references, drawing comparisons to chess, martial arts, and samurai culture.
RZA’s production on Liquid Swords is dark, gritty, and atmospheric, using minimalist beats combined with eerie samples, many of which come from the 1980s martial arts film "Shogun Assassin". The result is an album that feels cinematic and moody, with a dystopian, almost otherworldly atmosphere.

The album’s lyrics often reflect on mental discipline and strategic thinking, with tracks like "Liquid Swords" using metaphors related to chess and battle strategy. GZA frequently draws from his nickname as “The Genius,” delivering cerebral verses filled with metaphors about intellectual battles.
Street Life and Survival: While much of the album is rooted in intellectualism, GZA also explores themes of urban struggle, survival, and the harsh realities of inner-city life. Tracks like "Cold World" present a bleak picture of street violence, poverty, and crime.
Martial Arts and Samurai Imagery: Throughout the album, GZA incorporates imagery of samurai swords, warriors, and martial arts, using these motifs as metaphors for mental sharpness, discipline, and conflict. This is reflected in both the lyrics and the sound design, with many tracks featuring samples from martial arts films.

Key Tracks and Highlights:
"Liquid Swords" – The album’s opening track is both its title track and a standout moment. GZA’s sharp lyricism is paired with RZA’s haunting production, setting the tone for the album’s focus on philosophical reflection and street life. The intro features dialogue from "Shogun Assassin", solidifying the album’s martial arts theme.

"4th Chamber" – This track is a highlight for its raw energy and features strong verses from Ghostface Killah, Killah Priest, and RZA. The lyrics touch on social decay, political corruption, and personal resilience.

"Shadowboxin’" (featuring Method Man) – Known for its catchy hook and Method Man’s standout guest verse, this track is an excellent example of the synergy between GZA and his fellow Wu-Tang Clan members. The song explores themes of mental combat and shadowboxing as a metaphor for intellectual battles.

"Cold World" (featuring Inspectah Deck) – A dark, introspective track that paints a vivid picture of the struggles in urban life. The production is minimalist but powerful, allowing GZA’s detailed storytelling to take center stage.

"Duel of the Iron Mic" – Featuring verses from Ol’ Dirty Bastard, Masta Killa, and Inspectah Deck, this track is a lyrical sparring match, with each MC delivering sharp, battle-ready verses. The song is both a testament to GZA’s lyricism and a showcase for Wu-Tang’s collective talent.

RZA handles all production on the album, using a style that emphasizes minimalism, gritty samples, and cinematic soundscapes. Many of the tracks feature dialogue from martial arts films or atmospheric samples that enhance the album’s philosophical and introspective themes.
The beats are often slow and menacing, allowing GZA’s dense, introspective lyrics to take center stage. RZA’s use of disjointed loops, eerie melodies, and sparse instrumentation gives the album a unique, otherworldly feel.

Upon release, Liquid Swords received widespread critical acclaim for its lyrical complexity and innovative production. Critics praised GZA’s ability to blend philosophical themes with street narratives, and RZA’s production was hailed for its dark, cinematic quality.
The album has since been regarded as one of the greatest hip-hop albums of all time and one of the best releases from the Wu-Tang Clan collective. It is often cited as one of the finest examples of 90s East Coast hip-hop and is revered for its storytelling, intellect, and atmospheric production.
Liquid Swords has influenced a generation of rappers, particularly in the lyrical, underground, and alternative hip-hop scenes, with its combination of intricate wordplay and thematic depth setting a standard for future artists.

Liquid Swords has been listed on numerous "greatest albums" lists and continues to be studied and admired for its lyrical depth and thematic consistency. GZA’s methodical, intellectual approach to hip-hop remains influential, and his ability to blend street narratives with philosophical musings has set him apart as one of the most respected lyricists in the genre.
In summary, Liquid Swords is a landmark album that showcases GZA’s lyrical genius and RZA’s unparalleled production. Its blend of martial arts imagery, philosophical themes, and dark, atmospheric beats has made it an enduring classic in the hip-hop world.

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2LP | 1995 | EU | Reissue (Sony)

III - Temples Of Boom

Me Against The World 25th Anniversary Edition

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Cypress Hill III: Temples of Boom is the eponymous third studio album by the American hip hop group Cypress Hill, originally released in 1995 by Ruffhouse Records and Columbia Records. The album was certified Platinum by the RIAA.

