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"The person who follows the crowd will usually go no further than the crowd. The person who walks alone is likely to find himself in places no one has ever seen before" - Albert Einstein Walking up the fairway the crowd leans in to catch a glimpse. The tee, the ball, the club, and the endless green stretching out in front. The crowd leans in further phone cameras eagerly clicking away. The golfer steadies himself and brings both hands to the brim of his hat. This shuts out all the spectators from his field of vision leaving only the ball and green to focus on. The noise of the crowd silences. Bless Picasso, the King of Tidewater, delivered a masterpiece with Rillest in the Room Volume One. The noise from fans or critics can tempt one to return to the same palette, use the same brushes once again. Fall victim to hype and predictability like making The Hangover Part II, same story, different country. Rillest in the Room Volume Two is different. Bless elevates not only with growth and maturity but also a vulnerability in his penmanship while remaining true to the production sound originated with Volume One. With fewer features on this album, the listener is able to focus more on skills that Bless so elegantly displays. Brushing off just servicing fans and instead, he challenges not only himself but the audience while always remaining entertaining.

Limited edition of 300 copies on black vinyl.

Moka Only has been a luminary in the Canadian hip hop for many years now with a vivid catalogue of releases. "AMALAMA" is his first collaborational effort with Paris-based producers extraordinaire Alcynoos & Parental laying the foundation for Moka's rhymes. Expect 15 tracks of creative hip hop plus all instrumentals included.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Record with just a few paper scuffs.
Includes original inner sleeve.

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

Reissue to celebrate the 30th anniversary of the legendary album - in limited edition for the first time again with "Gz Up, Hoes Down"!

To celebrate the 30th anniversary of Snoop Dogg's multi-platinum album 'Doggystyle', considered one of the most important albums of all time, Death Row Records is re-releasing the album on vinyl with the original tracklist from 1993. This new 30th anniversary edition will feature the track 'Gz Up, Hoes Down', which has not been on the album since it was pressed in 1993. For fans new and old, this is the ultimate version of the classic track that launched Snoop's solo career and helped define the sound of Los Angeles.

HHV exclusive vinyl edition on grey vinyl, limited to 200 copies.

Lyrically gifted, socially aware, and politically insightful, Talib Kweli is one of the most influential hip-hop artists of the last 25 years. His early collaborative albums with Mos Def and Hi-Tek were among the most important releases in the genesis of modern rap, forging a future for thought-provoking lyricism and raw soundscapes as mass commercialization threatened the soul of the genre. Now more than two decades into a thrilling solo career, Kweli has evolved creatively, whiling maintaining his artistic integrity. Known for classic collaborative albums with artists like J Dilla, MF Doom, and Freddie Gibbs, widely celebrated producer Madlib is a sampling savant and talented multi-instrumentalist. After releasing a groundbreaking joint project back in 2006, Talib Kweli and Madlib are reuniting for the highly-anticipated follow-up Liberation 2. Expansive in concept, the album is a vivid exploration of revolution, love, pan-Africanism, music, spirituality, and more, with Madlib’s jazz-inflected instrumentals providing the perfect soundtrack. A global call for unity through space and time, Liberation 2 features appearances by Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu, and more, plus a posthumous verse by Mac Miller. Not on traditional digital outlets, the album is now available in physical form for the first time ever.

HHV exclusive vinyl edition on red with black splatter vinyl, limited to 100 copies.

Prolific producer Stu Bangas is back with a new collection of hard-hitting collaborations on Death Wish (Part II), the much anticipated sequel to the 2021 original. The project finds the Boston beatsmith rocking with some of his favorite emcees of all time as well as familiar names who always seem to bring their best work to his instrumentals. For Stu, it’s an honor to work with the likes of Ras Kass and Psycho Les (of the Beatnuts). He made the connections while creating the phenomenal Empires LP with Eric Bobo (of Cypress Hill), and it led to the bangers you hear on Death Wish (Part II). The track with Ras, “Sus,” is an equally hilarious and hardcore takedown of weak-willed phonies, while Psycho Les teams with Celph Titled for the gangster-but-lighthearted “Y’all Clowns.” “I grew up on all the Beatnuts albums, my whole group of friends loved them,” Stu says. “And Soul on Ice by Ras Kass? That’s a certified classic for any hip-hop head.” The other tracks on Death Wish (Part II) include more standout features, from the shoulder-brushing raps of Ty Farris on “Of Course It’s Me,” to the appropriately titled “Feeling Brolic” with Recognize Ali & Mr. Lif. And if you’re left wanting more from Stu and his stable of raw collaborators, keep an eye out for what’s next from the producer. In addition to plans for more joint projects and instrumental releases, he is already starting to stash songs for a Part III.

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter. A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture - and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with." Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "SolutionismÖs careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability - and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonometry," that "white dove is a pigeon - you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

12" matte gatefold jacket, white color double vinyl & embossed reverse board record sleeves.

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter. A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture - and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with." Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "SolutionismÖs careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability - and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonometry," that "white dove is a pigeon - you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

In celebration of hip-hop’s 50th anniversary, the iconic Def Jam Recordings brings us some of its classic repertoire on vinyl in a spectacular “fruit punch” variant – a color emblematic of its longstanding association with Def Jam. Some titles include Public Enemy’s Yo! Bum Rush the Show, Ludacris’ Word of Mouf, Method Man’s Tical, and Slick Rick’s The Great Adventures of Slick Rick.

After years in the making, last year we released our The Low End Theory 7" Box Set for the 30th Anniversary. It was a labor of love and a work of art. We know there are DJs out there asking and vinyl purists that aren't interested in colored vinyl so we have pressed up the collection on all black 7" vinyl.

Originally released 32 years ago on September 24, 1991, A Tribe Called Quest's second studio album is regarded as one of the greatest hip-hop albums of all time. From Check The Rhime to the posse cut Scenario, the trio of Q-Tip, Phife Dawg, and Ali Shaheed Muhammad deliver jazzy hip-hop beats and rhymes like butter.

Limited Edition Box Set Includes:

-The full album is presented on eight black 7" records with 2 bonus tracks.

-Five of the 7" records are housed in custom picture sleeves that form the iconic album cover along with 3 replicas of the original 12-inch singles that were released.

-The 7" collection is housed in a deluxe, fabric-wrapped 45 singles carrying case, with 360-degree original album art and custom inner wrapped ATCQ logo graphics and group photo.

US-Megastar Travis Scott veröffentlicht sein neues Album UTOPIA. Das Album erschien bereits am 28.07. digital und nun auch endlich auf CD. Auf dem Album sind neben Beyoncé, Drake und The Weeknd auch weitere Superstars wie 21 Savage, Future oder SZA als Feature-Artists zu Gast und machen das neue Album des Megastars zu einem absoluten Highlight des musikalischen Jahres. Gestartet wurde die Kampagne mit der Veröffentlichung des Songs "K-POP" zusammen mit Latin-Superstar Bad Bunny (meistgestreamter Künstler des Jahres) und The Weeknd. Gefeiert wurde der Release dementsprechend aufmerksamkeitsstark mit einer ausverkauften Riesen-Show im Circus Maximus in Rom vor mehr als 60.000 Menschen. Das Album erreichte in mehreren Ländern der Welt bereits Platz 1 der Verkaufscharts und gilt schon jetzt als eines der fortschrittlichsten und einzigartigsten Hip-Hop-Alben der Geschichte.

Auf der CD sind analog zum digitalen Produkt alle Tracks des Albums UTOPIA enthalten inklusive MELTDOWN.

Limited to 300 copies.
When an artist consistently creates at the forward edge, there are no guardrails. Quelle Chris has been comfortable at the boundaries, leading Hip-Hop since he started.

Quelle’s vision extends beyond genre or format. He continued broadening his creative ambitions even beyond his own legendary four album run (BYIG, Everything's Fine, Guns, Innocent Country 2) and worked with Chris Keys to compose part of the score for the Oscar-winning film “Judas and The Black Messiah” with director Shaka King.

The new album, “DEATHFAME,” is a sonic treatment produced by Quelle himself, along with Chris Keys and Knxwledge. The record carries on like an incredible lost tape found at a flea market. It explores, unflinchingly, every moment of the trials the early 2020s has brought to all of us. Guests Navy Blue and Pink Siifu lend brilliance to the dynamic and unexpected new album coming May 13th on Mello Music Group.