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2Pac

2LP | 1995 | EU | Reissue (Interscope)

33,99 €*

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Do You Want More?!!!??! Triple LP Edition

The Roots

3LP | 1995 | EU | Reissue (Geffen)

34,99 €*

Original Playa Feat. Lyrical Mafia

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Deluxe Edition celebrating the 25th Anniversary of the second The Roots album. Comes with a 24-page booklet. Must have!

Do You Want More?!!!??! is the second studio album by The Roots, released on January 17, 1995. This album is a landmark in hip-hop because it showcases The Roots' use of live instrumentation rather than relying on samples and drum machines, which was the dominant production method in rap at the time. It helped establish The Roots as a unique force within hip-hop, blending genres like jazz, funk, and soul into their music and standing out as pioneers of the "alternative rap" movement.

The album is notable for its organic sound, primarily driven by live instruments, with contributions from musicians such as drummer Questlove, keyboardist Scott Storch, and bassist Leonard Hubbard.
It represents The Roots’ early jazz-influenced, laid-back sound, which sharply contrasted with the harder, sample-driven beats of mainstream hip-hop in the mid-1990s.
Do You Want More?!!!??! was the group’s first major-label release (on DGC/Geffen Records) and introduced them to a broader audience beyond their underground roots.

The album is known for its strong jazz-rap influence, with heavy use of improvisation, live drumming, and horn sections, giving it a feel akin to a live jam session.
The Roots draw from the traditions of jazz and soul music, fusing those styles with the vocal rhythms and lyrical complexity of hip-hop.
Beatboxing and vocal percussion are also used throughout the album, particularly with contributions from Rahzel, known as "The Godfather of Noyze," who uses his beatboxing skills as an instrument in several tracks.

Lyrically, Black Thought (Tariq Trotter) and Malik B (Malik Abdul Basit) address topics ranging from urban life and relationships to the state of hip-hop and artistic integrity.
Much of the album is celebratory, exploring themes like the joy of performing, living in the moment, and reflecting on personal experiences.
The lyrics are often introspective and conversational, matching the album’s laid-back, jazzy feel. Unlike the aggressive or gangsta rap style popular at the time, the focus here is more on storytelling and social commentary.

Key Tracks and Highlights:
"Proceed" – One of the album’s standout singles, with a mellow, jazzy beat and Black Thought's smooth, confident flow. This track became one of The Roots' signature songs, with several remix versions following its release.
"Distortion to Static" – A jazz-heavy, upbeat track that features both Black Thought and Malik B trading verses, with intricate lyricism and a distinct live sound. This song helped establish their reputation as lyrical craftsmen.
"Mellow My Man" – A smooth, funk-infused track that showcases The Roots' musicianship, particularly Questlove’s drumming, and explores more laid-back, reflective themes.
"Essaywhuman?!!!??!" – An almost entirely improvised, live track, with live scatting and beatboxing, blending hip-hop with jazz in real-time, giving the listener a glimpse of The Roots' live performance energy.
"Silent Treatment" – One of the few songs on the album that delves into personal relationships, specifically the emotional dynamics of a romantic relationship gone awry. The song’s smooth delivery and production make it one of the more accessible tracks on the album.
"Datskat" – A playful track with an emphasis on jazz improvisation, including a prominent saxophone section and Rahzel’s beatboxing, highlighting the album’s unique sonic experimentation.
Collaborations and Guest Appearances:
Rahzel (beatboxing) and Scott Storch (keyboards) both play significant roles on this album, contributing to its eclectic, live-instrument sound.
Saxophonist Steve Coleman and trumpeter Graham Haynes lend their jazz expertise, enhancing the album’s jazz-fusion vibe.

Do You Want More?!!!??! received critical acclaim for its innovative use of live instrumentation and jazz influences in hip-hop. Critics praised the album for its originality and the band’s musical proficiency.
The album was celebrated for breaking away from the sample-driven norm of hip-hop production in the 1990s, helping to expand the genre’s sonic possibilities.
Despite its critical success, Do You Want More?!!!??! did not achieve major commercial success at the time, but it has since gained a cult following and is regarded as a classic in both hip-hop and alternative music circles.
Themes:
A key theme in the album is the exploration of musicianship in hip-hop. By blending jazz improvisation and live performances with rap, The Roots were not just making music—they were actively challenging the boundaries of what hip-hop could be.
Cultural identity and artistic integrity also play central roles in the lyrics, with Black Thought and Malik B often ruminating on their roles as artists in a changing and often commodified hip-hop landscape.

While not a massive commercial hit upon release, Do You Want More?!!!??! has become regarded as one of the seminal albums of the jazz-rap genre and a landmark in alternative hip-hop.
The album set the stage for The Roots’ later success and is seen as an important precursor to their subsequent, more polished and socially-conscious works, like Things Fall Apart (1999).
Do You Want More?!!!??! also helped to redefine live hip-hop performance, as The Roots proved that a live band could create complex, compelling music that resonated both within and beyond the hip-hop community.
Its influence extends to many artists in hip-hop and neo-soul, especially those involved with the Soulquarians, a collective of artists like Erykah Badu, D’Angelo, and Common with whom The Roots would collaborate extensively.
The album's blend of jazz, live instrumentation, and socially-conscious lyrics helped The Roots carve out a distinct niche in the hip-hop world, making Do You Want More?!!!??! a defining moment in their career and a critical touchstone in the evolution of alternative hip-hop.

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Icy-K

LP | 1995 | EU | Reissue (Hole In One)

31,99 €*

LP | 1995 | EU | Reissue (Hole In One)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Here we go with the first release for the Hole in One Classix series. Not a lot is known about Icy-K beside he's an Original Playa. A real '95 Memphis classic is now available again on cassette and for the first time on vinyl. An exclusive reissue handled with love and care.

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Snubnoze

Pimp 4 Ever

30,99 €*

LP | 1995 | EU | Reissue (Hole In One)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Guice & Eli are Snubnoze. They're a real dream team when it's about dope rap from Memphis. This one is for the real classic heads of Tennessee Hip Hop Music. Nine hypnotic drive by shooters are about to bang ya eardrums. The album is entirely produced by Blackout!

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Blackout

Dreamworld

32,99 €*

Tape | 1995 | EU | Reissue (Hole In One)

Release: 1995 / EU – Reissue

Genre: Hip Hop

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This time it's really getting huge! Hole in One is back with an underground classic by no other than Blackout. This reissue shows the art of real Memphis rap in full effect. Murder rhymes laid upon the deepest productions by the man himself. A timeless milestone is available again. Better be fast!

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Blackout

Dreamworld

The End Of A Cold Experience Colored Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Bakers Of The Holy Bread

2LP | 1995 | EU | Reissue

37,99 €* 39,99 € -5%

Tit 4 Tat / Shine / Feel It 21st Anniversary Silver Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Hip Hop

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Bakers Of The Holy Bread from Umeå, Sweden, was composed in the 1990s by David Lenneman, Göran Lindhof and Tobias Addo. This trio are some of Sweden's early hip hop pioneers and Return Of Boom Bap Records will drop "The End Of A Cold Experience" in its entirety on vinyl now, 27 years later. Produced by the Swedish dream-team Pete W & P Collén and features by Field Nigga Soup from New York.

Limited to only 300 copies on double vinyl, including inlay and an extra bonus track called "Underground Funk"!

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World & San

12" | 1996 | US | Reissue (Threshold)

Release: 1996 / US – Reissue

Genre: Hip Hop

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LP | 1996 | EU | Reissue (Hole In One)

Playa Posse

Bigga And Betta Thangs

31,99 €*

7" | 1996 | US | Reissue (Get On Down)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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This goes out to all ya playas, thugs, fiends, pimps and the rest of this rotten world. The official reissue of Playa Posse - Bigga and Betta Thangs is now available for the first time on vinyl. Let the gangsta sounds flow through your body and soul. Load ya guns for ya Memphis run.