The long awaited official release of "Thy Kingdom Come"! "Thy Kingdom Come", originally scheduled for release on June 30, 1998 on Dr. Dre's Aftermath Entertainment, is the fifth studio album from King Tee. Recorded at the same time as the multi-platinum albums Dr. Dre - "2001" and Eminem - "The Slim Shady LP", "Thy Kingdom Come" features guest appearances from Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA legend Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - to name a few. Production on the album was handled by Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) and Dr. Dre's Aftermath producers DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor and Fredwreck, as well as Ant Banks, Step One and SLJ. The album was mixed and supervised by Dr. Dre. Remastered in high-resolution 24-bit 44.1 kHz audio in 2022.

R.I.P. Trugoy the Dove

Finally, back on vinyl. Now as a double vinyl LP, officially reissued. This is the yellow indie exclusive vinyl edition. Must have!

3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989. It marked the first of three full-length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me, Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll in 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

Limited edition of 300 copies.

Would there have been a Nujabes without the Specifics? Definitely, but that doesn’t take anything away from one of the finest examples of lo-fi hip-hop during its original golden age. The Montreal group released their debut album, Lonely City, in 2004, over a decade before YouTube streams with millions of viewers brought lo-fi hip-hop to the public consciousness. Despite its age, the album still sounds fresh; jazzy samples, mellow beats, and downtempo rhymes combine to create a sound both relaxing and intriguing, perfect whether you want to put it on as you study, or sit down and really listen to it. In the two decades since its initial release, the Specifics have gained high praise in the lo-fi hiphop scene, with appearances on albums such as the Nujabes compiled “modal soul classics by Nujabes” and the posthumous tribute “modal soul classics II-dedicated to…Nujabes”. But at the end of the day, it all comes back to Lonely City. With unmistakable analog warmth, and the iconic original artwork once again adorning the cover, this album has never looked or sounded this good. Don’t miss Lonely City, available with a Japanese obi-strip for the first time ever, only from P-vine Records!

All Eyez on Me is the fourth studio album by 2Pac and the last to be released during his lifetime. Released on 13th February, 1996, by Death Row and Interscope Records, the album features guest appearances from Dr. Dre, Snoop Doggy Dogg, Redman, Method Man, Nate Dogg, Kurupt, Daz Dillinger, E-40, K-Ci & JoJo, and the Outlawz, among others.

The album features productions by Shakur alongside a variety of producers including DJ Quik, Johnny “J”, Dr. Dre, DJ Bobcat, Dat Nigga Daz, DJ Pooh, DeVante Swing, among others.

The album includes the number-one singles “How Do U Want It” (featuring K-Ci and JoJo) and “California Love” (with Dr. Dre, featuring Roger Troutman) and the hip-hop ballad “I Ain’t Mad at Cha”, along with the Snoop Dogg collaboration “2 of Amerikaz Most Wanted” as a promotional single. It featured four singles in all, the most of any of Shakur’s albums. Moreover, All Eyez on Me made history as the first ever double-full-length hip-hop solo studio album released for mass consumption globally.

All Eyez on Me was the second album by 2Pac to chart at number one on both the Top R&B/Hip-Hop Albums charts, selling 566,000 copies in the first week.

Upon release, All Eyez on Me received instant critical acclaim, and it has been ranked by critics as one of the greatest hip hop albums, as well as one of the greatest albums of all time. In 2020 the album was ranked 436th on Rolling Stone‘s updated list of the 500 Greatest Albums of All Time.

Grab a poster from our bonus coin section.

Limited to 3000 silver colored copies for Germany, Switzerland and Austria. In this region only available at HHV.

Limited edition of 1000 copies.

Until the End of Time is the seventh studio album, and third posthumous album by 2Pac. It follows his previous posthumous albums R U Still Down? (Remember Me) and Still I Rise. The album consists of material recorded while the rapper was on Death Row Records from 1995–1996. The album debuted at number one on the US Billboard 200 chart.

A majority of the music compositions were remixed from their original state. Highly anticipated, Until the End of Time was ultimately one of the best selling hip hop albums of 2001. There were only three times references to Death Row Records were not censored (“Until the End of Time” (both versions), “U Don’t Have 2 Worry”, and “All Out”). The core vocal tracks and some instrumentation was recorded during and after the All Eyez On Me and Makaveli: The Don Killuminati: The 7 Day Theory sessions.

This will be a 180 gram 4LP 20th anniversary reissue of the long out-of-print, 4x platinum, posthumous album.