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Camp Lo

Luchini Aka This Is It

16,99 €*

2LP | 1996 | EU | Reissue (Hole In One)

Release: 1996 / US – Reissue

Genre: Hip Hop

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Camp Lo’s late-‘90s hip-hop classic “Luchini aka (This Is it)” is, to put it simply, a sure-shot head-nodder. Upon making its way through any public-facing speaker system, then and now, it drives revelers to one of two important places – the dancefloor or the bar. It’s a feel-good rap track of the highest order, and sounds as good today as when it hit two decades ago. Featuring Bronx MCs Sonny Cheeba and Geechi Suede and produced by then up-and-comer Ski Beatz (who, during the same era, helped a young Jay-Z begin his steady and triumphant ascent), the cut oozes warmth and MC bravado. Sonny and Geechi are both technically top-shelf, but not backpacker stiff. Riding over an inventive chop of Dynasty’s electro-soul groover, “Adventures In The World Of Music,” they made it look very easy. The song would go on to create a stir on the Billboard charts in 1997, not only on the expected “Hot Rap Singles” list, but also well up the pop rankings of the “Hot 100” (peaking at #50). As with a few tracks from the era, it stretched beyond the rap world, as the group and their peers helped push hip-hop to the no-turning-back point, making the music into a true global phenomenon. The hit we know and love on the A-Side is complemented here with the 12-inch’s original B-side, “Swing”: a pimp-strutting, stuttering groove (also produced by Ski Beatz), with faster, more aggressive flows from both MCs. If “Luchini” was for popping bottles at the club, “Swing” was meant for the late night afterparty cipher. It even features a cameo by one of the crew’s lyrical idols: Butterfly of Digable Planets.

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SMK

Aint Nuttin Shakin

42,99 €*

Tape | 1996 | EU | Reissue (Hole In One)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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SMK is back and he's Aint Nuttin Shakin. A packed Memphis classic with gangsta hits only. Originally released in '96 and never before pressed on wax. Better be fast on this low down g-rap monster from another planet.

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SMK

Aint Nuttin Shakin

Blah Blah Blah Neon Yellow Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Blahzay Blahzay

2LP | 1996 | EU | Reissue (Tuff Kong)

34,99 €*

Release: 1996 / EU – Reissue

Genre: Hip Hop

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In August 1996, a Brooklyn duo consisting of MC Outloud and DJ P.F. Cuttin, better known to the world as Blahzay Blahzay, released “Blah Blah Blah”, their one and only album, on Fader Records. The album’s 13 tracks proudly waved the flag of the East, featuring hit single “Danger”, as well as other bangers such as “Pain I Feel”, “Good Cop/Bad Cop” and “Danger - Part 2” (featuring Smoothe Da Hustler, Trigger Tha Gambler and Wu-Tang affiliate La the Darkman). The combination of PF Cuttin’s polished beats and Outloud’s aggressive lyrical style made this album a classic for all underground hip-hop heads. Twenty-one years after its original release, Blahzay Blahzay have teamed up with Italian independent record label Tuff Kong Records to bring back their legendary “Blah Blah Blah” LP. This spring, Tuff Kong Records will be releasing the album on 2LP featuring the original artwork, as a limited edition run of 1000 copies.

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2LP | 1996 | CA | Reissue (Get On Down)

It Was Written

36,99 €*

7" | 1997 | US | Reissue (Flipnjay)

Release: 1996 / CA – Reissue

Genre: Hip Hop

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Illmatic, the 1994 studio debut of Nasir "Nas" Jones, was more than just a critical success for the Queensbridge-based rapper. At a time when East Coast hip-hop was increasingly being taken less seriously than their West Coast counterparts, Illmatic's raw jazz and soul-based production, dire atmosphere and lyrics, coupled with Nas' uncompromising flow was integral in restoring interest in the East Coast as a hotbed of hip-hop artistry. Along with key releases from Wu-Tang Clan and Notorious B.I.G.,it shifted attention away from the funky, dayglo synth-based G-funk coming out of California and back to the grimy streets of New York. After such an unprecedented debut record, expectations were understandably high for Nas' follow-up. What came next threw critics and fans for a loop, but was no less influential than Illmatic, and would become the most commercially successful album in the entirety of Nas' discography. The 1996 sophomore follow-up was titled It Was Written, and in contrast to the urban bleakness of his debut, had Nas dipping his toes into the world of mafioso rap. Amidst production from heavy hitters like Trackmasters, Dr. Dre, L.E.S., Havoc of Mobb Deep, and Illmatic-collaborator DJ Premier, among others, Nas weaves evocative narratives of gang warfare, downtrodden neighborhoods, drug deals gone awry, and gangsta triumph, against a backdrop of samples from Sam Cooke, Etta James, the Isley Brothers, and even Chuck Mangione.

It Was Written was not hard up for top-tier guests either, featuring major guest turns from Lauryn Hill and Joel "JoJo" Hailey of K-Ci & JoJo. It also introduced the world to The Firm, the brief Nas-led msupergroup featuring rappers AZ, Foxy Brown, and Cormega. mIt even managed to cause some minor controversy in the hip-hop mcommunity for its collaboration with West Coast producer Dr. Dre, at a time when the East Coast/West Coast rap feud was reaching a fever pitch, briefly attracting the ire of one Tupac Shakur. Not only was It Was Written received warmly by critics, but became a major commercial success, reaching the top of the Billboard 200 charts, reaching platinum sales status four times, and alongside malbums like Raekwon's Only Built 4 Cuban Linx, helped usher in the era of mafioso rap in the mainstream. It rendered chart hits out of singles like the Eurhythmics-mimicking "Street Dreams", and the Grammy-nominated "If I Ruled The World Imagine That", and proved to be a major influence on artists like Kendrick Lamar, Lupe mFiasco, and many more.

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Rascalz

Northern Touch

23,99 €*

LP | 1997 | US | Reissue (Rhymesayers)

Release: 1997 / US – Reissue

Genre: Hip Hop

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Perhaps the most important collaborative Hip-Hop song in Canadian history, “Northern Touch” was introduced to the world in 1997 by a posse cut from the Vancouver group The Rascalz featuring guest appearances from Toronto giants Kardinal Offishall, Choclair, and Thrust. This song also introduced a Vancouver up and coming star, Checkmate.

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Atmosphere

Overcast!

30,99 €*

2LP | 1997 | EU | Reissue (Atlantic)

Release: 1997 / US – Reissue

Genre: Hip Hop

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Originally Released In The Summer Of 1997, Overcast! Markedthe Start Of A Storied Career That Still Shows No Signs Of Slowing Down. While Slug And Original Co-Member Spawn's Rhymepatterns And Passion For Wordplay May Have Hinted At Someof Their Influences, Their Creative Songwriting And Inventiveconcepts, Paired With Ant's Brooding And Melodic Production,Made The Album Stand Apart From Its Predecessors And Peers.Overcast! Covers A Range Of Topics And Moods, From Thedramatic Storytelling On "Wnd", To The Sobering Reflections On"Caved In", To The Meticulous Imagery And Cultural Dissectionon "Clay", All Joined By A Wealth Of Clever Punchlines Andmetaphors Coming Together To Form A Well-Balanced And Diversecollection Of Lyricism. Of Course, There's Also "Scapegoat", With Its Beautifully Ominous Musical Backdrop And Slug's Perfectly Scripted Satirical Rant, Which Took The Underground By Storm And Played A Significant Role In Opening Ears Around The World To Give A Listen To What Atmosphere And Rhymesayers Had To Say. Although Widely Considered An Underground Classic, The Full Length Overcast! Album Was Never Pressed On Vinyl Until Alimited Edition Run Hit Stores In 2017, In Celebration Of Thealbum's 20th Anniversary. Now Re-Packaged And Produced Forwider Distribution, Fans Everywhere Can Add This Re-Masteredmasterpiece To Their Collection. Celebrate Atmosphere'slegacy Of Creative Expression With The Album That Started It All!

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Mase

Harlem World

44,99 €*

Release: 1997 / EU – Reissue

Genre: Hip Hop

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CD | 1997 | US | Reissue (Empire)

Timbaland & Magoo

Welcome To Our World

Release: 1997 / US – Reissue

Genre: Hip Hop

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2LP | 1997 | CA | Reissue (Blackground)

Timbaland & Magoo

Welcome To Our World

25,64 €* 26,99 € -5%

Ghetto Millionaire Record Store Day 2024 Baby Blue & Black Galaxy Vinyl Edition

Release: 1997 / CA – Reissue

Genre: Hip Hop

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Widespine Jacket, Black Vinyl. Welcome To Our World is the debut studio album by the Norfolk, VA duo Timbaland & Magoo. First released in 1997 by Blackground Records, the platinum selling album features guest appearances from artists such as Missy Elliot, Aaliyah, Ginuwine, and Playa. Known as a classic among duos in Hip-Hop history, the album features singles such as "Up Jumps Da Boogie," "Clock Strikes," & "Luv 2 Luv Ya."