Mit Beastie Boys Music wird am 23. Oktober eine Sammlung von 20 Songs veröffentlicht, welche die mit dem GRAMMY®-Preis und mehrfach mit Platin ausgezeichnete Karriere der Beastie Boys umfasst. Die auf der Sammlung enthaltenen Beastie Boys-Klassiker aus der über 30-jährigen Karriere der Band umfassen u.a. "Fight For Your Right", "Brass Monkey" und "So What’Cha Want" von den gefeierten Alben Licensed To Ill und Check Your Head. Aber auch andere Alben, wie z.B. Ill Communication, Hello Nasty und To the 5 Boroughs sind durch Hits auf dem Album vertreten.

Die Sammlung ist ein Pendant zu dem von der Kritik gefeierten Dokumentarfilm Beastie Boys Story, der aktuell für 5 Emmys® nominiert ist.

Das Album wird digital, auf CD und als 180 Gramm Doppelvinyl-Set erhältlich sein.

"New York-based emcee Rome Streetz has been making steady strides in the
industry as of late, releasing six albums and five EPs over the last four years. This
year, Rome went back to the lab to bring you Noise Kandy 4, the fourth installment of
his acclaimed Noise Kandy series. The brand new 12-track album brings Rome’s
lyricism to the forefront, with only Estee Nack and Bub Rock contributing guest
verses. The beat selection conjures up the classic NY feel with production from Sebb
Bash, Futurewave, Wavey Da Ghawd, The Artivist, and more.
Originally born in Queens, Rome has been a true vagabond his entire life and
his artist name pays homage to his nomadic lifestyle. His unique style and rhyming
technique is best described as a mix of gritty New York boom bap with London grime.
In a time where hip hop music has become obsessed with keeping up with the
latest trend, Rome has always stayed true to himself. Rather than simply ride the
beat, Rome brings his verbal prowess to the forefront and transforms each song into
something special.
Rome looks to continue his hot streak, having worked with Westside Gunn, Planet
Asia, Rigz, Camoflauge Monk, Madhattan, IceRocks, 38 Spesh, Ankhlejohn, Farma
Beats, and more. Most recently, Rome was featured alongside Westside Gunn on his
latest album Flygod is an Awesome God 2. As his name grows, Rome’s talent is sure
to have everyone taking notice."

Born Jayceon Terrell Taylor, two-time GRAMMY® Award nominated multiplatinum Compton rapper, songwriter, producer, actor, and entrepreneur. The Game locked down a place in the pantheon alongside greats of both coasts by a combination of bar-for-bar bravado, provocative observation, hard-hitting hooks, and sharp introspection. And now the prolific rapper returns with his 9th album fittingly titled, Born 2 Rap.
The Game’s prior album 1992 debuted #1 on Billboard’s “Top Rap Albums Chart” and tied Drake for most #1 album debuts since the chart began in 2004. Also, the album gave The Game his eighth #1 on Billboard’s “Top R&B/Hip-Hop Albums Chart” tying him for third with 2Pac and Lil Wayne. He started this impressive legacy with doubleplatinum 2005 full-length debut, The Documentary. It not only bowed at #1 on the Billboard Top 200 and garnered GRAMMY® nods in the categories of “Best Rap Song” and “Best Rap Performance By a Duo or Group,” but it also emerged as a classic avowed by Pitchfork among the “Top 50 Albums of 2005”. The 2006 followup Doctor’s Advocate retained his spot at #1 on the Billboard Top 200 and went platinum. Maintaining positions in the Top 10, he ignited a prolific string of blockbuster releases—L.A.X. [2008], The R.E.D. Album [2011], Jesus Piece [2012], Blood Moon: Year of the Wolf [2014], The Documentary 2 [2015], The Documentary 2.5. [2015], and 1992 [2016].
2018 saw a trio of recent singles achieve RIAA certifications with “100” [feat. Drake] platinum and “El Chapo” with Skrillex and “All Eyez” [feat. Jeremih] both gold as his total stream tally exceeded 3 Billion across platforms. Television and film credits span everything from Jimmy Kimmel LIVE! to the upcoming All-Star Weekend directed by Academy® Award winner Jamie Foxx and co-starring Robert Downey Jr. and Benicio del Toro.

Limited to 300 copies for the european market!