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Royal Flush

2LP | 1997 | US | Reissue (Coalmine)

41,79 €* 43,99 € -5%

Ghetto Millionaire HHV Exclusive Black Vinyl Edition

Release: 1997 / US – Reissue

Genre: Hip Hop

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Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

Ghetto Millionaire Is Set For An RSD 2024 Reissue In A Baby Blue And Black Galaxy Colored Vinyl Pressing Coalmine Reissues is pleased to announce this special edition reissue of Royal Flush’s time honored debut LP, Ghetto Millionaire, marking just the second time that the vinyl has ever been repressed. Royal Flush first jumped on the scene as a part of New York’s burgeoning Queensboro hip-hop scene of the mid 90s. Coming up under the wings of Mic Geronimo as part of the infamous Wastlanz crew, Flush shadowed Geronimo on over half of the album cuts featured throughout Geronimo’s The Natural, creating a memorable one-two punch akin to Ghostface Killah’s heavy presence on Raekwon’s Only Built 4 Cuban Linx. Flush’s solo debut Ghetto Millionaire hit in August of 1997 and perfectly captures the mid-to-late 90s sound of East Coast street rap with a notable production roster that boasts Da Beatminerz, L.E.S., Buckwild, Hi-Tek and Chyskillz among others. Ghetto Millionaire is a memorable trip to the latter half of the Golden Era, abound with Flush’s crime-ridden world of hardcore street rap that’s backed by a first-rate soundscape.

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Royal Flush

2LP | 1997 | US | Reissue (Coalmine)

34,99 €*

The Miseducation Of Lauryn Hill

Release: 1997 / US – Reissue

Genre: Hip Hop

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Limited to 300 copies.

Coalmine Reissues is pleased to announce this special edition reissue of Royal Flush’s time honored debut LP, Ghetto Millionaire, marking just the second time that the vinyl has ever been repressed. Royal Flush first jumped on the scene as a part of New York’s burgeoning Queensboro hip-hop scene of the mid 90s. Coming up under the wings of Mic Geronimo as part of the infamous Wastlanz crew, Flush shadowed Geronimo on over half of the album cuts featured throughout Geronimo’s The Natural, creating a memorable one-two punch akin to Ghostface Killah’s heavy presence on Raekwon’s Only Built 4 Cuban Linx. Flush’s solo debut Ghetto Millionaire hit in August of 1997 and perfectly captures the mid-to-late 90s sound of East Coast street rap with a notable production roster that boasts Da Beatminerz, L.E.S., Buckwild, Hi-Tek and Chyskillz among others. Ghetto Millionaire is a memorable trip to the latter half of the Golden Era, abound with Flush’s crime-ridden world of hardcore street rap that’s backed by a first-rate soundscape.

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Lauryn Hill

CD | 1998 | EU | Reissue (Columbia)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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2LP | 1998 | EU | Reissue (Capitol)

Beastie Boys

Hello Nasty

Release: 1998 / EU – Reissue

Genre: Hip Hop

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CD | 1998 | US | Reissue (Interscope)

2Pac

Me Against The World

20,99 €*

Release: 1998 / US – Reissue

Genre: Hip Hop

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The Miseducation Of Lauryn Hill

Lauryn Hill

2LP | 1998 | EU | Reissue (Legacy)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-01

So so classic album by The Fugees' first lady!

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2LP | 1998 | EU | Reissue (Columbia)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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CD | 1998 | EU | Reissue (Hip Hop Enterprise)

Paula Perry

Tales From Fort Knox

20,99 €*

N.O.R.E. Clear w/ Blue Splatter Vinyl Edition

Release: 1998 / EU – Reissue

Genre: Hip Hop

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"Paula rapped for the first time over the phone. I was impressed that she just rapped at the drop of a dime, no hesitation. She didn't explain what the rhyme was going to be about , she just rhymed!" Masta Ace recalls. "The female rappers who were out in rap at the time weren't really flowing as well -- on record or at shows -- as she did over the phone.”

Ace liked Paula's style and put her down with The INC., where she was featured on “Who u Jackin'" (from the LP Slaughtahouse) as well as doing background vocals for “What's Going On”, and "Eastbound." Paula also later appeared on the 1995 Sittin' on Chrome album tracks “This Ain't No Game" and "The 8-Side." While being a member of The INC. Paula toured the world with Ace, sharing the stage with the likes of Notorious B.I.G., Wu-Tang Clan, Warren G., Blackstreet, and Queen Latifah.

In getting a deal for Paula, Ace decided to create the music and get it out to the underground, instead of taking the customary route of shopping a demo tape to various record labels. They concocted "Paula's Jam (I Keep It Real Like That)" and after the song was completed, he pressed up some vinyl and shipped it to the top DJ’s all over the country. Once the record was serviced, it immediately became a mixtape staple and requests for the record came from all over including record stores, radio stations, clubs and college radio. Early supporters include New York DJ's Red Alert and Funkmaster Flex, mixtape kings Mister Cee and D.J. Clue, along with Wu-Tang's Method Man and rapper Redman. Record labels were bidding for Paula, but Loose Cannon won out.

"Paula Perry is one of the most talented rappers I've ever heard. She epitomizes what the label is looking for -- raw talent and in your face style. Paula's a true loose cannon and we look forward to blowing up the spot with her," says Lisa Cortes President of Loose Cannon Records.

All the info above are parts taken from an original press release issued by Loose Cannon Records after “Paula’s Jam” was released and in anticipation of the full album that would later become known as “Tales From Fort Knox”. Soon after in 1996 Polygram made the decision to discontinue “Loose Cannon Records” and from the entire label roster only Buju Banton was retained. Paula then shortly fell under the Mercury umbrella but after a lot of in-house changes she ended up at Motown, who planned to release the album on their “Mad Sounds Recordings” sublabel which was primarily focused on hip-hop. When it was time for “Extra, Extra!!” to be released, the label had shifted big chunks of Paula’s promotional budget to Queen Latifah and eventually the album ended up getting shelved.

The album contains production by Domingo, DJ Premier, Easy Mo Bee, Masta Ace (Ase One), Clark Kent, Fanatic, DR Period, Jesse West and features by Masta Ace, Jesse West, Lost Boyz, Kelly Price, Bahamadia, Heather B, Nikki D, Precious Paris & Rah Digga.

Limited to only 350 copies, including a 4 page booklet and all tracks have been remastered by Tradd. The CD version will also have an extra bonus track, the "Paula's Jam (Remix)" produced by Knobody.

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Noreaga

2LP | 1998 | US | Reissue (Tommy Boy)

33,99 €*

B.H.P. (Black Hole Posse)

Release: 1998 / US – Reissue

Genre: Hip Hop

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Raised in Queens, New York, rapper, actor, and media personality Noreaga (N.O.R.E) has spent the better part of the last 3 decades topping charts, pushing buttons and capturing the world's attention. While he may be known these days as the host of one of the most popular podcasts in the world, "Drink Champs, " it was his earlier work as an unapologetic, energetic MC that helped to catapult the multi-talented artist into the spotlight. First making waves with his work as one half of duo Capone-N-Noreaga alongside fellow Queens rapper Capone, N.O.R.E.'s career has been unrelenting since first hitting the charts in 1997. Shortly after the release of their massively successful debut album, "The War Report", Capone landed himself back in prison and N.O.R.E. moved ahead as a solo act, finding further success with his first, self-titled album, "N.O.R.E.". Released in 1998, the album catapulted up the charts, peaking at #3 on the Billboard 200 and went on to be certified platinum by the Riaa. With features from fellow NYC MC's Nas, Kool G Rap, Big Pun and Busta Rhymes and featuring production from then-up-and-coming producers, The Neptunes and Swizz Beatz, "N.O.R.E.", was praised by critics for it's modern, futuristic sound and helped to further cement N.O.R.E.'s spot as one of the most successful and memorable artists in Hip Hop. Thanks to the massive success of singles like, "Superthug", "N.O.R.E.", and legendary posse cut, "Banned from T.V.", N.O.R.E.'s debut album has continued to find success around the world and is without a doubt an undisputed classic amongst Hip Hop heads. As part of their 40th Anniversary celebration, Tommy Boy will be reissuing this game-changing album in limited, colored vinyl which is sure to be a must have for records collectors far and wide.