"This album is inspired by the book, “Let Love Have The Last Word” which gave me a path to write about things I had never written about before. It forced me to go deeper and because I opened up about so many things in the book, I was charged to go to raw, personal and spiritual places in the music. Production-wise, I knew that the music had to have depth, soul and dimension to it. I wanted the musicianship and the spirit of what live music brings but it also had to have something raw and basement about it. When my team said, "You should do some music revolving around the book.", I just took that energy and went running into my artistry without focusing on anything else. No movies, no commercials, no parties (well, I don’t do that too much anyway) and I just worked on music. So this album is the culmination of this journey, this passion and this Divine Love that I have for one of GOD's greatest gifts - MUSIC.” - Common

"This album is inspired by the book, “Let Love Have The Last Word” which gave me a path to write about things I had never written about before. It forced me to go deeper and because I opened up about so many things in the book, I was charged to go to raw, personal and spiritual places in the music. Production-wise, I knew that the music had to have depth, soul and dimension to it. I wanted the musicianship and the spirit of what live music brings but it also had to have something raw and basement about it. When my team said, "You should do some music revolving around the book.", I just took that energy and went running into my artistry without focusing on anything else. No movies, no commercials, no parties (well, I don’t do that too much anyway) and I just worked on music. So this album is the culmination of this journey, this passion and this Divine Love that I have for one of GOD's greatest gifts - MUSIC.” - Common

N.E.R.D’s "In Search Of..." is the debut studio album by the American band, originally released in 2001, and reissued in 2002 with a significant change in sound. The band, consisting of Pharrell Williams, Chad Hugo (both also known as the production duo The Neptunes), and Shay Haley, crafted a genre-blending project that marked a shift in the way hip-hop, funk, and rock could come together in mainstream music.

"In Search Of..." fuses hip-hop, rock, funk, and R&B into an eclectic sound that was highly innovative at the time.

The album was released in two versions:
2001 Version: Heavily electronic, incorporating synthetic beats and drum machines, typical of The Neptunes' production style.
2002 Version: Re-recorded with live instruments, featuring the band Spymob. This second version has a rawer, more organic rock feel, giving the album a different energy and appeal.

The lyrics on "In Search Of..." are a mix of youthful rebellion, self-reflection, and social commentary. Some recurring themes include:

Personal freedom and identity: The album often explores the idea of breaking free from societal norms and expectations.
Power and politics: Tracks like "Lapdance" offer a cynical take on politicians and authority figures.
Relationships and desire: The album also delves into personal relationships, touching on lust, romance, and heartache.

Notable Tracks:
"Lapdance": A standout track known for its aggressive beat and politically charged lyrics, criticizing corruption and manipulation in politics.
"Rock Star": A high-energy anthem that channels frustration with societal pressures and celebrates nonconformity.
"Provider": One of the more introspective songs on the album, telling the story of a man struggling to provide for his family while making difficult choices.
"Truth or Dare": Featuring Kelis, this track mixes funky beats with provocative lyrics, offering a lighter, playful side to the album.
4. The Concept Behind the Album Title:
The album's title, "In Search Of...", reflects the band's desire to explore new musical and thematic territories. It’s also a nod to the 1970s American TV show In Search Of..., which investigated mysterious phenomena, paralleling N.E.R.D.'s exploration of uncharted musical landscapes and personal identity.

"In Search Of..." was groundbreaking in its approach to combining genres, breaking the mold of what was expected from a hip-hop project. Pharrell, Chad, and Shay’s ability to blend live instrumentation with hip-hop production created a blueprint for future artists to mix rock and urban sounds. The album became a touchstone for genre-bending artists and a precursor to Pharrell’s later solo work.

Although "In Search Of..." did not achieve massive commercial success upon its initial release, it was critically acclaimed and has since gained a cult following. The innovative sound and unique blend of genres helped establish N.E.R.D. as pioneers in the music world, influencing a wide range of artists across various genres.

N.E.R.D.'s "In Search Of..." remains a seminal album that pushed the boundaries of genre and sound. Its blend of live instrumentation with hip-hop, rock, and funk created a distinctive sonic identity that resonated with listeners seeking something outside the norm. The album not only showcased the diverse musical talents of Pharrell Williams, Chad Hugo, and Shay Haley but also laid the groundwork for the genre-fusion movement that would follow in the years to come.