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Eastbound Black Vinyl Edition

2LP | 1998 | US | Reissue (Mint Underground)

52,99 €*

B.H.P. (Black Hole Posse)

Release: 1998 / US – Reissue

Genre: Hip Hop

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B.H.P. (Black Hole Posse) is a legendary Denver, Colorado based rap group which consists of AK Love and O.G. Glide. This is there album titled, "Eastbound". The production on Eastbound is superior to most albums from the late 1990's. The "Nightfall" introduction is reminiscent of a Sade sound. Other songs like "The Block", "Scrilla", "Ride With Me" and "Niggas Be Hatin'" are solid hardcore gangster tales over laid back G-Funk Rhythms. Then there's tracks with versatile lyricism over being conveyed over dark and hard hitting gangster funk beats such as "Lyrical Twist", "Is There A Place", and "Valley Of Death". Let's not forget the mob style tale song's that even the women can get with like "Ballin'" and "Lover & Friend". There's also a club banger in "All Nite". This album is full of pure dopeness for you eardrums! We highly recommend this album to all Hip Hop enthusiasts.

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Eastbound Clear Vinyl Edition

2LP | 1998 | US | Reissue (Mint Underground)

45,04 €* 52,99 € -15%

Heist Of The Century Black Vinyl Edition

Release: 1998 / US – Reissue

Genre: Hip Hop

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La The Darkman

2LP | 1998 | US | Reissue (Coalmine)

36,99 €*

The Miseducation Of Lauryn Hill

Release: 1998 / US – Reissue

Genre: Hip Hop

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To celebrate the 25th anniversary of La the Darkman’s Heist of the Century LP, Coalmine Records has partnered up with the Brooklyn native for a special edition vinyl reissue, marking the first time that the record’s been repressed since its original release. This album is widely regarded as one of the strongest and most underrated releases from a Wu-Tang Clan affiliate, and it’s easy to understand why once you hear its dynamic 18 tracks. The Killer Bee embodies the raw spirit of the Wu while adding his own signature gritty flavor throughout Heist of the Century. He shines whether he’s spitting solo on standouts like “Shine,” “Street Life,” and the title track, and when he’s joined by rap heavyweights like Raekwon, Ghostface Killah, U-God, Havoc, and Masta Killah and more. Rae actually delivers two show-stopping guest performances on ”Az the World Turns” and “Spring Water.”

The production lineup is just as serious, which boasts credits from the likes of RZA, DJ Muggs, Havoc, 4th Disciple, as well as Carlos “Six July” Broady—who produced 10 tracks—among others. Whether you were there day one, only started diving into the Wu’s vast discography recently, or somewhere in between, you’d be hard-pressed to find a better representation of their sound than Heist of the Century.

“Heist of the Century undeniably continues in the vein of the surrealistic, orchestral sound that branded the Wu-Tang Clan as one of the most revolutionary hip-hop groups of the decade.”-MTV

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Lauryn Hill

2LP | 1998 | EU | Reissue (Legacy)

CD | 1999 | EU | Original (MCA)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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So so classic album by The Fugees' first lady!

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The Roots

Things Fall Apart

Release: 1999 / EU – Original

Genre: Hip Hop

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Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.

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Los Grandes Éxitos en Español

LP | 1999 | EU | Reissue (Music On Vinyl)

28,99 €*

2LP | 1999 | US | Reissue (Rhymesayers)

Release: 1999 / EU – Reissue

Genre: Hip Hop

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Cypress Hill was the first Latino American hip hop recording group to have platinum and multi-platinum albums, selling over 18 million albums worldwide.

They are considered to be among the main progenitors of West Coast Rap and Hip Hop in the early 90s, being critically acclaimed for their first four albums.

The band has also been important for the advocacy of medical and recreational use of cannabis in the United States.

Los Grandes Éxitos en Español is a greatest-hits album in Spanish by Cypress Hill. It was certified Platinum by the RIAA.

With exception of the last track, which was previously unreleased, together with "Latin Lingo," and "Tres Equis" which appeared on Cypress Hill, the album features old songs with new Spanish lyrics.

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MF DOOM

Operation: Doomsday

33,99 €*